Ellery Queen’s Mystery Magazine, Vol. 128, No. 5. Whole No. 783, November 2006

Libre

by Barbara Hambly

Barbara Hambly lived in New Orleans for three years with her late husband, science fiction writer George Alec Effinger. The city provides the setting for her crime fiction, the pre-Civil War Benjamin January series. What better way to begin a journey through time and the New Orleans of mystery-writing imagination than with a tale of January, former slave and sometime sleuth. Ms. Hambly’s new novel is Renfield, Slave of Dracula.

* * * *

“If they fear she has been kidnapped, why not call the City Guard?” Benjamin January paused on the steps that led up to the gallery of the garçonnière, looking down at his mother in the narrow yard. He’d just returned from teaching his first piano class of the winter — new students, Americans, in the suburb of St. Mary upriver — and had been hoping to get a few hours’ nap before he had to dress up again and play for a subscription ball over on Rue Orleans. There was a saying among the musicians of New Orleans, You can sleep during Lent — which wasn’t entirely true because the holy season was dotted with “exceptions,” like Washington’s Birthday balls — but the week or two after the first frost were always the worst. He’d played for the opening of the French Opera House last night, and had gone on to provide quadrilles and pantaleones at a ball at the townhouse of a wealthy sugar planter. The sellers of fresh milk and crayfish had been beginning their morning rounds when he’d finally returned to his room above his mother’s kitchen.

Afternoon coffee with his mother’s friends was not something he wanted to deal with on three hours of sleep, particularly not when his mother had that glint in her eye.

“The City Guard.” Livia Levesque sniffed. “You know what they are, my son. If a slave disappears they’ll sober up and hunt for the thief because the owner will give them a reward. If a libre disappears—” She used the Spanish term for their people, the free people of color, though Louisiana hadn’t been a possession of Spain for thirty years now. “—they have other things to do. You come downstairs now, Ben. Poor Madame Rochier is nearly mad with fear and grief.”

That his mother was up to something — that there was something about the disappearance of eighteen-year-old Marie-Zulieka Rochier that she wasn’t going to admit in her first preemptory demand that he undertake the search — January guessed from his mother’s tone, and the way she held her head. He was forty-one, and had consciously noticed before the age of four — when she and he and his younger sister Olympe had all still been slaves on a sugar plantation upriver — all the signs when she was doctoring some unpalatable truth.

When he followed her into the dining room of the trim little cottage on Rue Burgundy he was sure of it.

Casmalia Rochier was certainly afraid, and certainly upset. But in her dark eyes and in the set of her perfect mouth, as she turned her head to reply to a question, was a world of suspicion and frozen rage.

Like January’s mother — like the other four women sipping his mother’s cook’s excellent coffee around the cherrywood table — Casmalia Rochier was a plaçee, the free colored mistress of a wealthy white man. Many years ago, according to custom, banker Louis Rochier had bought her a house and settled on her the income to raise their mixed-race children in comfort and safety. A similar arrangement between January’s mother and St-Denis Janvier, now long gathered to his ancestors, had paid for both the music lessons that led to his current profession and the medical training in France that had proved to be so completely useless the moment he returned to the United States... and, of course, had paid for this house.

A similar arrangement existed between January’s youngest sister Dominique — currently passing Casmalia the sugar — and a young sugar planter; between his old friend Catherine Clisson, who smiled a welcome to him as he came into the room, and another equally wealthy planter. An arrangement like that had provided the foundation of Bernadette Métoyer’s chocolate shop and the investments that paid for the gowns of the four daughters Agnes Pellicot was trying to “place” in arrangements of their own. Bernadette and Agnes were both angrily denouncing the New Orleans City Guards to Casmalia and barely glanced at January, but Dominique got to her feet and rustled to the sideboard for another cup of coffee for her older brother:

“You are going to find Zozo for us, aren’t you, p’tit?”

He was almost twenty years the elder and six feet, three inches tall, and smiled inwardly at being called “little one” by this piece of graceful fluff.

“If I can. Have you notified the City Guards?” He looked across at Casmalia Rochier, and her eyes ducked away from his. “They may display little interest in recovering artisans’ wives or market girls when they go missing, but they’re going to look for the daughter of Louis Rochier, even one born on the shady side of the street.”

He didn’t add, And what’s more, you know it. But it was in his eyes when she looked back at him. What is it you all aren’t telling me?

“My mother tells me Marie-Zulieka disappeared this morning. When? How? Surely she wasn’t out by herself?”

“Of course not!” Casmalia’s back went even more rigid at the suggestion. “She went to the market with her sister and Marie-Therese Pellicot. But Marie-Therese was taken ill, and Zozo left little Lucie with Marie-Therese and hurried home to fetch Tommy, our yardman, to help her get home—”

Seventeen years of living in Paris brought, Why didn’t she fetch a cab? to January’s lips, only to be reminded, with a small stab of too-familiar anger, that it was against the law for a man or woman of color to ride in a cab.

Except, of course, as the driver or as a servant perched on the box.

Catherine Clisson finished softly, “She never made it home.”

“Lucie and Marie-Therese waited for almost an hour,” added Agnes, her round, rouged face puckered with distress at the memory of her daughter’s illness and the fear that stalked every libre — the fear of kidnap by slave traders. Of being taken out of New Orleans and sold. “Finally Lucie asked one of the market women’s children to run see what was keeping Tommy.”

“That was the first I heard.”

“Is Marie-Therese all right?”

Agnes nodded, and her plump shoulders relaxed. “Just a little indisposition of the stomach, you know. I tell the girls, never buy snacks and treats from those market women unless you know them — who knows what goes into those ices? But of course girls never listen. She’ll be well for the ball at the Salle tonight.” There was an edge to Agnes’s voice. Marie-Therese had not yet found a protector after one season of attending the quadroon balls at the Salle d’Orleans, and her mother wasn’t going to let another season go by, however poorly the girl might feel.

January’s glance returned to Casmalia. “Has your daughter a lover?”

“My daughter has accepted a most flattering offer from Jules Dutuille.” The woman brought forth the name of the sugar broker with a slow flourish, like a card player spreading four of a kind beneath the noses of her enemies. But January saw the look that flashed between Catherine Clisson and his sister, and remembered hearing something — he couldn’t place what — disparaging about the man.

He knew the odds were only fifty-fifty that he’d get a truthful answer to his next question. “Was there anyone else?”

“No!” Casmalia dabbed — very carefully — at her painted eyes with a tiny square of lawn and lace, and Clisson and Dominique again traded a glance. “Benjamin, it is vital — vital — not only that my daughter be found swiftly, but that no word of this — this terrible tragedy — be allowed to reach m’sieu Dutuille’s ears... or those of m’sieu Rochier. Poor m’sieu Dutuille would be devastated—”

“I understand.” And he did understand, seeing how his mother, Bernadette Métoyer, and Agnes Pellicot all leaned forward to catch and sift every word. Gossip was the lifeblood of the free colored demimonde. The fact that Casmalia Rochier, devastatingly elegant in her expensive simplicity, was inclined to boast virtually guaranteed that her misfortune would be trumpeted abroad.

Her own business, of course, but dispensing with an audience would greatly increase his chances of getting anything like truthful answers. “Maman, with Madame Rochier’s permission I’m going to walk her home. Please, all of you ladies, finish your coffee. I’ll return in a few minutes. Madame?” He held out his arm, onto which Casmalia Rochier laid one exquisitely kid-gloved hand.

“You don’t think it was slave-stealers, do you?” he asked, very quietly, as he led Casmalia out through the long French doors of his mother’s cottage and onto Rue Burgundy. Even this far from the river — nearly half a mile — the sound of the levee made a jumbled background to the closer noises of passing carriages, of servants and women talking in doorways and breezeways, of dogs barking in yards: the noises of New Orleans in the winter season, between cotton harvest and sugar-boiling, when the planters came into town and opened up their houses and the city came alive.

Casmalia Rochier glanced right and left, as if making sure none of her friends had tiptoed after them to listen, and let out her breath in an angry sigh. “Ben, it is absolutely imperative—”

He held up a hand. “I know. That m’sieu Dutuille doesn’t hear of it — or m’sieu Rochier. Who do you think it was?”

“Nicholas Saverne.” Her eyes, green-gray like those of so many libres, turned steely. “A lawyer from Mobile, absolutely no family, and encroaching as a weed. He swears he’ll be the wealthiest man in the parish in a year, but I know his kind!”

“Would your daughter have gone with him willingly?”

“Of course not!” But her glance again fleeted from his. “Her father went to great lengths to arrange this match with m’sieu Dutuille, who is absolutely infatuated with her. She would never do a thing like that to me.”

Not, January was interested to note, to him.

“She is a most dutiful girl — and needless to say, deeply in love with m’sieu Dutuille.”

By the defensive note in her voice it was clear to January that Marie-Zulieka had been nothing of the kind. He handed Casmalia across the plank that bridged the gutter of Rue des Ursulines; they had reached the pale-green cottage, with its fresh pink trim, that Louis Rochier had twenty years ago purchased for his plaçee. Because January was a man — and no Creole, black or white, would walk straight through the French doors of the parlor like a barbarian — he followed her down the narrow breezeway that separated her cottage from the next, and through the yard into the dining room: Any of her woman friends would have been escorted through her bedroom. This custom allowed him to note the layout of the house, which was substantially the same as his mother’s and that of every other plaçee in the French town. The four-room cottage faced the street, and the building behind housed kitchen, laundry, slave quarters, and the garçonnière: the room or rooms for the growing sons of the house.

A girl who had to be Lucie darted out of the French doors at the rear of the house as January and Casmalia approached: “Did you find her?” She raised frightened eyes up to her mother. “She didn’t really get stolen away by the American animals, did she?”

January replied reassuringly, “I don’t think so, p’tit. But if she gets stranded on foot someplace far away, she might have to sell her earrings to get home. Might I see her jewel box, so we can tell how much she’ll have with her to sell?”

After a quick glance at her mother, Lucie led the way self-importantly to the door into the bedroom she clearly shared with her sister. January had already noted the three sets of bedding that the housemaid was hanging to air on the railings of the gallery: Between Marie-Zulieka and Lucie, who looked to be eight or nine, Casmalia had evidently borne at least three sons. They would be out, he guessed, either at school or more probably at whatever shops or businesses to which they’d been apprenticed. The daughters of plaçees almost routinely became plaçees themselves, the sons almost universally artisans or clerks.

He recalled, too, from his own childhood, how he — the ungainly son who too closely resembled his mother’s slave husband — had been early relegated to the garçonnière, and how Dominique, from her birth, had been given her own pretty room in the cottage, much like this that Marie-Zulieka and Lucie shared. The walls were papered with green-and-white French wallpapers; armoire, bureau, and the bed beneath the looped-back pink cloud of the mosquito bar were French, and new. Like Dominique, obviously her mother’s lace-trimmed princess, clothed in white mull muslin with whose simple prettiness even the most exacting Frenchwoman could not have found fault.

Of a piece with her mother, he thought, glancing back at Casmalia. Aside from the tignon — the wrapped head scarf mandated by law to mark all women of color, slave and free, apart from white women — Casmalia’s simple elegance would not have been out of place in Paris or London.

Yet he’d seen her wearing diamonds, when he played music for the quadroon balls. Louis Rochier was obviously a generous patron.

And a generous father. The jewel box Lucie opened for his inspection was a miniature treasure-house of pearls, sapphire, and aquamarine, expensive and yet carefully chosen to be not one carat more than rigidly appropriate for a girl just “out.” Yet something was missing...

“These are the things m’sieu Dutuille sent to her, on the occasion of her contract being signed.” Rather impatiently, Casmalia cleared the small stack of books from the corner of the bureau, and spread out upon it a much costlier parure of rubies. “Of course completely unsuitable for her to wear as yet — perhaps ever, if you ask my opinion. She’s so fair they’re not her color at all.”

It was a subtle brag. Like the white, upon whose power they depended, most libres saw greater beauty in pale complexions and silky hair than in the reminders of a slave-born past. “I suppose she’ll have to wear them to please him,” Casmalia continued airily. “When the time comes, I’ll suggest she have them reset.”

“I think they’re pretty,” ventured Lucie, and her mother sniffed.

“Vulgar. But as you can see, Ben, she certainly did not abscond. Not and leave all this behind. I don’t see her pearls here — there was a pearl-and-aquamarine set that her grandmother gave her, God rest her soul: far too showy for morning. I can’t imagine she’d have worn it...”

“She did,” provided Lucie. “And I think it was beautiful.”

“Nonsense. It was incorrect to wear in the daytime — what on earth can she have been thinking? And no one is interested in what little girls think.”

“And I’ll bet you have jewels just as beautiful, Lucie,” said January, who had carefully taken everything out of Marie-Zulieka’s jewel box and gently probed with his fingers every corner of its satin lining. “Would you show them to me, before I go?”

They were, as he’d guessed, just as carefully chosen to be suitable for a girl of nine: a single pearl on a fine gold chain, coral beads, a gold cross to wear on Sundays... “And what’s this?” With great care he lifted the tiny, brittle bundle no bigger than the joint of his little finger, wrapped in pink paper, though quite properly he didn’t open it.

One didn’t, with such things. Not without permission.

“That’s my gris-gris.” Lucie took the bundle, unwrapped it to show the tiny dried foot of a bird, a sparrow or a wren by its size. “It brings me good luck. Zozo has one, too.”

“And does Zozo keep hers in her jewel box?”

Lucie nodded.

He refilled and closed the box, and replaced on the corner of the bureau the books Casmalia had tossed aside: Böckh on ancient Greece and Lamarck on animals, a Spanish edition of Don Quixote, and a text on the stars that had been much talked of in Paris when he was there a few years ago. Inside the cover of each was marked A. Vouziers, 12 Rue de la Petit Monaie — that address was crossed out, along with two others he recognized as being in the same maze of ancient streets behind the Louvre in Paris, and then — 53 Rue Marigny.

He said, “Then we can be sure it will bring Zozo good luck as well.”

“I consulted with my sister,” said January that evening to Hannibal Sefton, at a break during the dancing in the Théâtre d’Orleans while the guests made serious inroads on the buffet and the musicians sorted through their music and flexed the cramp from their hands. Needless to say, the sister January referred to was not the lovely Dominique but Olympe, his full-blood sister who’d run off with the voodoos at the age of sixteen. “She says she didn’t sell Zozo Rochier anything to make Marie-Therese Pellicot sick, but the symptoms sound like hellebore of some kind. My aunties back on the plantation would give the children something of the kind when we got worms. I hope Agnes didn’t force Marie-Therese out of bed to come to the ball.”

His eyes strayed across the dance floor that had been raised over the backs of the seats in the pit to the wide double doors that led through to the lobby. From the lobby a discreet passageway connected to the building next-door — the Salle d’Orleans — where a ball was going on for the ladies of the free colored demimonde, the plaçees and their daughters.

m’sieu Davis, who owned both buildings, was careful to stagger the intermissions so that the husbands and brothers of the respectable ladies attending the ball at the Théâtre could sneak back in good time to have a cup of punch with their wives, after dancing with their mistresses next-door.

“Surely she wouldn’t.” Hannibal set his violin on top of January’s piano, unobtrusively collected two champagne glasses from the tray of a passing waiter, and led the way to the lobby. It wouldn’t do for the musicians to be seen drinking the same champagne as the guests. “Even Agnes...”

“Agnes Pellicot is living on investments that have gone down in value and has three daughters besides Marie-Therese to bring out.”

They traversed the passageway to the upstairs lobby of the Salle, and emerging, January scanned the room for Dominique: cautiously, because a black musician who was perceived as “uppity” — that is, attending a ball designed for white men in some capacity other than that of a servant — was just as liable to be thrashed on this side of the passageway as on the other. Music still flowed like a sparkling river through the archways that led from the ballroom, and with it the swish of skirts, the brisk pat of slippers on the waxed floor, the laughter of the ladies, and the rumble of men’s talk. Impossible to tell whether his sister would be able to gracefully slip from her protector — or whether she’d remember to do so. In ten minutes he’d have to be back...

A moment later, however, Dominique appeared in the archway, a fantasia of green and bronze, calling back over her shoulder, “Darling, if I don’t get some air I’ll be obliged to faint in your arms and that would simply destroy the flowers you gave me—”

January took his untouched champagne glass, picked a waiter’s silver tray from a corner of the buffet in the lobby, and carried the glass to her with the respectful air of one who knows his place. “Would madame care for champagne?”

“How precious of you, p’tit! What I’d really like is about a quart of arsenic to give to Eulalia Figes — such a witch! She said my dress—”

“Were you able to find out about Nicholas Saverne?” January had learned years ago that if one truly needed specific information, ruthlessly interrupting Dominique’s digressions upon her friends and acquaintances was the only way to get it.

“Oh, a perfect chevalier, dearest. He speaks French like a Parisian, he sends to Paris for his boots — he really does, p’tit, Nathalie Grillot’s mother checked — Bourdet makes his coats, the best in town, but it’s all show. Maman Grillot and Agnes Pellicot both looked into his finances when he seemed to be showing an interest in Nathalie and in Marie-Therese, and learned that he’s always borrowing from somewhere or other to invest in lands that he turns around and mortgages to invest in steamboat shares, but at the bottom he’s not worth the horseshoes on a dead horse. And he owes money to God and all His saints — to every shirtmaker and tobacconist and hat maker in town. But men are impressed — bankers and investors, I mean, and tavern keepers, who’re the ones who control votes. Henri’s mama” — Henri was Dominique’s protector, son of the truly formidable Widow Viellard — “says Nicholas Saverne tries even harder to impress the Americans, and that he’s spoken of running for Congress.”

“He may well succeed,” remarked Hannibal, returning from a trip to the unguarded buffet, a bottle of champagne in hand. As a white man — albeit an outcast — he ran less of a risk for helping himself. “Americans seem to be impressed by the show of wealth and aren’t as careful about checking on a man as Mama Grillot and Agnes Pellicot.”

“Handsome?” January asked.

Dominique shrugged coquettishly. “If you like all your goods in the shop window.”

“Does Marie-Zulieka love him?”

The young woman’s eyes lost their surface brightness as her delicate brows tugged together; from playful bubbliness, her expression shifted, thoughtful and a little sad. “I don’t think Zozo really loves anyone... except Lucie, of course, and that frightful old tutor of hers, m’sieu Vouziers. One would think when a girl’s finished with her governess’s lessons she’d be glad to toss her books into the river — heaven knows I was. But when has any man stopped courting a pretty girl just because she tells him she isn’t interested? He always thinks he can make her interested. And if that girl’s about to be pushed into an arrangement with the likes of Jules Dutuille—”

“What’s wrong with Jules Dutuille?”

“He drinks,” responded Dominique promptly. “Oh, all men drink, of course — I think they’d go insane if they couldn’t...”

“I certainly would,” put in Hannibal.

“Well, all you do when you drink is recite poetry nobody understands, and then fall asleep, cher.” Dominique reached over to pat Hannibal’s thin cheek. “You’re very sweet about it. You don’t say cruel things, or destroy one’s letters from one’s family, or kill one’s pets... My maid’s sweetheart’s cousin is a maid in Dutuille’s household, you see, and anyway everyone knows about Dutuille.”

“I don’t.”

“That’s because you’re serious and hardworking and have no time for idle chatter in the cafés.” She flashed him a dazzling smile, which sobered again at the recollection of things she had heard. “He never lets his wife see her family — they live up in St. Francisville — nor his son’s wife; they go in terror of his rages. He’s tried three or four times to come to an arrangement with a mistress, but Babette Figes begged her mother not to conclude the contract with him, and so did Cresside Morisset. Only Zozo couldn’t refuse him, you see, because her father was in business with him. So yes, she could have run off with Nicholas, only I don’t think she did.”

“Why not?” asked January, curious, though it was a conclusion he’d already arrived at.

Dominique shrugged again. “Because if she had, she’d have taken her jewels, silly! That appalling ruby parure is worth over a thousand dollars! With his debts, he’d never have let her pass up that chance. On the other hand...”

She hesitated, and January finished softly, “On the other hand, Nicholas might have thought himself justified under the circumstances in slipping poison into Marie-Therese’s coffee himself, and kidnapping Zozo, guessing she’d go without a fuss.”

The young woman nodded. “I think that’s what her mama fears.”

“And if she didn’t take her jewels,” he continued, “which are worth a thousand dollars, there’s no telling when Nicholas might decide that once Marie-Zulieka has run off to Mobile with him, she herself is worth fifteen hundred dollars.”

Dominique’s eyes widened. The thought had clearly never crossed her mind. “Oh, no,” she breathed. “No, p’tit, he wouldn’t...”

“Don’t underestimate what a white man would or wouldn’t do when there’s money involved, and a woman not of his own race,” said January quietly. “One more thing, and then we have to get back to the ballroom. Is Nicholas Saverne here tonight?”

Dominique silently shook her head.

“I don’t understand,” said Hannibal, some hours later when next the Théâtre musicians had a break. “Your sister and her friends are free women, aren’t they? If Jules Dutuille is such a blackguard — and I must say in the defense of us devotees of Dionysus that a man needn’t be a drunkard to treat women like cattle — Marie-Zulieka can say no. Her mother might put up a fuss — God knows my aunts did when a cousin of mine refused to marry a chinless viscount who would have paid off my uncle’s gambling debts — yet there’s no way she or anyone can force her compliance.”

January was silent for a few moments, reflecting on the width of the gulf that even after several years’ residence still separated the shabby Irish fiddler from the world of New Orleans. Even Dominique, raised in the free colored demimonde, was separated from the world of her brother and her older sister Olympe, who remembered what it was to be slaves. The narrow brick corridor to which they’d retreated — it led to the kitchen quarters of the Salle d’Orleans — was at least warm. From it, he and Hannibal could look across the rear courtyard to the lighted windows both of the Salle and, beyond, to those of the Théâtre where the well-bred French and Spanish Creole ladies were still pretending their vanished husbands and brothers were “out having a smoke” or “down in the gambling rooms.” Another world.

Another universe.

“Your cousin is white,” he said at last. “And presumably lives in a land where law applies to everyone. Maybe the law isn’t always just, and maybe it’s not enforced equally, but it is recognized to apply. You have to understand that nothing that concerns the free colored here in New Orleans is legally clear, or as it seems to be. Rules change with a few degrees difference in the color of a woman’s skin. They shift from one hour to the next, from one house to the next. It’s all the custom of the country, and nothing that concerns us — slaves, or ex-slaves, or the children or grandchildren of ex-slaves — is official or truly legal or truly illegal.

“Casmalia Rochier and her children are legally free. But since she isn’t legally married to Louis Rochier, he can make things far more difficult for her and her family than your uncle could ever make things for your aunt. It isn’t simply a matter of Uncle Freddy going to the sponging house. Rochier has it in his power to end the education of the boys, possibly to sell Casmalia’s servants — the yardman and the cook. If he’s angry enough to cast Casmalia off, it would be disaster for the family. Free or not, there was no question of the girl not agreeing to become the mistress of anyone her father ordered her to. And no one who matters to him — none of his white relatives or acquaintances — will think or say a thing about it.”

The fiddler opened his mouth to say something — probably along the lines of, Would a man do that to his own children? — and closed it. The lights of the Salle’s kitchen, where the other three musicians joked and laughed with the cook and waiters who served both Salle and Théâtre, reflected in the dark of his eyes. Reflected the recollection, January guessed, of the number of Englishmen and Americans and Irishmen and Frenchmen they’d both known in their lives who were capable of doing exactly those things to even their legitimate families, let alone their mistresses and bastards.

Some white men of January’s acquaintance loved and cared for their “Rampart Street families,” their “alligator eggs,” as tenderly as they did their white wives and white children.

Some didn’t.

The difference was that for the libres, there was neither legal, nor social, recourse.

No wonder women like his mother, and Agnes Pellicot, and Bernadette Métoyer, made damn sure the money was in the bank and in their own names.

In time, Hannibal asked, “Do you think Nicholas Saverne kidnapped this girl?”

January shook his head. “He might have, but I doubt it.”

“Then where is she?”

A clamor of voices from the kitchen broke his thought. Uncle Bichet, who played the bull fiddle, called out, “Gotta get back to the ballroom, boys, ‘fore old Davis has an apoplexy and fires the lot of us.”

January extended a hand down to help Hannibal to his feet. “I think I know; by noon tomorrow I’ll be sure.”

Though Nicholas Saverne wasn’t at either the respectable Théâtre ball that night or the quadroon festivities next-door, Louis Rochier attended both. January observed him on those occasions when he was in the Théâtre with his wife and daughters, a square pink-faced man with an incongruous cupid-bow mouth. Most of the time, however, Rochier spent in the Salle d’Orleans with his mistress Casmalia, with his son and the other men of the New Orleans business community who likewise either had mistresses or simply liked to flirt with lively ladies.

After the whites went home — and French Creoles were notorious for the lateness of their dancing — January and the other musicians drifted down the passageway and sat in with their colleagues in the Salle’s little orchestra until nearly four, when the quadroon ladies and their patrons finally, as they said, “broke the circle” and headed home. Rochier had sent his white family home in the carriage; January saw the tension as the man spoke with Casmalia, and guessed that the banker had demanded where his daughter was, and had been fobbed off with a lie.

It was still pitch-black, and thickly foggy, when January returned home. Dim clamor still drifted from the wharves along the levee, and the gambling rooms of Rue Royale, but as he walked along the Rue Burgundy the stillness was eerie, thick with the molasses reek of burnt sugar from the plantations along the Bayou Road, and the cold-stifled stench of the gutters. At his mother’s house, Bella the cook was already starting the kitchen fires. She sniffed in disdain — like her mistress, Bella had little use for musicians — but gave him a cup of coffee and bread and butter before he went upstairs to his garçonnière to change clothes. She didn’t even come to the glowing kitchen door when he came down again a few minutes later and crossed to the passway beside the house that led back to the street.

The house itself was silent and dark.

Walking downriver along Rue Burgundy, January had almost reached Rue Esplanade when he realized he was being followed. In the fog it would be a waste of time to glance behind him, even when he passed the intersections where the city’s iron lanterns hung on chains across the streets. To stop and look back would let his pursuer know that he’d been detected, though January was almost certain who it was. He turned down Rue Ursulines, and then along Rue Dauphine, and still his own footfalls on the wet brick banquettes were echoed by the muted drip-drip of following boot heels. Lantern light up ahead outlined the dark shape of a man washing down the banquette ahead of him: Country Ned, that would be, he guessed, Mâitre Passebon the perfumier’s yardman.

As he came even with the old man January called out a greeting in the sloppy Gombo French of the cane fields, the half-African patois that the tutors his mother’s patron had hired for him in childhood had never quite been able to beat from his memory. “Got a buckra hound-doggin’ — you be a mama partridge for a dollar?” he said. “No ewu—” He used one of the several African words for danger, and the tribal scars on Country Ned’s face twisted their patterns with his grin.

“Shit, Ben, ewu just fluff up my feathers.” He took the proffered dollar, passed his broom to January, and walked off down the street without breaking the rhythm of January’s steps. January himself continued to scrape the broom on the bricks, and swept himself back into the moist dark of the carriageway from Passebon’s courtyard as the pursuer solidified out of the fog.

That it was Nicholas Saverne on his heels, January had never had a doubt. Casmalia’s yardman Tommy might have told the young lawyer that Marie-Zulieka was being hunted by the big piano player, or the maid might have given that information, for fifty cents or just because they sympathized with any girl who’d flee from an “arrangement” with Jules Dutuille: It didn’t matter. As Saverne passed through the ravelly blotch of lantern light that had illuminated Country Ned’s sweeping, January identified the blink of expensive watch fobs, the sharp cut of m’sieu Bourdet’s tailoring, and the varnished shine of Parisian boots. He’d meant to wait till Saverne’s footfalls died away into the distance before himself emerging from his hiding place and circling around in the opposite direction, but at a guess Country Ned stopped too soon.

While January was still waiting in the carriageway, he heard Saverne stop, then come striding back, fast. He turned to duck down the carriageway and into the dark yard but the yellow light veered and jerked as the lantern was snatched up from the pavement where it had rested, and a voice called out, “You, boy, stop!”

Since Saverne almost certainly knew who he was anyway, January halted, stood waiting in the high brick arch for the white man to stride up to him, Country Ned’s lantern in hand. “Are you Janvier?” He used the familiar address tu — as most white Frenchmen did to children, pets, or slaves. One day January supposed he’d get used to being called that again.

“I am.”

“Have you found her?”

January folded his hands, replied, “No, sir, I have not.”

“You’re lying.” A white man would have called another white man out for the words — a custom January had always regarded as perfectly insane. “Where’d you be going at this hour, if not to her?”

“I guess I’m going home, sir.”

Saverne’s cane came up, the instinctive gesture of a man who doesn’t take even respectfully phrased impudence from Negroes; January steeled himself to take the blow rather than risk escalating the violence by warding it off. But when he didn’t flinch, Nicholas Saverne stopped, as if the idiocy of assaulting the one man who might possibly help him penetrated his shapely skull and golden hair. He stood for an instant, his mouth hard with frustrated anger, struggling with the idea that there were things a black man — or any man — could not be forced to do.

The rage died out of his eyes. The cane came down. “You know where she is?” Though he still used tu, his tone had changed, as if he spoke to a fellow man, of whom one must ask, rather than casually command. “Where she might be?”

He pulled a wallet from his pocket, fished coins from it that flickered gold in the oily orange light. January remained standing with his hands folded, and neither reached for nor looked at the proffered money.

Saverne lowered his hand. “Don’t tell me you agree with that harpy mother of hers, that’d turn her over to a — a boar-pig like Dutuille. Talk about pearls to swine! What do you want, then, to take me to her?”

“Her word that it’s what she wants.”

For one instant, January thought the young man was going to snap, Girls don’t know what they want! There was certainly something of the kind on his lips as he drew in breath, then let it out again.

January said nothing.

After a moment, slowly, the young man said, “Girls — sometimes they let themselves be pushed, by their families and their friends. Make no mistake, Janvier: I love that girl. And she loves me, I know she does. I will treat her like a princess, like a queen; I’m not a rich man now, but I will be one day soon. She will never have cause to regret it if she comes back to Mobile with me. I swear that to you. I swear that to her, if you speak to her.”

“If I speak to her,” said January, “I’ll tell her.”

Saverne stepped closer, pleading in his pale eyes. “Tell her not to worry about her father. I’ll keep him away from her, no matter what he tries or says. In Mobile he can’t get to her.”

It wasn’t a black man’s place to ask whether Saverne had considered what Louis Rochier might do to the rest of the family, and he doubted whether the man would consider it if reminded how completely in Rochier’s power Casmalia and Lucie and the several brothers were.

“I love her,” Saverne repeated softly. “Make her understand.”

The sun had risen, turning the fog to milk, by the time January reached Rue Marigny. He loitered outside Number 53, smelling the smoke of kitchen fires all up and down that quiet street of tiny wooden cottages, until he saw the white-haired Alois Vouziers emerge, resplendent in a rusty black coat, and totter off down the street, a satchel of books on his back. Not long after that a stout young woman came out the same door, ushering four blond boys of stair-step ages, from about thirteen by the look of him down to about eight, dressed as boys would be who are apprenticed to craftsmen or clerks. Not so very different, thought January, from Marie-Zulieka’s brothers, except that these boys didn’t have to worry about being kidnapped on their way to and from work, and sold up to the newly opening cotton territories in Missouri. Though the neighborhood was one of poor French and poor Germans, the refugees from the continuing turmoils in Europe that had followed Napoleon’s downfall, the woman called after the boys in the pure French of the educated Parisians not to be late for their grand-père’s lessons that night.

When the younger children came out to play January crossed to the oldest of them, a little girl of six or so, and said, “Would you take in a note for me, to the young lady who is staying with your grand-père?”

“Señorita Maria?” asked the girl, and January nodded.

“Señorita Maria would be her name.”

“She’s passing herself off as a Spaniard, then?” inquired Hannibal, when January met him later in the day, at one of the coffee stands at the downstream end of the market. From the rickety table where they sat between the market’s square brick pillars, January could see the wharves, piled with cargo and milling with stevedores, sailors, and whores. Down at this end of the market where the river turned around Algiers Point, they were crowded with ocean-going ships: the Constellation and the Tribune, the Waccamaw and the Martha, bound for Baltimore, Vera Cruz, Liverpool, New York.

Paris, thought January, feeling the stabbing pinch of regret. As if he’d inadvertantly put weight on an unhealed break in his leg, he drew back from the thought that he one day might return to the city where he had truly been free.

He lived in New Orleans now, despite all things, because it was the home of the only family he had. But he remembered what it had been like, to know that one’s family wasn’t enough.

“I thought she would be,” he continued. “I knew from what Casmalia said — and from the color of her dresses and her jewels — that Marie-Zulieka was fair enough to pass. And she’d clearly planned her escape. The only reason she would have worn evening jewels to the market was because she planned to sell them and flee.”

“The rubies were worth more,” pointed out the fiddler.

“If she was the kind of girl who’d take jewels from one suitor to hand to another, she might have.” January picked apart the little screw of newspaper the coffee woman had sold him for a penny, fished forth a broken lump of strong-tasting muscovado sugar. “She could have stuffed them into her marketing basket, along with the worming medicine that she used to poison Marie-Therese.”

Behind and around them, market women, porters, slaves with shopping baskets came and went among the stalls with their bright heaps of vegetables, their silver cascades of fish; a thousand elbows and basket rims brushed his shoulders from behind, like the leaves of a gently moving tree. “But their disappearance would announce her intentions more quickly. It’s just possible that Nicholas Saverne would know the voodoos in town, and where to find poison like that to slip into Marie-Therese’s coffee; if he was disguised he could probably have done it undetected. But if Zozo didn’t expect to disappear, why would she have worn any jewels? No,” he said softly. “She planned it herself. And she wanted no fortune to hand to an indebted lover; nothing that came from her family, or the protector she was leaving behind. That much was clear. She took only what her grandmother had given her — and her gris-gris. Even if she were fleeing New Orleans, taking another life and another name, she would not leave that behind.”

“Is that what she did? What she’s doing?”

January nodded. Behind Hannibal’s shoulder, he caught a brief glimpse of a thin, stooped, scholarly old man in a rusty black coat, leading a young woman along the wharves toward the gangplank of the Mary, bound for Boston, according to the chalked board outside the shipping office. A lovely eighteen-year-old with dark curls escaping from beneath her bonnet, and the gray eyes that told nothing of her heritage.

I will not be what my mother was, he heard her voice again in his mind, the words she had spoken to him that morning in old m’sieu Vouziers’s little house. I will not take a kind protector, only to save me from an unkind one. It is the world that I must flee, and not only one man.

The crowd closed around them and they were gone.

“I knew she spoke Spanish from the copy of Don Quixote I saw in her room — well, half the people in New Orleans do. And since the only family she has are under the thumb of her father, I guessed she’d go to her tutor, for advice at least. If old m’sieu Vouziers trusted her enough to lend her books that he’d owned for years — books he’d brought with him from Paris — that argued a bond beyond what her family would comprehend or even be aware of. I’ll have to get the books back from her mother, by the way, and return them to the old man. I’ll do that sometime after I slip this under the door, early tomorrow morning.”

He held up the note she’d given him. A single pale spot on one edge of the wafer marked where her tear had fallen as she’d sealed it up.

Hannibal coughed, the racking wheeze of a consumptive that shook his whole thin frame. “You’ll have to be quick about it, before she sells them.” He fished in his pocket for his laudanum bottle as January tucked the note back into his jacket. “She won’t have an easy time, you know.”

“She knows that. It’s infinitely harder for a woman to leave a man not for another man but for herself,” he went on softly. “And harder for a woman of color than for a white woman; a woman of color moreover whose family can conceive of no other position for a woman, if she’s fair-skinned and pretty, than the plaçee of a white. Not only her family, but her friends — literally every other person she knows.”

“I suppose King Solomon’s family thought him insane when he chose wisdom over riches — not that, as King of Israel, Solomon was ever in a position of having to wonder whether he’d eat on any given day. At least in Boston she’ll be allowed to hold a position in a girls’ school somewhere. Louis Rochier won’t really cast the whole family off because Zozo put a spoke in his wheel with his business partner, will he?”

“I hope not. I don’t think so, since she’s disappearing from town. She meant to literally disappear, you know, without a trace, for that very reason. I convinced her to write to her mother, at least. Casmalia can let Rochier know, or not.”

“Care to take a small wager on what she’ll decide to do?”

January sniffed with bitter laughter. “Not a chance.”

“I didn’t think you would.” Hannibal poured another dollop of laudanum into his coffee, raised the cup in a toast. “To Marie-Zulieka, then — or whatever name she’ll take in her new life. Macte nova virtute, puella, sic itur ad astra, as Virgil said. Blessings on your youngcourage; that’s the way to the stars. Though we had best pray she succeeds. I doubt Casmalia will welcome her, if she ever comes back.”

“No.” January watched, above the milling crowd on the wharves, as the Mary’s white sails half unfurled, and the current took the ship from the dock. A dark small form still stood at the rail, watching the water widen between herself and all the world as she had known it. “No, she won’t be back.”

Copyright © 2006 Barbara Hambly

* * * *

A Word From the Editor

When Hurricane Katrina swept through New Orleans she devastated not only a place belonging to the real landscape of America, but a resource for the creative imagination. For what city presented to the mind more possibilities for romance, drama, mystery, and intrigue than the Big Easy before Katrina?

Will the New Orleans that emerges after Katrina be as inspiring to musicians, artists, and writers as NOLA before the storm? Much will depend on how many of its people return to reconstitute the mix of cultures that gave rise to New Orleans’ verve.

The fiction in this issue, devoted entirely to NOLA, is a tribute to its unique weave of traditions and ethnicities. We’ve chosen chronological order for the 11 stories, which portray the city in various phases of its history — from before the Civil War to the early and middle 20th century, and finally to the days just before and after Katrina. It is our hope that the inspiration the writers found in their material will communicate itself to readers as a desire to participate in New Orleans’ rebuilding.

Scores of churches and relief organizations, big and small, are hard at work in the Big Easy. Those whose advertisements appear in this issue offer services that include temporary and permanent housing; aid to children and adolescents in crisis; counseling for those displaced; restitution of libraries; and support for individual creative artists and cultural institutions. Donations to the participating charities can be made through EQMm’s web site: www.themysteryplace.com.

The Sugar Train

by Edward D. Hoch

EQMm’s regular contributor Edward D. Hoch took his fans to New Orleans once before, with the sames series character he employs here, the turn of the last century’s Ben Snow. Alas, the story did not appear in this magazine but in the now-defunct The Saint Magazine (12/63). See “The Ripper of Storyville,” reprinted in The Ripper of Storyville and Other Ben Snow Tales.

* * * *

Ben Snow concluded his business in New Orleans on Ash Wednesday, which in that year, 1901, fell on February twentieth. The frivolity and music of Mardi Gras had ended, and he had every intention of heading back to Texas the following morning. The Southern Pacific Railroad had a relatively new route that extended from New Orleans across Texas to El Paso and beyond, but when he reached the downtown terminal there was a surprise awaiting him.

“Ben Snow!” a familiar voice called out, and he turned to see Detective Inspector Withers striding toward him along the platform. That English accent, with a trace of the South in it, was unmistakable.

“I thought we were done with each other yesterday,” Ben said with half a smile. “You come to arrest me?”

“Not hardly, Mr. Snow. You helped me out a lot with this Ripper case and I wanted to get your assistance on something else.”

“My train leaves in thirty minutes,” Ben told him.

“Do you have to go right back? Could you spare me another few days?”

Ben was in no hurry to deliver some sad news to his client back in Texas. “I suppose I could do that,” he agreed. “What’s your problem?”

“Ever heard tell of the Sugar Belt Railroad? A plantation owner named Colonel Grandpere built it about six years ago and purchased a steam locomotive to haul sugarcane north from his plantation to the refinery, a distance of some twenty miles. Horseshoe Plantation is located in the area between the Mississippi and Lake Pontchartrain, and the railroad passes through several parishes on its way to the refinery. Lately someone has been trying to sabotage it, blowing up tracks at night. I’m short-handed right now and the colonel will pay someone to patrol the area, maybe catch whoever’s responsible.”

“You have any ideas about that?”

The detective shrugged. “Rival plantation owners, maybe. The sugar crops can be big business around here. You might be able to catch them at it in one or two nights.”

“I’ll have to return to my hotel. And I’ll need a horse to cover twenty miles of track. I retired my own to stud back in Texas a few months ago. Didn’t think I’d be needing him, heading east.”

“I can get you a horse. That’s no problem. I’ve got a carriage waiting. We can ride out and see Colonel Grandpere now if you’d like.”

“Why me?” Ben asked.

“He asked if I knew any gunfighters.”

Horseshoe Plantation, just a few miles from the city’s center, was a collection of sugarcane fields grouped around a great old plantation house with white pillars framing the front entrance. A black servant met them at the door and ushered them into a parlor that seemed to have been furnished by a woman. When Colonel Grandpere entered, walking with an ivory-handled cane and smoking a thick Cuban cigar, he seemed completely out of place in his surroundings.

“You are the man who’ll be protecting my railroad?” he asked, making no effort to shake hands.

“Correct, sir. Ben Snow’s the name.”

The colonel’s eyes dropped to Ben’s holstered pistol. “Gunfighter, are you?”

“I have been, when necessary.”

The colonel seated himself with some difficulty, favoring his right leg. He patted it with the cane and said, “Got that right here in New Orleans when the Union army captured the city back in ‘sixty-two. It was the end of the war for me. I was thirty-two years old and a colonel without an army.”

A quick calculation told Ben he’d be seventy-one sometime that year. “That’s when you got into the sugar business?”

“After the war. This house was my family home and with the abolition of slavery some of the adjoining plantation owners were only too willing to sell to me. I realized the same men who’d been our slaves would continue working the plantations as free men. I’ve built this into one of the largest plantations in the state. We have all the modern conveniences here, including a telephone line to our neighbors.”

“And your own railroad, from what I hear.”

He nodded, obviously proud of his accomplishment. “About ten years ago I started building a little tram to transport sugarcane to the refinery. We used strips of iron attached to heavy pieces of wood for the crossties. As the cane was harvested, the sections of track could be moved from field to field. At first the cars of cane were pulled by mule teams, but in ‘ninety-five I bought a steam locomotive and made it into a real railroad. That sugar train is worth a fortune to me.”

His conversation was interrupted by the appearance of a strikingly handsome woman clad in riding costume. “Are you boring your visitors, darling?” she asked, bending to kiss him on the cheek.

“This is my wife, Bedelia. Inspector Withers of the New Orleans police and Ben Snow, who’s going to safeguard our railroad.”

“Thank heavens!” she said with enthusiastic approval. “They’ve been blowing up sections of track every few nights lately, and the police seem powerless to stop them.”

“I can recommend Mr. Snow highly,” Inspector Withers told them. “He’ll get the job done.”

“Who do you suspect?” Ben asked. “The line must cross other properties on its way to the refinery. What sort of agreement do you have with them?”

Bedelia Grandpere smiled. “My husband could charm the birds from the trees. Our neighbors hold him in great esteem, and each year he presents them with a three-hundred-pound barrel of sugar for permission to cross their land with our railway. But you must put an end to this terrible sabotage. Come out here at sundown the next few nights and patrol the area.”

“I’ll do what I can,” Ben promised. Grandpere mentioned a generous fee, with a bonus if the bomber was caught or killed. Ben quickly agreed to it.

“Do you have a horse he could use?” Withers asked the colonel.

“Certainly. Bedelia, please show Mr. Snow to the stables and help him choose a suitable horse.”

“My pleasure.”

Ben followed her out of the parlor while Withers remained with the colonel. “It must be a great deal of work keeping such a large plantation running,” Ben said, making conversation while they walked through the great old mansion.

“My husband has some excellent overseers, and I help out when I can.” They walked through an enormous kitchen and exited the house by the back door. He could see the stable about fifty yards behind the house. When they reached it, a tall young man with a moustache was brushing down a chestnut colt. “This is our hostler, Rubin Danials. Rubin, Mr. Snow here needs a good horse.”

Danials ceased his brushing and turned his attention to Ben. “You an experienced rider?”

Before he could answer, Bedelia decided for him. “How about Duke? He’s a good gentle mount.”

Rubin saddled the horse and Ben mounted with ease. He was surprised when Bedelia gripped the reins before he could ride off. “Could I speak to you a moment? It’s about this sabotage business.”

“Certainly.” He dismounted and followed her a little way away from the barn, leading Duke behind him.

“There’s something you should know, and I’m certain my husband won’t mention it. I don’t imagine it will surprise you to learn that I’m his second wife. My predecessor died five years ago and I met the colonel during Mardi Gras two years later. He has a grown daughter, Matty — Matilda — from his first marriage. She left home a few months ago and has been living in the French Quarter. There was no love lost between them, and I wonder if these attacks on the railway might be instigated by her. They began in early January, about six weeks after she left home. She might have hooked up with some unsavory characters in the Quarter.”

“Have you seen her since she moved out?”

“Just once. I was shopping for some candlesticks in the Quarter, before Christmas, and she was working at a little store there. I told her we’d welcome her back home, but she wouldn’t speak of it. She viewed her father as an evil man bent on ruining her life.”

“What was the name of the shop?”

“La Belle Fleur. It’s on Iberville Street.”

“Thanks for the information. Tell me something else. Why is sabotage on the rail line such a grievous blow to your husband’s plantation? Surely the cane could still be hauled in wagons.”

She smiled like a teacher imparting knowledge to a backward pupil. “Once cut, the cane begins to lose its sugar content. The faster it reaches the refinery, the more valuable it is.”

“I see. Is the harvesting continuous?”

“Given the right weather conditions, with enough sun and moisture, a stand of cane can be harvested many times. When you ride out you’ll see that the workers move from one field to the next, with the train tracks moving right along with them.”

She left him and headed back to the mansion. Ben rode Duke for a mile or two, watching while the cut sugarcane was loaded into rail cars and trundled off to the permanent tracks that led to the refinery. A locomotive stood ready to haul the train on its way as soon as the proper number of cars had been filled. It became obvious to Ben at once that one man on horseback could hardly patrol twenty miles of track in the dark. Perhaps his best bet was to contact Colonel Grandpere’s daughter.

The French Quarter in the days after Mardi Gras took on the air of a sleeping village. Ben visited it on Friday morning after riding along the track to make certain there’d been no new damage overnight. The temperature, in the mid fifties, enabled him to hide his gun belt beneath a leather jacket without attracting undue attention. La Belle Fleur proved to be a tiny shop wedged between two cafes, selling candles, beads, and amulets that suggested a possible connection with voodoo and the occult. But there was nothing the least bit eerie about the pale-complexioned young woman behind the counter, despite the plain gray shift that she wore. She had a ready smile and a friendly manner as she asked if she could help him.

“I’m looking for Matty.”

She bit her lower lip. “That’s me. Did my father send you?”

“I’m doing some work for him, but he didn’t mention you. I just heard about you working here and thought you might be able to help.”

“I don’t help my father with anything. I’m on my own now.”

“The French Quarter can be a dangerous place for an attractive young woman alone. A few blocks further along this street is Storyville, a sector with legalized prostitution.”

Her face hardened. “I know that. I’ve lived in New Orleans all my life. Did you come here to buy something?”

Ben studied the display case and picked out a coiled snake bracelet for five dollars. She seemed pleased enough at the sale and he started in again. “It’s about your father’s railroad.”

“The sugar train? What a joke that is!”

“How so?”

“It’s a joke on the other property owners. He gives them a barrel of sugar every year for the right to run his train across their land.”

“Someone’s been blowing up his tracks at night.”

The news seemed to surprise her. “No doubt a dissatisfied neighbor.”

“Do you know anyone who might be doing it?”

“Of course not!”

“What about some of your new friends in the Quarter?”

“I’ve only been here since November. I don’t have many friends.”

“Perhaps if you returned to Horseshoe Plantation you and your father could work out your differences.”

She shook her head. “Never! He was nearly fifty when I was born. I always felt closer to my mother, and not just in age. I’ll never go back there.”

“Is it his wife you object to?”

“Bedelia? She’s part of it, but it’s mostly my father. He’s never gotten over the South’s losing the war. He’d be happy if all his workers were still slaves.”

“The war’s been over a long time.”

“Not at Horseshoe Plantation.”

Ben left her then, clutching his purchase in a small paper bag.

He doubted that a young, attractive woman like Matty Grandpere would be without friends in the French Quarter, and he waited across the street until he saw her close the shop for an hour at lunchtime and go next-door to a cafe for something to eat. She chose a table near the rear and sat with her back to the bar, so he was able to enter and order a beer and keep her in view. The place catered to a mixed group of shopkeepers and laborers, none of them black. It wasn’t long before a sandy-haired man in a checkered work shirt entered and stood at the door as if searching for someone. Ben wasn’t surprised when he headed for the rear table and joined Matty.

The two conversed casually, and from his distant observation post it seemed to Ben they were no more than friends. The man left before Matty and called a greeting to the bartender as he departed. “Was that Mark Despard?” Ben asked the man, inventing the name.

The bartender frowned. “Who? The guy that just left? Tommy Franz, he’s a regular here. Never heard of Despard.”

“I must have been mistaken, but I know I’ve seen him somewhere. Does Franz work down at the docks?”

“He does some fishing, but he’s no longshoreman. He hires onto boats sometimes. Maybe that’s where you saw him.”

“Maybe,” Ben agreed.

“Whatever he’s doing these days, he’s making money at it. He spent a bundle during Mardi Gras.”

Ben wandered around the docks for a time and then returned to his horse. He picked up the tracks for the sugar train just outside the city and followed them, this time all the way to the refinery. Colonel Grandpere’s locomotive had just pulled in. For a time he watched workers unloading the cane from the cars, carefully weighing and recording each load before sending it into the main refinery building. Ben rode close enough to ask some of the workers if they knew Tommy Franz, but the name meant nothing to them. His tracking of the colonel’s daughter had gotten him nowhere. There was no hint that Franz was anything but a casual friend.

As he thought again about the explosion that had blown up the tracks, Ben wondered if Inspector Withers had checked local sources of dynamite or black powder. He rode back into downtown New Orleans and called at police headquarters. “How’s it going, Ben?” the inspector asked. “Gotten anywhere on the sugar-train sabotage?”

“Not yet. I was wondering if your department checked for recent sales of explosives.”

“Well, folks use a lot of fireworks during Mardi Gras.”

“I didn’t mean that. Do they sometimes use dynamite to remove old tree stumps?”

“Sure. You realize we’ve been pretty busy around here lately. No time to check things like dynamite sales.”

“Where could I check them out myself?”

“There are just three places locally. Of course, the dynamite could have been brought in from Baton Rouge or almost anywhere.” He jotted the names on a sheet of notepaper. “Let me know if you find anything.”

Ben visited all three places that afternoon and found nothing. All of the big plantations ordered dynamite along with other supplies, but there were no recent purchases by individuals. “It’s the best way of getting rid of tree stumps,” one dealer told Ben. “You drill a hole in the stump, slide in a stick of dynamite, and light the fuse.”

Ben carefully wrote down the list of plantations that had purchased dynamite, including the Horseshoe. It proved nothing, except to show Colonel Grandpere he’d been earning his pay. He stopped back at the bar where he’d seen Matty with Tommy Franz, but neither of them was there. After a beer and a light supper he rode back out to Horseshoe Plantation.

It was past sundown and Colonel Grandpere greeted him on the dimly lit porch. “I’ve been waiting for you, Snow. I think our man is on the move.”

“Tonight?”

“Right now! One of my neighbors telephoned that he saw someone with a sack crossing his field at sundown. I’ve got Rubin, our hostler, along, too. We’ll ride out and catch him in the act. Got your pistol?”

“I’m never without it. I went around to a few places that sell dynamite and made a list of their customers. You might want to look it over.”

“Later,” the colonel said, folding the paper and slipping it into the breast pocket of his jacket.

Rubin Danials was mounted and waiting back near the horse barn. “Hello, Ben. Good night for hunting, eh?”

Ben glanced up at the moon, barely visible thorough the scattered clouds. “Good night for blowing up tracks, too. Do we know where this guy is?”

“There’s a bend in the river brings it within a few miles of Pontchartrain. The colonel thinks he’s there.”

They rode out into the darkness, guided only by the occasional moonlight. Danials, who seemed to know the route best, led the way, with Ben and the colonel behind. “Keep your gun ready,” the colonel told Ben. “If we find him, he could be dangerous.”

Soon they reached the sugar-train track, running along the side of a field and heading northwest away from the city and toward the refinery. They traveled faster now, following a path along the railroad. Presently Ben spotted the flare of a match up ahead. “There!” he pointed.

They rode up fast and Ben was off his horse before the others. A long fuse was burning toward a single stick of dynamite under one of the rails. As he yanked it out a slender figure with a double-barreled shotgun appeared from behind a tree. It was Matty’s friend, Tommy Franz. He fired a blast at Rubin Danials, blowing him off his horse, and then aimed a second barrel at the colonel. “Get him, Snow!” Grandpere shouted in the same instant the second barrel was fired. The old man fell back, clinging to his reins, just as Ben put two quick bullets into the killer’s chest.

Franz stumbled back, dropping the shotgun, as Ben rushed to the aid of the wounded men. He saw at once that Rubin Danials was beyond saving, and turned his attention to the colonel, lowering him to the ground as he stripped away the bloodied jacket and shirt. His chest was peppered with a dozen or more shotgun pellets, causing a bit of bleeding, but there was none of the massive damage that had ended the hostler’s life.

“Did you get him?” the colonel managed to gasp.

“I got him. He’s dead. But so is Danials, I’m afraid.”

“Can you get me back to the house?”

“You haven’t lost much blood,” Ben said. “But we’d better head for the nearest house. Where is it?” He checked over the colonel’s horse, which seemed unharmed, and tied his employer onto the saddle so he wouldn’t fall.

“The — the Crabtree place, through these woods.”

Ben led the colonel’s horse in the direction indicated, and presently a large farmhouse came into view beneath the moon. After some pounding on the door, Ben was rewarded by the appearance of one of the Crabtrees. “What’s going on?” the man wanted to know.

“Colonel Grandpere’s been wounded and there are two dead men back by the railroad tracks. Do you have a telephone here?”

“Well — yes, we do. These farms are connected and we have a line running into the city. What happened?”

“Another attempt to sabotage the sugar train, but that’s over now. Call Inspector Withers and let me speak with him.”

Withers wasn’t at police headquarters that late, but they contacted him and he rode out in his buggy shortly after other officers had arrived on the scene. The colonel was already on his way to the hospital, and Withers had only the bloodstained shirt and jacket Ben had stripped from the old man. “He was lucky.” Feeling around in the perforated jacket, he came upon the paper Ben had given the colonel with the names of the local dynamite customers. “What’s this?”

Ben held the paper up to the lantern light and explained that he’d been trying to determine if there’d been any dynamite sales to individuals. “None of these places made individual sales, as you can see.” The inspector took the list to examine Ben’s notations. The paper was so thick no light passed through it. “Of course, the dynamite could have come from upriver or almost anywhere.”

Withers uncovered the dead man, his chest torn open by the buckshot blast. “Rubin Danials,” he muttered, “a good man with horses.” He walked over to the second body, the man with the shotgun. “Do you know him?” the inspector asked Ben.

“Not really, but I think his name is Tommy Franz. I saw him at a bar in the French Quarter with Grandpere’s daughter.”

“Matty? I’m sorry to hear she’s involved in this.”

“We don’t know that she is.”

Withers sighed. “I’d better have her picked up for questioning.”

Ben slept only a few hours that night. Though the shooting of Tommy Franz had been more than justified, he wondered at Matty Grandpere’s involvement in the case. Was her alienation from her father so severe that she would enlist a man like Franz to sabotage the sugar train?

By morning Matty had been located and brought in for questioning. Since he had fired the shots fatal to Tommy Franz, the inspector wanted Ben present, too. “I have to get to the bottom of this,” he told them both.

“How is my father?” Matty asked. Her face was drawn and pale, and Ben wondered if it was the colonel’s wounding or Franz’s death that upset her most.

“His wounds aren’t serious,” Withers told her. “The doctors picked about a dozen bits of buckshot off his skin. None of them penetrated very deep. He’ll be out of the hospital in a day or two.”

She shifted her gaze to Ben. “You were the one who killed that man?”

“I had no choice. He fired his double-barrel at Danials and your father.”

“Miss Grandpere — Matty — what was your relationship with Tommy Franz?” Withers asked.

“There was no relationship. I barely knew him. I started having lunch at that cafe when I took the job at La Belle Fleur. He talked to me one day and after that he often came over to my table. I never saw him outside the cafe.”

“Did he ever mention your father, or the sugar train?”

“Never. I doubt if he knew who my father was.”

Withers looked doubtful. “Grandpere isn’t a common name. I’m sure he knew.”

“But what did he hope to accomplish by attacking the railroad?”

The detective made a few quick notes before he replied. “At some point he may have been planning to extort money from your father in exchange for stopping the attacks. We may never know.” He picked up Ben’s list of dynamite suppliers. “I’ll check these out and try to discover where he bought the stuff, not that it makes much difference now.”

“Do you need me any longer?” Matty asked.

“Not right now. Maybe you should go see your father at the hospital.”

“If you want to, I’ll go with you,” Ben offered.

“Oh, all right,” she agreed, hardly concealing her reluctance.

Colonel Grandpere had been taken to the Tulane University Hospital, one of the city’s oldest. They found him in a private room being attended by his own nurse. “Daddy,” Matty said softly, entering the room with some hesitation.

He lifted his head and peered at her. “You’ve come back, my darlin’ daughter.”

“Not for good, just to see you. How do you feel?”

“Pretty good for someone my age who took a load of buckshot in his chest. Lucky you were there, Snow, or he’d have finished me off.”

She went over to his bed and kissed him lightly on the cheek. “The police think I was somehow involved with this Tommy Franz, but I barely knew the man. He only had lunch with me a few times.”

Colonel Grandpere frowned. “He did? That man was no good.”

There was a noise at the door and Ben turned to see Bedelia Grandpere entering. “Well, Matty. You’ve come back.”

The colonel’s daughter gave her a sour look. “Only for a visit. I thought you’d be in mourning after Rubin was killed.”

Bedelia ignored her remark and went to the colonel’s bedside. “We’d better be going,” Ben suggested to Matty. He thought he understood one reason why she’d left home.

Colonel Grandpere returned to the plantation two days later, accompanied by Bedelia. Ben had only to collect his pay and move on. He’d done the job as best he could and there was nothing else for him in the city. He would head back to Texas later that day.

And yet, there was something unsettling about the entire matter, even after Inspector Withers assured him no charges would be brought against him for shooting Tommy Franz. “It was self-defense,” he told Ben. “The man had already shot two people.”

“Have you been able to trace the dynamite?”

Withers spread out Ben’s list on his desk. “It appears he got it from one of these big plantations, or else he brought it in from upriver.”

Ben was staring at the sheet of paper, suddenly wondering how he could have been so dumb. “I’m on my way out to Horseshoe Plantation to collect my fee and return their horse. It might be a good idea if you came with me.”

Inspector Withers gave him an appraising look. “All right,” he said finally. “If you want me to.”

They reached the plantation a half-hour later, and Bedelia ushered them to her husband’s study. It was a more masculine room than the parlor where Ben and the colonel had first met, with bookshelves holding Civil War histories and volumes on sugarcane cultivation. “Good to see you on your feet again, Colonel,” the detective said.

“It’s a miracle I’m still alive,” Grandpere told him. “I have you to thank, Mr. Snow.” He handed over a check, which Ben quietly pocketed.

“Will you be going back to Texas?” Bedelia asked.

“There, or somewhere else. I’m a wanderer.”

Colonel Grandpere smiled. “You can do a good deal of wandering with the money I paid you.”

Ben was uncertain till that moment what he would do, but he knew he could not leave New Orleans with the truth untold. “It’s hardly enough to commit murder for you.”

The color drained from the old man’s face. “What are you trying to say, Mr. Snow?”

“That this entire charade was carefully planned by you for the purpose of killing Rubin Danials. You then arranged for me to kill your triggerman, Tommy Franz, insuring that you’d be safe. It would have been the nearest thing to a perfect crime I’ve ever come across.” Bedelia was staring at him, open-mouthed. She turned to her husband and demanded, “What is he saying? Tell me it’s not true!”

“Darling, the man is insane.”

Inspector Withers joined in the conversation. “Why would the colonel want Danials dead?”

“Matty made a remark that implied Bedelia might have had a relationship with him. If that was the case, or if the colonel even suspected it, he’d have a motive.” Bedelia said nothing, and averted her husband’s gaze. “I think the colonel hired Tommy Franz just as he hired me. He supplied him with dynamite to damage some of the sugar train’s tracks, and then hired me to guard them. It was Tommy’s own idea to meet up with Matty. Last night the colonel said he received a telephone message that the bomber was near the tracks, but the nearest neighbor seemed surprised at our presence. That was just a trick to get Danials and me out there. He probably told Franz that I’d be along as a witness that the killer shot him, too.”

“But they were both shot!” Withers protested.

“Were they? How could one man have his chest ripped open while the other was barely scratched and his horse not even touched? Remember that sheet of paper I used to list the dynamite sellers and their customers? I’d given it to the colonel and he placed it in the breast pocket of his jacket. You found it there after he’d been shot. But I remembered thinking later that the paper was so thick no light passed through it. No light. How could the buckshot have gone through the colonel’s jacket and shirt to cause those minor surface wounds without penetrating that paper? It couldn’t have! Franz’s first shot was strong enough to kill Rubin Danials outright, but the second shell contained only powder, no buckshot. The colonel had made careful holes in his jacket and shirt beforehand — which went unnoticed in the dark — and even nicked himself with a knife to produce a bit of blood. A dozen rounds of buckshot were stuck to his skin with drops of glue. Franz was to fire the first barrel, killing Danials, and then the second barrel before running off. What he didn’t know was that the colonel had brought along a gunfighter to kill him, too.”

“You figured all that out from the sheet of paper?”

“There were no holes in it. This is the only possible explanation.”

The colonel started to rise, reaching for his cane, but Bedelia got there first. She raised it and swung at him, and she might have killed him if Withers hadn’t grabbed her and pulled her away.

Later, as Ben Snow walked from his hotel to the train, he heard the sound of a saxophone from somewhere on Basin Street. It was the first music he’d heard since the end of Mardi Gras, and he paused for a few minutes to enjoy it. New Orleans was a great city. It always would be.

Copyright © 2006 Edward D. Hoch

The Death of Big Daddy

by Dick Lochte

New Orleans-born Dick Lochte’s first novel, Sleeping Dog, won the Nero Wolfe Award and was named one of the 100 Favorite Mysteries of the Century by the Independent Booksellers Association. Two of his crime novels feature his hometown: Blue Bayou and The Neon Smile. His ninth novel, Croaked!, is set in California, where he now lives with his wife and son. In this story we see New Orleans circa 1970.

* * * *

On that afternoon in May, so many years ago, every seat on the Delta flight from New York must have been filled, judging by the mass of departing passengers staggering into the bright terminal at Moisant International. Still, I had no trouble at all spotting my quarry. He was the only passenger wearing a slightly rumpled white linen suit, a flowery Hawaiian shirt open at the neck, large dark sunglasses, a jaunty beret, and an expression of utter bewilderment on his moderately famous, bearded face.

“Tom?” I said.

“Eh?” He backed away in near terror.

“It’s Harold LeBlanc.”

When that had no apparent effect, I added, “From the Royal Street Bookshop in the Quarter.”

His spine seemed to unlock, which I took as a good sign. “Harol’, o’ course. You mus’ fo’give me, baby. I am not myself at the moment. I mistook you for a reporter. They’ve been doggin’ me since that Cavett Show. What a pleasure seein’ you again.”

He swayed and I reached out a hand to steady him. “You okay?”

That prompted one of his oddly humorless, cackling laughs. “Not eg-zack-ly. I may need your assistance to make it to the baggage section.”

I offered him my arm, and off we went.

“It’s the airline’s fault,” he said. “There was some mix-up about my First Class arrangement. I explained that I could not fly Coach because of my condition, my fear of suffocation. I’m afraid I had to rant a bit, but I sincerely doubt they would have treated Mr. Neil Simon so offhandedly.” He smiled and emitted another cackle.

“Eventually they saw the error of their ways and, to compensate, overdid the kindness, supplying me with several more vodka martinis than I actually needed. Do you think you could retrieve my luggage for me, baby? The theater was supposed to send somebody, but they either forgot or changed their mind.”

“They sent me,” I said.

“Ah, a splendid choice,” he said. “I shall take it as a sign my ghastly notices have not used up all of my cachet.” Another cackle.

In spite of the still-boiling three-o’clock sun and the humidity that has always blanketed New Orleans, Tom insisted I lower the top on my Mustang for the drive to his house in the French Quarter. “I am devoted to tropical climates,” he said. “It’s why I keep residences here and in Key West.”

Not being devoted to tropical climates, I turned on the car’s air conditioner once we were on our way. This amused him immensely. “Icy air in an open car,” he said, shouting through the wind. “Ah, technology.

“How are they treating my Cat, by the way?”

He asked the question with a forced casual air, as if the answer weren’t as important as the cigarette he was trying to light in the wind.

I told him in truth that I had no idea what they were doing with his play. “We nonparticipants have been locked out of rehearsals. Harmon Kane’s orders.”

“That sounds like Harmon.” He gave up on the cigarette and put it and a black holder back into his coat pocket. “I was not exactly overjoyed to hear he was directing the production as well as starring in it. He’s a bit too much of a ‘genius,’ if you know what I mean. It’s made him persona non grata in Hollywood. Tends to be hard on his players, which must make it especially rough for local actors. But I expect his Big Daddy will be something to see.”

“A columnist for the Picayune said it was the first time an actor might have to go on a diet to play the role.”

This time the cackle had some mirth to it. “He has been mistaken for the Goodyear blimp,” he said. “But there was a time when he was as svelte as you, Harol’. Before his appetites got the better of him. Speaking of which, how’s he been behavin’ himself?”

“I’ve caught his act a few times,” I said. “Most recently in Antoine’s, cursing his waiter for having the temerity to bring him an after-dinner coffee he hadn’t requested.”

“Was he in the bag?”

“I hope so.”

“Prob’ly didn’t understand that in this tradition-lovin’ section of the world an after-dinner demitasse is considered part of the meal,” Tom said with an air of dismay. “He took the brew to be the waiter’s commentary on his inebriated state.”

“I suppose,” I said.

“And, of course, he was playing to the room and to the wide-eyed admirers at his table.”

“Just one wide-eyed tablemate,” I said. “Eugenia Broussard, an artist at Webber Advertising and our local Kim Stanley. She’s playing Maggie the Cat.”

“They... involved romantically?”

“I gather they are.”

Tom sighed. “Never a good idea to mix business with romance,” he said. “I learned that lesson a long time ago.”

He leaned back and closed his eyes, offering his face to the sun. “Were the ‘sixties good for you, Harol’?” he asked.

Though we were only a few years past that decade, the answer to the question required some thought. I’d survived my wife’s death, quit my job at the same ad agency where Eugenia now worked, bought the bookstore, seen my country enter a war it couldn’t possibly win, and lost a son to the priesthood... well, better lost to that than to a sniper’s bullet.

“It was the worst period of my life,” Tom continued, making me realize his question had been rhetorical. “After Night of the Iguana, everything went to pieces. Plays folding almost before they opened. The critics like vultures feedin’ on my stringy old remains.

“Frank dying.” That would be Frank Merlo, his long-time companion, a cancer victim. “And Diana Barrymore. And my dear Carson.” Carson McCullers. “So many of my friends. All gone. All the doomed people.”

I couldn’t think of a thing to say to that.

After a few minutes of silence, he said, “Don’t pay any attention to me, Harol’. It’s those martinis talkin’. I have survived the ‘sixties. I’m alive and reasonably healthy. My past plays are being performed and I have new ones on the horizon. I am sitting in an air-cooled automobile with the sun on my face, heading into a city that is my spiritual home. As the great Robert Louis Stevenson once noted, ‘The world is filled with such a number of things, it’s a wonder we all aren’t happy as kings.’”

At the entrance to his two-story house on Dumaine Street, I offered to help him with his single piece of luggage but he assured me that he could handle it. “That delightfully windblown drive has delivered me into sobriety,” he said, “a state that I shall attempt to alter at the first opportunity.”

“I have several first editions of Roman Spring and some of the plays at the store I’d like you to sign,” I said. “How long will you be in town?”

“Maybe a week, this trip,” he said. “I told Megan I’d look in on the final rehearsal tomorrow. And then the opening night, of course. You’ll be there, right?”

Megan Carey, the play’s producer, and I had been keeping company for a while. I told him I’d be on hand opening night.

“Good,” he said. “I’ll try to stop by the bookstore before then. Otherwise, I’ll see you at the theater.”

It rained the next afternoon, just enough to clean the French Quarter’s streets and cool and freshen the night air for the usual flock of tourists.

In those days, I often kept the shop open late on the weekends, ever the optimist as I watched the crowds pass by with their go-cups and Pat O’Brien glasses in hand. That Friday night, just as I was about to turn the sign around on the door, Tom appeared. With him was Jason Dupuis, a blond, blue-eyed young man (in his twenties, I guessed) who’d been tending bar at the Barataria Lounge when Harmon Kane noticed his resemblance to Paul Newman and cast him as Brick, the alcoholic husband of Maggie the Cat in Tom’s play.

Tom was dressed in suit and tie. Jason, who had the habit of staring at you with an insolent sneer that I presumed was his “method” pose, wore patched Levis, battered tennis shoes, a flounced white silk pirate shirt, and, in spite of the season, a blue velvet blazer. The three colorful plastic bead necklaces he wore were either his homage to Mardi Gras or a sign that the hippie influence had not quite vanished from the earth.

He strolled by the shelves studying titles while Tom sat at my desk, signing the small stack of books.

“How went the rehearsal?” I asked.

“The Broussard girl is surprisingly effective,” Tom said. “As is Mr. Dupuis.” He grinned, glanced at the young bartender-actor, who was pretending not to hear, and continued. “Harmon is a splendid Big Daddy, almost on a par with Mr. Ives.”

He signed the final book with a flourish, placed the pen on the desk, and rose to his feet, swaying slightly. “Durin’ our drive in from the airport, you neglected to mention that you and Megan Carey were an item, as they say.”

“I didn’t think you’d be interested.”

“Ah’m always interested in matters of the heart,” he said, his eyes drifting unconsciously to Jason, who was perusing a book. “Anyway, the rest of the cast is adequate, at the very least.”

“And eager to take on New York,” I said.

“What do you mean?”

“Megan tells me that Harmon is bringing the production to New York,” I said. “Isn’t he?”

“He’d better be,” Jason said, suddenly aware of our discussion.

“You both are askin’ the wrong man,” Tom said. “Ah’m just the playwright, the last to know.”

“I gave up my job at the lounge,” Jason said. “Harmon better be playing straight.”

“Did you like slingin’ drinks?” Tom asked.

“It was okay.”

“Was it as satisfyin’ as acting?”

“Hell, no.”

“Then whatever happens, Harmon did you a favor.”

Jason begrudgingly admitted this was true.

He held out a well-thumbed trade paperback of An Actor Prepares. “I’d like this,” he said.

Tom took out his wallet, but I told him to put it away. “It’s just a reader copy.”

“That’s very sweet of you, Harol’,” he said. “We’re off to The Absinthe House for cocktails. Love to have you join us.”

I thanked him, but declined. Three was a crowd and booze was something else I’d left behind in the ‘sixties.

“Till the big night, then,” Tom said.

The Saenger Theatre has stood on the corner of Canal and Rampart since the ‘twenties, when, after a three-year period of careful construction (at a cost of $2.5 million), it emerged as the city’s leading home for silent films and stage plays. In the ‘thirties, talking movies became its sole attractions.

They remained so until the mid ‘sixties, when a renovation, partially financed by the sale of eleven of the building’s original twelve stunning chandeliers, transported from a vacation spot for French royalty near Versailles, resulted in a “piggy-back” theater. A wall transformed the balcony into a cinema, while the ground floor served as a 2,700-seat venue for touring theatricals.

That Saturday evening, it was standing-room only. The idea of being present on opening night of a Tennessee Williams play, directed by and starring the near-legendary Harmon Kane, with the playwright himself in attendance, was almost too much for New Orleans’ social- and literary-minded citizens to handle. They arrived in force, dressed to the nines.

And, judging by their cheers as the curtain descended on Eugenia Broussard’s Maggie and Jason Dupuis’ Brick facing an uncertain future, they enjoyed the play as much as I did.

“You’ve got a hit,” I said to Megan.

She was never less than lovely, but her smile that night turned her transcendent. “I think you’re right. Harold, I’m going to have a play on Broadway.”

The members of the large cast assembled for their curtain calls. After considerable clapping and bravos, the actors portraying the house servants and the “little no-neck monster” children curtsied and left the stage, followed by the show’s unctuous Reverend Tooker (a life-insurance salesman named Carl Godet) and the brusque Doctor Baugh (New Orleans Recreational Department’s Sam Gottfried).

Next to exit were Jacques Boudreaux (a druggist who appeared frequently in local stage productions) and Felicia Martinez (the hostess of a children’s show on WWL-TV) who had appeared as Big Daddy’s mendacious son Gooper and his tart-tongued wife Mae.

Before their departure, the production’s credible Big Mama, Mildred St. Paul, another frequently used local thespian and the housewife of a vice president at Henderson Petroleum, and Jason Dupuis (Brick), were given standing ovations that they almost deserved. That left the stage to the elephantine Harmon Kane, who, with surprising grace, gathered Eugenia Broussard in one massive arm and pulled her close, both of them regarding the standing, cheering crowd with an air of noblesse oblige.

When the applause began to wane, Harmon turned to the wings and summoned the other two primary players — “Millie and Jack” — to rejoin them.

More applause.

A young man in an ill-fitting tuxedo raced down the aisle bearing two rose bouquets that Harmon presented to Eugenia Broussard and Mildred St. Paul. Then Harmon stepped toward the footlights and gestured the crowd to quiet down.

“Ladies and gentlemen,” he said, his magnificent voice rumbling effortlessly without benefit of amplification, “we would like to thank you for your warm and enthusiastic response to our little production.”

The audience was silent now and a bit mesmerized.

“I, myself, am particularly in your debt,” he continued. “Since I have been absent from the theater for nearly twenty years, laboring in the Hollywood vineyards, there were some who needed assurance that I had not lost my... flair for stagecraft.

“Tonight your applause has given them all the proof anyone would need. As a result, on Broadway this fall, I will be directing a new play by a promising young writer named David Mamet, starring myself and Mr. Kenneth McMillan.

“Until then, I remain your humble servant in the arts.”

More applause.

But Harmon’s cast members didn’t seem to be sharing his good spirits as they took their final bows and the curtain descended.

“He had no intention of bringing this production to Broadway,” Megan said, her eyes wet with tears. “We were just a test case. How could he be so cruel?”

Tom, standing in the aisle a few rows from the stage, saw her and began to thread his way toward us. With the crowd of theatergoers jabbering and calling his name, he took Megan’s hand and said, “I’m so sorry, my deah.”

She drew a deep breath and when she exhaled her unhappiness seemed to disappear, replaced by a determination that hardened her beauty in a way I’d never seen before. “Did you know what he was planning, Tom?”

“Not until I saw Mr. Edgar Weisman in the seventh-row aisle seat.”

“Who’s he?” I asked.

“A representative of Greystone Theaters,” Tom said. “They operate the Waterford on 47th and Broadway, which I assume is where Harmon will appear in his ‘promising’ young playwright’s bit of twaddle.”

“I’d better get backstage,” Megan said. “Those poor actors must be terribly depressed. I want to make sure they’re still coming to the party. After all their hard work, the least I can do is provide them with food and drink and the opportunity to tell the loathsome Mr. Kane precisely what they think of him.”

We both watched her maneuver through the crowd.

“After dropping that bombshell, you don’t suppose Kane really will show at the party?” I asked.

“’Course he will, Harol’. He’s got to get another five performances out of those poor disillusioned actors and he’s a big enough ham to think he can talk them into it.”

“You theater folk,” I said, prompting one of his cackles. “I suppose you’ll be at the party?”

“As things stand, I wouldn’t miss it,” he said, turning to the crowd of men and women offering him pens and playbills to sign.

Megan’s cast party was being held in a penthouse suite at the Royal Orleans Hotel that probably cost about the same per night as a month’s rent of my bookshop three blocks down the street. A bar had been set up, and a groaning board filled with iced shrimp and crawfish, raw oysters, roast beef, a ham, dirty-rice, two kinds of salads, crudités, and tiny hamburgers and little links that were mainly for the children.

She had been successful in corralling most of the cast, though the party proceeded in a subdued and semi-gloomy manner for over an hour without a sign of either Harmon or Eugenia. The children and their stage parents seemed to be enjoying themselves, along with the African-American contingent that had portrayed Big Daddy’s household staff. They’d had no illusions about Broadway, having been informed at the start that their relatively minor roles would be recast by New York actors.

The others were finding it difficult to set aside their sense of betrayal, even with their stomachs full and their wine and cocktail glasses being constantly refilled. Jason Dupuis, suspicious that Tom had been in on the deception, was giving the playwright a hard time of it.

“Don’t touch me, old man,” he said, jerking his arm from Tom’s hand. “I prefer not to associate with people I don’t trust.”

“I learned of Harmon’s plans when you did,” Tom protested.

“You’re lucky I don’t know for sure, or I’d give you what I’m gonna give the fat man.”

“You physically attack him and he’ll sue you. The publicity will make him stronger and destroy you.”

“Oh yeah? Like I got anything to destroy. In any case, hanging around with you’s lost all its appeal. What can a has-been like you do for me now? Dig?”

We both watched the method former bartender swagger off toward Eugenia Broussard, who’d just arrived, alone. “He’d seemed like such a nice boy,” Tom said, not at all sarcastically.

“Sharper than a serpent’s tooth is an ungrateful actor,” I said.

“The sad thing is, I’ve been treated worse,” Tom said and cackled mirthlessly. “Time for me to refill the cup. Can I get you something from the bar, Harol’?”

I told him I was fine.

I watched him collect a large clear drink and take it to join Megan, who was saying goodbye to the departing children and their parents. Jason, meanwhile, had turned his full glowering method stare on Eugenia and she seemed to be flowering under its intensity.

Actors.

Harmon Kane arrived nearly two hours late for the party.

By then, we were down to a skeleton crew. Jason and Eugenia were “discovering” themselves on a couch in the corner. Jacques Boudreaux, the once and, it now appeared, future druggist, was ranting to an obviously inebriated and disinterested Tom about being relegated to a life of “rolling pills,” while his wife Lula, a country girl from Jeanerette, was confessing to me that, “as good as mah hubby is pretendin’ to be Gooper, I just wouldn’t’a felt right about livin’ in New Yawk, with Jacques associatin’ with drug addicks an’ all.”

Mildred “Big Mama” St. Paul and Megan were standing at the food table, deep in a discussion — of calories, I guessed. Her husband, the vice president of Henderson Petroleum, had been backed into a corner by insurance salesman Carl Godet and was trying to edge away gracefully.

All conversation ceased when Harmon entered.

He looked uncharacteristically harried, his hair mussed and his round face an unhealthy shade of gray. “Forgive me for arriving so late,” he said to the room, “and for... everything. If you’ll allow me, I’ll try and explain... but first, could someone be so kind as to point out the facilities?”

“There,” Megan said flatly, indicating the doors leading to the darkened bedrooms and baths.

As soon as he stormed away, energy began to flow through the room again. Lula drifted in the direction of her husband and I strolled to the window where Tom stood staring at the lights along the Mississippi.

“Lovely view,” he said.

“Not exactly like the lights on Broadway,” I said.

“No, but you know, Harol’, these folks do have some talent. And if they really want Broadway, they’ll find a way to get there.”

We watched the lights for a few minutes in silence.

“Okay. I’ve had enough of this bull.” Jason’s angry voice drew us both from the river view.

He strode angrily into the bedroom and continued to the closed bathroom door. “People out here want to talk to you, fat man,” he shouted. “Enough with the Frankie Machine bit.”

The door remained closed.

“C’mon out, you lyin’, sorry son of—”

Jason’s flow of invective was interrupted by the opening of the bathroom door.

Harmon stood wild-eyed and mountainous in the doorway, nearly blotting out the light from the bathroom. He had removed his tux jacket, pulled his bow tie apart, and unhooked his cuffs and the top of his shirt. He stumbled forward, then stopped and took a stiff-legged backward step, as if attempting a Frankenstein-monster parody.

But there was nothing comedic about his condition.

Jason, his handsome face registering surprise and, I think, fear, distanced himself as the big man started forward again, gasping for air and reaching out his arms. As he entered the lighted room where we stood his body began to spasm.

I rushed to offer whatever help I could, but I was too late. He went down hard on his side, hitting the carpet with an ugly thud. He rolled onto his back and lay there, his mouth opening and closing, reminding me, I hate to say, of a bloated, beached frog.

He stared up at me, his face wet with perspiration and tears. “Meg... Meg... did it...” he said. Then, apparently annoyed with himself, he shook his massive head. He mumbled something.

I knelt beside him, sensing rather than seeing the others in the room move closer. There was an oddly familiar chemical smell coming from his body, pungent, but not unpleasant. I placed my ear near his mouth and heard him whisper his final words.

I stood and looked down at his still body, only then realizing that a hypodermic needle was dangling from one huge fleshy arm, caught in place by the open French cuff of his shirt.

There was little doubt that he was dead, but I felt for a pulse anyway.

Jacques Boudreaux, the druggist, stood right behind me. “Oh, man, ain’t that somethin’?” he said.

“What was it he whispered to you?” Tom asked. “His last words?”

I pointed to the needle. “He said, ‘the heroin.’”

“Good Lord,” Mildred St. Paul said. “Was he on heroin?”

“On something,” I said.

“Actually, according to the insurance policy we needed for the play, he was a diabetic,” Megan said coldly. “Not that that rules out heroin, of course.”

“Diabetic?” Jason said. “Then that’s what killed him.”

“Either that or a drug overdose,” I said. “In any case, we should all move back from the body and find a comfortable place to sit and wait for the police. They won’t want anybody using that bathroom.”

“Shouldn’t we cover him with somethin’?” Tom asked.

“I think we’d better leave him like he is,” I said, and, ignoring the buzz of their questions and comments, I took it upon myself to notify the night manager of the hotel.

He in turn summoned the police.

A pair of uniformed policemen, one fresh and brash, the other seasoned and bored, answered the call and quickly ushered us to one of the hotel’s vacant suites, leaving the death scene to technicians from the coroner’s office and various other minions of the law.

Eventually we were joined by two homicide detectives, Burke (pronounced “Burkie”) and Mamahat, who, for the next two hours, interviewed each of us singly in the suite’s bedrooms.

Finally, Mamahat, a small, sad-eyed, olive-skinned man who seemed to be the ranking member of the NOPD, emerged from a room with Lula Boudreaux, the last of us to be interrogated. “I’m sorry we had to keep all you folks heah,” he said, looking as if that really were the truth. “But, in point o’ fact, Mr. Harmon Kane, a man of international fame, is now officially a victim of homicide, making this, unofficially, what we call a ‘don’t make a mistake or your butt winds up walking a beat on Bourbon Street’ murder investigation.”

He crossed the room to where Megan and I were together on a loveseat. “Miz Carey,” he said, his eyes looking sadder with each word, “you have any idea why Mistah Kane said you were the one who killed him?”

Megan’s hand squeezed mine suddenly. I tried to gather my thoughts.

“That’s not what I heard him say.” Tom’s voice was a weary drawl, but it worked to distract Mamahat.

“Then you seem to be in the minority, suh,” the detective said.

“Words are my business, Detective,” Tom said. “I don’t much care for im-prov-i-zation. The word ‘kill’ was not used, nor any of its many synonyms. What Harmon said was, ‘Meg did it.’ That could mean, ‘Meg brought me to New Orleans,’ or ‘Meg got me to come to this dreadful party.’ The word ‘it’ can be so dawgone vague, n’est pas?”

“With all due respect, Mistah Williams, when a man has just injected himself with a toxic substance he thought was insulin and realizes he is about to ex-pire, I truly do not believe he’s gonna be concerned with who invited him to a party.”

“A toxic substance?” Tom said. “You mean heroin?”

“Wasn’t no evidence of heroin. Not in the hypodermic needle or in its leather case that we found in the bathroom,” Mamahat said. “Way it looks, somebody slipped something into the dead man’s insulin supply and he shot it into his arm. We’ll identify the toxin soon enough. The assistant coroner said it smelled like a petroleum substance of some kind.”

Hearing those words, I recognized the odor I’d smelled when I was close to the dying man. And I knew exactly who had killed him, though I was less clear on what I should do about it.

Mamahat returned to Megan. “Miz Carey, you were aware that the deceased suffered from diabetes, right?”

She nodded.

“Then that knowledge, together with the victim identifying you...”

I saw where the detective was headed. “A lot of people knew he was a diabetic,” I said. “Or, to be more correct, they knew he used a needle.”

“Yeah? I got the idea they found out about his condition from Miz Carey after the man expired.”

“Lula,” I said to Jacques Boudreaux’s wife, “you told me you were worried about your husband associating with drug addicts. Were you talking about Harmon Kane?”

She looked at her husband for help. “Jacques?”

“I may have heard something about him bein’ on the needle,” Boudreaux said, frowning.

“Did you hear it from Jason?” I asked.

“Whoa,” the ex-bartender shouted. “Leave me out of this.”

“When you were calling for Harmon Kane to exit the bathroom, Jason, you said he should stop ‘the Frankie Machine bit.’ What’d you mean by that?”

Jason slumped. “Okay. Frankie Machine. Man With the Golden Arm. Sinatra’s greatest role.”

“Heroin addict,” I said.

“Yeah. One of the cleaning guys at the theater interrupted Harmon shooting up in the head. He thought it was dope.”

“So who else knew the deceased used a needle?” Mamahat asked.

“It’s a fact of backstage theater life, Detective,” Tom said, “that if one person in the company possesses that kind of information, everybody does.”

“Okay, so everybody knew,” Mamahat said, with some heat. “Big deal. I still have the dead man singling out one person by name.”

“Detective,” Tom said, “has anyone mentioned to you that no one refers to Miz Carey as ‘Meg,’ not even her... gentleman friend? It is always ‘Megan.’”

“So what? Kane was dying. He wasn’t able to get the full name out.”

“Finally, we agree,” Tom said. “Are you familiar with my play, Cat on a Hot Tin Roof?”

“I saw the movie,” Detective Mamahat said, “back awhile.”

“Good man,” Tom said. “You remember Miss Elizabeth Taylor in the film?”

“She went around in a slip, flirtin’ with Paul Newman?”

Tom smiled. “More or less correct. The character’s name is Margaret, but she is also called Maggie the Cat. Maggie... Mag. Sounds a lot like Meg, no?”

“You’re suggestin’ what?” Mamahat asked. “That he was talking about some character in a story?”

“More like the actress playing that role,” Tom said.

“That’s crazy!” Jason yelled. He was sitting next to Eugenia Broussard, his arm cradling her in a protective manner. “Why wouldn’t he have used her real name?”

“I think you’ll agree Harmon wasn’t quite himself at the time,” Tom said. “He was dying and mentally confused, not unlike the character he’d been playing only hours before. Isn’t it possible he was still thinking of Miz Broussard as Maggie?”

“You’re not buying any of this, are you, Detective?” Eugenia asked. “The ravings of an old drunk?”

Mamahat looked a bit uneasy. “It is a little... far-fetched, Mistah Williams.”

“Then let’s draw it closer to reality,” Tom said. “In spite of her lies and manipulations, some consider Maggie to be the heroine of the play. I do. And I believe Harmon did, too. That’s why his dyin’ words to Harol’ LeBlanc were ‘the heroine,’ indicating the lady, not the drug.”

“This is absurd,” Eugenia said.

“Most of the people here, Miz Carey included, had one reason to wish Harmon ill,” Tom said. “But only you, Miz Broussard, had a second reason. The man had pretended to be your lover. A broken contract might result in anger and frustration. But a broken heart, now that’s a motive for murder.”

We all were looking at Eugenia now. Even the suddenly quiet Jason, who, perhaps unconsciously, had slipped his arm from around her.

“Harmon didn’t break my heart,” Eugenia said. “But even if he had, do you suppose I carry poison around in my purse just in case I get dumped by a fat old fraud?”

“Not in your purse,” I said. “But, in this case, the poison was benzoyl. I recognized the odor from my days at Webber Advertising. It’s used by the artists to clean the glue from their boards. You’ve been working in Webber’s art department. They still use the stuff?”

She remained silent, staring at me.

“You didn’t have much time after Harmon’s curtain speech,” I said. “The agency is only a few blocks away. I imagine you raced right over there in a fury, filled a plastic bottle with the most toxic product you could lay your hands on, and then ran directly to Harmon’s hotel. What happened there? A full-out fight, maybe. You locking yourself in the bathroom, pretending to cry while you doctored his medicine?”

“That’s your story,” she said.

“An’ what’s yours, ma’am?” Mamahat asked.

“I don’t need one,” she said. “These are all fantasies.”

“If that’s the case, the night watchman at Webber won’t have checked you in tonight,” I said. “And the desk clerk and elevator operators at Harmon’s hotel won’t have seen hide nor hair of you.”

“And I suppose your fingerprints won’t be on any of the vials in Harmon’s medicine case,” Tom said.

Eugenia stood, head held high, arms at her side. Her glittering green eyes scanned the faces in the room. “Oh, you weak, beautiful people,” she said, repeating Maggie the Cat’s final words from the play. “What you need is someone to take hold of you — gently, with love, and hand your life back to you, like something gold you let go of — and I can.”

She took a step toward Tom, focusing on him. Detective Mamahat made a move to stop her, but Tom waved him off.

“I’m determined to do it,” Eugenia continued. “And nothing’s more determined than a cat on a tin roof — is there? Is there, baby?”

She reached out and touched his cheek, gently.

Then she backed away. “I’m ready now, Detective,” she said.

Mamahat took her arm and escorted her from the room.

Suddenly, everyone began to talk. “Wasn’t that the damnedest...?” “She murdered him?” “I wanna go home, Jacques.” “Yeah. Let’s get the hell out of here.”

As they filed out into the hall, Tom remained where he was. “I’ve never heard my words performed more eloquently,” he said and his eyes filled with tears.

We led him from the room and out of the hotel.

Royal Street was still throbbing with music and expectations. He stared at the passing parade. “Things are fallin’ apart in this old world,” he said. “The pressure builds up in people and they crack. People you’d never expect. Like Eugenia. So seemingly strong and capable.”

“We’ll walk you home, Tom,” Megan said.

“Thank you, my deah, but I’m still a bit too sober to be going home.”

“Then we’ll keep you company,” I said.

“That’s kind of you, Harol’, but tonight I shall seek the kindness of strangers.”

We watched him wander off down Royal in his tuxedo, drawing the attention of passing tourists who either recognized him as one of the world’s great playwrights or pegged him for being just another wealthy eccentric in a city full of them.

Copyright © 2006 Dick Lochte

Dead Men’s Shirts

by Julie Smith

Born in Savannah, Julie Smith’s first job was in New Orleans, as feature writer for the Times Picayune. But it was the 1960s, and San Francisco beckoned. There she would work for the Chronicle, and start writing fiction. She returned to NOLA, the city where her novels are set, in 1996. She’s an Edgar Award winner (and a P.I.!) whose new book is P.I. on a Hot Tin Roof.

* * * *

For Pig Man Latrelle’s funeral, they had a horse-drawn carriage driven by a distinguished gentleman in tails, top hat, and white tennis shoes. They had the Rebirth Brass Band, but not playing dirges, only party stuff. And they had the damn Dead Men’s Shirts, now offered as part of a package deal by the funeral homes. In recent years, they’d been renamed “Memorial Shirts” as if they were something respectable. Pig Man’s whole family was wearing them, all his little nieces and nephews, every single member of his posse, the P-Town Soldiers, all his little girl-friends, and every one of his babies by different girls (definitely not women — Pig Man was only nineteen).

Pig Man’s T-shirt had his picture on it along with his birthday under the label “Thug-in,” and also the day of his death, “Thug-out.” In addition, it sported a legend informing the world that “Real Soldiers Don’t Die — Now I’m With God, Up in the Sky.”

The Reverend Ray Turner Thompson, who officiated at the service, was pretty sure Pig Man was actually burning in hell and he wasn’t sure he wasn’t damning himself as well just by delivering the eulogy. But he managed to pull out some pap about there being good in the worst of us and God loving all his children, and then he recalled Pig Man — whom he called by his given name, Jermaine — as a cute little kid the reverend used to see at neighborhood barbeques. Lately, as neighborhood “soldiers” fell like bowling pins, he’d gotten good at that kind of thing, but it never failed to turn his stomach.

Just about everything about Pigeon Town turned his stomach these days. The violence was at the top of his list, but not the very top. He hated the glorification of it even worse. Sometimes the Dead Men’s Shirts said “Thuggin’ Eternally,” as if the good Lord had a separate heaven he kept for criminals, who got to sell drugs and blow each other away even after death. And the reverend knew these kids knew what was in the Bible; he’d read it to them himself. What the hell was wrong with everybody?

Well, he’d had to keep his mouth shut at Jermaine’s funeral for the sake of Pig Man’s mama, who’d had two sons gunned down in as many years, both of whom probably deserved what they got. But just wait till Sunday, he thought. I’ve been sitting on my hands way too long.

As soon as he could peel himself away from the crowd of teenage murderers and drug dealers and gangsters who shot up the neighborhood and then had the nerve to come into his church like they belonged there, he went home and began composing Sunday’s sermon. On the one hand, he knew the people he wanted to reach wouldn’t be in church to hear it; they only came for funerals. But on the other, he had to get some dialogue going, some buzz started. Some things off his chest.

The thing was, he was fifty-five years old and a graduate of Dillard University as well as a respected Baptist seminary. Furthermore, he was the son of a preacher who was also college-educated. Education was what happened in his family — and also in the recent past, if he remembered correctly. People worked hard and lived good, productive lives. What had happened to that?

How dare you come into my church, he wrote, wearing shirts that proclaim eternal thugging? Who gave you the right? And as for you parents, who gave your sons and daughters the right? This is still a house of God, and God, if I understand anything about this life, does not condone even earthly thugging, much less eternal thugging. Thugging and drugging and shooting and murder. Rape and violence and revenge. No! These things are not of God. Where is your respect, people? Where are your values? What are we teaching our children these days? LET ME TELL YOU SOMETHING — BILL COSBY IS RIGHT! WE ARE FAILING OUR CHILDREN! WE ARE FAILING THEM AT EVERY LEVEL.”

He stopped to imagine the way he’d bellow out those last few lines, doing it now in his mind and finding it entirely satisfying. He needed a bridge to Cosby, though. Well, maybe old Bill didn’t belong in this sermon at all. Poor parenting actually seemed minor compared to what was happening in Pigeon Town, which was a turf war between the P-Town Soldiers and a gang a neighborhood over, in Hollygrove. Jermaine Latrelle was only the latest casualty and judging by what the reverend knew about him, at least he was an actor in the drama.

Not so all the victims. So far, two innocent people had been killed as well as three gang members. The killing continued because every witness so far — and there were quite a few — either refused to come forward or recanted after being threatened. The threat was as real as Pig Man’s dead body, too.

But this had to stop somewhere. Somebody, somehow, needed to get some cojones. The reverend changed focus on the sermon, made it even stronger.

Are we going to stand by and let our innocent sons and daughters be gunned down in broad daylight?

We must trust in the good Lord that we’ll be safe. The good Lord and the tip line, brothers and sisters. Those who are afraid, phone in anonymous tips — and pray for the courage to come forward into the light. Those who are not afraid, come forward now if you dare!

We’ve come to a time when Miss Ella Fauntleroy down there in the front row can’t even sell her homemade frozen cups to the neighborhood kids. Yes, Miss Ella, I’ve seen you, poking your old arm out through your door, holding those frozen Kool-Aid cups out to any kid brave enough to come up on your porch, too scared even to show your face.

And I know the Boudreaux family reunion’s been canceled for fear somebody’s going to come shoot it up. Yes, Brother Boudreaux, I know. Y’all have every reason to be scared.

But somebody’s got to speak up. This killin’s got to stop.

He delivered the sermon Sunday, complete with the references to the Dead Men’s Shirts, and there was hardly a dry eye in the house. True, there’d only been about twenty people in church that day, most of them — except for his daughter and his grandson — as old as the reverend himself, but he saw them nodding along with him, he heard their shouted “Amen”s. He’d touched a nerve and he knew it.

That afternoon, just a few hours after church let out, four men in a white pickup fired into a crowd on a porch, wounding three more people and killing a three-year-old girl. Then the pickup rolled on down the road and killed two other men sitting in a car.

When the reverend heard the news, he wept. Just put his head in his hands and cried like a baby. His wife Maureen came in and held him, no need to say anything. After thirty years of marriage, they were practically telepathic. She knew exactly what was wrong with him.

The next day, Monday, a young girl who’d been on that porch came to him for pastoral counseling. She knew who did it, she said, she’d gone to high school with those boys, and one of her cousins was among the wounded. But she had a baby and the baby’s father had been killed in a previous shooting, and even though she knew the right thing to do, she didn’t think she could come forward. Was there some way he could intervene for her? Maybe tell the po-lice, but withhold her name?

Damned if he knew what to tell her, except that he could intervene and he would. But he didn’t add that that wasn’t going to get the shooters convicted, that the police were going to need her testimony. Confronted with a real person with a real problem, that was just something he couldn’t bring himself to do. So what did he believe, he asked himself? Was he just an old bag of wind when it came down to it?

He talked to Maureen about it and then he talked to God. And he realized that what he really thought was, things were so rotten in Denmark — meaning Pigeon Town — that he didn’t really know where to start. Because this was all about the drug culture getting out of hand, so out of hand it had spawned the hip-hop culture, which told innocent kids that the thuggin’ life was the cool life, the good life. That differentiating yourself from white people was the primary virtue of the ghetto, even if it meant you couldn’t get a job because you couldn’t speak good English and had no education and wore jeans so baggy you looked like a clown. In fact, that you didn’t need a job because selling drugs was the “black” thing to do.

But who in Pigeon Town was going to buy that? Who under fifty, anyhow? Saying something like that would make him an object of ridicule, a black man pandering. That was the thug’s-eye view, and it was so pervasive no one dared disagree. Only thing to do, he decided, was to tackle the problem from the bottom up. Start with the kids. He’d announce an outreach program he should have started long ago. He’d distance himself — for the moment — from pleading for cooperative witnesses; he’d focus on the only people in the neighborhood whose minds were still supple. Because Bill Cosby was right about the way kids were brought up these days, the twisted things they believed. Baggy pants and bad grammar didn’t make you a man or anything at all except a clown. He liked that line. He put it in his next sermon, and it went over. Everything he had to say was just dandy with the over-fifty crowd.

It’s gotten to the point, he said, that if you’re going to teach English in a black neighborhood, you’d better teach it as a second language. And I’ll tell you what we’re going to do, he wound up, we’re going to do exactly that! Ain’ no kid in this hood can get a job long as he talk like a thug. He paused for everyone to get the joke and then he said, Hey, don’t go away — y’all know what I meant.

That got him a laugh.

First thing he was going to do, he said, was start a class in standard English, right in the church, as an after-school program. And not only that, he was going to teach the class himself.

That actually got him applause.

But on Wednesday, the day of the first class, exactly one student showed up, his own seven-year-old grandson, Darnell, wearing baggy thug pants and a sullen face. “Mama said I had to bring him,” his daughter D’Ruth said. “So here he is. Just don’t tell his daddy, you mind? Marcellus finds out, he’ll kill me.” She meant her husband, the reverend’s worthless son-in-law.

“Why?” the reverend asked.

“You know why, Daddy. It’s not his scene.”

“You telling me he’s got some problem with educating his son?”

D’Ruth answered with a shrug.

The reverend stifled the urge to ask her why she’d married him, anyhow, and turned to Darnell, who wasted no time in asking, “Why I gotta do this?”

“You mean, ‘Why do I have to do this?’, don’t you?”

Darnell looked at him suspiciously. “Whassup wi’ dat?”

It took the reverend a moment to realize the boy wasn’t smarting off, he really didn’t know. So there was hope here. Ignorance beat attitude by a mile in his book. He ended up spending a reasonably pleasant hour with his grandson, and wished he’d thought of this before. Maybe it wouldn’t keep the kid off the streets, but it was bringing the two of them closer, anyhow.

So he preached about that on Sunday: the rewards of working with your kids, of helping them with their homework. All the gray heads nodded, but except for D’Ruth and Darnell, gray heads were all there were. This was going nowhere.

That Tuesday there were two more shootings, which meant another funeral at his church. This time, the reverend noticed, the Dead Men’s Shirts announced the victim’s dates of birth and death with the labels “Dude-rise” and “Dude-set.” This kid, Le’devin Miner, was also going to be “Thuggin’ Eternally,” if the shirts were to be believed.

The reverend didn’t keep his mouth shut this time. He told the story of his older son, Thomas. There used to be a famous drug dealer lived in these parts, named Rafael Conway, y’all remember Rafael? When my boy Thomas was fourteen years old, he just had to have a certain pair of shoes. What’s so important about shoes? I ask you. How’d a thing like sneakers get to be a symbol of how rich and important you are? Well, my boy Thomas wanted a pair of forty-dollar Dr. J sneakers and we were too poor to buy ‘em for him.

So Thomas asked a kid he knew worked for Rafael if he needed a little help selling pot. The kid said he’d get back to him, and the very next day, who you think came to school to pick up Thomas? In a big ol’ purple Cadillac. Rafael Conway himself, that’s who. And Rafael said to my boy, “Thomas Thompson, I catch you selling drugs or even talkin’ about selling drugs, I’m gon’ put a whippin’ on you.” Everyone under thirty-five gasped. No one expected that.

Rafael Conway said, “You play football, don’t you, Thomas? I’m gonna give you ten dollars for every sack you make this season.”

So Thomas says, “Why you do dat?” Now if he’d been speaking proper English, he’d have said, “Why would you do that?”, but Thomas was just like all of y’all, thought it made him more of a man to talk like he’d never been to school a day in his life. So he said, “Why you do dat?”, just like he didn’t have a day’s worth of education, and you know what Rafael Conway says?

He says, “Listen, man, you’ve got a way out of here, and that’s sports. Me, I’m stuck. Either I’m going to die before I’m forty or I’m going to spend the rest of my life in jail.” And then he popped open his trunk and handed Thomas a brand-new pair of Dr. J’s.

And his prophecy proved true. Five years later, he was gunned down in the courtyard at the Iberville. That was the year my boy Thomas was a freshman at Dillard.

Now the point of all this is: That’s the story not from me, not from your mama, not even from God. That’s the story straight from the horse’s mouth. From the biggest drug dealer this town has ever known. And the story is this: If you’ve got a way out, you take it; if you haven’t, you make one for yourself. I wish — He paused here, looking very sorrowful — I just wish I’d’ve been able to tell Le’devin Miner that story. Maybe we wouldn’t all be here today.

Then he got even more sorrowful before he said, “Let us pray.”

Maureen, who’d cried while he was telling the story, congratulated him later on having the courage, but D’Ruth just looked sad at him, and Marcellus looked like he’d like to hit him with a baseball bat. Other than Maureen, nobody mentioned his sermon, except for young Junior Heavey, who came up to him (wearing pants so baggy he had to hold them up) and thanked him for it. “By the way,” Junior said afterward, “I think I remember Thomas. How’s he doin’ now?”

The reverend made himself smile and nod. “He’s fine. Lives out of town now.” Yeah, he was out of town, all right — doing ten to fifteen at Angola. He’d gotten good advice and hadn’t taken it. But all the same, the story was true, and the reverend fervently hoped somebody took it to heart. Darnell in particular.

But Darnell already knew where his uncle was. He said, “How come Uncle Thomas so smart he in jail, Paw-Paw?”

Even later, nobody called him about that sermon, not a soul spoke to him about it, not a single person except for Junior Heavey, and he was pretty sure the kid was taunting him. Maureen said they just weren’t ready to hear it, but the reverend thought maybe he might have gone too far for a funeral, maybe Le’devin’s people didn’t want to be reminded about how their son had died, but that was still denial in his book. He was sorry if he’d hurt their feelings, but he still felt it had to be done.

Nobody new came to his outreach program, either, but Darnell’s mama kept bringing him because her own mama would tan her hide if she didn’t.

And the turf war continued. People kept on getting killed, no matter how much it hurt the reverend to realize he couldn’t do a thing about it. At his wit’s end, he preached again about the need for witnesses to come forward, and thought he saw some people nodding in the back row. But not in agreement this time — they seemed to be falling asleep, all except Darnell, who was smiling and saying little “Amen”s.

Nevertheless, that sermon — the one about the witnesses — brought Marcellus over to the house, Darnell in tow and happy to hang with Maw-Maw while the two men talked. As usual, the reverend silently bemoaned his fate at having such a son-in-law. Marcellus wore gangster clothes, talked ghetto talk, and had twice been in minor scuffles with the law. He worked as a bartender at the Pussycat Bar, one of the meanest joints in town, and D’Ruth had to work at City Hall to keep the family together.

“Daddy Ray, you’re makin’ waves,” he started out.

“Good!” The reverend made a fist and banged it on the arm of his chair. “That is exactly my intention.”

“No, Daddy, you don’t get it. Some dangerous folks out there — real dangerous. They don’t like you gettin’ up in their business.”

“Their business! This is neighborhood business, son. ‘Case you haven’t noticed, we’ve lost eleven people in two months. Somebody’s got to stand up.”

“Way the P-Town Soldiers look at it, they own the neighborhood — they own me, and they own you, and they got the guns to back ‘em up.”

That infuriated the reverend so much he took the Lord’s name in vain. “Marcellus, be a man, goddammit! We sign it over to them, we’ve lost. Lost the neighborhood, lost our souls, man. You got an ounce of backbone or not?”

He was so mad he’d mostly just been spewing, but now he saw that when his son-in-law spoke, his face was slightly twisted — in some kind of pain, maybe. Or fear. The younger man’s skin looked gray and splotchy. “Daddy Ray, this is somethin’ you just don’t understand.”

Suddenly the reverend did understand. He felt the blood draining from his own face. “They threatened you. That’s it, right? You’re here because they made you come. What’d they say? They’d kill me if I don’t shut up? They wouldn’t say they’d kill you — then you’d have to come here and beg for your life and you probably wouldn’t do that. So they’d have enough sense not to put you in that position. They said they’d kill me, didn’t they?” He could see by Marcellus’s face that he was right. He was starting to have new respect for his son-in-law, even a little affection.

He softened his voice, put a hand on Marcellus’s shoulder. “Well, son, I appreciate your coming like this. I know you mean the best for your family and D’Ruth’s. But I can’t knuckle under to that gang of lowlifes. I’ve got to do what’s best for this community, and if that’s the end of me, so be it. I’ve had a good life, and I’ll go when the good Lord’s ready for me. You better go home now. Darnell’ll be getting impatient.”

Marcellus bowed his head in agreement. “All right, then, we’ll go. Mind if I use the bathroom first?”

While Marcellus used the facilities, the reverend called the boy and the three of them went out on the porch to say goodbye to each other. The reverend meant what he’d said, and he knew Marcellus knew that. His son-in-law had done his duty by delivering the warning. He ought to be relieved now, but he still looked tense. Sorrowful, really. The reverend was trying to cheer him up when he saw the white pickup, and saw who was driving it — Junior Heavey. Somehow, he didn’t know how (unless it was the echo of the white-pickup murders), he knew what was coming. He leapt for Darnell just as Junior opened fire, felt himself hit the floor, the boy underneath him, and felt Marcellus fall on him.

He also felt fire in his side.

For a while there was nothing but silence — the shock of shattered peace. And finally Darnell began to cry. A woman began to scream, Maureen, he thought. Gradually, people began to come out of their houses to sort out the mess.

When they pulled Marcellus off the reverend, and the reverend off Darnell, it became clear that not only was the reverend hit, but also Marcellus. The reverend had gotten to Darnell fast enough, and Marcellus had done for him what the reverend had done for his grandson, fallen on him to protect him. But he’d been too late.

The reverend himself, he realized, was the target, exactly as he’d deduced earlier, but, ironically, Marcellus seemed to be the more severely injured. The younger man was unconscious, but the reverend could talk a little, enough to try to reassure Darnell, though that took most of the fight out of him. He closed his eyes with the effort, thanking God that for the moment the family had averted tragedy.

Or at least averted death. Because there is more than one form of tragedy, the reverend thought. It was tragic when one relative betrayed another, bestowed, so to speak, a Judas kiss. The reverend knew it was no accident that Marcellus had used the bathroom right before they went outside. He must have called Junior and told him he was leaving, that they’d all be on the porch in a minute. In other words, he’d set his father-in-law up, but at the last minute put himself in the line of fire.

That would explain his tenseness, the tragic way his face twisted. He didn’t want to do it, the reverend concluded, but the gangs had threatened him, possibly threatened D’Ruth and Darnell. The reverend didn’t fault him for it. On the contrary, he quite literally felt Marcellus’s pain, on that account, and a lot of his own, a whole lot of his own because he knew what was going to happen next. He remembered Darnell in church with those little “Amen”s.

The white police were going to be here soon and Darnell knew Junior Heavey, had certainly seen him driving that truck. If someone didn’t stop him, he was going to do what his Paw-Paw had been preaching about for weeks now.

The reverend’s heart sped up, probably, he thought, pumping the blood right out of his body. But that was the last thing that worried him. He wasn’t afraid of dying. He was only afraid he wouldn’t live to undo what he had done.

“Darnell,” he said, “listen to Paw-Paw. Listen, now...” Though the boy was looking at him, he didn’t respond.

The reverend knew he was speaking — he could feel his lips moving, he could see Darnell looking at him, could feel Maureen’s arm around his shoulder — but somehow, hard as he tried, he couldn’t seem to make the sound come out.

Copyright © 2006 Julie Smith

Eternal Return: To the City of New Orleans

by James Sallis

City of secrets, where even the land

beneath our feet is a lie. Now, with the waters,

history irrupts into our present: we are a false island,

ground unfairly regained, still unpaid for.

Mysteries are afoot, old friend, and good

as it has been here with you

(in our moment of repose, on this island,)

I must venture back out into the world,

back to where our shadows wait, large as mountains,

on city walls, back to barricades and the tumble

of levees, back to the world of murder, avarice,

and dogs in the nighttime.

Copyright © 2006 James Sallis

Monday at the Pie Pie Club

by Tony Dunbar

Tony Dunbar is the author of the Edgar-nominated Tubby Dubonnet mystery series, whose seventh entry, Tubby Meets Katrina, provides an incisive look at the hurricane’s aftermath. A 25-year NOLA resident who evacuated to Tennessee when Katrina hit and later worked in a field kitchen feeding recovery workers, the author is now back in the city with his wife and son.

* * * *

Mondays started slowly at the Pie Pie Club. People who should have gone home on Friday night, but didn’t, were finally giving it up and drifting away on Burgundy Street. Miss Lana’s girls all got to sleep late. The waitresses reported in drowsy.

Though the lunch crowd was normally small, Chef Baranca always tried to plan something special. Today it was going to be sweetbreads with gonger mushrooms and a mustard sauce. He had dreamed that up while walking to work.

Guarding the entrance to the Pie Pie Club, Pascal Parette, the doorman, watched a pair of street-washing trucks blow noisily past, sucking up the discarded remnants of oyster po’boys and plastic cups, leaving behind their invigorating mist. The French Quarter began to wake up.

A businessman in a double-breasted suit careened off a parking meter, reoriented himself, and hurried along toward his post in the Central Business District. He wiggled a sleepy-finger hello to a shirtless red-bearded giant he knew slightly. The man’s splendid Afghan hound was relieving itself on a fluted metal porch stanchion.

Across the street two tourists in sun hats and matching yellow shorts sipped Bloody Marys from plastic cups while they peeked through a decorated iron gate. It concealed a peaceful patio where residents, when they tired of the colorful bustle of the city, withdrew.

Then Parette saw the two hoods. He knew them both. Johnny Lepeyere and Melvin Dubuisson, the one short and stubby like a used-up cigar, and the other big and chubby like an over-the-hill college fullback, which is what he was. His college being Holy Name of Jesus, across the river. Lepeyere had on a flat porkpie hat he had bought in New York City and which he graciously tipped to Parette.

“Good morning, old soldier,” he said, friendly enough, looking up at the doorman’s large and doughy countenance. “We’re here to see your boss.”

Dubuisson, the other one, just rotated his head and worked out a kink. He ran his forefingers under the crimson suspenders that held up his pleated pants while he watched the rooftops.

“I’m glad to see that you two gentlemen can share a sidewalk without knifing each other,” Parette said benignly. He jerked his thumb. “He’s expecting you. Do you know how to walk upstairs?”

“I ain’t forgot yet,” Lepeyere said as he stepped around Parette’s size-fifty-five form. Dubuisson prepared to spit out a wad of gum, but caught the big doorman’s eye and swallowed it instead.

Parette watched the pair saunter up the steps and swagger past the sign that set out the simple rules of the joint: “Welcome to the Pie Pie Club. This Is Your Night. Treat It Right.”

Old soldier! He had to laugh at that.

Inside, ceiling fans cooled the elegant dining room and its Brazilian cherry dance floor where, during the evening hours, beautiful babes and guys in white suits did their tangos. The receptionist pointed the way to the narrow door by the bar through which invited guests reached the private club upstairs.

The two visitors ascended until they encountered a second door. They tapped and were buzzed through by Polly. She ran the upstairs bar, and Melvin Dubuisson and Johnny Lepeyere entered her small dark lounge and casino, perfectly air-conditioned, but empty on this slow dawning of any high-rollers. It was calm and mellow inside there. The two hoods hadn’t been to bed yet, and neither had Polly.

“Whaddya say, sweetheart?” Lepeyere inquired in passing, and the ebony-skinned woman with pink and silver hair raised her eyebrows, which were accented with small golden loops. She tipped her head toward the left.

The last entrance down a long hall belonged to Max Moran. He opened the door before either of the men even had a chance to knock.

“Johnny, Melvin,” he said. “You both look like hell. Come on in and have a chair.”

Moran stood aside, a tall and slender man, black hair combed straight back, wearing neat khaki slacks and a black T-shirt that advertised nothing. Lepeyere pumped his hand. “Good to see you, Max,” he said. “Always a real pleasure,” Dubuisson mumbled, and did the same.

They each found an armchair and looked around, feigning appreciation of the modern art on the walls, while Moran got comfortable on the sofa between them.

“Nice place you got here,” Lepeyere said, crossing his short legs.

Max acknowledged the compliment with a nod. He knew his home was nice, just like everything else in the Pie Pie Club. It was better than nice.

“A lot fancier than the Witch’s Hat, huh?” Dubuisson beamed, proud of himself for having come up with a good dig at Lepeyere and the tavern where he kept his office.

Lepeyere started to make a smart reply, but Moran cut him off.

“I understand that you two have a problem,” he said, by way of getting the meeting going.

Lepeyere collected himself. “Here’s what,” he began. “Melvin and me have our respective spheres of influence in that he collects from certain businesses, and I collect from certain other businesses.”

“Your racket is protection,” Moran stated flatly.

“Whatever.” Johnny made a clown face. “We see that nobody has any problems with the City. It’s insurance, really. And well worth it, I believe, but the main thing is, we do not overlap.”

“ ’Cause that would make trouble.” Dubuisson added in his two cents.

Moran nodded. He understood paying protection.

“Right,” Johnny Lepeyere continued. His fat hands began to wave in the air to help him make his points. “The thing is this. Shoemaker’s Flower Shop over on Dauphine — she won’t pay either one of us.”

“This is America, isn’t it?” Moran asked. “She’s got a right to say no.”

Both men waited to see if he was serious, then laughed in unison.

“Let’s put it this way,” Dubuisson said. “She’ll pay, all right, but me and Johnny are having a disagreement over who gets her.”

“I know Oscar Shoemaker, the florist,” Moran interrupted. “What happened to him?”

“That’s just it,” Lepeyere explained. “He died.”

“I didn’t know,” Moran said, a hint of sadness in his voice. “Well, who was he paying?”

“Nobody, so far as I know.” Lepeyere appeared to be mystified. “I think he just slipped through the cracks.”

Moran looked at Dubuisson, who spread his hands flat.

“Beats me,” the big grafter admitted. “He could have been paying my dad, but Pop passed away last month at Hotel Dieu.”

“Anyhow, it’s got to be straightened out,” Lepeyere said, “so we come to you for advice.”

Max frowned at them both. “You guys don’t divide up your territory by blocks or something?”

“In a way, yes,” Lepeyere said uncertainly, “but Dauphine Street, where this shop is, is kind of in the middle. A lot of it is what’s tradition, you know.”

“So I should flip a coin?”

“If that’s what you say, Max,” Dubuisson said, squirming, “but that don’t seem fair. It really should be mine because I got nearly everybody on that side of the street. And there could be more to this. Maybe somebody new is trying to slip into our business.”

“And I say it should be mine because I got two, maybe three other flower shops in the Quarter,” Lepeyere said. “There’s common problems to think about. We’re trying to keep the peace here.” There was menace in his voice.

Moran stole a look at his watch. This was the time of day, before it got too hot, when he liked to tend to his herb garden on the roof.

“I’ll look into it,” he said abruptly.

Upon that promise the meeting adjourned, and the unelected councilmen took their leave.

After lunch, Moran took a walk and visited the shop. On entering he could see a pretty girl behind the counter, clean, kind of, just a little lipstick, with her blond hair pulled severely back. The smell of so many flowers in the confined space, almost as sweet as incense but fresher and far cooler, stopped him in his tracks. The club owner was a fan of fragrances.

“Can I help you?” the girl asked, glancing up. Her voice was as sweet as a finch. Smitten, Moran gave her a little wave.

She returned it without interrupting the work of her busy fingers, which were building an arrangement of variegated tulips and Queen Anne’s lace.

Moran regained his composure and made his way to the counter like a regular customer. He was more than six feet tall, and he had to duck to get under a hanging fern.

“Are you Ava Shoemaker?” He gave her some teeth. It was an engaging smile.

“Why, yes,” she said, eyeing him approvingly while she shook bits of greenery from her fingers. “Did I win the lottery?”

“I don’t know. I’m afraid I didn’t bring you a prize.”

“So who are you? I hope you’re not selling a mutual fund.”

“No. Is that rodriguesiana?” he asked, indicating a mass of red and pink blooms surrounding a fountain bubbling in the corner.

“Sure is, but it’s not for sale, I’m afraid.”

“I don’t want to buy it. I’ve just never seen one so large. Hello. My name is Max Moran.” He offered his hand, and she took it. “I knew your father, Oscar.”

“Yes?” she said expectantly. She reclaimed her hand and gave him an inquiring look.

“Yeah, I knew him for a long time. You never heard of me?”

“Maronne?”

“No, Moran.” He was a little hurt. “Anyway, I want to talk seriously to you.” He looked around to verify that there was no one else in the shop. “Johnny Lepeyere and Melvin Dubuisson have both spoken to me about a problem, which is getting paid, you know what I mean?”

Her eyes narrowed and one hand slipped under the countertop. Her expression was suddenly unfriendly.

“You got a weapon down there?” he asked.

“Do you want to find out?”

“Not me. I’m not going to hurt you. Like I said, I knew your father.”

“Then you must know how he died?”

“No, I never heard.” Moran was embarrassed. He hadn’t really known Oscar all that well — just someone glad to make special bouquets for the Pie Pie Club at odd hours, just a man who had sent him a nice evergreen wreath, a respectful wreath, at Christmastime. “What happened to him?”

“They found him floating in the Mississippi River by Poland Avenue.”

“Oh. That’s a shame. He fell off a barge or what?”

“My father? He sold flowers. He was never anywhere near a barge in his life.” Her voice was rising, and her neck went from pale to red. “He didn’t even like the river, and he didn’t fall in. That’s what I told the police.”

“Ah,” Moran said, averting his eyes. He wished she would bring her hand back on top of the counter where he could see it.

“Somebody killed him.” She spat it out like she was accusing Max. Then she took a deep breath and put both hands back to work building her flower arrangement. “So what are you here to bother me about?” she asked.

“It’s a territorial question,” he began. “First, I must ask you, are you opposed to paying protection as a matter of principle?”

“Not exactly,” she said. “But I can’t pay for two. I can barely support myself as it is.” A very nice complexion, he thought, though she was way too young for him.

“Well, we need to sort this out. Who did your father make his arrangements with?”

“I haven’t the faintest idea. I was going to school at Tulane when he died. I dropped out to save the store.”

“Did he leave any books or papers behind?”

“Sure, a whole filing cabinet full. I couldn’t make any sense out of them, so I just started over.”

“I wouldn’t mind taking a look at what he left. Would it be okay?”

“What’s all this to you?”

“I’m trying to settle the dispute between Melvin and Johnny without anybody getting out of line. Just keeping the peace.”

“You’re a judge?” Her look was sceptical.

“Not on a day-to-day basis. I run the Pie Pie Club. Sometimes people come to me for advice.”

“I know where your place is, but I’ve never been inside. Sure, if you want you can look at the papers. They’re in the cooler with the roses.”

“That’s a good place to store things,” Moran said. He had also been known to hide things of importance among his plants.

Max and Lana Heart were communing on the flat rooftop that crowned their club, leaning over the low brick wall and watching the evening lights of the French Quarter flicker on. They had a crow’s-nest view of the river, and could see a cruise ship slowly rounding the bend into the port of New Orleans. It was being guided fore and aft by red Bisso tugboats which were churning the water into great muddy waves. Lana extracted a rhinestone comb from her red hair to let it drop lazily around her neck. The evening breezes were warm and carried the scent of salt from the Gulf of Mexico. Throwing back her head to take a deep breath of it, Lana stretched her cobalt blue cocktail dress to the limit.

“Wouldn’t you like to go on a ship sometimes?” she asked dreamily.

“No, I like it here,” Moran said. He was sipping Dewars from a leaded crystal glass and thinking about pouring it on the head of a drunk three flights down who was taunting pedestrians with meaningless insults.

“I mean a trip for fun, like to the Caymans or Jamaica. It would be nice to get away.”

He shrugged. Lately, anywhere but the French Quarter, Max felt strangely nervous, but he didn’t want his partner to know about that.

“Do you know Ava Shoemaker?” he asked to change the subject. “She runs a flower shop over on Dauphine.”

“No. Why?” It wasn’t exactly true that Lana got jealous whenever Max mentioned another female. She had eight of the most exotic, educated, and desired women in the Southern U.S.A. in her employ downstairs, but she could usually keep tabs on their rovings. It was only when Lana heard a new name that her ears perked up.

“Oh, just a problem Johnny Lepeyere and Melvin Dubuisson brought in,” Moran replied vaguely.

“Lumpy Dubuisson? I once voted for his father when he ran for sheriff. Fix me a drink, Max.”

“I never heard Melvin called Lumpy.” He took her glass and moved off toward the small rooftop bar with its four tall stools.

“I think it was when he played sports in high school at McDonough 13 or something,” she said, following him.

The sounds of a calliope floated high above the dormers and balconies of the Quarter from a steamboat pushing out into the current.

“Her father got drowned, you know,” Max told her. “He was pulled out of the water right about there.” Moran pointed behind him to a distant spot now awash in the wake of the cruise ship.

“I don’t remember hearing about it,” Lana said, “but I see that look in your eye.”

“What look?”

“You’re interested.” She watched his reflection in her glass.

“It doesn’t seem right,” Max said. “He used to make beautiful flower arrangements when we needed them for the club, day or night.”

“So now you want to solve his murder?”

“I didn’t say that.”

“Sure.” She knew what could happen if Max got interested in something. “The girl, is she pretty?”

“Old and ugly as a bat,” he assured her, and he shut her up by handing her a fresh glass and massaging her neck.

Still, Moran wandered back to the flower shop the next day.

Ava offered him a bunch of old ledgers and checkbooks to look through. Seated on a folding chair beside a Mary Rose, he perused these with one eye while watching her work with the other.

Between customers, he learned that Ava had been studying zoology, with an emphasis on frogs, before she left school. It was not an avocation for which she had found a practical use. She asked Max if he had always known so much about flowers.

“I used to have a problem with drugs,” he told her honestly. “When I gave them up, I gave myself smells as a reward. It’s a mind thing.”

“Isn’t everything?” she asked.

“No. Some things are real.”

In silence, she clipped dead sprigs off a rose.

“My father’s death was real,” she said eventually. “He was in the water for three days, and the only way I could identify him was by his wedding ring. My own dad.” She was crying softly. “He was a sweet man who didn’t bother people. He went to Mass at Cathedral every day and never even complained about the brass bands playing for the tourists outside.”

“That is sad,” Moran said. “Why would somebody kill him?”

“I don’t know. Maybe he saw something.”

Moran, idly flipping though the yellow papers, thought he saw something.

The hoods were back.

“I’ve looked into your situation,” Moran told them. “I’ll make one observation, which is that it seems to me that neither one of you is performing any actual service for the Shoemaker girl.”

“Why, I sure am,” Lepeyere said. “She ain’t had no trouble with any City health inspectors, has she? Big Eddie ain’t been around, has he?”

“She’s got a delivery van double-parked in front of her shop every time I go past,” Dubuisson protested. “You never seen a parking ticket on it. Wonder why!”

“Well, I don’t intend to upset your traditions,” Moran said. “We’ve all got to make a living and the world’s got to keep turning around. Melvin, the account is yours. Johnny, you’re out of luck and should stay away from that particular flower shop.”

Dubuisson grinned and popped his suspenders.

“That ain’t fair!” Johnny Lepeyere shouted, half rising from his chair. “Give me one simple reason why you’re taking his word over mine!” Moran gave him his fish stare, and Lepeyere settled back into his seat.

“The simple reason, Johnny, is that the girl’s father always paid Melvin’s father. I know this because the ledgers say so.”

He handed Lepeyere a piece of paper. “Right below where it says ‘Flower Pots, $80,’ it says, ‘Lump, $100.’ Am I right?”

“Yeah?” Lepeyere agreed.

“That’s my pop, and they call me Lumpy, too,” Dubuisson cried happily. “And one hundred dollars a week is just about right.”

“So it seems to me,” Moran concluded, “the Shoemakers are in Melvin’s parish, so to speak.”

Much satisfied, Dubuisson jumped up and shook Moran’s hand vigorously.

“That ain’t exactly proof!” Lepeyere shouted. “‘Lump’ could mean crabmeat. It could mean anything.”

Moran shook his fingers free. “I say it’s proof, and that will end the disagreement. And somebody killed her old man, you know. It wasn’t you, Johnny, was it?”

“Of course not.” Lepeyere was on his feet, too.

“Wasn’t me, either,” Dubuisson chimed in, but Max ignored him.

“Well, I’ve taken an interest in her and what happened to her old man. You understand me, Johnny?”

Lepeyere glared back at Moran, but then remembered himself and doused the fire in his eyes.

“You’re barking up the wrong lamppost, Mr. Max, but you have my respect, as always.” He bobbed his head one-fourth of an inch, the hint of a bow.

“Help yourselves to a drink at the bar on your way out,” Moran said, showing them the door. “It’s on the house.”

He watched them walk down the hallway. They both seemed to be in a hurry to get away and skipped the drink.

There was something about the Shoemaker girl Moran liked. It wasn’t right, killing a man who made flower arrangements for a living, who sent wreaths to Max Moran. He would see about it. Old Oscar’s papers held other clues.

And one of them was an entry near the end that said, “Delivery to Witch’s Hat, 8 P.M.” The Witch was as close to the river as you could get without getting wet, and Johnny Lepeyere, well... It was something to think about. What might Oscar have seen?

Copyright © 2006 Tony Dunbar

No Neutral Ground

by Sarah Shankman

The author of the Samantha Adams mystery series as well as the Louisiana-based novel Keeping Secrets, Sarah Shankman grew up in small-town north-eastern Louisiana — what she calls the no-dancing, no-drinking, no-fun part of the state. “I treasure my time in NOLA in the late ‘60s,” she says, “as part of the founding staff of New Orleans magazine.” She visits the city often, and is at work on a kids’ adventure novel.

* * * *

Diana stood, distracted — furious, actually — on the St. Charles neutral ground. A late spring afternoon, the rain was pouring on that grassy median strip down the middle of the boulevard where the streetcars run.

It wasn’t like Diana to let her emotions get the best of her. The chair of the English Department of the university just across the way, Diana Banks was a focused woman. An extremely busy focused woman. On her plate: a creative writing seminar, the deadline looming for a collection of her own short stories, endless committee meetings, and a department contentious as the Balkans.

The peacekeeping was particularly wearisome. Just this afternoon, even before the incident that had moved her to rage, Diana had said to her friend Abby, “Cristabel is having another nervous breakdown. Peter’s complaining that Marcus isn’t pulling his load on the honors issue. And Gloria and Phil are at it again, duking it out on the hiring committee.”

“As if hiring itself weren’t demanding enough, right here at term’s end,” Abby, a university research librarian, commiserated.

“I know. We’ve got to make a decision this week on the new instructor. And snipe, snipe, snipe, that’s all Gloria’s done since Phil won the editorship of the journal. I wish she’d just go ahead and slash his tires, get it out of her system.”

Diana had called to see if Abby could give her a ride to pick up her car from the repair shop. Her friend couldn’t, but while Diana had her ear, why not vent a little?

Abby had laughed. “Well, you know what they say about academe.”

“The politics are so bitter because the stakes are so low? And we’re locked together forever, like lifers with no parole.”

“Tell me about it. Despite the pain of hiring, if it weren’t for the occasional new blood, I think I’d shoot my brains out. Speaking of which, did you see the new men’s baseball coach? A dead ringer for the young George Clooney. Hubba hubba.”

“You’re a naughty woman, Abigail Markson. I’m telling Steve on you.”

“How do you think we’ve stayed married twenty-six years? It’s my dirty mind that keeps Steve panting.”

But Diana hadn’t heard Abby’s answer. Her friend’s hubba hubba had taken her elsewhere.

Taken her to thoughts of Rob, an adjunct in her own department and one of the candidates for the full-time position. The candidate she was rooting for. No, amend that. The candidate Diana was set on hiring, come hell or high water.

Rob, Rob, Rob, that’s where Diana’s mind was now, while her body stood in the downpour, waiting for the streetcar. Behind her sprawled Audubon Park, its green lawns puddling, mighty spreading oaks spectral through the mist.

“The bod of a thirty-year-old,” Rob had whispered to Diana more than once, the sweet words more intoxicating than the small crystal pitcher of Sazerac that had become part of their pre-loving pas de deux.

Clever man, Rob.

What words could a woman hovering on the cusp of fifty more want to hear?

Now, from behind her, from Riverbend, Diana heard the hum of the streetcar approaching. Here it came, rain pelting off the top of the olive-green electric car from the 1920s trimmed with reddish mahogany. She climbed on impatiently, her black mood not improved by the dripping gaggle of tourists, the handful of laughing students.

Thank God, there on the river side of the car was a pair of empty seats. Diana piled her things in the aisle seat to discourage takers. She turned, then frowned at her reflection in the window, her brunette curls gone to frizz.

“Sexy, sexy hair” was another endearment Rob had murmured more than once, loosing it from the barrettes keeping it out of her face. Keeping it more professional.

Certainly no paean to her intellect had ever flipped the same switch as Rob’s honeyed pillow talk about her looks. Not for Diana, who’d been told since girlhood how smart she was.

“This little girl of mine’s gonna be a lawyer, you mark my words,” her daddy had said more than once. At seventy-five, he was finally retiring this year, crowned in glory, sheriff of the rural parish in the northern part of the state where she’d grown up. “Gonna be a lawyer and world-class skeet shooter.”

Her mother had given him a hard look when he’d talked like that. Smart girls, lawyers, didn’t find husbands, and she’d never approved of his dragging their only child along with the dogs and the guns on hunting expeditions. Though Diana had been a pudgy child, her teeth a train wreck, so what were her chances of a decent husband anyway?

But braces had fixed Diana’s smile, and she’d grown out of the pudge into a rather attractive woman. When she’d returned south from Boston with a shiny new Ph.D. in hand, the engagement ring she’d sported was even more dazzling.

“How long were you married?” Rob had asked her on their second date, about six months earlier, just before Thanksgiving.

Their second surreptitious date. Dinner at a place out by the lake where no one ever went anymore.

Diana closed her eyes and settled into the streetcar’s mahogany slotted seat, rainwater dripping off her cherry-red raincoat. Audubon Park disappeared, and a bit of her anger, too, as she let the memory of that evening wash over her.

It wasn’t really the done thing, a department chair dating an adjunct, one of that roving band of academic gypsies who subsisted by stringing together a class at one college here, another there, praying for full-time faculty to retire or die so a real job, with benefits and decent pay, would open up.

Also, Rob was twelve years her junior. Boy toy. Diana could just see the smirks.

“Honey, I was divorced before you were born,” she’d laughed, that second date.

“Awh, come on.” Rob had laid his slow grin on her. Cocked one eyebrow beneath dark golden locks.

He was a near dead ringer for Harry Connick, Jr., that lean, languorous home-grown crooner, that hunka hunka burnin’ love. Rob had then tapped her hand with one long finger, his touch like heat lightning.

Now the streetcar was passing Temple Sinai, a simple stone building with three tall iron doors. Diana never passed the temple without smiling at the memory of David Markson, Abby and Steve’s son, manfully delivering his bar mitzvah speech from the bema with not a hint of the stutter that had tortured his childhood. He was an ear-nose-and-throat surgeon now, doing a post-doc. Diana couldn’t be prouder of David.

She had no children of her own.

She often said that her students were her children. Not the same, of course, but she did invest enormous passion and energy in them. Something very much like love.

“Nawh, really, tell me,” Rob had insisted. “How long did that lucky man enjoy the supreme pleasure of your company?” Exaggerating his south Alabama drawl.

Sharecroppers, he’d said, his people. Po’ whites. Diana wasn’t so sure that that was true, but it fit Rob’s bad-boy image. The slightly dangerous English instructor/bartender/writer. He was working on a noir screenplay. L.A. Confidential meets The Big Easy.

Diana had been writing a collection of short stories for a couple of years now, stories linked by various characters’ connections to Lafayette Cemetery No. 1, just around the corner from her house.

“And how could that fool stand to give you up?” Rob kept pushing. “Or did he die of consumption or somethin’?”

No, that wasn’t what happened to Richard, the smart-as-a-whip, thin-as-a-whippet, handsome young Jewish dentist she’d met in grad school in Cambridge. Richard had always thought New Orleans was “ever so romantic” and had been thrilled to pieces when the university had tendered Diana a position.

He’d also been thrilled with the house they’d found in the heart of the Garden District, on Fourth near Coliseum.

He’d been thrilled with fixing it up, spending endless hours in antiques and junk stores on Magazine Street. Talking fabrics and color chips with designers. Meeting with armies of landscapers, gardeners, painters, plasterers.

What hadn’t thrilled Richard was Diana’s snuggling close to him after they switched off the ever-so-charming lamps he’d chosen for their ever-so-handsome bedside tables. He was the only man Diana had ever lived with, so it had taken her a long while to realize that she wasn’t the problem.

She’d been crushed, then furious, and, ultimately, humiliated when Richard, and the truth, finally came out.

“Three years,” she’d answered Rob, letting him lead her onto the dance floor of the place out by the lake where nobody went anymore. Nobody she knew, anyway. “We were married three years from start to finish.”

Diana loved to dance. She and Richard had been like Fred and Ginger on the dance floor, one of the ways, she’d realized later, he’d seduced her into marrying him.

And why? Now there was a mystery. Richard had said he’d loved her, truly, deeply loved her, but—

It was a big but.

She’d been talking about Richard earlier today in her creative-writing seminar. Obliquely, of course.

Revenge was the theme she’d assigned the class for their next stories, and they’d spent nearly an hour discussing that primal urge: an eye for an eye, a tooth for a tooth.

One girl recounted her humiliation by a bully at summer camp, and how she’d stolen the bully’s diary and photocopied the juiciest pages, then turned them into mess-hall placemats.

There was talk of turning the other cheek.

Destroying someone with kindness.

And what exactly did that Bible passage mean: “Vengeance is mine, saith the Lord”?

It had been more than twenty years now since Richard had left Diana for Jeffrey, a lighting designer. At first she’d lain awake night after night, plotting to burn down their ever-so-elegant house, just around the corner, dammit, from hers. When she did sleep, poison, knives, guns, ropes, and bottomless caverns filled her dreams.

After a while, she’d rested easier, but she’d never forgiven Richard. She’d tried, but maybe she was too much her daddy’s little girl. She knew her dad had never meant the first half of that old lawman’s adage: Forgive your enemies, but never turn your back on them. When Richard was dying of AIDS, there was a little part of her that felt — not that she was proud of it, but there it was — Serves you right.

Diana had never married again. Not even close. Which is not to say that she hadn’t had her share of good times. This was New Orleans, after all, the country’s epicenter of good times. Laissez les bons temps rouler. Diana had dated quite a bit, in fact, keeping rather steady company with more than one beau.

But there’d been no one with whom she was willing to take the plunge — the risk of incurring that kind of pain again. Not that the decision was conscious. Diana had scores of rationalizations for avoiding commitment. Her suitors were too needy, too controlling, too depressed, too married to golf, too fat, or too just plain damned boring.

And they all drank too much.

Of course, nearly everyone in NOLA overindulged. The philosophy was you might as well drink, smoke, too, eat all the fried foods you wanted here in the murder capital of the U.S.A. Carpe diem was the general consensus, ’cuz any day now a bad guy might hit you in the head just a little too hard.

(In fact, just this week, there’d been two home intrusions in Diana’s very own block, one especially frightening, as the owners had been home, the burglars armed.)

Then there were the poisons spewed by the petrochemical plants up and down the river, delivering cancer to the water, the air, the land.

And don’t forget the surety that one of these days a hurricane would blow your house down.

Such fatalism was part of the city’s charm. That sense of living on the edge lent a certain frisson to the everyday, the humdrum.

Just like the part-time, no-strings (no-pain) pleasures of a handsome man.

As Handsome Rob had twirled Diana around the floor on that second date, he’d asked the question she’d heard a million times:

“How come nobody’s snagged you since?”

“Maybe I’m just too picky.” Her standard response.

“Picky? I can sure understand that. Woman like you, picky, that makes sense.”

Then Rob had flung her out with one strong arm, let her stay there distanced from his touch, his body’s heat, his scent — a mix of lime, smoke, leather, and sweat — until she began to long for him as if he were cool water on an August afternoon. An eternity, then he reeled her back in.

She’d laughed, trying to cover her yen for him. He was an adjunct, for chrissakes, and way too young.

Buckwheat Zydeco came on the jukebox with “Give Me a Squeeze, Please,” and she’d begun a step-pause-step-step by her lonesome.

“Or maybe nobody’s been able to keep up,” she’d teased.

In north Louisiana, where Diana was raised among the Southern Baptists and the even more conservative sects — Assembly of God, Church of Christ, Church of the Nazarene — dancing was frowned upon if not outright forbidden.

What was that old joke...?

Why do Baptists disapprove of screwing?

Because it looks too much like dancing.

There was, of course, the flailing around that the Pentecostals called divine: a kind of non-partnered floor-flopping punctuated by speaking in tongues and foaming at the mouth.

South Louisiana, NOLA its capital, was a whole other continent. In NOLA everybody danced.

“Can’t keep up? Oh yeah?” Then Clever, Handsome, Hot Rob had grabbed her in his arms and whirled her around the floor in one floating side step after another until she was breathless. And damp.

Then he’d taken her home and slid her right into bed.

Over her own thoughts, the drumming rain, and the hum of the streetcar, Diana heard a familiar voice from a few seats up. “I’ve got so much work, really, I’m ready to kill myself.” Pause. Giggle. “And a hot date with You Know Who.”

“I know. Me, too.” Sigh. “The work, not the hot date. But I’m kinda looking forward to doing that story for Banks.”

It was the mention of her own name that made Diana crane a look forward, and, yes, there two rows directly in front of her, she spotted the unmistakable red-gold mane of Amber Reynolds.

Amber would be the one with the hot date: a real dazzler, campus queen bee, and a bit of a bitch, but still, one of Diana’s favorites. Amber was a talented writer with a great eye for detail.

Beside her, Chloe McClain, Amber’s dark-haired, less attractive, and even more talented friend.

Diana was quite fond of both of them.

Probably going downtown to shop, she thought.

“I’m going to write about my wicked stepmother,” said Chloe, in that penetrating voice all girls seemed to have these days. Too nasal. Too loud. Broadcasting their business. “You know, about how I really tried when my dad married her, after my mom died, but she was so awful to me. Though she was sweet as pie when Dad was around. Then one day—”

The streetcar rattled on past the columned mansions of St. Charles, the sidewalks a tumble of concrete uprooted by dripping oaks. It stopped every couple of blocks. Thirteen miles from one end, Carrollton and Claiborne to its terminus downtown at Canal, though it was only about ten, the part of it from the university to Erato Street, just before Lee Circle, where Diana would get off to walk a few blocks to the auto shop. The trip would take forty-five minutes, more or less. Breakdowns on the streetcar line were more common than not.

Up ahead Diana spotted the Milton Latter Library, housed in a Neo-Italianate mansion, a gorgeous old pile occupying the entire block between Soniat and Dufossat Streets and one of the city’s two small hills.

And a landmark in her love affair with Rob. How fitting, she always thought, that it was a library where their games had begun.

Chloe’s voice rose even higher. “I was always telling Wicked Stepmom she ought to be more careful about locking the car when she parked it. And she always blew me off. Like, Yadda yadda, Chloe.

“Then one day she had borrowed Dad’s BMW that he loved more than life itself, and she drove it, like just two blocks, to the store, she coulda/shoulda walked her fat butt, and left it unlocked, naturally, in the parking lot.

“So I stole it.”

“Vivien Leigh lived there, in what’s the library now,” a tourist with a tight blond perm said to her red-faced husband, the two of them sitting directly in front of Diana, behind Amber and Chloe, “when she married a rich local lumberman.”

“Actually, it was Marguerite Clark, a star of the silent screen,” said Diana, leaning forward despite her desire for solitude. She couldn’t resist correcting the tourist, the schoolteacher in her, she supposed.

“Oh, really?”

Yes. The house had been built by a department-store magnate, then was bought by elegant Harry Williams, the lumber baron and aviation pioneer who was said to have charm to burn — the charm that won Marguerite, a rival of Mary Pickford. The house was given to the city for a public library by a later owner, in memory of a son who died in World War II.

“It’s worth seeing,” said Diana. “The two front downstairs rooms are gorgeous, with frescoed ceilings imported from France. The large reading room has a Flemish mantel over an onyx fireplace.”

It was the green Louis XIV French parlor that was Diana’s favorite, however, with its curtains and wall panels of cherry-red brocaded damask and a magnificent crystal chandelier.

“Let’s go to the Latter tomorrow afternoon,” Rob had said casually, about a week after they’d discovered themselves to be a sweet fit.

“The library?”

Diana had really meant it when she’d told Rob that, no, she obviously couldn’t resist his charms, but really, truly, they were going to have to be discreet.

“Just pretend that I’m married,” she’d said. “It simply won’t do to have us gossiped about around school. It isn’t appropriate.”

“Inappropriate,” he’d teased. Then he’d lowered his voice to that husky register that made her bone marrow vibrate and commanded, “The library.”

The truth was Diana was so lust-struck at that point, she’d have followed Rob if he’d jumped off the Huey P. Long Bridge.

“There’s something I want to show you,” he’d added. “I’ll meet you in the parlor. Wait for me there.”

At the appointed time Diana had settled herself onto the parlor’s crimson loveseat. Moments later, an older, elegant couple, in their seventies, had taken chairs to one side of Diana’s perch. They began leafing through travel books, planning a trip to France, obviously not their first.

Then another man entered the parlor. For a moment Diana didn’t recognize Rob. He’d donned serious horn-rims and slicked his hair back with a silvery gel. A baggy jacket made him look older — and heavier.

She had to stifle her hoot of surprise and delight. A disguise! Oh, Clever Rob. She’d said discreet and...

But he warned her into silence with a raised finger and a shake of his head.

“Here’s the book you asked for, miss,” he said, as if he were a librarian, handing her a large-format volume.

The older couple looked up briefly, smiled, then bent their heads back to their research.

“Let me show you what I was talking about.” Rob gestured with an open hand. Could he join her on the loveseat?

The book was a collection of exquisite erotica. Beautifully rendered line drawings of the seduction of a young man by a voluptuous older woman.

“Where did you find this?” she’d whispered.

“Shhhh,” he’d cautioned. Library. No talking.

The older couple smiled once more.

Five minutes later found Diana and her younger paramour locked together in the single-occupancy Ladies’ Room, half naked and crazy, crazy, crazy.

“Maybe we’ll come back and see the library tomorrow,” said the permed blond tourist. “Howard wants to go back to the hotel and take a nap before we have dinner.” She paused, then added smugly, “At Antoine’s.”

Of course. Sure, the Oysters Rockefeller were still good, and the pommes de terre soufflés terrific, but Diana could have told the blonde of a hundred better places both high and low, Bayona to Domilise’s Po-Boys. But tourists always wanted to drop Our dinner at Antoine’s into conversation back home.

Once again, the girls’ voices. “Shut up!” said Amber. “You did not steal your dad’s car!”

“Oh, yeah. I’d been scheming for this. I was so ready. I’d nabbed a pair of her panties out of the clothes basket—”

“Yewh!”

“And I left them under the driver’s seat with a ripped condom wrapper. So the cops find the car about five minutes after Dad dials nine-one-one, a Beemer emergency, all ranting. And then, when the cops bring it back, he’s going over his ride, inch by inch, and—”

“Hello! Panties! Condom! But how would he know for sure they were hers? Not the ‘ho of the banger who pinched it?”

“’Cuz she always wore this one kind of black panties, really expensive, and REALLY big—”

Diana laughed. So did Howard, the tourist hubby in front of her.

The wife elbowed him.

Not funny, Howard.

After the Latter, Diana and Rob had fun seeing just how creative (and discreet) they could be.

Let’s Pretend was a good model.

The operating principle was fantasy and role-playing (while hidden in plain sight).

And disguises were an essential part of secrecy, weren’t they?

The weeks leading up to Mardi Gras, with its masks and costumes, had been a particularly interesting time.

But there were parades and dress-up balls of one kind or another in New Orleans practically every day.

Not all of their encounters were production numbers, of course. Many nights Rob came visiting, and they made dinner and then love with no games, no frills.

Oh, maybe just a bit of “Let’s pretend I’m the cable guy.” Rob tapping on the sun-porch door, the front doorbell broken for eons. Diana answering his knock in the black silk dressing gown he loved.

Or she’d remind him, “...that time you had me meet you at the bar in the Maple Leaf, and we pretended that we were strangers.”

“Yeah, and you let someone buy you a drink before I got there, and then we almost came to blows over who you were going home with.”

“I loved that,” she sighed.

She loved him, too.

“I’m crazy in love with him,” cooed Amber.

Passengers up and down the streetcar grinned. Ah, youth.

“He is so much fun. Last weekend we went dancing at the Rock ‘n’ Bowl. He’s a mad dancer, and when we rolled out of there, like one A.M., he said, ‘Wanta go for a drive?’ And the next thing I knew, we were all the way down in Grand Isle. A friend of his has a beach cottage there.”

“Oh, I’ve always wanted to go,” said Chloe. “Was it as romantic as Chopin portrayed it?”

Now Diana smiled. Such smart, literary girls, alluding to Kate Chopin’s feminist-novel-before-its-time, The Awakening, while talking about boys.

“It was heaven,” sighed Amber. “He was fabulous, sweet as could be the whole time. And we stayed for the sunset the next evening. I’ve never seen such a sunset.”

“Oh, I wish I were in love,” Chloe longed.

“You will be. Any minute now. You’ll see.”

Love, oh love, the last thing that Diana had expected. Or wanted.

The affair with Rob was meant to be like all the others. Just for fun, right?

Though unlike her other lovers, Rob wasn’t just a roll in the hay who managed to hold her attention for a candle’s length. He also sported that perfect trifecta of intelligence, imagination, and sweetness.

Rob wasn’t just for laughs.

Rather, he made her laugh.

What a world of difference between those two.

(Though sometimes she asked herself, as their games-playing grew ever more filigreed, Is this love or sexual obsession?)

In any case, how ridiculous that the one who’d finally battered down the gates, bridged the moat, and scaled the steep walls to her heart/whatever was so inappropriate.

An adjunct! A baby adjunct. A man without a full-time job in the very field at whose apex she stood.

Okay, at thirty-seven, Rob wasn’t really a baby, but still...

The moment she’d realized that she could no longer imagine her life without him, she’d begun to fret.

What if he grew tired of her? What if he wandered? Someone at the university uncovered their secret and compromised her position? What? What? What?

Yet losing implied having. She had no claim on Rob. It wasn’t as if they used the L word.

Diana worked herself into a perfect frenzy. Her love-making took on a desperate edge. What new trick to titillate her lover? She spent hours poring over the Good Vibrations catalogue.

“Is something bothering you?” he asked.

“No. Why?”

He shrugged. “I don’t know. You seem, what, worried about something. Need more space? Want to see less of me?”

“No!”

He laughed. “More of me?” The question delivered with that cocked eyebrow, a fiddling with his top shirt button. Followed by a sweet tumble.

Get a grip, she told herself. Don’t screw this up. Don’t be a ridiculous older woman. Don’t grasp.

And then, late February, Rob used the L word.

It just wasn’t the one she wanted to hear.

“Livingston,” he said. “It’s a small liberal-arts school in Cambridge, Mass. Great rep. An old friend’s in the English department there. Gave me the heads-up that they’re going to have a full-time slot. He has a lot of pull. You loved Cambridge, right?” Then he’d stopped, seeing her face. “Oh, honey bun, you know I don’t want to leave. I love New Orleans. I love being here with you.” Then, finally, finally, dear Lord, “I love... you.”

And there it was. He loved her, but also he needed a real job. With real tenure. Real benefits. Real pay. Real retirement.

“Have you already applied?”

“Well, yeah. I mean...”

“I know. I know.” She’d hugged him close. And then the question occurred. “Other places, too?”

He shook his head into her shoulder. “Livingston’s the only one where I have some kind of inside chance.”

What was he talking about? Was she not an insider at the university right here? Did she have no influence?

But what she didn’t have, unfortunately, was an opening in her department. No retirements on the horizon. No one on leave who might not return. And no one was ever fired unless — to use the infamous words of ex-governor Edwin Edwards speaking of himself as a shoo-in for a second term — he were “caught in bed with a dead girl or a live boy.”

Then lightning struck. Diana had an inspiration. There was one possibility. A little tricky, but possibly doable. Probably. No, definitely. She would make it work.

And, oh, what sweet revenge: exchanging Arnold Venable for Rob.

“I just wish we could spend more time together,” Amber complained. “But he’s so busy. And then there’s—”

Chloe jumped in, “Yeah, but you’re busy, too. Like have you finished your senior thesis for the psych course?”

“No. But he’s helping me with it. I mean, he’s been reading what I’ve got, and he makes such great suggestions.”

“Well, sure, he’s—”

Then Amber interrupted. “Look! The Columns. Ohmygawd! We spent the most incredible night there.”

A heavyset woman across the aisle from Amber and Chloe shook her head. A frown of disapproval rumpled her handsome brown face. A church lady, no doubt.

Diana, however, smiled. The Columns Hotel, once upon a time a family mansion, had starred as Madame Nell’s bordello in the film Pretty Baby. In actuality, the turn of the previous century’s red-light district, Storyville, had been downtown, fronting Basin Street.

The Columns did, however, possess an aura of naughtier, bygone times: its bar elegant with chandeliers and fireplaces, the rooms upstairs tricked out in flocked-velvet Victorian finery. Diana and Rob had frolicked there one night in an amazing four-poster bed.

Now she spied their private balcony, right there. That’s where they’d sipped morning-after mimosas.

Arnold Venable had been the department chair for eons before Diana took that post, and few were the toes he hadn’t mangled. Even when young, which he certainly wasn’t anymore, Arnold had been imperious, affecting a British accent, grandly furnishing his office with Persian carpets, subdued lighting, and a slender walnut desk. Arnold didn’t hold office hours; he received. He held court. And he’d long ago perfected the art of slipping a silver dagger into one’s soft spots, his targets universal. University president to office cleaner, no one escaped Arnold’s withering blue gaze or razor tongue.

Immediately upon succeeding Arnold as chair, some six years earlier, Diana had been swamped by the English faculty’s campaigning for a piece of the pie of privileges he’d hoarded.

“Not fair that Arnold never takes a lower-division class.”

“Not fair that he’s had a lock on Shakespeare and the Romantic poets from time immemorial.”

Diana couldn’t agree more, having herself suffered from Arnold’s barbs and slights, and drawing up that next term’s class load, she assigned Arnold a section of English 101. Freshman grunt composition. Arnold refused it, sneering as if she’d handed him a bag of manure.

Fine. So be it. And, as was the university policy, Arnold taught less than a full load, though for full pay.

This pattern had continued year after year, with Arnold accruing an ever-growing debt of classes owed.

Just a week after Rob’s announcement of his application to Livingston College, Diana had casually, ever so coolly, brought up The Arnold Situation at lunch with an administrative dean.

He’d jumped. “We absolutely must do something. Just yesterday the president was laying down the law about tightening all financial belts, closing all loopholes. Now.” He’d leaned closer to Diana. “Do you have any ideas?”

Why, yes, she did.

“Three sections of 101?” Arnold had slammed through Diana’s office door without knocking. He’d delivered the question as if she were a ridiculous child who’d donned a clown outfit for a wedding.

“Yes. Three. Close the door, Arnold. Come in and sit down.”

Then Diana had the delicious pleasure of explaining to Arnold Venable that he’d reached the end of the line. Administration had done the toting — she handed the figures across her desk to him — and he was in arrears for so many classes untaught but salaried that he must a) teach whatever offered with zero compensation for the next two years, b) pay back the money advanced, or c) take early retirement, effective the end of the term, and the debt would be forgiven.

Within hours Arnold had begun packing the leather-bound tomes that lined the walls of his office.

Oh, what sweetness, what joy as, later that same evening, just as Rob, spent from love-making, sleepily pulled up the sheets, she whispered into his ear, “Guess what?”

And wasn’t it terrific that they’d been so discreet, that no one at the university knew that they were lovers? Now Rob’s application for the position could be tendered like any other candidate’s.

Any other, except, of course, that he had the advantage of being a known quantity. Well-liked by both students and faculty, Rob had done a terrific job with his classes. Yes, Rob definitely had the edge.

“Darlin’, you genius, you Wonder Woman!” He’d jumped out of bed and danced his happy dance. Then he’d grabbed Diana up and two-stepped her around the room.

He was a shoo-in, Diana exulted. He’d win the post, and then, and then... Well, after a semester or so it wouldn’t be so untoward, would it, if they were to “begin” dating? No, the age difference between them would never lessen, but with the change in Rob’s status, their having a liaison — and, well, who knew where that might lead? — wouldn’t be nearly so scandalous.

“When’s he going to tell her?” Chloe asked.

“Not for a while yet. The timing’s got to be right.”

Hmmm, thought Diana. Amber’s boyfriend already had another girl.

The church lady was shaking her head again.

From somewhere beyond the Mississippi, thunder rumbled, and the church lady rolled her eyes.

See? Lord don’t like that nonsense. That fooling around with somebody else’s man? You go doin’ that stuff, ain’t nobody gonna want you.

Oh, please. Diana read the church lady’s body language. It’s not that serious. Amber’s young, and men really are like streetcars. There’s always another one.

The stumbling block to Diana’s plan was the presence of those sworn enemies, Gloria and Phil, on the hiring committee. They — dammit — and Diana were the three designees from the English department, and while Phil gave Rob highest marks, Gloria was busy with equivocations.

Just to spite Phil.

The other five members, from various departments and branches of administration, were poised to approve Rob and get on with it. End of term and summer vacation were within sniffing distance. Everybody was antsy.

“I really think she has stronger qualifications,” said Gloria, tapping the application folder of a young blond thing from California. Yes, she’d interviewed beautifully, this smart cookie with the body of a Victoria’s Secret model.

“But her concentration is feminist theory. We don’t need another one of those,” said Phil.

“Now, wait a minute!” steamed Gloria, who was herself a feminist theorist.

Diana shook her head. What the hell was Gloria thinking? Did she really want a younger woman, particularly someone who looked like that, in her sandbox?

“Well,” said the dean, trying not to drool on the blonde’s app. “I have to agree, she is an attractive candidate.”

Diana was beside herself. She couldn’t support Rob too strongly for fear of arousing suspicion, though maybe that was just paranoia. Yet both Phil and Gloria would rather die than give an inch to the other.

“Well, what about Dawn Moriyama?” ventured another committee member.

Jesus. The Japanese-American candidate, a distant third on paper, and she’d stumbled badly in the interview. But once they got into ethnic-diversity territory, Diana’s ship would have sailed.

Phil looked at Gloria. Gloria looked at Phil. They both shrugged. Why not?

With that, Diana stood, collecting her papers. “We should sleep on this,” she insisted, slapping down her department chair’s prerogative like a trump card. “I think we’ve lost our way.”

Everyone groaned but agreed to one more meeting.

“He has so much to lose, if he doesn’t play it right,” said Amber.

The church lady shook her head so hard Diana thought she might cross the aisle, grab Amber, and shake her, too.

Now it sounded as if Amber were involved with a married man. A beautiful young thing like her, a whole world of gorgeous young single boys to choose from?

“You think she’s the vengeful type?” Chloe wondered.

She.

The wife.

“Do you think it’s possible,” Diana had said to Gloria, taking her arm as they crossed the quad after the committee meeting, “that your attitude toward Phil is clouding your judgment. Just a tad?”

Gloria had stiffened, pulled her arm free, and turned to Diana with a blank stare. “No,” she said flatly. “I don’t.”

“Now, Gloria...”

“Don’t you Now, Gloria me. I just don’t happen to think Rob is the best candidate.”

“You know Moriyama’s not going to make the cut. Do you really want that young hottie lusting after your classes?”

Gloria recoiled, then struck. “Don’t talk to me about young hotties, Diana. Not when you’re throwing all your weight behind your own.”

Just like that. Gut-shot, Diana reeled. Her skin stung with a thousand pricks of adrenaline. Her world tilted, whirled.

“I don’t know what you mean,” she finally managed.

“I think you do,” said Gloria with a wintry smile. “Just so you know, I’ve not discussed your... indiscretion... with anyone else.”

So clever, Gloria, hoarding her intelligence like gold until it would bring the greatest yield.

“I’ll give you Rob. You’ll give me the classes I want in perpetuity. And the editorship of the journal.”

“Gloria, even if there were reason to...”

Gloria’s smile was cruel. She had the goods, and she knew it.

“I can’t guarantee...”

“I’m sure you’ll work it out.” With that, Gloria gave Diana her back and strode away. Then she paused, turned. “Pleasure grows ever more expensive, don’t you know, Diana, as time moves along.”

Blackmail. That’s what it was. Blackmail, plain and simple. After she picked up her car should she drive to the NOPD district office on Magazine and report Gloria? Or did blackmail fall under Vice, housed on South Broad?

Right. Diana could just hear herself explaining the situation to a cop up to his ears in murder, home invasion, tourist muggings, drugs, child abuse, and the thousand and one other felonies perpetrated in New Orleans every day. The city was a sewer of crime.

No. Gloria had her. There were no two ways around it. Diana had been furious and sick with disbelief.

Though now that she’d this streetcar ride to collect herself a bit, to reflect, and to taste once more through the mouth of memory the many pleasures of her sweetheart, she’d realized her id would allow no other choice: If this were the price of keeping Rob, so be it.

But she still needed to frame her response to Gloria. Generous but cool, that was the ticket. Agreeable, yet firm. God forbid that Gloria think she now had carte blanche.

Maybe what she ought to do, after she picked up Picayune, her much-loved little brown Mercedes 280L roadster, was turn up her tape of Tina Turner’s “Proud Mary” and take the causeway to her favorite dive in Abita Springs. Soothe herself with an oyster po’boy and a couple of beers. Yes, the long drive across the lake always cleared her head.

The streetcar rattled on. Diana could see the freeway overpass up ahead, beyond it Lee Circle where a statue of General Robert E. Lee stood upon a tall pillar, facing north, so he’d never have his back to his enemies. She wasn’t far now from her stop.

Rob wasn’t coming over till much later this evening. Nineish, he’d said. Then she could give him the good news, minus the complicating details. With Gloria’s vote, his job was in the bag. They’d crack open a bottle of champagne, celebrate. Maybe play one of their favorite games. Strangers assigned to a sleeping car on the Sunset Limited to Los Angeles? Or... wait. Rob had suggested something earlier on the phone. Still rattled by Gloria, she couldn’t remember what...

“Vengeful? Well, I never thought so, particularly, but when we were brainstorming in class today, I totally changed my mind.”

“Yeah,” Chloe agreed. “That story she told about how, a long time ago, somebody wronged her, and she fantasized about burning his house down? But then, like she said, everyone has revenge fantasies. The real question is whether people act on them or not.”

“I know,” said Amber. “But just the way she said it, Burn his house down, it gave me shivers.”

Wait a minute. Diana was about to pull the signal cord, gathering her things. The girls were talking about Amber’s married boyfriend, Amber did say he was married, didn’t she, and now they were talking about her class? Her story assignment? Her?

“He’s been so careful,” Amber continued. “And it’s really brilliant, the way that whole pitiful charade she’s insisted on, his being her secret boyfriend, has played right into his plan. But once he has the job, well, anyway, by Christmas of next year, he can dump her. And then we can go public. My momma is crazy about him, you know. She thinks he’s the spit and image of Harry Connick, Jr.”

“And your dad likes Rob, too, right?”

“Oh yeah, he...”

Diana didn’t hear Amber’s reply as she stumbled blindly through the rear exit door and fell out into the rain.

Her feet had barely hit the wet grass of the neutral ground when her stomach heaved and she spewed hot yellow vomit.

“Oh my God!” someone cried.

“Ma’am? Can I help you?” another asked.

But Diana waved them away. Please don’t. Don’t look at me. Don’t touch me. Don’t pity me. Don’t.

She didn’t remember much between that spinning moment and stepping out of a taxi at her own doorstep. She must have hailed the cab, must have realized she couldn’t drive, her ears ringing, her eyes blind to this world.

Once inside her house, Diana fell on all fours to the faded red-and-blue Kirman in the foyer, one of the ever-so-tasteful treasures Richard had left behind. She writhed. She howled like a dog. She tore at her hair, her clothes. She cursed Rob’s name. She cursed Amber.

And then Amber’s words cut through the din and the frenzy: pitiful, secret boyfriend, played into his plan, the job, dump her.

Amber, the golden girl. Amber, one of her favorites. Amber, whom she’d taken to her heart. Amber, the fresh young bitch.

Pitiful, pitiful, pitiful, the chorus resounded.

They’d made a fool of her. A tidal wave of shame washed her from top to bottom.

Eventually, after what seemed a year, a decade, an eternity of agony, Diana made it to the sideboard and sloshed three fingers of bourbon into a glass. As she tossed it back, her stomach lurched once, then settled, and the amber fire felt good.

Excellent, in fact. The burn in her belly would help her focus.

Not as if there were that much to decide, really. Not many options.

First, of course, she’d “compromise.” She’d withdraw her support for Rob’s candidacy and cast her vote for the young blond feminist.

That would be just deserts for Gloria and take care of the job question.

Not that it would be even a step toward addressing the hatred that had begun to bubble in her belly for Rob. Oh, Rob. Rob, Rob, Rob. A bubble that would eventually fill her to bursting, she was certain of it. Just like the hatred she’d felt for Richard. The hatred that had had her dreaming of fire, rat poison, knives, guns. The hatred that still lingered even now, long after AIDS had devoured him. And the need to get even. There was no way such humiliation could go unpunished. Revenge would be hers.

But first things first. No position for Rob. No reward for Gloria.

Though, wait. Not too hasty. What might Gloria serve up in return? Thwarted Gloria, who no more wanted the blond hottie hired than she wanted a third arm, the young woman just a tool in her scheme? Diana had long been witness to Gloria’s wrath. Gloria would not take being crossed lightly.

No. She couldn’t risk it. She needed to think.

Just then Diana’s phone began to ring. Let it. She sloshed more bourbon into her glass. Let it ring, ring, ring off the hook. There was no one on God’s green earth she wanted to talk to. No one. She couldn’t even imagine forming words.

Once again Diana doubled over with pain. Hot tears cascaded down her face like boiling rain. She felt as if someone had ripped her skin off in one piece, discarded everything inside but for her hatred, then left the husk. She was a semblance of a human being. But only a facsimile. She would never be whole again. Never.

Then a deep voice boomed through her answering machine. “Hey, darling, it’s Fred.” Her neighbor, a lawyer, and the head of the block association.

“Just wanted to remind you you need to be hypervigilant until the cops catch this burglarizing s.o.b. Not that there won’t be another one right behind him. Marcia Pennington said she thought she heard somebody snooping around her back porch this afternoon. Lock up and batten down, hon.”

Diana froze, staring in the direction of Fred’s voice, her glass halfway to her lips. Now she remembered what Rob had said earlier. Now she recalled the game he’d proposed.

Two hours later, a little after ten, Diana’s living room. Fred, in striped pajama bottoms and a faded Tulane T-shirt, stood with a strong arm around Diana. The red-and-blue flashers atop the small fleet of NOPD cruisers outside lit up the room, lending it an eerie carnival air.

“Like I said, I called her and reminded her to be extra vigilant,” Fred rumbled to the officer in charge, Officer Jackson, a mountainous black man whose powder-blue uniform shirt was damp with the rain still pouring outside.

“Absolutely.” Jackson nodded. “Way things been in this neighborhood recently, you can’t be too careful.”

“But I wasn’t careful!” Diana cried, her face smudged with tears. “If only I’d checked the outside door to the sun porch, he’d never have gotten that far. It’s my fault. I’ll never forgive myself,” Diana wailed, shaking her head. “Never.”

Behind them, back through the dining room, was the sun porch in question. Rob’s body lay half-in, half-out of the French doors between it and the dining room, his blood pooling on the hardwood in a dark red lake.

Fred hugged her tighter. “Now, darlin’, you know it wasn’t your fault. How were you to know that boy would come round so late to talk? Stupid ass, like that was the way to get a job? Busting onto your sun porch ’cuz your front doorbell’s broke?”

“But I should have recognized him,” Diana moaned, running a hand through her hair, clutching at her black silk dressing gown. “Like I said, he’d mentioned something at school today about dropping by, and I’d said, no, that wasn’t a good idea. It wasn’t appropriate...”

“Ma’am, it was dark. It was raining. Way he was dressed? Break-ins all over the neighborhood. It’s a shame, but what’re you gonna do?” Officer Jackson shook his massive head slowly, looking for all the world like a giant mournful Rottweiler. “I say, despite the mistaken ID, it’s a good thing you had that gun.”

He cast an envious eye on Diana’s 12-gauge Italian-made Verona lying on the loveseat in the living room where she’d tossed it before calling 911. Over four thousand dollars’ worth of high-tensile steel and Turkish walnut, the shotgun had been a gift from her dad after she’d won a statewide women’s skeet competition.

“And,” the officer went on, “what kind of fool goes around in the middle of the night tapping on folks’ doors, all in black, stocking cap pulled down so you can barely see his face? I’d’a thought he was a burglar myself. Yep, burglar for sure.”

Rob had let himself in, as he did every time they’d played burglar. He’d come through the unlocked outside door of the sun porch, then stood jiggling the locked interior French doors.

Diana had entered from the kitchen, the black silk dressing gown he loved half-open. She was naked underneath.

The way the game went, he’d jiggle the door harder. She’d shrink, then shriek, “Oh no! Please go away!”

Her gown would fall open. He’d bang the door, bang it again, and just before he looked to be about to dash a pane of glass, reach in, and unlock the deadbolt from inside, she’d open it. He’d race through and grab her up, her robe falling to the hardwood.

Sometimes they’d make it up the stairs. Sometimes they wouldn’t.

This time, he’d jiggled the door hard. And harder yet. But Diana didn’t open the door.

“You bastard!” she screamed, reaching for the shotgun she’d propped against the china cabinet. She threw its beautiful steely length to her right shoulder. Such a sweet fit.

Rob’s eyes grew wide. What? Then he’d laughed. A new wrinkle in their game. A twist.

“Oh, baby,” he crooned. “You got a gun? I got a gun, too.” He winked. “Got a red-hot pistol for you, darling.” His face was pressed against the glass.

Louisiana is a right-to-bear-arms state, but there might be some gray area here, legally speaking, considering that Rob wasn’t actually all the way inside the house.

Shoot ‘em. Then drag ‘em through the window. Every schoolchild knew that.

She obviously couldn’t let him in from the sun porch, however. Why would she open her door to a burglar?

Luckily, she’d had plenty of time to make a plan, weigh the options, after Fred’s call. Before Rob’s first footstep on the porch.

A woman alone in a house. A college professor. Department chair. Sheriff’s daughter! Recent home invasions in the neighborhood. A rainy night. A man in black.

This was, after all, Louisiana, where a jury had taken only three hours to acquit a Baton Rouge homeowner of shooting and killing a Japanese student whose crime had been ringing his bell. The kid had been dazzling in his all-white Saturday Night Fever suit before it blossomed blood-red, he and his friend mistaking the house for one down the street where a Halloween party was being held.

Diana wanted Rob as close as possible.

You didn’t have to be a crack shot; any fool could hit someone with a shotgun loaded with buckshot, and many heedless fools did. The pellets covered a fairly wide pattern from a distance.

But if you wanted to kill someone, you stepped closer, closer, closer still. Then the pellets would rip a huge hole.

That was what Diana wanted, tit for tat, to tear her lover to pieces.

“Come on, sweetheart.” Rob had urged her closer with an upturned hand, fingers wiggling, a tough-guy gesture. In character. Playing a role.

She’d racked the shotgun, loving that sound. Loving the well-oiled smell of it. Loving to shoot.

She’d pulled the trigger, racked again, firing twice through the French doors. The first blast had ripped Rob’s heart loose and flung it against his chest wall. The second took out his guts.

Fred stayed until everyone was gone. “Just a formality,” Officer Jackson had assured them of the crime-scene crew. “Want to follow procedure here. Dot all our i’s and cross all our t’s. I’m sure you appreciate that, being a lawman’s daughter. No question but this has every appearance of a home invasion.”

After the EMS vehicle carried Rob’s body away and the last cruiser departed, Fred urged Diana to come home with him, to spend the night with his family.

“No. No, thanks, Fred,” she assured him. “You’ve been a brick. I couldn’t ask for a better friend. But really, I’ll be okay.”

And she would be, Diana thought later, lying in the stillness of her bedroom, the lilac-papered boudoir where she and Rob had shared so many delicious romps.

She had her prestigious job. Her ever-so-terrific house. A raft of good friends. And she lived in the Big Easy.

Then, over the rain on the rooftop, she could hear Rob crooning Brother Ray’s words just as surely as if his head were on the pillow next to hers.

Well it don’t make no difference if you’re young or old...

no matter whether, rainy weather...

you got to get yourself together...

and let the good times roll...

With that, Diana’s heart convulsed once more with loss. Dear God, she’d miss him so. Rob, the last of her lovers, she was sure of it. She could never, ever again expose herself to such grief.

Her final scream of anguish ripped through the sweet-scented room, and then quiet blanketed it once more. After that, there was nothing, nothing but her own breathing and the falling rain.

Just before tipping over into darkness, Diana thought, First thing. First thing, bright and early, she’d call Gloria and tell her about the awful accident.

Gloria would understand. Gloria would get it. And Gloria would keep her mouth shut, or...

And Amber?

Well, she was young, with the recklessness of a true beauty. What was one boyfriend, more or less, to such a girl? Besides, Amber was smart and clever enough to protect herself.

And Chloe? Chloe had already tasted the fruit of revenge and found it sweet.

With that, Diana turned over and dove headlong into the blissful sleep of the avenged.

She dreamed it rained so hard and rained so long that the pumping stations failed. The water rose and rose until all the streets flooded. She saw herself floating in her darling little Mercedes roadster, its top down, past Lafayette Cemetery No. 1, then hanging a right into the middle of St. Charles. She was waving like a homecoming queen, smiling and waving and flirting to beat the band, floating, floating, floating down the neutral ground.

Copyright © 2006 Sarah Shankman

The Jury Box

by Jon L. Breen

According to the epigraph of O. Henry’s “A Municipal Report,” Frank Norris believed only three major American cities were “story cities”: New York, New Orleans, and San Francisco. O. Henry took the implied challenge by setting his classic story in Nashville, but few then or now would argue with the inclusion of New Orleans as a great fictional locale. Certainly the city currently coming back from the devastation of Hurricane Katrina has attracted many mystery writers, from Gwen Bristow and Bruce Manning in the 1930s, Brett Halliday in the ‘40s, and John Dickson Carr in the ‘60s to such contemporaries as James Sallis, Dick Lochte, Julie Smith, Barbara Hambly, Tony Fennelly, Chris Wiltz, and those considered below.

**** Poppy Z. Brite: Soul Kitchen, Three Rivers, $13.95. Rickey and G-Man, life partners and owner-chefs of the New Orleans restaurant Liquor (every recipe uses booze), hire a gifted cook who was convicted ten years earlier of the murder of his boss. Despite a corpse in the opening pages, the mystery plot is extremely slight, but good writing, involving characters, and a detailed culinary background, including some pointed satire on the foody avant-garde, make this my top choice of the books under review. According to an author’s note, the novel was completed the night before Katrina hit.

**** Tony Dunbar: Tubby Meets Katrina, NewSouth, $24.95. Big Easy lawyer Tubby Dubonnet’s titular opponent is not only the hurricane but also an escaped murderer who identifies with the storm. The first fully post-Katrina suspense novel is a first-rate job, crisply written and expertly paced, offering a harrowing, sometimes sardonic description of the city’s physical and psychological state before, during, and after the disaster.

*** David Fulmer: Rampart Street, Harcourt, $25. French Creole private detective Valentin St. Cyr’s third case brings to life the Crescent City of 1910, with its “jass” music and flamboyant vice, its social, racial, sexual, and political complexities. When a wealthy citizen is murdered in the wrong part of town, his daughter refuses to accept the obvious sordid explanation.

*** O’Neil De Noux: New Orleans Confidential, PointBlank/Wildside, $16.95. Private eye Lucien Caye, operating in the French Quarter of the late 1940s, takes on eleven highly varied cases, three new to print, ranging from heartfelt tributes to the World War II generation to full-out erotica. One common element, the vivid depiction of the sights, smells, and sounds of the city, is augmented by James Sallis’s beautifully written introduction.

*** James Lee Burke: Pegasus Descending, Simon and Schuster, $26. New Orleans is a secondary background in the latest case for New Iberia cop Dave Robicheaux, whose cases are steeped in Louisiana ethnic, political, and religious culture. The action is pre-Katrina, but the effects and aftermath are addressed in an optimistic epilogue. Despite Burke’s over-fondness for macho confrontation and the rambling nature of the complicated plot, there’s no denying the beauty of the writing.

*** Barbara Colley: Married to the Mop, Kensington, $22. In her fifth appearance, housecleaning entrepreneur Charlotte LaRue helps a mobster’s battered wife prepare for a Mardi Gras party. Apart from a good punning title, the book has sound writing, construction, and characterization; and a reasonably intriguing plot (though unclued in the classical sense) culminating in a moral dilemma.

** Laura Childs: Motif for Murder, Berkley, $22.95. In the early pages of this intermittently amusing, nancydrewish cozy, Carmela Bertrand alternates unbelievably between agony over the kidnapping of her worthless jerk of a husband and bright banter in the sitcom world of her French Quarter scrapbooking shop, Memory Mine. While promoters of tour-ism will applaud the depiction of a post-Katrina New Orleans restored to business as usual, others may find it somewhat insensitive toward the bulk of the displaced population.

** Jay Bonansinga: Twisted, Pinnacle, $6.99. At 347 pages, FBI profiler Ulysses Grove’s storm-tossed battle with a serial killer called The Holy Ghost is more supernatural horror than mystery and exemplifies thriller bloat. Numbing repetitiousness, soggy romance, and clichéd dialogue detract from good action writing and interesting technical detail as a hurricane devastates New Orleans. The novel was written before Katrina but revised after.

Copyright © 2006 Jon L. Breen

Acts of Contrition

by Greg Herren

Greg Herren is a longtime resident of New Orleans and has written five mystery novels set there, including Mardi Gras Mambo. He has been nominated for three Lambda Awards for Best Mystery, and his novel Bourbon Street Blues was cited by InsightOut Books as the best mystery of 2003. He lives in the lower Garden District and has no plans to relocate. Ever.

* * * *

“Help me, Father,” she cried. Her brown eyes were wide open with terror. The rain was falling, drenching them both, soaking her white T-shirt so that it clung to her body. Her dread-locked hair was dripping with water. The water ran down her face, streaming from her chin as she gripped his arms with her black-fingernailed hands. She reached for one of his hands and drew it to the crevice between her breasts. “Please, Father,” she pleaded again. He didn’t pull his hand away from her cold chest. He knew in his heart he should, but somehow he couldn’t. He let it rest there, feeling her frantic heartbeat through her cold, wet skin, and closed his eyes. This is a test, he reminded himself, a test. But still he left his hand there, betraying the collar he was wearing, betraying his God. He tried to pray for strength, for guidance, but all he could think about was the feel of her skin beneath his hand. Push her away, reprimand her for her temptation, do something, anything, don’t just stand here with your hands on her... be strong, find strength from your love of God, but don’t just keep standing here...

His hand remained where it was.

And she began to laugh, her lips pulling back into a smile of exultation. Her eyes glowed with triumph.

“Fallen priest, fallen priest,” she chanted between her laughter, “You’re going to hell, aren’t you, Father?”

He pulled back from her, staring at her face as it changed. She wasn’t Molly anymore, the sweet young runaway he was trying to help, she was something else, something evil. The hair on the back of his neck stood up, and he opened his mouth to scream, but nothing came out.

“Fallen priest, you’re nothing but a fallen priest.” Her voice deepened and she took a step forward, her lips still curled in that horrible smile. She tore at the collar of her T-shirt, ripping it downward and exposing herself. She grabbed his hand again, and pulled it to her breasts.

“Get thee behind me, Satan,” he finally managed to choke out, provoking her to more laughter. It echoed off the alleyway, and a light went on in a house a few yards from where he was standing. “Stop,” he whispered, glancing at the lighted window.

“What are you so afraid of, fallen priest?” she leered, her lips pulling back even further. “That you’ll be exposed for what you are?” And she laughed again, throwing her head back and sending the sound upward, to the spires of the cathedral, and more lights were going on up the alleyway.

“Please,” he said, and pulled his hand away from her. Where the knife came from he had no idea. One moment there was nothing and in the next it was there, in his hand, the sword of the Lord. It glowed with a righteous, cleansing blue fire. It pulsed and throbbed in his hand with an almost unimaginable power. Tears filled his eyes as he raised his hand. “Please,” he whispered again, not wanting to do it, knowing he had no choice. He brought the knife down into her chest. Black blood splattered, spilling down her stomach and onto her wet denim skirt. Yet still she laughed, and he brought it down again, tears flowing down his face and mingling with the rain. She must be cleansed, she must be cleansed, she must be cleansed, he thought as he kept swinging his arm. She must be cleansed... cleansed... cleansed... and he hacked at her, the blood spurting and splashing, mixing with the rain, and yet still she laughed...

He sat up in his bed, wide awake and shivering, his body damp with sweat, his short, graying hair plastered to his scalp. He wiped at his face. It was still raining, the windows fogged up. He sat there, hugging his thin arms around himself trying to get warm. The digital clock on the nightstand read 9:23 A.M., but it was still dark as night. Lightning flashed, so near it was merely a sudden bright light blinding him, followed almost immediately by a roar of thunder that rattled his windows. It had been raining for days, one storm rolling in after another, filling the gutters and streets with water, swirling as the city’s pumping system desperately tried to keep up. The ground was soaked, the big elephant ferns outside his door waving in the wind and drenching him every time he walked outside. He tried to slow his heartbeat by taking deep breaths, and he slowly felt warmth creeping through his body again. He threw back the covers and swung his bare feet down to the cracked linoleum. He walked over to the opposite wall.

The walls of his apartment were cracked, the plaster buckling. The ceiling was covered with brownish water stains, and he could hear the steady plopping of water landing in the pots and pans he had set out in the kitchen to catch the leaks.

In the center of the wall was a huge crucifix. Jesus’ face, blood running down the sides from the crown of thorns, was turned imploringly to the sky, his beautiful features twisted in agony. Blood leaked out of the wound in his side, his ribs pressing through the pale skin; the nails in his hands and feet were drenched in red.

He grabbed the worn rosary from the small table and clutched it. Carefully he lit the votive candles, then sank to his knees and began praying. His knees ached from contact with the hard floor. The Latin words rolled off his tongue easily, feverishly, as he counted the beads with his fingers. After a few minutes, when his heart had slowed to a normal pace and he felt calm again, he finished his prayers and crossed himself. He rose to his feet, walked to the window, wiped the condensation away, and looked out into the street.

Such a horrible dream. He still felt chilled, rubbing his arms to increase the circulation. Was it a sign from God? he wondered. The feelings — of lust and desire — the girl aroused in him had been dormant for so long. He knew they weren’t wrong, but after so many years of self-denial through prayer, his vows were ingrained too deeply in his head to shake off easily. There was no reason anymore for him to feel ashamed of his feelings or to deny them, but even though he was no longer a priest, he kept his vows. Maybe she was sent by God to test his dedication to Him. He’d been released from his vows for nearly five years now, so perhaps it wasn’t really a test... but then again, God moved in mysterious ways. Maybe he was supposed to save her.

No one knows the mind of God.

She was one of the street people, a runaway. One of the disposable teenagers, the throwaway children who somehow made their way to the French Quarter to hang out in coffee shops or in doorways, cadging change and cigarettes from passersby. She couldn’t be older than fifteen, he thought, but then again, as he got older he found it more and more difficult to judge the ages of the young. It was possible she was older. He had found her — was it only three weeks since that evening he had found her asleep in one of the back pews at St. Mark’s when he’d gone in to pray? At first he’d thought it was just a bundle of rags someone had left there. Then the pile had moved, and he jumped, startled. It had only been three weeks. He hadn’t stopped thinking about her since that moment she’d sat up in the pew, coughing.

Three weeks only.

“What’s your name?” he’d asked, slipping into the pew beside her.

She just smiled and said, “Call me Molly, Father.” He opened his mouth to correct her, but closed it again without saying anything.

It was the smile that brought the memories back, memories so strong he had to catch his breath. There was something about her that reminded him so strongly of Carla Mallory... the girl he’d loved when he was young, before he’d answered the call and entered the seminary. She’d been so angry when he told her his plans. Her pretty face had contorted with rage before collapsing into tears. But I thought you loved me, she’d accused him, I thought we were going to get married.

“The streets are dangerous, Molly,” he’d said to her, putting thoughts of Carla firmly away. “There’s a killer out there, preying on girls like you. Don’t you want me to call your parents? Don’t you want to go home?” There had been a story in the paper just that morning about the latest girl, found near the French Market, her young body carved up. Just another teenager thrown away, not missed and with nobody to mourn or care. She was the tenth one in the last eight months.

Molly looked back at him with eyes suddenly old and tired. “Sometimes home is more dangerous than the streets, Father.”

He’d taken her hand, rough and dirty with the nails painted black. “Please be careful, and know you can always come here. We minister here to homeless kids, Molly. You can always come here, get some food, take a shower, get cleaned up.” He gestured back to the office area at the rear of the chapel. “I can get you a list of shelters...”

“And sometimes shelters are just as dangerous as home.” She shook her head, the multicolored dreadlocks swinging. “But a shower would be cool.”

“But where...?” He shook his head. Sometimes there was nothing he could do for them. “Come with me.” He stood up and started walking towards the front.

It was after hours, and against the rules, but he used his keys to open up the shower area and get her a fresh towel. Father Soileau would not be happy, but there was no need for him to know or find out. Besides, even if Father Soileau did find out, the most he would get would be a reprimand, and not a strong one for that matter. Father Soileau depended on him too much for the work he did with the teenagers, and it would be hard to replace him. Who wants to work for the pittance they pay me? he thought bitterly as he handed her a towel and shut the door behind him.

While she showered, he heated a can of soup for her, found a package of crackers, got her a fresh bottle of water.

She was so pretty with the dirt scrubbed off her face. So like Carla. He watched her as she slurped down the soup, crunching the crackers into the broth, and gulped down the water. There was a wounded innocence about her. She wouldn’t tell him where she was from, or where she’d been. And when she was finished, she patted his hand in thanks, before slipping out of the church and back into the night.

He’d prayed for her that night, and every night since.

He prayed she’d come back.

He found himself coming back to St. Mark’s every night at the same time, hoping she would show up. Sometimes she did, most nights she didn’t. He didn’t ask questions he knew she wouldn’t answer. It almost became a kind of routine on those nights when she showed up. He would get her a towel and while she showered he made her something simple to eat. While she ate, they’d talk about little things, nothing important. And when the food was gone, she would slip back out into the night.

He worried sometimes that Father Soileau would find out. It wasn’t beyond the realm of possibility that he would be fired. Rules were rules, and the Church was very big on rules. He knew that very well. It was why he wasn’t a priest anymore. “But I’ve done nothing wrong!” he’d begged them up in Chicago as the archbishop shook his head.

“We cannot take that risk, Father Michael.” The archbishop shrugged. “We have to release you from your vows. Even the slightest hint of impropriety must be avoided. But there’s a place you can make yourself useful, down in New Orleans. There’s a small church just outside the French Quarter, St. Mark’s. They minister to homeless teenagers, the kind of work you enjoy. The Church will get you a small place to live, and pay you a small salary, and you can continue your work.”

“But the boy is lying... ”

It didn’t matter. They’d shipped him off to the foul-smelling little apartment in New Orleans, sent him to work for Father Soileau, and the anger burned in his heart. But he was working with the teenagers again, the ones who needed him, and while he’d been released from his vows, he kept them.

But Molly... Molly changed everything.

She made him feel like a man again. She awakened the feelings, the emotions that had lain dormant for so long.

He prayed for guidance, but none came. He found himself thinking about her, worrying about her while he attended Mass. He found himself going to confession at St. Louis, unwilling to confess his feelings to Father Soileau. He received his penance, said his prayers, counting the beads as he repeated the words over and over again. And he worried about her, where she was sleeping, what she was doing for money. So many of them sold their bodies to strangers for a warm bed and a twenty-dollar bill, for something warm to eat. They were so fearless yet somehow wary at the same time. But there was pained innocence in her eyes, and he longed for her to tell him her story, what had led her to the streets of the French Quarter. He warned her, over and over again. There was a killer stalking the alleys of New Orleans, mutilating young girls, raping them and then mutilating them. He begged her to go home, to call her parents. The streets were not safe at night.

She would just smile, and shake her head. “The streets are as safe as anywhere.”

Was that what the dream had meant? he thought as he stared into the rain. That Molly was in danger? That Molly was dead?

He went cold, and sank to his knees in front of the crucifix again. Please, God, watch out for Molly, she is just a child, for all her bravado and airs. Hers is an innocent soul, protect her from the evils that lurk out there in the night and the rain, bring her safely home...

He was climbing out of the shower when the knock came on the door. He wrapped a towel around his waist and peered out at a tall black woman in a dove-gray suit, shaking off a dripping umbrella with one hand. He opened the door without removing the chain. “Can I help you?”

She smiled, flashing a badge at him. “Michael O’Reilly?”

“Yes.”

“Detective Venus Casanova, New Orleans police. May I come in and talk to you?”

He felt a wave of nausea, the coffee he’d drunk burning an acidic hole in his stomach. “I just got out of the shower. I’ll be a moment while I get dressed, is that all right?”

“Take your time.” She kept smiling as he shut the door again.

He dressed hurriedly, his mind racing. This was how it started back in Chicago: The police showed up at the rectory with the boy’s accusations and their knowing smiles. Calm down, he told himself as he finished buttoning his shirt. There’s no need to be afraid.

He walked back to the door and opened it. He smiled. “Sorry, I was...” He stood aside to let her in. “Come in. Would you care for some coffee?”

She shook her head, giving her umbrella one last shake. “No, I thank you, though.” She walked in, glancing around the apartment and then giving him a big smile. She was beautiful, her hair cropped close to the scalp, with high cheekbones and strong white teeth. Her face was unlined; she could have been any age between thirty and fifty. “I’ll try not to take up too much of your time, Mr. O’Reilly.” She sat down in the worn thrift-store reclining chair. “This rain is something, isn’t it?” She shook her head. “Everyone complains about the heat and humidity, but I just hate rain.”

“It’s depressing, isn’t it?” he replied, and his voice sounded false.

Detective Casanova nodded. “Yes.” She reached into her bag, removing a small spiral notebook and a pen. “Have you been reading the newspaper, Mr. O’Reilly?”

He shrugged, and felt his hands start to shake. He grabbed the sides of his own chair. “Sometimes.”

“Then you know we have a serial killer here in the Quarter preying on runaway teenaged girls?”

“Yes, I work with the street kids over at St. Mark’s, so I know about it, yes.”

“There was another murder last night. Another runaway girl, couldn’t have been older than fifteen. Unidentified, of course.” She clicked her tongue. “She was found this morning in Pirate’s Alley, right beside the Cathedral.”

Like in my dream! he thought, biting his lower lip. “Sweet Jesus,” he whispered. It was Molly, it had to be Molly, why else would the cop have come to him? Father, why hast thou forsaken me?...

“I’ve just been by St. Mark’s, and Father Soileau sent me over here.” She reached into her bag again. “He thought maybe you knew her.” She pulled out a Polaroid and handed it over to him. “Do you recognize this girl?”

He took the photograph, his hands shaking, and forced himself to look at it. He let out his breath in a rush. This girl had black hair, no dreadlocks, her face pale and eyes closed. Thank you, Lord... “No, I’m sorry, I don’t know this girl.”

She took the photograph back and slipped it into her bag. “Each one of these murders has something in common, besides the fact that each is a runaway teenaged girl. Something we haven’t allowed the press to catch on to.” She gave him a searching look. “You do a lot of good for these kids, and I know you care about them — and obviously, they aren’t too interested in talking to me or the uniformed police. Have any of the kids you work with said anything? Do they talk to you about this?”

He shook his head. “Only in general terms.”

She reached into the pocket of her jacket. “Each one of the victims had one of these in her hand.” She held up her hand.

A strand of black rosary beads dangled from her fingers.

“And between her breasts, a cross was carved.”

The beads swung in her hand, and he felt bile rising in his throat. He glanced over at his own rosary, still on the scarred coffee table. “That’s — that’s just sick.” He closed his eyes and took several deep breaths. “It’s blasphemy.”

“I think it’s some kind of religious freak,” she said slowly. “Someone who sees these poor girls as evil — most of them are working as prostitutes, after all — and he is cleansing the world of their sin by sending their souls to God; he probably thinks he is saving them as well.” She shook her head, standing up. She placed a business card on the coffee table. “I’ve taken up enough of your time. If any of the kids who come by St. Mark’s say anything — anything at all, no matter what, please give me a call right away. We have to catch this guy.” She walked to the door, shook his hand. “You’ll call me?”

“Yes, of course.” The moment the door shut he ran to the bathroom and threw up. He splashed cold water on his face, brushed his teeth again, and stared at his red eyes in the mirror.

He watched for Molly all day, hoping that she’d break her usual pattern and come into St. Mark’s during its normal hours. As he ladled soup into bowls, cut sandwiches, handed out towels, he listened to the kids talking. No one was talking about the latest victim — maybe they didn’t know yet, which would be unusual. Normally, that kind of news spread through the street kids in no time flat. No, there was talk about the usual inane things — good corners to ask for money, places to avoid, business owners who chased them off and others who were good for some money or something to eat, a great place to get cheap clothes, and on and on and on. He looked at them with their multiple piercings, tattoos, and wild hairstyles and colors, and wondered, as he often did, what drove them to the streets. He opened his mouth a few times to ask about Molly, but then closed it and said nothing. She never came in during this time, and who knew if they would even know her as Molly?

He walked home after closing, the rain still coming down, the gutters full of water spilling over onto the sidewalk. By the time he got back to the miserable little apartment on St. Philip Street, his pants were soaked and he was shivering. He pulled off his pants, toweling his legs dry and slipping on a pair of sweatpants. He sank to his knees in front of the crucifix and prayed again for Molly. As he clicked off the beads, nagging thoughts kept coming into his mind, interfering with his prayers.

It’s just like before... Surely that police detective was just grasping at straws, trying to get information and help from wherever she could... It’s silly to be afraid of the police just because of what happened before... Stop thinking like this, you’re supposed to be praying, communing with the Lord... But I can’t go through that again, the boy lied, why wouldn’t anyone believe me?

He opened his eyes and placed his rosary back on the coffee table.

He walked into the kitchen, ignoring the roaches as they scurried off the counters, and made a peanut butter sandwich, glancing at the clock. Only a few more hours until her usual time.

The boy lied.

Joey Moran. A pudgy boy of thirteen with an acne problem and thick glasses who always seemed to have a runny nose when it was cold. Shy and introverted, the only child of a shrew of a mother, overprotected and hovered over. He cried often and easily, and the other boys at St. Dominic’s made sport of him, taunting and teasing, tripping him and knocking the books out of his hands in the hallways of the school. He’d felt sorry for the boy — with that horrible mother, his life had to be miserable — and tried to make friends with him, tutoring him and trying to protect him from the other kids. Until that day when the police officer came by the rectory and told him what the boy’s mother was saying. It was like being punched in the face. “Lies,” he’d told the cop. “I never laid a hand on that boy.”

The knowing smirk on the cop’s face. The endless meetings with his superiors until the archbishop himself had called him in, and no one, no one believed him.

“We’ve reached a settlement with Mrs. Moran,” the Archbishop said, frowning at him. “She’ll drop the charges on condition that...”

No one cared that it was all a lie. “For the good of the church, it’s best that we do this... We’re releasing you from your vows, but we’ve found a job for you... It’s best that you leave Chicago... Of course I believe you, Michael, but we just can’t have another one of these scandals, and it’s just better to resolve things this way... You’ve met the mother, you know what she’s like, she’s threatening to go to the papers and you know what will happen then, other families will smell blood and a chance to get money out of us... It’s best this way.”

Best for everyone but Michael O’Reilly, he thought angrily, glancing over at the crucifix.

The boy LIED.

He started trembling. He picked up his beads and started praying for strength, for serenity, for peace.

The string snapped in his hand.

He sank to his knees and wept.

He waited for Molly for over an hour, watching the cars drive by in the rain. Finally, he gave up and walked back home through the deserted streets. Where could she be? Was she safe and warm and out of the rain somewhere? The worry bubbled within him as he unlocked his door and stepped out of the rain. The rosary beads were still scattered all over the floor where he’d left them. He knelt down and started scooping them up into his palm. He glanced up at the crucifix just as a flash of lightning lit up the room.

Jesus’ eyes seemed alive, glittering and angry. Unforgiving.

“Forgive me, Father, for I have sinned...” he began reciting the words.

“Fallen priest, fallen priest...”

His eyes snapped open. He was lying on the floor in front of the makeshift altar, the votive candles burning and flickering in the dark. The room was cold, very cold. The rain was still pounding away on the roof; he could hear the dripping water in the kitchen. He was trembling, his heart pounding in his ears. I fell asleep and had the dream again, he thought, glancing over at the clock. Almost midnight. He struggled to his feet, his knees stiff, his back and neck aching from lying on the hard floor.

She was in danger.

He had to save her.

He grabbed his raincoat and his umbrella, blowing out the candles and grabbing his keys. He took a deep breath, opened his door, and stepped outside. The rain was pouring, the water gushing off the roof. The street was under water, swirling dark water carrying debris, rising halfway up the tires of the cars parked on the streets. The street lamps feebly tried to illuminate the night, but only succeeded in giving off a dull yellow glow. She was out there somewhere. He opened the umbrella and stepped down the creaking wooden stairs and took a few hesitant steps into the night.

“Hail Mary, full of grace,” he muttered as a car went by, throwing up a sheet of dirty water, continuing the prayer as he started down the sidewalk, not sure of where he was going.

There was a thick mist, and the streets were silent, except for the rain and the hissing of streetlights, and the mist moved and swirled like lost souls, dancing the dance of the dead in the stillness. He began to walk down toward the waterfront, knowing somehow that that was where she was, and there was danger, danger for her, some madman with rosary beads and a knife wanted to wipe her off the face of the earth, send her soul to God...

He tasted blood in his mouth, could smell it in the wet air.

He began to run.

His footsteps echoed in the mist, the sound bouncing off the buildings that stood so silent and reproachful, almost contemptuous in their silence. The mist continued to dance as he ran, and he was sweating despite the cold, and he threw the umbrella, which was doing him no good, only slowing him down, into the gutter, thinking I’ll pick that up later, not realizing how foolish the thought was, all he could think of was her, and he continued praying as he ran, please God, oh heavenly Father, save her save her save her, let me be in time she is young she is innocent do not take her...

He heard a scream. “No, mister, please, don’t...”

He ran harder, and still the screams continued and his lungs felt as though they would explode, and he was crying as he ran, and the prayers and pleas were running together in his mind, forgive me Father for I have sinned and yea though I walk through the valley of the shadow of death hail Mary full of grace our Father who art in heaven please protect her let me save her... he saw them, through the mist, as though the dancing souls were parting for him, and he closed the gap, and grabbed the man’s upraised hand, the hand that held the dripping knife, and just like in his dreams it was flashing blue fire, it was the knife, the sword of the Lord, the sword of the righteous...

“Forgive me, Father, for I have sinned,” the man with the knife said softly, then shrugged him off. He stumbled, falling down into the water with a splash, and it was cold. The man swung the knife at the girl again, and it flashed fire, a holy, pure fire, and the girl screamed, and he could hear the sound of bones splintering as the knife tore at them, and it was Molly, or was it Carla, the mist was confusing him, and he lunged for the lunatic again, trying to grab his knife arm, shouting, “Run, Molly, run!” as he struggled, trying to get the knife, to protect her, and then...

He heard her giggle again.

He stopped fighting.

“What?” He turned and looked at her, and her face changed, she was Molly, she was Carla, and she was Molly again.

“False priest, false priest,” she chanted, dancing a jig in the mist, her feet throwing up water, and she was laughing.

He rubbed his eyes, her face was like liquid, changing shapes and then reforming again.

“Save her, Father, heavenly Father, she is good and innocent, save her.” It was his voice, coming from behind him, and he turned and stared at the man with the knife. It was his own face, beneath the rain cap, smiling at him. It was spattered with blood.

And then it changed into Father Soileau’s face.

Then the archbishop’s.

And Joey Moran’s.

Back to his own.

He took a few steps backward.

“False priest, false priest.”

“Save her, Father, save her, oh God, save her, protect...”

“...priest, false priest...”

“...heavenly Father, save her...”

“...false priest...”

“...Father...”

“...priest...”

He started screaming.

It stopped raining just before the sun rose, and the pumps, which had been straining for days to keep up, finally managed to drain the water from the streets. Throughout the French Quarter, people were getting up, getting ready for work. Businesses were unlocked, lights turned on, and everyone breathed a sigh of relief that the rain was finally over. The sun beat down, evaporating the water, and the air thickened.

“Have you tried to get the knife away from him?” Venus Casanova asked the beat cop as she sipped at her coffee, her eyes taking in the scene, the girl’s rain-soaked dead body, her shirt open to reveal the cross carved between her breasts, the rosary beads dangling from her left hand. Her eyes were open and staring up at the blue cloudless sky, her mouth frozen in a scream. Venus shuddered. You never get used to it, she thought as she turned her attention to the mumbling man holding the knife.

“I haven’t tried, we thought it better to wait for you,” the cop, who couldn’t have been more than twenty-five, replied. Two other uniformed cops stood safely out of reach on either side of the man, their guns carefully trained on him.

“What is he mumbling?” she asked.

“Prayers,” the cop replied. “Hail Marys and Our Fathers.”

Religious mania, she thought as she walked over and knelt down. “Michael?”

He stopped mumbling and slowly turned his head towards her. His eyes were wide, bloodshot, and empty.

“Can you put the knife down?”

It clattered to the ground.

She breathed a sigh of relief, and nodded to the other officers, who moved in, grabbed him by the arms, and raised him to his feet. They cuffed him, moved him over to a squad car, and she could hear them reading him his rights. He was docile and didn’t say a word as they put him into the backseat. She waved the crime-lab guys over, and they started their work.

She glanced over at the body, and shook her head. It was over.

She looked up at the sky.

It was going to be a beautiful day.

Copyright © 2006 Greg Herren

Evening Gold

by William Dylan

The author of half a dozen non-fiction books, including Houston Then and Now and Austin Then and Now, William Dylan Powell works as an advertising copywriter in Houston, where more than 150,000 New Orleans evacuees were provided food, shelter, and jobs. This fiction debut was inspired by a visit to the French Quarter’s M.S. Rau Antiques one month before Katrina hit.

* * * *

I once read that if you’re a shoe salesman and you don’t show up for work, people will miss you. But if you’re a writer, not a sole will care. That’s not entirely true. The original author of that maxim left out the unconditional love for writers found in all creditors and often many members of the law enforcement community — both of which were sorely disappointed to see me go the day I officially died.

The hour I remember most clearly that day was seven in the evening; I was in my brother’s bathtub, listening to the cicadas buzz through the window screen and trying to take my mind off having generated almost a million dollars’ worth of debt earlier that day. For some people, that’s not a lot of cabbage — maybe a bad hand at the MGM Grand. But for me, that’s almost a million dollars more than I had in the Des Moines Community Credit Union. And I don’t gamble.

The water scalded my skin, the air in the bathroom as wet and alive as the dank Louisiana air outside. I’d tricked my brain into temporarily forgetting the day’s events, the way we all do, if only for a split second, when something bad happens — like a torpedoed ship sealing off flooded compartments. My eyes had just closed, my hands folded across my chest. I was wondering if a man could drown in his sleep when I heard an explosion coming from the driveway that jolted a loofah brush off the towel rack above and squarely into the sweaty iced tea I’d been drinking.

Had I been in anyone else’s home, I would have been petrified. But my brother Bob — a mining-explosives specialist — ate, slept, and watched Matlock reruns amongst dozens of crates of explosives. Though he did use them for work, he didn’t really need them here; he just liked them here. They were part of the furniture — like milk crates in a college dorm. So when I heard the explosion, I assumed it was just another something of Bob’s that blew up. I was wrong.

Bob’s silky terrier, which had fallen intensely in love with my down jacket and insisted on dragging it all over the house since my arrival, had for once dropped its soggy orange sleeve and retreated into the bedroom closet. The motion-activated driveway light clicked on. From the bedroom window, I stood gaping at the unmistakable sight of money snowing from the sky, spiraling down like the helicopter seeds of a maple tree and occasionally scraping the window pane. I rubbed my eyes for a good three seconds — making sure I really hadn’t fallen asleep in the bathtub — but I was awake, all right. Money was literally falling from the sky; you’d have thought it would’ve been my best day on Earth — not my last.

But thinking back to the previous night’s conversation with my agent, when I was still in Des Moines, I should have known better.

“What does ‘shop it around’ mean, in terms of time, Phil?” I asked, flipping through a half-dozen utility and credit-card bills, most of which I planned to pay with the contract we were currently discussing.

“It just means that we need to find a house that shares our vision of another Detective Demitrez novel being successful in the marketplace. These last guys thought your latest work lacked a certain... humanity. We just need to get the formula right, that’s all — it takes time.”

“Time? Last time we talked, words like ‘series’ and ‘optioning’ and ‘obscene promotion budget’ kept coming up.”

“You’ve still got your teaching gig, right?”

“Yeah. But Des Moines Community College doesn’t pay enough for the twelve-hundred-calorie-a-day lifestyle to which I’ve grown accustomed.”

We talked for another ten minutes, but it boiled down to only an apology, more promises, and a one-way ticket to my brother’s house outside of New Orleans to let off some steam. While he and his wife were in Houston, I would turn his place into the Area 51 of self-pity (and his liquor cabinet into a dangerous crater).

New Orleans oozes literary inspiration, so as my plane touched down I’d had a sense that big, easy changes were afoot.

Next morning I’d breakfasted at Brennan’s, with mimosas and red wine; I’d gone to Faulkner House in Pirate’s Alley and bought a signed first edition of a Tim Gautreaux novel (all courtesy of Mastercard). Then I ducked into Pat O’Brien’s and spent the rest of the morning drinking, smoking cigarettes, and reading the Times Picayune and Le Monde. The stories all sounded the same. Kamikaze impersonators in the Middle East blowing it off the map. Police impersonators in New Orleans smuggling blow from offshore. Elvis impersonators in Vegas helping fat Americans blow their paychecks. All around me, people were pretending to be something else and, for the most part, achieving their personal goals in the process. I, on the other hand, was doing a lousy impersonation of a writer. My body of work was emaciated, and missing major organs.

Deep down, every writer knows they are playing a role; that they’re not the real deal — their big smarts and swagger mere threat displays of a jungle creature with small teeth and a lousy dental plan. They live in a world where accusers lurk under parked cars, on editorial boards, in mirrors, and threaten to leap at them any moment — exposing them for the fakes they really are. Every imposter I read about seemed like a distant relative.

None of this introspection darkened my mood, though, especially when reading Le Monde. I often savored a single issue for two Des Moines weeks, being proud of my French and apt to carry the paper around everywhere waiting for someone to comment on it so I could show off. Sitting in Pat O’Brien’s that morning, I was surprised at how much I still retained from my time in the Peace Corps at Burkina Faso.

Just west of Niger among the deforested flatlands of West Africa, Burkina Faso achieved independence from France in the ‘sixties, but retains its language. It’s a land whose sons and daughters inherit little more than dust and disease. There’s not much to see if you only look with your eyes; yet it’s also a world where the visceral human will to survive runs through the streets like mercury. And four dollars will get you a house.

Looking back, I sometimes think those were the happiest days of my life. Teaching English in mud-brick huts. Living on baguettes and Sovobra beer. Sleeping under the stars during the hot season. My writing might lack humanity, but at least I knew I wouldn’t lack lunch. Next month looked a bit shaky; but today food wasn’t a problem. That thought put my recent career setback into perspective, giving me a smile Huey Long himself couldn’t corrupt.

When I stepped out to the street from the blackened bar, the sun sent goosebumps up my arms and neck. The rays burned through my thinning brown hair and onto my scalp like an imaginary lover kissing the crown of my head. This was just what I needed to forget about the Detective Demitrez disappointment and get on with my writing; maybe even on to something bigger and better! I lit up another cigarette with a grin and began the hunt for what I now know was the last lunch of this life.

Passing an antiques shop, I saw a painting by Winston Churchill. “Is that cool, or what?” I asked a lady next to me as she frowned and walked away. It depicted a coastline, with placid waters imposed on an ominous wall of cliffs and rocks. Over half a million bucks! Whoa! We have antiques stores in Des Moines, but nothing like this. I went inside, walked past a half-dozen clerks fawning over a well-dressed Indian couple, and walked to the rear of the store. The room buzzed with financial appreciation. Never had I seen such a collection: a 1795 Swiss birdcage for a quarter-mil; an apropos pair of enormous globes once belonging to Napoleon; King Louis XV’s war plans for the Seven Years’ War, framed and mounted in 48-karat gold. But it was when I saw the bedroom suite that things went south: a mahogany and mercury-gilded seven-piece Empire-style bedroom suite once belonging to an Egyptian king. I was enthralled, and not exactly paying attention to what I was doing.

The security camera’s grainy black-and-white footage showed a trim man in a suit, formerly of Indian-couple fame, running at full speed, knocking over a Spanish suit of armor and jumping over a footstool once owned by the pirate Jean Lafitte, to hunt down the distinct smell of cigarette smoke. Across the store, it showed a frumpled, lanky pseudo-academic from Des Moines in a red Hawaiian shirt leaning against the painting-lined wall and staring at the Egyptian bed, then throwing his hands up like a night clerk being robbed after realizing what he’d done. Together, both men stared at the tragedy: a perfect circular, cigarette-shaped void on the canvas of Evening Gold by John Atkinson Grimshaw. The price tag, still blown by the displaced air of the flying proprietor, read $775,000.

Grimshaw was an English genius; a painter whose works were produced in counterfeit even before his death in 1893. But the one I branded was as real as a prison cell. Depicting the artist’s nineteenth-century Victorian home, it was painted in 1885 and preserved by dozens of galleries and private owners from Leeds to Louisiana until finally meeting its end at the hands of a half-drunken novelist from Des Moines.

Smelling the burnt canvas, I became like one of those mimes out at Jackson Square: limbs locked in an impossible position hoping some dentist from Chicago would put a dollar in my box so I could spring to life negotiating an invisible world. But it would take a lot of dentists to get me out of this mess. I shoved my way back to the street, where I vomited violently into the tall hair of a short housewife from Texas.

“Contrary to popular belief, jail doesn’t really give you time to think about what you’ve done, you know,” I told Big Winkie the bail bondsman a few hours later. Public intoxication. Destruction of private property with intent to split. Assault with potentially hazardous biological pathogens.

Mr. Winkie was a shaven-headed Creole with a chest like two oil drums and a Patek Philippe wrist watch. He and I were talking in French and, complemented by the international language of intimidation, he told me that if I skipped out on my bail he’d make in me another little black hole. This caused an uncomfortable pause in the conversation. “It’s actually pretty loud in there all the time,” I went on, out of nerves. “The yelling. The clanging. The bodily functions.” There’s an old Chinese saying that the emptiest containers make the most noise, and there’s a lot of emptiness going on in the slammer.

The events of earlier that day were all the more reason the greenbacks in Bob’s driveway had my attention. After it was evident that the explosion was over, and the money shower wasn’t, the terrier and I ran to investigate — orange jacket in tow. My sister-in-law’s Volvo was crushed as flat as a crêpe, an impossibly configured humanoid on its roof wearing a white helmet and half-deployed parachute. On the satellite dish hung a huge, ripped canvas satchel, more like a three-person tent, really — and the apparent source of the mysterious cashola. I started picking money from the ground so it wouldn’t blow away as I waited for the sirens, neighbors, and news crews. Then I ran and put on my good baseball cap and got my wallet so I could have ID handy for the police, like on TV. I picked up a copy of Scientific Explosives that had blown from the car and thumbed through it as I stood in the driveway and waited for what seemed like an hour.

But no one came. Bob’s nearest neighbors live miles away here in this little agrarian exurb far from the New Orleans city limits. No sign of any pursuer or official. No curious neighbors. No news crews’ talking hairdos. Just me and the money and a dead man on my sister-in-law’s flattened Volvo. Eventually I climbed up and got the satchel, went inside, and started counting. Having already been to jail once that day, I needed to think carefully about my next move; about how important money was in comparison to my integrity; and about what kind of man I really was. It didn’t take long.

You can stuff an amazing amount of cash into your sister-in-law’s duvet cover if you roll it just right. One thing I knew for sure, though. That Volvo, my only dependable wheels in the Big Easy, wasn’t rolling anywhere — and I was too old to lug a seven-foot-long cash-and-cotton enchilada a thousand miles back to Des Moines. I lit a cigarette and watched the terrier roll up on the giant money bag with my jacket and go to sleep, clawing and assembling a suitably comfortable nest the way dogs do. Like me, he didn’t think the money was going anywhere soon. I couldn’t drive it home. I couldn’t take a taxi. There was no room on my Mastercard to rent a car. And since Southwestern Airlines had been known to pick all the green M&m’s out of my checked baggage, much less refrain from stealing actual cash, flying it up there wasn’t an option, either.

I went back and spent a few minutes examining the distinctly non-Swedish aftermarket luggage rack in the driveway. Its face was a bruise, revealing nothing of its past but speaking volumes of his or her future. I set my wallet on the roof of the Volvo next to our unexpected houseguest, thinking that I wouldn’t need — or want — to show the police my ID right away after all. Then I wedged my hand under the roof just far enough to put the car in neutral and push it into the garage next to Bob’s antique Fiat, which, being both Italian and thirty years old, was wholly unsuitable for dependably moving corpses, mystery money, or itself. As I imagined my brother’s take on discovering a dead skydiver, most likely a drug smuggler, in his garage, the doorbell buzzed.

Looking through the peephole of the front door, I saw the brim of a state trooper’s hat and a black windbreaker.

“Good afternoon, sir,” said the trooper, looking past me into the house as I opened the door.

“Hi.”

“Have you seen or heard anything unusual this evening? There was a plane crash nearby and we’re trying to piece together what happened.” His Louisiana Highway Patrol windbreaker was cracked and faded, with bright yellow block letters. A .45-caliber pistol hung at his side. He mumbled something into a radio and started moving room to room, shining his flashlight in each one, even though every light in the house was on. I followed, watching an enormous snake tattoo peek from under his jacket with every jab of the flashlight.

“No, sir. This is actually my brother’s house. I’m just house-sitting. I’m a writer.”

“A writer, huh? You didn’t write The Da Vinci Code, did you? That was the best book ever! It was so... so... human.”

“No. But I did write a mystery novel: The Corn Killer of Council Bluffs. It’s part of the Detective Demitrez series. Perhaps you’ve heard of it?” Without knowing it, I lit the last cigarette of my existence.

“Uh, no.”

When he reached the bedroom, the sight of the duvet stopped him cold. He walked over to it and took out his nightstick, poking it. “Maid got the night off?” He grinned. Just then, the terrier came out of the closet and walked up to the stranger, grinning, tail wagging, and with a hundred dollar bill stuck to his foot.

“Well, lookie here.” He chuckled. “Is this a donation to the department?” He put his nightstick back in his holster, and my cigarette revved like a steamboat engine. The man held the bill up to the light and studied it carefully. I was forming a confession when a windbreaker-and-snake-wrapped elbow made my brain bounce against the inside of my coconut. Through the critical mass of pain radiating from my mouth, I remembered: Louisiana hadn’t had highway patrolmen since the ‘fifties. Today they’re called the Louisiana State Police, and they don’t wear hats like that. I tasted salt and was surprised to find the floor where it was, pressing my cheek into my nose. With my ear to the hardwood, the round he popped off with his .45 was that much louder.

The bullet lodged in the floor next to me as my cigarette landed squarely on the duvet and I smelled the unmistakable scent of burning feathers. I squinted so hard I could’ve cracked two pecans. With the gun pointed my way, the non-cop started trying to get a good bead on me, simultaneously unwrapping the duvet to pat out the flames. I was sort of rolling around, trying to make aiming that much harder, when I noticed the smoking corners of the duvet spreading out all over Bob’s makeshift bookcases. Then I remembered where I was. And what the bookcases really were. Without thinking and before he could react, I sprinted out of the room, hearing a shot and feeling the air near my left ear pulse. Once outside, I dove into the ditch in front of Bob’s house and did my best impersonation of a nesting crawfish.

Before I saw the explosion, I felt it — like a warm front jumping on my chest. The yard’s sprinkler system had been on earlier and the cold water in the ditch soaked my Hawaiian shirt, turning its cheery red into a dark burgundy. The cops were coming now, that was for sure. I figured it was just as well they find me in a ditch. And then I felt a wetness in my ear that was neither ditchwater nor the goodbye kiss of a killer. It was Bob’s silky terrier — a little singed around the edges but basically okay — dragging a singed orange jacket piled with hundred-dollar bills.

It wasn’t $775,000, but it was enough to pay off Big Winkie and get him to make me a fake passport to boot. With any luck, crime-scene investigators, coroners, creditors, editors, and antiques dealers wouldn’t know that I wasn’t Volvo Man for weeks — and by then it would be too late. I had a thirst for Sovobra, and the raw humanity of a good night’s sleep under the stars.

Copyright © 2006 William Dylan Powell

Sneaky Pete from Bourbon Street

by John Edward Ames

Michigan-born John Edward Ames has lived in New Orleans since 1986. Under his own name and several pen names he has written 61 novels, the latest of which (writing as USA Today bestseller Ralph Compton) is Deadwood Gulch, a frontier mystery from Signet (11/06). He returned to NOLA only seven weeks after Katrina to find that his apartment in the heart of town was mercifully spared most of the storm’s wrath.

* * * *

I’ve gone to school on you, Mr. Sloan,” Justin Breaux assured his visitor, extending a welcoming hand across the bar. “I’m told you rate aces high.”

Reno Sloan gripped the bartender’s hand. It felt moist and gummy, and seemed to peel away when he let go of it. And no wonder — the August day was still, hot, and humid, the trees motionless as paintings, and only the dark half of the Ragin’ Cajun Club appeared to be properly air-conditioned.

“Spot of the giant killer?” Breaux added. “It’s on the house.”

“Vodka martini,” Reno decided. “I’d prefer beer, but once I hit forty it started going right to the waistline.”

He cast his eye around the French Quarter barroom while Breaux mixed the cocktail. The bon ton of New Orleans didn’t hang around here, mostly tourists and French Quarter habitués. The décor consisted mainly of regal purple and gold hangings, the official colors of Mardi Gras, and photos of local musicians who’d gone national.

Breaux set the drink in front of Reno on a napkin. “What I called you about, Mr. Sloan, is a homicide.”

Reno hesitated for the space of a few heartbeats. “Homicide? That can get tricky for a private investigator. If it’s still an open case, the D.A. can have my license pulled for obstruction.”

Breaux shook his head. “This one’s in the books, far as the police are concerned. My brother’s a cop in the Sixth District, he poked into it pretty good.”

“Who was killed?”

“Fellow named Peter D’Antoni.”

“I can’t place the name.”

Breaux crossed his arms over his chest. “No reason why you should. The first impression he gave was — well, have you ever known one of these whining sad sacks who’s been stood up by life? Poor guy had some mental problems, and he was antisocial in a big way. He earned a nickname on Bourbon Street — everybody called him Sneaky Pete.”

Sloan raised inquisitive brows. “Not exactly a flattering handle.”

“He always kept to himself,” Breaux explained, “and he hardly ever went out of his place until everyone else was off the street. He didn’t know about life on the treadmill — nobody was even sure how he made his living except me. See, he lived in the apartment over this bar, and his mail was delivered down here. Pete got a disability check every month from Social Security.”

“When and where was he killed?”

Breaux pointed overhead. “Little over a month ago, right upstairs in that four-room walk-up. Same place he lived in for the last twenty years.”

“Have you known him all that time?”

“Only ten years of it.”

Reno asked the bartender, “You’re sure the death was ruled a homicide?”

“According to my brother, that was never in doubt. Pete was shot once through the heart, probably as he answered his door. And there was no gun found in the apartment, so it wasn’t suicide.”

“All right, so NOPD nosed it and couldn’t find the killer. No offense, Justin, but what’s the percentage for you? It’s not usual for anyone except family to hire a P.I. and nose into a murder cops have closed out.”

Breaux’s mouth quirked, not quite a grin. “I sense more than I can explain, okay? Actually, I tried to investigate it myself — you know, on the Internet with those P.I. services? I found no family or known associates. Pete never owned a car, never had a driver’s license or criminal record, never even had a phone — the only paper trail he left was his utility bills. As for my interest in the matter...”

Breaux shrugged a shoulder. “I got a wife and three kids, and without them I’d go nuts. Pete had nobody, and I was the best — probably the only — friend he had. We’re open all night here, and he’d come down sometimes toward sunrise when it was slow. We’d talk. He wasn’t sneaky, just shy and messed up.”

Breaux moved down the bar to make change for a customer who disappeared into one of the video poker booths.

“I’m also thinking,” he resumed when he returned, “how Pete could have been rich if he’d had an ounce of business sense. I think he was one of those... idiot... you know...”

“Idiot savants?” Reno suggested.

“Yeah, that’s it. Just a second.”

Breaux did a deep kneebend and rummaged on a shelf beneath the register. When he turned around he laid a cheap composition book in front of Reno. “If you decide to take this case,” he said, “you’ll want to read a good chunk of this. Read a couple of pages now.”

While the bartender filled a few more orders, Reno did. It was all neatly printed in purple ink. The work was fiction, and the heavy emphasis on looks, clothing, and turbulent emotions soon identified it as romance.

“You sure Pete wrote this?” he asked Breaux. “I don’t read the bodice-ripper stuff, but my ex did and I used to look at it to get her idea of a real man. Ask me, this reads more like it was copied from a published book.”

Breaux’s grin of expectation upgraded itself to a victory smile. “You think so too, huh? Hell yes, Pete wrote it — in the wee hours he used to fill dozens of notebooks like this sitting right here at the bar. This is one he asked me to keep. Romance novels were the only books he read — three or four a week, he claimed. His apartment’s stacked full of them.”

“How ‘bout the notebooks — they still up there?”

Breaux’s smile melted like a snowflake on a river. “The cops thought I was the landlord and let me go up there. The only notebooks were blank. But this is why I’m suspicious — I watched Pete fill up those notebooks and then, as regular as the equinox, take them with him to the post office. Where was he sending them?”

Reno read a few more paragraphs. One sentence especially impressed him and he read it aloud: “ ‘Hers was a more subtle, sloe-eyed beauty that left glowing retinal afterimages when he closed his eyes.’ ”

He looked at Breaux. “Has the apartment been cleaned out yet?”

Breaux shook his head. “Landlord lives in Lafayette. Hasn’t got around to it yet.”

Reno said, “There’s no proof that Pete’s notebooks are linked to his murder, but I’ll shake a few bushes and see what falls out.”

The first indigo traces of evening colored the sky in feathery fingers by the time Reno retrieved his Jeep Commander from the U-Park-It on Decatur. He did his best thinking while behind the wheel, so he spent the next half-hour cruising St. Charles Avenue, just dogging the streetcars and trying to let some daylight in on the life and death of one Peter “Sneaky Pete” D’Antoni. Unlike police detectives, who were steeped in the inductive method and gathered a ton of information to obtain a pound of conclusions, Reno applied Occam’s razor to crime detection — keep the theories as simple as possible. Genius, he reminded himself, is the ability to see what’s been there all along.

I sense more than I can explain. Despite understanding what Breaux meant, Reno still had too little information. He swept right, onto Broadway, and bisected the Tulane fraternity ghetto, picking up Freret Street and heading downtown again. Lights blazed a halo over the French Quarter by the time Reno started up the rubber-runnered stairs behind the Ragin’ Cajun. All he had to sweat, he realized at a glance, was a conventional lock at least twenty years old. He dug the key ring full of copper shims out of his hip pocket and went to work on the mechanism. In thirty seconds the tumbler surrendered with a metallic snick.

Night heat was more suffocating, especially in New Orleans, and someone had closed and fastened the wooden shutters, turning the small apartment into a sweatbox. For a moment he stood just inside the door, listening. Only the wheezy rattle of a dying fridge and the distant sissing of water in pipes. He moved farther inside and detected the musty smell of old dust and lingering food odors.

He slapped at a light switch and sent a quick glance around to acclimate himself. The dingy little walkup cried out for painting, plastering, and paper-hanging, but was at least orderly. Even the waist-high stacks of romance novels that overflowed several large bookcases and lined every wall were neatly aligned.

Reno moved through a doorless archway into what was intended as a small dining room. However, D’Antoni had evidently used it as a reading room — a blue chintz easy chair was surrounded by more stacks of books, all romance paperbacks. The minimalist kitchen contained a ‘fifties-era refrigerator, a four-burner stove, and an ancient soapstone sink.

He popped open cabinets and pulled out drawers but found nothing that seemed useful. Reno rolled a seven, however, when he poked through the small bedroom that opened off the front room. He found a USPS Express Mail receipt tucked into a ceramic vase. The writing on the customer’s copy had faded, but he could make out the date: June 19, 2002. It was the address, however, that instantly focused his mind:

Romance Writing Contest

c/o Lydia Collins

28 Audubon Lane

New Orleans LA 70118

Reno read Gambit and other local media aimed at the culture vultures, and he recognized the name of Social Registerite Lydia Collins, a lawyer turned literary agent who was said to be the éminence grise behind some successful local writers. His reaction to the name was less a clear idea than a premonitory tingle. By the time he’d locked up and headed back to his car, however, the tingle had become a hunch.

“I confess I’m somewhat intrigued, Mr. Sloan,” Lydia Collins said as she led Reno into a salon featuring Regency furnishings and an Italian marble fireplace. “Why would a private investigator be interested in our writing group’s annual romance-fiction contest? I don’t normally associate it with hugger-mugger and derring-do.”

Reno got a good look at her in the afternoon sunlight. She was an attractive mid-forties, with honey-blond hair and lovely arching eyebrows. She wore a cool sleeveless dress of crème de menthe silk.

“It’s probably just a fishing trip,” he admitted. “I’ve been hired to look into the death — murder, I should say — of Peter D’Antoni, a longtime French Quarter resident.”

“Murder? And am I a suspect?” There was a teasing lilt in her voice. “That’s delicious.”

Reno ignored her lame remark. “You’ve heard of Mr. D’Antoni?” he essayed again.

“Not that I recall. Has someone suggested otherwise?”

“I understand that, a few years ago, he submitted some romance fiction to you as an entry for a writing contest.”

“Perhaps he did,” Lydia replied. “These contests are sponsored by local chapters of our national group, and open to anyone. The number of submissions is staggering.”

“Just curious: What happens to them after they’re read?”

“If a stamped envelope is enclosed, we send them back. If not, I shred them.”

“I suppose that not many men submit.”

“Of course not. Bear in mind it’s not a genre most men can master — or would want to.”

Reno kept his voice carefully neutral. “But if that atypical man had strong talent, and a woman were to submit his work, she could hold the keys to the mint, right?”

“I do believe you’re fencing with me, Mr. Sloan. I was hoping we might get along — you make an exciting first impression. Now you’re spoiling it.”

“I can’t help my manners. My father taught me that politeness is a form of weakness.”

Her laugh was pleasantly musical. “See why most men can’t master the romance genre? But you can’t be seriously suggesting that I — what? Stole this deceased gentleman’s writing and sold it as my own?”

“I’m not even hinting at it,” he assured her. “Just fishing. You wouldn’t need to sell it as your own. You were an attorney; you could easily create a persona to cash checks and so forth.”

She gave him a pitying look. “What about the inevitable phone calls from New York editors, many of whom know me and my voice? What about the jacket photo and local interviews? You’re out of your element, Mr. Sloan.”

Reno wasn’t sure if that odd contortion of her mouth was meant as a smile. If so, it wilted at his next remark. “All of those problems you just mentioned would evaporate, right, if one of your published authors submitted the work as her own?”

Until that moment Lydia Collins had treated his visit as the cocktails-and-gossip hour. Now, however, her face closed like a vault door. When she replied, her nuance of tone was colder than the words. “I trust you can find your own way out?”

Reno headed down St. Charles toward the Quarter, braking for the noontime gaggle streaming into Audubon Park. He wasn’t at all confident he was on the right track — like a sloppy scientific theory, his suspicion of Lydia Collins raised more questions than it answered.

He ate lunch in an oyster house on Bienville, reading more from D’Antoni’s composition book and contrasting it to a bestselling romance novel he’d picked up at a drugstore. The unpublished fragment, in his uninformed opinion, left the bestseller in the dust.

He retraced his route along St. Charles, again wondering if going with his first lead was hampering this case. The lack of any other leads seemed like a mountain in his path. Justin Breaux was still in the mix — a Bourbon Street bartender could clear five hundred a night in tips, but why spend more than half that on a gumshoe’s fee to possibly solve the murder of a mere acquaintance?

Since his divorce three years earlier Reno had rented the left half of a clinker-built shotgun duplex on Cherokee Street, half hidden in a lush riot of banana plants. A few moments on the Internet turned up a Web site for the Collins Literary Agency. Several of her more prominent local writers were named, and Reno took special interest in a Garden District resident named Samantha Maitland. Based on the amount of copy devoted to her, she was one of Lydia’s divas.

Not only was Samantha Maitland listed in the Uptown Directory, she readily agreed to speak with Reno that evening. That sparked his curiosity — he expected Lydia would have called her local clients by now and declared him toxic waste to be avoided.

The writer lived on Harmony Street in the Garden District, a roomy pink stucco with a facade of Spanish tile. Reno eased into the drive, chunks of white marble gnashing under the Jeep’s tires. He parked and followed a cobblestone walkway around to the front porch. The yard lights were generous, and his eyes swept over the immaculate beds of African violets and gardenias, the lawn trimmed as taut as the green baize surface of a card table.

He crossed a marble-flagged vestibule and pressed the smooth nacre button of the doorbell, hearing atonal chimes sound within. Again self-doubt assailed him — it seemed absurd, surrounded by all these accouterments of wealth and upbringing, to associate Uptown mansions with the dingy little walk-up on Bourbon.

The door swung open, and Reno was caught flat-footed — instead of a maid in crisp linen, the woman smiling at him wore a white flounce-bottom skirt and matching jacket, open-toed pumps, and delicate gold butterfly earrings. She was a seraph-faced beauty in her early thirties, with liquid brown eyes and ginger hair coiled in a tight Psyche knot.

“You must be Reno Sloan,” she greeted him. “But I was so hoping you’d be wearing a snappy fedora with a rakish brim. I’ve always wanted to say to a real private eye, ‘What’s the grift, hawkshaw?’”

Reno threw back his head and laughed. “Well, you just did, Miss Maitland.”

“Technically it’s Mrs.,” she corrected him as she led Reno down an oak-floored hall. “My husband and I are separated. A mésalliance, as they say. By the way — I noticed your surprise when I answered the door myself. You see, according to my agent, I’m paperwork rich but pocket poor.”

She led him into a parlor off the hallway. Sheer curtains and brocade overdrapes covered the windows, and needlework tapestries done in fine Elizabethan tent stitch adorned the walls.

“As a matter of fact, I spoke with Lydia Collins earlier today,” Reno remarked. “Not about you, of course.”

“Oh? You two spoke about the man you mentioned to me on the phone — Peter D’Antoni?”

Reno nodded. She waved him into a comfortable leather chair and settled herself on a loveseat in the embrasure of a window.

“I’m sorry he was murdered,” she said, “but I’m sure I never met the man.”

He nodded again. “I didn’t think so. Mainly, I hoped to solicit your expert opinion on some writing — romance writing.”

He started to rise so he could give her the composition book in his left hand. But she stole a march on him, crossing to his chair, taking the book, and flumping down onto a velvet hassock a few feet away, one hand smoothing her skirt. After reading perhaps ten pages she looked up at Reno, eyes bright with roiled emotions. “This is simply superb. I’ve had twelve romances published, three of them bestsellers, and this makes me jealous. Is the author local?”

“He was. Pete D’Antoni evidently wrote this. And it’s possible he entered this, or other samples of his work, in the local romance writing contest.”

“Oh my... so that’s why you spoke with Lydia?”

“Yeah.” Samantha made no effort to leave the nearby hassock, and her proximity made Reno feel a tight bubble rising in his chest. “I wanted her to read this, too, but I managed to insult her and she tossed me.”

Samantha giggled. “Well, Lydia is certainly no saint, but it’s just impossible to think she could be involved in any serious crime such as murder. She’s been too busy with her agency and her own writing — I take it she mentioned to you that she recently sold her own first romance after years of selling them for others?”

“Actually, no. How recently?”

Samantha’s eyes widened and she aimed an entreating gaze at Reno. “Oh, don’t get me wrong! It was sold several months ago, but it was definitely her writing. I adore her, but she’s not a first-rate talent when it comes to writing fiction. I read the entire manuscript, and it simply can’t match this writing you brought tonight. In fact, Lydia sold her book to a fairly obscure publishing house for a very modest advance.”

Samantha fell silent, watching her visitor. “Did you speak,” she finally added, “with the other contest judge?”

“There are two?”

“Until last year, yes. A former client of Lydia’s helped out.”

“But D’Antoni’s submission was sent to your agent,” Reno pointed out.

“They all are, to keep things simple. Lydia gave half of them to Susan Gray. She lives up near Riverbend. She no longer writes.”

“Burnout?”

Samantha’s heart-shaped lips pressed into a frown. “No, legal distractions. She’s had recent difficulties with the IRS, something about hiding assets, as well as two civil suits for plagiarism.”

“She’s a romance writer?”

“That’s debatable,” Samantha replied. “I know my claws are showing, but I’ve never liked her. She likes to ‘set off whispers,’ as they say, and her on-the-make husband would seduce a Vestal Virgin. She’s more flashy than talented, and the male love interests in her fiction are too much like her real-life husband James: solitary men with cold manners. Her ‘love’ scenes are mere mechanical descriptions devoid of warmth or feeling.”

“How recently was she still a client of Lydia’s?”

“Until last spring. Susan fired her after a royalty dispute. I don’t know any details.”

Upstairs a child cried. “Thanks for your time, Mrs. Maitland,” Reno said as he stood up. “I’ll let myself out.”

New Orleans was called the Crescent City because it was situated on the first of two large bends in the Mississippi River. The second bend formed the suburban Riverbend area, and Reno noticed signs of old money everywhere. But the fine old houses and crumbling slate curbs had the patina of faded glory.

James and Susan Gray lived on Panola Street in a two-story house of vine-covered stone. Neglected crape myrtles languished in the strip of side yard. Based on what Samantha had told him last evening about the couple’s legal troubles, Reno had decided on a drop-by instead of a phone call. He eased into the crushed-shell cul-de-sac out front and was halfway across the lawn when the front door opened.

A tall, broad-shouldered man in a seawater-blue silk robe bent to scoop up a newspaper. He had a handsome but despotic face under a thatch of unruly, sand-colored hair.

“Mr. James Gray?” Reno inquired.

“Since birth. Who and what are you?”

“The name’s Reno Sloan. I’m a private investigator. I wonder if I might speak with your wife?”

“Ahh, the fog lifts. You’re here about the so-called plagiarism charges—”

“I’m not. No charges are involved. Is your wife home?”

His mouth curled into a sneer. “You’re out of luck, shamus. She’s disporting herself abroad. We take separate vacations.”

Reno glanced past him. All he could see was a short hallway with a large Chinese vase on a teakwood base.

“I can’t invite you in,” Gray added. “I have company downstairs, and at the moment she’s in dishabille.”

“You pick odd times to read the paper.”

“Bottle it, Sloan. Unlike a lowly security guard, you don’t even have a badge.”

Reno spread his hands in a gesture of surrender. “I just have a few questions. Maybe you could help me?”

“Normally I’d just toss you, but I’m curious to know what Susan has done now. That woman can ride out any scandal, but I worry about the legal costs. Fire away.”

“I understand your wife used to be one of the judges for a local writing contest?”

“Writing contest? Hell, she paid a Tulane grad student to read that dreck.”

“Did she ever have dealings with a man named Peter D’Antoni?” Reno asked.

“She’s had dealings with plenty of men, so I can’t say no. First I’ve heard of him, though.”

“Has she ever employed a ghostwriter?”

“Possibly. She’s a lazy wench. If so, she kept it secret from me.”

Reno suddenly felt weary. James Gray’s sneering attitude boiled down to one word: whatever.

“Well,” he told Gray, “back to the salt mines. Thanks for your time.”

The second time Reno stopped by the Maitland residence, in the middle of the afternoon two days after his first visit, a young black woman with stiffly sculpted hair answered the door.

“May I speak with Mrs. Maitland?” he inquired. “My name is—”

“Hello, Mr. Sloan!” Samantha’s voice called from the hallway. “It’s all right, Yolanda, please let the gentleman in.”

The maid disappeared into the bowels of the big house while Samantha led him into the side parlor. She wore matching white khaki shirt and shorts and a rose-colored sun hat.

“I notice you didn’t answer the door yourself this time,” Reno observed as he sank into the soft leather chair. “Is there a secret hall porter, too?”

Her playful tone implied he was a naughty thing. “Did I ever once say I don’t employ a maid? She’s off at five P.M.”

A mechanical smile was the best he could muster.

“Was your visit with Susan Gray productive?” she asked.

“I didn’t talk to her.”

“You didn’t—? But why?”

“Because you were using her as a smoke screen to throw me off and buy a little time — maybe to leave the country.”

An ugly constriction of her mouth transformed her into another woman. “I should throw you out, but I confess I’m curious to hear your ‘evidence’ for such a conclusion.”

“To begin with, no one has ever confused my mug with Fabio’s. Yet you and Lydia both came on to me. And both of you were dressed to the nines to receive a lowly keyhole peeper.”

Her confidence was back. “What did you expect — a riding crop and handcuffs?”

“Both you and Lydia,” he pressed on, ignoring her, “were too willing, and quick, to see me. Nobody has to talk to a private dick, and in my experience it’s often the guilty parties who are most eager to cooperate and create the illusion of innocence.”

“This isn’t evidence!”

“Not in court, but it works for me. Another thing — within thirty seconds of meeting me, you described yourself as ‘paperwork rich but pocket poor.’ If that were true, you’d hardly parade the fact — especially as a writer with a public image to maintain.”

“Good luck proving anything in court,” she lashed out. “All this is so thin it’s not even circumstantial.”

“This is a bit more damning,” Reno replied, pulling a paperback titled Cypress Nights from a back pocket and flipping it open. “My ex is one of your biggest fans, she loaned this to me. Here’s what first caught my eye: ‘Hers was a more subtle, sloe-eyed beauty that left glowing retinal afterimages when he closed his eyes.’ ”

He looked up at her. “I figure he mailed all the tablets to you, but he must have copied one for proof. The first forty pages of Cypress Nights are almost verbatim from Pete’s composition book. His handwriting can be factually established, and it will do no good to say he copied it from your published book — forensics can date the drying of ink to within a few days.”

The lull after he fell silent became painful, then excruciating. The color ebbed from her face.

“Even if you manage to ruin my career by proving D’Antoni wrote some of my novel,” she finally replied, “it doesn’t prove I killed him.”

“No, but I suspect that gun making a bulge in the side of your handbag might. Amateur killers seldom bother to get rid of murder weapons. And before you try to douse my light, just a warning: Under my shirt there’s a .45 automatic in an armpit holster.”

A haggard slump of her shoulders was Samantha’s only visible response. When Reno fished the nickel-plated.38 snubby from her bag, she suddenly collapsed into a wing chair, her face bloodless.

“I tell people my husband and I are split up,” she said as if the words were being wrenched out of her. “In truth, he left me for an ‘actress’ in L.A. I was devastated, I couldn’t write, and I had just signed a three-book contract worth almost a half-million dollars. Lydia only showed me D’Antoni’s work — a sort of nudge. It was I who looked him up from the address on his submission.”

She sent Reno a pleading glance. “It was only meant as a desperate stopgap until I could get my muse back. I never expected such success. D’Antoni already had several entire novels, so I typed one into my computer and my editor raved over it. I bought two more — all three made the Times list.”

“I take it you paid him?”

She blushed to the roots of her hair. “Yes, but just barely enough to salve my conscience. He didn’t seem to value his work all that much, and I feared that paying him too much would, well, tip him off.”

“That’ll earn you jewels in heaven,” Reno barbed.

“My efforts didn’t matter. He became aware of the books’ success and got quite upset with me.”

“And instead of just brooming him, you had to kill him?”

“Yes,” she said emphatically. “It wasn’t the money, he didn’t care. He wanted recognition for his work. Even if he couldn’t have proved he wrote the books, I couldn’t risk being linked to such an... unromantic figure. And if he could prove authorship I would have been devastated financially — ghostwriters can be kept secret from readers, but never from editors. I would have been forced to pay every dollar back.”

Reno tapped the number of the Sixth District police headquarters into his cell. Before he sent the call he met Samantha’s eyes. “You may decide to fight this. But there’s a good chance Lydia will be charged in a conspiracy and turn state’s evidence, adding stronger motive to the forensics evidence. It’s a lead-pipe cinch that most juries will be hostile to a rich, prominent woman who grinds up a man as poor and maladjusted as Pete D’Antoni. Just remember: Plead guilty and there’s no jury.”

Reno sent the number. While the phone burred, he glanced outside through the parlor windows and watched the rapid onsweep of dark clouds. The mother of all storms was said to be gathering strength out in the Gulf and might even be drawing a bead on New Orleans. It’ll blow past us, Reno thought idly. They usually do.

Copyright © 2006 John Edward Ames

When the Levees Break

by O’Neil De Noux

Born and raised in New Orleans, where he was a police officer in adjacent Jefferson Parish for twelve years and a P.I. for six years, O’Neil De Noux is currently in Lake Charles, LA. Still displaced by Katrina, he’s attempting to resettle along the north shore of Lake Pontchartrain. His new book, New Orleans Confidential, is a collection of 1940s noir P.I. stories.

* * * *

Five days before Katrina blew into town, topping the levees in Jefferson and St. Bernard Parishes, breaking through the levee at the 17th Street Canal, the London Avenue Canal, and Industrial Canal to inundate New Orleans, Detective John Raven Beau started his vacation by having his houseboat raised into dry dock. Five days after Katrina, Beau sat in a flat-bottom pirogue next to Sad Lisa. The hurricane had lifted his houseboat off the dry dock and deposited her between the remains of two huge boat sheds and the skeleton of Joe Boughten’s Boat Repair Yard, which had shielded the big winds from Sad Lisa, now floating in eight feet of water that covered the entire area. Lake Pontchartrain had taken the land as far as Beau could see.

With the strong summer sun beating down on the brown water, Beau and his partner had to shield their eyes from the glare with hands over brows, although both wore dark sunglasses. The stench was the worst part, reeking of dead fish, mildew, and a thick petroleum smell. The oaks were dying, the ones that hadn’t toppled over. The roofs of large trucks could be seen on what used to be high ground, boats littered the entire area, most upside down, half-sunk, pleasure crafts next to shrimp boats. A half-mile away, the levee breach at the 17th Street Canal was still pouring into the city.

“Well, she’s not listing,” said Beau’s new partner, Juanita Cruz. Five years younger than Beau, Cruz was twenty-five and had been promoted to detective a month before Katrina — or B.K. as it was now known. For the rest of time, this new New Orleans would be A.K. — after Katrina. Her brown-black hair pulled into a bun, she wore a black T-shirt over baggy black nylon pants and black combat boots. Across the rear of her T-shirt, NOPD was stenciled in silver letters. Beau wore the same getup, his .9mm Beretta Model 92F in a canvas holster along his right hip.

Beau tied up against his houseboat, heard a noise, and looked up into Joe Boughten’s face. Joe smiled weakly and said, “She’s seaworthy. Only one around here that is.”

Beau climbed aboard, followed by Cruz. Joe, in a soiled T-shirt that was once white, baggy gray shorts, face unshaven, eyes bleary, held up a can of beer and said, “Want a brew? They’re hot, ‘a course, but that’s the way the British drink it, ain’t it?”

“Engine ruined?”

“No gas. We emptied the tanks, remember?”

“How’d you get beer?”

“I stocked up before the storm.” Joe belched, then excused himself to Cruz, who stared at him real hard.

“Tell me you didn’t ride out the storm,” Beau said as he looked around Sad Lisa. Pieces of railing were missing, so were the seat cushions of the built-in seats, but he’d stored the radar and antennas below before putting the boat into dry dock, so it didn’t appear much else was missing. Then he saw the tarp on the roof. Joe had covered a hole.

Joe waited for him to look back before saying, “It was like bein’ in the middle of an atomic blast.” He turned to Cruz. “Wind so strong, rain slammin’, waves crashin’, things flyin’, hittin’ everything.” He belched again and took a step back. “Been listenin’ to the radio. Is it true about all the shit at the Dome?”

Beau shrugged. Cruz told him some of it was true.

Joe waved his hand. “No looters been by here yet, but they will, I’m sure.”

“Unlikely for the moment,” said Beau. “We had to get through two checkpoints. Coast Guard and National Guard stopping everything on the water.”

“Good. Bet they don’t check at night. Never seen it so dark around here.”

Beau went inside and dug out a canvas suitcase and started packing clothes. He could smell bacon now, saw a pan on the stove with three slices in it. There was enough propane to last awhile. “Hey,” he called out to Joe.

“Yeah.” From the deck.

“Thanks for saving my boat.”

“It saved me.”

Cruz came down and Beau grabbed another bag, shoving every T-shirt he had inside, along with extra jogging shoes. He wished he had something that would fit Cruz. They’d just come from her apartment on Fleur de Lis. Seven feet of water and still rising. She’d lost everything. The woman looked shell-shocked, eyes trying to focus. She moved in slow motion. Lack of sleep. Neither had slept much.

“Hey,” called out Joe. “I hear they’re gonna put y’all up on a cruise ship.”

“Not us,” Beau called back. No need explaining that they were stationed at the airport, which was dry, living in the main terminal with doctors, nurses, National Guardsmen, and a platoon of Royal Canadian Mounties, the same Mounties who were the first ones to go into St. Bernard when no one else bothered. Beau could imagine the people on their roofs getting rescued and asking, Who are you guys?

Mounties. From Canada.

Back up on deck, he found Joe sitting in a lawn chair he didn’t recognize. “You’re coming with us?”

“No. No. It’s peaceful here.” Joe raised the beer can. “Got five more cases. Could use some grub, though.”

They had three dozen MREs in the pirogue and twelve gallons of water, figuring they’d find people on roofs, so they left nearly all with Joe.

“You want my off-duty piece?” Beau asked.

Joe lifted his T-shirt to show a revolver tucked into his shorts. “My trusty Colt’ll do the trick.”

Beau went into the tool chest and brought out a can of red spray paint. On the blue tarp covering the blown-out windows of Sad Lisa he printed NOPD. Then he went down and took out one of his uniform shirts.

“When the Coast Guard or National Guard come around, put this on and tell them you’re my uncle or something.”

“This is still my boatyard.” Joe belched again.

“This is also a mandatory evacuation area.”

Cruz climbed back into the pirogue, sitting up front again. Beau went to the motor.

“Thanks for the grub,” Joe called out.

“We’ll be back in a few days.”

“I’ll be here.”

Beau took his time maneuvering out of the boatyard back across what once was West End Park. A huge black helicopter carrying three large sandbags passed overhead, heading for the levee break. The hot air was thick with the stench of burnt wood as they passed the shell of the Southern Yacht Club, which had burned to the ground, the waterline actually, just after the storm hit. Beau had heard about it as he tried to get back into the city from his vacation. He’d gone back home to Vermilion Parish. Stopped at a roadblock on I-10, he was eventually brought to the airport, where he linked up with his lieutenant, who was surprised to see him back in town.

“I got an assignment for you,” Lieutenant Merten had said, sweat glistening on his dark brown face. They were outside the main terminal of Armstrong International Airport in Kenner. “I want you and the rookie to stay out here and log in the bodies.”

“What?” Beau had come back to rescue people.

“You and the rookie.” Merten actually tapped Cruz atop the head. “Log the bodies they bring out of the city. I need a homicide team to check for 30-victims. Get all you can on them before they whisk them away to St. Gabriel. IDs if you can ID them, describe wounds, anything. I want someone who knows a murder victim to spot them. Before these military doctors get around to posting the bodies. We need to know how many murders we got. I want you to stay here. So don’t argue with me.”

Beau wasn’t arguing.

Merten wiped the sweat from his face. “We got snipers shooting at the Corps of Engineers who’re trying to get to the holes in the levees, got looters all over the city. We need the army, a couple of airborne divisions.”

“The navy,” Beau said. “They have the boats.”

“Freakin’ A.” Merten wiped his face again.

It made sense to Beau, an experienced homicide team at the airport, but he didn’t like it. In the first thirty-six hours, he and Cruz confirmed only one murder victim, a street punk he recognized immediately. Jimmy Bigelow, a.k.a. Killboy, was on NOPd’s top-ten wanted list, a drug-dealing murderer from the lower ninth ward. Arrested twice for first-degree murder, Killboy never went to trial. The ever-inefficient D.A.’s office nol-prossed each charge, claiming they couldn’t get witnesses to testify. Beau was the investigating officer in one case and didn’t need witnesses, he’d recovered the murder weapon with Killboy’s fingerprints on it next to a body lying inside Cassandra’s Social and Pleasure Club on St. Claude Avenue, but the D.A. didn’t feel it was enough.

Beau had to admit, seeing Killboy with a neat hole in his forehead made up for not bringing him to trial. Only he wondered how many crimes Killboy had perpetrated in the two years since the Cassandra case.

Merten had pulled Beau aside before he led the rest of the assembled NOPD back into the city. “We got a buncha people AWOL. Glad you came back.” Beau, on a three-week vacation, certainly didn’t have to return, but how could he do anything but? As Merten backpedaled away he added, “Take care of the rookie.”

That was Saturday, September third, and this was Monday, and instead of turning back to the lake to return to Bucktown, Beau guided the pirogue away from the levee breach into Lakeview. The water was nearly to the roofs of the houses and probably still rising in this brown-water world. He waited for Cruz to ask what they were doing now, but she just faced straight ahead, probably seeing nothing but the memory of her apartment.

The smells were even stronger away from the levee, a rotting, mildew stench, oil floating on the water. They moved through patches reeking of sewerage. Cruz waved at a patch of churning water to their right. “What’s that?”

“Gas main. Natural gas.” That particular stench was added to the rest as Beau maneuvered away from the bubbling water.

Eventually Cruz turned her head and asked, “Where are we going now?”

“Looking for someone to rescue. I’m tired of waiting around for bodies.”

She nodded and said, almost under her breath, “We should get back.”

This was their off time. Rest time. Sleep time. Their twelve-hour shift was approaching. Another team, two homicide detectives from Eugene, Oregon, was covering the day watch. Young, both in their late twenties, they’d handled exactly one murder in their careers. Eugene wasn’t a hotbed of crime. Back at the airport, cops were still arriving from all over, volunteers trying to help with the greatest natural disaster in American history. Beau had never seen so many different badges.

The strong sun was hot on Beau’s head and he wished he’d taken the green baseball cap offered by the Eugene cops. A University of Oregon Fighting Ducks cap. The logo looked like a pissed-off Donald Duck. When he was at LSU they played the Ducks his freshman year. He got in a couple plays, ran a quarterback bootleg for fifty-six yards and a touchdown. Headline the next day in the Baton Rouge paper read: Tigers Feast on Duck 47-0.

“Seriously, Raven, we should be getting back.” She’d turned to face him and tapped down her sunglasses to glom him over the top. He saw Cruz was back. Those chocolate-colored eyes were focused now, serious again.

He glommed her back. “Don’t call me Raven.”

She thought it was cute, a joke between the two of them. He didn’t like it. She’d started it back when she’d worked with him on a case where Beau tracked down a cop killer who called himself The Wolf. Ran the man to ground and watched him commit suicide.

Beau was half Cajun, half Sioux. At six-two he towered over Cruz. He was lean at one-eighty pounds, with dark brown hair in need of a haircut and a square jaw. He’d been told he had the look of a predator with sharp, light-brown eyes and hooded brow — a hawk, actually, with his thin nose. Not shaving regularly gave his normal five o’clock shadow a deeper hue.

It began to smell a little like the swamp around Vermilion Bay and for a moment Beau was taken back to the pirogue he’d paddled with his father when he was little and the world seemed a magical place to fish, hunt, and explore. That was until he went to school and was called a swamp rat by the other kids.

Cruz turned around again. “You never told me how your mother and father met. How did a Sioux woman from North Dakota meet a Cajun from south Louisiana?” Since partnering with Beau, Cruz had asked more about his background than any partner he’d known. Maybe because she was Hispanic and big on her heritage, part Cuban, part Costa Rican.

“South Dakota,” he corrected her.

“Okay, South Dakota. How’d they link up?”

Jesus. The questions never stopped. Beau took in a deep breath of sticky air. “My mother was a mail-order bride from the reservation.”

“Really?”

“No.”

“Raven!”

“Don’t call me that.”

Her eyes went wide with impatience. Beau almost smiled.

“They met at a USO show. He was in the army and she was a singer.”

He could almost hear his mother’s soft voice singing him to sleep in that old Cajun daubed cabin they’d lived in back on Vermilion Bay. Built by Beau’s great-grandfather, its walls filled with swamp mud to keep the house almost cool in summer and warm in winter, it was unpainted and the greatest place for a boy to grow up.

Cruz was more interested in his Sioux half, asking to see the obsidian knife he carried in a sheath at the small of his back. Why was it sharp on only one side? Why a rock knife? Why the bone handle? He told her it was the way of the plains warrior, the Lakota, called Sioux by the white-eyes and their enemies the Crow and Pawnee.

Another withering stare from Cruz had Beau turn the pirogue around and head back toward West End. Sticking to the center of the streets to keep from running into the roofs of cars, they passed the carcasses of two dead dogs as they eased through an intersection, the street signs indicating they were at the corner of Colbert and Chapelle. A meow turned them both to the right. An orange-striped cat atop a roof meowed again and took a hesitant step their way.

“Over there,” Cruz called out.

“I see it.” Beau turned the pirogue and cut the engine as they neared a one-story brick home. Cruz grabbed the roof’s gutter and called up to the cat, which just meowed back.

“You might have to snatch it,” Beau said just before the cat lowered its ears and crept close enough for Cruz to stand and grab it by the scruff of its neck.

“It’s only a juvenile,” she said. It looked skinny to Beau, whose Catahoula hound dog was thankfully safe back at his uncle’s cabin on Bayou Brunet. He eased the pirogue away from the house.

“There aren’t any people to rescue here.”

“They evacuated early.”

“It’s the people in the Ninth Ward, Lower Ninth, Mid-City, Hollygrove,” Cruz said, petting the cat which she held tightly in her arms. “They don’t have cars.”

That Beau knew; some made it to the Superdome and Convention Center but some of the old ones, young stubborn ones, others who didn’t believe the weathermen, just stayed home. Beau couldn’t blame them. He was tired of hearing the gloom-and-doom from the weathermen. Hadn’t the city evacuated for Hurricanes Georges and Ivan for no reason? Sixteen hours in gridlocked traffic just to turn around. Every time a tropical storm inched into the Gulf, the weathermen came on the air with special reports, each network trying to outdo the other, scaring everyone with bulletins crying Wolf — wolf; The sky is falling, the sky is falling. They were bound to be right once and Katrina was it.

Beau looked around at the devastation and his heart sank even further.

“I heard the Quarter hasn’t flooded,” Cruz called out. “Yet.”

To illustrate her point, another chopper flew overhead with big sandbags for the levee break. Beau thought of the French Quarter. Hopefully, it wouldn’t flood. It was the first dry place the French discovered when they came up the Mississippi. Too bad the city had expanded away from the river into the marshland. If the Quarter was destroyed, New Orleans was gone.

Cruz called the cat Lucky — a female not a year old, according to a veterinarian at the airport. They wanted to put Lucky in a cage but Cruz would have no part of it. She took the cat to her room, little more than a closet along Concourse A. She scored some cat food from the vet, went in with the cat, and didn’t come out until shift change.

Three bodies were brought in at the beginning of their shift, two bloated from being in water, the third fresh. Beau stepped into the hangar serving as a temporary morgue and watched an army pathologist examine the corpses as the black body bags were un-zipped. The floaters appeared to have drowned. Unzipping the third body bag, the pathologist turned to Beau and said, “This’ll be for you.”

Another young African-American male, slim, light-skinned, clean-shaven, with a bullet hole in his forehead, dead center like Killboy, and like Killboy there was also a neat hole in the back of the head. Through-and-through with no sign of scorching or burn marks. Shot from a distance and the trajectory of the bullet was straight, too straight. It certainly wasn’t a hollow-point round, like Beau carried, which would mushroom and blow a huge hole out the back of the head.

“Armor-piercing round,” said the pathologist. “Saw a lot of this in Iraq.”

Beau glanced at the man’s nametag: Sumner.

“Gordon Sumner,” the man said as Beau jotted down his name. Beau narrowed his eyes, the name sounding familiar, which drew a nod from the pathologist. “Same name as Sting, but I had it first.” Beau stepped back to let the doc at the body.

“Find an ID, let me know.” Beau moved to the two state troopers and NOPD sergeant who’d brought in the bodies. He knew the sergeant from the Second District. Stu Copeland had a beer belly and short-cropped salt-and-pepper hair, his face red from exertion as he took a hit of an icy Mountain Dew.

“Where’d you find the fresh one?”

“Levee. Hayne Boulevard. Levee’s still holding up there but the Intracoastal Waterway’s got the east under water, man. Did you hear Notre Dame Seminary burned down?”

“The whole place?”

“Probably arson, former altar boys getting back at the priests.”

Jesus Christ.

As Beau moved back toward the pathologist, Copeland waved at the body with his Dew. “It was only about a mile from where we found the other one with the hole in the head.”

“Killboy?” Beau remembered the notes on Killboy. He’d been found atop a house on Mayo Road.

“Yeah,” Copeland confirmed. “Mayo and the levee. It’s right near South Shore Harbor. Where the casino used to be, the one capsized in the lake.” Copeland took another sip of drink. “I know I’m no homicide man, but that first body had been moved. Looked like it was dropped on that roof.”

“Moved?”

“Postmortem lividity was all wrong. You know. Blood settled on his backside but we found him facedown.”

“Maybe somebody rolled him over to check for vitals before y’all came around.”

“Could be.”

Dr. Sumner pulled a brown wallet from the victim’s pants pocket. Beau put on a pair of surgical gloves as Cruz stepped up. They used the hood of a blue police car from Hot Springs, Arkansas, to lay out and inspect the contents. There was a Blockbuster card in the wallet, pictures of three different women, one with a baby in her arms, a wrapped condom, four pieces of paper with writing on them, but the papers had been in water and the ink ran, and an expired Louisiana driver’s license with the victim’s picture on it. Freddie London, twenty-one years old, of 9111 Tricou Street. Beau took down his date of birth and social-security number.

“Lower Ninth Ward.”

Beau dropped the wallet and contents in a brown paper bag, writing his name and unit number on the outside, along with Freddie London’s name, and passed it back to the pathologist, who would send it along with the cadaver.

Cruz followed Beau into an office where a computer actually worked. The NOPD and Louisiana State Police computers were down, but the FBI was up. Freddie London, same DOB and SSN, had fourteen arrests, from rape to armed robbery, extortion, burglary, and two heroin busts.

“Jesus, what’s he doing on the street?” Cruz said as Beau reached into the small NOPD file on the desk to pull out a printout of NOPd’s Most Wanted. Freddie London was number twelve on the list.

Beau sat in the gray metal chair behind the gray metal desk and looked out the small window at the bright sky outside. He pulled his shirt away from his chest and fanned it. There was some sort of air conditioner working in the hangar at least.

“What are the mathematical probabilities?” he said. “Two of our most-wanted stone-freakin’ criminals are found a short distance from one another with holes in their heads, bullet trajectories nearly identical, through-and-through wounds so we can’t compare bullets.”

Cruz shrugged.

“Who is Sting?”

“You gotta be kiddin’.”

Beau shrugged.

“You didn’t have MTV in that cabin?”

Copeland peeked in and said, “They’re bringing in six more.”

Floaters. Three black, two white, one Asian, a teenager. Beau and Cruz watched Dr. Sumner examine them, keeping as far away from the stench as possible.

Beau found Copeland later, napping on a cot.

“You awake?”

“Huh?” Copeland blinked open his eyes and yawned. “I am now.”

Beau pulled up a folding chair and took out his notepad. “Describe everything, will ya? The area, how the bodies were lying, everything.” He handed Copeland a fresh Mountain Dew.

Juanita Cruz found a CD player and a Led Zeppelin CD and began playing one particular song over and over again, letting it reverberate through the hangar. After the first fifty times, Beau’d had enough of the little ditty called “When the Levee Breaks.” He hoped someone would complain. No way he could tell a partner who had lost everything that the high-pitched male voice bemoaning that when the levee breaks he’ll have no place to stay was getting to be too much. The electric guitars just kept groaning and the man kept singing about how crying won’t help you, praying won’t do you no good, ending with the refrain “going down, going down.” He watched Cruz and knew she was listening intently, but her face revealed no emotion. It was creepy.

During that shift nine bodies were brought in, all natural deaths. Drownings, classified accordingly by the pathologists, using the NASH classification system. Humans died a natural death, accidental death, suicide, or homicide. In New Orleans, where things were done differently on purpose, Beau had seen deaths listed beyond the NASH system. “Death by Misadventure” was the most common. Nearly everyone in Louisiana knew someone who’d died that way. Usually it was preceded by the victim calling out to friends, “Hey, y’all, watch this.” The victim would then jump off a roof or dive into a sluggish bayou that looked deeper than it was.

Beau thought “Death by Stupidity” would be more appropriate. That evening as the pathologists, Sumner and two others, examined the bloated bodies of these latest Katrina victims, Beau exchanged stories with them. Stories of weird deaths, morons playing chicken with trains, idiots playing Russian roulette, one particular cretin who told his buddies he was going into the house next-door to investigate a bad smell and lit a match in a house with a gas leak.

Cruz gave Beau a pained expression when the stories stopped and he had to explain. “The more of this you see, the more you need to laugh. Release the pressure. You should know that.”

Just before dawn, Copeland brought in a third body with a bullet wound in the forehead. He looked at Beau and said with a sly grin, “You been sneaking out and popping these dudes?”

Beau gave him a long, withering stare, the stare of the plains warrior, unsmiling, unemotional. Copeland shuddered, maybe teasing, maybe not, and stepped away. John Raven Beau had a reputation. He was a killer, plain and simple. Since joining NOPD he’d gunned down five men, the most infamous in the Bayou Sauvage National Wildlife Refuge, the only living swamp within the city limits of a major American city, 23,000 acres’ worth. Beau tracked a cop killer through the swamp through the night and left his body next to a railroad trestle.

In the eyes of every rookie he met, once they realized who he was, Beau saw the recognition, the morbid fascination, and the distancing, because Beau was a dangerous man, no doubt. It kept Beau on the outside, kept him separate from the brotherhood of cops, kept him isolated and alienated as he’d been his entire life from his first day in kindergarten when the kids stared at him as if he came from an alien world.

Beau moved to the body bag and waited for Dr. Sumner. Cruz came out of the office, carrying her CD player, the taller of the Oregon cops in tow. His name was Al and he seemed smitten with Juanita Cruz or was just simply on the make, big-time. He spent a lot of time schmoozing with her and Beau couldn’t think of a better way to distract her.

She turned on the CD and the wailing guitars and driving beat of the levee-breaking song echoed through the hangar. Dr. Sumner shook his head as he unzipped the body bag, which held a dark-skinned man with long black hair and a bullet wound in his forehead.

“This one’s older.”

Up closer, Beau saw the man had some gray in his hair and obvious age lines on a face flaccid in death. The man was wet, but hadn’t been in the water long. Sumner found a wallet with three Louisiana driver’s licenses with three different names but the same face on them. The oldest license had the man’s real name, one familiar to everyone in the NOPD. Abdon Jeffries, listed as an AA — African American — by NOPD, although Abdon was a mulatto with a white mother. Some things never changed in the South. If you were part African, you were African. A convicted felon with thirteen arrests, Jeffries was number three on NOPd’s Most Wanted list.

“Wound’s perforated, right?” Cruz asked as she stepped closer.

Sumner lifted the head, felt under it, and said, “Yep.”

Through-and-through, like the others, round, neat, clean. “Straight path,” Beau added. “How do you do that?”

“Sniper?” said Cruz.

“Have to be dead-on perfect.”

Beau stepped over to where Copeland sat with one of the triage nurses from the next hangar, where they worked on the injured, and asked the sergeant, “Where?”

“South Shore Harbor. Next to the capsized casino.”

Cops didn’t believe in coincidences, even if the word was in the dictionary.

“I didn’t recognize him,” Copeland said. “Abdon Jeffries, right? That’s the bastard who shot that Seventh District cop. Crippled him, remember?”

Beau closed his eyes for a second. Yeah, he remembered. Jeffries hired a sharp lawyer and then the D.A. went in unprepared and Jeffries walked. He’d seen the crippled cop in a wheelchair getting into the “police only” elevator at headquarters, going up to the radio room where he worked as an operator. A desk job for a paraplegic.

Beau let out a long breath, opened his eyes, and spotted his lieutenant entering the hangar. He went straight to him, about to tell him about the three men with holes in their heads, but Merten shook him off, heading over to a pair of men standing in the far doorway.

Merten came back with the men and introduced them, a third pair of detectives who would work with them examining the bodies. From Philadelphia, these guys were older, both Italian-Americans, both grizzled veterans of the homicide wars. They asked for the midnight shift and Beau quickly gave it up to them. The Oregon guys wanted the evening watch, so Beau and Cruz would take the day watch.

Merten took Beau and Cruz aside. The big man’s eyes were red-rimmed. “It’s bad out there. People on roofs, starving dogs everywhere. Thirty people died in an old-folks home in St. Bernard. The employees left them to drown. We got a full-scale riot at the Convention Center but I gotta go over to the First District. We’re raiding the Iberville Projects in boats. Snipers been shooting at the district station since the storm.” He took in a long breath and let it out, wheezing in fatigue. He gave Beau a long look and said, “No. You know I need you here.”

“You want to hear what we’ve come up with?” asked Cruz.

“Not now.”

Beau went back to Copeland for details and got, “The body was right on top of the levee. Like I told you, South Shore Harbor.”

Beau put it in his notes.

Copeland also said, “It wasn’t Notre Dame that burned. It was the big place across the street.” Beau knew the area well. There were lots of big places but he wasn’t in the mood to ask.

Later, as their shift ended and Beau was in his portioned cubicle, Cruz stepped in from her shower with a towel wrapped around her head. She had on a terry-cloth robe and carried clothes in her hand.

“Why do we want to work the freakin’ day shift?” she asked, leaning her head forward to rub the towel through her hair. Her hair was shiny from the bright overhead light, traces of reddish brown mixed in with dark brown. Juanita was naturally pretty, looking younger now without makeup.

“I want to be free at night,” he said.

“Night? You found some action? Some nurse?”

He almost smiled.

“We’ve been sleeping through the steamiest part of the day, you silly Cajun. Why work in the heat?”

She dropped the towel on the small table next to Beau’s cot where he sat with his notepad. He’d finished consolidating his notes on the killings. Homicide cases were built with paperwork. He was closely examining a city map, checking out the South Shore Harbor area.

“What’s with the map?” Cruz asked. When he looked up, she dropped her robe and picked up a T-shirt. In her bra and panties, she was facing Beau, who blinked twice. She pulled on the T-shirt and climbed into a pair of lightweight gym shorts before looking back at him.

“What the hell is this?” Beau sat up stiffly on the cot.

“What?”

“The little bra-and-panty show. I’m your partner, not your sister.”

She huffed, narrowing her eyes. “Maybe I’m just trying to get your attention.”

Beau tried to keep from getting aroused, an automatic physical response. He glared at her, turning the excitement into anger. “You never fool around with your partner. You know that. A partner’s a partner. Closer than a friend. But not a freakin’ lover.” He stood and walked to the rear of his enclosure.

He turned back to her and she snapped, “I don’t know anything anymore.” She opened her arms. “Everything’s changed. Everything! The whole damn world’s changed!” She stormed out.

Beau went out a few minutes later with her towel and found the Oregon cops sitting next to the empty examining table. Al was reading a Spiderman comic. He dropped the damp towel in Al’s lap. “Go give this to Juanita.”

“Juanita?” Al stood up.

“Yeah. She could use some company.”

“Okay.” Al took off for Cruz’s room.

The other Oregon cop said, “I thought you were her partner.”

Beau gave him a deadpan look. “I said she needs company.”

The cop shrugged.

Beau left. Over his shoulder he said, “I thought y’all were from Oregon. Not Disneyland.”

The next morning, Beau located the Wildlife and Fisheries agent who’d lent him the pirogue to visit Cruz’s apartment and Sad Lisa and asked if he could use a pirogue that evening. The agent jotted Beau a note authorizing the use. The man’s name was Prejean and he hailed from Abbeville, parish seat of Vermilion Parish, where Beau grew up.

“Give this to the supervisor,” he said, passing the note to Beau.

Six more drowning victims came in that afternoon and one murder victim shot three times in the back. No ID. Body pulled out of the Industrial Canal. Beau took a nap after their shift ended, setting his alarm for eleven P.M., and was surprised when Cruz, decked out as he was in all black, came into his cubicle and asked, “Where we going?”

“Um, I’ve got something to check out.”

She pulled out her Beretta and checked its ammo. “You planning to go without me, Raven?”

“How’d you find out about this?”

“I’m a detective,” she said smugly, holstering her weapon. “We’re headed for South Shore Harbor, or what?”

Damn, he wanted to do this alone. Didn’t want her anywhere near this. Not because she was a woman or even a rookie. He worked better alone. But as he looked at her, he knew if he dumped her it would tear her down and she’d been torn down enough. A partner was a partner and they’d face the danger together.

He nodded and checked his weapon and ammo clips. They took radios, which didn’t work, and their cell phones, working about as well. Beau secured three large flashlights from two National Guardsmen from St. Louis and talked two other National Guardsmen into taking them with their Humvee to the Bonnabel Boat Launch in Metairie, where Wildlife and Fisheries was set up.

On the way, the guardsman riding shotgun kept looking back at Cruz. She tried discouraging him with a yawn but the guy asked question after question, about NOPD, the high crime rate, Bourbon Street, Mardi Gras. Beau read his nametag: Smith. The other was Jones. Jesus. Milquetoast Midwesterners.

“I seen it on the Internet,” he said. “Women showing their boobs for carnival beads. We don’t get that in South Dakota.”

Cruz gave Beau a smirk as she asked them, “Y’all from South Dakota?”

“Sioux Falls.”

She pointed a thumb at Beau. “He’s half Sioux. Oglala. His mother lives on the Pine Tree Reservation. That near Sioux Falls?”

Pine Ridge Reservation, thought Beau, but correcting her would only encourage the conversation.

Smith stared at Beau and answered, “It’s on the other side of the state.”

Jones turned around and said, “You look half Sioux.” There was no malice in his voice but Beau knew his people and the white-eyes of both Dakotas didn’t mix much.

“Show them your knife,” Cruz said.

Beau, who’d assumed a deadpan, blank expression as soon as he’d heard these guys were from Dakota, gave his partner an unresponsive look.

“It’s obsidian,” she went on, sitting up now, getting a kick out of it. “Sharp as a razor.”

Beau turned his gaze to Smith, who nodded and turned around, and thankfully, the questions stopped.

The Wildlife and Fisheries supervisor read the note authorizing Beau to use a pirogue and said, “Y’all sure about this?”

Beau nodded. The man shrugged and said, “We got no radio for y’all. All the towers are down.”

“We’ll be fine.”

“We’ll need it back before daybreak.”

“No problem.” Beau thanked the man and moved to the pirogue. This one was aluminum, the outboard looked new and started immediately.

“You got a full tank,” the supervisor called out as they pulled away from the boat launch into Lake Pontchartrain, heading east to ride along the big levee that had protected most of Jefferson Parish. The levee had been topped by Katrina in Kenner and parts of Metairie, but most of JP had escaped the flood. Beau had heard eighty percent of New Orleans was now under water.

Moonlight reflected off the tiny waves in the lake and starlight added a faint hue to the entire scene. The levee loomed as a dark shadow to their right. Beau was so used to the smell of the salty water, it didn’t register until the scent changed as they approached the 17th Street Canal, where water from the city had mixed with the lake, giving the area an oily stench. Huge lights lit up the area around the canal entrance. Helicopters, lit up like Christmas trees, moved back and forth to the break in the levee to drop their sandbags.

Looking to his right, Beau couldn’t see the boatyard or Sad Lisa and wondered how Joe Boughten was getting along. Probably fine, so long as the beer held out. Veering to port, they skirted West End. It took awhile, moving carefully, to travel the next eleven miles to Lakefront Airport. There were some lights on there but the entire place was under water. South Shore Harbor, two miles beyond, was darker. Beau saw a cloud had moved in front of the moon.

“Remember, when we go ashore, stay with me,” he told her. “Partners never split up. No matter what happens. Don’t separate.”

“Okay, okay.”

“I’m serious.” Beau wasn’t being overprotective. He’d learned years ago to stick with his partner. Whatever happens to one happens to both. Can’t protect each other if you split up, like they did on TV. Hell, just about everything cops did on TV shows was flat-ass wrong.

They reached the levee just beyond the harbor, the capsized casino looming overhead like a black mountain. Turning off the engine, they paddled along the levee. Thankfully the cloud moved and the moonlight came back. When he was studying the map, Beau figured there was one way to find out about this, one possible way.

Not five minutes from the casino, he spotted a boat pulled up to the levee and his heart raced. He pointed to it and Cruz nodded. It was a boat made for speed, a huge outboard motor, all painted black. Beau was surprised they’d left no guard. They were that confident. The boat was tied up to a large chunk of concrete. The base of the earthen levee was littered with huge blocks of concrete all the way to the water’s edge. He pulled the pirogue next to the speedboat.

He unfastened the boat and handed Cruz the rope. She tied it to the pirogue’s stern and they towed it about fifty yards, pulling it up on the levee between two larger concrete blocks. Then they paddled the pirogue an additional fifty yards to tie it up. They left the flashlights and walked the levee back to where the speedboat had been originally.

Moving to the top of the levee, they looked at the eastern portion of the city. The moon and starlight gave a silvery pallor to the dark water and the roofs were black spots. As far as Beau could see, the city was under water.

Beau and Cruz positioned themselves back down the levee, each behind chunks of concrete on either side of where the speedboat had been. Beau eased his weapon from its holster and rested it against his leg as he sat. He covered his right eye with his hand and used his left eye for five minutes, then switched. When he opened his right eye the light seemed brighter since his pupils had dilated in the blackness behind his hand. He focused his hearing away from the lake lapping against the levee and concentrated.

He ran it all through his mind again. Someone was dumping these bodies where they would be found. No other way to get here except by boat. They probably had one on the other side of the levee to navigate canals that were once streets, but this was how they got in and this was their exit point. He knew he was lucky to find their boat.

An hour later, a helicopter came from the direction of Lakefront Airport and flew out over the east, its running lights extra bright, two searchlights scanning back and forth. From the moonlight, Beau thought he caught a white sheen on the craft. Coast Guard chopper.

He settled back and thought of the word describing where he and Cruz lay in wait. It was called a batture, a colloquial term indigenous to New Orleans. Possibly from the French battre: “to beat.” Here on the land between the top of the levee and the water’s edge, along the lake and the river across town, was where the original French settlers beat their washing, against rocks that naturally dotted the area, long before the levees were built up. He could envision the women in long dresses leaning over with their wash as they chattered with one another to ease the boredom. His Cajun ancestors most likely did the same along Vermilion Bay and its bayous.

Beau spent the hours keeping his breathing regular, keeping his senses tuned, keeping himself calm. The Sioux called it the battle calm, a relaxed state bordering on tranquility so when battle was joined a warrior maintained the cool hand and struck true, while his enemies, particularly the white-eyes, let their blood rise to levels that made their aim unreliable.

Over the lapping of the waves, Beau heard the faint scrape of footsteps. He peeked around the concrete and eased off the safety of his .9mm Beretta model 92F. Its rubber grips were tacky from the humidity, providing extra grip, although Beau’s hand was not sweaty in the least.

A figure rose to the top of the levee from the other side, followed by a second, one carrying a rifle, the other a machine gun, and both wearing all black. When the first paused to glance up at the sky, Beau saw the man was wearing night-vision goggles. Damn! Who were these guys?

More footfalls, faint and yet firm, revealed a total of five men now. Besides the one with the rifle, two carried what looked like Steyr machine guns. One started down the levee their way. Beau inched around so he could keep that man and the others in his line of vision.

It didn’t take long for the man to realize and call out, “The boat’s missing!”

“You sure we’re at the right place?”

“Look for the red marker.”

One of the men disappeared beyond the levee momentarily and came right back. “It’s right here.”

“Dammit to hell!”

Feet shuffled and a sharp voice said, “Someone’s here!”

It was instantly followed by, “Police! Freeze!” The second voice was Cruz.

Beau peered around and saw his partner standing with her Beretta in the standard two-hand police grip, her knees bent slightly as she aimed her weapon at the closest man. The men had their weapons trained on her.

Beau flipped the safety back on his Beretta and holstered it, stood with his hands spread, and called out, “Over here.”

Three of the men wheeled toward him.

“We’re NOPD,” Beau said. “And there’s more of us in the boats.” A bluff.

No one moved for three heart-thumping seconds before one of the men in back, one carrying a handgun, eased forward and said, “Beau? Is that you?”

The hair stood out on Beau’s arms and the back of his neck.

“All right, everyone put your weapons down,” said the same man as he came forward, removing his night-vision goggles. Lieutenant Merten’s eyes shone like bright agates as he stepped up to Beau. “What the hell are you doing here?”

Behind Merten the men lowered their weapons and began pulling off their goggles. Beau recognized a robbery detective and an old buddy from the Second who was now on the SWAT team. The fourth man looked young and Beau didn’t know him. The fifth man, taller than the others, kept his goggles on. He was the only white man in the group.

“Put your weapon down, Juanita,” he called out, and Cruz slowly lowered her gun. Beau looked back at Merten and said, “Where’d you leave the latest one? Where it’ll be found easily. So word’ll get out. The criminals will know.”

“Jesus, Beau. What are you doing?” Merten seemed in pain. He leaned closer. “I told you to stay by the airport.”

“Only we know where to find our Most Wanted.” Beau’s voice was deep and even, without emotion. “Only we know who they are, know they’re bad enough to stay behind, too entrenched to evacuate. Wasn’t hard to figure it had to be us.”

“Is he solid?” from the fourth man, the young unknown face leering at Beau.

The fifth man finally removed his goggles and stepped forward. Beau felt a weakness momentarily in his knees. Assistant Superintendent Ashton Garner, the man most NOPD felt should be Chief of Police, the former head of the Training Academy who’d trained his men and women to be like brothers and sisters. It was Garner who made them all feel as if NOPD was family. Us against the world.

Garner tapped the fourth man on the shoulder as he passed and said, “He’s as solid as they come. Notice he’s saying we and us and not ‘y’all did this,’ isn’t he?” Garner arrived next to Merten and stared Beau in the eyes. Beau gave him a poker-faced, lingering, emotionless stare in return.

“This is John Raven Beau,” Garner went on.

“Oh,” said the unknown man. “I hearda him. He’s killed more’n us.”

Killed, Beau thought, not executed, but he kept his mouth shut.

Merten shook his head. “Can’t believe you brought the rookie.”

Beau turned to him. “Looks like we’re all in this now.”

Garner took in a deep breath.

Beau stepped around them and moved to his partner, getting between her and the men, nodding for her to holster her weapon, which she did reluctantly. He turned back and told them where the boats were.

“We’ll show you.” He led Cruz through them to the top of the levee.

No one moved behind them for a few moments before Merten and Garner came along. When they reached the spot where the speedboat was tied up, Beau pointed to it, then turned back to face his lieutenant and assistant superintendent. He waited until the stragglers arrived before he said, “That better be the last one.”

“Who the hell are you to tell us that?” snapped the unknown man. “What is your major malfunction? Man, we nailed Abdon Jeffries, didn’t we?” He raised the high-powered rifle in his hands, the one with the big scope. So this was the sniper, the triggerman.

Beau stared into Garner’s eyes. “If I figured this out, someone else will. And there’s no ‘us’ with the Feds. They’ll nail every one of us, me and Cruz, too, because we know.”

He waited for the recognition to come to Garner’s eyes. He turned to Merten with, “So we’re in this together and tonight’s the last one.”

Beau took Cruz by the arm and they went on to the pirogue, neither looking back. As they were climbing into the flat-bottom boat they heard the angry growl of the speedboat as it backed into the lake, growling louder as it pulled into the dark waters.

Just after they’d passed the 17th Street Canal, they hit something in the water and the outboard died. Beau got it started but it wouldn’t propel them. He raised it and saw why. They’d lost the propeller. So they grabbed the oars and rowed the pirogue over to the Bucktown levee, pulled it up on the grass, and shoved the anchor into the ground before going to the top of the levee to wait for dawn.

Cruz lay on her back, hands behind her head, knees up. Beau sat cross-legged, like a plains warrior sitting around a campfire, and looked out at the lake. He faced the eastern horizon and waited. Motionless, except for breathing and blinking, Beau watched the horizon. He tried his best to keep his heart from racing, as it had when the shadowy figures had closed in on him on the levee. But his heart raced as he watched the horizon; goosebumps covered his arms.

John Raven Beau hadn’t been frightened since he was a kid. There was no fear when he’d gunned down the men he’d chased, no fear when their bullets whizzed past his face with the sound of an angry hornet. As a child he’d been frightened, as most children, of wild sounds coming from the swamp at night, of imagined bogeymen. He’d been frightened when his grandfather told him about Coyote-man, the mythical enemy of the plains warriors, the Sioux and their cousins, the Cheyenne. Stories of the sly trickster who stole the breath from babies, leaving them cold and dead, of tricks played on battlefields when a warrior’s bow broke or an arrow didn’t run straight or a pony tripped on a gopher hole, sending its rider crashing to the ground. Coyote-man drew warriors to watery deaths in lakes and swollen rivers where their soul would never escape, for a warrior who drowned could never rise from the depths.

Beau knew better than to think it was Coyote-man who drew Katrina’s hot winds to New Orleans, knew the myth was just that — a myth. But something drew the storm here. Something drew it from the gulf. Steering currents, or was it, after all, the rotted breath of Coyote-man that sucked the storm ashore? And was the trickster sitting on a rooftop cackling at Beau as he studied the horizon wondering if it would be the same sun rising in the east?

When the sun finally rose, with Juanita Cruz gently dozing next to him, Beau felt a hammering in his chest as he watched the sky turn from black to charcoal gray then lighten into reddish orange before streaming into yellow. It was the same sun and it made him feel as if his heart would collapse from the pain.

“What is it?” The voice came from a distance. “What is it?” It was a familiar voice. He turned to it but only saw a blur. He wiped his eyes and it was his partner, sitting up now, staring at him, her brows furrowed.

“Are you all right?” she asked.

Beau felt his head shake, felt his heart hurting so badly he wondered how he could breathe. He looked back at the sun. It should be off-kilter, askew, every object should be a fraction of an inch from its true place. Everything was wrong, but nothing looked wrong. It was the same sun.

He looked back at his partner and told her that.

“You’re not making sense,” she said, brushing grass from her pants.

“Don’t you see?” he heard himself say.

“No.” She looked him in the eye again and said, “You talking about back there? What they’re doing, isn’t it what we’d all like to do sometimes? Just clean house.”

Beau felt himself shivering in the heated air. “On purpose,” he said. “They’re even leaving the bodies to be found on purpose, so word’ll get out.”

“Sure,” Cruz said. “You said it. Word to the criminals. See what we can do when we want to.”

The pain still shot through his heart but Beau could breathe now. He needed the breath to explain. “We don’t do that.”

Cruz leaned back, a haughty look on her face. “You saying it’s bad?”

“No. I’m saying we don’t do that. We kill... I killed... when I had no choice. It was me or them. We don’t execute people.”

“It bothers you that Killboy’s dead? That cop-shooting Abdon guy? I forget the third one.”

“That’s not what I’m saying. I’m saying, hell, you said it: Everything’s changed. The whole damn world’s changed.”

Cruz looked at him a long while before getting up and holding out her hand to pull him up. He grabbed it after a few seconds and she tugged him up. Beau looked back at the city, at the roofs protruding from brown water like cypress stumps in a bayou. He felt the stab again in his heart.

“Is that why you were crying?” Cruz asked.

“No. Yes. Maybe.” How could he explain it when he didn’t know? A plains warrior didn’t cry. They never showed their emotions like the white-eyes. Maybe it was his Cajun side. Certainly his father would not have hidden his emotions if he saw the great Louisiana city, la Nouvelle Orléans, inundated in brown water.

It took Cruz to say it aloud. “Tonight never happened. We’re solid. There’s no other choice.” She pointed to the construction site next to the canal. “Lets get some help with the motor. Maybe get a lift. Check on Joe and Sad Lisa.”

Beau started to follow, but his legs wouldn’t move. And he realized he knew why it bothered him. It was right there in front of his eyes. There was no going back. Nothing would ever be the same again.

This was New Orleans, A.K.

Copyright © 2006 O’Neil de Noux

The Code on the Door

by Tony Fennelly

Edgar Allan Poe Award nominee Tony Fennelly came to New Orleans in 1969 and on her first night in town “spotted a beautiful French-speaking Cajun boy,” to whom she has now been married for over 30 years. Her Margo Fortier mystery series is set in NOLA, where the actress/writer returned after Katrina.

City officials are bragging that murders in New Orleans have gone way down since Katrina.

Yeah, big deal. Now, five months later, our population is still less than one-third of the pre-storm number. Fewer folks to kill and fewer ill-wishers to kill them. But while the crime rate has dropped here, it has hurtled upward in Houston and Baton Rouge where so many of our lowlifes landed.

With most of the drug dealers and gangsters still out of town, the usual shootings and stabbings over turf have given way to more sensible killings done by respectable people. I learned about one of those while waiting in line at a FEMA facility.

I chose the one in the Jewish Community Center on St. Charles Avenue because I could park nearby for free, and gathered documents proving my ownership of a once-great car, now a flooded-out derelict rusting in the driveway.

The door was guarded by a brawny employee of a private security contractor. I thought him overqualified for a job entailing no more serious a confrontation than, “Sir, would you please take that orange juice outside?” and was curious enough to elicit that he was only deployed here briefly between tours of Iraq. Well, good for him, I thought. I’d hate for all the muscles and military comportment to be wasted on the likes of us here.

I was settled in with a flier about sorting “hurricane-related debris” for pickup when I heard, “Hey, Margo Fortier!”

It was my Uptown friend, Caroline, waving her reptile purse from a middle row of chairs. She gave up her place in line to sit with me in the rear.

“Oh, Margo! I’m so glad you’re back!”

That’s the common greeting these days. We’re all glad anyone is back, even if we didn’t know them before.

“Almost two weeks,” I told her. “Julian is working at the LaBorde Gallery, cleaning flood-damaged artwork. — How did you ride out the storm?”

“Our insurance handled the damage, but it was awful for us.” Caroline fanned herself with a kidskin glove. “On August twenty-seventh, we saw the report that Katrina was coming and decided it was a good day to fly up to our summer place in Charlotte. Then we had to watch all that devastation on the cable news.” She clasped her hands. “We felt just terrible. — How about you and Julian?”

“Taillights on I-10, like the rest of the masses. We left the twenty-eighth with our dog and enough clothes for the three days we expected to be away.”

“That’s what everyone thought, three days. So where did you go when you couldn’t return to New Orleans?”

“We had a choice,” I said. “Julian’s Cajun cousin, Verbus, volunteered a camper on his farm in Turkey Creek. The road was a half-mile away through the cow field and we would always have to watch where we stepped.”

“That doesn’t sound very tempting.”

“It doesn’t. Then my brother Tom offered to put us up in New York City.”

“New York City!” Caroline clapped her hands. “Yes!”

“...in a two-bedroom apartment he shares with his wife and teenaged daughters. We would get the couch in the living room.”

“Oh.” Her hands dropped. “Well — how were those cows?”

“They mooed a lot.”

She shrugged. “You were safe and dry, anyway. — Wasn’t it terrible about old Angus Crawford?”

“Angus?” I sat up straight. “What happened to him?”

“The poor soul died in his house on Maya Street, like so many others.”

“But he had a two-story!”

“I know.”

“We tried to take him with us.”

Julian and I were on our way out early that Sunday morning, him at the wheel and me beside him with the map. Catherine, our Catahoula hound, panted over our shoulders. A city bus passed us with a loudspeaker exhorting residents to climb aboard and be taken to a shelter at no cost. I didn’t see anyone get on.

We stopped for some road food on Maya Street and happened to pass Angus Crawford’s place. The old man himself was in the front yard picking up his lawn furniture, his thick brush of hair looking whiter than the Greek Revival house behind him. We knew him from our Civic Pride meetings as the most vocal of the anti-development faction.

Julian pulled up to the curb and waved.

“Mr. Crawford?! Is your son coming to pick you up?”

“Doug?! That flowerpot?!” The old man screwed up his face and spat in the grass. “I haven’t talked to him in a year!”

“Never mind him, then.” I leaned out the window. “Throw a few things in a bag and ride with us!”

Catherine wagged a welcome, happy to have company in the backseat. I remember that Crawford just frowned and shook his head.

“We’re driving north and west,” Julian persisted. “We’ll take you anywhere you want to go: Gonzales?... Baton Rouge?... Alexandria?”

“I’m not going anywhere! I sat out Betsy and Camille right up there in my living room. I’ll do the same for Katrina.”

“But this will be three times the size,” I warned. “The mayor is calling it mandatory.”

“No bald-headed mayor is going to make me leave my home!”

Then we watched him stride up his steps, across the porch, and back inside.

As Julian turned the wheel to head down toward I-10, I looked out the rear window. “I’m glad the old buzzard isn’t coming along. He’s so disagreeable.”

“Yes, he could have ruined the disaster for all of us.”

“But what if there is a flood, and the water gets in his house?”

“Then he’ll just go upstairs.”

We spent the next nine hours in evacuation traffic, being “counter-flowed” all over creation, and didn’t think about Mr. Crawford again.

Now I turned back to Caroline. “We were hoping the old man’s son, Doug, would drive by and carry him to safety.”

“I’m sure he would have, but Doug Crawford was busy in Lakeview all week.” She fluttered her kidskin glove. “He and his friend Steve rode around in a flatbed boat, plucking people off their roofs. You might have seen them on the national news.”

“Maybe we did. We watched the network coverage on a portable TV in our camper.”

“That’s the saddest part. By the time he and Steve rode their boat to his father’s house, some National Guards from New Jersey had already been there. The code was on the door.”

“The code?”

“They had spray-painted a ‘1 D’ for ‘One Dead Inside.’ That’s how Doug found out about his father. Isn’t that the blackest irony? He had saved a hundred lives only to lose the one dearest to him.”

* * * *

I drove home by way of South Claiborne. Feel like stopping at one of the dozens of fast-food places that line the avenue for a roast beef sandwich? Milkshake? Fried chicken? Pizza? Nyah, nyah, you can’t have any of them. All of those franchises are closed and dark along with the drugstores, service stations, supermarkets... everything.

You know what I miss most? Miss more than electricity? More than my microwave? More even than phone service so I wouldn’t have to hike to the Fair Grinds cafe to read my e-mail? Traffic lights, that’s what I miss. Most of them in the city are still down, so we observe the protocol of a four-way stop. Whoever hits the intersection first gets to go. But what if it’s a tie to the intersection? What if it isn’t clear who was first? What if someone doesn’t want to wait his turn? I could get seriously killed around here.

I parked my car at the house, between piles of rubble, wrote out checks to pay some bills, and went walking through “Debris City” to the one post office that’s still open, built high up near Bayou St. John. Why not wait for the mailman, you ask? What mailman? I haven’t seen one on my block since August. Have you?

I waved to my neighbor, Thelma, who was still in her robe and sticking her head out her front door for a breath of fresh air. The flood didn’t cause her any structural damage, but the mold growing in her house is making her sicker by the day.

I passed the horrendously expensive coffee place where a giant yellow banner declares “NOW OPEN” in foot-high letters. If a thirsty believer parks his car and hurries over to grab a hot morning java, he will see the banner’s smaller print with the address of the company’s other franchise way across town that actually is open. This location is closed, locked, and bare to the walls.

As he fumes and curses, the thwarted customer can read that the place across town is hiring “barristas.” From the name, one might surmise a “barrista” to be a little lawyer, or maybe someone who builds prisons for Chihuahuas. But it’s actually a person who makes a living pouring horrendously expensive coffee.

Ubiquitous as blue tarps on roofs are the “NOW HIRING!” signs. With the city’s working poor scattered among forty-two states, there is no unemployment here anymore. Anyone willing to get up in the morning can have a job.

Most of the eager laborers who have poured into town are Hispanic, some in the country legally, others not. The change in the makeup of our population is audible. Streaming from screened doors and car radios are Mexican harmonies instead of rap rhythms.

I passed piles of debris ten feet high: dented “white goods” (refrigerators and washing machines, not sheets and pillowcases), soggy Sheetrock, faded furniture, muddy children’s toys, and felled giant live oaks that would make enough firewood to power the whole city till summer if only Entergy could burn it for fuel.

I passed a skeleton propped up in a window holding a crude cardboard sign: “WAITING FOR FEMA.”

I smelled something dead, bigger than a cat, smaller than a person, and crossed the street.

The supermarkets are boarded up for miles around, but a mom-and-pop Italian grocery is back in business on a cash-only basis. They can’t process credit cards without a phone.

Walking along Orleans Avenue, I trod on multiple stencils of an invective directed toward a certain public figure. The public figure’s name has four letters and so did the invective.

I detoured down narrow side streets looking for watermarks. The one at our house is about the height of the front porch. But this neighborhood was considerably below sea level and the grainy brown lines were almost as high as the rafters. I passed blocks of abandoned houses and stopped at one to decode the graffiti on the door. There was spray-painted a large X. The space on top had the date, “9–6.” To the left were the initials or ID number of the rescuers. “AZ” for the Arizona National Guard, for example. Or “TX”: There’s Texas. “NJ”: Yay, New Jersey!

The right space designated “NE” for “No Entry” or “LE” for “Limited Entry.” At the six-o’clock position was the number of people found, living or dead. Usually this number was zero. The zero always had a slanting line through it so it wouldn’t be mistaken for the letter “O,” as in “OK,” for the Oklahoma National Guard. Two blocks over, the messages included “TFW,” for “Totally Full of Water” and if you don’t believe the words, note that they appear at an elevation of eight or ten feet and the scribe had to be sitting in a boat at the time.

SPCA volunteers had made the rounds soon after the Guardsmen and left their own messages: “Two Dogs Under House” or “One Cat Outside” and “Dog Food Drop” or “Cat Food Drop.” Someone had left a pan of dry cat food and fresh water in a clean and sparkling glass bowl. A thoughtful amenity for a fastidious feline refugee.

I saw a little yellow house spray-painted in red: “SPCA: Need F/W” (food and water) “2 Pit Bulls, 1 Baby.”

Oh dear! There was a baby in there with those pit bulls? (“Wah! Wah!”) I think they probably meant “puppy.” A human baby wouldn’t live very long in the custody of a pair of ravenous pits.

We have a strong dog and cat culture in this town. One of the stirring images of the Katrina coverage was that of a young black man kneeling on the I-10 overpass, clinging to his dog’s neck. He had probably been up there without food for days but refused all offers to ride to a shelter. The dog wouldn’t have been allowed to go with him. It was only a mutt of no real value, but the man declared that it had saved his life and he wouldn’t abandon it no matter what. Then the TV cameraman who was supposed to be neutrally recording the episode did an unprofessional thing. He took the pooch aboard his news helicopter and taped the reunion in Baton Rouge two days later, the man in tears, the dog wagging and licking.

Multiply this situation by thousands of New Orleanians who stayed behind in the city, enduring terrible hardship, even dying, because they wouldn’t leave their pets to drown or starve.

I walked three blocks down to see Angus Crawford’s house with its grisly message on the door. The date on top was “9–5.” The figure at the six-o’clock position was that chilling “1 D” for “One Dead.” Looking closer, I was surprised that the waterline was only halfway up the window frames on the first floor. The old cuss could have just walked upstairs.

Why didn’t he just walk upstairs?

I saw a man-shaped shadow move across a front window and decided it must be Angus’s son, Doug. One of the heroes of the storm.

On reaching the post office, I picked up a flier — “Get Rid of Mold” — and got into line. While reading the cleaning formula (one cup of bleach to one gallon of water) and trying to figure out what an N95 mask was, I eavesdropped on two postal workers. The letter carrier said he was living in a tent until the sodden, crumbling Sheetrock in his house could be replaced. The clerk behind the counter said he was still waiting for his FEMA trailer.

“I was five days on the neutral ground. The water was all around us.”

“You spent five days sleeping in your car on the neutral ground?”

“I didn’t have the luxury of a car.”

“What did you sleep in?”

“My clothes. I had two women with me — my wife and our daughter — so we couldn’t go to the Superdome.”

No, they couldn’t. What happened to some women and girls up there was much worse than staying outdoors during a category-three hurricane.

“Then they put us all on different buses,” the man went on. “My wife and daughter wound up in Houston and Dallas. I got a cot in a skating rink in Mamou.”

Our cow-pasture accommodation was starting to look like the Paris Ritz.

When I got home, I joined Julian in the backyard and helped him refill the generator with gasoline, my mission being to hold the funnel. “Good day at the gallery?”

“Not really. It was so cold this morning that I wanted to keep the windows shut.”

“But you’re working with strong solvents. Don’t the fumes...?”

“Right. I almost fainted on top of this moldy wizard painting.”

“Wear your warm sweater and keep the windows open... I passed by Angus Crawford’s place today.”

“I heard about poor old Angus.” Julian emptied one can and picked up another. “The water filled his house?”

“No, it only flooded the first floor.”

“Then why didn’t he just walk upstairs?”

“That’s what I wondered.”

Julian stopped pouring, adjusted the choke, and pulled the crank to start the noisy roar of our power source.

“He could have slipped on the wet steps and fallen, hit his head, drowned.”

“Could have.”

Our generator, from which extension cords snake all throughout the house, runs the washing machine but not the dryer, so Julian had to string a clothesline across our back porch.

Living a lot more like my grandmother than I ever wanted to, I carried our wet laundry outside and started pinning it up. At least I had those new-fangled clothespins with the wire hinges.

We’re slogging through the usual rainy New Orleans January and I have to take clothes down and hang them back up several times to get enough cumulative sunlight to dry them. Pinning up our towels, I sang, “No phone, no lights... not a single luxury...”

The Gilligan’s Island theme refers to “Robinson Caruso.” Of course “Caruso” was a tenor. The stranded guy was “Crusoe,” but the song required a three-syllable name. Also, the sitcom was about a bunch of ignoramuses who never heard an opera or read Defoe.

Except maybe for “the professor,” who was brilliant and handsome. If I had been “Ginger” or “Mary Ann,” I would have set up hut-keeping with the professor. I wonder why they never thought of it.

Julian opened the door behind me. “Let’s pay a condolence call on Doug Crawford.”

Young Doug Crawford and his friend Steve Marks were both wearing nothing but jeans and bronzer. They looked like an ad for a “Meet Friends” phone line.

“Margo and Julian!” They swung the door open wide. “We’re so glad you’re back.”

“We’re glad you’re back, too.”

“I can’t say we ever left, really.” Steve stepped around one of the dozen scented candles illuminating the living room. “Our apartment in Lakeview was totaled, so we slept at the deputy station for a month. Then, when the water receded, we moved here. Upstairs, of course.”

“The first floor must have been ruined,” I said. “But I see you’re bringing it back.”

“Yes, ma’am,” Doug agreed. “We tore out the old Sheetrock the first week and put up new the second.”

“We’re going to enclose the back porch and make it into a sunroom.” Steve waved. “The whirlpool tub will be right over there.”

“That old kitchen table will be gone, gone, gone, replaced by an island, with stainless-steel sinks. And our copper-pot collection will hang up there. You see that?” Doug pointed to three paint cans on the counter. “My father was about to redo this kitchen in white. Zinc white! Can you imagine? It’s all going to be ‘Prudent Primrose’ now.”

Steve picked up a brush and fanned the bristles. “We’ll get ourselves a spread in New Orleans magazine. Bet on it.”

“We were trying to understand your father’s terrible accident,” Julian said. “We asked ourselves, why didn’t he just walk upstairs?”

“Oh, but he did. Let me show you.” Doug pointed to the staircase and we all followed him up to the second floor. “Dad must have lived up here by himself for three or four days. He had a generator out on that balcony off the bedroom. He’d stocked jugs of gas, bags of freeze-dried food and bottled drinks.”

Julian stepped out onto the balcony and leaned over the gas cans. “Your father’s generator is like ours. It wouldn’t take more than eight gallons a day, even running constantly.”

Doug and Steve looked at each other. “So?”

“I see three empty twenty-gallon cans. He could not have used all that gasoline in three or four days.”

Doug’s Adam’s apple moved. “Then the cans couldn’t have been full when he started.”

“That would explain it.”

Once back on the sidewalk, Julian stepped up to examine the scrawled writing. He opened our car doors with the remote.

“Margo, the glove compartment. Get the flashlight and my kit from work.”

“Check.”

The “kit from work” is just a box with nothing in it but cotton swabs and a bottle of paint solvent. Julian opened the solvent, which smelled strong enough to make me dizzy even out in the fresh air, and addressed himself to the code on the door. I stepped back to the car as he dipped the swab in and applied it to the center of the “D” for “Dead.” He dabbed carefully in a tight circle and in less than a minute, a black smear emerged from beneath the white.

I held my breath and came in for a close look.

“That was the slanted center line of a zero!”

Julian heaved a sigh and knocked on the door twice, above the “1 D.” In a few seconds, we heard running footsteps. Doug pulled open the door, then saw Julian’s smear and gasped. Steve appeared behind his shoulder and went pale.

“We can reconstruct the events here.” Julian capped his bottle. “The Guardsmen came on September fifth, but Angus wouldn’t have let them rescue him in any case. When they rode their boat down this block, calling for survivors to carry to safety, he would have turned off his generator, hidden upstairs, and kept mum. The Guardsmen would mark the house empty and move on.”

Doug nodded slowly, as if in a trance.

“Your father was still alive when you got here a few days later. You killed him and left him in the water. Who would notice one more drowning victim during the greatest natural disaster in the country’s history?”

Steve opened his mouth, then closed it as Julian continued.

“Crawford already had some white paint in the kitchen. You used some of it to paint over the line in the zero, which you turned into a ‘D,’ and wrote the number one beside it.”

“That was taking some chance, doing it out in the open,” I put in.

“The neighborhood was still troubled. The lights were all out and there was no one around to see them but maybe a cat.”

“It was me!” Steve stepped out on the porch. “I did it.”

“Oh, shut up!”

“No, Dougie. I want to tell the truth.” He beckoned us back into the vestibule and lowered his voice. “Please try to understand. We had been thirty hours without sleep, living on coffee and donuts, pulling people off their roofs and carrying them to dry land. I wanted to sack out, but Dougie just had to steer the boat over this way and make sure his father was all right. ‘Why?’ I asked him. ‘Your old man doesn’t care if you live or die.’”

“I thought he would be proud of me. Everyone else told us we were heroes.” Doug rubbed his eyes. “We saw the code on the door, the zero meaning no one was inside. But I knew Dad was just hiding. He wouldn’t leave. So I used my old key to get in and he heard us and came down the stairs. I was so glad to see he was all right. I ran to him but...”

“He just started blasting at Doug.” Steve made two fists. “Got red in the face like a monster. Kept cursing and screaming how he was ashamed of his miserable excuse for a son. And poor Dougie was...”

“Yeah, I was breaking down,” Doug admitted weakly. “I was so exhausted, I could hardly stand up, and then I expected him to welcome me with open arms, but with all that...”

“Hollering filthy names at him, how he was praying to God that Dougie had drowned.”

“I had always told myself that my father really loved me no matter what. But now I knew...”

“I had the heavy police-issue flashlight we were using to search the houses,” Steve interrupted. “I just hit that vicious old man on the head with it, only to shut him up so he would stop hurting Dougie! That’s all I wanted to do, shut him up. But he fell like a stone.”

“Dead before he hit the water,” Doug said. “Whiting out the code on the door was my idea. I used Dad’s paint to cover the zero, then sprayed on the ‘1 D’.”

Then he began to cry. “I loved my father. Why did he hate me so much? What’s so terrible about me?”

His friend held him in a protective hug. Julian gave me the raised-eyebrows sign and we left them to assail their demons.

Getting back into the car, I asked, “Where are we headed now?”

“I could use a good night’s sleep.”

“Me too.”

Copyright © 2006 Tony Fennelly

Content

Ellery Queen’s Mystery Magazine, Vol. 128, No. 5. Whole No. 783, November 2006

Libre by Barbara Hambly

The Sugar Train by Edward D. Hoch

The Death of Big Daddy by Dick Lochte

Dead Men’s Shirts by Julie Smith

Eternal Return: To the City of New Orleans by James Sallis

Monday at the Pie Pie Club by Tony Dunbar

No Neutral Ground by Sarah Shankman

The Jury Box by Jon L. Breen

Acts of Contrition by Greg Herren

Evening Gold by William Dylan

Sneaky Pete from Bourbon Street by John Edward Ames

When the Levees Break by O’Neil De Noux

The Code on the Door by Tony Fennelly