Anna Kavan

Let Me Alone

PREFATORY NOTE

ANNA KAVAN found an apt title for this novel, first published in 1930 under the name of Helen Ferguson. Let Me Alone is an account, from childhood, of isolation in a woman and of her compulsive retreat from any association, especially marriage, that might impinge upon the strange, austere loneliness and solitude she both wanted and mortally dreaded: a schizophrenic condition. She marries — the wrong man inevitably — with predictably disastrous consequences.

This 1930 novel brings to mind today’s Women’s Liberation movement, with its demands for independence of mind and spirit for women. ‘She wanted to go through life alone, in her own independent, detached fashion,’ the heroine meditates, before marrying. ‘The idea of being bound up with another person in such a relationship as marriage was hateful to her.’ After the marriage, she is reading a Life of Luther when ‘… from the midst of the printed page, there suddenly sprang out at her these words: “Here I stand; I can no other,” a great enlightenment came to her, a sudden illumination. In a moment everything was made plain to her…. How easy and simple to face life from the single basis of her own undeniable individuality. She was what she was: herself. No need for compromise or apology or modification or defence.’

All very well if one is content with isolation and able to encrust oneself with a satisfactory crab’s shell. The heroine of Let Me Alone makes her efforts to be absorbed in other people. But the three men in her life fail her — her father, her husband and the hesitant, would-be lover, Findlay. She falters towards lesbianism; one of the best scenes in the novel describes her hopeless return to the erstwhile devoted girl, Sidney, and Sidney’s acutely perceptive rejection of her.

A Brontë influence seems to pervade the early part of this novel: the sombre father might have been imagined by Charlotte or Emily. Later, more than a hint of the D. H. Lawrence of Women in Love pervades its language, with obsessional repetitions of certain key words. In the finely written last part, the identity of the future Anna Kavan emerges clearly, especially in the hallucinatory power of the great rainstorm in Burma, coinciding with the final collapse of the ill-starred marriage.

The name Helen Ferguson, used for the earlier novels, was to be discarded, and the author began to use that of Anna Kavan (the married name of the protagonist of Let Me Alone) for the later books by which she is better known. As I have related in my Introduction to her posthumous collection of stories, Julia and the Bazooka (Peter Owen, 1970), she adopted the latter name by deed poll, following two retreats to mental hospitals, after which she changed not only her name and mode of living but also, somewhat remarkably, her personal appearance. Her vitality remained unimpaired; even her daily recourse to heroin — for some thirty years — as an escape from her conflicts, did not bring drastic physical damage until her last year or so. There had been two failed marriages. She lived until she was 67, and did not cease writing novels and short stories. She achieved the isolation and independence she wanted, but not an impervious shell.

RHYS DAVIES

CHAPTER 1

JAMES FORRESTER, the father of Anna-Marie, was a peculiar man. He belonged to the technical hierarchy of gentlemen. That is to say that he had received a lengthy and expensive education from which all utilitarian subjects had been carefully excluded; that he had been born into a class of people who spoke, ate, dressed and usually thought in the same prescribed manner, who were dominated by certain fixed ideas — chief among them being the conviction of their own intrinsic superiority — and who considered most activities, physical or intellectual, not only undesirable but disgusting.

But James was disquietingly untrue to type. He would not hunt with the pack: in fact, he would not hunt at all. He had ‘ideas.’

‘He’s picked them up at Cambridge,’ said his father, making excuses for his son’s damning departure from the gentlemanly intellectual norm. ‘He’ll grow out of them.’

Not that anyone knew what James’s ideas really were. He never spoke of them. Indeed, he had very little to say on any subject. He was a silent young man.

His father, who was proud of him, proud of his intellectual record at the university (though secretly a little disappointed that it was not a sporting one) tried to draw him out. But James would not be drawn. He was always perfectly polite to the old man, perfectly reserved and perfectly discouraging. His father began to lose heart in the face of his suave unapproachableness. Nevertheless, he tried perseveringly to interest his son in the estate, which was his own last absorbing passion. The young man courteously but firmly refused to be interested. When questioned and driven into an argumentative corner, he replied quietly that it struck him as slightly degrading that man — who after all was an independent thinking animal — should allow his whole life to be dominated by and devoted to his possessions.

His father then left him alone.

James was unsociable. He fled from the society of his father’s friends, whom he disliked, to the society of his inferiors, whom he disliked even more, and from whom in turn he fled to solitude. In spite of his habitual cold politeness, he was occasionally extremely rude to members of his own class, for whom he felt a curious blend of sympathy and contempt. He was essentially one of them; and he knew it. If he could not tolerate them, at least, most certainly, he could tolerate no one else; and if he despised them he despised himself also. He was at once an aristocrat and a revolutionary, the hater and the hated. An unfortunate combination.

People put up with his eccentricities remarkably well, partly on account of his prospective wealth and partly because of his appearance, which was rather distinguished. He was always the best-dressed person in the room.

When he was twenty-seven his father died, discouraged. Since he could do no more for him, he left his son a large fortune.

James’s first action was to sell the estate; an act that would have broken the old man’s heart. He then proceeded, with a certain methodical determination, to spend his father’s money. Eight years later he had practically succeeded, when he suddenly and incomprehensibly married a penniless girl of semi-Austrian parentage.

James Forester was now thirty-five years old and looked considerably older. He was tall and thin, with a cold, stern, grey face and smooth grey hair. He looked like a statesman. His manner was chilly, aloof, arrogant and repelling. He had no friends and he disliked everyone. He liked mountains, however; he was also fond of the sea and of the earth as a whole: ‘Where every prospect pleases, and every man is vile,’ as he sometimes mis-quoted.

Nevertheless, he was sufficiently attracted by Lise to marry her. It was almost a clandestine marriage. Lise’s Austrian mother did not approve of James. But she tolerated him because of his distinguished appearance and his reputed fortune, into which, being a lady of casual temperament, she did not trouble to inquire. In point of fact it was already practically non-existent.

The couple lived opulently enough upon credit until the birth of Anna-Marie some eighteen months later. Thereupon, Lise, conveniently, or perhaps inconveniently, died; and it became known that James was no longer a rich man.

He himself caused the news to be spread about Europe, where in the course of nine years’ extravagances he had achieved a considerable reputation. If anything, he exaggerated the rumours of his ruin. He was a moral extremist. If he could not be a Crœsus he would be a pauper. And he derived a certain ironic satisfaction from contemplating the complete dissipation of his father’s carefully nursed inheritance.

The family of Lise was indignant. They consoled themselves, however, with the thought that they had never approved of the marriage. And they prepared to receive the motherless infant.

But now the aggravating eccentricity of James’s character manifested itself. He refused to part with the child. To an impressive old lady of the impoverished Austrian nobility, and a very charming young one who was Lise’s sister, he courteously and determinedly announced his intention of keeping the baby himself. And finally they had to go away, beaten. Though anything more incongruous than the association of an infant in arms with this cold, severe, grey-faced man would be difficult to imagine.

Why did he want the child? Perhaps only from the perverse desire to annoy them all; perhaps from some dubious secret feeling of responsibility; perhaps from some motive still darker and more obscure. In any case, his mind was made up.

A Miss Wilson appeared; one of those inevitable middle-aged British spinsters who always seem to be at hand where a baby is concerned, ready and eager to devote to its care thankless years of unprofitable self-sacrifice. Miss Wilson was like all the rest, inconspicuous and unassertive, with timid, pale eyes in her sharp, pale face. She was terrified of James and devoted to Anna.

With the last remnant of his fortune James bought a small farm in the eastern Pyrenees. He was fond of mountains; and the district was rough, wild, unfrequented by tourists, and very far from anywhere where an old lady of the Austrian nobility would be likely to travel. The place was called Mascarat.

It was very different from any of his previous residences: a strong old Spanish-looking farm with rough wood floors and whitewashed walls, and the sloping wall of the mountain bordering the small domain. At the back of the house, beyond the vineyard, grew almond and cherry trees, and there was a bright ribbon of water in the stony ravine. In front were two more vineyards and a stretch of grass-land running down to the little chestnut-forest beyond the stream. At the far end of the valley the mountains stood up, blue and rather unreal, fold after fold, seventeen separate slopes rising one behind another, to the vast, dim, improbable peaks of snow that floated like strange white scarves upon the distant blueness.

Here was Anna’s home, her earliest consciousness, this rough, dark, lonely house; this great wild background of mountains pale or brilliant in the sun, or blackly threatening in the stormy weather, the noisy water and the yellow vineyards, the theatrical splendour of the shadow-pale, far-off snows.

And this was the home of James Forrester, the man whose wealth and extravagance had almost become a legend, the man who had lived like a prince in every European capital, who had bought and tired of half-a-dozen great houses.

Sometimes, as he stood on the rocky, bush-grown slope, and looked at Mascarat lying like an insignificant patch on the huge tapestry of mountain and forest, he smiled to himself, a thin, inward smile of extreme ironic bitterness mingled with a semi-masochistic satisfaction. He had tried the life of the world, the life of luxury and wealth, and he had had no pleasure in it. Now he was trying the hermit’s life to see what that had to offer. But sometimes his face wore an expression that was neither good nor pleasant to see.

The small Anna lived entirely under the ægis of the admirable Miss Wilson. For several years her life, waking, sleeping, playing, in the big, bare, dark rooms, or out in the wide stretches of brilliant sun, was governed and bounded by the pale, watchful, anxious face and the quick, nervous voice of Miss Wilson. Outside, on the fringes of her existence moved — huge, spectral and unreal in their comings and goings — three other figures: her father, tall, silent and grey-faced, rather frightening in his stern remoteness; then Seguela, the old peasant-woman, black, untidy, going about with flopping, ungainly speed, like an old crow; and her son Paul, a queer, staring, animal sort of fellow who did not usually appear indoors until the evening. But between Anna and these people, the small, flat, colourless figure of Miss Wilson was always swooping forward, swooping down with a strange incongruous fire of maternal, protective anxiety in her pale eyes, her humble spirit roused to pugnacity on behalf of her charge.

Against all her instincts, Miss Wilson had become a warrior in those days. She sometimes wondered fearfully at the change which had overtaken her gentle, abject, old-maid’s heart. She had only one loyalty: her love for Anna. Only one determination: to do battle against the powers which she obscurely felt to be ranged against Anna. Only one fear: that she might be sent away from Anna.

Suddenly, one mild spring day, an incident occurred. It was one of the first of Anna’s definite recollections; and it served to bring her father out of the shadows into a position of importance in her childish scheme of life.

It was early March and the rains had been heavy for several days. Now the sun shone vividly, bringing out the pristine colours of the world. The distance stood sharp on the clean, rain-washed air, distinct, clear-cut but fragile-looking as egg-shell, very far away. And the great crumpled sea of mountains, like a pile of crumpled drapery, fold behind fold, stretching away to the ultimate distance, to the unsubstantial dim-white snows.

Anna was playing beside Miss Wilson on the bright green grass of the upper valley where it narrowed to the neck of the gorge. Some goats, soiled-white and russet-brown and black, were feeding near. The high walls of the gorge towered savagely, silent and rather sinister in the bright glare of the sun. The slowly-passing, sunny morning was very silent; almost ghostly in stillness and silence.

Then a sound came; a strange tearing, roaring sound, far off in the sky it seemed, growing swiftly to a crashing thunder. In amazement they looked up at the cloudless, blank blue sky. There was nothing there. But on the crest of the cliff, on the ragged summit of the mountainous wall of the gorge where the great rocks stood up in sombre heaps with the dark bulks of greenery between, Anna saw a strange ball rolling. Like a weird, irregular ball it came bounding, bouncing down the sheer stony slope, leaping like a mad thing down the cliff. It was funny to see it. Anna would have laughed. But before her lips had time to stretch to a smile, the bounding ball had become a lion, an elephant, a house, an immense primeval mass of solid rock bearing down with terrifying speed straight upon them.

Miss Wilson’s timorous heart seemed to turn over in her breast. God knew she had done her best, had striven — with heroism when the limitations of her temperament are considered — against the difficulties and alarms of the past few years. But now, when actual physical danger threatened, danger so horrifyingly imminent that her elderly mind had barely time to conceive it, she did not know what to do. So she stood still, doing nothing at all, simply clasping Anna against her body in the immobility of utter unthinking panic.

And at the very last moment, when the great cruel mass seemed almost upon them, ready in a blind rush of destruction to blot out for ever the obscure old life of the maiden lady and the other life that had hardly begun, a strong hand dragged them away. The huge boulder crashed past with a noise like thunder, down into the green hollow below, where it seemed suddenly to fall in pieces, raising clouds of yellowish dust.

The goats had moved on a little way, such a little way, only a few steps it seemed, out of the course of the falling peril, and were quietly feeding. The small, sharp tearing noises as they cropped the grass sounded clearly in the empty silence.

‘Lucky for you that I happened to be near,’ said the calm, cold, somewhat sardonic voice of James Forrester.

Nothing more; but in those few words, Miss Wilson, cringing abjectly in an inward agony of self-recrimination, seemed to hear the merciless trial of her case, the implacable judgment given against her. She was appalled at what seemed to her to be her own despicable cowardice.

‘He will send me away,’ she thought, almost weeping. She knew that in that one moment of supreme failure she had forfeited all the years of self-sacrifice and laborious service.

But in the secret mind of the child a new thought was stirring. Anna saw that her father possessed something that was lacking in the familiar, oldish woman. Her imagination was touched, something like admiration began to awaken. Her father had become real to her.

When Anna was six years old a visitor came to Mascarat. This was Lauretta, the sister of the dead Lise. Lauretta, unlike her unfortunate sister, had done pretty well for herself in the world. She had married Heyward Bland, a retired military man, oldish, didactic, very British, very comme-il-faut, who had recently inherited a good deal of money. Their winters were spent on the Riviera. Now, suddenly, before she returned to England, an impulse of duty, or perhaps of curiosity, prompted her to visit the niece whom she had not seen for so long. She was fond of motoring, and the mountain district was picturesque. She would drive to Mascarat and see for herself that poor Lise’s child was being properly cared for.

Miss Wilson was thrown into an enormous flutter of excitement at the prospect of the visit. At the back of her mind a vague scheme was forming: possibly Lauretta could be persuaded to take the child away with her. Since the day of the falling boulder, Miss Wilson had felt that her own fate was sealed. She would not be allowed to stay much longer with her charge. Hence this scheming activity in her sly old brain, this desperate anxiety for Anna’s future.

But things did not work out well from the schemer’s point of view. It was a beautiful day, warm and sunny, with the mountains seeming further away, and a soft hyacinth-blue curtain over the harsh rocks. The landscape seemed softer and more mysterious, there was a smell of flowers in the air. The water ran clear as crystal in the ravine, making a merry noise. The almonds and the cherry trees were in blossom, dotting the foreground with puffs of delicate pink and white, like a Japanese picture.

Lauretta, who was inclined to sentimentalize over nature, found everything delightful. It seemed to her that one could wish no better fate than to live in that lovely valley, under the calm guardianship of the blue-grey mountains upon whose tops the little streaks of white, impalpable snow wandered like misty ribbons.

Lauretta Bland was such a charming little thing. In her light, beautiful dress, with a gay silk scarf fluttering from her shoulders, she was like a butterfly floating in the sunshine. It seemed that nothing ugly or crude could ever touch her. She was talkative and lively, with a pretty, bubbling laugh that came easily to her lips.

Anna stared at her in amazement, intrigued, fascinated, but somewhat suspicious. She had never seen anyone in the least like her, and with childish distrustfulness she rather fought shy of that fluttering vivacity. So she kept still, reserving judgment, while they sat at tea under the cherry trees, and a cool breeze from the melting snows blew the white petals like a flock of tiny birds, circling and dipping about Lauretta’s pretty head.

They made a queer little trio in that enormous setting: Lauretta, elegant, charming, beautifully-dressed and scented, a woman of the world for all her affectation of girlish gaiety; Miss Wilson, prim, uncompromising, nervous and faded beside her in her ancient, unbecoming clothes; and the child, a small, grave creature in a rather ill-fitting home-made dress, with bare legs and coloured espadrilles. James was not present.

Lauretta was not very well impressed by her niece. Anna was a serious, quiet, unobtrusive, independent child. She was rather tall for her age, and thin, with a creamy-brown skin, straight brown hair, and the steady blue-grey eyes of her father. She was critical and self-possessed and kept her head well up. She would not show off, or prattle childishly, or respond to her aunt’s charming advances. Lauretta thought her curiously unchildlike and somewhat disconcerting.

Miss Wilson realized distressfully that her charge was not making a good impression. Rather desperately, she tried to put things right, to show Anna off to her best advantage.

‘She really has a wonderful imagination,’ said Miss Wilson. And added with a little nod of nervous encouragement to Anna: ‘Tell your auntie one of the stories you have been telling me.’

Anna remained awhile in uneasy silence. She was neither shy nor sulky, but something restrained her from speaking freely in the presence of this attractive stranger. Her private imaginings were precious to her.

‘Go along, dear,’ urged Miss Wilson, feverishly amiable.

‘Well,’ said Anna at last, her clear eyes seeming to stare out with a certain challenge, ‘there was once a boy who lived in the middle of a chestnut tree.’

It was not at all the way in which her stories usually began. Miss Wilson looked on nervously, fidgeting with her thin fingers. Lauretta waited with a patient smile on her face. But nothing more was forthcoming. Anna shuffled with her feet, and stared up with challenging grey eyes. She simply could not bring herself to say another word to this visitor who had alighted like a strange brilliant bird under the familiar cherry trees, this charming, birdlike creature with her fluttering scarf and her scent and her pretty, smiling face, who seemed somehow to be an enemy. Anna did not know what she thought — whether she felt any admiration for Lauretta, or only just a childish, closed, reserved sort of suspicion. But she could not tell the story to her.

James Forrester, in his old grey suit that was as neat as on the day it had been finished, came strolling slowly under the white blossom, watching the feminine group with cold, inscrutable eyes. Slowly, with a heavy, cold assertiveness, he seemed to lay his dark shadow upon them, swamping them all in some way, laying a blight upon Lauretta’s elegant, butterfly gaiety. It was strange how his coming seemed to crush her into insignificance, into a rather pathetic sort of flippancy.

‘Refusing to do your parlour-tricks?’ he said to Anna. And though his voice was hard she felt he was on her side.

Lauretta left early, tripping on ridiculous high heels down the stony path to her motor car. She was quite satisfied with her visit to Mascarat. James was more impossible than ever. But the child was all right; a queer little fish, not very attractive. She seemed healthy, though, and well-cared-for. That poor, plain Miss Wilson was evidently a sensible woman. Of course, the place was terribly rough; but children didn’t mind things like that. Lauretta gave a sigh of relief. She had salved her conscience and done her duty by poor Lise’s child: now she was free to forget her.

A week later a parcel arrived at Mascarat. They stood round, Anna and Seguela, and Paul who had carried it all the way up from Paralba, while Miss Wilson very carefully, almost too carefully, almost tenderly, lifted the tissue-paper and brought out the dresses that Lauretta had sent as a final conscientious sop to her niece. There were pink and white and blue and patterned frocks, of organdie, of linen and of silk. None of them, except perhaps Miss Wilson, had ever dreamed of such frocks. There they stood, a rather forlorn little gathering, staring at the flower-gay dresses.

But they were standing round the table of the big, dark, cave-like kitchen, and into this cavernous darkness came the darker figure of James Forrester, a tall, black, imperturbable man, with danger in his coldly penetrating eyes.

‘What have you got there?’ he asked in a hard, subdued voice, not very loud.

While Miss Wilson was explaining in a voice gone rather squeaky with nervousness and a sort of wrennish defiance, he stood up close to the table in his peculiar heavy resistance, looking at the bright heap of flimsy stuffs.

When she had said all that she had to say, and her voice had trailed off pathetically into silence, he gathered up the dresses like an armful of crushed flowers and tossed them into the red-hot, angry maw of the fire. It was not in the least an act of violence. The whole rhythm of the gesture was deliberate, cold and heavy. The flames licked up the fragile garments in a trice; a blaze, a flicker, a puff of smoke, and they were gone as if a handful of hay had been thrown on the fire.

Anna had a little puzzled frown of pain on her face. She would have liked to wear the pretty clothes. But when her father said to her: ‘Do you want to be dressed up like a performing monkey?’ she felt that he was right in spite of her disappointment, and she bore him no grudge.

Miss Wilson lamented bitterly in herself her failure to enlist Lauretta Bland’s sympathies on Anna’s behalf. The poor woman knew that she would not be tolerated much longer at Mascarat. She crept about, unobtrusive as a careworn, timid mouse in her drab garments, avoiding James’s eye, hoping by obliterating herself to gain an hour, a week, a month of respite before the blow fell. That it would fall sooner or later she knew. Sentence had been passed on her long ago in the high valley on the day of the falling boulder. It was slow in being carried out, but she had no false illusion of security.

The final execution was swift and sudden. It was evening in the bare, clean upper room that Miss Wilson called the nursery. The room was dark and uninteresting, blank in its cleanliness. The cheap, rose-patterned cotton curtains that she had hung at the window looked tawdry and out of place. Anna was saying her prayers, an odd young shoot in her white nightgown, kneeling beside the clumsy wooden bed.

Suddenly James Forrester came in. It was very unusual for him to come into that room. Miss Wilson’s heart gave a rapid leap of alarm, the terrible, nerve-torturing apprehension of the dependant. Anna was peering at him through her fingers, uncertain whether to go on with her prayers.

‘Get up,’ he said quietly to her.

She obeyed at once, and stood looking at him with a child’s curious trustfulness that is already half suspicion. He had so much power over her.

‘What are you doing?’ he asked.

‘Saying my prayers,’ she answered, in her clear, thin voice, looking straight at him.

‘What are they?’

She stood in confused silence, not knowing how to reply. Then she glanced round doubtfully at Miss Wilson who had drawn near and would have spoken had not James motioned her imperiously to remain silent. Finally Anna flushed and said:

‘Prayers are talking to God.’

‘That is nonsense,’ her father said calmly. ‘There is no such person as God, and you are only making yourself ridiculous by kneeling down there in your silly white shirt to talk to someone who doesn’t exist.’

The child said nothing, staring with bewildered grey-blue eyes at the tall, strange man whose lips were dark and closed and angry-looking.

Again Miss Wilson tried to interfere, and again she was silenced. She stood looking on, almost in tears, her old face creased and reddened, not daring to speak a word.

‘Are you determined to be a little performing monkey, then?’ said James to his daughter. ‘Do you want to be a little saintly monkey this time, in a little white shirt?’

‘No!’ said Anna flatly, looking him straight in the eyes.

The father seemed satisfied.

‘Never let me see you kneeling again,’ he said; and signed to Miss Wilson to follow him out of the room.

That night he told her that she must go. She dared not plead with him or protest; her spirit was so broken, so abject, the spirit of the poor, friendless, unwanted elderly spinster who has no rights and for whom there seems to be no place.

In the silent darkness she watched over Anna lying asleep in the high bed. Upon her bare old knees she prayed for the child whose future seemed so sinister and so obscure, and her tired heart yearned over her.

CHAPTER 2

ANNA did not cry when Miss Wilson went away. Although the parting meant the end of all that was pleasant, familiar, safe and normal in her unpropitious childhood, something cold and unchildlike in her almost rejoiced. She was proud to think that she was to be alone with her father; as though she were being admitted to a kind of equality with him. In her secret heart she was glad to get rid of the tiresome, devoted old creature whom she almost despised. And so, when the one human being in the whole world who loved her was leaving her for ever, she did not shed a single tear.

Miss Wilson herself attained a certain dignity at the last. She had slept less than an hour the previous night. All through the long, dark, silent hours she had lain awake, weeping and praying for the child whom she must perforce abandon. In the night she had become definitely an old woman. New lines had appeared upon her face, and in her eyes, dim with many tears, a dullness of despair was gathering. But in the morning, in the bright, limpid sun of the mountain morning, she stood up stiff and proud to go off bravely with her flag still flying in the face of her conquering enemy.

James smiled his thin, unpleasant smile when he watched her trudging down the hill, this pathetic little wisp of a woman whom he had beaten, with her head held high in its unbecoming hat, while the loutish Paul followed behind with her meagre possessions.

But Anna did not smile with him. Dimly, her immature mind was aware of tragedy in that comical dwindling figure; recognized a kind of nobility in that unromantic departure, so that she almost started to run after her, to give her some sign of appreciation and affection, that she might not go away altogether uncomforted. But it was too late. The small, dowdy figure was already disappearing in the rich, dappled green shade of the chestnut-wood; and Paul, with the burdens he carried so easily, was plunging in behind, like a diver entering a sea of purplish shadow and dancing, lucent green.

So the first bright infantile page of Anna’s life was turned, and before her lay a new page, neither so bright nor so innocent, a page whereon the shadows were already beginning to fall.

The existence of Mascarat was one of complete, almost incredible isolation. No visitor from the outside world climbed that stony and arduous path that led at length through the whispering chestnut-forest. No stranger entered the grim old house where Seguela, like a bundle of dingy black feathers, flopped perpetually from room to room in clumsy, corvine haste.

Seguela was one of those women who seem never to have been young, rather tall, but with an ugly stoop, so that on the rare occasions when she stood upright her height came as a surprise. She had a strange, broken way of moving, as though she were deformed, and was always in a frustration of stumbling, purposeless haste. She lived with her son in a dark hole of a room, a sort of den, opening out of the kitchen at the back.

Nobody knew what Seguela thought of the strange ménage. She went on with her work with an obstinate, blank indifference, taking no notice of anyone. But all the time, out of the bundle of dusty black rags that was her slovenly person, her small, sharp eyes were continually peering about with a cynical gleam of malice that took note of everything.

Silent and cynical, she watched what went on. But when Miss Wilson had gone, Seguela went limping about as before, busy in her stubborn, aimless, animal sort of way, seeming to have forgotten immediately that the other woman had ever existed.

Seguela was the chief link between Mascarat and the outer world. Once or twice a month on a fine afternoon she would take off the black triangular shawl that usually covered her thick, dark, greasy hair, and put on instead a full-bottomed cap of some white material. Then she would set out to visit her friends, looking like a dusty, white-headed insect as she toiled awkwardly down the rocky slope.

It was she who, when any communication became necessary between James Forrester and his neighbours, conveyed the messages and made the arrangements. The peasants disliked James, distrusted him as a foreigner in such circumstances must always be distrusted. But in his case there was something more than hostile suspicion. There was fear and there was profound opposition. A queer, black, half-insolent fear, and a definite, immense opposition, like a mountain that could never be moved.

But all the same, they came every autumn in due time and at Seguela’s summons to buy the grapes from James’s vineyards and carry them away. But always with the peculiar subterranean malevolence about them, keeping their heads averted. And sometimes the tawny, Spanish-seeming men would look up at James with a dark gleaming ferocity in their eyes, as though they would have liked to destroy him — if they dared.

It pleased James to see this ferocious glitter; as well as the silent, immovable opposition. It amused him. It gave him an ironic sense of power. Grey-faced and grim, he stood up there on the pedestal of his proud, innate superiority, the inevitable master, while their little slavish hates laid seige to him, trying to drag him down.

Anna had almost forgotten Miss Wilson. But not quite: for Miss Wilson had left behind her a parting gift that served to keep her memory alive. This was a little crucifix, a tiny silver Christ on a white cross. It was pretty; when the sun shone on it, the silver shone out prettily. It was the only thing in the nature of a trinket that Anna had ever possessed, and she wore it sometimes when she was alone, hung on a piece of tape round her neck.

One day her father saw it. He came upon her suddenly when her thoughts were far away, too far to be recalled quickly, walking silently towards her over the grass. The silver Christ flashed tell-tale in the sun.

‘What is that round your neck?’ he asked her.

She was uncomfortable at the question, silently holding out the cross for him to see.

He came near to her, breaking the tape, holding the crucifix in the palm of his hand. And a sinister insulting glaze came over his face as he looked down at the little silver Christ; his face was like a grey mask of disgust.

‘Still this religious nonsense,’ he said, in his quiet, cold voice, that had gentleness, too much queer gentleness, in it.

Anna remained silent. She did not move, although the jerking of the tape had left a red, sore streak on the brown skin of her neck.

James did not seem to be thinking about her, standing there with the harmless, pretty trinket in his hand, and the curious film of derision on his face; until he said:

‘This little toy is supposed to be the image of God, isn’t it?’

He spoke in so ordinary a tone that Anna was deceived.

‘Yes,’ she said.

A faint smile of satisfaction started under the mask of James’s face. His cold eyes had a reptilian look.

‘Then God, if there were any such person, would not like us to insult his image — wouldn’t allow it, in fact?’

He looked sideways at Anna, in sliding, insidious mockery.

She flushed, bewildered by the stealthy attack, not understanding it.

‘No,’ she said slowly, as if reluctant.

He laughed sharply, with a curious sound of gloom.

‘But, you see, there is no God, so we can insult the image with impunity.’

Anna watch, fascinated, as his thin lips pursed themselves together, and a little globe of spittle, shining like a ball of quicksilver in the sun, fell through the air on to the patient Christ.

There was a very blank silence. The spittle elongated itself and ran down slowly over the little figure, tarnishing the sun-dazzle of the silver, down towards the flat, smooth palm beneath.

Anna was a little bit afraid. True, she had almost forgotten Miss Wilson’s religious teaching. But her child’s mind was impressed by the effrontery of the gesture, the desire to insult and wound the little Christ-figure. She half expected that the heavens would fall. But nothing happened. The sky arched up, translucent and serene, above the ragged tops of the mountains.

And suddenly, James threw the crucifix away. With a slight flick of his hand that was in itself an affront, he flicked the little cross up into the blue air. It cut through the blueness, a small glittering arc, and slipped down among the stalks of the coarse grass.

‘Religion is a drug, and to take drugs is degrading,’ he said. ‘You must learn to look life in the face. Throw away your cowardly drugs, and see the truth, the ugly, cruel, ungodly truth, as it really is.’

And he went away laughing, laughing at Anna, and left the crucifix lying there.

She did not pick it up. And the next day, when she came back to the place, it had gone. Perhaps Seguela or Paul had found it and taken it away. She did not ask them.

But all the same, her father was well disposed towards her. It was strange how Anna always felt that he wished her well. James cared for no one and for nothing. But just the one slender tie that bound him to Anna, this he could not break. There was a queer thread of subtle relationship between them, almost like a secret understanding. No, he couldn’t throw off the sense of obligation to Anna. But at the same time he cherished a sort of grudge against her; a grudge of profound, ironical pity that was in some way directed against himself. He almost wanted to destroy her, to put her out of the way, as one puts a small animal out of life. She was like an animal to him, a young, useless animal that nobody wanted and for which there was no place in the businesslike world. And the responsibility rested upon him. He saw only misery for her, and the frustrations which he himself had suffered. It was a reflection upon himself. He would have liked to put her out of the misery.

Anna was pleased when he began to teach her. Miss Wilson had taught her to write, and to read from an old book in a worn black binding — Reading Without Tears. And now James began to teach her Latin and Greek, the languages he was fond of and which seemed to suit his personality. The books in the house were nearly all classics. He was writing his own intimate diary in Greek; a fat, faded brown leather book, full of the strange, neat little symbols in James’s beautiful script.

He was not a good teacher. The slightest trace of slowness on the part of his pupil was unendurable to him. At the faintest sign of wandering attention he would break off the lesson. There were many days on which he would not teach at all, driving Anna away with sarcasm or silence. He hardly ever praised her; but his sarcastic scorn was easily and frequently aroused.

Anna was intelligent and very quick. She learnt quickly because she wanted to learn, because she wanted to do as her father did, to read what he read, to imitate him. She wanted to be like him, to win his difficult approval. But also she wanted the learning for its own sake, for some subtle satisfaction it bestowed upon her. Quite soon she was reading from the plain, brownish books that were arranged so neatly in the dark, bare room.

She spoke with equal facility English, French and the Catalan dialect used by the peasants; and she read everything she could find. Petronius and Apuleius besides the more conventional classic authors, French and English essayists and an occasional newspaper. There were no novels at Mascarat.

Everything she met with in her reading James would discuss with her — when he was in the mood — freely, as with an equal. Her mind developed rapidly. But some innate youthful dignity combined with her isolation to save her from the monkeyish sharpness, the horrible sharp knowingness of the precocious child. Only a seriousness was added to her manner, a rather unnatural gravity, like a secret weight. And her eyes had a sort of inward look, unwavering, as though a little veil hung there.

In the main, she was contented with her isolation. But occasionally a restlessness would come upon her, a longing for the presence of other children, a sort of subconscious craving for normality. Then she would set off by tracks and gulleys that she knew, to join the peasant boys and girls at a mountain farm two miles away.

Not that she liked being with them when she got there. They were uncouth and noisy and stupid, and she soon tired of their clumsy, quarrelsome games. But the restlessness seemed to drive her to them in spite of herself.

She was aware that her father disapproved of these visits, although he had not forbidden them; there were no absolute vetoes in Anna’s life. Still, his disapproval made itself felt, and troubled her.

One day James met her as she was returning, rather limp after the long climb, with a curious foiled look on her childish face. She could not understand the impulse, the restless ache, that drove her to those rough companions and sent her back again, still unsatisfied.

‘You have been to the farm?’ said James, in his still, dead voice.

Anna admitted it. She knew that he disapproved, but she was too tired to make excuses. Her small brown hands hung loose at her sides, the fingers curving inwards with an unconscious air of pathos and weariness.

Her father did not rebuke her.

‘Come with me,’ he said.

He moved in front of her like a shadow, but a shadow that has achieved a certain solidity, the sun gleaming on his smooth grey hair. There was a shadow-smoothness of movement in his limbs.

They came to an old shed, some distance from the house, where the goats were kept in winter. An orange tree grew at one side, bearing a few greenish oranges that no one ever troubled to pick. Hens were scratching in the dusty shade of the tree.

‘Stand over there,’ James said to her, pointing to the wooden door of the shed.

She went wonderingly, and stood there facing him, touching the rough, splintery boards with her hands, feeling the warmth of the wood that had been in the sun all day. The sun was low now, shining yellowish towards the sunset. The vines were tufted with new leaves that caught the slanting light and stood out burningly, row after row, fistfuls of small, green, vivid flames against the dusky earth. The mountains showed a haze of fresh greenery among the rocks.

Anna saw that her father had a revolver in his hand. His face against the light had gone dark and strange as he looked at her.

‘Keep very still,’ he said. ‘You will be all right as long as you keep still.’

Anna stood against the door of the shed, transfixed. She did not know what was going to happen.

‘Keep still,’ she heard him say again, in such quietude that it was almost a whisper, from a little way off.

Then, suddenly, the sharp crack of a shot.

She started violently as the sharp hiss rushed past her and she felt the wind of it on her face. Her heart leapt in terror. Unable to scream or move, she waited as if struck motionless with dread.

James Forrester was standing away from her, beyond the orange tree, Behind him, the frightened chickens were scuttling off in noisy, ungainly haste. On his face was a strange expression, a look of concentration that seemed to cover something else, something almost superhuman, a pure, quiet, inhuman attentiveness. She could not know it, but he was thinking: ‘If I should make a mistake now? If she should move? If I should shoot her dead? It would be an accident.’ With more than half his mind he was hoping for that accident. But not whole-heartedly. He was not quite sure of himself.

Again the sharp smack of a shot, not very loud. Little splinters of wood flew up and touched her hair. Anna was almost paralysed with terror. Yet some part of her was resigned and even proud. She didn’t mind what her father did to her; as long as it was his will she didn’t mind what happened, fundamentally. She had such faith in him.

Crack! went the revolver again, deliberately, like a dog barking.

James was standing quietly beyond the orange tree. Against the sun his body looked very dark, rising from the dark pool of shadow from the tree. She watched him lift his revolver, carefully, deliberately, before each shot snapped at her, sinking fangs of pure terror into her heart. She pressed her fingers tight against the palms of her hands, as she stood.

Finally there was silence. The hand holding the revolver was lowered, and it did not come up again. James, with his feet in the shadow, did not stir, but stood looking at Anna.

At length, however, he moved. With the revolver in his hand he came forward and touched her, moving her away from the door. She sighed, wondering if it was all over.

‘Look at your silhouette,’ he said, smiling at her very faintly.

She looked round, and saw on the wooden door of the shed an outline of little splintery holes, the outline of her body.

She stood in the sunset, facing the outline on the door, while her father walked away. The luxurious yellow light was flooding everywhere, the mountains had a rich, uncanny gilding. She was trembling. After a time she began to walk slowly to the house, half-stunned, hearing still the frightening, sharp smack of the bullets in her ears. She did not know if the shooting had been intended as a punishment.

As Anna outgrew the clothes which Miss Wilson had made for her, they had been replaced by boy’s garments from Paralba. Boy’s clothes were more durable than girl’s and easier to obtain: and Anna herself preferred them. She wore the short trousers, in summer the cotton shirt, in winter the heavy woollen sweater, of the peasant lads; her long brown legs, very thin and brown and strong, always bare, and on her feet the espadrilles, the coloured canvas sandals bound above the ankles with criss-crossing tapes, that all the peasants wore. Her hair, thick and brown and straight, at some times was cropped short to her head, at others fell almost to her shoulders like that of a mediæval page; according to the length of time that had passed since her last visit to Paralba and to the barber. Her skin had the warm, rich, yellow-creamy colouring of a naturally pale skin that has been evenly sun-tanned.

With her straight, strong, slender limbs she was really handsome. And her shapely face, framed by its smooth line of brown hair, was sometimes beautiful. But closed, with a curious adult hardness mocking the childish features. She was in the first soft flush of youth: yet there was no trace of softness in her face. It was reserved. Even in her eyes the small veils seemed to hang, like curtains drawn before the windows of a house, behind which the owner goes secretly about his private business.

This was Anna-Marie at twelve years old, when Lauretta, moved by some tardy recrudescence of conscience, or some accident of propinquity, came once more to Mascarat to visit her niece.

James went up into the mountains and left Anna to receive the visitor alone. He had no patience with Lauretta. Anna waited with some curiosity. She could hardly remember her aunt. But there was animosity in her mind as well. She rather resented the visit and its savour of patronage.

Six years seemed to have made Lauretta daintier and younger than ever. Up she came to the rough old house, fluttering along with fragile, butterfly-prettiness, dressed in flowery blue silk, and somewhat artificial in her sophisticated girlishness. She made Anna look amazingly straight and masculine and serious, and somehow a little absurd.

‘Is it possible that you are Anna?’ she cried in exaggerated, smiling astonishment, when she first saw her.

‘Yes,’ said Anna, with her air of quiet composure that was so unchildlike.

She shook hands gravely with her aunt, and stood as if waiting, her grey eyes steady and changeless. She was tall for her age and looked a year or two older.

‘But why are you dressed like that?’ Lauretta cried, plaintively, amazedly.

She was laughing and feigning horror, but the horror was not altogether feigned, and Anna knew it. She began to smile.

‘These are the only clothes I have,’ she answered.

Lauretta gave a shrill little cry as if something had hurt her.

‘My dear child! How too terrible! she exclaimed in exaggerated dismay, still laughing, but genuinely shocked.

She put her hands on Anna’s thin shoulders and held her rigid, looking at her, examining her with a slight, delicate, patronizing insolence.

‘She looks just like a peasant boy,’ she said to herself in real disapproval. But immediately she realized that it was not true; that comely, well-shaped face was most un-peasantlike; there was nothing of the yokel in the fineness of that slender body.

‘A Greek shepherd-boy is nearer the mark,’ she thought. ‘An Arcadian shepherd-lad.’ And for a moment her romanticism, her faculty of seeing everything in terms of romance, almost carried her away. Just for one moment she saw Anna as a romantic figure, caught a glimpse of something strange and rather charming about her. But then her practical worldliness came back and took the upper hand. Romance in the abstract was all very well; but in one’s own family, in one’s own sister’s child, something more conventional was to be desired. She became definitely the disapproving superior; the condescending but critical great-lady who finds the state of affairs prevailing among her inferiors very far from her liking. It was in Lauretta’s nature to be a sort of exacting Lady Bountiful.

Anna stood quietly, submitting to the critical, disapproving regard, with her slim brown hands that were even more delicate than Lauretta’s, hanging at her sides. She flushed slightly, resenting the criticism and the patronage. The quick blood rose under the clear, warm-cream skin, a bright light, like enmity, leapt into the grey-veiled eyes. The instinctive blood-recoil from an opposing — nature.

It was hot and airless in the house, so they went and sat at the edge of the chestnut-wood where there was a breeze blowing. Anna built a seat for Lauretta among the rocks, cushioning it with grass and the soft, greyish, fibrous moss from the stones. The sunshine, the wonderful, pure, rich mountain sunshine, like a flood of liquid gold, was pouring down upon the world. The wood was all in motion, restless and uneasy, the green leaves lifting and dipping and weaving in a watery way, so that an ocean of green wavelets seemed to have blown inland.

Lauretta sat on the rock in her flowery dress that was so unmistakably, elegantly expensive, and talked to her niece. She was trying very hard to be charming and winsome and sympathetic to the queer, uncommunicative child.

Anna was reserved and rather distant; she could not help being a little nervous with this sophisticated, elegant, unfamiliar woman, this visitor from another world. Nervous and perhaps a little envious as well. She was proud; she did not want to envy. But she could not shut herself off from the strange, other-world fascination of experienced, assertive perfection that Lauretta possessed: that and the hidden, implacable authority that lurked all the time behind her winning, smiling manner. She made Anna feel clumsy and constrained; and Anna was quite aware that in spite of all her charming kindliness she intended it to be so. Lauretta was very consciously the superior, putting Anna in her humble place with a cunning technique of apparent friendliness.

‘She despises me,’ thought Anna, ‘because I’m not beautifully dressed and because I don’t live in the same way as she does.’

She felt hurt and resentful. At one moment she envied Lauretta; the next she disliked her.

She became silent. The occasional words fell with difficulty from her lips. Her bright, steady, steel-cold eyes never altered. She maintained a sort of steely blankness towards Lauretta, the inevitable enemy.

It made Lauretta angry. She was definitely repelled, this time, by her niece. The tall, quiet, boyish, unchildlike little female with her cold, impersonal grey eyes was really repulsive to her. She could not bear the temperate, almost inhuman steadiness of those grey-blue eyes. And she couldn’t bear the self-contained reserve of the strange girl, resisting her own charming advances. She went away in anger.

Anna’s mind was troubled by the visit. Was she missing something? she asked herself. Wasn’t there, perhaps, something admirable and amusing about the life of the world, the life from which she was completely cut off? And wasn’t something lacking in herself?

James Forrester returned at twilight when the small wild lupins in the grass glimmered white and ghostly like miniature turrets of phosphorescence.

‘A pleasant afternoon?’ he said to his daughter, smiling.

And for a moment on both faces, the grey, grim, haughty face of the man, and the brooding, pale-dark face of the child, the same smile rested, the secret, inward smile of understanding which came from the blood, glamorous.

‘I don’t think my aunt liked me very much,’ said Anna, smiling upwards, a bit cunning in the dusk. ‘She tried to make me feel ashamed of myself.’

‘And did she succeed?’ he asked.

‘No!’ Anna said loyally, and her eyes flashed.

But the father knew that she did not speak the truth.

Anna could not have told when it began; when first she was aware that something new and rather sinister had crept into her relations with her father: a new element. The element of fear. Perhaps it had started on the day of the shooting, when she had stood with her back to the goat-shed in the voluptuous yellow glare of the sunset. Or perhaps it had been born long before, with its thin roots like black worms twisted into the far distant past. But somehow fear had risen. And now its ugly, flat, dangerous head was always rearing up at her out of the bland innocuousness of everyday, as the venomous little vipers would suddenly poke up, hissing, from the sun-warmed rocks.

It was lonely at Mascarat, and the wind came swooping down from the mountains, making wild, maritime noises in the chestnut-forest, shuddering and whining through the draughty old house. Anna had never realized till now the isolation, the complete, black isolation that shut her up alone with her father, absolutely, like the banging of a trap-door. Particularly at night.

By nine o’clock Seguela and Paul would have vanished into their black hole. When there was no wind the house was silent, curiously, stonily silent, as if dead. And Anna, lying on her bed in the dark, would be acutely conscious of her father who sat in the other room in the meagre, dusky light of the lamp, reading, reading; or filling the pages of his diary with the small, beautiful Greek letters that he formed so perfectly. Till somehow his stooping form would become a nightmare to her, a terrifying menace of the night, so that she could hardly bear to feel herself shut up with him, alone in the absolute silence of the dark house.

Gradually, this obscure terror, this intangible, indescribable nightmare fear, began to make itself felt by day also. Anna became nervous in her father’s presence. She developed a vague, increasing dread of him. She would not acknowledge it; she fought with a kind of shame against this insidious, black, sliding intrusion. But it persisted. And somehow, the uneasiness of the child seemed to communicate itself to the man also. His attitude towards Anna became subtly modified. The old understanding between them, the blood-sympathy, was lost; he withdrew himself from her. And at the same time, he watched her, secretly it seemed, as one might spy upon an enemy; or a victim.

He was no longer harsh with her or scornfully sarcastic as before. He was always quiet and restrained, and gentle, too strangely gentle, in his manner. But he was so preoccupied; he seemed to forget Anna more and more, and to become always stranger and more absorbed in his own thoughts. And sometimes he sat staring at her in a way that made her afraid. She was afraid of his secret thoughts with which she felt that she was in some way connected.

Anna was fond of bathing in the stream where the water had been dammed back with stones to make a basin about twelve feet across. There was room to swim a few strokes, and the water was vividly clear. It was pleasant when the weather was hot to splash about in the water that came down, pure, pure melted snow from the mountains, and then to lie in the biting glare of the sun on the dry grass. Like a young pagan creature from some long-lost era before the world became vulnerable in the consciousness of sex, Anna lay on the warm grass in the sun. Her slim, hard, brown-skinned body looked small and childish in the blazing light, very pure and impersonal, with a certain primitive unearthliness of virginity. As the first dwellers on the earth might have looked in the bright, pristine freshness of creation.

Her father came to watch her. He had developed a habit, lately, of coming down to the stream while she was bathing. There he would sit under the cherry tree, isolated in a black ring of shadow, while all the world swam unsubstantially in a great flood of light. He did not speak to her, but his eyes, his bright grey eyes, would gleam out of the shadow, watching her with a piercing grey attention, and his shadowed, cold, distinguished face would wear a secret, sly, absorbed expression, very peculiar. It made Anna uncomfortable. She was embarrassed without knowing why, and stayed longer in the water than she would otherwise have done. But growing chilled, she had to climb out over the wet, slippery rocks to sit down in the sun.

But always some distance away from her father, not close to him, near the cherry tree, as would have been natural. Till one day he came to where she was sitting like a young brown nymph with her arms clasped round her knees, and touched her, just stealthily touched her wet shoulder. Anna would have liked to jump away from the stealthy touch; but she was ashamed to do that. So she sat still, very tense and uncomfortable, while James Forrester’s hand moved down her arm with the strangest, softest, most disturbing touch imaginable. Then raised itself and touched, just lightly touched with bent fingers the cool curve of her neck where tiny runnels of water were still creeping from her wet hair. This was too much for Anna; this sinister, slight touch on the sensitive skin of her neck was more than she could endure. She sprang up quickly and ran away to hide herself in the woods. She did not know what she was hiding from. But after that she no longer wanted to bathe in the bright pool.

She avoided her father as much as possible these days. The meals that they had together in the big, dark, barren room were a trial to her. She began to dislike the room, so rough and empty and severely neat, with the curtains that Miss Wilson had sewed, years before, still hanging, limp and faded, at the high windows. Then the food: the endless, monotonous, hot, greasy stews and bits of boiled meat, and old Seguela flopping back and forward from the kitchen in meaningless haste, like some stupid, clumsy bird.

And at the other end of the table sat James, looking like a dead statesman, with his grey face blank and dead, and his thoughts very far away.

He drank a good deal at times. But the alcohol did not seem to affect him. His stony expression never changed. But sometimes a strange, flashing glance from his cold eyes would rest upon Anna, full of some burning fierceness that was like hatred, and he would force her to drink with him, force her to swallow the little glassful of fiery spirit at a single gulp.

‘I ought to shoot you, really,’ he said to her once, in a dead voice. ‘Conscientiously, it would be the best thing for me to do.’

She saw from the grave concentration of his face that his conscience did actually require him to kill her. And this puzzled her because she could not understand why her death should be a conscientious necessity. The thought of being shot did not seem to cause her any concern.

‘Why? Why ought you to shoot me?’ she asked, looking at him with earnest, faithful, unfaltering eyes, very anxious to understand.

But instead of answering her question, he stared at her for a long time, tracing with his thin fingers an imaginary circle upon the table. Then suddenly he was still, and on his face there came a fanatical, fixed look, like a possession.

‘There is only one thing in life of any importance, and that is complete honesty,’ he said. ‘Honesty with oneself. The truth. Complete, stark, final honesty.’

Anna wondered if he would kill her. And once more she realized that she didn’t mind what happened to her as long as he willed it; she even didn’t mind dying if that was what he wanted. In spite of everything.

The weather grew hot and thundery. Great masses of cloud banked themselves behind the mountains. The air ran hot with electricity. There was no breath of wind. Anna could not bear the threatening quiet, the threat of electric devilment in the stillness. She went down to the chestnut-forest to search for a little breeze.

But there was none. Only, after a time, came old Seguela running, flapping grotesquely down the stony path, with the staring face of some dark, dishevelled prophetess of doom, calling harsh, brutal words like the cries of a distracted bird.

James Forrester was dead. He had burned his private papers, reduced the closely-covered pages of beautiful Greek letters to a handful of ash. Then he had shot himself. His body looked handsome and powerful, lying incongruously on the bare floor. But he was quite dead. No more important than the ashes on the hearth. He had carried honesty to its logical conclusion.

CHAPTER 3

WHEN Lauretta heard of James Forrester’s death she made one of her generous gestures.

‘Of course, we must be responsible for Anna-Marie,’ she said to Heyward Bland.

Lauretta was capable of sudden impulses of rather spectacular generosity; it was part of her Lady Bountiful attitude towards life. But on this occasion there was real virtue in the decision, for the unfavourable impression which Anna had made upon her was still fairly fresh in her mind, and, moreover, she was very pre-occupied. She had other fish to fry just then. For the war was starting, and Lauretta, carried on the crest of a wave of hysterio-mystical-patriotic excitement, was feverishly converting her house into an amateur nursing home. It was really laudable that she should find time at such a moment to consider an insignificant and unprepossessing waif hidden away in the mountains half across Europe.

The difficulty was to know what to do with her. Obviously, an officers’ convalescent home in war time was no place for a girl-child of thirteen.

‘She would only be in the way here,’ thought Lauretta, who, besides, was very averse to the actual presence of her disconcerting niece. Her generosity did not extend to having Anna to live in the house with her — not just then, at any rate.

Boarding-school seemed to be the only solution. And if at first Lauretta felt any qualms at plunging this child, so unprepared and so unusual, into the rigidly-disciplined scholastic world which makes no allowance for individual peculiarities, she soon stifled them with the vague and comfortable reflection that it would be all for the best. Heyward Bland, conspicuous neither for his understanding nor his humanity, lent his moral support.

‘Let her mix with other children of her own age, that’s the thing,’ snapped the Colonel in his best military manner, rather vindictive. ‘Get the corners rubbed off her.’

He had heard a good deal about Anna’s angularities.

So Anna was sent to a boarding-school in Lausanne. Switzerland was safely neutral and safely remote. Lauretta felt that she had arranged things very well for the moment. Later on — delightfully non-committal term! — she could make other arrangements.

For Anna the world seemed suddenly to have become a vague and unconvincing place, minatory and yet unreal, like a species of prolonged, unacute nightmare. Her father’s death affected her deeply, but not in any conventional way. She did not consciously grieve for him, or even particularly regret him. Her chief feeling was one almost of resentment against him. Why had he not told her what he was going to do? Why had he shut her out of his confidence? She felt hurt and affronted.

And at the same time her life was violently torn up by the roots. She was dragged like a seedling from the earth where the young, sensitive tendrils of her life had taken root, and flung down harshly in a strange place which seemed barren and uncongenial. She was unhappy at school. How should it not be so? All the memories, the influences of the preceding years protested against this abrupt immersion in an unfriendly element, this caging and chaining of rules and repressions.

She felt herself alone, lost like a stranger in some fantastic country whose language and mode of life were alike incomprehensible, surrounded by enemies in an atmosphere of suspicion and perpetually lurking, unimaginable dangers.

She felt that the whole world was against her. An immense gulf separated her from her laughing, chattering companions. She was cut off from them as completely and irrevocably as from the strange, pale mistresses who moved, ghost-like, in a chilly aura of authority. Anna was alone; she stood among the crowd in a small black circle of isolation: she was different.

And now into her life there came creeping an intangible depression, a spiritual malaise, a sort of day-time nightmare, very vague and unacknowledged, but threatening at any moment to overwhelm her. She resisted it with stoicism, with the unchildlike hardness that was in her character; but still it left its mark. Something frank and free and gracious in her was lost for ever. Some inner flame that might have burned up strong and vivid as the sunshine, was damped back to a weak flickering gleam. Her independence, the good, firm independence of her youth, began to waver. A sullen look came often to her face.

She did not know what had happened to her. She only knew, obscurely, as children know these things, that outside forces, destructive and uncontrollable, had driven her life out of its proper course: that things had gone wrong with her. And she could only submit. She submitted with the profound, stoical resignation of the very young who must submit to no matter what torment or injustice; because they are in the power of others, because the forces ranged against them are too strong. But her daily life was like an uneasy dream, threatening from moment to moment to become a nightmare in good earnest; at once stupid and dangerous, meaningless and menacing. She was lonely and she was afraid.

In England, where the convalescent home, now a long time in full-swing, was losing some of its novelty, Lauretta conscientiously read through the reports which the headmistress in Lausanne made out for her benefit. They were not very satisfactory. Anna, it appeared, was difficult and inclined to resent authority. She was not a good ‘mixer.’ All the complaints came from the disciplinary side; she was perfectly satisfactory as far as scholarship went.

Lauretta sighed as she read these reports.

‘I’m afraid the child is taking after her father,’ she said. She could not make a more derogatory criticism.

And then, as such things happen, by the purest accident, Anna’s fate was altered.

Lauretta, spending a day in London, encountered an old friend, a certain Rachel Fielding, whom she had not seen for some time. The two women lunched together, and in the course of conversation Miss Fielding mentioned that she had recently started a school of her own on somewhat original lines.

Anna was spoken of, and the trials and difficulties of her education. The ladies of Lausanne, it seemed, were not being very successful. Would Rachel take her? Rachel, intrigued by the fragments of the story which Lauretta poured out over the coffee, her imagination caught by the curious picture of Anna’s lonely, unpropitious childhood, quite emphatically would. So it was arranged.

Rachel Fielding was a big woman of about forty, not at all beautiful, but with a certain vividness. It was a gift she had of intense, absorbing interest in whatever concerned her, a vital, eager enthusiasm glowing in her short-sighted hazel eyes. It made her seem youthful and attractive. Even her walk was eager. She walked quickly, with her head thrust forward a little, and her big, bright, hazel eyes gleaming and questing; and she kept moving her head very slightly from side to side as she walked, as if questing for something.

When Anna-Marie first saw her, she thought that she was like a friendly, Homeric goddess. That was another gift of Rachel’s, of looking like a minor deity in some benevolent pantheon. She dressed richly and with good taste in an unconventional, highly-coloured way, very far from smartness.

An amiable, interested goddess, with a quick intelligence and a vivid intuition, she came forward and took Anna by the hand.

‘You’re going to be happy here; very happy,’ she said, in her clear, quick, musical voice that beat an eager rhythm of its own; rather assertive. There was a strong personal will lurking behind the deistic benevolence.

From the first moment when her bright, questing eyes had leapt upon Anna as upon a quarry, Rachel’s abounding interest had centred in her. She saw at once that here was a worthy object upon which to pour out the ever-brimming vials of her enthusiastic spirit. An object of unusual interest, this tall, grave, slender girl who stood unsmiling in her curious aura of isolation. She saw that Anna was not only aware of her isolation, but proud of it in a slightly defiant way. And she admired her for her dauntlessness.

But at the same time, her large, short-sighted eyes that were so discerning, had taken note of something else in the face of the silent girl. A hard look that covered up a certain blankness; a bitter, hopeless blankness underneath, a blankness of the spirit.

‘There’s something wrong here,’ she said to herself. And indeed it would have been surprising had there not been. Rachel thought of Lauretta, whom she knew fairly well, and looking at the strange, aloof young figure before her, she sighed a little despairingly.

‘I must do what I can for her,’ she thought.

It did not seem easy to do anything for Anna. She was so unapproachable, so shyly arrogant. To all tentative advances she replied so coldly, with a frigid, quiet courtesy that seemed perfectly impassable. And all the time she carried about with her an aura of isolation that was like something tangible, like a black cloak that covered her entirely and which she never took off.

But Rachel, biding her time, ceaselessly watching from a distance, observed two things: first that Anna had an unusual intelligence, and second that she was afraid. For all her pride and independence and her hard-closed mouth, there was fear in her life, a certain wanness in her face, the result of fear and bitterness and helpless bewilderment. Rachel yearned to destroy that look; to restore the beauty of confidence that should have been there by right. But she had to bide her time.

Her opportunity came finally on a bleak February day when the sky was grey and ugly and a scattering of snow powdered the empty flower-beds. Anna was recovering from a mild attack of influenza, and Rachel sent her into her private room to keep warm.

The room was fairly large, and not in the least suggestive of school or school-life. It was the room of a woman of the world, a woman of taste who was not bound by the ordinary shibboleths. Rachel had arranged the room as she wanted it, for her own self. And the result was in keeping with her personality. It was richly coloured and not too tidy: pleasantly warm, and smelling faintly of cigarettes and flowers. There were hyacinths growing in a bowl on the table, and on the floor, standing about three feet high, a scarlet azalea in full blow, a solid mass of blossom.

Anna lay on the sofa, reading and looking about her. Outside the day was cold and dreary beyond words. But she did not look out of doors. Instead, she looked at the room, at the cheerfully blazing fire, and the pure, vivid scarlet of the azalea. She saw the shelves of inviting books, the scattered cushions, the soft-toned Persian rugs, the handsome tapestry hung behind the door, the huge twisted candlestick of white and vermilion lacquer, standing on the floor and holding a candle as thick as a man’s arm, the delicate, sophisticated grace of the Queen Anne bureau, the barbaric-looking gold embroidery flung over a chair, the haphazard sprinkling of semi-precious objects, bowls and ornaments and carvings of carnelian and agate and onyx and ivory and jade.

She was surprised and fascinated. Some repressed craving for beauty in her began to stir towards life.

‘What a nice room this is,’ she said to Rachel Fielding.

Rachel only smiled at her. Throughout the morning, she kept coming in and out, hurrying about with her quick, eager walk, leaning slightly forward as if in an excess of eagerness, a very busy goddess indeed.

But after lunch she came in and shut the door after her with a definite sneck which seemed to shut out all the rest of the world.

‘There! I think I deserve a little rest now,’ she said, and sat down quite close to Anna.

The room glowed like a jewel in the dull breast of the day. They seemed shut away there, together, in absolute seclusion in the bright, warm room. Anna felt a little uneasy; rather alarmed at being shut up alone with the bright-eyed, assertive woman in her dark velvet dress — the goddess woman. She sat up on the sofa, very straight against the cushions, with her fine, slender brown hands motionless in her lap, and her head well up; on the defensive.

Rachel took a cigarette from a cedarwood box, and lit it.

‘Does it shock you to watch me smoke?’ she said. ‘I’m afraid I’m a very unprofessional sort of school-marm really.’

She blew out a fine stream of smoke, and smiled very winningly at Anna, as at an equal.

‘I like it,’ said Anna quietly.

She sat still, watching the thin, bluish feather of smoke curl upwards from the cigarette. It was blue as it left the cigarette, and greyish when Rachel blew it in a soft, cloudy stream from her red mouth. There was rather a long silence.

‘Well, how do you like us all?’ Rachel asked suddenly, darting her quick, hazel eyes at Anna above the smoke. But she saw that Anna was confused, and immediately altered the form of the question.

‘How do you think you will like being at Haddenham?’

Anna was relieved. She could answer that, all right.

‘I like it much better than Lausanne. Oh, very much better,’ she answered, and her mouth gave a little smile.

But she couldn’t help wondering, rather, what it was all about; what Rachel was getting at. A sort of misgiving lurked in her grey-blue eyes. And she sat up very straight and still, such a suspicious, haughty soul in her thin girl’s body.

‘What is it? What is the matter with you?’ Rachel asked her, with her soft, Madonna-fondness.

She threw away her cigarette and knelt beside the sofa, taking Anna’s hand caressively, covering that small, reluctant hand completely with her own large, soft, white hand. It was evident that she really loved Anna at that moment, was carried away in a muse of pitying Madonna-love. She really wanted to help her.

‘Why are you so suspicious? Why do you want to drive me away? What is it that frightens you?’

The questions dropped from her soft mouth with a gentle, crooning sound. Anna looked in wonder at the big, short-sighted hazel eyes peering close into her own. Hitherto the world had been united to repress her, to insult and humiliate her, to make her feel ashamed and unimportant. The world had made her feel an outcast, a dweller in outer darkness. She had known what it was to sink lower and lower, till there seemed no place for her in all the universe.

Now the opposite was happening. This vivid, splendid woman was trying to raise her up, to save her from the bitterness of the insults she had received, to restore to her the pride and beauty of herself. And suddenly it seemed as though a light had fallen upon her: as sometimes in the mountains when all the sky was threatening and gloomy with dark cloud, a slender ray of sunshine would come through, unexpectedly, brightening the sad earth.

‘I thought everybody must despise me; because I’m different, somehow. I don’t know why —’ Her voice trailed off uncertainly.

Rachel looked into her eyes for a moment, and her face seemed to go softer, warmer, melting away in a fusion of pitying love. She took Anna in her warm arms.

‘Poor little foreigner. Poor little lost girl,’ she murmured, very low, as if speaking to herself.

Anna relaxed against her, feeling that something new and wonderful had happened, changing the whole aspect of the world. It was the first time since the day of poor Miss Wilson, almost the first time in her life, that anyone had embraced her with real affection. Her heart grew lighter. But at the back of her mind, a faint, ironical self-consciousness would not be banished entirely, so that she was glad when Rachel released her and sat back again on her chair, a little way off.

But what a dominant will the full, queenly woman had! She had an almost uncanny power to make Anna feel confident and strong. The smooth head of the girl poised more surely. She was coming back to herself.

Then Rachel began to talk, not emotionally now, but very kindly, with a subtle flattery of intimacy, and a certain matter-of-factness that banished all alarms.

‘Things have gone wrong with you,’ she said. ‘You’ve lost yourself a bit. But it doesn’t really matter very much. There’s nothing fundamentally wrong, nothing that we shan’t be able to put right. The great thing is not to be afraid.’

Anna sat still, listening, and at the sound of those confident and consoling words, the nightmare, the threatening nightmare that had crept into her daily life, began to slink away. She looked out of the window, and saw the trees, rank upon bare rank, naked and motionless against the naked winter sky. Only by some freak of the wind, a single tree, a young chestnut, a tall sapling on which the dark buds were already distinguishable, blew strongly to and fro with a slow, even motion, like the rolling of a boat at sea. And ever after, through her stormy life, the recollection of those comforting words must be associated with the stormily swaying tree, swinging and rolling against the motionless background of the other trees which the wind left untouched.

‘You must never be afraid of anything,’ said Rachel Fielding. ‘Always remember that with your intelligence you can do anything you like. There is no such thing as an insurmountable obstacle. The world is there for you to do as you like with — not the other way round.’

‘But why is it that I feel so much alone? So cut off from everybody? As though I can never come near?’ Anna asked, after a pause.

The eager, penetrating, sensitive eyes of the other woman looked at her, looked into her soul, it seemed, and smiled their reassurance.

‘You’ve got to put up with that, Anna-Marie. You’ve got to get used to it, because its inevitable. You might even be a little proud of it, perhaps. All brilliant minds, all exceptional minds, have to stand alone. You see, they’ve outgrown the herd-mind, the ordinary intelligence of their fellows. And you are brilliant, my dear, though you don’t realize it yet. You’ve got to pay the penalty of brilliance; and after all it has its compensations too.’

She stopped and looked out into the distance, absently, as if seeking something far away. Then the smile came, the vivid, loving, protective, goddess-smile on her face, the understanding glisten in her hazel eyes, as she said:

‘And there’s usually someone who understands, more or less. You won’t be absolutely isolated like a stylite on your little pillar of superiority. Now, for instance, while you’re here, you can always talk to me.’

So the friendship was started between them. The friendship between the clever, intense woman, with her feminine strength and softness, and her rather beautiful, lavish maturity, her goddess-ship: and Anna, the pale, slight girl with her quiet gravity, and her masculine quality of detachment, her wild, uncaptured, virgin aloofness, that turned so easily to hardness and frigidity.

Anna was a little shy at first, a little doubtful. Her innate scepticism made her stand off from the proffered affection. She was somewhat suspicious, seeing the big white arms of Rachel wide open to receive her: as though it were some sort of a trap. But she had suffered fear and humiliation at the hands of the world; the world had brought the creeping nightmare into her life. And Rachel had saved her, Rachel had driven away the nightmare. So she must love Rachel in the end. She had to feel an almost passionate gratitude to this woman who had restored her pride in herself.

It was in the summer that the friendship ripened. In spring-time the flat country that through the long winter had seemed bleak and dreary under the perpetual beating of the rain or the sharp-edged dryness of the frost, became soothed and beautiful. The gentle English spring laid a softening veil over the land. The hedges burned with a long white fire of blackthorn, the fruit trees flowered in a light-hearted way, like girls standing in full-skirted dresses, pink and white, multitudes of small, gay flowers twinkled in the grass, the sky was a pale, pale blue. And over everything the green was stealing, the very delicate, tender first green, like the softest, downy feathers on a bird’s breast.

Anna walked often with Rachel through the bright fields.

‘I’d no idea it could be so beautiful here, so soft and flowery,’ she said.

She had thought of Haddenham as a harsh, cold place, cheerless and dank. Now suddenly, a softness had come over it, a benevolence. And Anna too felt softened and comforted.

Rachel was now the centre of her life. Other people, the other girls who thronged the surface of her everyday life, were dim and vague, phantom-like, inconspicuous, almost invisible. She took no heed of them. Rachel was the only reality. The big, magnificent woman filled her life. They were constantly together. Whenever Rachel could get away from her busy-ness, from the countless preoccupations and duties of her position, she came back to Anna. It was almost as if she got something from her; as if she derived some secret strength or encouragement from the thin, proud, pale-skinned girl.

And Anna was happy. For the first time in her life she could talk openly of the things which interested her and were important to her. She had a great need of speech, of putting her thoughts into words; otherwise her thoughts seemed to escape her, flying about her brain in a wild confusion. It needed the power of words to put them in their places. And Rachel was full of understanding, using her sensitiveness to fan the thoughts of Anna towards coherency.

She gave Anna self-confidence. This was what she wanted to do. For the moment this was her métier, this exaltation of the strange little creature who had come so near to losing the sense of her own value. As a goddess, she wanted to save Anna, to have her as a protégée: and as a woman she wanted her for a friend. With her mysterious feminine will she enveloped Anna most completely. She had the most curious power in the world of making Anna feel confident and strong. She exalted her.

She convinced her of her own intelligence, and of the fact that as an intelligent being she was important. This gave Anna a satisfaction, a feeling of anchorage. She felt that never again could the nightmare come creeping back into her life. She was safe.

But the relations between the two of them were peculiar. On Anna’s side there was always a holding back, almost a trace of resentment. She distrusted that glorification of herself even while it gratified her. She felt that in some way she was being made soft. She was not standing on her own feet. It was the goddess-ship of Rachel that was exalting her for her own ends, almost making her into the victim. She rather resented the goddess aspect of Rachel: and her actual physical aspect, so lavish in its rich maturity, like a gorgeous, soft fruit. Rachel would touch her, would take her arm, or her small, cool hand, or stroke caressively her sleek, well-shaped head. And immediately she would be made uncomfortably conscious of the full, feminine body under the bright clothes, the soft, white-fleshed limbs, the rich female luxuriousness. It was as if some part of her were repelled, disgusted even, by the proximity of so much ripe, luscious femininity. She didn’t want to be touched.

She sat on the grass with her back to a low brick wall, looking up at the sprays of lilac that hung down almost touching her. Some of the florets were already wide open, like tiny purple butterflies resting there, but others were close-furled in their round buds. The open flowers looked curiously voluptuous with their small, sweet-scented, wide-spread purple petals beside the hard, dark, virginal buds.

‘I am like one of the buds, and Rachel is like a wide-open flower,’ thought Anna; and pulling off a floret, she sucked the sweet drop of honey through the tiny, delicate, silken tube.

‘Are you happy?’ asked Rachel, in her eager, musical voice.

She bent over Anna, looking into her with quick, bright hazel eyes, yearning over her. And her large, well-kept hand rested caressively, possessively, on Anna’s thin shoulder.

Anna felt a little repugnance for her; for the big, clever woman who had altered her life, the goddess-woman who had given her back the pride and beauty of herself to demand them again as a kind of sacrifice. She was determined that she would not allow herself to be made, even so very indefinably, into a victim. She would stand on her own feet. But it was not so easy. She wanted Rachel’s support; and Rachel wanted something from her. They seemed bound together.

CHAPTER 4

ANNA took very little part in the collective life of Haddenham. The sports and team-games, all that elaborate system of struggling and competing and pseudo-manly activity that the other girls found so important, rather disgusted her. It really was rather horrible, all this ridiculous aping of masculinity. Useless and absurd and unpleasant. Why should girls wear themselves out in this feverish, unnatural struggle to imitate the physical pastimes of men! To Anna it simply wasn’t worth a single effort. Let the men go on playing their silly, brutal games, if that was what they wanted. But leave them alone in their stupidities, for heaven’s sake.

She would not take part in the degrading, pointless struggle. She would not compete with men on their ridiculous sports ground. And Rachel, with her profound womanliness, and her dignity, and her deep, intuitive understanding, she really agreed with Anna and was of the same opinion. But she would not openly oppose the system. She knew better than to expose herself uselessly to the brainless malevolence of a mad, man-aping world.

Anna would not join in the games. Only tennis she played, and played rather well, with a quick, erratic vigour of movement. It amused her to dash about the smooth court, swooping noiselessly on her rubber-soled shoes, lifting her arms with a sudden swoop upwards or down, violently, then careering on. She liked the sharp, clean, stinging, singing sound when the ball was well hit, squarely, in the middle of the racquet; and the strong forward drive of the stiffened arm from the shoulder; and the sharp, dry, downward jerks. It was amusing. But only for a little while. She soon tired of the game, and got lazy and bored and wanted to wander off somewhere else.

She was a good player, though, on the whole, and so she was chosen to play in a tournament that was being held in the village. Six girls from the school were to play. It was rather an honour to be chosen.

Anna knew that the others didn’t want her to play; they didn’t want her to have the honour. It was their queer, school-boy code that compelled them to choose her ‘for the good of the school.’ She rather jeered at it in her heart, seeing all the smooth young faces set so stonily against her.

‘For goodness’ sake play up this afternoon,’ the games captain said to her. ‘Don’t get slack and lazy as you generally do. Show a little sporting spirit for once — if you can.’

She frowned angrily at Anna, irritated because she didn’t want her to play at all, really. But Anna smiled back, quite unconcerned, with an aggravating little air of superiority which she had acquired of late. As much as to say: ‘Of course I shan’t trouble to reply to your childish remarks. You are much too foolish a person to be taken seriously.’ Sporting spirit indeed!

Halfway through the afternoon, Rachel appeared in the stand to watch the tennis for a little while. Anna, who was winning at that moment, saw her, and waved her racquet smilingly.

It was a breach of etiquette. The stern sporting laws required that every player should be absorbed in the game, utterly, to the exclusion of any other thought. To take notice of onlookers was a crime.

Rachel felt the chilly weight of condemnation lowered upon Anna. A strange, silent emanation of disapproval, silent hostility, so foolish, yet so profound. All the girls watching, the young, foolish figures in their flannel blazers, looking at each other quickly with angry eyes, and quiet, deep, scornful disapproval. A certain unanimous condemnation in the normal hearts, a certain instinct of rejection in the embryo little women. Their condemnation was so foolish and unimportant. But at the same time, all normality was on their side, the good manners, the clean clothes and bodies, the orderly ways of life, all that immense structure of conventional mediocrity which runs the world, so fearsome and so powerful. The impulse of their disapproval was the impulse of the world’s hate. The spontaneous rejection by mediocrity of the exceptional; the horrible, world-determination to keep the norm, to reduce everything to an average dead-level, and destroy the exceptions.

Rachel looked at Anna vigorously swinging her racquet and running about the court: such a fine, graceful figure, moving so swift and as it seemed lonely in the sunlit space, with a peculiar quick beauty of physical being, and inside a strangeness, a profound, inevitable, hopeless isolation that was fatal to her and must destroy her.

And Rachel could not bear to think of her destruction. She could not bear to sit there watching that sunlit, youthful figure whom she loved, and to feel the destructive effluence, the silent, relentless hostility which came from those foolish girls whose hearts were the cruel, normal, mediocre hearts of the mediocre world.

She got up and went away, back to her study, and sat down by the open window. She pondered her own love for Anna. Was she harming her, perhaps? Did she do wrong in keeping her so much to herself, away from the other girls, intensifying her singularity?

Who knows? But her love constrained her, and her love was very potent. She wanted to keep Anna to herself. There was nothing to be done.

Anna enjoyed herself and played better than the others. At the end of the afternoon, feeling sore, they all went off together and left her alone. She didn’t mind this in the least. She was used to it. And she wasn’t interested in the girls or their opinions. Their friendship would have bored her just as much as their animosity; it was all part of the same stupid, childish dreariness.

She went into the pavilion to change her shoes and put her racquet away. Here was another girl.

‘You and I seem to have been rather pointedly abandoned,’ she said to Anna, smiling with a hidden shyness.

‘Yes,’ said Anna, looking at her.

Sidney Reeve was about her own age, strong, dark, with short curly hair like a boy. Her eyes were bright, quick, with a glassy clearness almost amber-coloured, like the eyes of an animal. There was altogether a rather animal suggestion about her pointed face, but pleasant, the face of a very intelligent and sensitive animal. She was certainly no fool. And the irregularities of her face were rather pleasing: the curious slant of her black eyebrows, and the upward lift of her mouth. It gave her an air of detachment, as though she watched everything with a quizzical, slightly mocking expression.

‘How is it you’re not with the others?’ Anna was moved to ask.

‘You haven’t got quite the monopoly of unpopularity,’ Sidney answered, with the flicker of a one-sided smile.

There was something sharp and cool, refreshing about her. Anna was interested. Sidney could smile with keen young real amusement, and a spice of cynicism.

‘Come up to the village and have tea with me,’ Sidney suggested, suddenly, almost as if giving an order.

Her manner was perfectly assured; assertive even: but underneath was a sensitive shyness, a hint of deprecation.

‘Very well,’ Anna agreed.

They walked up the road together. Anna was slightly taller, more graceful altogether, more delicate. Sidney, with her cropped curly head and her short white tunic swinging over her sturdy knees, was like some foreign soldier youth. She moved with a steady buoyancy, but with just a trace of swagger, of conscious challenge. She was bold too: she led the way into the room where the other girls who had played in the tournament were sitting at tea with their friends, celebrating the occasion. The girls disliked her. A self-conscious movement of distaste passed over the youthful faces, a sneering look, an instinctive withdrawal. There were whispered comments ‘Sidney Reeve! Anna-Marie!’

Sidney strode on into the room, making for a corner table, taking no notice of anyone. She might have been miles away from any criticism; but all the time, Anna could tell that she was extremely, even painfully aware of the hostile faces, and yet somehow glorying in the situation.

They sat down and ordered their tea.

‘Did you enjoy the tennis?’ Sidney asked.

‘Yes, it was fun,’ said Anna.

‘But you’re not very interested in games, are you?’

‘No. I think they’re a waste of time. Pointless and boring.’

‘More boring than other things?’

‘Well — yes!’ said Anna, smiling.

Sidney too smiled. She spoke in a low, deep, rather gruff, rather stiff voice, but very intent, and her intelligent eyes rested upon Anna with a certain intensity. She was somewhat repressed by her surroundings, by the consciousness of the inimical faces in the background and her determination to be unaware of them. But there was a sort of urgency in her behaviour. She was trying to make some contact with Anna.

Anna liked her. She was interested and stimulated.

‘Why haven’t we known each other before?’ she asked.

Again the other girl smiled her sharp, one-sided smile, rather vinegary.

‘Well, it’s not exactly easy to know you. You’re usually so very obviously otherwise engaged.’

She spoke with sarcasm, not really bitter, but mocking; subtly, definitely derisive.

‘You mean with Rachel?’

‘Yes, with Rachel,’ she said, jeering a little, and accenting the name.

There was an uneasy pause. Anna was trembling on the verge of resentment. But for some reason she couldn’t really feel angry with Sidney and her peculiar mingling of effrontery and diffidence: her assurance and her naive, hidden, wistfulness.

‘Hadn’t you better go to her now?’ said Sidney ironically, her thin cheeks flushing. ‘She’ll be expecting you.’

‘Yes,’ said Anna, and instantly stood up. ‘I think I will go.’

Sidney watched her, with a bold and mocking stare. Then she smiled rather irresistibly, and Anna smiled back reluctant.

‘Good-bye for the moment,’ Anna said.

‘For the moment,’ repeated Sidney, still smiling.

She watched her across the room and until the door closed behind her.

Anna went off with a feeling of pleasure. Pleasure to be going back to Rachel. Pleasure to have got away from Sidney, and yet pleasure at having talked to her. Sidney was intriguing. But she made Anna feel uncomfortable. She had that bright, mocking cynicism that challenged her in some way. Sidney was irritating, almost aggressive; but also there was that curious farouche sort of nervousness about her. And her attractive, one-sided smile that you couldn’t quite trust in, and which promised so much; which, perhaps, was the token of a rare inward warmth. There was nothing easy about her. She was sharp, and stinging and stimulating and would need living up to; she would keep you on your mettle.

Anna felt again, as she had already felt, that Rachel was making her soft, almost victimising her. She was not standing on her own feet. And it seemed to her that Sidney, with her very quick amber eyes had discerned this and was mocking her.

Anna wanted to be friends with Sidney, but Rachel monopolized all her attention. She felt herself in a quandary. It was not easy to break away from Rachel. She did not really want to lose that warm, glorifying passion of tenderness the big, vivid woman was capable of. For her, Rachel was still the goddess, powerful, benevolent, full-limbed, mysterious with a strange power of exaltation and a luxuriant physical magic. Rachel was the goddess-woman to whom she owed her passionate loyalty and gratitude and devotion.

But then she had to reckon with the influence of Sidney, pulling her, pulling her in another direction. Pulling her away. That was what Sidney was doing all the time, under cover of her ironical indifference, pulling her away from Rachel. Trying to force a new liberty upon her. To take away from her the deistic protection of Rachel’s benevolence.

‘I admire Rachel enormously,’ she heard the deep quiet, humorous voice of Sidney asserting. ‘I’m fond of her too. But only in homeopathic doses. I can’t stand much of her at a time. She’s too rich for me, too rich for my blood.’

Anna felt that she was laughing at her and her relations with Rachel. Hard, clean-cut, sharp-tongued, bracing, mocking Sidney, without gentleness or mercy; Sidney with her gruff voice and her curious wild charm; how strange a rival for the goddess!

But a formidable rival the sturdy, dark girl was. She had a poisoned dart of power against Rachel in her boyish body. The power to make the ripe, glorious woman a little ridiculous.

Like a goddess, Rachel appeared beside her, a rich, golden goddess in all the glory of maturity, with a gorgeous, almost voluptuous fullness. Sidney brought out the goddess-ship, the strange physical goddess-ship of Rachael, by contrast with her own youthful, sharp-outlined simplicity, her own hardness.

This was what she tried to do. And it made Anna uncomfortable. The overflowing, soft femininity had always been a little repulsive to her. Now it became also a little absurd, a little embarrassing. She could not bear the warm glisten of tenderness in the big, hazel eyes; or the large, soft, white hands that touched her yearningly with a mysterious soft urgency, possessive. The whole semi-physical spell of the goddess-ship of Rachel had become abhorrent to her.

She gave more and more of her time to Sidney. Rachel said nothing; she would not compete or complain. She had, very much, her dignified pride. But she looked at Anna with darkened eyes, as much as to say that though she would not reproach her the default was bitter.

She watched Anna at first with a kind of hopefulness: on her soft, warm face, and in her hazel eyes was an expression of tender, rather pathetic expectation. She could not believe that she had lost her battle. She was the goddess; the mystery. How should she fail to conquer?

Yes, Rachel was used to looking upon herself as a goddess. But suddenly her divine right was questioned; and by this young limb of a Sidney. Sidney to win a victory over the goddess, to steal away an adorer! What a humiliation!

Rachel did not like it at all. And presently a flame of indignation was lighted in her large eyes. The tenderness, the melancholy softness, died out, and indignation took its place. She left Anna alone.

Anna was glad to get out of the temple, to get away from the spell of the fascination and the mystery, out into the fresh air. But she went out with something added to her by the mysteries; a strong conceit in herself, the nightmare pushed well away into the background.

She very quickly became intimate with Sidney. The intimacy which had budded between them at their first conversation blossomed rapidly into a sort of romantic friendship. There was nothing emotional about their relationship. But a frankness, a freshness, an almost man-to-man breeziness, very free and easy. They teased one another and sharpened their wits upon each other. But there was a good deal of romance in their friendship. The mockery, the intellectual strife between them, did not diminish it. The romance surrounded them like a force generated between them, so that the world around them seemed brighter, and gayer and fuller. So that whatever they did together was interesting and amusing. Sometimes they played childishly fantastic little games with the surface of life. And sometimes they talked seriously and with a sense of importance.

‘I’m sorry we’ve missed the war,’ Sidney said to Anna soon after the armistice had been signed.

Anna was surprised. The war had not meant anything to her except an excuse for tedious restrictions. Ever since she had left Mascarat, Europe had been at war. She knew no other world.

‘Why?’ she asked, her clear eyes watching her friend. ‘It’s been a horribly unpleasant business.’

‘But how exciting!’ said Sidney. ‘Don’t you realize what a wonderful atmosphere there’s been in England all these four years? The change and excitement and all the old things coming to an end. I should have loved to have been in the thick of it all. And instead of that we’ve missed it — missed it by about two years.’

That was like Sidney; that energetic interest in events, that desire for experience. Anna was different. She wanted to appreciate things, to understand them, but all in the abstract, so to speak, without actually experiencing them. And for that reason she was more interested in Sidney as an intelligence than as a personality. Sometimes that militant quality in Sidney, that aggressiveness, alienated her. It jarred upon her.

But Sidney, for all her assertiveness, looked upon Anna with a kind of fascination. In spite of the teasing and the mockery and the man-to-man attitude, Sidney had subtly but definitely put herself in the humbler role. There was that curious hint of deprecation in her manner even while she mocked and swaggered. And a disguised, faithful devotion in her bright, clever-animal eyes.

‘You really are extremely intelligent,’ she said to Anna. ‘Far more intelligent than I am.’

She was all devotion as she said it, and under the black, tilted eyebrows the amber-coloured eyes looked out soft with a peculiar romantic affection. But the next moment she was laughing again, laughing her sharp ironic laugh and swaggering off with the same derisive, detached expression as before; mocking herself and Anna and the whole world.

Proud and diffident Sidney, with her protective aggressiveness, and her cynicism, and her admiration for the other girl which must always be hidden away. She had a burning attachment to Anna. And yet she was not quite sure that at the same time, in some portion of her brain, she didn’t despise her a little. Or perhaps pity her; which was much the same thing.

Anna was going to Oxford in the autumn; to Somerville. She and Rachel had decided it between them, and Lauretta had been persuaded to agree. At the end of the Easter term Anna had already passed the necessary examinations and was eager to go. But she had to wait till the autumn. So a restlessness came upon her, a feeling of suspense. The summer months lay before her like an empty interval, pleasant enough, but without much significance. She was restless.

Spring was already well on the way. A clear sky, with blue shadows on the low hills that had taken the place of mountains in her life. A few bright leaves poking up, and mauve and yellow heads of crocus in the grass.

Anna was in her bedroom, trying on a hat that had just come by post. Lauretta was generous with presents of this kind. Casually, Anna stood in front of the mirror looking at the hat which was made of fine straw with an uneven brim and a little fringe of softly curling leaves. She was not very interested.

‘Pull it down more at the side,’ said a voice from the door.

Anna looked up in surprise, and saw, leaning against the door which she had left slightly ajar, a handsome, large-eyed girl of about eighteen, smartly dressed, and somewhat haughty in her sophisticated assurance: Catherine Howard.

Anna did not care for her. But of late she had been vaguely aware of her, coming and going on the outskirts of her daily life. A sort of mutual, subterranean recognition had passed between them.

And now, on this spring morning, Catherine stood at the door of her room as she was trying on the hat. As usual, Anna rather resented her. She wanted to send her away. But Catherine came in calmly, as if by right; and as if by right, she touched the hat with her long, firm fingers, adjusting it over Anna’s smooth hair.

‘There. That’s better,’ she said. And she made Anna look again at her reflection.

‘Yes,’ said Anna grudgingly.

She glanced from her own mirrored face to the face of the other girl. Catherine might have had southern blood in her, her big brown eyes were liquid with the soft haughtiness of the south. She was very confident and superior. Yet she followed Anna about a good deal, seeking her out. She even came to her room like this, unwelcomed, as if wanting something from her.

She was proud and superior. But even so, she followed Anna about.

‘You have nice clothes, but you don’t know how to wear them. You don’t take enough trouble over your appearance,’ she said.

Then she went away, leaving Anna faintly irritated, faintly amused, and with a just perceptible stirring of interest in her mind. She was beginning to be interested in Catherine. But she thought very little about her, being so preoccupied with Sidney.

They had become something more than friends, these two; so that they were only happy when they were together. If one went out of the room, the other was always impatiently waiting for a chance of going after her. It seemed that they only lived to be together.

Nevertheless, it was with Catherine that Anna went to the dance. It was really the most foolish affair. A dance was being held at one of the big houses in the neighbourhood, and some of the elder girls had been given leave to go. Then suddenly there was a suspected case of infectious illness, and permission was withdrawn. Nobody from the school would attend.

Anna was lounging over a book when she heard the news. Her face darkened. The outing, which had not interested her before, now became attractive.

‘Ridiculous, treating us like babies,’ she muttered. ‘I’ve a good mind to go all the same.’

She looked up, and met the large, brilliant eyes of Catherine fixed upon her. For some reason, that bright regard filled her with a febrile irritation.

‘Yes, I will go!’ she exclaimed petulantly, as if in protest against authority. But really it was Catherine’s wide brown stare against which she was protesting.

‘Why not? I’ll go with you,’ said Catherine, in a matter-of-fact tone. She smiled a curious secretive smile, lifting the corner of her lip in secret triumph or scorn.

Anna knew that she was behaving foolishly. That it was only her restlessness that had moved her to the irritable impulse. She did not want to go to the dance at all. But she had to see the thing through. If only to assert herself against Catherine’s large-eyed haughtiness, she had to go. The other girl roused her to such a pitch of unreasonable irritability.

Anna spent the evening wondering why she had come, and what Rachel would have to say when she heard of the matter; for they could not hope to conceal it. She was rather rude to Catherine. But Catherine smiled her secretive smile and seemed quite content.

‘Why on earth did you want to come on this mad expedition?’ Anna asked her, with a good deal of antagonism in her voice and expression, a hint of offensiveness.

‘For the same reason as you did, I suppose,’ replied Catherine smoothly.

Anna watched her in her handsome, rather tense, rather aggravating self-confidence, with suspicion and bewilderment. She could not understand what it was about Catherine that acted upon her as such an irritant. Whether it was the way she moved about the lighted room in bold, challenging triumph, enjoying the illicit occasion; or the peculiar mock-meekness in her large brown eyes when she looked at Anna, as at a superior.

‘It’s really rather absurd at our age to be treated like children in the nursery,’ Catherine said. ‘We ought both of us to be up at Oxford.’

And she went on to talk about some verses that Anna had written and which Rachel had sent to a friend of hers, a publisher at Oxford. It was possible that he might decide to publish them.

Anna looked at her more amicably. Was it possible that this proud, accomplished, independent creature admired her? Yes, there was admiration in Catherine’s eyes, an incongruous, almost servile admiration behind the insolence. And Anna could feel, under the haughty, indifferent manner, the will of the other girl reaching out towards her. She was flattered. It gratified her, in spite of her irritation, that she could make Catherine admire her.

But the next day she was all irritation again. She simply couldn’t conceive why she had gone to the dance. She hadn’t enjoyed herself in the least. The whole incident seemed inexplicable and stupid.

In the middle of the morning Rachel sent for her. Anna went into the study where she had once spent so much of her time. It seemed quite natural to be there again. Rachel was sitting at the bureau. As usual, she was dressed in bright colours; a loose tunic of vivid blue over her skirt, with long, very full sleeves heavily embroidered — something like an elaborate priestly vestment.

‘You sent for me?’ Anna asked quietly.

‘Yes,’ replied Rachel, turning towards her.

Anna came closer, and glanced round at the attractive, familiar room as if in recognition. The glance of familiarity was distasteful to Rachel, seeming to imply Anna’s natural right to the freedom of the room. She gave the girl a strange look from her hazel eyes.

‘You went to the dance last night,’ she said.

‘Yes.’

‘Although you knew I had forbidden it?’

‘Yes.’

‘I suppose you thought I should say nothing.’

Anna looked at her in surprise.

‘You relied on being able to persuade me to overlook it, didn’t you?’ said Rachel slowly. Her large white hands, like two pale animals escaping from the gorgeous sleeves, sprang together and clasped one another upon her lap. ‘You thought you could do what you liked with me.’

Anna stirred uncomfortably, saying nothing. She had caught a glimpse of something coldly vindictive in the short-sighted eyes that had once glowed with benevolent, maternal fondness when they looked at her; a chilly glitter of revenge. And this took away her assurance. She did not know what to say.

Rachel seemed to be gloating in her revengeful triumph. And yet, at the same time, she was struggling against herself. It was curious, that though Anna could see her satisfaction, she could also see that Rachel was ashamed of it, trying to beat it down.

‘Why did you go?’ Rachel asked suddenly, and as it were threateningly.

Anna paused a moment before she answered truthfully:

‘I don’t know.’

In her mind she thought: ‘You will never believe me, of course; but actually I have no more idea than you have what induced me to go.’

‘So you won’t even trouble to explain!’ said Rachel bitterly. ‘I’m not even worth an explanation to you.’

Suddenly, her bitterness had got the better of her. All the gentleness, the warmth, went out of her face. She was the avenging goddess now, emanating a cold, merciless passion of revenge. And as if carried away in a deistic transport, she was just a little hysterical, a little bit out of control. Her quick, strong, eager voice struck now and then a vibrating high note of hysteria.

‘I let you go off with Sidney. I didn’t complain at you leaving me. I gave you up to her because I thought it would be good for you to have a friend of your own age. But do you think it was easy for me to let you go? Do you think it was pleasant for me to stand aside — I who was so fond of you, who understood you so well, who would have done anything for you!’

Her voice added accusation to bitterness till it rang out, angry and shrill with its sinister undertone of exultancy in revenge.

Anna looked at her in amazement and a certain horror, because Rachel had made her realize the actual existence of vengeance as a motive force. She was silent and uneasy.

‘But this is too much,’ the elder woman went on. ‘This open rebellion against my authority is too much even for me. You have gone too far this time.’

She gazed at Anna in complete bitterness, the deadly bitterness of her wounded pride.

‘You will have to go,’ she said. ‘I can’t have you here after this.’

‘Do you mean that I am to be expelled?’ asked Anna in astonishment. She was dismayed at this sudden menace which had flourished at her from the familiar face of the woman who had been her closest friend.

‘Yes,’ Rachel said. ‘I shall tell your aunt not to send you back next term.’

She sat watching Anna with shining hazel eyes, and the strange, vindictive coldness hardening her face. Her anger and her vindictiveness seemed implacable and profound, and so, in a way, they were. But all the time, just out of sight, her love for Anna was lurking, a poor tormented ghost, banished, unacknowledged, but still creeping back even now to peer through the black fog of anger.

But her wounded pride was stronger than her love. She could not bear to be slighted by this cool waif of a girl. Rachel was the goddess-woman, mysterious and powerful. She was accustomed to be adored, and perhaps feared a little as well. Most people stood a little in awe of her, for she was majestic and potent in her handsome maturity.

But Anna was quite unimpressed. She refused to feel any awe at all. Isolated in her arrogant young aloofness, she had come to look upon Rachel’s lavish female power as a sort of trick. And Rachel knew this. She even knew that Anna felt a certain repugnance for her beautiful, florid fullness, for her goddess-ship. Bread of humiliation for Rachel.

Anna shivered slightly as she went out of the study. She had really been repelled by Rachel. Really, Rachel in her slight abandonment, in her zest for revenge, seemed sinister to her, almost disgusting. A chilly breath of far-distant alarm had blown upon Anna’s spirit, a distant threat of nightmare menace from the world. She went to find Sidney, feeling somewhat dismayed.

But Sidney, when she heard of the affair, had no consolation to offer.

‘You fool!’ she cried in a harsh voice of extreme, intolerant provocation. ‘You utter fool to go and get yourself expelled and throw away our last term together!’

And she marched off with an expression of cold, disgusted exasperation on her face, and her thin nose piercing the air protestingly.

It was hard for Sidney to forgive Anna for cutting short their time together. But perhaps, more than anything, it was difficult for her to get over the fact that Anna had gone to the dance with Catherine.

‘But why with her? Why with Catherine, of all people?’ she growled irritably, in her gruff, young man’s voice.

She did not like Catherine. There was a slow, undying fire of hostility between the two of them, the hostility of the assured, handsome, well-dressed, worldly-experienced person for the equally assured but less conventional type whose standards of values are quite different. All this in embryo, but none the less potent for that. And Anna could not explain in the least her sudden association with the bold, sophisticated girl: which only made matters worse.

‘I believe you were just showing off in front of her,’ Sidney accused.

The more or less random shot seemed to come fairly near hitting the mark.

But in the end, of course, Sidney had to allow herself to be reconciled. She couldn’t go on very long treating Anna to her disapproval. During the last few days of the term her affection flamed up with a new intensity, fanned by the poignancy of approaching separation. She enveloped Anna in a clear, bright light of love; and from time to time her amber-coloured eyes would flash at her under the tilted brows, and her mouth would give a little wry smile of pure, bottomless devotion.

Anna was very happy in this aura of affection. She became serene and assured, a little conceited in the knowledge of Sidney’s appreciation, yet at the same time naive and good-natured, something lovable in her confidence of being loved. Only in such an atmosphere did she really seem to come to fulfilment. Her nature required this assurance for its perfecting.

The two were always together during these last days. Even at night they could not be divided, but spent dark hours that passed as swiftly as a dream, talking in low voices in the sleeping house.

The last night of all was cloudy with a faint greyish gleam on the horizon. It was rather warm for the time of year. Anna sat up in bed, leaning against the pillow, and looking out of the wide-open window which faced the low line of hills. There was no light in the room. In the dim, even pallor which came from outside, she could see Sidney sitting at the bottom of the bed, a colourless, indistinct shape in her dark dressing-gown. They had been talking for a long while, but now were silent, subdued and melancholy under the shadow of imminent parting.

Far away in the silent darkness a goods train rumbled off into the distance. It was the nightly signal for Sidney to go back to her own room. She moved and stretched herself, running her fingers through her thick hair. Then she got up.

Anna’s heart stood still at the sudden thought: ‘She is going away now, and tomorrow I am leaving Haddenham for good. It is as if she were going away from me altogether.’ She seemed to realize their parting for the first time.

‘Don’t go!’ she said impulsively, stretching out her hand.

Like a materialization, the hand of Sidney moved out of the darkness and took Anna’s in a firm, cool grip.

‘Feeling sentimental?’ The low, masculine voice was rough with tenderness, and a heavy sadness under the mockery.

Anna gave an unhappy murmur, and said:

‘It’s rather beastly, isn’t it? Having to go away like this.’

‘Damnable!’ said Sidney, her hard fingers tightening about Anna’s hand.

Anna felt tired and unreal. A deep, indefinable uneasiness stirred in her like a foreboding. Sidney seemed to have become remote, the clasp of her hand was chilly and detached as a spectral grip; there was no longer any comfort in it.

‘I feel worried,’ she said. ‘I don’t know why. As if something horrible were going to happen.’ Her face was a troubled blur in the dimness.

‘What could happen?’ Sidney said. ‘Things aren’t so bad really. It will be pleasant for you to have a lazy summer at home. You like your aunt, don’t you?’

‘I don’t dislike her,’ Anna replied. ‘But somehow she’s not quite a real person. One can’t talk to her at all. She’s too —’ she paused a moment, searching her mind for the descriptive word, ‘— too papilionaceous!’ she ended, with a faint smile.

A slow answering smile of complete understanding glimmered on Sidney’s face.

‘I know what you mean, exactly,’ she said.

There was silence for a moment. Then she began to draw away.

‘We will meet again soon, won’t we?’ said Anna urgently. She still felt uneasy and exhausted, very anxious for some reassurance.

‘Yes, of course,’ came Sidney’s voice, like a ghost out of the darkness.

The amber eyes looked down at Anna, with a passionate flame of devotion hidden in the dark, and an intuitive, courageous, unfailing sympathy.

Anna lay in bed sadly after Sidney had gone, seeing in imagination the clear, bright eyes of her friend, full of love and encouragement, like the faithful eyes of a very intelligent, very sensitive dog. But it was not quite the encouragement that she wanted, really. She felt uneasy, apprehensive.

The next day Sidney appeared at the station to see her off, very calm, very breezy, hiding her emotion in her odd, brusque, sardonic way.

‘Good-bye,’ she said casually, putting her cool, sunburned hand in Anna’s, through the open window of the carriage.

‘Good-bye,’ Anna replied.

She felt curiously unreal, indifferent almost. She had slept badly. In the night, a breath of fear had blown upon her from the inimical dark; the striking quarters of the hours had beaten in her ears with a vague clash of menace. So that now she scarcely realized what was going on.

Sidney looked her full in the eyes.

‘Write often,’ she said, in her aggressive, domineering voice that covered a note of wistfulness.

‘Yes,’ said Anna.

‘Well —’ Sidney checked herself with a queer impatience, and walked stiffly away.

As the train moved out of the station, Anna caught sight of Catherine, smiling good-bye and looking at her very definitely with a peculiar forced significance in her big, dark, handsome eyes, as though she intended to convey some message. Anna did not know what she meant by the look, only a significant intensity seemed centred in her, compelling attention. Rachel did not say good-bye to Anna at all.

CHAPTER 5

BLUE HILLS, the home of Lauretta and Heyward Bland, was a small, beautifully-kept-up estate near Wycombe. From the road one could see a flattish stretch of park-land, and then the house on a little knoll, appearing through the tall bulk of the elms. It was a white two-storey house with a sweep of gravel for carriages, and a careful flower garden between it and the park. Among the trees, away from the house, some sheep were usually grazing.

Anna did not feel at home there. She had not spent much time at Blue Hills. Lauretta always travelled a good deal, and Anna’s holidays had been passed in different places. Up till the end of the war the house had been a convalescent home for officers, and Anna, on her visits there, had always felt herself to be an outsider, outside the life of the place. She had kept well in the background.

Now, for the first time, it became real to her. Freed from the transient war-time atmosphere of slightly artificial busy-ness, its own individual atmosphere, the proper spirit of the place itself began to emerge.

Heyward Bland was now living at home, returned from his patriotic labours at the War Office.

The Colonel was a lean, spruce, elderly man, with a rather fierce expression, and a bald, longish head. His manner was didactic and irritable and overbearing, except towards Lauretta to whom he was always politely attentive. But he had a genial, patronizing way of talking to inferiors that made him popular with old-style members of the lower classes: with the younger people it did not go down very well.

Anna understood him thoroughly, and was a little contemptuous. Heyward Bland was conceited and pompous like a scraggy old cockerel, and with the same bullying stupidity. She felt she had never met anyone so entirely imperceptive. But he wasn’t a bad old stick, really. According to his lights, inside his own narrow limitations, he was a good man and wanted to do his duty, as he conceived it. He even wanted to be amiable and strictly fair towards Anna, whom he disliked.

Anna knew at once that he disliked her, and that he disliked all young people. He had a profound suspicion of youth. As though the young people of the world were secretly in league against him, to make him appear ridiculous. And he hated everything to which the word ‘modern’ could possibly be applied.

But Lauretta kept him in his place. She had very decidedly got the upper hand in spite of the Colonel’s barn-yard, male domineeringness. He was rather muted in her proximity, rather subdued, his fierce expression turned a little foolish, his eyes anxiously on the watch. His whole cocksureness slightly gone off, like milk that is just beginning to turn sour on a thundery day. It was rather pathetic to see him so diminished. But once outside the sphere of Lauretta’s sedative influence he perked up again at once, fluffed out his feathers, and strutted off, crowing shrilly again.

Anna was worried as to how Lauretta would take her expulsion. She did not know what Rachel Fielding had written to her aunt. So she was nervous when Lauretta suddenly said to her:

‘I’ve had an extraordinary letter from Rachel. She seems to think you had better not go back to Haddenham for your last term, after all.’

‘She talked to me about it,’ Anna said, rather uneasy.

Lauretta darted a quick glance at her out of her bright, suspicious eyes.

‘But I thought you were so happy there,’ she said, in a surprised voice. ‘Why shouldn’t you go back?’

‘Well, there’s nothing much for me to do, really. I’m simply waiting to go up to Oxford now, you see.’

Lauretta was looking at her shrewdly, summing up the situation. She didn’t particularly want to have Anna at home all the summer. But perhaps it wasn’t a bad thing really. The girl was growing up and she ought to see more of her. Anna had improved lately, too. In appearance she was quite presentable. If only she would pay a little more attention to her clothes she would be even attractive.

‘Yes, I think it’s best that you should be here,’ she said, with the quick, flickering smile that never got beyond the corners of her mouth.

Anna felt that she had been let off lightly: and she saw that Lauretta had experienced a friendly impulse towards her.

‘Yes, we must get to know each other better,’ said Lauretta. ‘Now that you are older, we must be great friends.’

And she took Anna’s arm and pressed it, smiling with that affected girlish simplicity of hers that never deceived Anna for a moment.

‘Yes,’ Anna replied.

But she very much doubted whether the friendship would ever materialize. She wondered what Lauretta was playing at. How did Lauretta want her to behave?

Anna stayed at Blue Hills, and almost before she knew it, she had settled down into a sort of routine there. Lauretta led rather a gay life for the country: plenty of lunches and teas and dinners and dances and bridge and tennis parties that filled up the days and made them pass quickly. She lived for her social amusements and for herself, for her own body — its clothing and feeding and bathing and scenting and beautifying and preserving. She was proud of the knowledge that she was the most fascinating woman within a thirty-mile range — in spite of her age.

Anna saw more of this social life than she had ever done before. She went out often with Lauretta to different parties. The various houses round about followed Lauretta’s hospitable lead, and a good deal of fairly lavish entertaining went on, especially among the older people. There was a rather noticeable scarcity of young people. Elderly successful people, youngish married couples and their children, but no really young people. Anna sometimes wondered what had become of everyone between school age and the later thirties. Their absence left a blank, a curious gap in the structure of the community.

Lauretta went everywhere, and Anna with her. Whether it was a formal dinner in one of the big houses, or an impromptu affair devised to fill some unexpectedly vacant evening, or a tea-party, or tennis, or a picnic, or a dance, or cards to be played with all the accessories of coffee cups and glasses and ash-trays and gold-painted, silk-tasselled pencils and velvet covered tables; she took part in it with Lauretta. She did not enjoy herself, and she was not much of a success. But she went everywhere and watched everything with her clear, blue-grey eyes, that were so steady, and in many ways so impersonal.

She was astonished at the enormous, persistent determination behind it all. All these parties and frivolities were the outcome of a sustained, deliberate effort of will; a universal will to gaiety. A sort of tyrannical, unquestioned law that gaiety was essential and must be maintained. Nothing spontaneous, ever. She felt that if once the revellers honestly considered the matter, they would find that they did not really enjoy the parties or want them at all, and the whole system would collapse. It was just determination that made them keep on: determination and habit. But then, supposing they abandoned their amusements, what were they to do? They did not seem to have or to be capable of having any other interests. Anna, who had been through a socialistic phase at Haddenham, disapproved of their existence. With her socialistic tendencies she disapproved of their pleasure-greedy, butterfly life. But she had to admit that there seemed to be no alternative.

Lauretta told everyone that Anna was clever.

‘A most talented young lady,’ she said coyly, smiling at the girl with a sort of glancing, fictitious roguishness. ‘I’d have you know that she’s a fully-fledged authoress already. A book of her poems is coming out soon.’

Anna was made extremely uncomfortable by these remarks.

‘Why did you say that?’ she asked Lauretta afterwards. ‘It’s not at all certain yet that Drummond will publish my verses.’

‘Of course he will publish them,’ Lauretta said. And from her quick, impatient manner it was obvious that she was determined that it should be so — or else there would be trouble. ‘Of course!’ she repeated, looking at Anna with a smiling mouth, but a hard, bright gleam in her eyes that was like a threat.

Anna was very uneasy.

Towards the end of May the weather became hot suddenly, and Anna needed some new summer dresses. She went into Lauretta’s bedroom to try them on. The big, lemon-and-silver room always fascinated her. With its silver walls and ceiling, its lemon silk curtains, its soft, soft carpet of slightly darker lemon, like lemon-curd, its sleek, silvery furniture, it seemed to exhale an actual perfume of femininity, an anima of female luxuriousness. The bathroom next door was like a laboratory with its pale gleaming purity and its rows of glistening bottles and appliances; a work-room of feminine beauty.

Anna was uneasy and fascinated. This refinement of female elegance, this insistence on the actual mechanism of producing female beauty, was rather too much for her. It made her uncomfortable. But at the same time, she was attracted by it, in a way.

She looked with a show of interest at the dresses, particularly at a dull green one, very simply made.

‘Don’t you like this blue frock?’ said Lauretta, holding up a frilled garment the colour of forget-me-nots, and watching the thin, straight figure in front of the mirror.

A thin body, with sloping shoulders, underneath a pale, grave face. And straight brown hair, rather untidy, over a too-high forehead. An uncomfortable, unfeminine sort of creature, Lauretta thought to herself.

But she knew that Anna was not unattractive. In that pale face, in those severely graceful limbs, was a strange potency that might draw a man, even draw him away from Lauretta herself.

Over the back of a chair lay the dull green dress that Lauretta did not care much about. It was a bluish, arsenical green, beautiful, but rather unusual. Anna was fingering the smooth, fresh-feeling material.

‘I like this one,’ she said.

‘But you could never wear that. Green isn’t a young girl’s colour. It wouldn’t suit you at all.’

Lauretta came forward and stretched out her hand with its flashing rings as if to take the dress away. But Anna held the cold, soft green against her neck, watching herself in the mirror, and a new light came into her eyes, greenish, as if reflected from the green stuff.

‘Yes!’ she said softly. ‘I like it immensely.’

‘Then I’m afraid your taste isn’t very good. Green is the last colour you should wear. Why, with your sallow skin it makes you look like a suet-pudding!’

Lauretta could be swiftly roused to irritation if she was opposed in any way. She seemed to take the disagreement as a personal affront.

Anna had almost forgotten her aunt, enthralled by the contrast of the lovely greenish stuff with the yellow-pale flesh. Now the angry, impatient voice brought her quickly back to earth. She put down the dress, smiling gravely at Lauretta.

‘I’m sorry you don’t like me in green,’ she said, with a hint of propitiatory gentleness. ‘I’m so fond of it. I think it suits my personality.’

‘Suits your personality! What an expression!’ Lauretta laughed a hard, tinkling, malicious laugh, as at some stupid absurdity. ‘What a mass of affectations you are! When I was your age, girls didn’t use words like that.’

‘Would you rather I spoke always in words of one syllable?’ asked Anna, in her calm, involuntarily supercilious voice.

‘There is no need to be insolent,’ said Lauretta, turning away.

‘I’m sorry. I didn’t mean to be rude,’ Anna said, rather confused. ‘Please don’t be angry.’ She looked shyly at her aunt, not knowing how to behave.

‘Why am I not more careful what I say? I must think before I speak,’ she thought unhappily.

Lauretta was really offended. Her eyes rested upon Anna with disapproval.

‘I put up with a lot from you,’ she said, with her cold, almost cruel brightness, like a beautiful, cruel bird darting and flashing with vivid, brilliant plumage and vicious, stiletto-sharp beak. ‘I put up with a lot because Rachel says you are clever. I believe in what she tells me. Otherwise I should not be so lenient with you.’

Anna felt that she was being threatened. Lauretta’s words contained a warning and a threat. Something definite; almost some one specific thing. She thought she knew what it was. To herself she said: ‘She is thinking about my verses. If my book of verse is published, she will be nice to me. Otherwise she will not. Everything depends upon that.’ The book of poems was being made an issue, between them. Anna sighed, thinking of the future.

She began to make a definite effort to please Lauretta. She felt that after the long security of her Haddenham life, her existence was again becoming precarious, and that if she were not careful some disaster would overtake her. It was the end of security and the beginning of something dangerous and uncertain; a new life, new dangers. It was Lauretta, the hard, bright, beautiful Lauretta, with her brittle, tinkling laugh, who threatened her. Lauretta had the power in her delicate, fluttering, be-ringed hands to call down disaster upon Anna’s head. So Anna had to try and please her, to placate her, and avert the disasters.

She had her hair waved, and wore the dress with the blue frills that made her feel clumsy and uncomfortable. And she tried to make herself pleasant to everyone, to the complacent young-old people, and the rather febrile old-young people with their curious bright faces that seemed strained in an effort to be always smiling; to everybody she met.

She made a tremendous effort. But it was not much good, really. She might just as well have spared herself the pains. She simply could not get on with them, any more than they could get on with her. There seemed to be no possible point of contact between them. Anna would dance with them, and play games with them, with the best will in the world. But as soon as she tried to talk to them, an invisible, impassable barrier seemed to slip into place, like a glass dome over an old-fashioned clock, shutting her off, absolutely on her own little pedestal of isolation.

It was at the same time dreary and discouraging; a tedious round of discouragement. After the congenial fullness, the completeness of her life at Haddenham, this futile pursuit of amusements which failed to amuse was both irritating and distressing. Only the thought of going to Oxford in the autumn helped her through the days. That, and her correspondence with Sidney.

Now that Anna found herself in an unsympathetic atmosphere, she relied more and more on the consciousness of Sidney’s affection. From day to day she was made to feel that the atmosphere of Blue Hills was one of covert, undeclared but growing hostility towards herself. She was, in some way, in complete, basic, involuntary opposition to the whole life of the place. And in some way, everyone seemed instinctively to be aware of her opposition, though she tried hard to conceal it.

Anna knew that Lauretta was aware of the distaste, the slight involuntary contempt, which she felt for this empty, aimless existence, of the sort of faint horror which it inspired in her. She knew that Lauretta bitterly resented her attitude, that she thought of her as conceited, supercilious and affected. But for the life of her she could not conceal her feelings. By her silences, by her expressions, by the very inflexions of her voice she seemed, against her will, to reveal the truth. And the hostility mounted against her day by day.

So that now, for her consolation and support, she had only her letters from Sidney, and those which she wrote in reply. Sidney wrote almost every day, short, disjointed sentences that were like her conversation, but full of encouragement for Anna, full of Sidney’s own wild, proud charm, reckless and half savage, faithful in a shy intensity of love. A sort of wild strength of devotion behind the abrupt phrases.

Anna wrote back daily, long, carefully-worded, rather consciously-clever letters, analytical and introspective. A certain pathos in the well-selected phrases; and also a soullessness, a hardness, rather repulsive. But nevertheless a vast sincerity.

She was always writing or reading. Whenever she could snatch a few minutes from the exacting, boring social round, she would slip away into some corner or other with a book, or a block of writing-paper. A habit which annoyed Heyward Bland.

He couldn’t bear it. It made him indignant. And immediately, he had to swoop down upon her, when he saw her sitting quietly somewhere, furious that she should be quiet.

‘What are you up to now?’ he snapped, snarling at Anna’s book as if it had been a deadly insult offered to him, personally. ‘Always reading and lounging about! Why can’t you behave like other girls of your age — Be a bit more coltish instead of going about with your nose in the air all day!’

And Anna, quietly but definitely, would walk away to escape the old man’s bullying rudeness, eyeing him contemptuously with grey, stone-like eyes, not saying a word.

One morning the expected letter from Sidney failed to appear, and Anna went about the house disconsolate and wondering, till, in Lauretta’s room, she saw the familiar square white envelope addressed in Sidney’s small writing, lying on the silver quilt with its incrustations of pale flowers. And Lauretta sitting up in bed in her lacy wrapper with a kind of pointed, bird-like ferocity on her pretty face where the slackness of middle-age was just beginning to show itself.

Queer, the sharp, bright malevolence on Lauretta’s face, as she sat and looked at her niece. A cruel, tormenting look, with something ugly behind — jealousy, perhaps.

‘My letter —’ Anna began, and put out her hand to pick it up.

But Lauretta was quicker. With a pouncing, darting movement, her hand with its small, sharp, pink-tinted nails flashed out, and took the letter away.

Anna’s arm dropped to her side. She stood quite motionless, as if paralysed.

On Lauretta’s face a slight smirk of ferocity came, as she touched the letter.

‘Yes, your letter,’ she said, with a peculiar sharp insolence, like the jab of a bird’s beak. ‘Your letter,’ she repeated: and paused.

‘What about it?’ said Anna, suddenly angry. ‘Give it to me, please.’

Lauretta’s eyes gleamed with malevolent ridicule, watching her.

‘I have read it,’ she said, not making any move, but watching, watching, her eyes fixed mockingly on Anna’s face, with a kind of satisfaction.

‘Why did you read it?’ asked Anna coldly. ‘What right have you to read my letters?’

‘As your guardian I have the right to watch over your morals. More than a right — it is a duty.’

The subtle gleam of satisfaction lurked in Lauretta’s eyes as she spoke. She was doing her best to get her own back, to trample over Anna.

Anna was very quiet. She would not show her anger. She knew how to stand very still, isolating herself from the woman in the bed.

‘I don’t approve of your friendship with this girl — Sidney, or whatever she calls herself.’ The strange, vicious insolence of the tone!

‘Sidney is her name.’ Anna’s voice dropped, cold as a stone, into the silence.

Lauretta made a faint, insulting grimace.

‘It would be something like that, of course.’

There was a little blank pause, heavy with anger. Then:

‘Perhaps you think that because I don’t say very much I don’t notice what is going on, in my own house, under my very nose. Perhaps you imagine that I haven’t seen you creeping off day after day to write your secret letters. And this girl’s letters that come for you every day.’

Anna did not want to speak. She would rather have kept silent. But since the mocking, insulting voice had paused as if for a reply from her, she said:

‘Well, why shouldn’t we write to one another? We were friends at Haddenham for a long time, and no one there objected to our friendship.’

A peculiar light flashed in Lauretta’s eyes. Her whole face assumed a secret and somewhat blenched expression, a sly look of wicked, secret cunning and knowingness, like an evil little bird.

‘I’m beginning to think that Haddenham was not a very desirable place. It seems to have had a remarkably bad effect upon you.’

Anna felt herself beginning to tremble inwardly. An irritable disgust had fallen upon her, so that she wanted to make some violent gesture, to smash something, and to run out of the room. But outwardly she remained perfectly calm.

‘I don’t know what you mean,’ she said.

‘I hope for your sake that is true; that you don’t understand me.’

It was perfectly clear that Lauretta was enjoying herself. She rejoiced because she had been able to bring that pale, disgusted look to Anna’s face. Her eyes were bright points of malice in her soft face.

‘But, anyhow, your friendship with this Sidney must stop. It’s unhealthy, and I won’t allow it to continue.’

‘Unhealthy!’ cried Anna, in a voice quivering with anger. ‘Sidney’s the healthiest person alive!’

Lauretta gave a little triumphant smirk. Her desire to wound and insult Anna was gratified. She had touched her on the raw.

‘I think not,’ she said. ‘This is an unhealthy letter. It is not at all a normal, harmless letter from one girl to another. It’s a love letter, neither more nor less!’

Sitting up against her pillows she was staring at Anna with a sharp, evil enjoyment of knowledge, like a bird that had just picked a tasty morsel out of the dust-bin. Anna shrank from the bright, detestable knowingness of her gaze. She resented it furiously. And yet she had to stand quietly beside the bed. And still Lauretta stared at her, with the sharp, unspeakable look of secret evil knowledge, that seemed to smear her heart. She looked aside at the window, which had a patterned chintz blind. A quivering blankness had come upon her, as though she were going out of her mind.

‘You will not write to her, or receive any more letters from her,’ Lauretta said.

Anna could hear the insolent satisfaction in the voice, the vicious delight in hurting and humiliating. She did not turn to her at once. It was horrible to her to see the slightly sagging face, on which was a tormenting, ugly look. She hated to see the cruel smirk of triumph on the relaxed mouth. And the bright eyes watching her like a wicked, predatory bird, with a sly gleam of ferocity, sinister.

Anna went to her own room — sat there silent, trembling, with the ugly smear on her heart, and a numbness also: she who was so independent and so strong.

She knew the sneaking, covert horror which is the world’s horror of evil. She knew that Lauretta had stabbed a venomous point of knowledge into her soul.

And she had lost Sidney. The loneliness of being cut off from Sidney, the blank loneliness of isolation in a hostile camp; the self-reproach, the regret; the reproach of Sidney’s faithful, amber-coloured eyes, hurt and loyal and bewildered, left without explanation!

Anna was bitterly defiant under her stubborn calmness. Only she knew that it was useless to fight against Lauretta. Lauretta had her in her power, utterly. She was forced to submit. But underneath surged such a tide of bitterness and revolt that she felt her heart almost burst.

‘I shall never forgive her,’ she said to herself, looking at Lauretta in her hard way, with a distraught, inward shudder of too-much enmity.

It was not only the loss of Sidney that she had suffered at her hands. It was some sort of horror that Lauretta had inflicted upon her. The loathsome, creeping horror of the world’s evil. For the poisonous point of evil-knowledge had really stabbed her to the heart. There was a horrible smear now, unalterable, upon her heart. And an uncertainty, a nightmare creeping back into her life. Her self-confidence had been undermined.

When she spoke to Lauretta there was a new reserve in her cool voice, the reservation of sheer enmity.

Lauretta herself didn’t care a bit that she had done these things to Anna. She felt no responsibility. She was rather disappointed that Anna was not more obviously distressed by the loss of her friend.

‘I don’t believe she really cared for the girl at all,’ she thought. ‘She seems incapable of any feeling whatever.’ At which her indignation and resentment increased.

The life of Blue Hills ran on. But for Anna it had lost all interest and reality. She was waiting now, just waiting to get away. Waiting for her real life to begin. She was conscious all the time of a sense of impermanence. And the three of them, herself and Lauretta and Heyward Bland, were no more than spectres moving in the house, until such time as she could make her escape.

‘Oxford. Oxford,’ she said to herself, thinking of the autumn. The summer, the present, was no more. Blank and restless she waited for the days to pass, like someone on the eve of a long voyage.

Drummond, the Oxford publisher, was taking an interest in Anna. He had written to her once or twice about her poems. He seemed to think they had merit in them. Then for a long time she heard nothing more. It looked as if she had been forgotten. But the manuscripts were not returned: she persuaded herself that this was a good sign.

Suddenly a letter came. Drummond wanted to see her, to talk to her. In a drift of hidden excitement she started for Oxford. She would not let anyone see her excitement. Instead, she went in an off-hand way, deliberately casual, albeit somewhat unnatural. There was an eager, intent look at the back of her eyes, a look of concentrated anxiety. She did not know it was there. But she was aware that much more than the personal literary issue was at stake.

Drummond received her in his private room. She was not quite at ease with him. She felt that he was supercilious. He was a man of about thirty, bright-eyed, and rather suavely dressed, with nimble, restless hands that seemed always on the move. He was very polite, talking a good deal in his careful, demure voice. It was his voice that made Anna uneasy. She seemed to hear in it a note of arrogance, of soft, haughty superiority. As though he had superior blood in his veins, and was slightly contemptuous, and would never, never admit anyone to equality with him.

All the same, she found him quite attractive. The two of them sat together in the little room which had a tiny balcony hanging over the street. They talked for some time and laughed often. But Anna began to wonder when he would mention her work. It was a mystery why he should find so much to say to her. And in the light from the window she saw his very bright eyes gleaming upon her, and his nostrils slightly dilating, almost as though he wanted to make love to her: although they were strangers to one another. His hands were never still.

‘Why do you want to write poetry?’ he asked.

He also seemed suddenly to realize that they were strangers.

‘I don’t know,’ she said, somehow disappointed.

Drummond seemed to be looking at her with a certain faint derision. She didn’t like the thin line of his mouth with its hint of inevitable superciliousness.

‘I want to write. To earn my own living,’ she said, feeling empty and astray, as if she had received a rebuff.

‘You won’t need to do that,’ he answered, with a smile that might have meant she was making a fool of herself, and the faint suggestion of arrogance, which embarrassed her slightly.

She knew then that he would not publish the verses. There was no definite shock of disappointment. To tell the truth, Anna herself had never quite expected him to do so. But she was deeply, emotionally distressed, nevertheless.

‘They are very good,’ young Drummond told her with suave politeness. ‘Very good, but not quite good enough. A little immature, perhaps. It would not really be fair to you to publish them. You are so very young.’

His voice had the curious, slightly-affected intonation that touched some irritable nerve in her.

She went out into the street feeling numb. She was not at all sure what had happened to her. But dimly, remotely, she realized that a crisis of some sort was imminent, precipitated by the result of the interview.

And then, most confusingly, the personality of the young man himself loomed large, blotting out distant but more important issues. She could not get out of her mind his superior and supercilious muzzle. She heard the soft, insidious contemptuousness of Drummond’s voice drowning all other voices in her brain, even those of surpassing urgency. She felt herself bewildered — completely at sea. For she could not think.

A call out of the blue came to astonish her.

‘Anna! Anna-Marie!’

At first she hardly recognized the vivid, high-coloured face steering so unexpectedly into her preoccupation; Catherine Howard, flashing a brilliant smile at her under her smart black hat.

This sudden apparition from the past gave Anna the strangest feeling imaginable. All in a breath she was snatched out of the turmoil of present embarrassments and plunged back into the already half-forgotten surge of Haddenham life. Strange to find that she was no longer capable of recalling the emotions of those days. But she was not. Just for one second, a shade of the old resentment fell across her heart at the sight of the girl who had cost her the loss of Sidney and the summer happiness they might have enjoyed together. A flicker of ancient emotion stirred, but very dim and unimportant, very far away, dead before it was fully awake.

And then she was quite extraordinarily glad to see Catherine. It was an enormous relief to meet someone of her own period, someone who was interested in her as an individual human being, someone understanding. A vast relief came over her, making her talkative and almost expansive, an intoxication of relief. She really enjoyed talking to the bold, bright girl.

And Catherine seemed to grasp the situation in her comprehending, dashing, worldly way that took everything in its stride. She was ready with a laugh and the right word, and though she did not say very much, she had an amazing faculty for appearing sympathetic and understanding beyond words, opening her fine eyes wide and turning her head in a certain way — encouraging Anna to talk. There seemed to be no end to her interest and admiration and sympathy; yet really she had given no proof of them at all.

Anna felt happier. Amazing what a relief it was to talk to Catherine. She didn’t care how much she outraged her fundamental reticences and reserves. It was as though she took a deliberate delight in going against all her truest instincts. A little black dog of perversity sat on her shoulder and kept her unnaturally gay; a wild, febrile sort of hilarity, half pathetic, half harsh. Not at all her real self.

Catherine was a home student and had rooms in Beaumont Street. Anna floated off there with her, and sat on the edge of a chair while the other girl made coffee in a glass apparatus like a retort. A gay, hard look was on Anna’s face. But her heart was wounded. A blank unhappiness underlay her defiant gaiety. But she had to keep on laughing and talking. The little black dog on her shoulder saw to that.

It rather amazed her that she should be behaving in this way. She waited for her old proud, silent, somewhat secretive self to come back. But the black dog sat firm. Perhaps the soft, ingratiating voice of Drummond had put him there. Anyway, there he sat, steadily. She felt a little uneasy: as though her independence, her quiet self-sufficiency might suffer an affront.

Catherine liked the new, lively Anna.

‘You’re beautiful, you know, to-day,’ she said, smiling rather enigmatic, but looking into Anna’s eyes with a curious definite look of specific meaning. She seemed almost entranced.

Anna was pleased. The compliment deeply encouraged her. It had a deep significance, somehow, in her development, which she did not understand. But she stored it up carefully, feeling its importance; and was grateful to Catherine. She laughed, and looked out of the corners of her eyes in a way that was strange to her.

She expected the strange brightness to vanish as she drew near to Blue Hills. And yes, to a certain extent it did leave her. But something hard and reckless still remained, almost a sort of braggadocio. She walked into the house sprightlily and boldly, swinging her arms a little. She didn’t care. And yet, all the time, her heart was sore.

Lauretta was angry when she heard that the poems would not be published. It seemed as though Anna were deliberately trying her. Her pretty, soft face went blank with exasperation.

‘You have made us both look ridiculous,’ she declared, staring at Anna with hard, contracted eyes of extreme irritation. ‘Everybody has heard about the poems. What am I to tell them now?’

‘I asked you not to talk to people about me,’ Anna said.

There was a cold note, like disgust, in her voice. She was defying Lauretta.

‘So all this talk of your cleverness has been so much ado about nothing,’ taunted Lauretta, her nostrils quivering in a sneer.

Anna did not reply. She made a slight motion with her shoulders, as if to turn away. It was so irritating that Lauretta almost struck her.

‘I don’t believe you are clever at all!’ she cried with a shrill laugh. ‘I’ve only got Rachel Fielding’s word for it, after all. I’ve seen no sign of it. You’ve behaved like a little fool ever since you’ve been here — a conceited, opinionated, ill-natured little fool!’

She was rather ashamed of her rudeness, her lack of restraint. But the curious, calm insolence which had suddenly come out in the girl was quite intolerable to her; it provoked her beyond all reason.

‘You’d better take care,’ she went on, agitated. ‘If you want me to send you to Oxford, you’d better be careful. Why should I keep on paying for you to do as you want? Paying and paying, and getting no return, while you take it all for granted, as your right, and don’t give me the least consideration. And now I haven’t even the satisfaction of thinking you clever.’

Lauretta stood rigid, with the tenseness of an ageing, angry woman who feels her power slipping away. She believed that Anna was defying her. And yet she could not control her, or even punish her.

Anna was indeed in a state of pure defiance. But at this last threat she felt some of her confidence ebbing, the rather fictitious recklessness began to leave her. She trembled a little, but still the hard, bright look stayed like a glaze on her face.

‘Don’t you mean to pay for me to go to Oxford then?’ she asked.

She looked queerly, even impudently, at her aunt; as if deriding her.

‘That remains to be seen,’ said Lauretta coldly. ‘It depends entirely on your behaviour.’

And she went away in frozen, outraged dignity.

Anna smiled to herself, brightly and contemptuously. But her heart trembled in fear and distress, trembling on the edge of nightmare.

In the days that followed her interview with Drummond, she went on unobtrusively, subdued. She was quiet, tractable, reserved. The strange mood of sardonic gaiety had quite departed. But underneath her compliant exterior, she was coldly hostile and remote, set cold in resentment and enmity. There was no possible rapprochement between her and Lauretta. It was a complete deadlock. Each knew the resistance, the opposition that ran under the surface of their relations. Yet each remained cautiously amicable, treating the other with a semblance of consideration.

Anna was becoming tired, fear-ridden. A harassed look was coming into her face. The fear of not getting away, the fear that Lauretta would refuse to send her to Oxford, was really growing upon her. There was a dreadful, timeless futility in the life of Blue Hills. It was like a great, aimless machine that went on for ever and ever, swinging round and round in a terrible, clattering swoop of nothingness. Well might one be caught up in it, almost unawares, and swung on, helplessly, hopelessly, in the vacant orbit. A panic was beginning to overcome her; the panic fear that she might not be able to get away.

She longed sometimes to go to Lauretta and rap out a point-blank question at her: ‘Do you or do you not intend to send me to Oxford?’ But when she saw her aunt, fluttering across the room, or smiling her insincere little flicker of a smile, fluttering and flickering in her butterfly unapproachableness, away at the other end of the world from Anna — then the girl was arrested by the sheer impossibility of communicating with her. Like a pretty, bright bird, or a butterfly, Lauretta fluttered about, and set a barrier of alienation between them. Anna gave it up.

As the summer advanced, she became more and more depressed. If she was not to go to Oxford she had nothing at all to look forward to. Not a word was spoken. Not a hint was given one way or the other. But she knew that she and Lauretta would never forgive one another. And silently, suffocatingly, she felt hostility piling up against her.

In July a visitor came to stay at Blue Hills. This was Matthew Kavan, a friend of Heyward Bland’s. They had met at the War Office, had worked together for some time. Then Kavan had gone out East, to the Shan States, and occupied a post in one of the government departments there; forestry, or something of that sort. The two men had corresponded. Now Kavan was in England on leave, and was invited to Blue Hills.

Lauretta was slightly disapproving. For some reason, although she was hospitable and fond of society, she disliked having people to stay in the house — unless she knew them well. Rather to her own surprise, she gave in to her husband for once, and wrote the letter of invitation.

CHAPTER 6

IT was full summer when Matthew Kavan came to Blue Hills. Anna was not very interested. She was too entangled in her dismal preoccupations to give anticipatory thought to the visitor. In the interminable, rather vapid social round she was becoming numbed and indifferent; not really indifferent, but superficially so. She was always socially occupied: there was always a party of some sort which she must attend, although, socially, she was not a success.

Kavan arrived in the afternoon and was given tea on the lawn. He turned out to be quite presentable. He was thin and neat and youngish, with a brown, dry, regular face that looked curiously buttoned-up. His general impression was one of brown, closed neatness, something like a carefully-made parcel. Strangely neat and compact he was; one felt that he ought to be wearing a uniform. Not a dashing, spectacular, martial uniform, but something quiet and tidy and inconspicuous, in brown or drab. His eyes were clear, but rather prominent and bluish and opaque. A singular person.

He spoke in a slightly deprecatory way to his host and hostess: almost deferential. It was clear that he was anxious to keep on the right side of them — particularly on the right side of Lauretta, in whom he had immediately divined the centre of importance. Yet he was quite sure of himself. Really self-satisfied: even domineering, when you got to the bottom of him. But just now — with his peculiar shrewdness which in some odd way seemed to be a purely external attribute, nothing at all to do with his intelligence — just now, he had decided that it was expedient to behave deferentially. So deferentially he behaved. It was as if some devilkin, some little familiar sprite, perched all the time quite near, but quite outside him, directing his behaviour with consistent cunning and an unwavering eye to the main chance. For although Matthew Kavan talked to Lauretta with a certain empressement, the sychophantic trend of which was clearly visible to Anna, still he, the man himself, seemed quite innocent of it all, almost as if unaware. He really didn’t seem to know what was going on, what line of conduct the familiar spirit was dictating to him, behind his back. Anna was rather amazed at this unawareness in him. It was really most odd, the way he had of seeming to dissociate himself — but quite, quite unconsciously — from his own behaviour.

Another odd thing was that he seemed immediately to be drawn towards Anna. Although he did not pay much attention to her. In conversation he practically ignored her, concentrating his energies upon the older people. But every now and then he gave her a look, or a little neat smile; and then there would be such a curious moment. A sort of meaning, complacent goodwill seemed to ooze out of him, towards her; the strangest silent, invisible exudation of something benevolent and yet vaguely threatening. As if the wrappings of the parcel had been loosened a little, and this mysterious something came oozing out. But the next second, the brown paper would be folded up tight again, hiding it all away inside the packet once more.

Anna looked at her surprise packet. Matthew was smiling and well-mannered and dark-haired. He had a set of rather small, rather sharp-looking teeth, rather pointed, which showed when he smiled. But there was something rather nice about him. She felt that she might like him; if once she could get inside the wrappings.

There was a strange, unobtrusive determination about him, too.

‘Won’t you show me the garden?’ he said to her, smiling neatly over his sharp white teeth.

‘I’m afraid there isn’t time now,’ she answered, standing back from him.

He repelled her a little with his extraordinary division from himself. Was it the man speaking now, or the little devil behind his back? The smile seemed human and rather winsome. But she couldn’t be quite sure.

‘Do just walk round once with me,’ he was saying. ‘It will only take a few minutes.’

He stood beaming at her with his strange blue eyes, fixed in patient, timeless persistency, humble and yet overbearing, bearing down her resistance.

Anna felt somewhat bewildered. His gentle, obstinate, unconscious way was something quite new to her. He seemed hardly to understand what was said to him. Or, at any rate, he took no notice of it. The words simply rolled off his attention like drops of water on a greasy spoon. It made Anna a little dazed.

She moved off, to walk round the garden with him.

Matthew strolled beside her, smiling still, but quiet. He didn’t have much to say. Occasionally he asked the name of a flower. The calceolarias in particular appeared to interest him. He stood quite still opposite the bed of angry-looking, pouch-shaped flowers, inclining his head, and smiling at the fierce mottlings. Anna was not very comfortable. He seemed so complacent. So pleased with the calceolarias, and with her, and with himself. So sure of everything. And yet, with it all, he was not in the least a real person. Inside his wrappings, as in a comfortable parcel, he moved complacently along: but who or what was walking beside her, a man, or an imp, or a void, centreless, ambulatory packet, Anna hadn’t the least idea.

As they went into the house he said to her:

‘I can see you are very fond of flowers. I must show you my photographs.’

‘Photographs?’ she repeated, rather vague. For she saw Lauretta coming downstairs, and wondered if she would be accused of monopolizing the guest.

‘Photographs of flowers that I took in the East. I’ve made rather a hobby of it,’ said Matthew, with a certain complacency, speaking to Lauretta as she came up.

‘How interesting!’ said Lauretta, taking no notice of Anna, and steering him off.

Anna escaped to her own room, away from the bewildering influence of Matthew. He made her feel all at sea, as though she were living in a queer dream. She couldn’t understand him, she couldn’t make him understand her. It was like trying to communicate with a bag of feathers. You might mouth and smile for ever and ever, but all that happened was that the feathers flew up in an uncomprehending, incomprehensible cloud, and stifled you. She was afraid of being stifled. But still there might be something nice about him; underneath the wrappings.

The following days she saw a good deal of Kavan. Wherever she went about the house, he seemed always to be in the room with her, with his neat, round, dark head and his neat flannel suit, looking at her with an odd, friendly, complacent look. She got used to the sight of his head, a curiously inexpressive head, very round and smooth, almost ball-like, with the short, dark, stiff, rather dead-looking hair clinging so close, like a dark felt covering. It got in her eye, somehow, his head: so that wherever she looked she seemed to see it, the smooth, round, meaningless ball. It made her feel a trifle hysterical.

They played tennis together, and she was agreeably surprised. He really was a very good player, dashing about, somewhat lithe and monkeyish in spite of the stiff set of his shoulders. His long, brown, thin arms seemed to possess an enormous, monkeyish strength, as they swung up and down, and in his blue eyes an infallible judgment lurked, also somewhat simian. He wore his shirt decorously a little open, showing his neck brown right down to the chest; not with a sudden, hard, high-water mark of white, like the other men.

And he kept his attention fixed upon Anna during the game, so that — although he did not speak — she could feel the peculiar, indescribable exudation of his regard. Moreover, he picked up the balls for her when she was serving, and as he handed them to her, he looked, not at the balls on his outstretched racquet, but right into her eyes, with a very faint smile, as it were intimate, on his face. Anna did not know what to make of this. The man seemed to think that some private understanding had been established between them. She felt irritated, and also a little nervous. As though she would never be able to escape him.

Right enough, as she walked towards the house after the game, there was Matthew coming after her across the grass, quick march, with brisk, military steps, like a conscientious escort. She let him overtake her.

‘You played awfully well,’ he said, smiling, and looking self-satisfied, as though he took the credit for her proficiency.

Anna wanted to say something rude. But what, after all, was she to say? He smiled so innocently, as though he really did not know how irritating he was. And there was something rather winning about him; about his very unawareness.

They strolled on, through the pinkish tunnel of the rose-pergola, and out into the sun again. Anna looked at his brown, sinewy arms swinging in the sunshine, very smooth and hairless, but tough-looking, like leather, with a strange movement of muscles and tendons creeping and sliding inside the tough skin.

‘What strong arms you have!’ she exclaimed, almost involuntarily, looking down at them.

‘Yes. Look here!’

He laughed with self-satisfaction, clenching his fist and swinging up his forearm with a sharp jerk. The muscles swelled and knotted, creeping strips and bundles of contorted energy under the brown, leathery hide. He was childishly proud.

‘I can crack a hazel-nut in there — easily,’ he said, fingering the bulging curve where the upper arm pressed the forearm.

He laughed again, and came a little nearer to Anna, walking with a slight swagger.

‘Hadn’t you better pull your sleeves down?’ she asked, irritated and malicious.

‘Yes, I suppose I had.’

The rebuff slipped off him completely. He was quite unaware, rolling down his sleeves and walking prancingly along. Again she felt that faint, nervous sinking of the heart. He was so, so inhuman, somehow. It was quite impossible to reach him. And glancing at the smooth brown skin, so oddly hairless, blemishless, so like a strong, neat paper wrapping, she shuddered inwardly. But what was inside the parcel, and was there any way of getting in? That was her problem for the moment.

When they got to the bed of calceolarias, he stopped again.

‘But really, they are extraordinary, aren’t they?’ he said, allowing his arm to rest against her for the tiniest fraction of time. The flowers seemed to fascinate him in some way.

‘They say that witches used them in the practice of lycanthropy,’ she remarked, rather distant and superior.

He gave her a sharp, sideways look.

‘Lycanthropy? What is that?’ he asked.

‘You’ve heard of were-wolves?’

Her voice was supercilious and mocking. Rather to her surprise she felt a distinct desire to deride him, to make him feel small.

‘Were-wolves — yes, I’ve heard of them,’ he admitted slowly.

He gazed down at the evil-looking flowers that crowded the bed. Like lips they looked in the sunshine, angry, swollen, distorted lips mouthing at them in malevolent fashion.

‘You must be very clever. You know such a lot,’ he said, oddly humble and sincere.

He was not in the least offended by her sneering tone. Perhaps he had not noticed.

‘Oh, not so very,’ said Anna airily.

She laughed, feeling a little compunction, and walked on to the house beside him.

He was beginning to occupy her mind considerably. But what she felt about him was principally a dazed bewilderment, with the faint, creeping nervousness behind.

‘Who was talking to you out on the grass?’ Lauretta asked her, when she got indoors.

‘Matthew Kavan,’ Anna replied.

‘Oh,’ said Lauretta, eyeing her, and standing quite motionless. Then, suddenly, on a new note: ‘What do you think of him?’

‘He seems all right.’

Anna’s tone was non-committal. She was rather astonished at her aunt’s interest and amiability. It was long since there had been any friendly talk between them in private.

‘You seem to get on well with him,’ said Lauretta, watching her with her very quick eyes.

‘Yes, I suppose so,’ said Anna.

‘But you do, don’t you?’ insisted Lauretta. She stared at the girl, as if considering.

‘Yes,’ agreed Anna, to finish the conversation. The subject made her feel uneasy.

‘Well, I think he is a very pleasant young man,’ pronounced Lauretta.

Kavan continued to stop at Blue Hills. He had originally been invited for a week, but the invitation was extended. He clearly did not want to go away. But then he did not seem to have any special desire to remain, either. At any rate, he didn’t seem to have any object in view. A slightly unnatural situation was created by his continued presence. Heyward Bland had had enough of him. Anna was perplexed but apparently unconcerned. The young man himself continued amiable and obliging in his somewhat unreal fashion. It was now Lauretta who rather pressed him to stay.

Meanwhile, Matthew hung about the house. He was always ready to do anything or go anywhere, but Anna felt that he was always just behind her. She could not shake him off. With his peculiar soft determination he seemed to follow her about, from room to room. Upstairs or downstairs, indoors or out, his round, dark, dry-looking head would come gently bouncing along into her line of vision; and his thin, neat body, narrow like a grandfather clock with its rather stiff shoulders, would be everlastingly looming up at her; or moving along beside her with its slight, aggravating, self-satisfied prance. As the time went on, it began to get on her nerves.

Suddenly one evening he came into the drawing-room with a bunch of pale mauve violas in his hand. It was rather late, and the rest of the household was preparing for dinner. The complacent but rather winning smile brightened his face when he saw that Anna was alone — a neat, winsome, significant sort of smile.

‘I’ve just picked these flowers in the garden,’ he said at once, looking at her with the strange opaqueness in his blue eyes, as if he really did not see her at all. He was holding out the flowers for her to take.

‘But what are they for?’ asked Anna. ‘What do you want me to do with them?’

‘I want you to wear them,’ he said, coming nearer, and forcing the bunch upon her. ‘Pin them in your dress to-night.’

Feeling irritated, she took the flowers, very unwillingly. The incongruity of his behaviour made her uncomfortable.

‘I never wear flowers. And anyway, they’re the wrong colour,’ she protested.

‘Do you know there’s something about pansies that makes me think of you,’ he said, entirely ignoring her remark, and smiling at her, his neat, pleased, expectant smile. ‘Pansies — pensées — that means thoughts, doesn’t it?’ He was very pleased at having made the connection with the French word.

‘But they’re not pansies. They’re violas,’ snapped Anna, nervous and exasperated. She held the flowers in her hand, not knowing what to do with them.

Again Matthew ignored her. It was as if she had not spoken. Perhaps he really did possess some faculty for not hearing what was said to him: unless he wanted to hear.

‘You will wear them, won’t you? To please me. I have a special reason for asking.’

He gazed with his strange, smiling gaze at Anna, rather glassy. She could see that he was coming out with a direct attack upon her, at last. Subconsciously, she must, have known all along what was going to happen.

With his blue, prominent, queer eyes, he continued to stare at Anna, who faced him somewhat haggardly in her dismay. The rather glassy smile stayed on his lips. It was as though he watched her without seeing her at all as she really was. He looked in her direction: but what he saw was some phantom Anna of his own imagination. Quite useless for the real Anna to try and attract his attention.

‘I want to ask you something — something important. I want you to marry me,’ he was saying.

There! It was out now. Anna almost cried aloud her astonishment.

‘What!’ she cried, really astonished.

He seemed rather taken aback.

‘Will you marry me?’ he said, still with the set, queer smile. There was a pause. Matthew, rather embarrassed, waited behind his smile for her to speak.

‘But it’s absurd! Quite, quite absurd!’ exclaimed Anna, siaring indignantly at him.

She felt both astounded and indignant, as though he had in some unexpected way made her ridiculous. She had never even thought of marriage. She didn’t in the least want to marry anybody. She wanted to go through life alone, in her own independent, detached fashion. The idea of being bound up with another person in such a relationship as marriage was hateful to her. And then, to marry a person like Matthew Kavan! Her very heart shuddered.

‘Why is it absurd?’ asked Matthew, smiling patiently down at her, with his odd, genuine humility.

‘Oh,’ cried Anna in confusion. ‘I don’t want to marry at all. Besides, I hardly know you.’

‘You will soon know me better,’ he persisted, swinging his thin, stiff shoulders towards her, shadowily obstinate.

His soft, shadowy insistence made her feel that she would die of exasperation, and a kind of alarm. It seemed so useless to oppose him, to talk to him; the words simply slipped off his smooth, brown, papery skin. His very blankness as he stood up there, so stiff and erect and compact, like a long, neat parcel, was a kind of threat. She began to laugh nervously.

‘No, I can’t. It’s kind of you to ask me, but please don’t think of it any more. It’s really not to be thought of,’ she said.

‘Very well,’ said Matthew. ‘We won’t say any more about it now.’

Anna began to feel rather afraid. His shadowy, overbearing insentience was more than she could cope with. He simply did not seem to hear her refusal. She felt she had not made any progress against his determination. Her words conveyed nothing to him. How on earth was she to make him understand? She moved, saying that it was time to dress.

Matthew moved also, walking across the room with his complacent tread. His complacency was strangely discomforting to her. At the door he said:

‘You haven’t told me whether you are going to wear my flowers to-night.’

‘I’ll wear them,’ said Anna.

He opened the door and she went out quickly, up to her own room.

Lauretta continually made opportunities for airing her good opinion of the young man.

‘Well,’ she would say decidedly, and even challengingly, to her niece: ‘I like him very much. Very much indeed.’ And she would look at Anna intently, with a falsely-smiling persuasion in her eyes, and behind it a sort of a threat.

Anna told her that Kavan had proposed. She did not want to speak of it: but something, bravado perhaps, made her confide in Lauretta. She was not going to acknowledge her nervousness, even to herself.

‘Well, I’m not surprised,’ said Lauretta, eyeing her intently. ‘I’ve seen all along that he was very much attracted.’

Her little bird’s eye cocked up coldy speculative at Anna, as she said:

‘I’m sure he’d make an excellent husband.’

‘I’m sure he would,’ agreed Anna, with a sneer.

Lauretta became offended at once. She couldn’t put up with that hard, mocking attitude of Anna’s. She stiffened in chilly, offended resentment, turning away.

‘I should think it over carefully, if I were you,’ she advised stiffly. ‘It’s an opportunity for you, you know.’ And once more the threat peeped out, uglily, in her voice.

Lauretta, of course, was all in favour of the match. It was such a splendid chance of getting Anna permanently off her hands. She didn’t want the expense of sending the girl to Oxford; neither did she want her uncomfortable presence hanging about Blue Hills. Kavan’s offer was simply providential, from her point of view.

All of which was naturally quite obvious to Anna. But whether Lauretta’s anxiety to be rid of her fortified her against Matthew or impelled her in his direction, she really didn’t know.

Kavan remained in abeyance for a few days. But he had not abandoned the attack, Anna was sure. Oh, no; not by any manner of means. His brown, closed face was so satisfied; almost smug. And he kept looking at her all through the day with an apparently intimate smile and a protective, proprietary expression — a sort of ‘I understand everything’ sympathetic look, faintly patronizing, although humble. And he continued to bombard her with the mauve violas. Anna began to hate the sight of the pale, blank, rather anæmic, rather perky little flower-faces staring up at her every time she went to her room. They seemed to wear a bright, insipid, foolishly questioning look. A sugar-and-watery, Mary Pickfordish air of aggravating brightness.

One afternoon at the races, Anna found that she and Kavan were separated from the rest of the party. Sure enough, in the midst of the noisy, crowding, vulgar people, he proposed to her again.

Anna felt as if she were going mad. It really was maddening the way he kept on quietly along his own road, as if she simply didn’t exist. He was the most obtuse and insentient creature. And quite, quite unreal. She wanted desperately to make some impression on him, to make him understand her, to make him understand that it was quite hopeless for him to have his eye on her. But how was she to do it? Words had no effect whatever. There seemed to be no way of communicating with him. He simply wasn’t human.

It made her feel helpless and slightly hysterical, the impossibility of communicating with him. She wanted to hurt him, to get her own back on him. But at the same time she wanted to laugh. It was so ridiculous. Such an absurd situation! She felt her throat and chest begin to heave with deep tremors of submerged laughter. The extraordinary creature, thinking that he might get hold of her! Actually, seriously, he thought that she might marry him!

‘No, no, no,’ she laughed, rather wildly. ‘Never. Never. I don’t want to marry you, and nothing will ever induce me to marry you. I never will: not if you ask me a hundred times. So you may as well get the idea out of your head. There! Is that plain?’

And she hurried off breathlessly into the crowd to look for the others.

After this, Matthew was a bit subdued. But she had not choked him off, she could see. He went about quietly, a little bit blenched, and evidently contemplating something. Heaven only knew what was in his mind. Anna could not bear to look at him. She began to detest the look of his head, as it bobbed up in front of her. Such a senseless, inhuman ball of a head — how had she ever endured it? It had a foolish, hard roundness. Yet she still believed there might be something nice about the man.

But his continued presence was becoming nightmarish. It almost seemed that he would wear her down by sheer staying power. She knew that she had not even started to convince him yet; not au fond, that is. She began to lie awake at night devising schemes for finishing him off entirely.

Then suddenly he went away. Anna nearly fell backwards with astonishment. She couldn’t believe, at first, that he had really gone. But he had. Lauretta was very much displeased.

‘I think you’ve made a great mistake,’ she said pettishly, frowning at Anna.

The girl knew that she was referring to Matthew.

‘But I didn’t like him,’ she replied.

‘I’m sure he seemed very nice,’ said Lauretta, irritated.

‘I didn’t like him,’ Anna repeated, falling into her sullen manner.

‘Of course, nobody ever would be good enough for you!’ sneered Lauretta bitingly.

She fluttered out of the room, leaving Anna with a nasty taste in her mouth.

A fastidious look of disgust came upon Anna’s face, partly because of Matthew, partly because of Lauretta, and partly because of her own position. It was not at all pleasant for her at Blue Hills in an atmosphere of Lauretta’s permanent displeasure. Things seemed to get worse and worse. Between her and her uncle and aunt there was now a decided coldness. They did not try to keep up even a superficial friendliness with her — or she with them. She went about in silence.

It was really very disagreeable. As August came on, Anna’s heart failed her. She began to feel nervous and distracted. For day after day passed, and nothing was said about Oxford. She had not advanced a step in that direction. In fact, it seemed highly improbable that Lauretta in her present mood would allow her to go. And then, what sort of a life remained to her? To live on at Blue Hills, hurrying out to parties, playing games and attending dances, trailing after Lauretta who would grow older and sharper and more exacting as time went on.

Anna began to think seriously about Matthew Kavan. Perhaps she really had made a mistake in not marrying him. At any rate it would have been an adventure, a way out. An escape from the horrible empty rush of the Blue Hills social existence, and the horrible, vicious, fluttering persecution of Lauretta. And surely with him she would have had some sort of an independence.

In his absence, she found it difficult to recall what it was about Kavan that was so distasteful to her. It was hard to bring back to mind that feeling she had had of vainly shouting at him through deadening wads of incomprehension: the feeling of his unreality, his strangely inhuman side. It was chiefly his shadowy insentience which had repelled her. And now she could not quite believe in it. It seemed that she must have exaggerated it, to herself.

He had not written to her, but she had received one parcel, a neat little packet not much larger than an ordinary envelope. She knew at once that it was from Matthew. Only he would have folded the stiff paper with such precision, creasing the ends so neatly to a point, knotting the string so exactly in the centre. It brought back something of his own closed neatness to her. She shivered a little as she opened it. Inside was a sachet, or a pin-cushion, or something like that, stuffed with rose-leaves and embroidered in silk with a bunch of pansies. On one side was some writing — also embroidered in mauve silk: ‘There’s pansies, that’s for thoughts.’ No letter of any description.

Anna put the sachet into a drawer. Sometimes she took it out and looked at it. How his face came back to her then; his neat, small-featured, complacent-seeming face, with its row of sharp white teeth. And the stiff set of his shoulders, like a clock. She wondered if he had done the embroidery himself.

Lauretta would not abandon her schemes.

‘I’ve invited Matthew Kavan for next week-end,’ she announced shortly, in her clear, fluty voice, looking hard at Anna.

This time her meaning was quite evident. She didn’t trouble, even for decency’s sake, to cover up the threat.

‘I hope you’ve thought better of your stupid prejudice against him,’ she said, with a cruel twang in her voice, that made Anna feel humiliated and exposed.

The result of Lauretta’s taunt was to set her against Matthew, quite definitely, on this occasion. She would not be bullied into marrying him by her aunt’s flickering vindictiveness. She would not; she would not. Her obstinate, independent spirit was aroused.

Nevertheless, as Friday drew near, she felt her emotions accumulating. She would see him again; find out what he really was like, this time. Perhaps she had been mistaken. Perhaps she would find that it was possible to contemplate him as a husband, after all. She felt her nervous excitement growing.

And when he finally appeared, rather late in the evening, she was favourably impressed. There was no doubt that she did like him, in a way. There was something odd and naive about him, which pleased her. He was not in the least affected. In his strange fashion he was sincere and humble. And that innocence in him — that strange, strange unawareness; as though his right hand really did not know what his left was doing. Only with him it was his whole self that was somehow unaware. It baffled her, and repelled her a little; but she was not sure that, in a queer way, it was not rather attractive too.

So much in his favour. But as she watched him, at dinner, sitting stiffly on the other side of the table, and smiling at her with just the same look of a private understanding between them, her heart palpitated with irritation and dread. It was repulsive to her, his assumption of understanding, sympathetic intimacy: when she knew only too well the seas of flat incomprehension that flowed between them. And to make matters worse, there was now just a suggestion of reproach in the staring blue eyes, reproach overlaid with forgiveness. A Christ-like ‘to understand all is to forgive all’ expression: intensely irritating. She shuddered and looked away.

She felt her heart like a jelly, or a lump of butter, that is alternately hardened on ice and thawed out in front of the fire. At one moment she warmed towards Matthew; the next, she was frozen stiff in repugnance. She couldn’t make up her mind. And yet she knew that it was absolutely essential for her to decide, one way or another, for him or against.

After dinner, Lauretta planned to leave the two young people alone. When Anna saw her fluttering out of the room with an air of feathery archness, a wave of anger swept up in her. It was unbearable to be left alone like that, deliberately, to the tender mercies of that queer fish of a Kavan. She had to look away, to hide the anger on her face. She turned back to the room. And there, across the furniture, she saw his foolish round head awaiting her, expectant. Without a word, she sped out of the door and upstairs. She did not come down for a long time.

‘Where on earth have you been?’ asked Lauretta, meeting her in the hall. ‘I left you to talk to Matthew.’

‘Oh, really, you know, you’re in too much of a hurry,’ cried Anna brightly. There was a metallic ring in her voice that surprised her. She felt not very far from tears. ‘You can’t rush things like this. Why, it’s positively indecent!’

And away she dashed again, away from her aunt’s shocked indignation.

But the situation was becoming acute. She had to make some decision.

‘I’ll think it out in bed,’ she said to herself. But as if some perverse demon had overheard and determined to frustrate her design, no sooner was her head on the pillow than she was sound asleep. All night she slept profoundly, drowned in a heaviness that was somewhat unnatural, and only woke when the housemaid came to call her in the morning.

She almost groaned when she found that daylight had come again and caught her without a decision. She felt half distracted — in a nervous trough of hysteria. But she could not decide.

In a torment of restlessness, she went out to cut flowers for the house. With the large, flat baskets, she went round the garden beds gathering the brilliant, rather gaudy flowers of late summer, geraniums, salpiglossis, antirrhinums, and the tall, frilly phloxes on their tough stems.

It was a pale, sunless morning. The light was quite strong, each tree stood in an impalpable circle of gauzy shade, without definite boundary. Above in the branches, the wood-pigeons were cooing. Anna piled her flowers in the baskets, great heaps of orange and vermilion and purple and flamy white. Like strong, hot, steady fires the heaped baskets burned, kaleidoscopic, vibrating gorgeously in the grey day. The morning was all very grey and still.

Anna avoided the border where the violas grew. But finally she had to go there. There was simply nothing else that could be mixed with the yellow roses in Lauretta’s room. The other flowers were all too violent, too hotly splendid. She wanted to keep the effect very soft and light. She picked violas hastily.

Suddenly there was a faint moving blur of shadow on the grass. It was Matthew, of course. He came forward smiling and looking down at her intimately. How pleased he seemed! Naturally, he would have to appear just at that moment, with the everlasting violas! She badly wanted to laugh.

‘What beautiful flowers,’ he said, smiling.

‘Yes, aren’t they,’ she murmured.

He remained standing silently beside her, staring down at her. Anna picked on hurriedly, without looking up.

She could see his feet, in their neat brown shoes, planted firmly on the grass. They looked smallish and rather aggressive. The shoes, very carefully polished, had wide toes, which gave them a stolid, opinionated, slightly bull-doggish appearance. To escape them, she glanced up at him. The silence made her uneasy.

‘“There’s pansies, that’s for thoughts,”’ she said, smiling, and speaking at random, and holding out a flower to him.

To her astonishment, he took her hand and drew her to her feet. He was evidently much moved. A strange, rapt look came over his face. His hands were unsteady.

When she was standing beside him he put his arm round her waist and kissed her. Anna was too amazed to speak.

‘I knew it would be all right,’ he said. ‘I knew you would come to me in the end. But what a sweet way of telling me.’ He looked down at the foolishly staring viola, and put it carefully in his pocket. ‘Dear little flower. I shall always cherish it. Your first love message.’

‘But it wasn’t — I didn’t mean that,’ Anna said, sliding away, half laughing, half angry.

She was still almost stupefied with astonishment, only vaguely realizing some enormous misconception.

‘Don’t be shy,’ he said, pressing nearer, and trying to put his arm round her again. ‘You mustn’t be shy with me.’

‘But you don’t understand,’ she protested, fending him off. ‘I’m not sure — I haven’t decided —’

And feeling in an absurd position, she broke off, and began to laugh, rather hysterically. He edged up again and took hold of her arm, just above the elbow, and beamed down upon her with a slight smirk.

‘Why should you decide anything?’ he said, smiling. ‘Except that you are going to marry me.’ He beamed down on her.

‘But I’m not!’ she said, looking full into his eyes.

‘Oh yes, you are,’ he replied, quite unmoved. His smile became indulgent. He stood eyeing her with affectionate complacency, his eyes serenely opaque.

His complacency made her feel helpless. Picking up the basket she watched him dimly over the pile of showy, flowers. Her mind had gone dim and vague. He didn’t understand anything — anything: but then, no more did she. His obtuseness, his insensitiveness, had affected her in some way, stupefying her. She felt as if she had taken a drug.

‘Come along,’ he said, giving her hand the tiniest squeeze on the handle of the basket. ‘We must tell your aunt the good news.’ His voice was coy and arch-sounding.

She went with him vaguely. But her brain was swimming in bewilderment. How had it happened?

She kept on wondering how it had happened, and whether she had made a fool of herself. But anyhow she had made a decision — or had it thrust upon her. Which was something.

CHAPTER 7

SO they were engaged, and Matthew bought her a ring, a cluster of small diamonds, good but unimpressive. He was not well off. Anna did not care much for the ring. The small, bright stones had a way of arranging themselves into an impudent little face that winked up at her questioningly: rather reminiscent of the viola faces. Fortunately, the violas themselves had stopped flowering for that year. However, she wore the ring, and soon got accustomed to seeing it winking there on the third finger of her hand. It was as if she had always worn it. It meant nothing particular to her.

Matthew was not an exacting lover. He was away most of the time, appearing at Blue Hills for week-ends. It was understood that he devoted himself a great deal to his mother. When he was with Anna, he was not exigent. He made no demands upon her. Curious the way he asked for nothing from her. He seemed quite content just to follow her about, and to see her wearing his ring on her finger. He made no physical advances. She often wondered what she would do if he showed signs of becoming passionate. But nothing of the kind occurred, beyond an occasional rather inept embrace; and even that seemed curiously vague, almost abstract. And he would go on so calmly afterwards, so exactly as if nothing had happened, that Anna sometimes felt uncertain as to whether she had been kissed at all.

It was very reassuring to her, this apparent indifference of Kavan’s to the physical side of the question. If he had shown any signs of wanting to make violent love to her, she would have fled away in repulsion. It really horrified her, the thought of physical advances from him. He was such a very queer fish. So far from warm-blooded human attractiveness, with his odd, round, meaningless head, and his neat, sharp-toothed smile, and his dissociation from himself. As if he were only half a human being. She shuddered at the thought of physical intimacies with him, as at something shocking and unnatural. At first, she was constantly on the alert, watching for any advance, ready to fly off at the slightest sign.

But no, he didn’t seem to want that any more than she did. She even felt that he would actively dislike any demonstration of warmth from her, would shy away from it as from an indelicacy. And this reassured her. Gradually she went off her guard. She seemed to relax. The taut apprehension of her nerves gave place to a sort of drowsiness and acquiescence. The acute nightmare of insecurity removed, she was left inactive, energyless, and submissive.

She drifted along vaguely, indecisive. A heaviness seemed to have fallen upon her. She didn’t want to think, to make any effort. She wanted to be left alone.

Lauretta looked on all the time, brightly approving, but watching with a sharp, merciless eye for any backsliding. Like a keen little hawk, she was always on the look out for the first sign of defection on Anna’s part. She was not going to let her escape. She didn’t intend her well-laid schemes to go awry.

‘You must start thinking about your trousseau,’ she said brightly. She had reverted, these days, to her earlier manner of patronizing, artificial gaiety. She was playful and a little arch towards her niece, deliberately ignoring Anna’s unresponsiveness. Only, from the middle of the smiling, roguish, ageing face, the relentless hawk eyes peered out sharply, destroying the illusion of innocuousness.

This mention of the trousseau shook Anna out of her lethargy. Just for that moment she saw with lucidity, saw that she could not possibly marry this strange man. He appeared quite impossible, incongruous, repulsive in every way. She couldn’t imagine how she had drifted into this situation with him. A kind of panic took possession of her. She must, must escape.

But then, most deadeningly, her old heaviness came back. She simply hadn’t the energy to fight. She looked at her aunt’s smiling, implacable face with its faint network of lines and its faintly sagging, thin mouth, and her spirit quivered and died. It was so easy to let the engagement drift on; so hard, so desperately hard to open battle with Lauretta. And there was still plenty of time. Later on, she could make a stand.

But just one effort that lucid moment was able to prompt in her. She went off by herself and wrote a long letter to Sidney, telling her all that had happened. When she had finished it and dropped it herself into the letterbox, she gave a sigh, half reckless, half relieved. For she felt that in some obscure fashion she had shifted the responsibility of her fate, transfered it in some occult way to Sidney. Sidney should decide now. Sidney could save her from Matthew, if she wished: and if not — then, let be. She shrugged her shoulders with unconscious fatalism.

The reply came in due course, and proved disappointing. Sidney seemed distant — not unfriendly, but immensely remote. Over this letter Anna suffered bitterly. After their old precious intimacy, their complete understanding of one another, it sounded harsh and unsympathetic. Sidney seemed entirely out of touch with her, incredibly far away. All she did was to urge Anna to come and see her. No sympathy, no understanding at all. Just a few abrupt sentences, ending up ‘For God’s sake don’t marry this man without seeing me first.’ A hard, heartless creature Sidney seemed to have become, forgetting so soon the wonderful romantic affection that had united them so closely and so long. Of course it was quite impossible for Anna to visit her. She tore up the letter.

But it had served its purpose. It had sufficed, somehow, to absolve Anna from the responsibility of herself. She had given Sidney the opportunity of holding her back from Matthew, and Sidney had not held her. Hence the fatalistic attitude on Anna’s part; mingled with a faint, unexplained, childish feeling of resentment. She was disappointed in Sidney. Disappointed and hurt. Sidney’s apparent coldness, and her remoteness, and the absence of sympathetic phrasing in her letter, made Anna feel injured. She was almost inclined to throw herself upon Matthew immediately-just to spite Sidney.

And it was such a relief to escape the perpetual goading pricks of Lauretta’s enmity, the horrible pricking irritation of her malicious displeasure. It was a blissful relief to have established even a temporary truce; like the end of a long illness. Later on, Anna could fight it out, if necessary.

There was plenty of time. She would let things slide for a bit.

But after all, there wasn’t so very much time. Kavan only had four months in England. About the middle of November he had to sail for Rangoon. They were to marry before he sailed. At first, the marriage was planned for the very last moment, a day, or perhaps two days, before the boat left. But then Lauretta began to urge an earlier date. In her frivolous, charming, girlish manner was concealed an inflexible purpose. She made no direct suggestion. But half a dozen times a day, by subtle insinuation of voice and gesture, she would hint at the inadvisability of delay. To tell the truth, she was a little doubtful of her hold over Anna, should the girl prove recalcitrant.

Finally Lauretta took a definite line. She announced that she would be leaving for the Riviera earlier than usual. Her husband’s health was made the excuse. He was to be got away to the south as early as possible. By the beginning of November the house would be shut up.

Anna knew that pressure was being put upon her. She felt herself being borne down; by the hidden, cold determination of Lauretta, and the strangely soft, stupifying obstinacy of Matthew Kavan. And she was allowing herself to be borne down. She even almost welcomed the pressure. With half her mind she wanted to be persuaded. She seemed to cling to the security of the world’s approval, to the things which represented familiar security to her. She wanted to marry Matthew because that was the safe thing, the normal thing, the thing that was expected of her and which promised security and approbation. She was frightened of the other side, the unknown streak in her. It was the old craving for normality coming out again.

She found herself in a bustle of shopping, dresses to be tried and chosen, presents coming, letters to answer: Lauretta always close, terribly close, watchful and important, and Matthew rather distant and unreal, but also watchful, also important in his strange fashion. Sidney had faded to nothingness. There was no longer any world outside Blue Hills. Only this close world of Lauretta and Matthew, and the half-intriguing, half wearisome business of choosing and buying.

October came, and the arrangements for the wedding were almost complete. It was to be a quiet affair, just a few friends, and lunch afterwards at Blue Hills; but all very nice, very correct. Lauretta was not sparing expense. Everything seemed to be running smoothly. She was not quite sure of Anna, but nearly. The girl was quiet and rather blank in her manner, her face palely absent, like a sleep-walker. It was as if her face went about independently, doing duty for her spirit while it was away somewhere, upon its own affairs. Always the pale blankness in her face. Lauretta was rather nervous of what might happen if the spirit suddenly returned and found out what had been going on.

The wedding preparations ran into their final stages. Everyone was busy and excited. But there was a peculiar lack of enthusiasm evident, even the excitement seemed artificial; there was an undercurrent of cold-bloodedness in it all that was rather disheartening.

Only Matthew seemed perfectly happy, in his queer complacency, sitting about, rather silent, and watching Anna. Socially, he was not very adept. In a crowd he was rather ineffectual, rather insignificant. But perfectly self-possessed, peering from one face to another with his blank blue eyes, smiling the neat little smile above his small teeth, and occasionally putting a word in — generally the wrong word, be it said. And yet, he was not noticeably inadequate. He was just sufficiently personable to carry off his conversational deficiencies. He was always quite nicely dressed, even rather smart, in the satisfactorily conventional way. And he sat about, looking agreeable and ready for anything, with the winsome little smile covering his silence. So he got away with it. People eyed him approvingly in the main.

The marriage was to take place on a Thursday. Matthew was staying Wednesday night at an hotel in the district, not at Blue Hills. There was, apparently, some rule of etiquette that debarred him from spending that particular night under the same roof as his prospective bride. But he came to the house for dinner and to spend the evening.

Anna watched him attentively when he appeared. She wanted to see what it was she was letting herself in for so calmly.

The man was presentable enough in his dinner-jacket and his impeccably white shirt front. He looked quite a gentleman. Yet the way he moved, keeping his shoulders stiff, and the way he listened and smiled attentively, even rather assiduously, to the person to whom he was talking, was all a little uncomfortable and odd. She wished that his head were not quite so round, not quite so much like a smooth, dark ball bobbing up and down. It had — she could not help thinking it — a foolish and somehow unnerving look. The covering of hair appeared so very dry and dead and insentient. So much more like a stiff covering than a living, growing part of a human body.

And when he came over to speak to her, she was conscious of a slight shrinking. He was such a very peculiar creature. Such a surprise packet still, after all. And she was going to marry him. She was going to spend the rest of her life with that strange round head, those blue, glass-bright eyes. It seemed ridiculous. She wanted to laugh at the idea.

‘What a lovely frock,’ Matthew said to her.

She was wearing a new dress of heavy silk stuff with a small, intricate pattern running across. The rich, darkish material made her face, and her bare arms and shoulders, appear somewhat fragile and immature. The contrast between the sophisticated, opulent stuff and the straight, slight, virginal body had the effect of emphasizing a certain defencelessness, a vulnerability in the pale girl. She looked younger than her nineteen years: almost like a little girl dressed up in somebody else’s evening clothes. But Matthew watched her, smiling complacently. It seemed as if he did not think of her at all. He did not even seem to think about her in relation to himself. It was hard to believe that he realized her in any way. So that she almost ceased to realize herself. And yet he stared at her with his bright blue eyes; as if he would stare her out of existence altogether.

Anna scarcely heard what he was saying to her. She sat with her hands in her lap, feeling far away. What had she to do with this man, with this situation? She knew that all the people in the room were thinking about her, and looking at her: that she was the centre of interest for the moment. This made her feel rather important. But nothing more — nothing in the world. Matthew sat on, and inclined his shoulders towards her, and beamed upon her. Why? — what was it all about?

She wondered when it would be time to go to bed. Her head felt empty and light. Without a thought in her head, she sat and waited for the time to pass. At last the clock struck eleven, and Matthew went away, off to his hotel.

Lauretta came to Anna’s room for a last-night talk. Her slightly theatrical sense of the appropriate demanded an intimate little midnight conversation. She wanted to play the part of the wise, understanding, experienced woman of the world enlightening and encouraging the timid neophyte. She wanted Anna to be in a state of hesitant trepidation: then she would talk to her, so tactfully, so beautifully. The sentences formed themselves in her mind as she came along. She went into Anna’s room, and found the girl in one of her queer, hard moods.

‘Our last night together, dear,’ said Lauretta, with somewhat over-emphasized affection, smiling her charming smile.

The tone in which she spoke revealed vast implications of sentimental posturing, a whole liturgy of artificial emotionalism. Anna lifted her cool grey eyes, undeceived, half-derisive, towards her aunt, half clouded with heavy indifference.

‘Yes,’ she said, smiling coolly. ‘My last night at Blue Hills. What a relief for you.’

Lauretta started and frowned, shaken rudely out of her histrionic glow. But she clung to the skirts of her role.

‘Whatever makes you say that?’ she asked, falsely smooth. ‘Surely you can’t imagine that we want to get rid of you, you foolish child!’ She kept smiling; but her smoothness was costing her an effort.

‘Of course you want to get rid of me,’ said Anna bluntly.

Lauretta made a quick, irritable movement of her hands, clenching them. The rings flashed in the light, spinning swift webs of brilliance.

‘Don’t be absurd,’ she said, on an edge of sharpness, looking away.

Anna laughed rudely.

‘You know perfectly well you’ve forced me into this marriage,’ she retorted.

Lauretta was shocked and offended. In a way, she was even a little alarmed. She was always rather defeated by that insolent hardness that came out occasionally in the girl and was so uncomfortably reminiscent of James Forrester. It put her out of action for the moment.

‘How can you say such a thing?’ she exclaimed, clasping her hands in agitation.

‘But you know it’s true,’ said Anna, staring at her in a way that was highly disconcerting. There was neither anger nor resentment in her eyes, nor heat of any kind. Nothing but a cold, insulting perspicacity, like an affront.

Lauretta was deeply offended. But she dared not reveal her feelings, just then. She quailed too much before Anna’s disquieting inheritance from James Forrester. Nothing is so upsetting as a resurrection.

‘Of course you mustn’t marry Matthew against your will,’ said poor Lauretta. ‘It’s not too late even now.’ She glanced round at the packed luggage, all in readiness for the following day.

‘Oh yes, it is. Much too late. You’re quite safe now,’ said Anna, smiling coldly. She looked callously, even brutally, at her aunt. ‘You’ve got me nicely landed.’

Lauretta’s rings span distracted little rainbows in the air. She was really horrified by Anna’s remarks — not merely offended, but horrified. There seemed to be something so heartless and repulsive about the girl just now; unnatural. And it really was rather shocking the way she spoke, so coldly and tauntingly, with the insolent perspicacious look on her young face, inhumanly direct, as though some mitigating skin of illusion were missing. And Anna intended to be shocking and brutal and repulsive. The more repulsive the better. It was the dark, alien strain in her blood urging her to a curious perverseness. Lauretta couldn’t stand any more of it.

‘You’re tired and overwrought,’ she said, as soothingly as she could manage. ‘You’ll feel quite different in the morning after a good sleep.’ And she went away, her charming part of womanly adviser and confidante unacted.

Anna got into bed and lay staring at the wall. She was glad that she had behaved brutally to Lauretta. A little demon of perverseness made her smile even now. But the hard mood was not quite genuine, all the same. There was more indifference than hardness in her heart. She wanted to escape, to break loose from Matthew and from everyone, to run away and be by herself somewhere. She wanted to want these things. But she couldn’t. No, she really couldn’t want her freedom or anything else. Not actively. A horrid dead-weight of indifference crushed her down.

The next day was blustery, with great clouds lurching across the sky, and occasional vicious onslaughts of cold, grey rain. Next, the sun swinging out into a torn fragment of pale-washed blue, and the wet paths drying quickly in the high wind, puddles gleaming like grey, dropped mirrors. Then the clouds closing up again over the pallid blue, and the fierce, chilly rattle of the rain once more.

Anna went up to her room when it was time to dress, feeling cold and unnatural. It seemed strange to be changing one’s clothes in the middle of the morning. The dress in which she was to be married was a plain affair, straight and parchment-coloured; not really a wedding-dress at all. It would do later on for afternoons. She was soon ready. The sky darkened, and rain came hissing down, hissing like steam against the window-panes. Her light dress seemed out of place in the rainy twilight. She sighed. For the pale dress was so incongruous: it made her feel more and more unnatural, like a victim. Surely, in some way, she was being victimized. And yet, really, in her heart, she felt nothing at all. There was a blank indifference in her heart.

She went downstairs, a restless ghost in her pale clothes, feeling lost. The corners of the rooms were darkly shadowed, there seemed to be no one about. Outside, the rain fell angrily, but with declining power. The sky was lightening.

Anna went from room to room, opening and shutting doors, peering through the obscurity at the familiar places. But now she seemed to see it all strangely, from the angle of her approaching departure. Her light skirt rippled in the draught — how unsuitable it felt to her.

In the dining-room, the servants had already begun to prepare the big table for the lunch party. No edibles as yet, but the best table-linen, the most delicate glasses, the brightest silver, all gleaming with a chaste pure white gleam, and a glitter of facetted glass like sparks rising in the dimness. Some white flowers were stirring as she opened the door and the curtains blew about. It was all rather desolate. She shivered, thinking of funerals, and of her father. She felt so cold, so empty. And everything seemed meaningless and far away. The indifference — the horrible indifference.

It was clearing up outside. The room brightened slowly. Anna stood still, staring at the brightest thing in the room: a bright globe of glowing green, like a huge drop-emerald. She did not realize it at first. What was it? Looking more objectively, she recognized a bottle of bright green liqueur, forgotten and temporarily abandoned on the sideboard. She took hold of it, feeling the slight, velvety stickiness overlaying the cold, brittle smoothness of the glass. Without thinking much, she tilted it, and the green stuff ran out quickly, quicker than she had expected, up the long, tube-like neck of the bottle, and filled the glass. It was a surprise to find that it flowed so quickly, the sticky, heavy-looking stuff. She drank it up, rather disliking it, the burning, sharp-sweet taste of it. But it was hot. She felt warmer afterwards

‘Anna! What have you been doing?’ Lauretta scrutinized her closely. But there was no time for talk. They had to start for the church.

Anna sat in her corner of the car watching Heyward Bland, who was going to give her away. He had got himself up very smartly for the occasion, very spruce and correct, with a white flower in his buttonhole. But the fuss and excitement made him rather irritable. Catching her eye he smiled in a forced fashion and patted her chilly hand. Then he coughed and cleared his throat irritably. He seemed stiff and pompous beside her, and she disliked his proximity. However, he was doing his best to be friendly.

There was an undignified dash across the churchyard to the shelter of the porch. It had stopped raining, but the squally wind was still driving cold flurries of water from the dripping branches. Lauretta was frowning, worried about her beautiful dress. The Colonel looked more irritated than ever. Anna laughed and ran up the path, avoiding the puddles. A sort of recklessness had come over her. She felt like some other girl, quite detached. Perhaps it was the liqueur which had gone to her head.

They went into the church, and the first thing she saw was Matthew, standing in the aisle, waiting for her. She smiled at him, almost gay, in her new recklessness. Matthew smiled back, very faintly and constrainedly, in return; she could see that he was put out, even annoyed, by her frivolous air. It was evidently a serious moment for him.

Feeling dashed, she took her place beside him. His solemnity made her uncomfortable. Was it possible that this ecclesiastical rigmarole had genuine significance for him? She noticed how dry and close the hair was on his head; as though it had no sap in it, no life of any kind. He did not look at her, though she knew he was aware of her regard. Obstinately he turned his stiff profile, and refused to look. They moved up towards the altar.

The church was new and rather ugly and bare, with a look of being strictly utilitarian and hygienic. There was something rather mean about the red brick, and the stumpy pillars, and the rows of cheap wood pews; proletarian. Lauretta’s expensive flowers looked both haughty and forlorn. On one wall someone had started to paint a biblical scene, life-size, all in drab browns and greys and a muddy-looking olive-green. There was a boat in it, and improbable, woolly-headed, conventional waves. It was supposed to represent Peter walking on water. The place was bitterly cold.

Anna shivered as she knelt in the bleak church, in front of the altar. Her dress was much too thin, there was no protection in the pale stuff. Only her head felt hot; and in her mouth the hot, bitterish taste of the liqueur still lingered like a satirical comment. The clergyman read out some words, and Matthew Kavan repeated them, distinctly, with a certain satisfaction, relishing them. Then it was her turn. She stumbled through her part, watching the ugly, life-sized figures on the wall, the men with their curly beards and dirty-coloured clothes. The painter had, in a strange way, managed to suggest in all the faces a meanness, a vulgarity, something petty and sordid that belonged essentially to English twentieth-century industrialism. It made Anna think of factories, and long grey streets of little houses, and backyards with dingy washing hanging out, and a smell of fish frying. All of which she particularly loathed. In reaction, she felt a sudden stirring towards Lauretta, who represented the other side of the picture. But she could never be friends with her. There had always been an impassable barrier between her and Lauretta. Higher and higher it had grown, topped with barbed spikes of resentment and enmity. And now she was going to leave Lauretta for good. Strange, to be going away. But she was glad, very glad, to make her exit. She had had enough of Lauretta. How far she had grown already, through the years, from the child whom Lauretta had visited at Mascarat, and impressed and bewildered and patronized with her fluttering charm. Life, the express train, had got into its stride already.

She glanced sideways at Matthew, who was kneeling beside her, hiding behind his neat brown profile. But Matthew seemed perfectly unreal: so inhuman. Ridiculous that he thought he was being married to her!

Matthew, the surprise packet, was kneeling beside her, touching her. But there was no contact between them, no possible connection. The strange being, how remote he seemed. Unreal, he seemed to her, just a shape and a colour and a queer round, hard head, like his own effigy moving about the world. But he was thinking about her. She could feel in him, underneath his attention to what was going on, a preoccupation with herself, a disapproval. He disapproved — she could feel it — of her wandering thoughts, of her lack of solemnity, of her failure to be impressed by the moment. As she knelt at his side, pale and grave and abstracted, she could feel his irritable thoughts playing upon her, in spite of his devout concentration. He wanted to be serious and devout. To appreciate the solemn occasion. But some other instinct kept his thoughts, under his superficial attention, sliding out persistently to the proud, aloof girl beside him. He almost hated her for her distracting influence. But he could not keep his thoughts away.

When it was all over and the book had been signed, the whole company emerged again into the windy daylight.

It had cleared up a bit, the wind was harrying the clouds like an angry dog, a shred of blue sky suddenly appeared over their heads.

‘Happy is the bride whom the sun shines on!’ cried Lauretta gaily.

And sure enough, a chilly radiance came spilling down from the heavens, spilling palely over them as they stood. The half-stripped trees bent and strained and swung above them. It was Lauretta’s great moment. Her triumph. But the wedding guests had a sense of flatness as they moved off in groups, back to their cars. The wedding had been, for no very definable reason, something of a fiasco. A chilly sort of affair.

And the wedding-breakfast, or the lunch-party, or what ever you like to call it, with its cold lobster mayonnaise and coldly gleaming, pale wines, was not much better. Although it was all so expensive and conscientiously festal. Everyone felt secretly a little relieved when it was over.

And then the good-byes had to be got through. All the women kissed Anna. She had changed into her travelling clothes, and stood with Matthew at the front door, all in brown, looking rather like one of the lost brown leaves that were blowing about everywhere. There was a crowd, and a confusion of good wishes. Lauretta’s turn came last of all.

‘Good-bye!’ cried her girlish, trilling voice, for the last time. ‘Good-bye!’ She put her arms round Anna and kissed her, in her slightly theatrical way. She even managed to squeeze a tear from one of her bright eyes. There was a spark of real warmth in her heart, nevertheless.

Matthew looked on, rather obliterated. Anna stood still.

‘Come along, my dear,’ said Matthew, at the door of the car.

There was the beginning of an uncomfortable pause while everyone waited for Anna to make a move. Lauretta gave her the tiniest push. The girl went forward, gazing about with clouded, cold-grey eyes, like the sky: at one with the cold, unfriendly, uncongenial sky. For a moment she seemed quite lost. Then she got into the car and sat down. Matthew got in after her, the door banged, and they drove off in a thin keening of farewells.

They were to drive to London in a hired Daimler. Matthew did not possess a car of his own.

CHAPTER 8

MATTHEW and Anna were spending their honeymoon in London. It was not at all the weather for the country. And besides, Anna still had some shopping to do for her tropical outfit.

Matthew had made all the arrangements in his rather fussy, rather officious way for them to stay at a queer little hotel in Jermyn Street that he knew. Outside, it looked undistinguished, and even somewhat shady, with its dingy paint, and its closely covered windows that were like so many eyes closing in a sly and possibly disreputable wink. But once inside, treading the thick, hot, patterned carpets, surrounded by the ugly, monumental furniture, immensely solid mahogany islands set in immense oceans of florid woolliness, you knew instinctively that you were in the very stronghold of respectability.

The place was a pure survival from the past, leading straight back to the pride of the Victorian era with its vast solidity, and its stuffiness, and its cumbersome gilt mirrors, and its strangely hot-seeming, heavy, plushy, everlasting materials. Reminiscent of old volumes of Punch. And the thickly-carpeted, elephantine staircase, winding up like the moss-grown coils of some comatose, terrific serpent, up to the unimaginable, fusty recesses of roof and attics.

A porter showed Anna and Matthew to their room, set down their hand-luggage, and departed. Silence descended. A peculiar stuffy, hot, discreet silence, intensified rather than lessened by the distant growl of traffic.

Anna looked round the room, examining the furniture, the immense wardrobe, rising sheer like the hull of a battleship, and the suggestive double-bed, not quite so large. The room was far too small for the furniture. Between the bed and the wardrobe there was scarcely any floor space. The door could only be opened with difficulty. Anna was a little dismayed. And she was like a person waking uneasily from a deep sleep. In the car she had been drowsy and vague. Now she awoke slowly to this hideous apartment, and Matthew smiling and smirking at her, a bit constrained, but thoroughly pleased with himself as usual. She was a little dismayed.

‘What a small room!’ she exclaimed, glancing up and down.

The smirk was intensified on Matthew’s face.

‘Plenty of room for us. We’ll be nice and cosy here,’ he said, smirking at her, and taking her hand.

Anna was repelled, and very much surprised. This coy attitude, this almost lewd expression, was the last thing she had expected. All her alarms, which Matthew’s apparent coldness had dispersed, came hastening back to her. Up to now he had simply not existed, physically. What if he were to become physically importunate? The thought of his smooth, lean body made her shudder.

‘No. We must get another room,’ said Anna sharply. She moved as if to go to the door, but Matthew held her fast. There she was, tethered to him by her reluctant hand. She felt angry and humiliated. ‘Let me go!’ came her voice, petulant.

He took no notice.

‘We shall do very well here, in this room. I want you close to me.’

Anna looked up at him. He stood obstinate, with his neat row of teeth, his eyes smiling but opaque.

Then she looked at the bed.

‘I shall get another room,’ she said coldly. But a slow red covered her face. It angered her like a betrayal, coming when her heart was cold with resentment. She was afraid she would cry.

‘Oh no, you won’t,’ said Matthew in his soft, stupid, gentle voice, so uncomprehending; but gentle as if she were a child. ‘You’ll stay here with me.’

She stiffened at his obtuseness. And as she stiffened, he put one arm round her, possessively, and kissed her. She felt the monkeyish, sinewy strength of his long, thin arm holding her with a certain conscious mastery, a certain deliberate disregard of her, as though she belonged to him. And he kissed her on the mouth, with relish, ignoring her resistance; also as if he owned her. He made her feel his predominance; the brainless, brute predominance of the husband. The triumph of pure brawn. He infuriated her. He lighted a flame of sheerest anger in her heart. She suffered shamefully at that moment. But in her heart, the black flame kindled, indestructible.

When he realeased her and moved away, his face was closed and smiling, but innocent, as though nothing had happened. Utterly unaware he seemed; it might really have been someone else who had embraced her. Distracting, the way the man had of stepping outside himself, of cutting clear away from his own behaviour. The naïve, rather winning look that came back to him between his enormities; some humility, some wistfulness in it. She could have forgiven him, if only he had not lighted the anger in her heart that burned up all clemency.

There was silence for some moments. He thought she had given in to him. He bent down and began to unfasten the luggage.

‘Won’t you unpack your things?’ he asked, glancing up at her.

She shook her head coldly.

‘Not yet. I’m tired. I shall rest a little.’ And she sat down by the wall.

Presently he went out of the room for a minute. This was her opportunity. Off she hurried, down the lethargic staircase, down to the stuffy little manager’s office, and demanded another room.

The manager, a pallid, saturnine elderly man, was in immediate opposition to Anna. No, there was nothing else available. Every room in the place was booked. There seemed to be a look of triumph in his eyes as he thus frustrated her. As though in some way he had joined forces with Matthew, against her. The inevitable male conspiracy against the female.

But Anna was quite determined. She would have another room. She would take no denial. The heat of anger kept her inflexible. She would not go away.

The manager suddenly capitulated: he had an empty suite on the second floor. He told her vindictively that it was very expensive. She asked the price and agreed to pay it. If it had been fifty pounds a night she would not have hesitated. She went upstairs with two servants to collect the luggage: she had everything taken to the new suite: she spread things over the rooms: and here she meant to stick. When Matthew appeared, she had already hastily unpacked her dressing-case. The room was littered with garments.

She felt reckless and excited. Her emotions were almost pleasurable. Matthew looked on, very annoyed, from the doorway.

‘I have changed the rooms,’ she cried, challenging.

‘So I see,’ said Matthew.

Matthew prided himself on his arrangements. He was an inveterate organizer, always planning ahead, most conscientious, albeit somewhat inefficient. He hated to have his plans disarranged.

‘Don’t you like this better?’ asked Anna.

He stared disapprovingly without answering. She wondered if he was going to make a scene.

‘It must be very expensive,’ he said.

Anna told him the price.

‘Ridiculous! We can’t possibly afford it,’ he said, bad-tempered and rather shrewish, as he often was about money matters.

‘I’ll pay the bill myself,’ said Anna, brightly contemptuous.

Matthew stared with bright, blue, disapproving eyes at the flushed, excited, determined face of the girl. He had a censorious look, which Anna did not recognize, rather mean and distrustful. Then it vanished, and the neat smile took its place. Once more she felt the exudation of his peculiar attention — so extraordinary, somehow, but with real warm-heartedness underneath.

‘We mustn’t quarrel on our wedding-day,’ he said, coming near and smiling into her face.

She knew he thought he was behaving generously.

Their first dinner together passed off fairly well. Anna was preoccupied with the other diners — they were so totally different from any collection of people she had ever seen. They were all very respectable — yes, overwhelmingly respectable; and aristocratic-looking most of them. But not attractively aristocratic. Most of the women were oldish and badly dressed. And then most of them had those haughty, heavy-jowled faces which have no humanity at all. In that museum-like show-case of ancient gentility and obsolete deportment, it was the heavy, cold, aged, repressive faces which dominated, while the scattered youthful faces looked dismal and negative, overshadowed. It was strangely inappropriate for Anna, so young and vivid and direct, to find herself sitting in the dry, airless, stagnant atmosphere of the ugly past, where no honesty could possibly draw breath.

‘What extraordinary people,’ she said to Matthew. ‘And how impressive! All the women look like dowager duchesses.’

‘Most of them are,’ he said, with a distant, surprising satisfaction in his tone.

‘Is that why you come here?’ she asked, teasing him.

He bridled in the most curious way, and cocked his bright blue eyes at her, complacent and prim.

‘Well, one likes to be among decent people; when one can,’ he said.

And the astonishing thing was that he was quite sincere. Anna became silent with astonishment. Food for consideration here, indeed.

After dinner they went to the theatre. Matthew had taken seats for a musical comedy; quite a popular show, but not the show of the moment. And the seats were quite good seats, but not the best. Fourth or fifth row of the stalls they were; one could see the stage pretty well. Anna, long accustomed to Lauretta’s lavishness in matters of this kind, was a little surprised. But in a dim, indeterminate way. The surprise was not strong enough to rise to the surface of her mind.

She hardly noticed the music, or the antics on the stage. She was tired and effaced. Things seemed dream-like to her. It was like a dream to be sitting in the hot, crowded theatre beside Matthew. It was queer to have him draw her attention to this or that. She tried to be polite and to take an interest. But her brain was drowsy.

All this time Matthew was reassuringly restrained. There was no sign of a physical advance, no return of the horrible, lewd smirk to his face. True, his sharp teeth flashed disquietingly now and then in her direction; but always under the chastening curb of the customary neat smile. She began to feel relieved.

But afterwards, back in the hotel, it was a different matter. As soon as the door was closed upon them, he kissed Anna on the cheek, putting his arms round her clumsily.

‘At last I’ve got you to myself,’ he said. ‘All to myself.’

With a strange, determined pressure, like the pull of a strong river current upon a swimmer, he tried to draw her down, on to his knee.

She twisted herself out of his grip, feeling weak and exhausted, as though she were really struggling against a river, and hurriedly began to talk about the theatre. The young man stirred uneasily, and stared in an unseeing way as he answered.

Their suite consisted of three rooms and a bathroom. A sitting-room with an uncomfortable, tightly-stuffed sofa and two plushy armchairs; then the bedroom opening out of it, and beyond that another room, very cramped and closet-like: but it had a bed in it. The bathroom was down a bit of a passage at the end.

They talked for a few minutes constrainedly. Someone had put some imitation flowers, carnations, in a ricketty silver vase on the table. The greenish table-cloth had a fringe of soft plush balls. There was an atmosphere of awkwardness and constraint. Matthew grew stiffer, his smile more meaningless, as the minutes passed, his voice became rather uneven.

‘Let’s go to bed now,’ he said. ‘It’s late. And I want to have you near me. Really to have you at last.’ His blue eyes stared with a kind of blank triumph at Anna. He stood up. ‘Come along, my dear. Come to bed.’

He opened the bedroom door. Behind him, she could see his pyjamas laid out on the bed beside her own things. It produced a fury of opposition in her, the sight of his folded pyjamas. A swift, inflexible decision formed in her mind. Matthew was watching her, waiting. She wanted to throw something at his round, complacent anticipatory head. She detested the sight of it. He stood there in the open doorway, watching her, his lips parting in the slightly lewd, smirking smile, as he waited for her to come to bed. And she had utterly decided against him. She would not go to bed with him; no, not for anything in this world. He looked as neat and brown and presentable as ever, he had still the rather attractive artlessness hanging about him. But his head had a ball-like inanity, which she so disliked, and the suggestive simper came slyly, indecently, at the ends of his mouth. He looked quite handsome; and yet there was that queer buttoned-up closeness, that insentience, that made him seem so non-human to her. He repelled her, thoroughly. And she loathed his complacency, his smirking, proprietary lewdness.

The seconds went past. Matthew began to move forward into the room. Anna suddenly sprang up and made a wild scurrying dash into the passage. He followed, trying to detain her; his head came plunging after her out into the passage.

‘Where are you going?’ he asked, beginning to be roused again.

But Anna had locked herself into the bathroom. She giggled rather breathlessly, and gazed at her face in the glass, where a curious expression was reflected. A most curious change had come over her. Her colourless, frail, rather ethereal face now wore a bold, hard, brilliant look, derisive and vicious. And her grey-blue eyes had become harder and colder, smaller apparently. In her quiet gravity and her composure, Anna’s eyes would grow large with a deep, jewel-coloured stillness, like deep water. But now, in her excited aversion, they were small and shallow and stony. Her serenity, her delicate, grave aloofness — so unusual — had vanished. Her face was pinched and malicious, like a goblin-face.

Matthew came up and rattled the handle of the door. His blue eyes, with their untransparent glassiness, their non-luminousness, stared out resentfully at the closed door. A blind, angry spitefulness, rather stupid, came into them.

‘What is the matter with you?’ he asked.

‘Nothing. I’m going to have a bath,’ said Anna, from the other side of the door.

There was a pause, during which she continued to meet in the mirror the strange pair of goblin-eyes, steady with strange malice.

‘Don’t be long, then,’ he said at last, unseen by her. But his voice was complacent again, even indulgent. He was so sure of winning that he could afford to humour her.

She kept silence. His cocksureness made her furious. Staring into the mirror, she stood rigid and silent.

‘Don’t be too long,’ he repeated. And presently she heard his brisk footfalls — curiously heavy for a small-made man — retreating along the passage.

She smiled to herself, brightly malicious, in the narrow, old-fashioned bathroom. The clumsy metal taps reflected her face, which had taken on the queer goblin look. She undressed slowly, and had her bath, and prepared for the night, all with the bright, alien, vicious look on her face. And then, for a long time, she waited: quite motionless, with a very odd, sardonic expression. She wondered if Matthew would come back and speak to her again. But he did not. Evidently, in his cocksureness, he was content to wait, and humour her caprices.

Anna sat on the hard white chair, looked at the closed door, looked at her reflection in the glass, and smiled at it knowingly, with goblinish satisfaction. One would have said she was enjoying herself. Then she rose and opened the door quietly, looking down the passage; a short, dim, empty passage, with doors on either side, and Matthew waiting for her behind the door at the end. She shivered in repulsion, but still she went on smiling, as if enjoying it all. Then quietly she went out into the passage. She went into the bedroom and locked the door.

The other door, into the sitting-room, was still open. She could see two feet in their neat, squarish, patent-leather shoes planted on the floor beyond. The leather was starting to crack a little, in the creases. There was Matthew.

He had heard her movements, and looked up, smiling his anticipative satisfaction, rather ogreish in spite of his flat unreality. As though he licked his chops at her. The horrid part was that though he stared hungrily at Anna, he did not seem to see her at all, as an individual. She, personally, did not exist as far as he was concerned; he had reduced her to a sort of extension of himself. He missed her out completely. And now his blue eyes met hers with a gleam of complacent anticipation — self-congratulatory, it appeared — as if he prided himself on his rights over her. And he was going to exercise them, too. Oh yes, he meant to exact his husband’s pound of flesh. There was something a bit pasha-like in his attitude towards her. The age-old, man-to-woman tyrannous condescension. He began to approach her with his prancing gait. But she slammed the door in his face, shutting him out, and turned the key on him. Just as the door closed, she saw the death of his neat smile, and the ugly, spiteful look, mean and cunning and in some way almost imbecile, taking it’s place. She shuddered, and her heart beat quickly. But the goblin-brightness stayed on her face.

‘Let me in,’ said Matthew, trying the door.

‘No,’ said Anna.

‘Open the door,’ he said angrily. A nasty tone was coming into his voice.

She did not answer, but watched the door. He had got his shoulder against it and was pushing. She could hear the faint roar of his angry breath.

Suddenly he remembered the other door, and dashed round there. In a moment he was rattling the handle on that side.

Anna looked round with hard, bright, unnatural eyes. She did not seem to be herself at all, but some heartless creature, inflexible and malicious and rather diabolical. So cold; so sprightly. There was a devilish little cold sparkle on her face as she gathered up his belongings, darting about the room with rapid, flicking motions; collecting his things and bundling them out into the sitting-room; then turning the key again. Quick as thought, the room was clear of all trace of him.

‘Your things are outside the door,’ she called. ‘You must sleep in the little room.’

‘Don’t be ridiculous,’ came his voice, somewhat dangerously. ‘You have no right to keep me out. Open the door at once.’

Anna detested him.

‘You must sleep in the other room,’ she said.

‘No! I’m not going to put up with such treatment. You shall let me in! Come now. Open the door. I love you far too much to be shut out on my wedding night. Let me in!’ His anger was really roused now. He was losing control. He began to shake the door again, more violently this time.

Anna was surprised. She had no idea that her surprise packet included this quota of bullying, unbalanced fury. She smiled to herself as she listened to his onslaughts on the door. She was excited. But certainly she was not nervous; or the least bit compassionate. The new goblin in her was contemptuously amused at this display of black rage. And she hated him. She was glad that she was able to insult his male conceit. She tilted her head, and stared mockingly at the shaking door.

‘Don’t try to make a fool of me,’ came his dangerous, muffled voice, through the wood. Such a hot, stupid, animal sound in the angry voice.

‘Go away,’ said she, continuing to stare derisively and brightly ahead.

‘Let me in!’ he shouted, beside himself with rage. ‘Open, I tell you!’

He lurched against the door, not knowing what he was doing, kicked it with his feet, battered it with his shoulder, swung back, and battered it, using his shoulder as though it had been a battering-ram against the panels. In a blind frenzy of anger he struggled with the door.

‘Let me in!’ he shouted again and again. ‘Let me in!’ He fought with the locked door.

Anna drew back instinctively before the violence of his attack, her eyes like vicious stones in her face. She was silent.

‘Open! open!’ he went on, loudly distracted, like a clumsy, stupid animal in his incontinent wrath. ‘I have my rights. I won’t be fooled like this!’

‘Go away,’ said Anna coldly. ‘People will be coming to see what is the matter if you make such a noise.’

This seemed to bring him to himself. Suddenly, abruptly, he abandoned his struggles and was still. He made no more noise. But he remained outside the door; he had no notion of going away.

There was a very long silence. Anna imagined him standing, narrow and stiff, outside the door, waiting: his rather long arms hanging limp, with the brown hands dangling — curiously simian in suggestion. She listened to his breathing, hoarse and smothered at first, but growing slowly quieter, more normal. She wondered about him; what was he thinking? Would he stand there all night?

‘Won’t you let me in?’ he asked at last, in a small, wistful voice, rather distressing. ‘Let me come in just for a moment — to say good night.’

‘No,’ she answered coldly. Her inflexibility never wavered.

He waited a minute or two longer. She heard him fumble once more — but half-heartedly this time — with the door-knob. Then he sighed heavily, rather ludicrously, and went away. Presently she heard him fumbling about in the sitting-room, picking up his pyjamas and slippers and dressing-gown which she had thrown on the floor. And shortly afterwards a door closed.

It was all over. Anna went and sat on the bed, cross-legged on the crimson eiderdown, her face tilted back, a queer flower at the end of her backward-curving neck. Her mind was a kind of blank, and half consciously she wondered why she had no more feeling. She was quite cold, cold as a stone, as though she would never feel anything any more. And yet, in a way, she was absolutely flabbergasted by the scene she had just been through. She had no idea that people behaved like that, so violent and uncontrolled. It staggered her, as an exhibition of sheer unrestraint. But she was not really affected. She felt herself aloof.

She seemed not to be there at all, really. She, Anna-Marie, was absent, and some malicious hobgoblin had taken her place. There she sat in the locked room, cross-legged on the ugly red eiderdown, looking out with shallow, distant eyes, and the hard, bright glaze over her face, a bit devilish in the midnight solitude.

Queer, the change that had come over her. The tall, dignified slenderness, the rather slow graciousness of movement, the attractive, grave repose, all vanished: and in their place a hard, cold, jeering brightness, rather disgusting, and a certain febrile quickness, even her movements changed from lingering, deliberate grace to a restless, flame-like flicking, a strange destructive rhythm of darts and jerks. She seemed to have become smaller, and quicker, and brighter, and harder. Less ethereal, though more unearthly: more like some little malignant imp. The bright, arch, reckless, indifferent look upon her face! The goblin-Anna didn’t care.

Next morning she was her old self again — almost. But about her face still hovered a queer expression, like a dim reflection from far off, and her mouth had a little twist, half smile, half grimace, that did not rightly belong there.

It was late when she woke up, and ten o’clock before she was dressed. As she put on her clothes, she wondered rather uneasily what Matthew’s attitude would be after last night’s affair. How would he behave? She simply couldn’t conceive. She felt quite interested, impersonally, to see what he would do. Nothing would surprise her now. Nothing. But she was not quite comfortable about him.

He was waiting for her in the sitting-room, very neat and compact-looking in his navy-blue suit with the white stripe in it. He held his shoulders more rigid than ever. She wondered if there was a bruise where he had crashed against the door. He looked rather down in the mouth; but calm, she was glad to see.

As she came in, he took a step towards her, standing straight up to attention, and looking like a soldier who has been called up to receive a formal reprimand. Which made her amused and uncomfortable.

‘I’m sorry about last night,’ he said. ‘I apologize. I can’t think what came over me. Can you forgive me?’

He stared at her rather wanly out of his absurd stiffness.

Anna looked at his strange round head, shuddered inwardly, and moved towards the door.

‘It’s over now,’ she said. ‘Don’t let’s talk of it any more.’

He got in front of her, blocking the way.

‘But you do forgive me, don’t you? Say you forgive me?’ he cried.

He looked at her humbly. But she could see the complacent, bullying pasha behind the appealing ingenuousness. And yet his humility was quite sincere. Quite a real part of him. Perhaps it was the real Matthew, the man himself, who was naive and humble and rather charming. And something outside, some devil, that possessed him from time to time and perpetrated his atrocities. Or perhaps the bully was his own real self. Who could tell?

Matthew, standing in front of her, bent forward unexpectedly and took her hand, pressing it against his face.

‘Forgive me! You do forgive me, don’t you?’ he said, plaintive and subdued as he held her hand to his mouth and kissed it. The words came out muffled with his warm breath against the palm of her hand. ‘Everything is all right again now, isn’t it?’

She knew that things were very far from all right. But what was the use of saying so? He understood nothing. And she wanted her breakfast. She nodded, acquiescent, feeling a little ashamed for him, her hand growing hot against his mouth.

He was beginning to regain his aplomb. He was still humble. But his self-satisfaction was coming back, she could see his head perking up again.

‘You’ll forget all about last night?’ he said, still in the same humble manner.

‘Yes,’ she replied. She wanted to have breakfast.

He pulled her to him, and kissed her rather clumsily on the edge of her mouth, one of his strangely unconvincing kisses that meant nothing at all to her. She submitted in cool distaste, extricating herself as soon as possible.

‘There,’ he said, quite in his ordinary voice, ‘we’re friends again now.’

The re-establishment of his complacency irritated her. She managed to get past him into the corridor.

That afternoon a friend of Matthew’s, a man named Webber, came to offer his congratulations. He held an important government post of some kind in the East. Mr. Webber, who was pale, and who had a sort of gallantry about him, had tea with them in the plushy sitting-room.

His gallantry, though persistent, was far from flattering. He persisted in paying childishly laborious compliments to Anna. It was no compliment at all to think that she might swallow such stuff. And all the time he contrived, by his expressions and by his clumsy deference, to surround her with the aura of his gallantry while simultaneously making her feel that she was of no serious account. He flattered her, and posed in front of her, rolled his eye at her and smiled with playful archness. He assumed an elaborately artificial manner for her benefit: but it was the sort of manner one might put on for a child. He was playing down to her all the time.

Anna was disgusted but also amused. She wanted to burst out laughing at the preposterous fellow who thought himself too high and mighty to take her seriously: who condescended to her out of his glorious masculine conceit. She was not worthy to be treated as his equal! Here was a blow for her! But Matthew apparently was enjoying the situation. He sat back on the sofa, drinking in Webber’s flattery, taking the whole credit to himself. He loved to feel that his friend was envious, that Webber envied him his young wife. He seemed to swell with complacency as he sat. His habitual neat stiffness of pose relaxed somewhat; he almost lolled against the over-stuffed upholstery.

Mr. Webber sat on, staying for a dreary hour after tea. Anna thought he would never go. He talked at her all the time in a gallant, or an inane fashion. He didn’t notice that she gave him no encouragement. He drivelled on.

Hearing the clock strike six, he started theatrically, looked at his watch with an exaggerated, falsely incredulous expression, and finally rose. He took an elaborate farewell of Anna; to which she responded without undue politeness. At last he moved off.

But he was not quite done yet. At the door he stopped and put his hand on Matthew’s hard shoulder.

‘Well, old man,’ he said in a confidential tone, ‘I congratulate you. Wonderful wife you’ve got. Wonderful girl. Wonderfully fine girl.’

And he leered with a horrible archness, running his eye over Anna as though she had been a valuable animal. She gasped. She gasped with outraged surprise. The impudence of it, the beastly, insulting impudence! And Matthew was still smiling, neatly, contentedly, as if he had been paid a well-deserved compliment.

When he had gone away she refused to speak of him, that horrible friend of Matthew’s. And she was so cold, so distant, that Matthew was bewildered. He couldn’t make out what was wrong. Anna would not try to explain. She knew it was quite useless. But the resentment which she felt for him was almost as strong as her dislike of Mr. Webber. Not content with allowing her to be insulted, Matthew had to take the insult to her as a compliment to himself. She looked at him with sardonic, stony eyes.

The days of what was called the honeymoon followed one another slowly. It is unnecessary to say that Anna did not enjoy them. One might almost expect her to have been miserable. But she was not — merely bored. She liked the independent feeling of freedom from Lauretta and the Blue Hill tyranny — that was something.

She was her own mistress, more or less. She could go out when and where she liked, spend her money how she liked, and in general gratify the trivial wishes of the moment. Matthew did not interfere with her comings and goings. He did not even talk to her very much. But he wanted to be with her all the time. He seemed to have a craving to be near her, a craving for her physical presence. It did not matter if she never spoke to him, if she ignored him entirely; just so long as he could keep her in sight. It would have been pathetic if it had not been so irritating. He would have liked to accompany her everywhere.

As soon as she appeared in her hat and coat, he stood up and prepared to follow her out of doors.

‘Don’t bother to come with me,’ she said to him. ‘I’ve got a dress to try on. It will take me a long time.’

But Matthew, with the obstinate little smile on his face, did not seem to have heard. He insisted on coming, all the same.

‘Don’t wait for me,’ she said, when they were near to the shop.

But smilingly, softly, without speaking, he seemed to disregard her. He escorted her right up to the door.

She went inside hurriedly and left him standing on the pavement. Up to the fitting-room she went, and shut herself in the little mirrored box with the gay, flimsy dresses and the pleasant, slightly airless smell of materials and artificial lights. It was a relief to be shut away there in the bright, close, lighted box, away from Matthew and his endless, patient, obstinate pursuing. His insentient, dumb persistency was beginning again to give her a feeling of suffocation, as if she were being stifled in feathers. It was good to escape him. She stayed in the shop as long as possible. But when she came out, he was still there, staring at the brilliant windows.

‘Why didn’t you go on?’ she asked him, irritably.

‘I don’t mind waiting for you,’ he answered.

He carried her parcels for her, and walked stiffly along, keeping scrupulously to the outside of the pavement, protecting her. He pranced a little, as he walked. And when they crossed the street he took her arm firmly and steered her officiously across, like a zealous but somewhat inefficient sheep-dog: though she was much quicker and more expert at avoiding the traffic than he. She wished that his bowler hat did not come down so low on his head, making it seem more than ever like a smooth black ball: and that he wouldn’t stick quite so close to her, like a conscientious but unwanted dog. But most of all she resented his prancing, the way he cavaliered her about the streets — so annoying when she got on much better alone.

So much for the days. Anna spent a lot of time in the shops. She walked with Matthew in the streets and in the parks. She went with him to a theatre or to a cinematograph, or she sat with him in the ponderous, stuffy lounge of the hotel, or at meals in the dark dining-room, always alone with him. And he was attentive to her, very agreeable and obliging, though with a permanent look of reproach in his blue eyes. He contrived to make it clear that he considered himself very badly used. And at night, as bed-time drew near, the look of hurt reproachfulness deepened; he would stare and stare at her with an expression hovering between accusation and magnanimity. He was quiet and well-behaved. He made no more scenes. But each time that she went alone into her ugly bedroom she was conscious of his melancholy stare burning her retreating back. Silent and reproachful he was; he said nothing to her. But he never forgot, not for a single minute, his grievance against her. Nor did he allow her to forget.

Outwardly, officially, all was forgiven. He was very much the little Sir Galahad in his behaviour. The aggravating beam of Christian charity was in his eye again. And he was firmly seated on his chivalrous mount. He never followed her into the bedroom. Nevertheless, Anna felt herself threatened. She wondered when the bully would oust the knight-errant, and become active again. But it was not really the bully in him that disquieted her. There was something, ultimately, much more alarming: his complacency. She shuddered sometimes when she saw him smile, because he was so certain, so sure of everything. He could afford to let magnanimousness triumph over reproach, because he was so confident. It had never occurred to him, really, that he might not conquer her. In the end he was bound to get what he wanted. He simply waited. His waiting was so patient, so mindless, like a force of nature, unconscious. Would she be able to resist it for ever? She shuddered, and was afraid.

Matthew wanted to leave London. He was rather out of his element amongst all the traffic and the high houses; a bit washed out. He could not feel himself sufficiently important. So he wanted to go home, back to his own roost, where he really was somebody. He wanted to show off Anna, his wife, the new acquisition. But he was a little nervous of suggesting the move to her. A little afraid of being thought mean at thus curtailing their stay in town. He was very conscious of the money going out all the time.

Anna was rather relieved, if anything, when he made the proposal. The stuffy hotel, where the air came stalely, as if filtered through innumerable double windows, was becoming rather a nightmare to her. As was this prolonged solitude à deux. She wanted to get into a house with other people again, other human beings. Matthew’s strange inarticulateness had given her a craving for intimacy of speech. Not that she was likely to find it in the bosom of his family. She was rather curious to see the native haunts of this very queer specimen.

Matthew’s mother was fanatically Irish; the real Irish mixture of thriftlessness and enthusiasm, with a makeweight of mysticism thrown in. His father, dead some years, had belonged to a more devitalized type. The widow lived quite alone with her only other child — a daughter — in a big, inconvenient house at Richmond. But it was her son to whom she was really devoted. She willed him to come back to her.

CHAPTER 9

MATTHEW took Anna to Richmond on the District Railway; which was a new experience for her. She was rather intrigued by the blunt-snouted electric trains nosing in and out of the tunnels. Hitherto her experience of travel had been mainly limited to motor-cars and first-class compartments.

Matthew was a little apologetic about it all. His eyes had a curious expression, humble and resentful together, as though the memory of the luxury to which she was accustomed had suddenly begun to insult him.

‘I’m afraid it won’t be quite the sort of life you’ve been used to,’ he said, with a sort of defiant humility. ‘You must take us as you find us.’

She understood that he was apologizing for his home. It surprised her rather. Were these things so important? She had never had any cause to consider them.

About three o’clock in the afternoon they arrived at Richmond station. Winter was very near. All was grey and dismal. Anna felt that the place repudiated her. If possible, she would have taken the next train back to town.

Matthew made some arrangement about the luggage, while she stood still, watching a man who was wheeling two bicycles up the platform. She felt cut off from every support. In her discouragement she looked at Matthew.

‘Shall we walk? It is only a little way,’ he said.

‘Very well,’ she agreed, spiritless.

They went out of the station and began to walk up the street. Presently they turned to the left between some small shops, and crossed a churchyard. The gravestones were like a mouthful of irregular teeth, beginning to decay. Anna was cold and dispirited.

‘It’s not far now,’ Matthew said, scrutinizing her. He seemed slightly anxious. Did he feel her dismay? She stared away bleakly at the doddering stones. ‘We shall soon be there.’

They entered a long alley between high walls. There were gardens behind, with houses looming. Slowly they traversed the long alley. Anna felt like an insect crawling in a narrow crack. They walked fast, but seemed to make no progress. She plodded on — cold — and rather despairing.

At the end of the alley came a road with villas, and a dog barking; they crossed another road, more important, then down a steep little hill beside a tea-house, and out on to another road. They now seemed to have dropped to a much lower level. There was a low-lying mistiness in the air.

‘Here we are,’ said Matthew.

Anna saw a large square building standing on the road, with a row of dark bushes in front, evergreen shrubs and ivy. An old-fashioned bell-pull hung down dejected, beside the door. Matthew gave it a tug.

‘You must take us as you find us, you know,’ he said again. He seemed to expect her to turn up her nose at everything.

The repetition of the stupid phrase was annoying.

‘How else could I take you?’ she snapped at him.

He gave her a sharp look out of his blue eyes, censorious. Then he looked down at his hands and fidgeted. She could not tell whether he was angry or abashed. They waited a little on the bleak doorstep, by the darkly-stirring ivy.

Mrs. Kavan opened the door herself. She was expecting them, but not quite so soon, it appeared. She was one of those people who never quite manage to be in time for anything. She looked as though she had hurried into her clothes at the last minute — while the bell was still ringing. She was flushed, and rather ungainly, and excited, as she ushered them in.

‘So here you are!’ she said to Matthew, kissing him.

She couldn’t resist greeting him first, although it was not good manners. And as if she knew she had been guilty of a lapse, she released him hastily, and kissed Anna too.

‘Welcome to our house,’ she cried, rather effusively, to make up.

‘How do you do,’ said Anna, trying to look affable.

She had only seen her mother-in-law once before, for quite a short time, at the wedding. In a way, Mrs. Kavan reminded her of Rachel Fielding, although there was not the least physical resemblance between them. Matthew’s mother was a tall, sombre, weird kind of woman, lean to hungriness, with Matthew’s brown, dry skin, and the vivid blue eyes of Matthew; but something of her own added, a tense quality which the son altogether lacked. It was this intenseness that was reminiscent of Rachel. It made Mrs. Kavan seem a little creepy. And she spoke with a slight but noticeable brogue.

‘Come and have tea,’ she said, touching Anna’s arm, and scrutinizing her sharply, inquisitively, to see what she had done to her son.

Anna noticed that her hand was not quite clean; there were narrow curves of dirt under one or two of the longish nails. The house was hushed and shadowy. In the waning light, a large, high hall was revealed, very bare, almost unfurnished-looking, with a long bare table at the far end under two tall windows, and a great sweep of staircase, really rather fine, climbing up to the shadows overhead. Anna was surprised and pleased. After Matthew’s ominous apologies, she had prepared herself for something sordidly vulgar. Whatever else you might say about River House, it was neither shoddy or commonplace.

They crossed the hall, their footsteps clattering on the bare floor, and came to a solemn-looking drawing-room, with a grand piano, and three vast windows gaping into the dull afternoon. There was more furniture here, and a fire was burning sedately in the big fireplace. Anna stood in the middle of the room, holding her bag and looking about.

‘What big rooms,’ she said, smiling.

Mrs. Kavan nodded at her brightly. She was dressed untidily in old-fashioned, flowing skirts, which seemed to be hitched up, anyhow, round her meagre waist. And she wore a great number of small adornments, beaten-silver bangles, gold neck-chains, buckles, pendants, gold link bracelets, that clinked against one another every time she moved. She went about in a perpetual faint chime and clash of sound.

‘The house is far too big for us,’ she said, watching the girl closely with her bright blue eyes. ‘But we love it too much to desert it for a smaller one.’

‘It seems very nice,’ Anna murmured.

She wandered uncomfortably to the windows, and looked out. Mrs. Kavan’s intentness made her feel uncomfortable. And so did her voice; her quick, soft, suggestive voice, with the insinuating blurred tones coming and going. The straight-forward Anna edged herself away.

She stared out of the window at the wintry afternoon. There was a stretch of grass in front of her, a long slope of grass running between trees, down to another row of trees which formed the boundary. Beyond, she could see vague shapes of houses and trees, with marshy-looking meadows between. It was neither towny nor quite countrified. A thin mist was rising, creeping stealthily up the garden, towards the house. Suddenly she caught an angry gleam, like metal, between the thin trees.

‘Why, there’s the river,’ she said wonderingly. The glimpse of sullen water pleased her like the sight of an old friend.

‘Yes. Didn’t you know?’ said Matthew, from behind.

She turned and faced them. Mrs. Kavan was still watching her fixedly, with a piercing sharp look, and a suspicion that she did not quite conceal.

‘I didn’t know it was so near — at the bottom of the garden,’ Anna said.

‘Oh!’ cried Mrs. Kavan. ‘It’s almost in the garden.’

She eyed the girl intently.

There was a queer hush in the room. Everyone seemed subdued, a shadow was on them. In the queer half-light — half warm yellow light from the fire, half cold misty light from out of doors — they seemed unreal and a little forlorn. Mrs. Kavan stared, and tinkled her array of jewellery. Anna felt lonely and abandoned. Matthew, a stiff, rather puppet-like figure with a neatly closed face, stood as if waiting to be set in motion by somebody.

Anna tried to think of something to say. But her mind was frozen in blankness. There she stood, clasping her snake-skin bag, and wishing for someone to come to the rescue. Never had she experienced a more unpleasant sensation: as if they were all drowning in the shadowy room.

Suddenly, to her immense relief, she heard a footstep on the boards outside. Matthew’s sister Winifred, whom she had not met before, came in, carrying the tea-tray. Here was the last member of the Kavan trio, a tall, gaunt young woman, rather dowdy in her indeterminate clothes, slovenly. She put down the tray with a clatter, and lighted a brass standard lamp. Faces sprang out sharply at one another, startled, in the new light.

Mrs. Kavan introduced her daughter. Winifred turned to Anna as if reluctant, and held out her lean hand, on which the skin showed roughened. She had wiped it unobserved on the skirt of her dress.

‘How do you do,’ she said. Her voice was harsh and uncompromising; reacting from the soft, insidious voice of the mother, perhaps. She shook Anna’s hand once, and then dropped it. ‘You’d better come to the fire and have tea,’ she said. It sounded hopelessly uninviting.

Anna moved and sat down obediently. As she did so, she glanced at the wooden figure of Matthew standing apart, outside the circle of lamplight. His head was very round against the pale wall, his shoulders very stiff. He watched Anna sitting down beside Winifred in her remote, collected fashion, and he did not make any move until his mother pushed forward a chair for him. Mrs. Kavan was watching.

‘Sit down,’ she said, with geniality. ‘Here we are then. Let us have some tea.’

She had now put a suggestion of warmth into her voice. But her eyes were bright with suspicion. Matthew smiled neatly, the pleased, stupid smile, and sat down beside her.

Mrs. Kavan said nothing as she poured out the tea. Winifred held the cups to be filled and passed them on, in an impatient, slightly aggressive way, as if irritated by her mother’s shiftless movements. The older woman handled everything in a peculiarly inefficient manner, almost like a child.

When the four of them had their cups of tea, she held hers close to her chest, so that her neck-chains twinkled against the saucer. Her face was brown and wrinkled like a gipsy’s, but almost predatorily intent, her eyes were alert and inquisitorial. She watched both Matthew and Anna with her blue, piercing eyes.

‘Isn’t it nice to be all together again?’ she said, smiling genially, under her sharp, mistrustful eyes.

‘Yes. There’s no place like home,’ said Matthew. He was a little relaxed, expanding in the sense of his growing importance, and sitting complacent, drawing in his chin, and smiling contentedly. The pasha among his womenfolk.

‘I hope Anna is going to be happy here,’ said Mrs. Kavan, retaining the same amiable voice, and the contradictory suspicious expression. ‘I hope she is going to look upon River House as her home in England.’

‘You are very kind,’ said Anna uncomfortably.

There came an unexpected demonstration from Matthew. He leaned across his mother’s narrow lap, and patted Anna’s hand which lay limp on her knee. She saw his eyes beaming strangely upon her.

‘Of course it is her home,’ he said, very strange in his beaming importance. ‘If it is mine, it must be hers as well, since we are now one.’

It was repulsive to see his smug face leaning towards her. She wanted to beat him off, to push him back with her hands. But she managed to sit still, rigid with repulsion. And in a moment he drew back and went on with his tea.

During this affectionate passage, Mrs. Kavan sat looking from one to another, a little nonplussed. She felt that there was something not quite right, somewhere. Winifred ate bread-and-butter, and wiped her fingers on her handkerchief. She looked straight ahead, dissociating herself deliberately from the talk.

All the time, Mrs. Kavan was watching Anna. Anna felt it. But she couldn’t quite gather what was behind the old lady’s bright glances; whether it was jealousy, slyness, dislike or simple curiosity. She watched Anna openly and without concealment. She did not mind meeting her eye. She talked to her, and smiled at her, and continually watched her. As Anna saw her sitting over her tea-cup, with her dry, brown, wrinkled skin, her aggravating, ceaselessly-tinkling jewellery, her slightly soiled appearance, her teeth went on edge with repulsion. Mrs. Kavan’s eyes were so blue, that one expected them to be opaque, like Matthew’s. And then one found them pellucid and astute. Like encountering a lynx where one expected a sheep. She was dowdy and not quite clean; but her thin face, and particularly her sharp, thin nose, had a look of refinement. What was she watching for? Anna couldn’t imagine.

The uncomfortable meal came to an end. Winifred packed the tea things on the tray and carried it off. There appeared to be no servant in the house.

Mrs. Kavan rose to her feet and smiled at Anna.

‘Now, my dear, I will take you to your room. You would like to rest.’

Anna glanced at Matthew. He took a brisk step forward to accompany her.

‘I’ll show her the room, mother,’ he said.

‘But I’m not a bit tired,’ said Anna. She did not want to be alone with him, upstairs in the hushed emptiness of the strange house.

Mrs. Kavan smiled with queer, meaning looks.

‘Yes, you are tired; and because you are tired you are not feeling very happy,’ she said. Then, with slightly theatrical emphasis: ‘I know.’ She looked at Matthew, as if for confirmation, with an odd, important smile, suggesting hidden labyrinths of meaning.

‘Mother has second-sight,’ said Matthew proudly.

He smiled, and tilted his round head, but Anna saw that he was quite in earnest. She looked politely, somewhat bewildered, from one to the other.

‘I can read people’s hearts a little,’ said Mrs. Kavan, gazing upon her with significant, peculiar eyes.

Anna wanted to laugh; it sounded so funny. She hoped that Mrs. Kavan, for her own sake, would not peer too deep into this particular heart before her.

‘And do you always like what you see there?’ she asked brightly. For the life of her she couldn’t keep the little tang of mockery out of her voice.

The old lady stiffened at once. The smile went from her face. She stood stiff and disapproving.

‘No, not by any means,’ she pronounced acidly.

Anna felt that the pronouncement had been made against her. The two women looked at one another. There seemed to be a vista of inevitable hostility before them. Anna was depressed and a little disgusted at the prospect.

Matthew escorted her upstairs in silence. He was rather put out because she had not taken his mother’s psychic powers sufficiently seriously. The bedroom was big and cold and looked only half furnished. There was the ominous double bed. Anna was prepared for this.

‘I must have a room to myself,’ she said pointedly.

But Matthew, with a dissembling smile of false reasonableness on his face, was out to assert himself in his own home.

‘Really Anna,’ he said, ‘I think it’s time you gave up this childish whim.’

‘It’s not a whim,’ Anna said, stolid.

He ignored her.

‘I’ve made allowance for the fact that you are very young and inexperienced. I’ve made allowance for your natural shyness’ — strange how he seemed to relish the word ‘natural’ — ‘but now that you have got accustomed to our life together, I think it is time for you to begin to be more reasonable.’

‘What do you mean by being more reasonable?’ asked Anna, coolly, quietly, giving Matthew a straight look. Whilst he glassily stared at her, with accumulating resentment.

‘I mean that you should begin to be a wife to me.’ He fixed his blank blue eyes upon her.

‘No,’ she replied steadfastly. ‘I must have my own room.’

She watched Matthew’s face. The bully was coming up to the surface again. He was trembling with repressed anger. But the spell of chivalry was not quite worn through. It still held him, against his will. He did not want to be chivalrous. He wanted Anna. But still he had to restrain himself.

‘Be sensible!’ he said sharply. ‘My mother will think it so strange if we have separate rooms.’

It was queer to see the struggle behind his neat face — the bully against the gentle knight. Anna wondered which one would win.

‘I can’t help what your mother thinks,’ she retorted. ‘That’s your affair.’

There was a pause. While Matthew rose to magnanimity again.

‘Very well,’ he said, a trifle Christ-like, at last. ‘I’ll get a bed made up somewhere else.’

His tone of voice was so long-suffering, almost martyrized. It was laughable. The victory was with Sir Galahad, for the time being. But the hysterical, brow-beating bully was not far off. His turn would come along soon.

Matthew sighed in a loud, exaggerated fashion as he went out.

Anna sat down on the bed and laughed at that sigh. It sounded too absurd to her — so sanctimonious. The whole situation was simply farcical. She laughed aloud in the cold room. And at the same time, she thought of Sidney and of Oxford, and she wanted to cry. She grew quite hysterical up there by herself.

At supper, Mrs. Kavan was definitely estranged. No doubt on account of the extra room. Anna wondered what Matthew had said to her on the subject. Her mother-in-law eyed her coldly, across the table. And yet she was very affable. All the time her jewellery gleamed and clashed, her blue eyes sent out cold rays, she talked to the girl and praised her dress, and even flattered her a little. But underneath was estrangement.

And Matthew himself gazed at Anna continually, with a wistful expression. But she would not look back at him.

Anna had fallen into a little trance. She sat in front of her plate, and ate mechanically the queer odds and ends of food that were handed to her. What was she doing in this extraordinary household? The old lady talked and fidgeted and darted cold glances in her direction. And the man, the husband, stared and stared with his reproachful, opaque eyes, and the aggrieved, holy-martyr look, so incongruous on his brown, blank face — like a sentimental ape. She felt a little hysterical. And lost — absolutely at sea.

At bedtime, Mrs. Kavan insisted on coming to her room with her.

‘You will be comfortable here, I hope,’ she said. There was a sudden deprecation in her voice. Her eyes showed a queer obseqiousness. She was almost apologetic. But still hostile and suspicious.

‘Oh, quite,’ said Anna, glancing round the cheerless apartment.

‘But what a big room for one little girl!’ Mrs. Kavan exclaimed, bringing the wheedling, playful, Irish intonation into her voice, rather saccharine. But with a sharp thorn of enmity behind.

‘I always sleep alone,’ said Anna, cutting straight to the heart of the matter. ‘I can’t bear sharing a room with anyone.’

‘Can’t you? Oh, I see. I see.’

Mrs. Kavan sounded a little flustered. She was flustered by Anna’s cold, unswerving grey eyes, with their undisguised glimmer of contempt. This girl, with her reserve of silent indifference, was rather beyond her. Anna seemed in some way fundamentally inimical to her, and to her son. An enemy, come by accident into their camp, and obscurely threatening them. With what threat she did not know.

‘Well,’ she said, smiling falsely-intimate, and staring keenly. ‘I hope you will be wonderfully happy. A happy marriage is the most precious thing in the world.’

She bent and pecked Anna on the cheek. Her chains swung and jangled. The room was cold and gloomy, the bed had not been turned down. Anna started to fold back the coverlet.

‘Let me do that,’ cried Mrs. Kavan. ‘Don’t you bother.’ And she snatched the cotton spread and pulled it over the bedrail.

‘Thank you,’ said Anna.

‘I ought to have remembered it.’

The look of apology was on the older woman’s face again, almost sychophantic. The girl moved, and stood in front of the glass. She was pale and grave, with a certain pure, young girl’s wistfulness. But in her eyes was the gleam of sardonic understanding.

She looked round wearily at her mother-in-law, wishing she would depart. But she still lingered, wanting to speak for her son.

‘I wonder if you quite understand Matthew,’ she said, jingling her chains.

‘In what way?’ Anna asked.

‘He is so sensitive, so truly chivalrous. But he is very easily hurt although he never complains. You might hurt him quite unwittingly. You are so young. And when one is very young one is not always thoughtful.’ She smiled, deprecating, and falsely-sweet. ‘You must forgive an old woman’s frankness.’

The chains jangled feverishly. There was a pause. Then Anna said, looking away:

‘Has Matthew told you that I have hurt him?’

‘No, of course not. He would never complain to me —’ The old lady always spoke fast, and with a sort of theatrical intenseness. ‘He is the soul of loyalty.’

‘Then what makes you think I have done him any harm?’

‘You must remember that I can see further than most people. Into your heart, perhaps.’

Mrs. Kavan’s eyes met the direct, contemptuous-seeming eyes of Anna. There was too much cold, sarcastic weariness in them. She turned away.

‘Good night,’ she said hurriedly. ‘Sleep well. And forgive my interference. I only want your happiness, you know.’

And with a final false smile of propitiation, she went out in a faint, metallic jingling.

CHAPTER 10

VERY much to her own bewilderment Anna found herself incorporated in the Kavan family life. River House drew her down, like a silent whirlpool, into itself. There was Mrs. Kavan, shiftless and untidy, flitting from room to room, always inefficiently busy, peering everywhere with her uncannily shrewd blue eyes. There was Winifred, silent and sullen, going about with sulky brows and an unspoken grievance against life in general. And there was Matthew. But principally, first and foremost, there was the house; the actual erection of timber and bricks and mortar.

River House was a great, cold barrack of a place that would have housed half a regiment. A dozen servants would have run it efficiently, but the Kavans could only afford to employ a woman to come in daily for a few hours. They were poor, though not exactly poverty-stricken. Mrs. Kavan had a small widow’s pension, and Matthew added a regular annual sum from his own earnings. But the old lady was a bad manager, money seemed to slip through her fingers, the house devoured everything that came in. It was a pinched, uncomfortable regime. The two Kavan women toiled continually with their cooking and cleaning, a routine of dowdiness and poverty and monotony.

Anna, who had never swept out a room in her life, was astonished at the endless labour that went on.

First thing in the morning it began, the scrubbing and sweeping and grubbing with dirty plates and cutlery: then a hasty run round the shops, the meal to be prepared, eaten and cleared away: perhaps a tea-party in the afternoon, a visit to friends: and then grubbing in the house again till late at night.

Most of the hard work devolved upon Winifred. The mother was too flighty, too unpractical to give much assistance, though all day long she was hurrying round the house with her grey hair straggling down her wrinkled neck and her chains faintly clashing. She was always starting things in a flurry of enthusiasm, and then forgetting all about them. Winifred came behind with a dour expression, clearing up the confusion.

‘Mother again!’ she would say with saturnine, gloomy exasperation, when she found the kettle had been left on the fire till the water had all boiled away and probably a a hole burnt in the bottom as well. ‘Mother again!’ when the drawing-room grate was discovered half emptied and the abandoned ashes blowing all over the floor. And without another word, she would set to, with a kind of dismal, sullen fanaticism, to clean up the mess and repair the damage.

Winifred Kavan spent her days in a gloom of deep, wordless resentment. She hated the dull, grubby business of her life. Strange how hideous she found her existence, when she had never known any other. She was twenty-five years old, plain, and dressed badly in shapeless woollen dresses — ugly brown or greyish plaids mostly. Anna was sorry for her and wanted to be friends.

She followed her into the dark bowels of River House with offers of assistance.

‘Let me help you,’ she said, seeing Winifred immersed in floods of greasy water and piles of dirty dishes.

‘Much good you’d be!’ jeered Winifred crossly. ‘I don’t suppose you know how to boil an egg for yourself.’

Which was true.

Anna didn’t mind her crossness. She didn’t resent her sister-in-law’s mocking rudeness. She divined, somehow, that the girl’s sullenness had its roots in a profound, black resentment, a loathing of her whole life. She understood that Winifred was jealous: jealous of her because she was not under the doom of River House, because she was not plain and dowdy and stultified by eternal house-work.

Winifred hated Anna because she could not make toast without scorching it, or lay a fire so that it would burn. She hated and envied her for never having had to do these things. And at the same time she admired her. She wanted to debase Anna, to pull her down to her own level. When Anna offered to help her with the sweeping or the washing-up, a loud, sneering violence would come into her voice as she cried:

‘Run away and play! You’ll only dirty your precious clothes.’

And when Anna, with her innate fastidiousness, accepted this and went calmly away, Winifred’s heart swelled with envy and loathing. She would have liked to drag Anna into the most menial tasks; but she admired enormously Anna’s refusal to be dragged.

Anna rather liked her. There was something savage about Winifred that appealed to Anna — something fierce and honest. Rude and ill-tempered she was, certainly. Like a sore-headed animal. But honestly so.

They were a good deal together, in the end. Anna had assumed some of the lighter household tasks — making beds and so on — which she performed fairly efficiently. She preferred Winifred’s society to that of Matthew, who annoyed her exceedingly by his refusal to take any part in the turmoil of work. Matthew simply sat back, pasha like, to be waited upon. The meals might have appeared on the table by magic for all the notice he took of the elaborate labour which their preparation involved, which annoyed Anna very much.

‘Why don’t you make him do his share?’ she said to Winifred.

‘Oh — he’s a man.’ Winifred made a strange, disgusted grimace, as though to anathematize the whole male creation.

‘But you could make him do something,’ Anna persisted.

‘It’s no good. Men are so hopeless,’ said Winifred, fatalistic.

Anna was more annoyed than ever. She was most irritated by this conspiracy of the feminine Kavans to encourage the pasha-attitude in Matthew. Why shouldn’t he do his share of the work? And why was Winifred so resigned to her dreary, detested round?

‘If you hate living here so much, why don’t you go away?’ she asked her, frowning, irritably perplexed.

A dark, fixed look, lowering and grim, came on the sullen face of the other girl.

‘Where should I go to?’ she said, heavily.

‘Oh — somewhere — anywhere! What does it matter? The principal thing is to get away.’

‘Without any money?’

Winifred’s voice was heavy and cynical. She looked up, and Anna caught a gleam of ridicule in her eyes.

‘You could get some kind of work,’ she retorted, in impatiently acid tones.

But Winifred only stood there, heavy and glum, and stared back at Anna with the jeering light in her eyes.

‘You could get a job, couldn’t you?’ Anna’s lip was curling impatiently.

‘I’ve never been trained to do anything,’ came from Winifred.

The impatience covered Anna’s face like a shadow, her eyes set cold in contempt. Then quickly she turned away.

She couldn’t bear this fatalism in Winifred. This hopeless sort of laissez faire irritated her to distraction. Perhaps because she felt something of it in herself. Anyhow, she could never, never condone it; or even tolerate it. So there could never be any real friendship between them. Nonetheless, she rather liked the girl.

There was still a fortnight before the boat sailed. Anna existed entirely in anticipation. The present, River House, was quite without meaning. What the future would mean to her she did not stop to consider. At any rate, there would be the East, and sunshine, and the absence of dreary indoor drudgery.

After a chain of mild, grey days when the year seemed to hesitate reluctant, autumn sprang suddenly to midwinter. It grew bitterly cold, a dank, clammy mist hung about. It was so clinging, that mist, although impalpable: you could drive it off with your hands, almost. But always it was there, intangible and persistent, creeping into every cranny, and striking a chill to the very bones. The dismal kitchen, and the long stone corridors of River House were dungeon-like. The scullery was a vault.

The two girls scurried round the shops of a morning with their basket of vegetables and eggs and oddments of grocery.

Winifred seemed to wilt in the cold. It really got her down in some way. Under her shabby hat, her face was pinched and yellow-looking; her skin went blotchy round the mouth. She looked old. Like an old maid already, with her crabby expression and her dull, chapped skin that seemed to have suffered from too much cold water. And she grew crosser and crosser.

‘Do let me lend you a fur. Or a warmer coat,’ said Anna, seeing how Winifred shivered at the raw street corners in her old, thin jacket.

But Winifred only sneered at her, viciously, savagely, repulsing her, and setting a barrier between them.

‘Why? Are you ashamed to be seen out with me?’ she asked cuttingly.

What an impossible creature!

Half-a-dozen times in a day Anna decided to give her up, to abandon her to her fate. But in the end she was always driven to seek her out wherever she was, toiling and grubbing away like a housemaid in the chilly depths of the house: partly out of pity, and partly because she really preferred her caustic remarks to Mrs. Kavan’s flyaway sugariness or Matthew’s flat incomprehension.

‘What on earth made you marry Matthew?’ Winifred asked her suddenly one afternoon.

Lunch was recently over. They were in the scullery, washing the dirty plates. Winifred plunged each plate fiercely into the basin of greyish, greasy water, swilled it round, and deposited it with a jerk of loathing, upside-down on the draining-board. When Anna was to pick it up and dry it with a red-bordered cloth.

‘What on God’s earth induced you to do it?’

She watched Anna’s face go still, rather cold, as if retreating from the question, and from her.

‘Circumstances, I suppose,’ Anna replied coldly.

She resented the question, and the spiteful tone. But Winifred pursued it, spitefully, pressing her, her eyes black with malice like a malignant demon’s.

‘What you see in him I cannot imagine.’

Anna dried a plate in silence, and added it to the pile beside her.

‘Lucky for us that you do see something!’ Winifred cried, not to be put off.

‘Why do you say for us?”’

‘Because we shall all be able to sponge on you’ — she paused, and her face looked ugly and tired — ‘Matthew won’t be the only one to benefit, you may be sure’ — she stared vindictively — ‘we shall all come in for a few crumbs.’

Her voice sounded fierce. She was trying to sting Anna into retaliation, to force her out of her superiority.

‘What do you mean?’ said Anna, startled. ‘I’m sure there’s nothing much to be got out of me.’

‘What? Nothing much? There’s your money, isn’t there? Do you call that nothing much?’

Anna put down her drying-cloth, frowning a little.

‘But I’ve only my three hundred a year.’

‘Only three hundred!’ mocked Winifred, jerking her head impatiently. ‘Only! Only! That shows all you know about the value of money! You haven’t any conception what an extra three hundred a year means in a family like ours.’

She was still savagely jeering.

Anna looked her steadily in the face, with an expression cold, distant, and haughty. She looked at her sister-in-law as she might have looked at an Esquimaux, a creature vastly remote. And her cold grey eyes seemed to set her apart in scornful superiority. A chilly fastidiousness, like armour, divided her from the Kavans and all their works.

‘Do you mean that it influenced Matthew to know that I had a little money of my own? That otherwise he might not have wanted to marry me?’

‘Of course it influenced him. It’s very important to him. Because we have so little. He couldn’t afford to support a wife’ — Winifred sneered fierce like a demon.

‘So he thought I might be a financial asset to the family,’ said Anna, cold as stone.

‘Ask him!’ said Winifred vindictively.

There was a note of triumph in her voice, but also a sort of wistfulness. In her anger, and her spiteful ugliness, she was rather pathetic. Anna looked at her and went to the door.

‘Yes. I will ask him,’ she said, a cold contempt coming into her tones. She let Winifred see that she found her contemptible and repellant; especially contemptible.

Matthew was sitting in the drawing-room. His mother stooped over the fire, putting on more coal.

‘I want to speak to you, Matthew,’ Anna said coolly.

‘What about? Is it important?’ He sounded surprised. The stupid smile was on his face.

‘It’s a matter that only concerns the two of us.’

Mrs. Kavan dropped the brass shovel with a clatter into the grate, and stood up.

‘I’ll leave you alone then,’ she said, darting her inquisitive looks.

‘But surely it’s nothing that can’t be said in front of mother,’ protested Matthew. ‘We have no secrets from her.’

‘Very well,’ said Anna, thoroughly disdainful.

She turned her back on Mrs. Kavan. Then she stood in front of Matthew.

‘Is it true that you married me because I had money of my own?’ she asked him.

Matthew rose, dropped his newspaper on the floor, and stared at her. The foolish, bullying look came on his face.

‘What? What nonsense!’ he blustered, looking foolish.

The corner of Anna’s mouth went down disdainfully.

‘I’ll put the question another way then. Is it true that if I had not had the three hundred a year you would not have married me?’

‘How can you say such things!’ He was deeply affronted.

Mrs. Kavan stood as if transfixed, staring from one to the other.

‘Is it true?’ Anna persisted, sarcastic and cold.

He gasped at her, speechless, and turned to his mother.

‘You’d better go, mother,’ he said, attempting dignity. ‘There’s no need for you to listen to this painful rubbish.’

The old lady hesitated uncertainly, opened the door, and went. She wanted to plunge into the fray, but Anna’s coldness restrained her.

‘Now, what do you mean by speaking to me in this way?’ Matthew could hardly contain his anger as he turned back to Anna.

She watched him steadily, cold in distant contempt. She seemed to hold herself far away from him.

‘You don’t deny that you wanted more money in the family?’

‘No. Why should I deny it?’ he said, quivering with anger.

‘Then you would not have married me if I had been penniless?’

He watched her stupidly. His face was dark with anger. He was a bit bewildered too, not quite sure of his ground.

‘I was glad that you had the money,’ he said, the angry, blank look, so foolish, on his face.

She looked at him with eyes that were hurt and accusing and infinitely contemptuous. She felt herself miles away from him. But still she looked at his hot, opaque blue eyes, and his meaningless head. She even saw the fists hanging clenched, strange leathery fruits dangling at the ends of his long arms. She looked: but not as one looks at a man. She felt no connection. She held herself quite aloof from him. Then she went out, up to her bedroom, leaving him alone.

She walked off, right away from him, thinking to herself:

‘He didn’t even want me, particularly. It was the money as much as anything. I’ve let myself be made a fool of — by that queer fish!’

It was a horrid blow to her pride to feel that she had been taken in. In spite of her much-prized intelligence, Matthew had got the better of her, had cheated her with his low cunning. He who was not even quite a man. And yet she did not mind very much. She was not terribly insulted; perhaps just because he had never seemed real to her.

But she wanted to escape. She had a strong craving, suddenly, to get right away from the Kavan atmosphere. Outside it was grey and sunless; but was at least there freedom in the cold air. She felt that she had been imprisoned for a long time in River House. The place smelt like a prison in her nostrils. She put on her things and went out.

The roads were grey and muddy. The mist condensed slowly in a cold drizzle, blotting everything out. With a face like a mask, she walked on, feeling nothing, thinking nothing. The houses were clouded spectres, half curtained by the mist. She did not see them. She seemed strangely to have taken leave of her own body. There was no thought, no sensation. A blankness was upon her. It cost her an effort to find out where she was. Then she noticed the station.

She went in, and bought a ticket to London. There was plenty of money in her bag. The train came and went, and she sat in it, looking out of the window with a bright, composed expression, seeing nothing at all. At South Kensington she got out. There was some idea of going to the museum at the back of her mind. Queer how at any mental crisis she tended to seek a scholastic atmosphere, as though she found support in a hint of the cloister and of monasticism. But the wet, grim buildings looked forbidding. She wandered instead along the Brompton Road.

In sight of the gay shops, a sudden resolve came to her. She bought a small travelling case and things for the night, took a taxi, and drove to a quiet hotel where once, for some reason, she had stayed with Rachel Fielding. She engaged one of their best rooms, one with a private bath. She did not think at all, but at the very bottom of her mind, like a stone, lay the knowledge that she could never go back to River House. She did not examine it, or notice it particularly: but all the time, as she busied herself with the hot water and with her hair and clothes and complexion, this certainty lay like a small weight, stony, sunk to the bottom of her consciousness.

Having had no tea, she was hungry, and went early to dinner. The bright table, the good food, the efficient service of this meal, in the preparation of which she had taken no part, all gave her pleasure. She ate slowly, with deliberate enjoyment, appreciating each detail.

Once the thought of the evening meal at River House came to her. She remembered the tough Welsh-rarebit, or the watery macaroni, or the poached eggs, or the scraps left over from mid-day, which usually composed it. Then the whole thing passed from her mind. She would not think of it again.

After dinner she debated whether to go out. But it was wet and cheerless. So she sat in an armchair in the lounge, near the big fire, looking at illustrated papers. She felt strangely peaceful and content. When anyone spoke to her, the waiter or the maid, she answered pleasantly, with a mildly smiling face, quiet but almost gay. At ten o’clock she went to bed.

In her bath she began to think of Sidney, who had left Haddenham and was now living with a woman friend who owned a kennel of spaniels, somewhere in the Salisbury Plain region. Sidney wanted to start dog-breeding on her own account. Some letters, short and unsatisfactory, had come from her since Anna’s marriage. Their relationship seemed to have come to an end; though no decisive deathblow had been struck. Now Anna had an impulse towards her again. She must see her, talk to her. The remembrance of Sidney’s affection came back to warm her. Together with the unreasoning faith she had put in the other girl. Once more she felt that Sidney could be her salvation — if she chose.

As she got into bed she continued to think warmly of Sidney. She would go to her the very next day.

Anna slept soundly and well. In the morning, she woke up warm and comfortable and happy. What happiness to be quite alone in a room which no one had the right to enter uninvited! What happiness simply to be free! Everything pleased and delighted her. She took a simple, childlike pleasure in the soft carpet, the clean roughness of the towel on her body, the wintry sunshine outside the windows. Her face seemed to grow softer, and rounder, as she dressed, more innocent. Her mouth took on a gentle, bland curve, half smiling to itself. And she was going to Sidney.

She would not think of Matthew or of River House. All the time, on the floor of her consciousness, lay the small stony weight that stood for these unpleasant things. But she did not attend to it. Her thoughts would not turn that way. Like a string of ants circumventing an obstacle, her thoughts circled round that stone, calmly ignoring it. She did not think of the future, or of anything at all far away. It seemed that her mind would only consent to occupy itself with immediate things; her breakfast, her appearance, the coming journey to Sidney.

She made no effort: but everything arranged itself as if by magic. No bother, no delay, not a single hitch. Soon she was in the train, hurrying through the country again. Though she scarcely knew how she had left the hotel.

It was a bright, frosty day, brilliant even. Anna sat in her corner of the carriage and watched the sunlit landscape slide past: calm, friendly, and bright it looked to her, but unsubstantial as the décor that fulfils its subsidiary purpose in the main scheme of a ballet. They could have no reality, those fields and houses that passed ceaselessly before her eyes. They existed merely as details in the backcloth of the scene; the scene of reunion with Sidney.

In the early afternoon she reached her destination. Everything was curiously still. There was a silence about the place, an enchantment. The grey old houses of the village stood cool and mellow in the thin air, and somehow lonely. Hills curved up, green and vacant, against the blue, vacant sky.

She asked her way, and walked on, down the empty village street, past a ramshackle old inn with a swinging sign of wrought iron. She had to traverse a flat, yellowish field. Some youths were playing football at the far end, a ragged fringe of people stood about, watching the game. All was strange and remote. A strange, dream atmosphere of quietude and suspense hung upon the still air. The drumming feet of the players made a sound like wings beating.

She came to the house, which stood back among trees. The last yellow leaves were crisping underfoot, there was a good smell of wood-smoke drifting slowly, like a nostalgia, from the back of the house.

A handsome, vigorous woman of perhaps thirty-five came to the door. She had soft, bright hair, turning grey, and smoothed very neatly behind her small, round ears. Her reposeful face radiated a certain contentment. She looked well-established and happy.

Anna told her name and asked for Sidney.

‘She is in the shed, I think,’ said the strange woman, pointing, and smiling agreeably. Her handsome, athletic figure looked well in the good coat and skirt.

Anna gave her back a frank smile in return. ‘I’ll go and find her,’ she said.

She started towards the shed which stood in the trees, away from the house. She was conscious of the woman watching her as she went, though she did not look back. She felt slightly perturbed for some reason. A faint breath of discomfort had blown upon her enchanted mood, loosening the warmly peaceful spell.

Anna went into the shed. Sidney turned round in the shadowy place and stood watching as the door opened. Her vivid, animal eyes were wide with astonishment, her black brows questioningly tilted.

‘Anna-Marie!’ she said.

‘Yes. I’ve come to see you. At last.’

Sidney had been brushing a dog; the bright, black, satiny creature squirmed on the box in front of her, under her restraining hand. Anna noticed the strong, brown, capable hand, as it held the animal down. She remembered the touch of that hand, affectionate and cool and solid. Sidney was dressed in a smock, with leather gaiters on her legs, which gave her a clean farmer’s boy look. It was a look which Anna did not know. Sidney was straight and stiff. Her beautiful amber eyes seemed quenched in the dusky shed. She did not say anything.

‘Aren’t you pleased to see me?’ said Anna, coming near. ‘Haven’t you got anything to say to me?’

She held out her hand. With a graceful slouching movement Sidney reached out and touched it. It was strange to feel again the touch of the firm, rather square-tipped fingers. Just for a moment they rested on Anna’s hand: then slipped coolly away.

‘I must hang on to this creature,’ said Sidney. ‘Otherwise he’ll be off into the blue.’ She looked down at the crouched, sleek-coated spaniel. The black body of the dog was tense as a coiled spring, bursting with energy and life.

Anna looked on uneasily. She felt disappointed. They were like two strangers together. She did not know what to say.

‘Aren’t you glad to see me?’ she asked again, rather plaintive. She looked at Sidney with a pale, strained face.

‘Yes — in a way,’ answered Sidney, reluctant. ‘And in a way — no.’

She looked down at the dog which was beginning to jerk in sharp, nervous spasms, trying to escape. The droop of her head, the lounging, downward grace of her body was curiously painful to Anna, the suggestion of concealment and reservation where all had been open loyalty. The fine, V-shaped point of hair on the nape of her neck was heartrending. Anna felt a wave of melancholy, the air of the shed was permeated with a vague, general sadness. She drew it in with her breath: down, down it sank, travelling through all her veins, down to the bottom of her heart.

She knew this was the end. But she must make Sidney look at her. Sidney must raise her head.

‘Why not altogether glad?’ she asked, dejected.

Sidney looked up at her unwillingly. Her eyes were troubled. She seemed changed, a little bit coarsened, in her farmer’s smock. The least little bit brutalized. As if contentment, and her passion for animals and for the country, were beginning to deaden some bright spark in her. It was a grief to Anna to see the wane of that keen, shy fineness that she had loved.

Sidney released the dog. Like a glossy black bolt it shot off, out through the open door, into the yellow afternoon of winter sun.

‘I’ve got used to things now,’ said Sidney. ‘I’ve got my life here where I’m happy. I don’t want you to come and break everything up for me.’

She looked at Anna with glazed eyes, the amber-brightness filmed over with distress. Her face was colourless, unhappy and constrained.

‘Aren’t you being rather unkind?’ asked Anna. But her voice was weary and low, without expression. She looked wan in her disappointed sadness, as she gazed at Sidney. She knew it was all over.

‘Unkind!’ exclaimed the other, a flash of emotion going over her face. ‘Unkind! It’s you who have been unkind all along.’

‘I — in what way?’ Anna hardly understood what Sidney was saying. The words meant nothing to her. She simply stood looking at Sidney, abstractedly, in her grief. Sidney turned her head aside. Once more the fine, dark, arrow, head of hair was visible on her pale neck. Then she looked at Anna again. The amber-coloured eyes held the blue-grey eyes, across the shadowy shed. So they took a final, secret, protracted farewell of one another, silently, over the dim space, while their voices murmured without significance.

‘You never came to see me. You never wrote properly. You never explained. I thought you had forgotten,’ came the voice of Sidney.

‘I couldn’t help it. Everything was against me. I couldn’t get away,’ Anna answered wearily, blank, like a somnambulist.

Sidney flashed at her, fiercely, and accused her.

‘Why did you marry the man?’ she cried, almost brutal in her accusation. ‘Why? Why?’ And accusing, she frowned at her, savagely, with a certain desperation of frustrated love. Anna winced at her violence. But she felt herself numb, numb. The noise of words meant nothing. And Sidney’s very bright eyes flashed at her with passion, a passionate reproachfulness like coals of fire.

‘You could have stopped me,’ said Anna softly. ‘You could have prevented the marriage.’ And to herself she kept repeating: ‘You. You. Only you.’ She did not know if she had spoken the words aloud.

‘How?’ asked Sidney. A trace of the well-known mockery was in her tones. ‘How could I have stopped you?’ She stared at Anna. Her eyes had a strange yellowish brilliance, distracted, mocking, with the queer process of animalization at work underneath.

Anna was silent for a moment. Then she said slowly:

‘How? — well — I don’t know how.’ She stared gravely at Sidney. ‘But you could have done it. Just as you could still prevent my going to the East — even now — if you wanted to.’

Sidney said nothing. She seemed to be reflecting. Suddenly she made the slightest movement with her hand, her eyelids fell once, and lifted, flickering, over her bright eyes. Anna’s heart bounded in her breast. She almost woke out of her numbness. Then Sidney stiffened again. She seemed to close up again in stiffness. Her face went neutral and blank. But in her eyes, which had changed slightly, there was a glaze of finality. She had decided against Anna. Anna knew it. And her heart fell back numb as her hope left her. The numbness took possession of her heart, and left her without power or animation, hopeless.

‘But you don’t want — do you?’ she murmured involuntarily, hopeless, like a condemned person. A faint, sick smile came from somewhere to the corners of her mouth.

Her face was pale and submissive, with a strange, painful acquiescence, as though the will had been destroyed in her. So she looked at Sidney, as if hypnotized. There was the slight smile on her mouth. Sidney frowned darkly, with black brows. She leaned a little to Anna; but her spirit held back, relentless.

‘It’s too late now — isn’t it?’ she said, in a voice that made Anna tremble.

‘Too late!’ Anna repeated, with narrowing eyes. She gave a curious laugh, almost of derision. ‘Yes. I’ll go away.’

But as she moved, with her face averted, to go out of the shed: as she passed in front of Sidney: Sidney moved too, in her farm-boy’s smock, and followed her. Anna brushed through the webs of sunshine, under the trees. At the edge of the spinney, near the lane, was a gate which she must pass. Here she paused, hesitating, and Sidney paused beside her.

Anna found nothing to say. She stood abstracted, looking downwards at the yellow leaves spangling the ground.

‘Good-bye,’ said Sidney, with her mannish intonation. ‘Good-bye, Anna-Marie. I’m sorry — sorry! But you’re the one responsible. You’ve made things go this way.’ She smiled a thin, subtle smile, like a wild creature’s, but inexpressibly wistful. The old wild, shy charm was still alive in her, attractive, so attractive, in spite of the coarsening smock. Her slouching, animal grace made Anna tremble, under the numbness.

‘Good-bye,’ whispered Anna, smiling a little. But she was quite hopeless.

Numb and mesmerized she felt: there was no strength in her. What refuge was left when Sidney repudiated her! Sidney had been her last hope, her ultimate tower of strength. Sidney had abandoned her. Where could she go? What should she do? She was as if destitute. And for her destitution there could be no relief. Hopeless! She did not know where to turn, how to behave. She was quite numb, quite without any will, resigned to her fate. She knew her fate was sealed. Only she felt lost, like a small, helpless animal, astray in the world. There was no strength in her.

CHAPTER 11

ANNA wept as she walked away from Sidney, through the deserted village, past the inn with the wrought-iron sign. How dismal the place had become! She was cold and tired. The sun was almost gone. The hills crouched like animals, dark and unfriendly, the sky had a bleak, forbidding emptiness, the very houses looked desolate. She wished she could cease to exist.

And in a way, her existence had come to an end. She felt so numb, so aimless. What was she to do? The world seemed vast and dreary. And there was no place for her in it. Of what avail to go hastening from point to point across the surface of the world, when everywhere was the same dreariness, the same vacancy! She thought of Matthew, and it seemed like the thought of some strange nonentity, not of a man at all. She thought of Blue Hills, and of River House, and a distant shudder went through her blood, under the chilly numbness.

She could not bear to think of the world in which she must live. She could not bear to think of going back to Matthew, or to Lauretta, or even to London. She could not believe that she would be obliged to do one of these things.

Nevertheless, it was necessary to make a move in some direction.

A train arrived, after a long wait, and carried her away — whither was quite unimportant. With the surface of her mind she knew the train’s destination, knew that she would have to change at such and such a station. But the knowledge was quite external: she did not appreciate it.

She sat quite motionless in the cold, empty carriage, her hands clasped together on her lap. On her face was a grave, thoughtful look. But she continued to be at a loss. She continued to feel dazed, as though she could not appreciate her circumstances. The cold numbness was upon her, like a prolonged hypnosis. And through this deadening heaviness she perceived vaguely the moving countryside, the coming and going of stations, the figures of men like trees walking.

Then suddenly she woke up. With one gesture she threw off the numbness, some sort of feeling came back to her. She realized that she had been in the train a long time. She wanted to get out of the train. She wanted to come back to life.

A station was approaching. She looked out of the window and saw that it was Oxford.

In a flourish of renewed vitality she collected her things and descended to the cold, noisy, lighted platform. Darkness had quite fallen. Possibly it was late. The lights appeared flaring and unsteady.

All was now simple and straightforward to Anna. It was night, a brightly-lighted Oxford, and stars frostily shining, and people going about the streets. She took a taxi and drove through the frequented streets in the lamplight, and was deposited at Catherine’s abode.

And the first person to open the door was Catherine, with a dark cloak over her evening dress. She was just going out somewhere, and had a brilliant, by-gone look. Like a beauty of some by-gone century she looked, in her long, dark velvet cloak with a gold gleam beneath. Her large, heavy eyes were dilated, staring at Anna. Her mouth made a scarlet, crooked line on her face. Her skin was cleverly painted, and she was really brilliant, in a dashing, slightly disreputable, masquerading style. Some of the artificiality and the decorative recklessness of old Venice about her; and also the modern defiant hardness. She greeted Anna effusively and put her arm round her, there in the cold street, speaking in a clear, penetrating voice that made people look round. A young man who seemed to be with her watched without surprise.

‘I’ve just been thinking about you; and now you appear on my doorstep. Anna-Marie, you amazing person! What are you doing here? You must come to the party with me!’ cried Catherine, and her eyes flashed in the darkness.

‘I’ve no clothes with me.’

‘You shall wear one of my dresses, Annik.’

‘Are you sure you want me? Do you want me to come?’

‘Yes, Annik, you must come. I want you.’

‘Do you really — really?’ said Anna. But she was already inside, she followed Catherine up the stairs into her room.

‘Choose your dress. Choose!’ cried Catherine, throwing dresses on to the bed. Anna looked on in bewilderment till she became still again. Then the two girls laughed.

‘How attractive you are!’ said Catherine, with a sudden seriousness, standing in front of Anna. ‘You make me think of Byron as a young man. My clothes are not severe enough for you.’ She turned over the dresses abstractedly, considering.

Anna felt rather strange in the presence of this brilliant girl, bewildered, as if she were in the wrong element. She was not used to this unconventional behaviour. But she was flattered.

‘This is the one,’ said Catherine, looking at Anna as if she were a child. ‘This is the one you must wear.’

She presented her with a garment of supple black, cut in a simple, slender fashion, with a touch of white, like the jabot of an eighteenth-century beau.

‘It will make you look like a young poet. A little bit precious and a little bit decadent in spite of that unearthly freshness of yours. That’s how I want you to look.’

Anna was in a state of bewilderment. She was very flattered — oh, extremely flattered by Catherine’s attentions. She liked being treated with this sort of eccentric intimacy, being flattered and favoured and a little bit patronized by the other girl’s affection and interest. She felt excited, a bit bewildered, and not quite sure of her own feelings. She was a trifle nervous as Catherine smiled at her out of her bright face, so large-eyed and beautiful with a strange, by-gone beauty, mysterious. Anna had an impulse to run away from the unknown mysteriousness. But a stronger impulse urged her to stay and explore the secret, to sink herself in the mystery till it was mystery no longer, but part of the tissue of her own experience. She felt a kind of intrinsic sympathy with the mystery, whatever it was; a leaning towards it. Nevertheless, Catherine’s personality seemed dubious and unsettling, coming into her quite different mental atmosphere. She was not sure that she liked it, altogether.

Certainly Catherine was distinctly dubious, in the Kavan sense of the word. Anna could imagine Matthew’s verdict of her: ‘Fast, shady-looking, rakish’ — and the rest.

There really was something disturbing about the tall, handsome girl, wrapped in the dark cloak, and flashing her red smile like a sword. Queer, how sinister she managed to look, in spite of her young beauty. She had the beauty of clandestine things, things hidden behind everyday life, inauspicious.

Anna was attracted by her brilliant, Venetian look. Yet she was convinced that behind it lay something sinister. Catherine was the first person in whom she had ever encountered this peculiar suggestion of fundamental dangerousness. She watched her warily, somewhat repelled, yet with a strange, inevitable fascination, attracted by her. Attracted by what — to what?

That night the guests at the party had the entertainment of a new combination: Catherine, in her clinging, gold dress, with her great dark eyes, so bold and yet so secret-looking, her odd look of heaviness that had nothing to do with her slim body, the dangerous heavy look, brilliant and proud; and Anna, straight and severely-dressed, with a sort of half-nervous reticence about her, and an indifference that was miles away from Catherine’s haughty nonchalance. There was a great difference between the two girls; and yet, strangest thing of all, a sort of resemblance. It was difficult to say what they had in common. But some similarity there was. Perhaps it was the coldness in both of them, and then the hardness, and the suggestion of something unknown that set them, each in her different way, apart. Anyhow, there it was. The same brush had touched them both.

Anna enjoyed the party. Coming with Catherine, she was an important guest. She received a good deal of attention and was treated with respect, as a friend of Catherine’s, and, in her own right, as an effective type. She was happy in the unconventional, casually intellectual atmosphere. She liked it. Usually, in collections of people, she was lost. She was too much an individualist to shine in a crowd or take kindly to social gatherings. People overshadowed her: made her ineffectual: cancelled her out. Even people she knew well had the power to make her feel unimportant, almost obliterated. She could not hold her own with them.

But this night was otherwise. She was out of herself. As she moved, the dark stuff of her dress — it was a very soft silk, flexible — ran over her limbs like a black fluid concealing her. She liked the feel of the silk flowing so softly dark about her body. She felt herself disguised. This night was not in her life. It was a moment isolated and unmarked. While she talked, she did not feel any self-consciousness, only excitement.

The reaction came in the morning. Then the realization of her own loneliness came over her, she knew herself among strangers. What strangers they were to her, Catherine and the rest! She was so far away from them, with their bold, showy, shallow intellectualism, that seemed simply an affectation. She had not learnt the patter. She did not know how to work the trick. So she felt at a disadvantage. She had committed unpardonable offences of stupidity, bad taste and Philistinism, according to their code. She was married to a nonentity: she was about to go and live in an uncivilized land. She was outside the pale. Even with Catherine, who admired her and treated her as a person of importance, she felt inferior, almost ashamed. She had disgraced herself by Catherine’s standards. So she was in a hurry to get away.

She was up early, and ready to depart. It was a cold, grey morning, threatening rain. Anna went to say goodbye to Catherine, who was sitting over some books near the fire. There was a feeling of anti-climax.

Catherine did not move from her chair. She was paler and quieter, much less dangerous, in her morning clothes, than she seemed in the evening. She looked up at Anna, smiling slightly.

‘Are you going now?’

‘Yes, I think so.’ Anna fingered a book abstractedly. Catherine watched her gravely absent face. What distant, spiritual aloofness there was in Anna. She opened the book and looked at it unseeingly, then turned it between her hands, and finally laid it down on the table.

‘Back to Matthew?’ Catherine asked.

Anna stirred, fidgeting with her hands, and smoothing the fingers of her gloves. She felt awkward and unhappy. Her sense of inferiority made her resentful.

‘Yes, I suppose I shall,’ she said, looking down at the book again. ‘It seems the only thing to do.’

Catherine’s lips curled in a faint ironic smile.

‘The prospect doesn’t enthral you?’

‘No,’ said Anna, coldly admitting the cold fact.

‘But it’s not such a bad prospect,’ said Catherine, who was watching with her great eyes that were like two black holes in her face. Catherine had her private thoughts, and was following them up. ‘It will be amusing for you to travel — to go to a new continent. I rather envy you, in a way.’

‘Do you?’ said Anna, looking at her. ‘Well, I wish I wasn’t going. It’s too much like dying for my fancy: cutting myself off from everything.’

‘Yes. I wish you weren’t going so far away.’

Catherine took Anna’s hand, and suddenly smiled at her, intimately, with her slightly crooked mouth. There was a sudden emotional stress. Anna felt herself flushing.

‘That’s nice of you,’ she said, uncertain.

Catherine continued to hold her hand.

‘It’s true,’ she insisted, strangely emphatic, gazing with a relentless, fixed intensity, significant.

Anna lingered uncomfortably. She glanced at Catherine, but found nothing to say.

‘You must write to me,’ Catherine said. She sat looking at Anna with fixed, dark eyes.

Anna’s discomfort increased under this heavy regard, which made her somewhat abashed. She drew her hand away.

‘Very well,’ she agreed, her voice rather constrained, a half-bashful smile on her mouth.

‘You don’t ask me to write,’ said Catherine, half playful, half heavy, holding her with portentous eyes.

Anna made an impatient movement.

‘Of course I shall be glad if you will. I shall like to get letters.’

The words meant nothing particular to her. She now wished to be gone, embarrassed by the fixed look, which was also starting to irritate her. She retreated into her distant reserve.

‘Shall we ever meet again, do you think?’ asked Catherine.

‘Come out East and pay me a visit,’ Anna answered, with a mocking smile of faint irritation.

‘Perhaps I will,’ said Catherine. She smiled a very different, slow smile of latent purpose.

Anna was surprised.

‘Do you mean that?’ she asked.

‘Why not? New worlds to conquer —’ a slow, hidden significance was in Catherine’s tone. She smiled at Anna slightly, her eyes darkly dilated with some unknown intention, watching her steadily, her face seeming secretly to smile.

‘I shall invite you,’ said Anna, going to the door.

‘I shall come. Good-bye!’ said Catherine, and without moving her eyes, she sat motionless, till Anna was outside and the door closed behind her.

Anna walked quickly through the cold streets. She wanted to get away as soon as possible. She did not belong here. The interlude had been stimulating, but now it was finished. Ordinary life was beginning again — it must not catch her loitering. She was rather glad to be leaving Catherine. She knew that Catherine was pulling her in some way, establishing some sort of claim upon her which she was not prepared to admit. Catherine’s intimacy was dangerous, and Anna was glad to escape.

She walked towards the station, and all at once saw a vaguely familiar figure approaching. It was Drummond, the publisher, with a book under his arm. She hurriedly glanced round to see if there was any chance of avoiding him. There was not. Drummond was a well-built, energetic young fellow. He had seen her already, and came striding up, a smile on his face and the book under his arm. He looked carefully at Anna. Her grey eyes, unsmiling and faintly troubled, watched his approach. For some reason the encounter was distasteful to her. He was smiling a trifle uncertainly, recognizing her, but not quite sure. She looked different in her winter clothes.

‘Miss Forrester?’ he said, smiling and halting before her. He seemed to search her face with his eyes. She wondered what it was that made his eyes appear so bright, so unusually bright. He waited, and she forced herself to speak.

‘My name is Kavan now,’ she said, forcing, with difficulty, a slight smile. The words sounded foolish as they came out of her mouth.

‘You are married, then?’ he said, not taking his eyes off her. ‘Congratulations!’ His smile suddenly and unexpectedly became vivid.

‘Thank you,’ she murmured, looking away at the grey buildings and the sky.

She watched the people going past. It was chill and colourless, with the grey houses and the blank, blanched sky, and neutral looking figures moving about. He stared at her pale, quiet face. He seemed to block up the pavement; she felt she would never get past him.

‘So I was right,’ he said to her.

She turned her eyes slowly to look at him. She felt absent, not exactly preoccupied, but far off. She could not quite make him out. It was as if he spoke in a foreign language.

‘How — right?’ she asked him, vaguely.

‘I said you would not need to write for your living. You see, it was not necessary.’

She noticed the same precise way of speaking, the same apparently affected intonation that had irritated her on the previous occasion. She winced as the young man’s careful, supercilious tones assailed her, making her feel foolish and confused.

‘Was I not right?’ he insisted, his bright eyes shining.

She felt out of her depth for the moment.

‘Yes,’ she assented mechanically.

She wanted to go her way. But Drummond’s firm, purposeful bulk was still in front of her, as it might be a barrier. He was moving his hands. She did not look at him. She stood looking aside, and feeling embarrassed and shamed.

At length, out of nothing, he said to her surprisingly:

‘I should like to give you a present.’

‘Why should you?’ she asked.

She was startled. Without understanding, she felt foolish before him. He seemed to condescend towards her. But his manner was warm enough. She did not want to take anything from him.

‘Is it necessary to find pretexts for giving a present?’ he asked, smiling.

No, she supposed not. But she did not want his gift. Yet she did not seem able to refuse. It was something that had to be thrust upon her, whether she would or no.

‘What shall I give you?’ he persisted.

His voice sounded so superior, it sent a sharp irritation through her. Yet she could not altogether refuse him.

‘Give me that book, if you must give me something,’ she cried irritably, indicating the book he carried.

He glanced at it sharply, as if astonished.

‘This? But it’s only an old thing — of no value — of no special interest —’ He seemed rather disconcerted.

‘I won’t take anything else,’ said Anna firmly. She felt that she had got the upper hand all at once.

He held out the book reluctantly to her. Without examining it, she tucked it away with her bag under her arm. She seemed to have won. He did not know what to do.

‘A very inadequate wedding present,’ he said finally, darting his bright eyes.

‘I don’t like wedding presents,’ she said. ‘Why must you give me anything?’

He looked at her, and heard her cold tones, which sounded rather rude. And he knew that she had got the better of him in some way.

‘Have I annoyed you?’ he asked, in a falsely-humble voice.

‘No,’ she said, in the same cold, hostile tone. ‘But I must go now. Good-bye.’

He was angry. Her rudeness twitched at his pride.

‘Good-bye,’ he said, looking her in the face, opposing her departure.

But she was already on the move. He stood stock still, barring her way. She made a little detour to avoid him, and passed on. With her bag and the book under her arm, she began to recede from him. He watched her walk down the street.

She did not look at the book till she was in the train. It was a life of Luther, not very interesting. She intended to leave it in the carriage. But when, from the midst of the printed page, there suddenly sprang out at her these words: ‘Here I stand; I can no other,’ a great enlightenment came to her, a sudden illumination. In a moment, everything was made plain to her. She felt instantly that she understood the meaning of life — as far as it concerned her. Amazing to see clearly for the first time. Now everything was explained. How simple it was for her to realize that she herself was the centre of her own universe. How easy and simple to face life from the single basis of her own undeniable individuality. She was what she was: herself. No need for compromise or apology or modification or defence.

Again she went to the Kensington hotel. But this time she sent a telegram to Matthew. She no longer dreaded the meeting with him. She sat down quietly to await his arrival. She felt strengthened, securely in charge of her own fate. The momentary illumination would fade, of course; but she would never be quite the same again. She had achieved some new emancipation.

She waited calmly for Matthew. She was curious to see how he would behave. Some days still remained before they were due to sail. How would he propose to occupy them? One thing she knew, without very much feeling, and that was, she would never go back to River House.

At about four o’clock Matthew arrived. Anna was in her bedroom, sewing a button on a glove. She called to him to come in. She looked at him curiously. He was like an effigy. He stood with the curious blank stiffness which always astonished her. As if he were waiting to be set in motion. He wore his navy-blue suit. She could not bring herself to see him as a man. He was an effigy, an automaton, a cunning imitation of a human being.

He saw her sitting across the room, a pale girl with her hands pale on her lap, and between them the limp leather glove and the needle flashing in and out. He was very nervous. He waited for her to give him a lead.

She smiled at him, with an expressionless face, as she pulled the needle up at the end of the thread.

‘Why did you go away?’ he asked her, simply, as if it were a commonplace question.

She thrust the needle into the soft leather glove and laid it aside. She was glad he was quiet.

‘I didn’t like being at River House,’ she said, and her clear, indifferent, introspective eyes rested on him for a moment with faint interest, and then fell away, inattentive.

His heart went hot with grief and humiliation. A shameful bitterness rose up in him at her neglect. He could not even make her notice him.

‘You might have told me — you might have let me know where you were. I’ve been worried to death.’ His voice was hot and querulous.

‘I’m sorry,’ she said. But he could tell she didn’t care in the least. She didn’t attempt to make the words sound sincere.

He heard her indifferent voice. And his pride was painfully, coldly debased. Yet he could do nothing. He could not gain her attention. He could not even break out in one of his black, raging explosions against her. Even the incontinent spirit of his anger was cowed, for the moment, by her indifference. Only for the moment, of course. Temporarily, she had shamed him. But within he was hot and violent against her. His violence was suppressed, it could not come up to the surface: it was no match for her coldness as yet. Outwardly he was neat and obliterated. He was like a dumb person, a mute, who could not answer or argue or plead or threaten. But his ultimate will never wavered. His will was set fast to possess her.

Anna remained at the hotel alone. When she told Matthew that she did not intend to return to River House, he seemed submissive. He did not oppose her in any way, or try to force his wishes upon her. He went about stiffly, making his arrangements, as if nothing had happened. He seemed wooden and dazed, as though she had stunned him.

He left her in London, and went back to River House alone, to make his arrangements there. He would not be long away, however. His unsatisfied will was all the time yearning to her. He could not bear to leave her alone.

Meanwhile, Anna stayed quietly at her hotel. She had no desire to see anybody, or to go anywhere in particular. It was as if she had used up all her energy. In herself she was content. She seemed to have found the key to her own personality. But she had no energy left.

Time passed in a sort of dream. She lived from moment to moment, the life of trivial things, quiet, vague, uneventful, with no thought of what was to come.

She would not think of Sidney at all. She had closed a shutter in her mind, closing out all that incident, shutting Sidney into the dead past. She would not remember her, or grieve for her. The thing she remembered most clearly, for some reason, was Drummond’s dark, rather impertinent muzzle. She often caught herself thinking of Drummond at first. She wondered whether he thought about her at all. Then, abruptly, she forgot all about him.

Her luggage was sent on from River House with a stiff little note from Mrs. Kavan hoping that she would find everything packed correctly. Anna smiled as she read the stilted phrases, imagining the disapproval that lay behind. She saw in her mind Mrs. Kavan’s blue, piercing stare of suspicion and inquisitiveness. Well, that too was all over and done with.

Anna wanted to go abroad immediately. And that was what Matthew, too, wanted now. He wanted to get away quickly with Anna, to get her safely out of the country before she had time to repudiate him entirely. He was very afraid of losing her; and at the same time perfectly determined that he would not lose her. He wanted to have her alone with him.

They decided to go to Marseilles and pick up the boat there. They would have about a week to wait. In the early morning they were at Victoria, ready to depart, in all the fuss and bustle of the continental train. Mrs. Kavan was there, having insisted on seeing them off. She had spent the previous night in town so as to be on the spot in time. She straggled up the platform beside them. Matthew had taken first-class tickets. They had ten minutes to wait. Anna sat down in her reserved seat, not in the pullman, but in an ordinary first-class carriage. Matthew was busy, rather flustered under his wooden appearance, ordering people about. He hurried up and down the platform, talking to the stolidly indifferent porters — his voice sounded foolish and loud — while his mother strayed anxiously behind. Anna sat in her corner, looking out, rather unhappy and disapproving. If only it were not Matthew with whom she was travelling! Or if only he would behave differently. She hated the sound of his fussy, stupid voice, as it came to her through the din of the station. She turned aside so that she might not see his meaningless, stiff, ineffectual movements.

Finally, Mrs. Kavan came into the carriage to say goodbye. She pecked at Anna’s cheek and put a magazine in her lap. Now that she was leaving, Anna was to be treated with a sort of angelic forbearance. But the mother was almost entirely occupied with her son, talking to him, without listening to his replies, while he beamed at her with his strange, fixed smile, rather strained-looking, enjoying her distress in his pasha way, and yet genuinely upset himself.

At last it was time to start. Mrs. Kavan peered at Anna through the window, and murmured something that sounded like:

‘No ill-feeling — you modern girls —’ Anna did not catch any more.

Then Mrs. Kavan embraced Matthew. He leaned out of the window and kissed her, while she clutched him with strange eagerness. Strange, this intensity of feeling between the two strange creatures. The train began to move. Mrs. Kavan walked beside the door for a few steps, holding Matthew’s hand, and staring with profound meaning into his face, while he smiled at her fixedly, somewhat inane.

The speed of the train increased. Mrs. Kavan still scurried alongside, holding Matthew’s hand. Other people got in the way, and she had to fall back, waving and calling out half-audible messages. Matthew stood at the window, nodding and smiling, and waving his large, brown, hairless paw till she was out of sight. Anna sat watching him, curiously, as though he had been some partially humanized animal. It was raining, everything was grey and glistening with wet. The signals gesticulated stiffly through the rain.

So they were off on their travels. And so, with an interim of wintry sea, the wearisome journey continued across France. Matthew was quite lost in the foreign train. His aplomb seemed to desert him. He felt insignificant and lonely. For him there were two worlds: the East, where he had his place as a cog in the machine of government, even a certain importance and power as a member of the ruling race; and England — home — which meant to him River House and the attentions of his womenfolk. Now, among all these foreigners, and the foreign advertisements, and the incomprehensible language, he felt in a sort of half-world, a purgatory, suspended between the two worlds which he knew, and which were intelligible to him. He felt angry with Anna for bringing him to this nameless, unfamiliar world where he was of no account.

And also, he was jealous of Anna. On Anna’s face was an excited look, and in her eyes there seemed to be a light of gaiety and subtle rejoicing. Indeed, for her, this was almost a home-coming. With a bright look of pleasure Anna watched the foreign countryside. She was triumphant, and it seemed to Matthew that in her pride and contentment she triumphed over him.

He sat in his corner, or stood stiffly in the corridor, as if he suffered some insult. His brown, neat, small-featured face wore an angry, humiliated look. But he held his head high in a kind of strutting defiance. He would not let the foreigners see that he was at all subdued.

At Marseilles he would have liked to go to one of the big hotels where the English people stayed. He was willing, for once, to pay exorbitantly for the reassuring presence of his fellow-countrymen. But Anna would not have it. And now it was she who made the arrangements. Matthew, a stranger in this strange world, had to stand in the background, looking on. He didn’t like it at all. He didn’t like to hear Anna chattering in the strange language while he understood nothing.

He stood in the background feeling sulky and stiff, while Anna asked questions and talked. People scrutinized him, with contempt it seemed; but nobody paid him any attention. He was simply Anna’s appendage. At last they were settled in a queer, rambling old hotel not far from the quays. There was a glimpse of prussian-blue sea from the top windows, and a great rattling and screeching of trams.

They went to eat at a tiny restuarant with lobsters painted on the walls, and a barrow of shell-fish — mussels and sea-urchins — at the door. Anna was very happy. She was almost oblivious of Matthew. He had no power to trouble her. She felt that she had returned home. After a long experience of the smallness, the neatness, the cultivated soullessness of England, where everything seems tame and vulgar and devitalized, she rejoiced to feel the world bigger, and untidier, more natural and live, around her. More of a living world, and less of an industrial machine. The horrible, mechanical middle-classness of England! The small grey uglinesses, and the meanness and the coldness — as though machine-oil ran in its veins instead of the good red blood of humanity. You have to make your escape sometimes to the nobler places — or lose your soul altogether. Anna was happy, feeling the power and bigness of the unseen mountains not far away. The potency of the mountains made itself felt.

They walked in the crowded streets, looking at the shops which were so like English shops and yet so unmistakably different. They sat in cafés, and were jostled by the noisy, cheerful crowd. Anna was very happy. It was like an intoxication to her, the feeling of freedom and escape. She was quite quiet, perfectly self-contained, with the bright light of excitement in her eyes, like a personal flame. Perfectly free she felt, centred in herself beyond all troubling, and triumphantly alive. She was unaware of Matthew. And he followed her about with a sullen expression, rather forlorn, which might have touched her if she had noticed it. He looked curiously like Winifred now and then.

They took a car and drove out into the country. It was a beautiful day, springlike, with a gold sun pouring out of the sky. Up they climbed, up a great curving ascent to a desolate roof of earth and rock and patches of stunted trees. It was all rockily bare and mountainous. Anna thought of the Old Testament. It was like Mount Sinai. It was barren and grim, but the sun was bright, hot even, and she loved it. She loved being in the high, bare, lonely place.

The car began to rattle down towards Cassis. And now there were vineyards — everywhere the striped, yellowish vineyards, and terracing of vines on the mountain slopes, right down from the dazzling white stone crags, down to the edges of the road. And houses were appearing. White houses with brownish roofs and olive trees growing about. The brownish-silver olives, dusty looking, and the tall poplars still shaking their yellow leaves: a blur of dark pine-woods on the spurs of the mountains, and always the white road looping between the vineyards and the high rocks.

‘Isn’t it beautiful!’ cried Anna, in strange, calling tones. She seemed to be in a little ecstasy.

Suddenly, swirling round a curve of the descent, a great blueness confronted them, the sea was vivid blue like a bolt of blue electric fire, vibrating with flamy waves of brilliance, upon the eastern boundaries of the world, a blinding, crystalline blaze of blue water.

‘Wonderful! Wonderful!’ Anna cried. And she leaned forward in the keen rush of air, ecstatic.

But Matthew would not acknowledge it. To him, beauty was the soft, safe beauty of the English spring, all dim and delicate and confined, and deep, lush greenery in the tranquil valleys, and birds singing. Not this dazzling glitter of hard limpidity, this vast, unfriendly glare of burning light. He felt himself exposed, there between the in-closing mountains and the vibrant, flashing water.

‘I love it!’ said Anna, in a low, clear voice. ‘I love it!’

He saw her face bright and hard in the sun, and he heard her voice, clear and cold, like the small waves breaking on the shore. He understood nothing. But now she challenged him, she wanted to force him to submit to her mood.

‘Don’t you think it beautiful?’ she asked him, in a cold voice, like a small wave breaking. There was a touch of devilment in it.

‘Not so beautiful as England,’ he answered, hostile and rather spiteful.

‘Oh — England!’ she cried, with a careless derision that stung him. ‘You and your England!’

It enraged him to hear her sneer like that, at the things that were precious to him. It was as if she stripped the clothes from his back, leaving him ridiculous and shamed.

‘England is beautiful,’ he answered, with heat. The foolish blind look of anger was on his face, like a vicious animal that would hurt if it knew how to reach its tormentor. But Anna was safely out of reach, behind the bars.

‘Perhaps it is. But where can you find it? It’s all covered up with hideous towns, and main-roads, and squalid little villas, and petrol-pumps and machines. And I hate the horrible, unhealthy people everywhere, with their tinned food and wireless sets and newspapers and cinemas and cheap cars. All so ugly. And drab and paltry. I hate them all. Sham people in an imitation country.’

Her eyes stared at him coldly, he felt almost afraid. Just for a moment he saw her coldness, he saw the unyielding hardness that was in her, the unchanging remoteness; even cruelty. Not a personal, deliberate cruelty, but that much more devastating cruelty that comes from indifference, from sheer, absolute, deadly carelessness, the ultimate affront. But then his preserving insentience came back to stupify him, make him stupid. He saw nothing any more. Anna was his wife, his enviable possession, a graceful girl who attracted him, and whom he meant to keep to himself, for his own personal enjoyment. That was all he wished to see.

And Anna saw what was in his mind. The bright complacency of possession showed in his eyes. She turned away from him in disgust to the sun and the vineyards and the blue sea. She disregarded him entirely, thrusting him out of her way.

They left the car and walked about in the village. It was brown and dirty-looking, the streets were narrow and rather squalid with fish-nets and the debris of fishing everywhere. There was a strong smell of fish. And the coloured boats were lying in close to the quay. The sun was in the sky and on the water, the air was sparkling. Fishermen stood loungingly, indolently about, boys with bare feet, or coloured, tattered espadrilles, like bedroom slippers, ran and shouted and stared. The people were brown-skinned southerners.

Anna found it delicious, and she was happy. But the thing that pleased her most was when, climbing up a little above the village, she saw the vineyards and the olives and the mountain slopes behind all swimming and golden and fantastic in the sunshine, expanded under the deep blue sky.

She felt that she would like to stay there for ever.

‘I wish we were going to live here,’ she said, her face glowing and open. ‘It is so lovely.’

A shaft of resentment penetrated Matthew’s heart. She seemed to ignore him and all his world. He wanted to assert himself.

‘The East is more wonderful,’ he said. And added, rather plaintive: ‘You will like that, too, won’t you?’

‘Yes, I shall like to see it,’ she answered. ‘But this is a place to live in.’

That was how she thought of the East; as a place to visit. But when she thought of settling down there, of living there permanently, her mind went blank and would not function. She simply could not think of it in that way.

At last it was time to go. The sun was falling towards the sea, shadows were creeping on the mountain slopes. Anna slipped off alone. She could not leave the place just yet. It was friendly and delightful to her. She could not understand how Matthew saw only the squalor and the fishes’ heads lying about. To her there was beauty in the steep houses, unevenly roofed, against the hillsides, very subtle and appealing.

She came to a path, steep, stony, and narrow, a sort of mule-track, between stone walls. One wall was in deep shadow, but the other still caught the sun and glowed yellowly. Small brown lizards were flicking and darting between the stones. On one side were houses, falling below the level of the track; above the other wall the grey heads of olives were appearing.

Anna climbed on the stones, and looked over at the olive grove. It was still and lovely, with the ancient, knotted trunks, weird-looking, standing strangely in their own purplish twilight, like old ghosts upon earth. The pale, dry grass grew up close to the exposed, gnarled roots of the trees. And there were the leaves up above, so dry and delicate, hanging in ashen showers, light as ashes, and much brighter, and silvery, tarnished-silvery like a dissolving storm-cloud, making a mysterious, pale cloudiness of their own in the upper air. The beautiful, ancient olive trees, mysterious and age-old, they had stood there for ever and ever. Nothing could be more poignant, like an apparition from Genesis.

She saw a young man sketching under the trees, sitting on a stone, half-turned from her, dipping and poising his brush. He looked intent, and seemed to be working quickly. The light changed from moment to moment.

Anna’s clear eyes, lingering on him, watched his profile tilted above the paper. The young man was thin, and looked elegant and rather well-bred and intelligent. He had the look of a certain type of young artist — careless, engaging, with a touch of the poseur, but amiable, very. Anna took him all in, even to the tip of his rather high, rather fine nose. But he was out of the picture. Resenting the intrusion of a human figure upon the solitary perfection of the place, Anna moved off to Matthew and the waiting car.

On subsequent days they drove also, to Bandol and Sanary, and places farther down the coast: La Ciotat with the strange, stark hulls of half-built ships sheering up in the curved harbour. But to Cassis they did not go again.

It was Anna who wanted the drives. Matthew really disliked them. He was so unutterably opposed to everything — opposed to the vineyards, the mountains, opposed to Anna’s self-sufficient enjoyment. He hated the spruce little Frenchman who drove the car: the way he jumped out so assiduously to open the door for Anna, and the way he sometimes turned round while they were driving, turning his sunburnt, plump cheeks and his small black moustache to smile at Anna, confidentially, as though they were in league together. Poor Matthew felt horribly out of it. And he hated the French people, the peasants and the little townspeople, whom he saw about. He couldn’t abide their casual, unhurried way of living. It roused a subterranean anger in him to watch them sauntering and lounging and sitting round little tables in the sun. They had no right to take life so easily. Even when they appeared to be busy or working hard in the fields, it was all a sort of game — just playing at work. So it seemed to Matthew. And at the bottom of his heart an angry resentment came; because these people seemed so ‘happy,’ in a way which he and his conscientious kind could never, never understand.

The day before the boat sailed, he met in the Cannebière some acquaintances, a Mr. and Mrs. Brett, who were also going to travel on the Henzada. It was an enormous relief to him to see them. It was really rather pathetic the way he cottoned to the quite insignificant pair, and the way all three of them clung together like drowning swimmers in this sea of foreignness. They seemed to unite at once in a triangular bond of opposition — with Anna standing outside. The Bretts were kindly disposed towards her. They wanted to include her in the bond. But when they saw that she would not be included, they disapproved. They went their own way — with Matthew — and Anna went hers. She turned away from the uninteresting, middle-aged couple and went out alone.

She walked to the garage and found the trim little driver. And set out with him in the snub-nosed Renault to have a last look at Cassis.

It was fine, with the lightest, most delicate sunshine, like early summer, and a haze over the mountains. But the breeze came cold from the sea, to the pine-trees and the changing, cloud-pale olives. The olives were always changing. In stillness they were all grey shadow, but quickly the sharp breath of the sea wind came to blow them into tremulous, smoky, silver fires.

Anna sat in the jolting car and looked about. It pleased her to be sitting there by herself behind the little French driver. From the back of his head, a sort of light-hearted French gallantry seemed to extend towards her; as though in an admiring, deferential, quite respectful, but not very serious way, he had made himself responsible for her welfare. She smiled to herself, feeling this.

At Cassis he skipped out with alacrity to open the door, and smiled at her with the rather precocious, rather impudent admiration that always amused her. His smallish black eyes rolling gaily, and an exaggerated, comic-opera devotion on his plump face, as though he would die for her. But she left him at the cafe and walked up to the olive grove alone.

She would not admit that she was thinking of the young artist; but when she saw him under the trees she was not very surprised. She looked down the vista of tree boles and dim grass, and saw him sitting on a stone against the wall, bare-headed and in a cardigan, dabbing away with his pointed brush. She knew him at once by his high, thin nose. And, although she could not see him very distinctly because of the leaves and the branches, she saw something that attracted her in him. His elegance, his youthfulness, something careless and a trifle thrilling. She was glad to get this second glimpse of him.

She walked towards him, over the short, dry grass. He looked up and saw her. She smiled in a shining, subtle fashion, changing her remote, coldly observant face.

‘May I see the picture?’ she asked, in French.

He curved his rather pale lips in an answering smile, and held out the sketch at arm’s length, so that she might look at it.

‘Is it finished?’ said Anna.

The young man looked up at her, and nodded, smiling. He was a handsome fellow, with a rather aristocratic, narrow face, and with a well-balanced appearance, graceful and debonair, and rather informal. Anna was pleased by the gay, mischievous look in his large, bold eyes. The pale, flexible curve of his mouth made him seem like a satyr to her. She looked at him inquiringly, waiting for his voice. But he only went on smiling his odd, wide, satyr’s smile.

She looked away at the sketch, which was somewhat wild and extravagant, with a great singing of blues and yellows. Anna knew nothing of painting. But he seemed to have caught a little of the day’s spirit in the strong tones.

‘I don’t know if it’s good. But I like it,’ she said.

Still he did not speak until her eyes compelled him. Then:

‘It is not very good,’ he said, rather stiltedly, to answer her.

‘You’re English!’ she cried, a little shrill with astonishment. And she watched the remarkable, pale smile growing on his mouth. It rather thrilled her to see it. His eyes twinkled with mischievous, wayward warmth, engaging: but his mouth was somehow thrilling to her.

‘Aren’t you?’ she persisted.

His eyes were joining now in the irresponsible, satiric smile. He tilted his face in a strange way, all glimmering in the pale grin.

‘Yes,’ he said.

‘How extraordinary!’ she cried.

He swung his body from the waist, so lithe and shapely in the close-fitting woollen cardigan.

‘Why?’ he asked, looking up to her.

‘I should never have taken you for an Englishman,’ she said.

She intended a compliment; and so he seemed to understand, for his white teeth flashed in a grin of acknowledgement, sensitive and quick. Exciting to be understood, for a change.

Anna felt as though she were standing on the edge of time. Here she was in the silent, peaceful olive grove, under the shadowy trees. And to-morrow she would be utterly gone. Into this sequestered timelessness, where even the ancient olive trees merged unobtrusive shadows in a general shade, no worldly responsibility or consequence could penetrate. There was no future.

‘This is my last day on earth,’ she said slowly.

‘Mine too,’ he answered.

She looked at him, startled. How could he be so quick to understand her mood? It was uncanny.

‘And which is your next destination? Heaven — or the other one?’ He dropped his eyes suggestively to the ground in his careless, amused fashion.

‘Decidedly not heaven,’ she laughed. ‘A much hotter region. The tropics, in fact.’

‘Really? That is most intriguing.’ His supple body swung forward from the hips, towards her, his face peered at her intently, in a flicker of eager interest, saturnine. ‘I’m going to the tropics, too. To Ceylon. Sailing tomorrow.’ His eyes twinkled and dilated like an animal’s.

‘Are you — really? To-morrow?’ Anna half-closed her eyes and looked at him vaguely, as if she were not quite sure he was actually there.

‘Yes. On the Henzada,’ he said, standing up, and tilting his face with strange, suggestive mischievousness at her.

‘The Henzada is my boat —’ her voice was full of remote wonder.

He came closer and smiled his disturbing smile, under the fine, arched nose.

‘I knew it! I knew we had to know each other.’

He flashed a little look of mocking triumph, standing with head drawn back, a trifle affected, very blithe and winsome in his casual style.

The sun was setting. A slow red fume was blowing across the west, a fiery smoke against the duskier smoke-blue of the darkening sky. Anna was excited and gay. She knew that the young man found her attractive. His name, he told her, was Rex Findlay.

CHAPTER 12

THE Henzada was sailing at mid-day. Passengers must be aboard an hour or so earlier. Anna got a shock when she saw the boat lying there in the midst of the chaos of the docks. Such a wretched-looking little tub of a one-funnelled boat, it seemed scarcely larger than a channel steamer. She couldn’t believe that she was to travel for three solid weeks, day and night, in that. But when they got on board, and she saw the clean young stewards and the ship’s officers, quite efficient looking, she felt a bit reassured. There was quite a professional, sea-going orderliness and smartness about the men, though the boat itself was anything but up-to-date.

It soon became apparent that Matthew’s carefully laid plans had miscarried again. It was strange what a demon of inefficiency always stalked alongside his most elaborate scheming.

The steward looked up their berth numbers which turned out to be widely separated. Matthew had been allotted a share in a deck cabin with three other men; Anna was to share with another woman, somewhere in the bowels of the ship. Imagine the way Matthew had been looking forward to getting Anna to himself in a small cabin, and you realize the extent of the disaster for him.

He was infuriated. He stopped quite still, blocking up the narrow passage where they happened to be. He was almost bursting with rage. He clenched his fists: his eyes went hot and dangerous: and he would not listen to the steward who was explaining that the boat was very crowded and that many married people were obliged to separate.

‘It’s a mistake,’ he said, in a tone of loud indignation. ‘A preposterous mistake. My cabin was booked long ago.’

He stood with clenched fists, blocking up the way. The steward watched him with a helpless face. Anna winced in discomfort and tried to urge him along. Was he going to stand there for ever? People were waiting to pass. Suddenly there came a thump. Matthew had snatched his bag from the steward and dropped it on the floor. He turned round in solemn wrath.

‘I shall go to the chief steward,’ he said. ‘I refuse to be put upon in this disgraceful manner.’ Whereupon he marched off, in a fine fume of indignation.

Anna followed behind, not knowing what else to do.

The chief steward, or whoever it was who had the final word in these matters, was sitting behind a table. He was a big, red-faced Scotchman, rather bossy and overbearing.

‘Well, what can I do for you?’ he began largely, seeing the irate Matthew bearing down upon him. He began by being lordly and condescending towards the complaint. ‘But, my dear sir, there is nothing I can do. The boat is as full as an egg.’ He smiled in a curious spiteful way, showing his teeth like a dog that wants a fight.

‘You must do something. I insist on having the matter put right.’ Matthew was furious. But he was on his dignity in front of the Scotchman, very much the Government Official before the paid employee of a shipping company. ‘It’s a disgrace to the line.’ He stared hotly at the other man. ‘I demand to be given proper accommodation!’

As Matthew became angrier and more official, Anna became more and more uncomfortable. The Scotchman sat behind his table, secure, with the smirking, unpleasant smile on his red face.

‘Don’t you hear what I say?’ Matthew exploded, beginning to bluster.

But the other only sat there, as it were behind the security of his position, and looked back at Matthew with the insolent smile on his face and a nasty glint in his eye.

‘I won’t stand it!’ Matthew’s hands were jerking dangerously.

‘I’m afraid you’ll have to,’ came from the Scotchman.

Anna watched the two men: Matthew, whose ungovernable rages she knew and despised: the other, whose bossiness was stronger than his anger, and his caution stronger still. She realized that the Scotchman was more dangerous than Matthew. He was sure of his backing. And though he might have the devil’s own temper, he would never lose sight of caution. Whereas Matthew’s rages were incontinence, pure and simple.

She took hold of his sleeve.

‘Come along,’ she said, in her cold way, that subdued him. ‘It’s no good arguing.’ And she walked him off, stiffly, feeling as though she had a vicious dog on the end of her chain.

For the moment she had him under control, all right. But her paramountcy was very precarious.

So Anna went to the cabin which she was sharing in the depths of the ship, near the ladies’ bathrooms, where it was dark and stuffy, with a hot curious smell of oil and steamy salt water. She was truly thankful to have been let off sharing a cabin with Matthew. It seemed as though the Lord were on her side in this respect.

She was getting used to scenes like this with Matthew. He seemed always to be making them. And she was always looking on, hiding her chilly discomfort under a disdainful front, and marching him off, if possible, before very much harm had been done. She felt rather ashamed of her association with him. And her nerves were very much on edge.

To calm herself, she pottered about in the cramped little cubicle, which was dismal in spite of the burning light, unpacking a few things and tidying her hair. Then up she went, through the tunnel-like passages, past groups of excited people, up to the crowded deck, and so into the light of day again.

Here was a great to-do. People with luggage; people with children; people angry, cheerful, flustered, calm; people in a hurry; people with nothing to do. People hung over the rail, watching what went on. Or they called out jokingly to each other. Or they stood in groups talking to their friends and getting in the way. A man on shore was playing ancient tunes on a battered old fiddle — Auld Lang Syne and out-of-date English songs, Tipperary and the old war songs — to please the English people. Occasionally someone threw him a coin over the side, and he scrambled for it with the men who sold carpets and binoculars and deck-chairs. There was a queer, unreal, excited feeling in the air.

Anna looked round for Rex Findlay. But of course she couldn’t see him. Impossible to find anyone in this confusion. She walked aimlessly towards the stern of the boat, pushing through the chattering crowd. And then she saw him, smoking a cigarette near the door of the wireless cabin, where there was a little quietude. He seemed to have found a quiet space for himself in the midst of the lively, excitable muddle.

‘So you have really appeared,’ Findlay was saying to her. She moved towards him. He stood with the cigarette drooped carelessly from the ends of his fingers, intent on the casual and yet close observation of the scene. And his mouth had the peculiar pale smile, like an emotional sign which only she could interpret. For a moment, she felt the new thrill in her blood as she looked at him, watching his mouth. She wondered what he was thinking. He spoke so unrevealingly. They stood and looked at the crowd.

‘Are you glad to be going out East?’ she asked, smiling, and glancing at his face. He took a puff at his cigarette. She watched him inhale the smoke and blow it out slowly, so very slowly, between his wide, smooth lips. Still she waited for him, and still he made no response.

‘Are you glad?’ she urged. ‘Do you want to go?’

He shrugged his shoulders this time: and contracted the corners of his mouth in a dubious way. Then he went back to his irresponsible, rather roguish smile.

‘It gives one to think. It gives one furiously to think,’ he said, looking round at the people.

‘It does indeed,’ laughed Anna. And she too threw bright glances of mockery at their fellow-passengers. She understood that he was disparaging them.

The muddle on board sorted itself out by degrees as the voyage began. But the boat was very crowded, so there still remained a certain confusion. Naturally, the chief steward had a down on Matthew and Anna. He was able to inflict on them various minor discomforts. Owing to the number of passengers, meals were served in two relays: the Kavans were drafted into the second division amongst the young bachelors and the less important folk, where the food was always scrappy and cold. And they were obliged to sit at an inferior table, right at the edge of the saloon. These things annoyed Matthew exceedingly. He took them as so many direct insults, aimed at him, personally; which, in a way, they were. And he went about in a fever of resentment, airing his grievances on every occasion, suitable or not.

The weather was rather bad at first. Anna felt that all her life she would remember the cold, grey, heavy weather, the weird, purgatorial existence on the slowly heaving ship, evening coming on, and the cold vista of deck — like a nightmare hospital ward — with rows of prone, shrouded figures, and someone passing and passing, lurching and staggering as from a wound. There was a bull on board, travelling in a great crate near the stern. And the smell of this animal, and of its sickness, and the look of its evil, reddish eye, inflamed with insane, villainous resentment, peering out of the wooden crate under the shock of shaggy, curly hair — so like a certain type of man — were also things that she would never forget.

As they neared Port Said the storms cleared off and the sun came out again like a god stepping up the sky, stepping out of the heavily-heaving waves. The spirit of the ship changed. From being a hospital ward the deck became a playground. Children ran and shouted everywhere. There was a feverish outburst of dancing and deck games.

Matthew and Anna went ashore with the Bretts and a number of other acquaintances whom Matthew had collected. A new side of Matthew’s character had been appearing lately on the ship. He had come out as a social success. Perhaps ‘success’ is rather an over-statement. But he certainly seemed to get on very well. Especially with the ladies. There was something of the ladies’ man about him, now that he was with his own kind — really rather lady-killing. But all perfectly innocuous, unexceptionable. He never went further than a sort of chaste badinage, touched now and then with just a trace of wistfulness. He was like a polite schoolboy, so cheerful and neat and nicely mannered, hanging round the ladies and feeding on the sweets of their appreciation. He fetched books and cushions for them, played games with them and allowed them to win, told innocently naughty stories that made them giggle, and played with their children. All this without losing for a moment his strange, stiff, wooden inhumanness. And occasionally, just once in a while, he allowed the pathetic look of reverence to appear; so appealing. He did so love the maternal, Madonna quality in a woman, which Anna, of course, conspicuously lacked. He wanted to bow down and worship it. And the ladies were all in a flutter of motherliness over him.

With the men he didn’t get on quite so well. He tried to be a jolly good fellow, and drank with them in the bar. But it didn’t quite go down. There was always a false note ringing somewhere. His fellow males rather edged away from him, not hostile exactly, but faintly contemptuous, as though they despised his methods. Perhaps they thought him unmanly.

And Anna, a regular fish out of water, watched all these goings-on with straight, astonished eyes, feeling thoroughly lost.

She was a bit disappointed herself over young Findlay. She had hoped so much from him in a vague, indefinite, untranslatable way. But nothing materialized. She saw quite a lot of him. He lent her books and sat beside her and walked with her; the endless, monotonous prowl round and round the deck. He was charming and amusing. But elusive. They never seemed to get any further.

And, most disheartening aspect of the case, he seemed quite unaware that there was any further to get. He was perfectly happy just strolling and chatting carelessly with Anna. But she felt any other fairly intelligent, fairly attractive girl would have done equally well.

However, Rex Findlay came ashore with them at Port Said. He was a little bit eccentric in his dress, going about without a coat in his soft woollen cardigans, smoky blues, and russets, so soft and close, like a bird’s plumage, now that the weather was warmer. The strait-laced matrons and the formal, stiff-collared Britishers turned up their noses.

‘So slovenly,’ they murmured. And thought it bad for British prestige. If his dress was casual his morals probably were too — so they implied.

The young man himself was rather amused. Of course, he was quite aware of the general opinion. And equally, of course, he didn’t care a straw. Like a tall, elegant bird, with his firm, smooth, smoke-coloured breast, he stepped delicately up and down, amongst the drab, conventional flock. He decked himself out, when he felt inclined, and carelessly flaunted his soft-toned splendours, rather like a high-stepping, whimsical bird.

Upon Port Said a bright sun shone. Anna went ashore pleased and smiling. Findlay walked beside her. They were all dining together. How firm, how pleasant was the solid land! In the warm African winter sunshine she went ashore, to the noisy, vivid town, she smelled the East and felt the quality of the sun, the faces thronging about were dark and fantastic, everywhere was the intense novelty of a new continent, full of unexpected sights and sounds. She sensed the proximity of the East, it seemed to await her with heavy significance behind the town. In the dusty air came the strange suggestion, the light was the winter outpouring of a fiercer sun, the crude scarlets and blues and the white dazzle of walls were the fringes and decoration of a gayer and more exotic garment.

The bells of the little two-horse carriage jingled as they drove. Anna looked gaily at everything, Findlay included. But he was rather bird-like and remote. She was conscious of his softly glowing breast.

‘Isn’t it fun?’ she said to him.

‘Yes,’ he said. But he did not come near. He seemed to have flown off blithely to the top of a tree.

The driving, and the dinner at the hotel that evening passed rapidly, like a dream. Anna felt dazzled. She saw only the faces of the natives, the new glow of colour. But sometimes she glanced at Findlay’s face, which was the one that pleased her.

As the evening went on, she was aware of some intention fixed upon her. Someone was willing her. Some secret, silent influence was centred upon her, urging her, intently, in some unknown direction. She looked up and met the blue eyes of Matthew fastened upon her.

‘The East begins here,’ he said to her, when the party broke up, and she found herself suddenly stranded, alone with him in one of the jingling carriages. She looked, and saw the black, domed sky arching over her head. And her heart dilated; she felt the great black dome in her heart. She sat under the stars, worshipping them. Her heart opened and grew vast, until the whole sky with all its stars began to pour into her, a mysterious flood of star-strung darkness. She wanted to receive the night sky into her heart. But Matthew sat beside her, an intruder, weighing upon her. His hard, round head was like a stone lying on her heart. He was insentient, and he weighed her down. She wanted to escape him. But he sat beside her like a stone, immovable, senseless, assailing her with the blind, indestructible, stony weapon of his obstinate will. If only she could get away from him to be alone with the starry night.

‘Where are we going?’ said her low voice, the voice of the small waves along the shore. She closed her eyes in the fragile brightness of the stars, so that she might not look at him.

He did not answer. In her remoteness she felt with faint surprise the hidden power of excitement in him.

‘This is not the way to the boat,’ came her cool voice.

And she knew that he was working against her in some way. A strange certitude came to her, a conviction of his treachery. She felt his malicious scheming about to entangle her.

‘I want to show you something,’ he said.

A defiance, an obstinacy took possession of her, and a kind of lethargy. She could not trouble to circumvent him. She did not really believe in his ability to harm her. She despised him too much. He was too inhuman. And her heart, the heart of her attention was open and softly preoccupied with the starlit night.

She could feel his will straining against her, like a heavy rock grinding and crushing, to compel her. He seemed mindless and oppressive as a rock. She was cold and abstracted and inert, not to be troubled or roused.

So they drove down the narrow streets, and stopped at last in a doubtful quarter of darkness and dingy flares. There was a nameless, unpleasant smell of food and dirt and dark-skinned humanity. Matthew got out, and Anna followed him. He walked holding her arm, urging her on beside him. And she went submissive. She was as indifferent as a leprechaun, as untouchable, he seemed to be holding a goblin arm that chilled him. Yet he must press her on, like a weight against her.

They went through a dark entry. Here Anna saw, with something of horror, the dense, close mass of faces glistening duskily, dusky and appalling under the white-hot flares, shifting and changing as the shadows flickered, chattering and grimacing with apparent ferocity or horrible amusement. All was hideous, a grimacing of hot, glistening, greyish faces. She was repelled by the dense animal conglomeration of humanity pressing about her. Her heart started and contracted within her. She knew that she was afraid.

They stood for a moment of unbearable isolation. Blurred faces looked at them, whitish eyes stared at them, gargoyle mouths leered at them. Here and there a separate visage gleamed, sweatily, like a cheese. Looking round at the shadowy, horrible, mouthing throng a sudden panic-lust seized her, to hack a way through them and tear and trample them and so escape. Her body stiffened rigid like a blade. She looked about, and her face shone cold with loathing. She was afraid.

And an intuition in her warned her against Matthew. He was plotting against her: he wished her ill. He would inflict some evil thing upon her. She stood rigid in the noisome place, waiting. The premonition of evil stung her fiercely, with a poisoned point. Still tensely she must wait.

Till suddenly, a flame went over her, a deadly flame of disgust, burning, corrosive, feeding like some destructive acid upon the very core of her being, destroying her. She must escape, or die. A negro had strolled into the vacant central space. He was altogether naked, was dusty-bluish skinned, and led by one horn a small goat — a dirty brown goat — that seemed frightened and cowed. He was evidently pleased with himself. His curious leering smile, and the curious way he jerked the reluctant goat with his naked arm, in a sort of flick, was very disgusting. Anna felt her heart dissolving in a flame of utter disgust. She must escape or perish, annihilated and consumed by her own horror. She turned and thrust her way out into the street.

So she fled from the place, she hurried along as if escaping from a nightmare. She sped through the stir of the narrow, seething streets, a pale, unthinking thing, flying from the world. She wanted solitude, the absence of alarm, the reassurance of the starlit night. Above all she wanted to get away from the repellant, insistent crowd of natives hemming her about.

She was not afraid any more. All this herd of dusky creatures seething and surging had no power to alarm her. It was not the natives who had made her afraid. But the evil breath of that noxious place, and the evil thing which germinated there. That and the round, dark head of Matthew that haunted her like a traitorous thought.

She hurried blindly along. She had no idea where she was going. She did not think at all. She was detached, alone.

Gradually she began to come back to herself. Gradually a more normal consciousness returned. Slowly the sky swung back to its high, calm, nightly beneficence. She saw the stars still benign and lovely, the pernicious horror of the night began to evaporate. But dismay still lapped her about. What had happened? What was this horror she had experienced? The horror was evil: and it was Matthew. It was Matthew who had inflicted this nightmare upon her. Was Matthew the nightmare? He was strange, he was unreal. What had he done to her? How had he contrived to violate her inmost sanctities? She was filled with superstitious fear of the Matthew who had done this thing. She could not believe that this was the man she knew, it was not possible, not to be thought of. She would not believe in it. With her will she refused to believe. Matthew was a nonentity, a cipher. But he was harmless, his intentions towards her were good and affectionate and commonplace. She would not believe anything else.

So she walked in a daze of dismay. She did not know how to get back to the boat, where to go. It did not matter. She only wanted to be by herself. She wanted to get out of the crowds. Quickly she walked the unfamiliar streets — quickly — as in a delirium. The place had become a nightmare to her: the world was a nightmare. To escape the nightmare she wanted to isolate herself, she wished to be in some lonely spot.

She met Findlay standing at a corner; waiting for her, it seemed. She was astonished.

‘What are you doing here?’ she asked him.

‘Looking for you,’ he replied.

‘But how is it you are just here? At this particular corner?’

‘I followed your carriage. After a time my driver lost sight of you, so I got out and wandered about.’

Anna was astonished. Or rather, she felt that she ought to be astonished. Actually, his appearance seemed natural, almost inevitable: rather providential, too, really. She found that she was glad of his support.

They began to walk along. The dark faces were still ceaselessly passing, and hemming them in, and staring with a strange, sneering, slightly obscene curiosity, in the flary dark. Findlay seemed unaware. But Anna felt herself violated. She couldn’t get rid of the feeling of violation, of having her privacy exposed and desecrated. She wanted to get away from all the dark faces — never to see them again — never while she lived.

‘Can’t we go somewhere quiet?’ she said. ‘Away from all these creatures? I want to be quiet.’

They turned off down a dark alley beside an immensely high wall. Massive and black the wall loomed in the darkness, steeply solid as a mountain-side, and black as the abysmal heart of night. An iron gate stood ajar. They pushed through. Inside was a queer, dark, level place with a few trees blackly entangled in the starry sky, and a mysterious distant glitter of black water. Black, nameless piles were towering here and there, incomprehensible and vaguely menacing like unknown presences. It was very dark, quiet, and deserted.

All this time, Findlay stayed silent, uninquiring. It was not till he had lighted cigarettes for Anna and for himself that he began to speak.

‘What happened to you?’ he asked, and his sleeve touched her wrist.

Anna strolled on with her cigarette in her mouth, abstracted. He kept in step with her, watching her with side-long glances in the dark. But there was a great gulf between them.

‘Where did you get to?’

‘Matthew took me to some horrible place,’ she said.

He peered closely.

‘How — horrible?’ he said, watching her.

She lifted her shoulders in an odd motion, half shrug, half shudder.

‘Oh — beastly. Don’t let’s talk about it.’ And she walked on more quickly, puffing her cigarette.

Findlay watched her with invisible eyes. His eyes were darkened shadows in the pale gleam of his face. She could not see them. But his smile, the beginning of his luminous smile, was visible to her.

‘Why are you going to the East?’ he said. ‘Why are you going to live with Matthew?’

‘Why?’ she repeated, in astonishment. ‘I’m married to him — that’s why.’ There was some bitterness in her tone.

He shook his head in the darkness.

‘It won’t do, you know,’ he said. ‘You’ll never be able to live with him, with Matthew.’

She felt a tremor go through her blood at the sound of Findlay’s mischievous, soft voice. There was something about him that was like magic to her, the swift, secret, unbelievable excitement that trembled in all her veins, because he was so thrilling, and she was so aware. She seemed so subtly attuned to his thrillingness. The consciousness of it vibrated through her with almost unbearable intensity. Yet her mind stayed quite aloof. Her mind was not attracted: it was even a little antagonistic. With her mind she recognized something shifty and elvishly unreliable in him, something which made it impossible to depend on him. And this she found unsympathetic.

‘Why won’t it do? Why shouldn’t Matthew and I live together?’

Once more she saw the negatory movement of his head. His face wore the curious smile, pale, disturbing, poignant, with the satyr-quality of dangerous archness.

‘It’s ridiculous. You’ll be unhappy. You’ll hate the life in the East. Why are you going there?’

Anna stood still and tipped the ash from her cigarette.

‘I must go. I must,’ she said. ‘There’s no alternative.’

‘You’ll hate it.’

She looked at him angrily.

‘Why do you say that? Why should you deliberately try to make me depressed? Do you want me to be miserable?’

‘Yes, perhaps.’ He gave a curious Mephistophelean laugh, almost soundless. ‘Perhaps that’s what I do want.’

She was resentful, staring at him accusingly.

‘Why? Why?’ she asked resentfully, challenging him.

He smiled, his wide, subtle smile, like a satyr’s, but so strangely attractive. It made a quiver like electricity pass through her. Yet her mind was antagonized, nor would it ever be otherwise.

So there was a sort of deadlock. She was tremulous before his smiling face. She thrilled at the careless, graceful poise of his long, thin body, so like an elegant, long-legged bird. She wanted him to come near. And he wanted to approach. But her mind had ultimately decided against him, rejecting him. And this held him off. He was too sensitive a plant not to wilt and shrivel in the blast of her silent criticism. He could not stand up against that. And she couldn’t help finding fault with him, in her mind. He was so irresponsible, like a child; and like a child, charming and heart-breaking. Perhaps if he were to touch her, her resistance would break down. Would he touch her? She shuddered, and hoped not. Or did she really, underneath everything, hope that he would? Anyhow, he did not.

And suddenly, as she watched him, she saw some men in uniform, with lanterns, coming along. As they caught sight of Anna and Findlay, as they drew near across the dark, empty space, there arose a certain commotion. Some of them shouted. Some were calling incomprehensibly, some were running towards them, some were gesticulating; it was like a kind of attack. Anna watched the approaching troop with apprehension.

And as she watched, in a moment the foremost men were upon them, talking loudly and excitedly. Findlay answered laboriously. It seemed that he knew a few words of Arabic. Anna looked on, rather nervous. The men were all round, standing quite near; such an odd, theatrical crew. But they didn’t do anything violent. In spite of their excitement they seemed quite deferential. So her alarms subsided, and she listened to the palaver. Findlay was standing beside her. She would have liked to stick a pin in his smoothly swelling, handsome, birdlike chest. She felt intolerant of him. He stood there, speaking slowly, his nose arched in his faintly conceited, aristocratic manner, as he talked to the men. His face had the palely-smiling gleam, his eyes in the lantern light flickered roguish and attractive. But somehow, mentally, she rather distrusted him. He was unsatisfactory: though he had that peculiar demonish distinction that thrilled her so much. She was sure he would let her down if he had the chance. If he had not already done so.

An understanding had at last been reached with the men. Findlay suddenly laughed and threw his cigarette on the ground. He stamped it out with the heel of his shoe.

‘We mustn’t smoke here,’ he told Anna. ‘It seems we’re in the government petrol depot.’ His face was all curling up in pale, faunal amusement.

But her heart had hardened against him. She put out her cigarette and moved away.

‘We must find Matthew and get back to the boat,’ she said coolly.

There was a dreariness in her on Findlay’s account. As though in rejecting him, or being let down by him, she had suffered some dragging internal wrench.

Without more ado they went back to the frequented, the Europeanized, tourist-ridden part of the town. Matthew was discovered outside the hotel, walking up and down in suppressed anxiety, and of course looking in the wrong direction. What to say to him? Anna could not bring herself to believe in his latest enormity, nor disbelieve. They called out to attract his attention.

He turned round. ‘Where have you been?’ he said, in an aggrieved fashion. ‘I’ve hunted for you everywhere. Everywhere.’ So he stared out of his blue eyes at Anna, and seemed to have forgotten the rest of the evening.

When Anna looked at him, she saw only his innocence, his extraordinary, naive unawareness, as though he had really forgotten. And the look of anxious reproach in his eyes which seemed to put her in the wrong. She did not know what to believe.

‘How could you go off like that?’ said Matthew, his eyes reproachful. ‘I’ve been dreadfully worried. Port Said is no place for a woman alone.’ He really seemed to think she was in the wrong.

Findlay wandered away. When Anna was alone with Matthew he still maintained his injured, innocent behaviour.

‘Why did you do it?’ she said, staring at him coldly. ‘Why did you take me to that horrible place?’

‘Why did you run away?’ he retorted. He avoided the issue entirely. He would not answer her. And she knew that he never would answer. Impossible to get anything out of him. Perhaps he really failed to hear her question, or failed to understand. The impossibility of communication with him made her feel hopeless. She looked at his face. It was brown and blank.

‘We must go back to the boat,’ he said. ‘We must get a gharri.’

A carriage was called and they got in. Anna made one more attempt.

‘I want to know what your idea was in taking me to that beastly place,’ she said. Her eye was stony.

Matthew sat beside her listening to her question, to her voice of cold inquiry. He did not seem to hear. He seemed to hear only what he wished, to understand only what was acceptable to him. You might question him for a year and a day and he would never hear you — unless he wanted to hear.

Anna felt this, and gave it up. She was quite bewildered. She could not reconcile the Matthew who had inflicted the nightmare upon her with the innocent Matthew who came afterwards. She did not know which to believe in. Nevertheless, she knew he was more of a nonentity to her than a nightmare. He would never become important. He was not real. She looked at him with a certain horror and apprehension, at his close, round, meaningless head bobbing in her direction. She hurried away as soon as she could. But he was not really of any importance, although she found him repugnant.

The voyage went on, the Port Said incident dropped out of sight and was more or less forgotten. Matthew stuck closer to Anna. It seemed now that he had to be always with her. His popularity among the lady passengers was on the wane for some reason. Perhaps they had tired of his somewhat insipid attractions and had begun to see through him. Or perhaps it was he himself who had changed, growing less gratifyingly obliging. He was rather touchy these days; he started to quarrel with the men, to take offence at everything. He seemed to have developed a childish fear of being ‘left out.’ And so, of course, he was left out. And so he turned back to Anna, and would not leave her. Which was distinctly trying.

Not that he interfered particularly. But he was always hanging round her deck-chair, urging her to partner him in the games, and, when she refused, sitting down beside her with his dumb, stonelike obstinacy and a rather martyrized expression.

Anna would not play in the games. Not so much because she disliked the games themselves — certainly they were inane and boring enough, but then the whole shipboard life was such a madness of inanity that the lesser, incidental imbecilities were excusable — but because she could not endure the determinedly jovial attitude which everyone adopted towards the skittle contests and the quoits and the deck-tennis and deck-everything-else. ‘Let’s get up a cheery party.’ ‘Let’s collect a cheery crowd.’ There was something about the very sound of the word ‘cheery’ that set her teeth on edge with repulsion. All this fizz of jovialness left her cold. She was somewhat contemptuous, somewhat dazed in the society of all these jolly good fellows who treated her to their peculiar mixture of gallantry and effrontery and mock-deference — all overlying, in some way, a fundamental slight. Presumably the slight was unconscious and unintended; but it was there, none the less. A kind of masculine all-highest condescension to which the other women played up disgustingly. The flighty feminine dove-cote always seemed to be in a flutter of coquettish excitement over some fine gentleman. It was the sort of atmosphere which one expects to meet in mid-Victorian fiction. But it had a central nullity particularly its own. Underneath the superficial cheeriness and the little flirtatious excitements was a sort of flatness, an emptiness. As though at any moment the whole system might collapse into a black abyss of vacancy.

Anna found it all rather depressing. However, she sat calmly in her chair, and watched the slow, hot passage of the hours, and felt uneasy and dubious. A horrible empty feeling she had. And lonely, as if the universe were tumbling down in a watery swirl, and she alone stood solid on her solitary peak. The horizon was like a ruled line, clean-cut and rigid, cutting the world in two. The upper half, the sky, pale ultramarine; the lower, the watery half, cobalt, or sometimes prussian-blue with streaks of purple in it. The empty, empty world of water and blueness! In her eye came an ache like nausea, craving so keenly the relief of solidity. She wanted so much to find something to catch hold of. But what was there?

The days went by, and they were at Colombo — the voyage was ending. She came up on deck one morning, very early, and saw the land, a tremulous, rosy scarf floating on the blue rippling water, but pearly, pearly, a very precious and diaphanous thing, lucent and phantasmal. She remembered that Ceylon was called the pearl-drop of India. And there it was, the pearl, before her eyes.

Many passengers were leaving the boat, Findlay among them. Matthew and Anna went ashore with him. They had arranged to make an expedition together, a sort of farewell party. They would drive to Mount Lavinia, dine and stay the night. It was not necessary to return to the ship till the following day.

Anna was very excited. It was dry land, solidity at last. She was in the East, in the great continent of ancient Asia, with the hot earth underfoot. And really, in the blue and glittery atmosphere, in the reckless, transparent flood of sunshine, in the hot dazzle of buildings, and palm trees bursting up, there was something different, something romantic. And the fantastic figures of the men going about, so womanish with their coloured skirts and their long black hair turned up in a bun or swathed round a tortoiseshell comb — altogether womanlike until you saw their smallish, metallic faces which had a curious small-scale maleness of their own, a sort of masculinity in minature. Like men dressed up as women in a pantomime they were, after you had seen their male faces. Anna was exhilarated.

In the afternoon they motored into the country, in a whirl of dust and palms and scarlet and vivid green, and chickens scattering at the sides of the roads — all rather gaudy and unconvincing, like a pantomime. There was even a glimpse of elephants solemnly trundling. Then, in the evening, a hotel by the sea, gardens, people bathing, and palm trees darkly leaning over the pale sand.

Anna was very aware of Findlay. But what did she feel about him? She looked at him to find out. He smiled at her. And the blood stirred in her veins. This was her response, but what did it mean? She was on the alert for him, she wanted to make contact.

But she could not speak to him. There was no opportunity. The presence of Matthew and of the other people was like a wall of rock round her. She hated them. In a fury of intolerance her grey eyes looked out at them. But she gave no sign. She sat quietly, concealed and secret behind her smiling face. So the whole evening passed without any trace of intimacy. Findlay and Anna were like affable, shipboard acquaintances taking leave of each other. Matthew sat near Anna and refilled her glass. And as she drank she began to grow angry. A sort of shame was at the root of her anger, her heart was cold. She looked at Findlay with a smiling, cold face which he seemed not to see. Then, laughing, saying that they must go and look at the moon, he led the way out of doors.

Anna went with him into the garden. The night was brilliant, the moonlight burned and glittered. The moon seemed smaller, more distinct, much more dazzling and intense than the English moon. It was like a small round hole in the sky through which the white fire of brightness poured in a concentrated beam. The air was quite warm.

The warm night air was on Anna’s face, not stirring, but lying softly upon her, like a flower. It was an alien, soft air, heavy with the suggestion of unknown things. And she was alone with Findlay. Out in the mysterious, nocturnal garden he walked beside her.

‘Shall we go down to the sea?’ she asked.

‘Yes,’ came his airy voice.

And smiling, he took her hand. A sharp tremor went over her.

‘Which is the way?’ she said.

‘Here,’ he answered.

He walked holding her hand in the moonlight, she saw his face strangely blanched and masklike, and yet beautiful. It was the beautiful curve of his mouth which so enthralled her.

They went in silence, wading through the pale brightness. The moonlight was like a fluid, a magic, silvery element, buoyant and wonderful.

They came to the shore, a ghostly silver waste, with grey wraiths of palm trees writhing and bending. The sea moved with mysterious massiveness, shadowed and brightly flashing, the mysterious, slow waves of the Indian Ocean rolled in, slowly, heavily, without spray, and flattened themselves with a dull, muted crash. It was all mysterious and unfamiliar; rather oppressive, the heavily swinging ocean, in the flare of dead white light.

She stood on the sand, on the unstable, treacherous body of the sand, and watched the slow rhythm of the unfurling waves. Her heart was cold like the sea. And yet an emotional excitement burned hotly in her veins, because of Findlay, and because of the wine she had drunk.

‘I don’t like it,’ she said, in an unfamiliar tone. ‘It’s a dead sea.’

He gave an odd, half-mocking jerk of his head, and began to laugh. She could not hear his laughter in the noise of the waves, but she saw his face laughing at her boldly, carelessly, mischievously, like the satyr he resembled. She had an impulse to abandon herself — to him? — to what? She was not certain.

‘Rex?’ she said to him.

‘Well?’ he answered.

The impudent smile showed on his face, he took hold of her hands. She felt the warm, firm swell of his chest. For the moment she was open to him. If he should take her at this moment she would yield. She waited for him: let him do as he wished. She leaned towards him in the moonlight, she felt his hands holding hers.

She saw his eyes looking down on her, dark and sparkling and alien. Gazing up, she saw the luminous pallor of his face above her, in the moonlight, something irresponsible and thrilling and rather sinister. She looked at him and her blood pulsed hot and expectant. She waited, submissive, and he hovered above her in his elusiveness, his heart yearning to her.

He wanted so much to take her in the moonlight. But the desire in him was overborne by the knowledge of her difference. He knew that she was not for him. His airy nature sheered off in alarm. He wanted her, and yet he did not want her. His irresponsibility made a gulf between them. They were in different worlds.

So he could not touch her. He did nothing. He did not even kiss her. He sheered off, he had to retain his elvish freedom, though the leaving of her hurt him and lacerated him.

Anna stood still, feeling lost. Presently she realized his failure. Her heart flew to anger. She looked at Findlay, and there seemed to be a furtive look about him, an evasiveness, and she stiffened in sudden dislike, turning away. Then a sort of shame stabbed through her anger; she was ashamed, and only wanted to be gone.

‘Let us go back,’ she said.

They turned away from the heaving bulk of water, away from the darkly surging waves, back towards the hotel. Findlay glanced at her, and would have spoken. But she would not look at him. Pale and silent and angry, she walked in the gleaming, silvery night. And all the time at the back of her mind there was something shameful. She wondered angrily at her own shame.

They reached the lighted entrance. Anna’s heart trembled, but it was locked in bitterness.

‘Good night,’ she said, standing on the step above him, her face wearing its peculiar blank, almost stony look. She wondered what he was thinking, as he stood and watched her.

He looked at her, at her slender body, which he was not able to touch. And he knew that his failure would always haunt him. He did not want her, he was in a different world; but he suffered at losing her.

‘What have I done?’ he asked, diffident, and smiling rather exquisitely.

She felt her heart stir. His smile still went to her heart. Yet her heart was not touched; it was cold and bitter. No response came on her face.

‘Nothing,’ she said, hating him.

She went into the hotel and turned her back on him. There were people moving about. She caught sight of Matthew. She went up and touched his arm.

‘I’m tired,’ she said. ‘I shall go to bed now.’

He looked at her very strangely. He looked at her hands, which trembled slightly. Then he looked at her face again, which was cold and blank and a little despairing.

A slyness came into his eyes, a strange suggestion of craft.

‘Very well,’ he said. ‘I will see you upstairs.’

He took her arm at the elbow to lead her away. She did not notice him. Findlay stood in the doorway, watching, but without any expression, the two people, the girl and the stiff-shouldered, rather insignificant man. Anna went on with Matthew. They began to walk up the stairs. Still she was locked in anger, feeling a great bitterness in her heart. Against her will her hands were trembling: but she was not softened: her anger was cold and shameful. She had a sensation of strange, cold lightness.

Matthew had opened her bedroom door, and was waiting for her to go in.

‘Can I do anything?’ he asked, watching her.

She was aware of a cold indifference, and also of something else, not exactly excitement, but a kind of frozen recklessness, anguished and bitter. It was as if her disillusionment, her feeling of shame aroused some passionate desperation in her. She seemed to be in the grip of a kind of possession.

‘Can I do anything for you?’ persisted Matthew. There was a queer confidence in his voice and also a note of insinuation.

She hesitated, watching him. The blue glassiness was bright in his eyes, he was staring at her hungrily, as a starved creature might. Some certainty flared in her soul. She knew that if she let him come into the room she would have to submit to him.

‘Would you like me to open the shutters?’ he asked, humbly it seemed.

She shuddered with cold and with the intense premonition of what must follow.

They still stood at the door.

‘No,’ she replied. ‘Leave them as they are.’

‘It will be stuffy. I had better open them,’ he said, with his strange, blindly persisting obstinacy that seemed to stifle her.

There was something inevitable about him. It no longer seemed worth while to resist. Sometime, somewhere his obstinacy, his mindless, unwavering determination would get the better of her. Impossible to withstand him for ever. She realized with horror that she was going to yield. His large, brown, hairless hand was advancing in her direction. She stood still. His head was round and dark and ball-like. So unlike a human cranium. He smiled in anticipation.

‘No!’ she exclaimed involuntarily, stepping back.

But he stepped after her, very prancy and complacent now, and closed the door behind him. She saw his brown, neat, expressionless face coming towards her through the air. It was like an image approaching. Her blood ran cold with the horror of his unreality, with the horror of the thing he threatened, and with humiliation, and with the bitterness of lonely despair. She was a helpless traveller alone in the night. And what was he? She felt herself his victim.

Just for a moment, she struggled wildly to defend herself. But when she felt his strength, the tough, monkeyish strength of his long arms about her, she knew she had no chance against him. She had to submit. But he was ugly to her, horrible. Never for one instant did her spirit yield to him. Her will, her soul, was set in inflexible, adamantine resistance, defying him. He was hateful to her, despicable, so that she cringed under the humiliating infliction of his body, his hard, smooth, unattractive muscularity. But she submitted to him, to his ugliness and to his strength, his imperceptiveness. And he ravished her. He simply took her body and ravished it. She suffered atrociously. Yet all the time her spirit remained cold, reckless, and unchanging. Nor did he ever become real to her.

CHAPTER 13

AFTER Colombo there still remained five days of sea before the Henzada would reach Rangoon. But the heart seemed to have gone out of the ship, this part of the voyage hardly counted. All the more noticeable passengers — the smartest, the most interesting, the most amusing — had left the boat at Colombo. The people stopping on board were the callow young bachelors fresh from unimportant schools and training colleges, the untidy families of young children with their tired-looking parents, the insignificant elderly couples, like the Bretts. The same convention of jovial gaiety was maintained; but now it was the gaiety of the nursery. The whole tone of the ship had descended to a rather tiresome domesticity. And there was an undercurrent of discontent. Superficially, these people might be all keenness and enthusiasm. But underneath was a certain reluctance — rather the feeling of schoolboys at the start of a new term.

With a complete indifference Anna watched the monotonous last days of sea. She saw a shadowy line, far out in the midst of the blue vacancy, running along the edge of the sky. She knew that it was the coast of Burma.

And slowly the land approached — they came to the mouth of the river and steamed up, slowly, so slowly, in the sluggish afternoon. Soon they would be in Rangoon. Anna was too indifferent to care. A vast indifference had settled on her like a doom. She went about calm and vague and indifferent. Vaguely, she was sorry that Findlay had gone. Vaguely, she was aware of a sense of humiliation, of bitter loneliness: the absolute loneliness of her existence. She felt weighed down by an oppressive rock of indifference. And Matthew was the cause of her humiliation. Vaguely, she wanted to escape from him, but she was too indifferent to make any effort.

In front of her she could see Matthew’s head, with its dark, dry-looking hair, inclined to dustiness, like a cap that has not been brushed. It was his head, she imagined, which so oppressed her, crushing her in some way, as a weight might crush the blood out of her heart. He was very complacent after his triumph over her. And back to his chivalrous pose again. He was very devoted and attentive, looking at her with a proud gleam of private ownership in his manly eye, making no advances for the moment. But he was getting tired of chivalry and restraint, she could see. Soon he would start bullying again.

The passengers got excited, packing and saying good-bye, and so the boat steamed on till it came to Rangoon. Then there was a fuss and a scramble with servants and luggage, a confusion of meetings and farewells, and finally a drive in an open car to the station. Anna was vaguely disappointed. Rangoon was a big town with modern buildings and trams everywhere. Without the brown faces and the brilliant clothes, it might have been Marseilles over again. She sat and ate in the station restaurant while Matthew fussed over the luggage.

Towards evening they were in the train, in a queer white wooden box of a carriage, travelling up the middle of Burma. In a trance of indifference Anna watched the flat, unreal-seeming country outside the windows, the squalid, ramshackle bamboo huts and the gaudily dressed crowds. Then it was dark, the train running on in the black night, worlds away from everywhere it seemed. The familiar universe had vanished away, and in its place had come this strange black void, and the train thumping on for ever and ever, nothing but darkness and the heavily throbbing train. Only at the infrequent stations there was light and noise, a flare of hot, reddish lights, and the hubbub of seething humanity, a sharp, breath-taking odour of hot foods.

The slow discomfort of the night proceeded. It grew rather cold. Matthew was sound asleep. The train rumbled on; or came to an occasional halt. Anna saw glimpses of stations, still crowded, but quieter now, with strange, cocoon-like figures lying on the ground. Occasionally she caught sight of names — Pegu, Prome. What in the world could they stand for but stations, weird, spectral platforms brightly lighted in the profound black night, and rows of muffled figures outstretched?

At last it was morning. The sky filled slowly with a ghostly pallor. Drop by drop the greyish-luminous light distilled into the great, smooth cup of the sky. Then came the pinkness of dawn, and the golden sun swinging up, suddenly, as if surprised, out of the level land. Anna was pleased. In the midst of her weariness and indifference, she felt a shaft of appreciation. Suddenly, she was pleased to be in the East. It pleased her to watch the queer, flat, unearthly-looking country, the people pleased her, the brown, rather flat-faced people with their brilliant skirts and the flowers in their hair.

After a time the hills appeared. The train panted up, slowly, laboriously. They seemed to be among the tops of the hills. Dazzling little pagodas perched on the rocky summits, hills swelled up and down, like a tapestry landscape, pools of water sprinkled with bright blue lilies trembled in the low places; it all seemed brilliant and gay, rather childish, like a fairy-tale country come alive. The train pottered along, and stopped more often. Finally it left the hills and meandered out on to the level ground.

They were going back to Matthew’s old district. He put on his hat and leaned out of the window expectantly. There was a station and a hideous water-tank in the midst of the plain that flowed up to the feet of the hills like a lake. The train stopped. This was their destination.

Anna stood at the carriage door, looking out at the inevitable station crowd of lively, high-coloured figures. It was late afternoon. Matthew was expecting to be met by Jonsen, the man he was to relieve, but Jonsen was not visible. So Matthew stepped down among the crowd and went to look for him, leaving Anna to wait. The people stared at her and made remarks in their quick, gulping, guttural language which seemed to be all monosyllables. She rather liked the look of them; their clear, round, moonish faces, their good-natured, slightly cheeky appearance. Back came Matthew, looking annoyed, and followed by two men, natives of India, with much darker, almost purple skins, and large metal badges worn on a sort of sash over one shoulder.

‘Here are the chuprassies, but Jonsen hasn’t turned up,’ said Matthew. ‘It’s really too bad of him.’ He scowled in his irritable, ineffectual style. Things were going wrong, as usual. The inevitable hitch had occurred.

Anna got down on to the platform. The chuprassies climbed into the carriage and fetched out the luggage. The train went on. Matthew and Anna went out to the back of the station, the chuprassies pushing a way for them with the hand-luggage through the crowd. Here was a nondescript space of trampled ground, with people waiting, and a row of bullock-carts. The luggage was deposited in a pile on the dusty earth. Off went Matthew, and disappeared once more, leaving Anna beside the luggage. She waited, feeling abandoned. The bullocks rolled great eyes of apprehension at her.

At last Matthew returned, accompanied by a fairish, rather heavily-built, vaguely Teutonic type of man, wearing khaki and a battered pith helmet. This was Jonsen. He was introduced to Anna.

‘I’m sorry I wasn’t in time to meet your train,’ he said. ‘I thought I had allowed ample time, but my watch must be slow.’

He seemed to look at Anna with astonishment. She could feel that he thought her an extraordinary person to come to Naunggyi. And she herself felt distinctly out of the picture in her smart dress of yellow shantung. But she climbed into the back of the old Ford car, and sat on the dirty cushion with her dressing-bag at her side. Matthew got up in front, beside Jonsen, who was at the wheel. There they sat in front of her, the two men, turning the backs of their necks, and the bulky breadth of their shoulders towards her, and taking no more notice of her than of the man in the moon.

The sun was slanting down to the tops of the hills, gold auras of dust encircled the moving carts as the rays caught them. The Ford ran busily over the narrow road, which was banked up several feet above the marshy level. Along the road, brown men in skirts, women in skirts with short white bodices, walked in the pale dust, carrying baskets or bundles, or leading children by the hand. Most of the women had flowers tucked behind their ears, something like the pictures of Carmen, with their sleek black hair. And they all moved along with an easy, childish grace, swaying a little from the hips, whilst their bare feet, or their coloured heelless slippers, ruffled the soft dust.

On went the car, over the marshy plain; the station was left well behind. Occasionally they had to pull out to the very edge of the road, hanging almost over the embankment, while neat, mouse-grey bullocks tripped past, drawing a two-wheeled cart. They were going towards the hills. Looking ahead Anna could see the blue ridge of hills about ten miles away, and nearer, a darkness of large trees, with buildings showing between, where the village was.

She looked at the two heads, bobbing so foolishly before her in their clumsy hats. And the two necks: Matthew’s, hard and leathery-smooth and somewhat skinny, but with a tough, almost rubber-like turgidity, like the stem of some forceful plant; and Jonsen’s, flaccid and red and deeply creased and rather unappetising. She didn’t like the look of them at all, those necks. But somehow they fascinated her even more than the novel landscape.

A few houses came in sight. This was the place towards which they had been travelling for more than a month. They had arrived. The Ford rattled in between two wooden gate-posts, and up to a dark wooden house, the ultimate goal of the journey. Servants appeared and took the hand-luggage. Anna got out. There she stood, on the hot, caked, dusty earth in front of the house. The building rose on a little hillock. A bare, brownish stretch of ground went down to the road, with a solitary palm, very tall and dilapidated, with an air of having run to seed, in the middle. Enormous trees, neither quite in nor quite out of leaf, grew on the left, with some flowering bushes. On the right, where the ground fell away, was the edge of the marsh. And there were blue little flowers, very vivid. The sun had just set, the sky was empty.

Matthew was talking to Jonsen at the foot of the steps.

‘You will leave us all your furniture, then,’ he said. ‘We will take on the house just as we find it.’ It seemed to be the end of a discussion.

They went up the steps and into a bare hall with a flight of bare wooden stairs rising. On each side, left and right, was a tattered bead curtain indicating a doorway. There were no doors except the outer door through which they had just entered. Jonsen led the way into the left-hand room. This was the drawing-room. It was a fair-sized apartment with a stone floor: white walls with a kind of shelf of brown wood running round, and wooden-shuttered windows, rather small, and glassless: a little cheap cane furniture: a huge punkah made of some brownish fibre hanging motionless in the middle of everything. It was rather like a room in some poverty-stricken hospital, doleful and bare, without carpets or curtains or ornaments of any kind.

‘Would you like some tea?’ said Jonsen, doubtfully, to Anna.

‘Yes please,’ said she, rather dazed. It was all unreal and astonishing to her. Outside the window she could see the gleaming, darkening sky. And a cluster of strange long leaves, long and pointed, like a handful of drooping swords, brilliant lemon colour. She felt she was lost, utterly lost. She had travelled away from the normal world, the world of Oxford and Blue Hills, and come to this other strange, strange place, this world of unreality.

Matthew stood beside Anna, smiling. He had taken off his hat and seemed quite at home already.

‘What do you think of it?’ he asked her.

Which, in her present state of astonished bewilderment, was the last thing she could have told him. But he did not wait for an answer. He smiled complacently.

‘It’s quite a good bungalow,’ he said.

Anna examined the room. There was a cane lounge in front of the window, jutting stiffly into the room. Near the door was a wooden table with scattered papers, an ink-bottle, pipes and a tin of tobacco. Round the walls ran the narrow shelf upon which various small articles — tools, cartridges, magazines — had been allowed to accumulate. There were also two cane arm-chairs, a small cane table, two wooden chairs, and an ugly china vase pushed into a corner. And there was the punkah.

A servant came in with a tray.

‘I’m afraid you will find my arrangements rather primitive,’ said Jonsen. ‘The crockery has nearly all been broken. I have lived here alone for so long.’

He set one of the cane chairs for Anna. It looked dusty and the seat was broken, there were sharp ends of cane sticking up. She was afraid of spoiling her dress. But she sat down and poured herself a cup of tea from the hideous enamel teapot. Her cup was chipped and ugly. The men sat facing her with their whiskies and sodas. They would not drink tea. A tin of biscuits was on the table. Anna took one, but it tasted musty and rather unpleasant. There was nothing else to eat. Matthew seemed quite at home.

‘It’s good to be back,’ he said.

She looked at him with grey, astonished, doubtful eyes. She did not know what to think.

‘Don’t you like it?’ he asked, smiling.

‘It seems very extraordinary,’ she said. She really could not think of any other comment.

Jonsen continued to look her up and down with surreptitious amazement. He had small, twinkling eyes in a puffy, reddish face, and was a man of about fifty — but with a simple, almost childish expression. The good-humoured simplicity seemed a little deceptive, though. There was a suspicion of malice somewhere about him.

‘I expect you will find it strange at first,’ he said to Anna. ‘When you get used to the life you will like it.’

But she felt sure he was thinking she would not like it, and was taking a malicious pleasure in the prospect of her discomfiture.

Matthew began to ask questions about the work. The two men drew their chairs to the table and embarked on a technical conversation, making notes on the backs of crumpled papers. Anna was left alone with the dregs of her tea. She sat motionless, thoughtless, feeling dazed. The room grew darker.

Presently a servant brought in a lamp. It was an old-fashioned oil-lamp with an ugly, white, mushroom-shaped shade. He placed it on the table beside Matthew’s arm. The boring drone of conversation went on. Crowds of insects began to circle round the lamp, the table was soon strewn with an irregular circle of singed corpses. No one took any notice of Anna.

At last Matthew pushed back his chair.

‘We’ve been neglecting you,’ he said, smirking at her with his curious imitation gallantry that took no heed of her at all, really.

‘It doesn’t matter,’ she said stiffly.

‘There is so much to discuss,’ said Jonsen, apologetic. ‘And so little time before I leave.’

She could feel the prick of malice underneath his apology. He resented her youth, her assurance, her attractiveness. He was glad that she should be neglected. He wanted her to be taken down a peg. Anna eyed him distastefully.

‘Shall we go along to the club?’ said Jonsen. ‘It’s getting rather late.’ He gathered the papers into an untidy pile, and stood up. Matthew, too, seemed ready to make a move.

‘I had better go upstairs and tidy myself,’ said Anna.

‘You’re quite all right as you are,’ said Matthew. ‘Quite smart enough for Naunggyi.’

Which she felt was even more than the truth. She shivered a little. She went towards the doorway.

‘I should like to go upstairs, all the same,’ she said, coldly asserting herself against the two males.

So up they all clattered, up the bare wooden stairs to the floor above.

The upper floor of the house was simply divided into three large rooms — the middle one, into which the stairs directly led, and one opening out of it on each side. Here also was an absence of doors. Instead, there were in the middle of each doorway two small wooden panels, like flaps, arranged with some sort of a spring, to spring back into place after one had pushed through. Above and below the flaps was a foot or two of vacancy. Anna looked at this arrangement in amazement.

‘Why are there no doors?’ she asked, rather dismayed.

‘Too hot,’ said Jonsen laconically. His small eyes twinkled in the lamplight. Matthew looked on, smiling blankly.

Anna took the lamp and went away from them, into the room which would be hers. It was a biggish room with a wooden floor and whitewashed walls and long windows opening on to a little veranda. There was a tall cupboard in one corner and a brown wooden bed under a mosquito-net in the middle of the room — a single bed she was glad to see. The white mosquito-net was turned up to form a sort of canopy over the wooden poles, giving the bed an incongruous old-world look. The bathroom was a separate closet-place at the end.

It was not such a bad room — barn-like and bare, to be sure: but it had possibilities. With curtains and so on, it could be made habitable. But no privacy, not the least in the world. Anna looked askance at the spring-flaps of doors.

She unlocked her dressing-bag and took out soap, powder, and a hair-brush. Then she went into the bathroom. Here was a tin tub on the floor, a huge earthenware jar full of water, and a shelf with a basin and a tin dipper.

She looked round. There was nothing to do but dip some water out of the jar. It looked muddy in the basin and had a stale smell. It was cold, dead cold, but she washed her hands and face and dried herself with handkerchiefs. There was no towel.

When she got downstairs the men were waiting for her. Matthew looked impatient. He was all eagerness to get to the club. Anna wondered what sort of place it could be to arouse such impatience.

They were now all ready to start. They boarded the Ford car once more, Anna seated next to Jonsen this time as a compliment, Matthew in the back. It was quite dark, with a sky flashing full of stars. The air was fresh, if not exactly chilly.

And so, with two uncertain tentacles of light, the car went jolting and rattling along the pale road which wound in and out of the darkness of the great trees. In a strange darkness like the end of the world they clattered, noisily, and without background, Jonsen crouched forward over the wheel and peering out at the dim road ahead.

Anna sat still beside him. There was an odd, bitter smell of burning in the air, pungent but not disagreeable, almost like incense burning. They cut through long wraiths of smoke which trailed motionless over the ground. Anna discerned only trees and some biggish, scattered houses.

‘Where is the village?’ she asked.

‘Over there.’ Jonsen made a vague gesture in the night. ‘This is our quarter, on this side of the river.’

‘Do the English people live quite apart then?’ she asked, surprised.

‘Oh, yes. Quite separate. One hardly ever goes near the bazaar.’

She cogitated in silence. It was all extraordinary and incomprehensible to her. She did not understand how she had come to be there. It was like a delirium. There were creepers hanging overhead, and huge tree-boles with pale roots writhing into the road. Mysterious little flames flickered sometimes. It was dark, the landscape was quite invisible. The sky sparkled above.

‘How strange it seems,’ she said to Jonsen. ‘I wish I could see the country.’

‘You will see enough of it before you’ve finished,’ he replied, as if joking, but with a nasty intonation.

She wondered at his churlishness.

The car swerved suddenly, throwing her off her balance. They had taken a sharp turn to the right, over some open ground.

A building appeared with lights.

‘There is the club,’ said Jonsen.

The road was better here, and wider. It ended suddenly in front of a quite pretentious-looking entrance. There was a veranda and people moving about.

‘Here we are, then,’ said Jonsen, turning off the engine.

He climbed out. Anna struggled with the stiff, tinny little door of the car. Finally she got it open, and descended. They all went up the steps of the club, with a scraping of feet on the bare boards. And then suddenly they were inside. Someone came up and spoke to Jonsen.

‘Mr. and Mrs. Kavan.’ Anna found herself being introduced to some men dressed in flannels or khaki. There were no women in the room. Everyone stared. There was a great deal of tobacco smoke.

She said ‘How do you do’ vaguely in the direction of the staring faces. After the darkness outside the bright flare of petrol lamps was dazzling. There was a little storm of talk. Anna was aware of several things: that Jonsen was unpopular; that there was a tendency to look with disfavour upon his successor; that Matthew was extremely anxious to ingratiate himself; that she herself was an object of intense, almost inflamed attention. All these things she noted half-consciously as she stood beside Matthew, smiling mechanically.

Jonsen was looking round uneasily. The position of host sat awkwardly upon him. Anna sensed that in some way she was the chief cause of his uneasiness. He did not seem to know what to do with her. She felt herself out of place, but did not know what to do.

‘How do you do! You are Mrs. Kavan?’ came a cheerful feminine voice. Everyone turned to look at a pretty, smiling, slightly-faded young woman who stood in the dark rectangle of the door way.

‘Mrs. Barry,’ introduced Jonsen, with relief. He had got Anna off his hands.

‘Come and be introduced to the rest of us,’ said Mrs. Barry.

Anna went with her along the veranda. They came to a sort of room, like a widening of the veranda, with three walls and a roof, but one side completely open to the night. You could hardly call it a room. In the centre was a table with papers spread out, there were some smaller tables round the walls and a number of wicker chairs. Four women in light dresses were playing cards under the lamp, three others were sitting on the other side of the room. It was like a scene in a play.

‘Here is Mrs. Kavan,’ said young Mrs. Barry, leading Anna to the card table. She introduced Anna to each in turn. The players stared, but were very affable. Anna was led across the room and introduced to the other three. A little stiffness here, she detected. Then back she was shepherded to the original group. The game of cards was abandoned. The women sat round and smiled and talked, watching her furtively with extreme curiosity, and something of the astonishment she had divined in Jonsen. She felt she was making a sensation.

There seemed to be an atmosphere of suspense in the room. As if they were deliberately waiting for some given signal before forming any opinion of Anna. Sure enough, someone said:

‘Mrs. Grove is very late to-night.’

And almost immediately there appeared a tallish, middle-aged, imposing-looking woman of the thin, black-haired, aquiline type, with an affected voice and a white, bony, tight-drawn death’s-head of a face which yet contrived to be fairly handsome. Mrs. Grove was the wife of the district commissioner, and the leading lady of Naunggyi.

‘How do you like the thought of living here?’ asked Mrs. Grove, with a cool, sardonic look, rather insolent.

‘I can’t believe yet that I am going to live here,’ said Anna.

Mrs. Grove smiled to herself, and twisted the end of her Batik scarf. She dressed very much better than the other women. And she continued to smile at Anna in her haughty de-haut-en-bas manner and to ask her questions, with the rest of the room as admiring and respectful audience. Anna got rather tired of it. But she answered as well as she could, and tried to look pleasant.

She felt hopelessly lost. What was she doing amongst these established, respectable British matrons? She couldn’t imagine what to say to them.

And presently a silence fell. The three women across the room-they were missionaries and formed a little clique of their own, quite apart from the others — stared, and whispered together. Mrs. Grove stared, twisting her scarf. Everyone stared. Anna felt as though she were some strange animal. And she knew that the weight of feminine opinion had swung over against her. She had made a bad impression in some way. She didn’t know how it had happened, what she had done wrong. She had started with the best intentions, she hadn’t wanted to antagonize them. It was simply that she didn’t know how to behave before them.

But she didn’t care. She was dazed with bewilderment and weariness. And she was hungry. It seemed an eternity since she had eaten anything. Would it never be time to go? She looked round, cold and despairing, at the whispering missionaries and the out-of-date copies of The Lady on the middle table, at the sinister, languid-voiced Mrs. Grove plucking at her scarf. She shuddered, and felt her heart coldly sinking. The petrol-lamp burned with a faint hissing noise. The room was dreary, dreary. The pale, staring, hostile faces of the women encircled her. She wondered vaguely what had become of all the men.

At last Matthew appeared — it was time to go away. They drove off again in the dark. And at last Anna could get something to eat.

Jonsen led the way to the dining-room — then came Matthew, still talking to him — then Anna. The men had not even washed their hands. Their heavy boots made a clatter in the silent house.

The dining-room was decidedly chilly. It had the peculiar stuffy chill of a room which has been kept shut up for a long time. And there was a pervasive, indescribable smell which seemed to emanate from the heavy furniture, a stale, sweetish and yet acrid smell, very indefinite, but marked, with a slight vinegarish flavour, something like the smell of the inside of an old wine barrel. The furniture was of dark wood, quite well-made, but heavy and clumsy-looking.

‘I hope you are fond of curry,’ Jonsen said. He twinkled at Anna across the table which was covered with a coarse cloth, clean, but with the look of having been rough-dried, without ironing. The plates and cutlery were old and of the cheapest description. Nothing matched.

The room was gloomy and close. Anna felt more and more depressed. But she took up her thick, yellowish fork, and ate the rice and the extraordinary brown mess of meat, burning hot and swimming in an oily sea of unknown ingredients, that was set before her. She was depressed: but the curry was good although it burned her mouth sharply. She got it down and began to feel better. Only there was the stale, unpleasant smell in the room, rather sickly. Matthew sat at the end of the table, and ate in quick, large mouthfuls.

The servant came in with an elaborate sweet-dish, a sort of shape, ornamented with pink and white sugar. This was for Anna. The cook had made it specially as a compliment to her, because women were supposed to like sweet things. Neither of the men would touch it. But Anna took some out of consideration for the cook’s feelings, and ate as much as she could.

The servants slithered in and out with plates. They brought fruit, short, stumpy, reddish bananas, little hard oranges, and nuts, and put them on the table.

So the meal came to an end. They went back to the drawing-room. Anna longed for a cup of coffee. But there wasn’t any. The men had another whisky and soda apiece. Anna drank a little out of Matthew’s glass, although she disliked whisky. She felt she needed the warmth. It was not that the night was really cold: but there was a damp, marsh chill which seemed to lower one’s vitality.

Jonsen got out his papers. He was determined to stick to business. He sat down with his notebooks and pencil — though Matthew was not very keen. He turned his back upon Anna. And then he began the dreary technical talk again.

‘Let’s leave it till to-morrow,’ said Matthew. But Jonsen talked on, keeping him occupied. He was determined that Anna should be left out.

There was a noise of frogs croaking in the marsh, a thin twanging of insects. This was the usual evening accompaniment. Jonsen monotonously reeled off figures and facts. There was something ogreish about him, simple, childlike as he was.

Anna went up to bed. No one seemed to take any interest in her, or to care whether she stayed or went away.

There was a lamp in her room. She turned it up and looked round. Nothing had been unpacked, nothing had been arranged. The room was just as she had left it, hours before. She went to the window. The stars flashed at her. There was a faint sheen of light, like a pale glaze, on the flat ground, ghostly and evanescent. She went out on to the veranda. The frogs made a great noise, an orchestration of hoarse, gruff sounds, almost like dogs barking. It was a marsh-kingdom: the spectral glimmer over the ground, the pallid mist in the distance; the watery smell, and all round the house, rough, raucous voices of frogs coughing and barking. Unearthly, it was — and dismal.

She got undressed. She was tired out, and stupified with astonishment and depression. She went to wash in the bathroom. The water which she poured out was still in the basin. She felt almost unconscious. Numbly she dragged down the mosquito-net and crawled into the hard, chilly bed. But there were no springs, it was rigid and unyielding as a plank-bed. And the sheets were coarse cotton. The touch of the cotton irritated her skin as though insects were creeping over her. She was restless, but half-stunned with weariness. The net was like a misty wall round her. She was in a trance of dejection and bewilderment. Through the doorless house she could hear vaguely the voices of the two men, talking, talking.

Presently they came upstairs. Anna started up from a half-sleep. Matthew was undressing in the room next to hers, the middle room. The light of his lamp came under and above the flaps of the doorway. She sat up and looked about her. She hardly knew if she were dead or alive. And she was terrified. And she was lonely. A nightmare terror took hold of her. Matthew put out his light. The ghastly, miasmal darkness covered everything. She felt she would die of the horror of the night, of the dark swamp all round the silent house. She was transfixed with horror. She felt utterly alone, helpless, lost in the horrific strangeness of the alien dark. The loneliness strangled her, she could not endure it.

Despair was like a dead hand on her heart. Where could she go, whom could she call? She was alone, alone, for ever. Then suddenly she felt her mind go blank, she was relaxed. She felt her exhaustion extinguishing fear, blotting out everything, extinguishing her. A sleep that was stronger than desperation drowned her completely, in a deadening flood.

CHAPTER 14

WITHOUT doubt, Naunggyi was rather a nightmare to Anna. And like a nightmare it had its leit motif of horror — the marsh. It was the perpetual influence of the marsh itself which seemed to threaten her with unknown terrors.

By day it was not so obvious. It was veiled by the bright sunshine: hidden behind the strangeness, the unearthly beauty of the place. For it was beautiful. The marsh itself had beauty. The great, strange lake of swampy ground, mysterious with velvety patches of black ooze; the sinister, sudden gleams of iridescence, like glasses mirroring some magic sky; the succulent, emerald leaves, dangerous and poison-green; the piercing blueness of the small flowers. It had some half-evil glamour. But at night, when the darkness took it, it was a demon world.

At first she fought against it. She struggled with the influence of the place, to conquer it. But she was overcome. She felt as though she were being poisoned. Time passed imperceptibly.

There are certain shocks which, if sufficiently strong, seem to have power to destroy the balance of life. Such a shock would seem to overthrow all the intricate, vital, slowly developed mechanism of the mind, to plunge the victim into a chaotic half-world of confusion and loss. This was what had happened to Anna.

After Haddenham, after Blue Hills, Naunggyi came as the most violent shock to her. She was shocked, utterly, through and through, to the very roots of her being. And she was snatched away from everything that was familiar to her. The shock was too much for her. Really and truly, the shock was too violent. She was overcome.

Without realizing it, she was in a state bordering upon collapse. She was like a person who has been in a serious accident, and who walks away, apparently unharmed, but suffering a secret, intolerable strain which will later break out in some distorted sickness of the soul. She went about vague, silent, closed within herself. She was utterly bound up in herself; but in a bad way, a destructive way, as a plant becomes pot-bound. She could not get away from herself. She could scarcely bring herself to speak. It was as if she noticed nothing that went on. She wondered vaguely what was the matter. Her reflected face seemed blank and rather unnatural when she looked at it. But she felt nothing particular.

She was very isolated. The village of Naunggyi was a good mile away, across the yellow, turbulent river. Matthew’s bungalow was one of a collection of some half-dozen houses which formed the English colony, the seat of government. There was the newish, pretentious-looking club where every evening the English people assembled: the social centre. Round about were the other houses, not very near together. Each house stood in the midst of its own compound, a large rectangle of land, more or less wild, with the great forest trees still standing. Matthew’s house was the one nearest to the marsh. In the bazaar at Naunggyi one could buy food, and cheap household necessities, and the beautiful stiff silk from Mandalay, shot with every colour, like a handful of bright flowers. But there were no shops, no amenities of civilization at all.

But the place was beautiful: beautiful the pure, hot, dazzling days of the tropical winter; beautiful the huge trees, wreathed with their snaky ropes of knotted liana, and tree-orchids flowering in a starry, unexpected fashion. Beautiful, in the bright glitter before midday, to see the people, the natives in their gay clothes, stringing along the white road, on their way to the village. Beautiful to look out at sunrise over the marsh, and see, far off, the line of begging priests, unearthly in yellow robes, pass ghostlily on the distant skyline. Anna was content as far as the country itself went. She liked the strange people and the strange land. But her life, her life among the English people, she abominated.

The country itself was full of glamour. Sometimes she went out very early when the sun had just risen. And then silently she would walk in the deep dust, already beginning to grow warm as the sun strengthened. She would feel the soft warmth of the deep, powdery dust under her feet, and it was like treading on a living flesh that warmed and upheld her. And she would walk on entranced, while the violet shadows crept under the tall trees, and the sides of the branches burned golden, and in the sky, so dazzlingly bright, the fiery body of the sun reared fiercely, against the dark blue space. The magnificence of it, she felt it in her heart, the grand, upward surge of the sun, ruthless, proud, like the triumphant progress of some savage god, barbaric, gorgeous. She felt the splendour in her blood, like wine.

But the terror, the sinister suggestion of the marsh was a menace to her. It pervaded everything. It was a kind of emblem of all her dismay, a symbol of her fear and loneliness. Standing on the wooden veranda, and watching Matthew walking away to his office, walking past the palm tree, over the open space, her heart would contract, she would almost cry out with the sense of her isolation. And Matthew was so inhuman, it was so impossible to speak to him, he gave her no support at all. He even increased her loneliness. Sometimes she felt she must die.

Sometimes she would watch the natives, the handsome brown people, men and women, laughing and singing and talking, as they went by. They looked so happy, with a strange, insouciant happiness that was fascinating to her, a happiness which belonged to some other world. She wanted to talk to them, to get the secret of their happiness. But it was not allowed. A white woman must not speak to a native except to give an order. She was surrounded by a rigid system of commands and prohibitions. So and so and so only must she do. The mysterious threat to British prestige hung like a scarlet danger flag in front of any diversion. And a profound, angry disgust took hold of Anna, a sort of contemptuous despair. She began to despair. There was no hope for her. She had brought her life to an end, she had cut herself off from life.

All that was left was the little feminine social world of the club. What a world for Anna’s habitation! She felt as though she were living in some restricted era of the Victorian past. Everything was cramped and stilted and uncomfortable, hedged in with iron laws of custom and precedent, a complex system of etiquette. And the whole system seemed to be directed against the exercise of personal freedom — particularly against the freedom of the women. Between the sexes lay a vast, unbridgeable abyss, there was no spot of common ground where a man might meet a woman frankly, as one human being meets another. The thoroughness of this sequestration astonished her.

At the club men and women did not mingle. There was the ladies’ room where occasionally a man would come and talk for a little while, a visitor from some higher sphere. And here the ladies sat. Into the men’s rooms they were forbidden to penetrate. And at parties, when they assembled at each other’s houses, the same division tended to arise. Sooner or later, as though obeying some natural law, the men would drift together at one end of the room, leaving the women abandoned at the other.

And then the attitude of the men to the women, and the women to the men — it was false, oh, unspeakably false, artificial to a degree. The men seemed to fall into one of two classes of behaviour. Either they ignored the women entirely, passing them over as though unaware of their existence, boorish to the point of downright rudeness; or they were assiduously gallant, flirtatious. Boorish or flirty, so the male population of Naunggyi appeared to Anna. Never for one moment did any man treat any woman as a rational human being. They seemed to regard the women either as nuisances to be ignored as completely as possible, or as childish, brainless creatures to be flattered and flirted with and forgotten as soon as anything more important turned up.

The women acquiesced. Most obligingly they fell in with this masculine scheme in which they had their place simply as a recreation ground, a form of light relief to the male world, the world of work and sport and important affairs. The women did not seem to question the godlike supremacy of their men. They even seemed honoured when these super-beings bestowed their ephemeral attentions. Their lives simply revolved round the men.

The life led by the women was a narrow voyaging between home and club. In the morning, early, before the sun was strong, they would walk a little to one another’s houses, accompanied by a servant of some sort. The incongruity of those stiff, opinionated female figures, their pale, faded faces and clothes, so inappropriate, in the great burning flood of sunlight! They were rather shrivelled, too, from the perpetual sunlight. Or else flabby and overblown.

Mrs. Barry who lived close by, would come under her green sunshade to visit Anna in the morning. And then, flopping down in one of the cane chairs, Mrs. Barry would talk to her. Anna smiled and tried to seem interested and polite. But what a conversation. It was not really conversation at all. Just a long, rambling flow of trivialities — children and servants and goats and the bad food at the bazaar. Anna was bored beyond words. And yet in her extreme loneliness she was almost glad of the noise, the mere noise of human speech was something to be thankful for.

Mrs. Barry was kind. They were all quite kind-hearted: except perhaps Mrs. Grove, the commissioner’s wife. Anna would have liked to get on with them, if she could. But she could not. For they all seemed so unapproachable, like a family of matronly dolls, impossible to get to know them. They were all so drearily set, so elderly; and, with it all, so unconvincing. Anna felt as if she were at a mother’s meeting when she sat with them at the club. And they looked at her with suspicion. They seemed to suspect her of evil intentions. They envied her youth and her freshness and her smart clothes and the way the men looked at her, sideways, with a secret expression. They could not forgive her these things. And she was cool and composed in her manner towards them, indifferent apparently, she did not treat them with the deference that was due from a young newcomer. So they began to dislike her. It seemed as if Anna, the stranger, had a certain fascination for them, but a perverse attraction, an attraction of instinctive dislike. They suspected her of looking down on them. When she used a longer word than usual, their backs went up, they privately accused her of being pretentious and conceited and affected. That most dismal of all hostilities, the touchy resentment of the ordinary person for an intellectual superior, had them in its grip. To Anna it sometimes seemed that she must die.

And the emptiness! The emptiness of the long hours of heat, when the world outside was a burning dazzle of brightness, and there was nothing to do but sit indoors and wait for sunset and the nightly expedition to the club. The other women kept themselves busy with their children and housekeeping and sewing, an apotheosis of domestic monotony. How was Anna to pass the time?

The house was horrible. It was painful to her to live a single day in such a place. She detested the hideous cane furniture in the drawing-room, the ugly primitive bareness of her bedroom, the stale, sickly smell which pervaded the dining-room. It was all sheer horror. She thought of the careful luxury of Blue Hills, and wondered how human beings could condemn themselves to live in such a place as this. But she did nothing in the way of improvement. She did not know where to begin.

The house was quite large: and dilapidated. The wood was crumbling with some sort of rot, the white-washed walls were blotched and discoloured from the last rains. It all needed doing up. Probably it needed structural repairs as well. The balcony outside her room was beginning to sag dangerously. Who would do these things? Who would pay for them to be done? She did not know if there were workmen in Naunggyi capable of undertaking the job — even if she could find the money to pay them. She had no energy with which to contend with these difficulties. She was too stunned, too apathetic. In a trance of vague discomfort she endured it all. She sat in the broken cane arm-chair. And from outside came the cries of the parrots by day and of the frogs by night, mocking and unearthly in the solitude.

For a time Anna was completely overcome. She seemed submerged. Naunggyi had drowned her, deep, deep, in unfathomable seas of strangeness. It seemed as though she would never come up again. She was done for, drowned. And then something changed in her mind, she altered. It was not that she came to any decision; her vagueness, her bewilderment, her general behaviour remained much the same. But she looked at things from a different standpoint. Whereas before she had been submissive, stunned, indifferent, she now felt herself in violent opposition to everything. She still submitted, she made no effort, but behind her submission there was a new bitterness of resentment. She remained passive and dazed. And yet there was in her a fury of resentment all the time. Furiously her resentment piled up, against her daily life, against Matthew, against the house, against everything.

At times she could hardly bear it. It shook her like a madness, the violence of opposition that was in her. But it seemed that it could find no outlet. Not yet. It was all bottled up inside her, a seething frenzy of unspeakable indignation. But at the same time she was aware of a lightening somewhere. It was too slight, too remote to be called thought. But far off, at the very bottom of her consciousness, there was a stirring, a sensation that the worst was over. The night was black still, utterly, dismally profound; but it had passed the darkest, morning was on the way.

Inward stirrings notwithstanding, her existence continued irksome and monotonous to distraction. She still felt she would die, in the horrible, maddening blankness of it all. Certainly, the country was attractive, with a thrill of magic. But she could never really get near to it, she was shut out. So that even the beauty of the place only added to her sense of lonely futility.

The bungalow depressed her more and more.

‘The place is like a stable,’ she said to Matthew, with a tone of sudden exasperation in her voice. He looked at her in surprise. It was her first complaint.

Matthew’s attitude was rather peculiar. At Richmond, he had been full of apologies for the deficiencies of River House. But here, in Naunggyi, he accepted without demur every discomfort, every sordid detail, and expected Anna to do likewise. This was his world, he was in his true element, the dominant, complacent male. He had his work and his sport, he had Anna. He was a ruler of the people. What more could he want? He fairly pranced with complacency these days.

His satisfaction made him good-humoured. Since Anna was not satisfied with the house it must be embellished. They set out early one day to drive to the bazaar in Naunggyi. The early-morning landscape was wonderful, pale gold and blue and green, the marsh glimmered anew. Natives were going along the road to the village, women in their bright skirts, some of beautiful thick silk with the flowery, intricate patterns, blue, purple, scarlet, green, with baskets on their coiled hair: men with bare bluish tattooed thighs, treading softly in the thick dust: jungle people in single file, fantastic, gnome-like, trotting silently under great mushroom hats.

The bazaar was brilliant, there in the centre of the village, among the bamboo houses on their wooden piles. All the houses were perched up above the ground, as if they were on stilts. It gave the village a quaintly fantastical look, like a village in fairyland. Silks, cottons, slippers, hats, jewellery lay spread out on the low stands under the palm-leaf awnings: further on was the crowded food-market. From bullock-carts bales and bundles were arriving, people came up with every conceivable thing, baskets, coco-nuts, pottery, umbrellas, sweets, cosmetics, and loads of vegetables and fruit and flowers.

Matthew and Anna went from stall to stall, with a man to carry their parcels. Anna bought silk for curtains, and some bowls and ornaments of black and gold lacquer, very Chinese-looking and dragonish, and white mats embroidered in coloured wools for the floor. Matthew went with her, inclined to scoff at her purchases. Rather domineering he was, and bargaining rudely with the sellers. Anna felt ashamed for him. He seemed churlish and uncouth beside the laughing, graceful people.

They went back to the car, and Anna looked round at the lovely press of colour, the brilliant skirts, the huge hats or the jaunty little head-scarves of the men, the golden piles of fruit, the heaped, vivid flowers, the goats and dogs, the pale, elegant bullocks — and she longed to make herself part of it, to take part in that life. But it was impossible for her to take part in it. It was as if she watched it all through a glass window. She could not come near.

If only she could get through the glass. She looked out on the rippling colours of the crowd. The sun was hot on her hands. Matthew was wiping his forehead with a blue handkerchief: he lifted his hat, and she saw his head for a second, black in the golden sunshine. The queer fish. She shuddered in distant repugnance.

And these brown-skinned creatures, what were they? She watched a youth who was passing, playing on a Chinese pipe. The little wail of sound came broken, weaving in and out of the market noises, very thin and clear. The bare, brown torso of the youth was beautiful, she saw the curious shadowy blueness of the tattooing on his slender thighs.

She looked at him, his black hair, his golden body — so close to her, so similar a being, yet so incredibly remote. How great a gulf must always divide her from him! And as she looked at him he turned his head; a sort of recognition flashed in his eyes, an acknowledgment of her. He was aware of her. And he was looking at her over his long pipe, watching with that open, smiling look. He smiled at her. He seemed to look at her with friendliness and good will, and frankly, freely, keeping his own dignity and freedom. He did not impinge on her. He kept his dignity and his restraint, his liberty, intact. And he left hers intact. She felt a quick glow of appreication for him, for his delicacy, his dignity. If only she could communicate with him. She felt him as a human being — one who would not humiliate her, or make demands upon her, or treat her unworthily. He blew a little personal tune for her, his dark eyes smiling. And he passed on. Why, oh why, was he on the other side of the glass?

‘We must get back,’ said Matthew. ‘I ought to be at the office by now.’

She looked at him. She looked coldly, dispassionately at him. She looked for the winsome quality, the suggestion of something pleasant about him which she had seen in the beginning. And now she could not see it, she knew that she would never see it again. Only she saw his obtuseness, his stupidity, his crudeness. He was uninteresting. He was nothing. She had got inside the parcel at last, and there was nothing there. The ultimate secret of her surprise packet revealed itself as a blank. He was nothing at all. She did not specially dislike him. But she resented having to live with him. Living with him was almost too much of an insult. Her cold, indifferent eyes watched him, and repudiated him. He would never be anything at all to her. Even though she yielded him her body.

She got into the front of the car, which was loaded up behind with the things they had bought. She heard the shred of a tune drifting over the noisy crowd, seeking her out.

‘Are you pleased with your shopping?’ Matthew asked.

‘Yes,’ she answered. She looked at him with grey, condemnatory eyes, wherein lurked a sardonic contempt.

‘All that silk stuff will go rotten as soon as the rains start,’ he said, a covert sneer in his voice. It hurt him all at once that the house was not good enough for her. It was good enough for him. He felt that she was slighting him.

They rattled back through the growing heat of the morning. It was very hot by the time they got back to the shabby, gloomy house. The servants came out to meet them. Matthew went indoors with Anna, while the parcels were being fetched from the car.

Anna looked at Matthew impartially. When they were inside, out of sight of the servants, he took her in his sinewy embrace. She saw the smooth, tough skin upon his cheek. And his hair, brittle and dry and lustreless, with a strange dead look, repulsive. How could she endure his embraces, how could she suffer him, and live? In the hot, tropical stillness she felt a chill. But the worst was over. She knew that there would be an end. Some time, she would shake off the nightmare and the marsh, and be for ever undismayed.

CHAPTER 15

TIME went on. The brief, beautiful spell of winter weather was ending. Every day it grew a little hotter, the nights began to lose their freshness.

‘The hot weather will soon be here,’ Matthew said.

Anna stood outside, in the sparse and speckly shade of the tamarind trees which seemed to be always losing their leaves, and watched the big lizards basking on the branches and on the trunks of the trees. Some of the lizards shone blue like turquoise, they really seemed carved out of turquoise matrix, they glowed, they shone. And the other wrinkled, yellowish lizards were also like ancient carvings in precious gold. Minute after minute the dry, inscrutable, ancient-looking creatures hung motionless on the rough bark, as if waiting for something. Anna watched them, with her grey-blue eyes.

‘Shall we be here for a long time?’ she said to Matthew. ‘For always?’ She seemed to speak with a kind of impertinence, lost upon him.

‘Till I get transferred to another station.’

‘And when is that likely to happen?’

‘Perhaps not for years,’ he said indifferently. ‘I don’t know.’

‘I see.’ She had a slight smile on her face, secretive, slightly contemptuous, which he did not notice.

He now felt almost sure of her, almost safe. Only occasionally he was afraid of losing her. For the most part he thought he had safely caged her. He thought he had won. He did not realize how her spirit was set away from him. And she, when she saw his complacency, his obtuseness, she felt the old heavy suffocation, weary, hopeless despair, like a slow suffocation.

They lived in the same house. And she submitted herself to him. Outwardly she seemed apathetic, hopeless. But inwardly she trembled, she grew sick with the horror of his proximity. She felt she must die. Yet she did not really despair. She had in her some calm foreknowledge that kept her alive. She would escape, sooner or later.

But Matthew’s unreality affected her strangely. It seemed to make her unreal also. The strangeness of the place, of the bungalow, of the people at the club made her feel like an actor in some meaningless play. She was unreal. She was not herself. The real world she had left behind her; she was wandering now in a strangely lit, false world of unreality, imitation houses and painted landscape, and mouthing, unnatural people.

Quite unreal, quite out of herself, she went to the club, or sat in the lonely bungalow, mechanically, like a clockwork figure. She felt that Matthew had turned her into an automaton, destroying her individuality. It was his influence making her unreal.

She felt as though she had lost herself. Her personality was absent. She was like a mechanical thing moving about, with no real existence.

She appeared to be settling down. She now had two rooms more or less habitable, the drawing-room and her own room upstairs. These rooms were quite pleasant, with curtains of stiff, shot Mandalay silk, and bright rugs on the floor. And she had written for books to be sent her, she had books and papers to read.

She did the things that were required of her, the things everyone else did. But whatever she was doing remained unreal to her, nothing had any significance. She went to the club; the talk which she heard and in which she joined was like a dialogue heard in a theatre, she seemed to listen to it from outside. With a vague surprise she heard her own voice speaking. But it was not she herself who spoke. She was simply not there. She had no contact with anything. There was no meaning in the world in which she now moved, it was made up of shapes and noises, without reality or consequence.

During the greater part of the time she was alone in the house. Then everything became blank. The loneliness completely extinguished her, it washed over even her fictitious self. She was nothing.

Matthew’s work obliged him to be away a good deal: five days, a week, sometimes ten days at a time. He took his own personal servant and the second house-boy who could cook a little, and went off into the jungle with his guns and papers and paraphernalia. Then Anna was quite alone. She became a vague, aimless portion of a vague, meaningless world. It was all a sort of empty madness, a madness of vacancy. Everything faded into blank inanity, she was a blankness, everything was blankness, there was nothing but blankness, and it was horrible, horrible. It almost killed her, it was so horrible.

The nights were worse than the days. The days were just bearable, so many stretches of interminable emptiness, that seemed really endless. But they did end, and then came the horror of the night.

Slowly the horror would accumulate, soaking into Anna as she lay on her hard, uncomfortable bed. The frogs were noisy, and their croaking rose from the marsh, a strange disharmony of sound, half-bark, half-cough, filling the silence of the house. She was quite alone. The servants slept away in their row of primitive go-downs at the back. And she knew, if she called, they would never hear her, or would pretend not to hear.

Anna would lie on her bed under the ghostly net. There was no light but the faint, discomforting pallor that came from outside. She could not even lock herself in. And she could feel the demonish exultation of the marsh gathering on the tepid air.

She thought of the horrors of the jungle, the stalking, silent creatures, tigers and panthers with their fœtid breath, and the great snakes moving unseen over the darkened ground. And she thought of the people apparently so gay and innocent, with a friendly look. But at the same time, how extraordinary they were, how incomprehensible. Who could tell what unknown devilry lurked behind their smiling insouciance?

She lay and thought in the darkness. And all the time her nerves were trembling, strained tight with horror. She heard the irregular beating of her heart, now loud and fast as though to choke her with painful speed, now slow, slow with a deathly reluctance, till she could fancy herself really dying. But always it would start again, the laborious beating, beating her back to renewed consciousness of fear.

She knew the ultimate fear of darkness, in the night. Her nerves seemed stretched to breaking, in a long pain.

She thought the morning would never come. She slept, and wakened suddenly with a fresh start of fear. She sat up and listened. From far away, out of the unknown night, the slow clanging of a gong came sullenly. Then it stopped, died away, and immediately the noise of the frogs filled up the empty darkness.

It was torture to her, the loneliness of the night. It terrified her and destroyed her. The nightmare was worse than anguish to her. It destroyed something in her mind.

In a trance of apprehension she went through the empty days. She was all the time waiting for the night, her mind was screwed up in a knot of suspense. As the days of loneliness passed, her misery increased. She wondered vaguely how she could endure the awful horror that had overtaken her. Then Matthew came back.

And immediately the horror retreated. Its edge was dulled. She was no longer quite alone in the ghastly black void of the night. She came back to herself a little. Her blood began to flow again in normality. But still there was the tension underneath. She was lonely, she was endlessly lonely. And she was afraid. The horror was gradually inflicting a permanent injury, a sort of unhealing bruise was coming on her mind.

Anna had her books and her curtains, her little odds and ends of personal possessions in the house. But she was not really settling down, although she appeared resigned. Even Matthew realized this. It rather irritated him to see her wandering aimlessly about, or sitting under the punkah, with the curious vague, lost look on her face. She seemed to have no sense of permanency. She never looked upon the bungalow as her home.

‘What is the matter with you?’ he asked her, hostile. ‘Why can’t you be like the rest of us and make the best of things?’

She smiled at the futility of the question, and would not answer. She knew the hopelessness of trying to talk to him.

It made him indignant that she still remained somehow apart. It shattered his complacency to think that he had not finally conquered her even yet. He craved so much to possess her utterly, not in the possession of love, but as one might triumph over an enemy. It came to this, that he craved to conquer her. And he had so nearly succeeded. He possessed her body, he had imprisoned her in the house with him. He had cut her off from her own world. It seemed that he must have vanquished her completely. She seemed so submissive. And yet, in some way, she still eluded him. There were moments when he could not believe in his victory over her. He had not got her altogether, even now.

This made him very angry. A frenzy of determination came to him to possess her utterly. The sense of frustration was maddening to him. He must, must conquer her.

He began to hate her for eluding him. He hated her because he knew that she despised him. He hated the way she had of looking coldly at him when he spoke to her, and then turning away her face in a gesture of cold, indifferent contempt. It made him feel he could kill her.

And Anna, when she looked at his angry face, when she saw his eyes blank and opaque like two circles of blue glass, and the strange cunning expression, almost imbecile, yet so crafty, about his mouth, then a great disgust overcame her, a shuddering repulsion. And she knew she would have to escape: or die. It really seemed at such moments as if she would die, or as if he would kill her.

And then it would be all over, suddenly. The tension would relax, the atmosphere would suddenly change. Back would come the old Matthew, the man she had known at Blue Hills, the neat, well-mannered, innocuous person, quite uninteresting and unimportant, but well-disposed towards her, and even genuinely affectionate — her husband. He would smile at her, and say quite nice things from his mouthful of sharp little teeth. There was something agreeable about him, his odd, inconsistent humility, his sincerity. It all seemed genuine enough. But, at the same time, there was the rabid hostility underneath, a sort of repressed madness, rather frightening. Sometimes Anna was a little afraid of him: sometimes a goblin perversity drove her on and on to provoke him: but for the most part she disregarded him. He did not matter.

The climate, and the loneliness were beginning to tell on her; she looked tired; she was thinner and paler.

‘You don’t feel ill, do you?’ Matthew asked.

She could see his blue eyes examining her closely, eagerly, with a curious suggestive speculation, slightly indecent. She knew he was wondering whether she had conceived. He was very anxious that she should bear his child. He wanted to set the final seal of his possession upon her. A child would surely subject her to him, would make her ultimately his.

But Anna, when she thought of it, felt her heart sicken with horror. She did not want a child either with her body or with her mind. It was not her role. It seemed unnatural, almost shocking to think of such a thing. The thought disgusted her. Yet there were times in the midst of her loneliness, in the midst of the dreadful blankness which her life had become, when a different mood came upon her. At such time she began to tell herself that she should bear a child and be as other women, content to abandon her own life to live again in the child. She almost persuaded herself that she would be happy doing this. That this was her true womanly destiny.

But then, when she thought of Matthew’s child, she shuddered in every nerve. If she could conceive a child of herself and bear it of herself alone, well and good. But Matthew’s child! She shivered at the thought. No, it was not to be thought of, never, never. How could she bear it? How could she bear the thought of producing a curious neat, half-unreal, ball-headed child, a little surprise packet of her own? How could she! Disgust flamed to horror in her heart, she felt revolted. The very idea wrenched her with actual nausea.

So that it distracted her to know that the thought was always in Matthew’s mind. And also in the minds of the other women. There was a rich stir of fecundity abroad among the white women of Naunggyi, a warm, moist surge of philoprogenitiveness. Anna saw it all as so revolting, a sort of human stud-farm.

Mrs. Barry came and leaned against Anna’s new cushions and smiled at Anna suggestively. She was a faded and rather sugary-looking young woman, inclined to prettiness.

‘It must be dull for you here alone,’ she said. ‘Perhaps later on —’ And her pretty, light, slightly blood-shot eyes would gaze eagerly round the room in quest of some telltale oddment of sewing or suchlike.

Anna found it disgusting. It was really repulsive to her, this semi-lewd interest in her reproductive possibilities. She felt herself go hard and cold, very tensely rigid, and sharp, sword-like, in the midst of all this warm, yielding luxuriance of femininity. She seemed to close up more than ever in herself.

None the less, the general atmosphere of breeding and maternity had its effect upon her. She did actually think, occasionally, that she would like a child — provided it was not Matthew’s. More as an occupation than anything else. It would be an interest.

But in her more lucid moments, when the nightmare of the place had retreated a little, she was astonished at her own imaginings. Except that they were not her own. It was not Anna-Marie who indulged in these incongruous flights of fancy. She was not herself. The mere incongruity of associating her real self with procreation made her tremble.

The cool months passed away, with their limpid mornings and floods of bright, pure sunshine. March was already tropical, a steadily increasing onslaught of torridness. The punkah was creaking from morning till night, stirring up the sluggish, lukewarm air. And the shutters were always closed. The sun had become an enemy. So that the rooms were always dim, depressing, yellowish. A queer yellowish light came oozing in, like marsh-water, through the wooden slats of the shutters. By the middle of April it was almost too hot to live. The scourge of heat had fallen like a visitation. Everyone complained in a half-hearted, hopeless way. There was nothing to be done, of course. Except grin and bear it. But it was deathly, dreadful; an abominable infliction. Like one of the mediæval plagues.

Anna could hardly drag herself out of doors. Even the early mornings were burning hot. And the heat seemed to lie upon her like a great, intolerable, irritating mass, crushing out her life. She felt half ill all the time. She had no spirit or energy. She was crushed.

Yet the outside world was wonderful. There was a changing, eerie beauty about the landscape. From day to day it altered, assuming gradually a strange coppery, metallic brilliance, almost orange-coloured, like a Martian landscape. There was something unbelievable about it, really other-worldly. You could imagine yourself on some other planet. And the people, the natives of this other world, changed too, were changing from day to day. As the days went by, a sort of excitement seemed to be working up in them. They went about more. There were always groups of brightly dressed figures going along the roads, bullock-carts bumping along in a Christmas-tree jingle of tassels and little bells, and the sharp, nerve-racking whine of the heavily loaded carts. And suddenly, in the still, burning air, wild music breaking out: the squeal of a pipe, and strange falsetto voices singing, chanting in vibrant cadence, with sudden startling flourishes and bursts of music. And gongs clanging. The strange, deep, powerful, disturbing sound of the gongs, like the yelling, ringing throats of demons. Strangely exciting, it was, to sense the excitement rising in the native world. The magic, the dangerous, sinister thrill of the old Eastern demonology which it brought up.

‘They always go on like that before the rains,’ said Matthew. ‘It will be the same until the rains break.’

And sure enough the excitement went on, day after day it accumulated, the crowds of brilliant figures straying about, like bright leaves speckling the dust-dry earth, the high, unnatural voices singing. Anna felt it more than she could bear, the heat and the suspense, waiting there for the rains to break, in the burning, unearthly solitude, cut off from the world. It seemed to be driving her mad.

There was now a distinct breach between Anna and the rest of the feminine population. Of course it had been hopeless from the start. Quite hopeless for her to expect to get on with them. But she had done her best. She had dined out with Matthew at each house in turn, and had dutifully returned the invitations. But the flatness, the hopeless dreariness of those dinner-parties — it was enough to make one weep. First the dinner itself: the inevitable luxury of tinned asparagus, the cook surpassing himself in some sort of sweet — usually a solid lump of ice with a candle burning inside, as under a transparent bushel — which the men would not condescend to touch, and Matthew being rather sprightly and coy with the ladies at his end of the table. Then the feminine group in the drawing-room, the general atmosphere of feminine confidences, the spate of trivialities, the endless waiting for the men to appear, Mrs. Grove staring out of her insolent wasted face, like a living skull-and-crossbones at the feast, and Anna herself falling gradually silent in an asphyxiation of discomfort and ennui.

She gave it up after a time, the effort to be pleasant and to join in the game. It was no good. She would never succeed — not if she tried for a hundred years. She would never go down with them. So she gave up the attempt.

It was strange to Anna to feel the profound, suspicious dislike which all these kind-hearted women seemed to have of her, just because she was a little different. Because she was not quite as they were, they were hostile, malevolent, affronted. She felt that they would like to do her an injury. She could feel the waves of envious dislike going out against her, because she was young and intelligent, and because the men thought her attractive, in her pleasant clothes.

Yes, the men were attracted towards her: no doubt of that. They talked to her at the club, and escorted her about, and watched her out of the corners of their eyes when they thought she wasn’t looking. Some of them even made tentative advances when Matthew was away. Nothing really definite or compromising. They were all very circumspect. But it was obvious that they wanted to flirt.

Anna would have nothing to do with them. She didn’t care for their conceited, underhand, cautious methods — so patronizing. She was sick to death of the lordly male. But the women were impossible. She couldn’t talk to them. Moreover, they were beginning to avoid her. She seemed doomed to complete isolation.

Except for young Whitaker. Whitaker was a young man working for the railway, a very junior official. He was only about twenty-five, and looked younger, but he was married to a florid, matronly sort of wife, and had already a pair of shrill-voiced children.

Anna was not very interested in him. He was an infantile creature with a round, cherubic face and a bewildered expression. The load of domesticity with which he had burdened himself seemed rather too heavy for him, too much of a good thing. Hence the bewilderment. His wife and his two babies seemed to fill him with wonder, as though he wondered how they came to be there. However, he bore up bravely under the burden of family life.

The shortest way to the railway offices lay past Matthew’s bungalow, and Whitaker passed every day, hurrying along, down a narrow goat-track at the edge of the marsh. Sometimes Anna saw him from the window, sometimes he caught a glimpse of her, and, when this happened, he made her a quick salute and hurried on faster than ever. He was rather shy; particularly of Anna, to whom a curious reputation was beginning to attach itself.

One day he killed a snake with his stick. There were a great many snakes hidden under the leaves and the rubbery, turgid stems of the marsh plants which remained green and lustrous in spite of the heat. Anna saw the incident and came out, out into the burning ferocity of the sunshine. She was fascinated by the sight of the dead snake, the weird, magnificent skin, dark purple and yellow blotched with brown, like some sinister crushed orchid lying on the burnt ground.

She talked to Whitaker. She suggested that he should walk through the compound in future, instead of along the marshy track on the other side of the fence. It was agreed. His chubby, khaki-clad figure now passed a little closer to the house. When he saw Anna he saluted her with the same slightly embarrassed politeness as before. That was all. Then suddenly one day, he came into the house on some pretext. Anna was astonished. What could have possessed him? Looking like an overgrown infant in his khaki shorts, he sat and made conversation in her gloomy, dim-lit drawing-room. She was amused by his plump, bare, sunburnt knees. She wanted to laugh at him. He was so absurd with his shyness and his awkwardness and his bewildered-cherub appearance. But she did not send him away.

He came fairly often after that. Anna couldn’t imagine why. But there seemed to be some attraction. He sat, rather gauche and infantile, and dropped cigarette ash on to her coloured rugs, and broke his long silences with laborious banalities. She laughed at him secretly and was rather bored, rather amused. But she did not rebuff him. To tell the truth, she was glad of even this shred of human companionship.

Matthew came back one afternoon earlier than usual. Anna was in the drawing-room with Whitaker. Tea-things were on the table. She heard Matthew come on to the verandah. The sound of his footsteps and of his cross, domineering voice speaking to the servants, filled her with apprehension. She was apprehensive without knowing why. She waited apprehensively. He came in.

‘Will you have some tea?’ she asked him.

He did not answer, but stared at Whitaker. The young fellow had risen in confusion. Embarrassment overtook him; he was stricken dumb with awkwardness, like a child. And Matthew stared him rudely, insultingly.

Anna talked at random. She was furious with Matthew, who stood with that neat, insolent face, staring at the young man. Presently Matthew sat down. His actions jarred on her, everything he did. How hateful was the way he stared, insultingly, so arrogant! She hated him. His behaviour disgusted her.

Matthew sat there, his face wooden and stupid, fixed in the persistent rudeness. He drank his tea, and stared over the top of the cup, rudely. His sun-helmet had left a red line across his forehead, there was a dampness of sweat round his nose and mouth. He would not speak to Whitaker, even when the young man addressed him directly. He simply sat there, ensconced in his ugly, stupid, malicious rudeness, and stared at him, to stare him out.

Anna felt sorry for Whitaker with his bewildered, embarrassed, innocent face, which had never lost its babyish roundness. He stammered and grew pink, then very white, and finally went away.

Matthew went on with his tea. Anna could not bring herself to speak to him. Her disgust was too deep. It was his stupid complacency that she could not bear, so ugly and insensitive. There was a long silence. Then she took up a book and began to read. This irritated him, and he looked at her with his foolish, blue, bright eyes, blank and meaningless as a pair of marbles in his face.

‘What was that young cub doing here?’ came his bullying voice.

She winced in disgust and did not answer.

‘Why were you having tea alone with him?’ came the voice again, in the same hectoring tone.

And still there was silence, except for the turning of a page.

He pushed back his chair with a loud noise, and stood up. He stood over her with clenched fists and the ugly glitter in his eyes, as of an irritable madness. She thought he would strike her. She did not waver. A sort of fiend of defiance came into her. She was purely opposed to him, utterly defiant. His standing over her, threatening her, the stupidity of him, the way his hands quivered, disgusted her beyond measure. She looked at him coldly, destructively, with disgust and loathing. And the frenzy rose in him, his eyes glittered blue and dangerous, he was murderous in his blank rage. And she despised him. He seemed a base, contemptible object, threatening her, bullying her. She only wanted to get away from him.

‘What is it to do with you?’ she said. ‘I shall have tea with whom I choose.’

The angry blood came up in him like a red sign. He seized her shoulders and thrust her back in the chair, as though he would force her through the back of the chair. His face was blank and blind.

‘Oh, no, you won’t!’ he shouted in his frenzy, right into her face. ‘I won’t have it. Not in my house. I forbid it!’

She looked straight at him, with the calm, contemptuous face and the indifferent eyes that cowed him, made him go limp and deflated. He released her and moved away. She saw his neat, stiff figure moving. He went outside. She sat on in the room alone.

She picked up the book, which had fallen face downwards on the floor. Her shoulders hurt where his hands had gripped them. She sat still and smoothed out the crumpled pages. She was not frightened of Matthew. But he repelled her. She was repelled by his hard, hairless body, and the head poking forward rather from the shoulders, in a sly, mean, stupid way. He was like a repulsive burden upon her. If only the time would come when she could shake him off.

Young Whitaker did not come to the house again. Matthew had said something to him; had probably been abusive. There had been some sort of a scene. Anna did not care to find out what had passed. There was a great disgust in her heart, a cold, imperturbable indifference in her manner. She continued negative and vague on the surface. She seemed to be waiting. In the fullness of time, the opposition that was within her would culminate in her escape. She walked sometimes on the road which led to the station. She had money of her own. Any day she could go to the station, and at the station she could take a train to Rangoon, and from Rangoon a boat would take her back to Europe. The way was open. But the time had not yet come.

The slow, hot days went by. Matthew was away a great deal of the time. In the club he was quarrelsome and touchy. His original slightly obsequious leaning towards friendliness had vanished. Both he and Anna were thoroughly unpopular in Naunggyi.

For days on end Anna did not speak to a soul except her servants. And it grew hotter and hotter. Every day a little hotter than the last, with the hot sun riding up, blinding bright, into the burning sky, and the cauldron-like earth simmering below. The rains were coming. There was a strange electric stirring and undulating in the fiery atmosphere. The distant hills stood out sharply, with the trees distinguishable, a tiny, greenish patterning, like shagreen, very clear and regular, on the far-off slopes. Sudden great gusts of wind would come wheeling hotly out of the blazing hush, pillars of grey dust would travel, ghost-like, in silent, stealthy haste across the plain. And clouds began to appear, piling up nightly in heavy portent, like some grandiose doom. In the morning they would all have melted into the vast, scorching, beating light. But evening saw them rolling up once more, a solid, dark pack above the horizon, inexorable and grim. They had to come.

To Anna, so much alone in the strange place, it seemed that immense omens lurked in the sultry air. She waited for the coming of the rains with superstitious anticipation, as if she expected a heavenly sign to be vouchsafed. When the rains came she would escape. She would get away from this place which was destroying her. Her longing for escape burned to a sort of fire within her. Every evening she watched the enormous clouds piling themselves against the sky, and waited for the first drop of rain to fall.

And then suddenly, it was the end of everything. She realized that she was with child. A great sickness of horror and despair went through her. She was incredulous. She had thought so often about the possibility of conception, of bearing a child, but always as a sort of sentimental abstraction, never really in connection with herself. And now the disaster had overtaken her. A certain sense of finality made her hopeless and despairing. This was the finish, the finish of everything. She would never escape now.

Matthew was away for a few days. Anna was dazed with shame and despair. She felt strangely degraded, as though some shameful mark had been set upon her, some sordid stain that could never be removed. She was madly ashamed. She could not endure her body. When she caught sight of her reflexion as she dressed, she shuddered and turned her eyes away as from something horrible and unclean. And again, at night, when she was having her bath, her nerves jerked with insane repulsion, she could not bear the sight of her body. Whenever she thought of the child forming within her, a sort of madness of repulsion flooded her mind and flesh, an intolerable sickness. She wanted to kill herself. This final blow, she felt, had really broken her. She felt as if everything, Matthew and the place and the coming child, were a nightmare, a nightmare against her. Something at the core of her remained cold, indifferent, changeless. But she was so overwrought with horror, that even the sight of her bare arms filled her with quivering disgust. She felt that her body was desecrated and soiled. It would never be clean again.

The letters from England arrived once a week. Anna sat down indifferently to read them. Her heart was dead and despairing.

The first she looked at was from Lauretta — all chatter about Blue Hills whither she had just travelled from the Riviera. The second was a letter, an untidily written scribble from Catherine. ‘When are you going to invite me to visit you? I have had enough of Oxford. The time has come for me to make a change — the more complete the better. So hurry up and say that you would like me to come. How much longer do you intend to let your intelligence atrophy —’

It was like a voice from the dead. Anna trembled as though she had received a shock. She glanced round the room. It was like an oven, filled with dull, dead heat. The punkah had stopped. She called to the man to go on pulling. Then she picked up the letter again. She looked at the writing on the pale blue notepaper, glanced up at the swinging punkah, and at the dim, closed room. She had passed into another world now, where Catherine could never enter. She felt that she had suffered a severe shock. A bitterness of despair came over her.

She sat still, pale and bitter. It was a black world which she now inhabited, like a purgatory, like an incurable illness. How could Catherine come into it? It was not possible that she should come. Anna was alone in her degradation. A humiliating, outcast despair filled her. She could not face Catherine, or write to her. She was too much ashamed. Her life was shameful and lonely. There was no longer any hope for her, there was no chance of escape. Yet, in spite of her humiliation and the despair which possessed her, she still remained in some part of her soul aloof and untouched. It was the hard centre of her being which never altered. Nothing could touch that.

She longed for Catherine to come to her. But a barrier of shame was between them. She wanted Catherine. But she was afraid that Catherine would despise her because of the ruin she had made of her life. She thought of the bold beauty of the other girl, of her brilliance, and she could not endure that contempt should take the place of admiration in Catherine’s large, intense, dark eyes. She looked at her own body. And already its fine lines seemed to her to be thickened and coarsened, she imagined that she could detect the onset of a heavy femaleness which was loathsome to her. She was afraid of Catherine’s flamelike fineness, she could not face it, because of the prospect of her own physical degradation.

Anna wanted Catherine to come to Naunggyi. She had confidence in the power of the other girl to rescue her, she trusted in her, she was certain that Catherine would extricate her from the nightmare of her existence. It was a terrible blow that she could not ask her to come. It seemed that she had been waiting all the time for Catherine’s arrival to save her from Matthew, to set her free. But now Catherine would never come. It was too late. At the bottom of Anna’s heart was a deep wound of despair. She was certain that Catherine would have been able to save her.

But she could not ask her to come. Her shame was too deep. Hopelessly, feeling that this was really the end, she put away Catherine’s letter, and did not answer it.

CHAPTER 15

AT the end of the week Matthew came back to the bungalow. Anna saw him walking across the parched, open space. He was quite well-made, but with the ugly, clumsy sun-helmet on his head he looked foolish, top-heavy, curiously like some sort of mechanical toy. He was healthy and strong, the typical man of action, he walked rather like a wound-up machine.

She was repelled when he came into the drawing-room, his large fists dangling, his head dark and smooth, but not shiny, and his blue eyes glassy and bright. He seemed so unaware of her, like an animal. And yet his glance was so possessive, it sickened her with disgust. She was hostile to him, repelled by him, and yet indifferent.

He looked at the quiet, seemingly impassive girl, and he thought he had got the better of her. She noticed the complacent, proprietary, slightly suggestive regard which so disgusted her. She could not bear to think that she would have to tell him about the child. She felt that she would never bring herself to tell him.

‘Is there any news?’ he asked, smiling and showing his sharp teeth.

She shook her head.

He came and put his hand on her shoulder in a sort of caress, a heavy, clumsy touch from which she shuddered. She turned aside her head, hoping he would not kiss her. She felt as though she were bound up tightly, in a knot of distaste.

‘Nothing happened while I’ve been away?’

‘Nothing at all,’ she said, resisting him.

His hand tightened upon her. He tried to draw her against him.

A madness of opposition sprang up in her heart. She wrenched herself away. She knew she would never touch him again. Suddenly, she couldn’t endure to be touched by him. Her repugnance was like a madness in her. She was desolate and degraded. But she would never touch him again.

Her opposition would never waver. She knew that this was final. She saw nothing but a dead, dry ugliness in Matthew. He was utterly repellant to her. Every nerve in her body seemed to strain away from him.

Immediately, there was a flare of sheer conflict between them. Matthew stepped back. His face had gone stiff with rage. He turned his back on her and walked out of the room. Anna had bested him for the moment. But the ultimate struggle was postponed merely. Her heart was in a trance of despair, blank, ashy dejection. She wanted to die.

In the late afternoon Matthew went to the club. Anna stayed alone in the house, sitting quite quiet, white, and numb. Her emotions seemed to have become deadened, her spirit hard and cold. Her thoughts made her miserable, so she tried to think as little as possible. At the bottom of her heart a cold despair lay like a cold stone. She would never escape now, there was no hope for her. Her hope was laid away in the drawer with Catherine’s letter, there was nothing but opposition left in her. She would resist Matthew, he should not touch her, she would resist him for ever. This was all that remained, this cold, negative force of resistance. The vivid flame of her real life was extinguished. Her real self was lost and dead.

The miserable minutes passed, in the hot, empty, dilapidated house. It was insufferably hot. The punkah swung back and forward wearily. Back and forward, back and forward, the monotony caused a deep-seated physical ache in her. She went upstairs to put some eau-de-cologne on her forehead. The things on her dressing-table, the bottles and the silver-backed brushes, were almost too hot to touch. It was strangely dark.

She went to the window and looked out. Great clouds were moving across the sky, though the air was deathly still. A curious coppery film, like a veil of electricity made visible, hung in the upper air. The parrots were making a great noise.

She stood for a minute to watch the fluttering parrots. She had a sort of fondness for them, for the small, vivid, blue-green birds, so brilliant and jewel-green, darting and poising among the dry-as-dust branches of the tamarinds. She was sorry for them when, in the heat of the midday sun, they swooned with the heat, and fell down dizzily, small green-winged fallen angels, to lie half dead and palpitating on the ground. Now they were all dithering with excitement, for some reason, flashing and beating, and screeching their thin, sharp, frail little cries.

The whole pulse of the day seemed stifled, the air heavy with suspense, burning, sinister suspense vibrating in the air under the clouds, over the still, breathless plain. It was about the time of sunset, but in the west, and over the whole sky, the threatening mass of cloud had gathered: the dark clouds roofed over the world. They looked black and massive as iron, and heavy with an ominous, diabolic portentousness. Like the iron wings of demons. And underneath the clouds, between the clouds and the earth, the strange electric luminosity hung, phosphorescent, shedding a livid gleam upon everything.

There was no one about. The world seemed swept clean of humanity. All at once a desolation had descended. Away in the village, gongs were rolling their heavy notes on the air.

Anna went downstairs again. The drawing-room was almost in darkness. She called a servant to open the shutters.

‘The rain is coming,’ said the man, stepping quickly about on his small, quick, silent feet. In him, too, the dark thrill of expectation and excitement was perceptible. The forbidden, obscure excitement of the old demon-worship. He opened the wooden shutters with deft, rapid motions. Anna could feel the secret, intense, febrile preoccupation in him, rather ghoulish and frightening. He hurried silently away. She was alone again.

Her mind and body alike were taut with suspense. It was almost more than she could bear. She did not know for what she was waiting — for the rains to break, or for the struggle with Matthew, or for her own destruction. All was strange, dreary, and desperate. Yet her inner pride held its own. Let her body be defiled, let her spirit be quenched; yet she would never yield, she would never really be touched. Just such a single, lonely spark of pure resistance glowed in her, indomitable.

She began to revive the memory of her past life. It was almost as though she evoked for the last time the spirit of her real self. It was as if, through her memories, she might return for a little to her true self, as she had been before the nightmare had enveloped her, before this doom had come upon her, this misery of thwarting and degradation.

She thought of her father and herself, and of Haddenham and her relations with Sidney and with Rachel Fielding, and of Blue Hills. And it seemed to her that her life had been a river flowing on strongly to some unknown but appropriate destination, from which her marriage had caused it to deviate. It was Lauretta who had diverted it from its proper course. But she felt no especial bitterness against Lauretta. Only she felt inclined to weep at the cruel purposelessness of her own frustration — why had it happened? And she wondered what her true life should have been, the course for which she had been destined.

It was a torment to her to recall the past. For it was like looking back on a life of lost opportunities. It had been beautiful and full of promise. She saw the promise of her beginning, which could never come to fulfilment, she saw its death. And the rare, fine self which she had lost had lived so briefly, she had not had time to realize it.

At length Matthew came back from the club. Hard and despairing and closed within herself, she waited for the start of the battle. She heard the heavy clatter of his footsteps outside. He did not look at her as he came in. His face was neat and unrevealing as ever, his eyes bright and blue and expressionless, his dark head was round and foolish-looking as it always was. But there was about him a dangerousness, a sullen, surly, slightly unbalanced air. He looked a bully. He glanced at Anna’s calm, abstracted face. Hysterical anger gushed up from his heart.

They sat down together to dinner. The lamplight fell on the heavy, gaol-made furniture, bringing out reddish gleams, like blood, in the dark wood. The heat was stifling, volcanic, like a molten mass pressing against the walls of the house. Anna felt she could not live. Outside the windows, pale flickerings of lightning came and went.

‘The rains are breaking,’ Matthew said.

‘Will the rain come to-night?’ she asked. It was difficult to speak to him.

‘Perhaps,’ he answered, churlish.

She felt she would die.

The servants hurried on with the meal. They seemed electric, vibrant with secret excitement; not so much human beings as living conductors of electricity. Anna looked at the thin, brown, delicate hands of the man who was serving her. She could not bear to take the dish from him, lest his hands should burn her with a fire of electricity, lest sparks should fly from his finger-tips.

Matthew sat silent in front of her. He was dressed in white, and his skin showed dark as leather against the white linen. She could feel the fierce, almost insane antagonism in him, the lust to conquer her. And she could feel her own resistance, unchanging, rocky.

She knew she would never let him touch her again. She would die rather. But he was so fixed, so mindless, and the stiffness of his body was so like an inanimate thing. And he was determined, obstinately, blindly determined. Her heart grew colder.

She sat at the table without eating or speaking. The lightning flickered incessantly upon the silver and on the blades of the knives.

Finally the meal came to an end. They went back to the drawing-room, which was a dark, asphyxiating tank of heavy heat. They seemed to fall into a trough of sheer ghastliness.

Anna took a book and pretended to read. The presence of Matthew was like a pressure on her head. She was all the time aware of his eyes watching with a blank, unmoving hostility. Her heart seemed to die in a last despair.

As she sat over her book the wind rose, in a sudden crash, there was a noise of something banging at the back of the house, the trees made strange rushing sounds. She looked up, startled. Matthew got to his feet.

‘I shall go to bed,’ he said. ‘I’m tired, and I want to get some sleep before the thunder begins. Once the storm starts in earnest there’ll be no rest for anybody.’

A ghastliness came over her. She was overcome by the imminence of the cruel struggle. A deep, helpless misery rose up in her. But she was quite steadfast, firmly set on her rock of resistance. He should not touch her.

They went upstairs, and she stood in her own room, very quiet, awaiting, as it seemed, his onslaught upon her. She did not begin to undress.

She looked out of the window at the black sky where great gusts of wind were tearing about. Vast hollow noises of wind or thunder were crashing behind the rushing of the trees. The lightning was beating nearer, like livid wings beating in the sky.

Matthew came into the room. She was unaware. She was watching the void of roaring darkness. He saw her grave, jewel-hard face turned to the night, her slim body straight against the dark window. Her face was so abstracted and cold, the expression of her face seemed sinister, apart from humanity. The sound of the wind was like voices which she seemed to understand, like voices calling to her. She looked intent.

Matthew stood motionless. He was half afraid. He half wanted to go away from her. But he could not. He could not go away. A sort of hysteria was goading him, goading him towards her desperately. His face was blank; there was darkness in his heart.

At last he said:

‘Why haven’t you started to undress?’

She looked round as if a shadow had spoken. Matthew stood stiff, just inside the doorway.

She looked at him. But she hardly seemed to see him. She took no heed of him. He was affronted; his heart black and angry.

‘Are you waiting for me to help you?’ he asked, with a vicious leer. And a sharp pain leapt within her. She knew what was coming — she would have to fight him. He should not touch her.

‘I was watching the storm,’ she said coldly.

Matthew watched her with a queer smile on his face. But it was a smile of enmity. He came a little nearer.

‘Let me help you,’ he said. ‘Let me take off your dress.’ And he smiled suggestively, with suggestive anticipation, as he advanced to take her by the arm. But she stepped quickly away.

‘Let me alone, she said.

‘Don’t be absurd,’ he said, angrily. He contrived to put a nasty threat into the words.

She said nothing, but watched him. He should not touch her.

‘Come!’ he said menacingly. He was half afraid of his seething rage against her.

Anna watched him with cold grey eyes. And once more he attempted to take hold of her, coming very near, so that his brownish, neat face was close to hers.

‘Please go away,’ she said, avoiding him.

‘Why should I go?’ cried Matthew, looking at the silent girl with a grimace of fury. Her indifferent face looked back at him, pale and stubborn.

‘Why should I go away?’ Am I to be turned out of my own house by my own wife?’ There was a dangerous menace in the ridiculous question.

Anna stood still, her heart cold as stone. She felt that the strain of the suspense and the unpleasantness must kill her. She wondered whether she ought to tell him about the child. But she did not. She could not bring herself to tell him.

She moved towards the door. Matthew came after her, grasping at her, and her heart beat thickly, for she knew it was a fight to the death between them. She would never submit to him. Her will was ultimately set against that, hard and inflexible. She put out her arms to keep him off.

‘Don’t think you can get away from me,’ he bullied. He contorted his face, the neat lips half smiling. There was something fundamentally obscene in his expression. Anna shrank back. She was trembling. And she was repelled. Her whole soul sickened in repulsion.

‘Come here!’ he cried, in a mad frenzy, snarling, rabid. He seized her by the arms and dragged her to him. A cord snapped in Anna’s heart. Her eyes and her face stony, she struggled against him. His mad, fixed, glowering eyes were close to hers. She strained back. It was the final battle between her and him. She felt herself utterly calm and cold. She had become simply an instrument of pure resistance. She jerked herself half out of his grip, and fought her way, struggling, to the door. He still held her by one arm, and clung to her fiercely, but she was almost at the door.

She knew that if once she could get out of the room she was safe. He would not follow her. So she concentrated on the door, to reach it and free herself. He was panting and desperate. She saw his face above hers brown and neat still, with eyes like pieces of blue glass, meaningless, yet full of a mad obstinacy and a horrible frenzied lust. He should not conquer her, this hateful, non-human creature who was so much stronger than she. In loathing of his smooth, monkeyish strength she writhed and struggled and twisted in his grasp. But he would not release her. He swung her off her feet, and struck at her with his free hand, his eyes murderous. She felt a stab of nightmare panic; yet really, at heart, she was calm and even indifferent. Then his arm and his clenched fist came down hard across her chest. Instinctively she ducked her head to protect her face. The next blow fell on her neck. The next on her shoulders. Then, suddenly, he let go of her entirely. For a moment, she was as if stunned.

She recovered her equilibrium and stood still, her face sombre and fixed. She felt that something had broken in her. Matthew stood dumb, confounded. Gradually a sort of horror dawned on his face, incredulous.

‘What am I doing?’ he said, in strange gulping tones. A queer, complicated grimace disfigured him. His face seemed to disintegrate. He seemed to collapse all at once, to fall in upon himself.

Anna looked at him, turned, and went out of the room. It was over: she had conquered him. But she felt wounded to death; violated and defiled. It was the end of everything. Now she must die. There was nothing else left.

Trembling slightly, she went downstairs and opened the door of the house. The night was quite black, like a black hole, and full of wild ripping and rushing noises. The violence of the wind struck her like a flat blow. The palm tree in front leaned over in an extraordinary thin arch, its leaves almost touching the ground. Across the sky, from horizon to horizon, ran blazing paths of lightning, changing and bifurcating. And deep, ponderous rolls of thunder broke above the wind, ominously, like judgments given against mankind.

Anna stood still, watching the bent palm tree, which seemed to her very fantastic and unreal. She was still trembling, and weak. She felt that she had come to the end of her life. She wanted to get away from the house, away from Matthew. She felt she could never endure to see him again, or to hear his voice. She had the sense of something being broken inside her. Her feet seemed heavy and very far off.

She dragged herself out of the house. As she went out, the wind swept upon her, as though to carry her away, up into the air. She felt that it was shaking her. to bits, that she must presently disappear in this void of windy dark. Something pained her shoulders, hurting her, but she struggled on.

She was lonely, and lost. She was in an ugly, repulsive nightmare which terrified her and degraded her. And the only way out of the nightmare was to die. She did not think how she should die. Something was broken and destroyed in her. She had come to an end. It was all repulsive and strange: and incoherent. There was no rational sequence of cause and effect.

Struggling along in the dark, she saw the tremendous writhing tumult of the great trees, streaming and roaring overhead, and flying darkly against the sky. She turned away from the trees, to avoid them. She was afraid of the trees because she had once seen a python, looped and hanging from a branch, and swaying a little, with a kind of hideous, revolting negligence, at the end of a deep glade. She would not go to the trees.

So she went on, lost and solitary, in the black, crashing wilderness, without thought. The lightning blazed bluishly from moment to moment, revealing a spasmodic, ghostly world. She was very tired and desolate, drowned deeply in the nightmare and the black night, far from any security.

Suddenly she was aware of something new. Something was flying in the air, a swarm of cold, heavy insects flying in her face, striking her skin with flat, cold bodies. It was the rain beginning. The first great drops struck her in the dark, like beetles. She shuddered, and caught her breath.

Down came the rain with a shattering crash, as though the floor of the sky had given way. Anna bowed her head before it, her breathing became laboured. The cold mass of water was crushing her, beating out her life. For some moments she could not move. The rain was beating her to death.

The bare ground was already running with water. The rain fell endlessly in solid floods, blotting out everything. The wind had gone suddenly. There was now nothing but falling masses of water, crooked slashes of lightning jagging across the black, and slow wheels of thunder, loose in the black sky, rolling and drumming heavily.

She must get away from the rain. A strange, morbid irritation awoke in her because of the stunning, persistent mass of water. This was not what she wanted. She wanted death. But not this maddening, insensate bludgeoning, this crushing infliction of water. It was idiotic. She raged inwardly in semi-delirious irritation, her heart began to beat in a mania of irritation.

She started to go back to the distant light of the house. She seemed paralysed, yet felt herself moving forward with stumbling steps. The weight of water beating upon her shoulders bruised her, the water crashed down upon her, ceaseless, relentless, to beat her down. She could not protect herself, so the rain battered upon her.

Her consciousness was almost gone, she had no more reason. She knew she must get out of the rain. That blind, malignant mass of water was too much for her. It fell in a dead weight, to crush her. She was almost unconscious, her movements were automatic, she was crushed to unconsciousness.

Her feet stumbled, she faltered continually. The ground was a morass, the force of rain striking the ground rebounded in a steamy fume to the height of her waist. The rain descended triumphantly. She looked to the light, faintly. It was not far away.

Shuddering, in a tranced unconsciousness, she worked her way forward, feeling that she must fall at every step. The rain battered in a mass against her. She struggled on as if hypnotized.

Then suddenly, in a flash of astonishment, she saw the light near, she stumbled against steps and went slowly up. She knew she was saved. She climbed with a dim determination to the top of the steps. The intolerable infliction of the rain was lifted. She made her way into the house and collapsed. Everything went from her, she sat in a chair, in her sodden clothes, motionless, spent.

For a long time she remained as if quite unconscious. She had no idea of what she should do. Vaguely, she began to feel that there was something she ought to do. But what was it? She did not know. She could not make the effort of thought. The thunder gradually retreated. Then there was nothing but darkness, the empty house, and the hissing, steady crash of the rain.

At last she forced herself upstairs. It seemed a long, long way — a wearisome pilgrimage. Once she fancied that Matthew was calling to her. How thankful she was that he did not appear. She lay on her bed, shivering with cold, for a long time. Then she fell into a heavy, uncomfortable sleep.

She was rather ill for a few days, not delirious, but feverish and strange. A strange sense of inappropriateness haunted her like a persistent ache. She ought to have died that night in the rain. Why had she not died? She seemed to have suffered an unnatural partial death. Her spirit was dead. Why did her body still linger in life?

She was dead, and yet she was alive. Her body held her to life, in spite of herself. There was all the time a sense of falsity, of unreality. Why did her body persist in living? She had come to the end of everything. There was no object left in life. It was only decent that she should die. But her boay nailed her to life, nailing her down.

There would be no child. She was glad of that. She was glad that Matthew had not known about the child, that no one had known. It would be a secret now, for ever. A secret shame at the bottom of her heart. She tried to push the secret down, deeper, deeper, within herself. She wanted to hide it even from herself.

Then suddenly she thought of Catherine. In a vivid flash she realized that Catherine could now come to her. Catherine could come and deliver her from the nightmare and from Matthew. Her spirit stirred in its death-trance. She began to come back to personal life. But for some time she did nothing. There was a period of waiting — a strange waiting for life to swing back. She could not find herself at first.

Then she wrote out a cable and sent one of the servants with it to the station. She said nothing to Matthew, to anyone. She waited a few days in a state of passive suspense. She was not anxious or excited. Only she waited with all her being. It was the final crisis of her existence. If Catherine came, she would live. If not, let this be the end. At last it seemed that a decision was being made for her, outside her. She was almost at peace in her profound waiting, her sense of approaching finality. She had touched bottom at last.

One evening a cable arrived from Catherine: ‘I am coming on the next boat.’ The old flame sprang up again in her. Her life was not finished then. It went on. Hope came back to her a little, like an old warmth renewed. It was good that the nightmare had not destroyed her. A glow of warmth and vitality went through her blood.

She must tell Matthew about the cable. She wondered vaguely how he would react. But she did not trouble about his attitude. She was not interested. He did not affect her any more. Since she had conquered him, since she had bested him in the struggle for dominance, he seemed obliterated. The recognition of her victory killed the cocksureness in him. He had no more power over her, she knew she had subdued him to her for ever, her victory was final and complete. And he himself seemed aware of this. He knew he would never be able to touch her again. He did not really want to touch her. She had taken the heart out of him in her victory. He succumbed to her.

There was no reality in their relationship one to another. Matthew came into Anna’s room, where she was in bed ill. He was stiff and obliterated. He did not look at her. He could not bear to look at her cold, enigmatic, indifferent face. He had no assurance, no support. He never looked at Anna, if he could help it, while he talked to her. She was a horror and a humiliation to him. He was afraid of her. He wanted to run away and hide himself from the horror and the humiliating slight of her victorious disregard. He felt that she had humiliated him for ever. He was strangely effaced before her.

They talked civilly, quietly, to one another, about ordinary affairs, as two strangers might speak. They were like two strangers who were obliged temporarily to live in the same house. And all the time he wanted to hide himself from her.

Calmly, without misgiving or anxiety, she told him that Catherine was coming. His heart went small and painful at the realization of her contempt for him. He knew he counted for less than nothing.

‘I am not enough for you, then,’ he said, in a childish, querulous voice, resentful.

She looked at him across the room, studying him. He stood stiffly, his shoulders set square, the light behind his dark, round, inhuman head. She saw him. She saw him so distinctly that he was almost pitiful to her. She wanted to like him, to be friends with him. But she could not. Insensitive, blank, meaningless, there he stood like a queer effigy of himself. ‘A queer fish.’ It was so fatally true.

‘It’s the loneliness,’ she said. ‘I can’t stand being so much alone.’ She wanted to let him down lightly.

‘You haven’t done with me?’ he asked at length, turning his head. ‘Because this girl comes you haven’t finished with me? It won’t make any difference?’ His pride was broken; she had conquered him, but he clung to the wraith of his complacency. It was pathetic.

‘No,’ she answered, lying to him. She was sorry for him. She wanted to say more. But she knew that everything was finished. What was the good of talking? And her own hope was stirring warmly, beautifully within her. She had her own thoughts to attend to.

Content

Anna Kavan
Let Me Alone

PREFATORY NOTE

CHAPTER 1

CHAPTER 2

CHAPTER 3

CHAPTER 4

CHAPTER 5

CHAPTER 6

CHAPTER 7

CHAPTER 8

CHAPTER 9

CHAPTER 10

CHAPTER 11

CHAPTER 12

CHAPTER 13

CHAPTER 14

CHAPTER 15

CHAPTER 15