Kealan Patrick Burke, Harry Shannon

Concrete Gods

Copyright © 2003 by Kealan Patrick Burke and Harry Shannon

"Birth and death are so closely related that one could not destroy either without destroying the other at the same time. It is extinction that makes creation possible"

– Samuel Butler

"Whoa! You've got to be kidding."

Andy Scanlon closed his eyes and gripped the ropes holding the platform in place as the universe twitched and trembled. What the fuck was that, a gust of wind? He'd been washing windows for more than six months, but still hadn't gotten used to the intense feeling of vulnerability. Andy's cousin Barney seemed to love dangling twenty stories up, but then Barney was known to be a couple of cans short of a six-pack.

Andy swallowed his fear, forced his eyes open. If he squinted, he could see past the reflected sunlight and into the crowded office on the other side of the window. An obese woman wearing a telephone headset stared back at him; eyes popping, jaw dropping, chocolate pudding girth shaking uncontrollably. Christ, she felt it, too!

He shaded his eyes, peered inside. Several confused men wearing slacks and white short-sleeved shirts with cheap ties had dropped their stapled papers, manila files and Styrofoam cups of coffee to seek the perceived shelter of a doorway. Andy felt his bowels loosen. He reached for the pulley, saw that his hand was shaking badly. He started lowering the platform. The large plastic bucket of detergent began to slosh back and forth in bubbled waves.

The building rippled like a body in the throes of fever. He tried lowering a bit faster. He was one floor lower, now and could see people screaming and struggling to make it to the exits, the stairwells, the elevators. Something popped and singed; a loose wire from the scaffolding.

Andy screamed, too.

The platform eased away from the office building, lazily twisted in the wind. Two of the support ropes hissed and began to unravel. Andy had just enough time to take a deep breath and then the scaffolding slammed back into the side of the building and dissolved into splintering pieces. His head burst open. His scalp ran red. Andy floated through the screeching atmosphere like a skydiver. The ground below seemed motionless, frozen for a few seconds and then it rushed at him--a hungry mouth with asphalt teeth and a sidewalk for a tongue.

Seconds later, he crashed into the cement, colliding with and killing numerous pedestrians who hadn't thought to look up. What remained looked inhuman, multi-colored entrails festooning the sidewalk and pints of fresh blood flowing down the gutter and into the bowels of the city.

It was time.

* * *

From restless dreams of smoke and shadow, it has awakened…

At first, confusion reigns. And then this new dawn sends rays of realization to stroke the stone walls of its domain.

Its skin.

It is alive again. Aware.

For decades it has lain still, pondering, growing hungry; weathering the repulsion that sends ripples through its mind. It despises the feel of those bags of skin and bone that traipse over its hide like fleas on a drowsy dog. Humans burst apart like fleas when bitten, and they are parasites who serve no greater purpose.

It bears its disgust well but unlike so many of its brethren, its patience has worn thin. It growls. Now and again a shudder escapes and those fleas panic, feeling the skin shift beneath their feet. This brings an inner smile to the city. It drinks down the blood and offal; an appetizer while it ponders its return.

And as it crouches and thinks (such a glorious novelty, this consciousness!), it determines it shall rid itself of the multitudinous parasites wearing tracks upon its nerves.

* * *

Bo Whitley was savoring breakfast from a screw-top wine bottle when the alley began to tremble.

Any semblance of clarity had left his plagued mind hours ago, consciousness departing on a train reluctant to see another familiar station. For Bo, the soporific deadening of his schizophrenic mind was sheer bliss.

The trembling started in his weakened legs--a slight vibration in his bones that didn't even warrant his attention at first. And when his shoes began to slip from his feet and a trashcan began a crazy, rattling dance near the mouth of the alley, Bo just smiled. He was accustomed to seeing a lot of remarkable things. But when the mouth of the alley bent into an arch as if the two buildings through which it ran were leaning over to study him, that smile faded. Shit!

Dust rained down on his forehead, coating his protruding tongue like cobweb-shrouded snowflakes. Bo coughed and pushed himself up from the comfort of a torn blue sleeping bag; but then the ground wavered, or else he did. Bo wasn't certain. All he knew was it was no longer possible to stand.

Somewhere in another time and place, a woman screamed. Police sirens wailed. Horns honked. Cars screeched to a halt. The walls of the alley shimmied and boogied and chuckled like October dark.

And Christ, was that some shadowy eyeball forming on the side of the building in front of him?

Sure. Right.

That was, of course, impossible.

But there it was, blinking and shot through with gossamer veins. Bo knew it was a hallucination--punishment perhaps for his violation of countless oaths of abstinence--but it inspired him to try harder to stand. Eventually he turned his back on the eye, lowered his gaze and watched his torn tennis shoes as he wobbled toward the mouth of the alley. He was muttering, now; reassuring himself with phrases that would have made no sense to anyone else. Finally, he looked up.

Figures whipped past the alley entrance, moving too fast for his booze-heavy eyes to follow. He cursed the fleeing blurs. Another siren, close. Cops? Had he done something wrong lately that he should really try to remember? Those friggin pigs were always on his ass about something.

The earth rumbled, cracked, and heaved him toward the far wall. His palms slapped hard against the cold stone. The daylight narrowed to dusk, or was it just his rheumy eyes?

No.

What the hell?

He glanced over his shoulder and frowned. The alley was…closing. But how could that be?

I'm as drunk as a skunk, he thought and chuckled, thin streams of drool dripping from the corners of his mouth. Man, I'd kill for a cheeseburger right about now.

The wall moved. Shifted. Rocked. Bo looked up and was struck with a vertiginous sense of dread.

The top of the frigging building was tipping its hat at him. Howdy, Bo!

He opened his mouth to moan in dismay, finally realizing that the drink was not to blame, not for this waking nightmare. In fact, now the alcohol was rapidly escaping from his body, soaking his legs as the hat tipped, slipped and a legion of falling slates increased Bo's number a thousand fold.

* * *

Nearby, Alistair Corby saw the wino's death but paused only momentarily to grimace before the tilting pavement propelled him onward. Like everyone else, he tried to run without knowing why or where.

What the hell is going on?

It was an earthquake. It had to be. But earthquakes were rare in Ohio, and one of this magnitude seemed impossible. Yet that was the only satisfactory explanation as to why the ground was heaving upwards, lifting cars on their rear wheels and rending the street apart.

Alistair ran, elbowing and jostling, cursing and hopping his way along, seeking the impossible…safety. The soundtrack of screams and car horns pierced both the air and his eardrums; he blocked them out, his maroon tie swung over his shoulder as if to watch the madness recede.

Someone screamed for help, somewhere up ahead. A quick scan of the sloping sidewalk showed a woman covered in blood, squatting on the curb, her hand outstretched. She didn't seem aware that a chunk of masonry the size of a basketball had put a deep depression in the top of her oozing head. Alistair sidestepped the brisk fount of blood shooting from her wound. He kneed away her outstretched hand and wondered how she still clung to life, or what she thought was to be gained by survival now that the city had seen fit to disfigure her. He tried not to meet her one remaining eye, and did not heed her agonized scream as he passed.

Doppler bent her pathetic wails as Alistair rounded the corner of Sixth and Maple. He sighed, only vaguely aware of the sweat trickling like moist spiders from his hairy armpits.

And then he halted, stunned by the tableau of total devastation that was laid out before him.

The road had become a crater. Thick billowing smoke shielded him from the worst of the carnage: The bumpers and crumpled hoods of cars stuck up from the hole at odd angles like frozen shark fins, trailing thick black tendrils of oily smoke. Alistair saw a handful of panicked motorists who had somehow survived being abruptly dropped into the chasm in the earth. They now clambered atop their vehicles like shipwrecked sailors and waved their arms at the uncaring sky.

The pungent smell of gasoline stung his nose.

Overhead, the suspended traffic lights blinked green, but no one heeded their consent.

From where he stood, he could see where the pavement had collapsed into the gaping hole, leaving sharp, gray edges of broken stone behind in rows of jagged teeth. And then they moved.

It's chewing, Alistair thought, absurdly. He was struck then by an impossible sight which registered in the periphery of his vision.

Through the thickening plumes of foul-smelling smoke, as rubber melted and fire spread, he saw that the buildings comprising the unspectacular skyline were shifting. The swaying of these concrete and steel behemoths seemed almost choreographed. As Alistair watched, one of them took a bow and was abruptly obscured by a blossom of fire within the widening crater.

A hoarse cry ripped through the smoke, followed by a shrieking, blistered man wearing a coat of raging fire.

Alistair stepped back and tried to run, but he was not quick enough.

The burning man embraced him, as if afraid to face his fate alone.

* * *

Catherine Banks whispered feverish prayers. Her husband drew her close against his chest. They were huddled in the basement, cold and afraid, with the groaning earth above them. Somewhere up there, little Perry was barking and whining. They could only imagine what the poor mutt was feeling.

"I should go get him," Jack said, but all courage drained from his voice and fear left his teeth clicking in time with the tremors. "He shouldn't be up there. Not alone."

They had left the basement door open but Perry hadn't followed. The dog had followed his instincts, barking and snarling in a reckless attempt to dissuade the threat that had engulfed them.

The chest freezer at their backs shuddered and died, the naked light bulb over their heads dancing between the oaken joists before it too, dimmed. They watched in fearful silence until it hummed and returned, re-washing the stone walls with warmth and shadow.

"It's not safe. Try calling him again," Catherine said. In truth, she was angry at her own selfishness. She didn't want Jack to go up there, to leave her where all she would hear would be her own heartbeat and the distant cries of her neighbors. She loved Perry, considered him part of the family, but couldn't bear the thought of being without Jack; being alone down here in the gloom.

Jack drew in a shaky breath and yelled for the dog. The barking stopped. Was he dead? Then they heard the scrabble of claws and a low whine and the barking recommenced, louder and more agitated than before. Jack cringed. "He's always been terrified of the basement. We'll have to drag him down here or he'll get hurt."

He made to move but Catherine pressed closer against him. She knew Jack loved Perry much more than she did but for God sake, going back upstairs when the kitchen ceiling had suddenly, without warning decided to come crashing down? It was sheer madness.

"You can't leave me here," she told him. Her hands, of their own accord, grabbed handfuls of his shirt. "Perry will be okay."

Jack cleared his throat and ran a grimy hand through her hair. "No he won't. He may be cute but he's also dumb as a sack of hammers. I have to get him before something happens to him."

Catherine held him where he was. "What about me?"

He gave her a weak smile. Stark terror and streaks of dirt added twenty years to his face. "It will only take a second."

"Jack, please."

A crackling noise, as if someone were walking on unstable ice. They froze. Listened.

Jack instinctively ducked his head, even though huddled beneath the archway beside the old boiler they were as low as they could get. The sound came again, and crouched within it was something like a low, coughing laugh. Catherine moaned.

"What is that?"

The sound seemed to surround them. The walls shook. The crunching and crackling rose in pitch and then faded, replaced by a hollow clunk and then silence. In a matter of seconds it was over.

"Jack?"

"I think the foundation is giving way."

"Oh Jesus. What are we going to do?"

He swallowed and she heard the resulting click. "Well, we can't stay here that's for damned sure."

"But this is supposed to be the safest place, isn't it?"

"Not if the whole house is going to come crashing down on top of us. We have to get out before it buries us alive."

"I'm scared, Jack."

He rose to a stoop and guided her up with a hand on her elbow. "So am I, but I think coming down here was a big mistake. In fact I think we did exactly the opposite of what they tell you to do in situations like this. We need to get out of the house."

"But what's happening? Is it an earthquake?"

"I don't know. I've never been in one before. Sure feels like it."

He stepped forward, their hands joined until Catherine pulled him back. "What is it?" he asked. The fear made the whites of his eyes seem almost luminous.

"Tell me we're going to be all right, Jack. I need to hear you say it. Please."

Jack nodded. "We're…" He stopped, turned his head toward the old wooden stairwell. Catherine tugged on his hand, frightened. "What? What is it?"

"Perry. He's stopped barking."

Together they listened for what seemed like an eternity. Finally, Jack yelled for the dog. Silence.

"C'mon," he said. The worry was evident in his tone.

Jack let go of her hand and batted away a veil of cobwebs that had draped itself over his face. Catherine looked around at the trembling walls.

Please, God, don't let us die down here.

Jack moved slowly toward the stairs, eyes darting to trace the origin of the slightest sounds. The light flickered. Catherine felt gooseflesh tap dance across her cold skin.

"Hold my hand," she whispered. Jack felt blindly for her and then a loud, resounding crack made them both cry out. The room shifted. Jack gasped and grunted as the stone surface upon which he stood separated, buckled and split.

"Oh Jesus," he moaned. He pushed Catherine away, planting a firm hand in the center of her chest. Another crack and then Jack dropped a notch. His arms and hands were now stretched out on both sides, as if he were walking a tightrope. "Shit Cathy, the floor's giving way."

Catherine began to weep. She jammed her knuckles into her mouth. She stepped forward and then back and then forward again, uncertain what to do but dreading the thought of watching him fall to his death before her eyes. "Oh God, Jack, what can I do?"

"N-nothing. Stay where you are. I'm going to try to make a jump for the steps."

The seven wooden steps leading to the basement door were only a few feet away, yet circumstance had made it seem an incredible distance.

Jack stood stock still, not breathing. He was little more than a silhouette framed by the lazy amber light drifting down to them from the bathroom beside the basement door. The floor had become a pane of ice, liable to break at the slightest move. Catherine's eyes were fixed on Jack's feet, willing them to float above the danger.

"Please be careful."

She thought he might have nodded but couldn't be sure.

"I'm going to go on the count of…"

The floor cracked again and this time a sliver of stone shot into the air and spanged! against the steaming boiler. Catherine ducked and wrapped her arms around her head. Jack yelped and tried to keep his balance.

"Oh shit…oh shit!"

"What can I do?" Catherine wailed; she was still dancing over and back, indecision tormenting her soul. "Please Jack, I have to do something."

"No!" he yelled back. "Just stay there. If I can make the stairs, you'll be able to jump across and I can help you from there. But for now, just stay still."

The room seemed to draw away from her; the doorway and the trembling outline of her husband pulling back. Now it was nothing more than a scene from some terrible dream. Catherine heard a cry in the distance. No, not a cry. Sirens! Police?

A spark of hope ignited in her chest. She began to whisper another prayer, hoping it would be heard and that they would live through this madness.

Jack edged toward the stairs. Another crack. Another step.

"Oh, no." A long breath.

And the floor caved in beneath him.

A startled cry, his body falling, here and then gone. Catherine rushing forward screaming, her caution forgotten. The floor rattled and jerked away from her. She slipped, wailing. The angry ground rose to collide with her face, shattering her nose and scissoring open her lips. Looking up from where she lay, she whimpered, confused, numb to the pain; tasting blood and dust. She saw her husband's face, and time slowed with malicious glee.

She watched a pit of deeper darkness yawn wide beneath him; saw Jack reaching to grab onto the sides of the hole but slipping, slipping, then salvation wrenched away from him. She saw his eyes widen, mouth moving, struggling to form a scream as the edge of the hole leapt upward to meet him, his face twisted into that horrifying awareness that accompanies impending death after horrible agony; and then the ragged edge, joining flesh in a fixed battle for dominance. The bricks and stone shearing away the skin of his handsome face, her loving husband's beautiful face, grinding through bone and shattering the very map upon which his beauty was drawn.

And finally the flutter of his hair as he sank below the edge, leaving a crimson signature on the concrete behind. A sobbing gurgle and nothing more. The ensuing silence was ephemeral; it lasted only long enough for realization to dawn on the bloodied, shocked woman lying on the floor, her fingertips inches away from the hole, that she was next.

The quiet, mere seconds, hurt her already pounding head. She deigned to break it with a scream of anguish that echoed off the still-quivering walls. They breathed a chuckle of dust in response.

"Why? Why is this happening?" she cried, weakening. She dropped into shock, her blood turning to smeared paste in the dirt.

The city answered in the only way it knew how.

Upstairs beneath the kitchen sink, Perry cowered and shook, deafened by the screams of an outraged deity.

The house swallowed itself.

* * *

"Walt, are you seeing this?"

Inside the police cruiser, forced into stopping with the front wheels mounted on the curb, the real wheels garroted by broken glass, Brad Haines stared out the windscreen at the miasma Lake View Estates had become.

Beside him, his partner, Walt Greenwood, nodded silently. "I am, but I'm hoping any minute now you're going to tell me I'm asleep."

Lake View Estates: Stanchion of the wealthy, complete with private pool, was now nothing more than a mass of rubble and bodies. The two policemen had been forced to sit stunned as a buttress the size of an Oldsmobile toppled and crushed to death Senator Mayfield and his wife and daughter. What little water remained in the swimming pool was now crimson and host to innumerable floating corpses. The half-mile long semi-circle of three and four story houses now looked like a war zone, blood and smoke drifting into the breeze to summon flies.

The palaces of the rich were tumbling.

"What do we do?" Haines asked. His face was pale, mouth agape. His gaze was still glued to the apocalyptic scene beyond the windshield.

Greenwood had to struggle to keep his voice calm. "It doesn't look like there's much we can do, but getting our asses out of here sounds like a reasonable course of action at this point, wouldn't you say?"

He moved his hand to the door handle but Haines stopped him. "Wait, what in God's name is that?"

Haines was pointing up at the sky, over to their left where the horizon was reddened by fire and seething. Greenwood looked and his eyes went wide. The blood drained from his face, leaving nothing but the broken capillaries visible on his drinker's nose.

"What the hell?" he gasped. "Is that a fucking octopus, or something?"

Off in the distance, above the fires and toppled citadels of Delaware, enormous white tendrils reached far into the sky; writhing and snapping, forcing the smoke to shift to accommodate their very real presence. Chunks of stone and glass tumbled from one as it erupted to ricochet away as another appeared; each rose up as if greedily sniffing the filthy air.

Greenwood's panicked mind managed to register that there were eight of them but then his partner's fumbling hand on his shoulder, beckoning him to look in the opposite direction, immediately proved him wrong.

From the ruins of Lake View, three more of the creatures sprouted, sending debris flying in all directions, rising into the air and twitching…

"Oh my God, Walt. What are those things?"

Of course Greenwood had no idea, either. He doubted any sane person on the planet did. Up close, the things looked like oddly slimy, bleached redwoods without limbs; they were swaying liquidly to and fro, like something from a snake charmer's darkest nightmare.

"Jesus, Walt. We have to get out of here."

After a quick look in the rearview mirror confirmed his worst fears, Greenwood sighed and barked a nervous laugh. "Sure, but to where? The damn things are popping up all over the place. Where can we go?"

Eyes brimming with panic, Haines spun around and looked out the back window of the cruiser. More monstrously tall shadows were swaying at the end of the street.

"Oh, fuck me."

"Somebody damned sure has."

Greenwood stared at the shattered street in front of them and unclipped his holster. Haines' frenetic flinching ceased for a moment as he watched his partner withdraw his gun.

"What are you doing?"

Greenwood shook his head, eyes watery, and nodded at Haines. "There's no way out, buddy."

As if on cue, the hollow in the road ahead of them, the road that had once led to a beautiful row of houses coughed smoke. The tip of something red-gray and slimy began to wriggle free of the debris. The ground rumbled, the police car squeaked and groaned. Greenwood shoved the barrel of the gun into his mouth.

"Oh Jesus, WALT!"

The bang deafened Haines. He already knew before he looked it was too late for his partner. The steady, dripping wetness on the side of his face told him. The car filled with the smell of copper, cordite and human waste.

Haines kicked open the door. He fell to his knees on the sidewalk. Warm vomit burst from his mouth. "Aw shit, Walt…" he began to cry but knew there was no time to grieve. A tremor pulsed through the ground. It knocked him over. He rolled onto his back, tears streaming from his eyes. Night had fallen without warning, the dim light stolen by an impossibly tall shadow looming over the squad car.

"You can have the fucking city then," Haines mumbled. He spat bile and reached for his own gun.

* * *

The weathered man named Kane grinned, but without mirth. Caressing his chin with a hairy forefinger, he raised an eyebrow at the sound of the gunshot down the street. She's stripping them.

The room he and Isaac occupied was calm, steady and completely untouched by the chaos.

Across from the old man, on the other side of one of the small round tables taken from the stack propped up on the bar, Isaac was concentrating on a scarred pattern he'd engraved on the wood.

The bar was deserted, but for them and the dulcet tones of Frank Sinatra pouring softly from the radio behind the counter. Set 'em up and let's drink to our friends…

"She's just a baby," Kane said. He shook his white head in amazement. Isaac picked up his pocketknife and, sweeping aside a bundle of wood shavings, carved a circle in the center of the intricate pattern. He dug the point of the knife into the shape and twisted it until a respectable hole was made before he answered.

"Yes. She's one of the youngest. This city is an infant. That makes it much easier to get them to listen. The book says that the older ones will often prove more difficult."

Kane nodded. "How soon?"

"By sundown she'll be ready to break free of her moorings."

"What about the survivors? The ones she doesn't eat, I mean?"

Isaac gave him a wry smile. He nodded at the small holes in the center of the carving. "The Magroth Points inspire suicidal ideation. We don't like to use that particular spell, but the damned survivors just migrate to other cities, other children, and infest them like ticks. So that just means more work next time around. And as for me, I'm getting too old for such concerns."

Kane returned his smile. "Then it's my turn."

"Indeed," Isaac said. "I think you've watched long enough. If you remember how long they've slept, and treat them like the cranky children they are, you'll be fine. They were bred to guard this spinning rock until the Old Gods saw fit to return. Our responsibility is to guide them, to ensure the children don't forget their place in the scheme of things."

Kane nodded. He looked at the garish orange and red light flooding through the mullioned window of the bar. "Seems like an awful waste of life though. You'd imagine there'd be some use for the humans. I mean, considering the sheer number of them."

When Isaac looked up, his eyes had reverted to their natural opaque luster, broken only by a vertical black slit in the middle. He glowered with impatience. Something harsh and inhuman infected Isaac's voice and Kane trembled. "It's thoughts like those that keep you in the position you hold now, Kane. There is no room for such specious considerations when dealing with something of such…immensity. The guise you hold now is that of a human. Imagine being confined to it, stripped of your power and a myriad of extra senses. Does such a primitive existence strike you as being of much use for anything?"

Kane shook his head. "No, of course not. Forgive me."

Isaac returned to the engraving in the wood. He drew a crude 'S' shape in the center of the table and flicked the knife closed. Returning it to his inside pocket, he sighed. "Relax. You'll understand eventually. There is no higher education than the one offered by the Gods." He took a moment to brush the shavings from his trouser legs then stood. "Come. The last of the restraints lies right beneath us. My human voice would seem far too loud and callous, now. I must speak her language if she is to hear me at all. Let us go outside and take in the majesty of her release."

He held out what passed for a hand. Kane took it and they shared a smile as they walked outside and into the hot, suffering rubble.

* * *

It is awake at last.

Its joints are young and underused. For too long it has served as a slave to humanity, crouched into submission while mankind treads a path of disrespect across its holy, asphalt flesh. The release takes longer this time, because the strength has been siphoned from its body; those human tunnels are like gaping wounds; buildings, statues and monuments are needles jabbed into its body.

The path to freedom brings agony, but this kind of pain is sweet. The sensation of their crude structures sliding from its back is blissful as it gathers its first breath, sucks the wind into its mud-choked lungs…and roars.

What is left of humanity is deafened by her bellowing birth. She raises her head to the sky, sees familiar faces. Her parents, brothers and sisters…smiling. And of course, Father of them all.

The Old Gods are pleased, for she is but the first.

About the Authors

Kealan Patrick Burke is the Bram Stoker Award-winning author of The Turtle Boy, The Hides, Vessels, Kin, Midlisters, Master of the Moors, Ravenous Ghosts, The Number 121 to Pennsylvania & Others, Currency of Souls, Seldom Seen in August, and Jack & Jill.

Visit him on the web at: http://www.kealanpatrickburke.com or http://kealanpatrick.wordpress.com.

Harry Shannon has been an actor, a singer, an Emmy-nominated songwriter, a recording artist in Europe, a music publisher, a VP of Carolco Pictures (Terminator 2, Total Recall, Rambo), and worked as a free-lance Music Supervisor on films such as Basic Instinct and Universal Soldier. He holds an MA in Psychology and is currently a counselor in private practice.

He is the author of the 'Night Trilogy' of horror novels: Night of the Beast, Night of the Werewolf, and Night of the Daemon (later rereleased as Daemon)., the crime noir novels Memorial Day, Eye of the Burning Man, One of the Wicked (all featuring amateur sleuth Mick Callahan) and the thriller The Pressure of Darkness.

He also scripted the horror film and novel Dead and Gone for photographer/director Yossi Sasson, and played a bit part as the Sheriff. Lionsgate released the DVD. His collection of short fiction A Host of Shadows was released by Dark Regions Press in May of 2010, as was the novella Pain.

You can reach Harry via his website at www.harryshannon.com

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Content

Kealan Patrick Burke, Harry Shannon
Concrete Gods

About the Authors