J.A. Redmerski

BEHIND THE HANDS THAT KILL

1st Edition

This book is a work of fiction. Any references to real people, historical events, businesses, companies, products, or real locales are used fictitiously. Other names, characters, places and incidents are products of the author’s imagination, and any resemblance to actual events, locales, persons living or deceased, is entirely coincidental.

Copyright © 2016 Jessica Ann Redmerski

All rights reserved, including the right of reproduction in whole, or in part, and in any form.

In accordance with the U.S. Copyright Act of 1976, the scanning, uploading, and electronic sharing of any part of this book without prior written permission is unlawful piracy and theft of the author’s intellectual property.

---

Cover Art By Michelle Monique Photography | www.michellemoniquephoto.com

Cover Image | Dundanim

---

-PRAISE FOR IN THE COMPANY OF KILLERS-

"Intense and gritty with unpredictable twists and turns."

- Night Owl Reads on THE BLACK WOLF

"This series is Spectacular!"

- SMI BOOK CLUB

"Mind-f*ck at its finest and I loved every single minute of it."

- Amazon Customer on THE SWAN & THE JACKAL

"Say goodbye to your nails..."

- Amazon Customer on KILLING SARAI

"Dark, compelling, deathly violent and just fan-bloody-tastic!"

- Goodreads Reviewer on REVIVING IZABEL

"There is no going back for me, this series has me completely and utterly addicted..."

- Books She Reads

"5+ Crushing, Amazing & Shocking STARS"

- The Book Enthusiast on The Swan & the Jackal

"These books are genius!!!"

- Amazon Customer on SEEDS OF INIQUITY

-ABOUT BEHIND THE HANDS THAT KILL-

Even professional killers need vacations, but for Victor Faust, his vacation in Venezuela is about more than relaxation and time alone with Izabel Seyfried. It is a chance for him to come clean to Izabel: to tell her the truth about why he sent her to Italy with his brother, the truth behind his interest in Nora Kessler, and about his knowledge of Izabel’s child with her former captor. But before Victor can spill his soul, reality proves that for some killers, vacations are just pipedreams.

Attacked and kidnapped, Izabel finds herself stuffed in a suitcase, while Victor later wakes up imprisoned in a cage. In any other situation, Victor would find a way out and save himself and the woman he loves—but not this time. When the identities of their kidnappers are revealed, Victor loses all hope, and begins the mental process of accepting his and Izabel’s last moments together. And Izabel’s final moments of life.

As if his circumstances are not complicated enough, members of Vonnegut’s Order are finally closing in on Victor. And when they do, he comes face-to-face with someone else he once knew and loved, who could either help him, or make a grave situation much worse. Victor’s past has finally caught up with him: the women he has cared for, loved, and killed; the families he has destroyed; the unforgivable crimes he has committed. And now he must face the consequences, and pay the ultimate price for absolution.

But when it is all over, Victor may not have the strength to pick up what is left and move on. Because the event changes him. Because love changed him. And because, unlike before when he thought it is was for the best, he cannot imagine a life without Izabel.

ONE

Victor

Fifteen years ago…

There I sat, my face swollen, blood dripping from my mouth, and a beautiful young woman named Artemis Stone unconscious at my feet.

I was barely in my mid-twenties; Artemis three years younger than me. She had been my assignment for one year before this day: play the role of her lover, gain her trust, kill her father, and her mother, and her three brothers. The Order was testing me, I knew, as I sat slumped, bound by both ankles and one arm to that metal chair. But in what way was I being tested? I was already a full operative; I had surpassed everyone in my group; I was beyond assignments like the one with Artemis—it was more my brother’s job, to play a role and work from the inside. I missed the rooftops, the feel of the sniper rifle in my hand, the scope pressed to my eye, the moment I stopped breathing before I took the shot and played the role of God. The utter silence that followed.

Why was I here? And why was this man’s face so familiar? I suppose the most pressing question I should have been asking myself was: How did I allow myself to get in this situation?

“You’re probably asking yourself,” the man who introduced himself as Osiris said, “how the fuck someone like you could get himself in a situation like this.” He laughed; his teeth were stark white against the backdrop of his mixed Haitian skin. I knew he was probably related to Artemis, and that was probably why he looked familiar. They shared many physical similarities: dark caramel-colored skin, black hair, dark brown eyes with a distinct slant in the corners, and high cheekbones that were severe and exquisite. Artemis was half Haitian half Venezuelan, one of the most beautiful women I had ever seen. Osiris resembled her. Another brother, perhaps? It was my second guess, next to a scorned lover, which I aborted early on because he did not fit the profile. But there was something off about the brother theory too: brothers don’t usually want someone to kill their sisters. This ‘Osiris’—the name also similar to Artemis’s in its mythological origin—put the knife in my unbound hand; he had been beating me for ten minutes because I refused to slit Artemis’s throat. If he wanted her dead so badly—related or not—why would he not just do it himself?

I could have killed Osiris—two opportunities passed me by—but I was not ready to kill him yet. I needed answers first.

“The only way you’re getting out of here alive, Victor Faust,” Osiris said, grinning at me just five feet away, “is by killing her. Why are you stalling?”

“Haven’t we already been over this?” I said, taunting him. “You are not very good at this, are you?”

Nothing I ever said fazed him much; always grinning, his dark eyes backlit with the upper hand. I admitted it to myself as I sat there: he did have the upper hand—it was the only thing keeping him alive. As far as why I would not kill Artemis: I was not commissioned to kill her; no orders had been passed along to me from Vonnegut to take Artemis out.

And…there was another reason, too.

“If you want her dead,” I offered, my head dizzying from the blows I’d taken, “then do it yourself.” Artemis made a slight movement at my feet, but then she went still again; her long, silky black hair covered her face. Osiris had knocked her out cold when he stormed into the room and pulled her naked body off mine.

“And we’ve already been over that too,” Osiris said. “It’s not my job to kill her.” He leaned back in his chair, lifting the front legs from the ceramic tile floor. He smiled and cocked his head to one side, tapped the barrel of his gun against his leg. Osiris was young, but older than Artemis; still wet behind the ears, and cocky, which I had not decided yet worked to his disadvantage or not. Cocky was never a good trait to have in the professional killing business, but so far Osiris seemed to manage it well. And that bothered me. Whether he was a professional still had yet to be seen.

“It is not my job either,” I came back, and then spit blood onto the floor because my mouth was filling up with it.

“Not even to save your own life?” he asked, cocking his head to the other side.

“If that was what this was about,” I said, “then yes, Artemis would be dead already.” It was a lie.

“Artemis,” he echoed, as if satisfied hearing me call her by her name. His smile deepened; a sinister light danced in his eyes.

It was in this moment that I began to realize what was going on, but all of the pieces were not coming to me fast enough. I was too disoriented by the blows to my head to figure it all out as quickly as I normally would. But what I did figure out was that this man wanted me to kill Artemis because he—or someone—thought I had developed feelings for her. Yes, I was being tested by The Order. Yet, there were still holes in my theory. Who the hell was Osiris? As far as I knew he was not part of The Order.

“I cannot kill the girl,” I said.

“Why not?” Osiris came back; he looked at me with the gaze of a man who enjoyed being right. “Is it difficult for you to take a bitch out, Victor Faust? Or is it just difficult for you to take this particular bitch out?” He smirked.

“No,” I answered without hesitation, and I felt Artemis stir again at my feet. “I cannot and will not kill her, or anyone else, because you tell me to.”

“But it’s to save your life,” he tried to explain, and I saw his confidence begin to waver.

“No,” I continued, “you are not here to kill me, whether I kill Artemis or not. You have made it very clear that this is a test. You can’t kill me”—(I was pulling at strings; I was not sure if any of this was true, but I could not let Osiris know my doubts)—“or you would have done it already.”

Osiris stood and shoved his gun into the back of his pants; his black leather jacket concealed it.

“So,” he said, coming toward me, “you’re saying that if someone above you, from The Order, was to walk in here and tell you to put that bitch out of her misery—”

“Your use of expletives,” I cut in, blood dripping from my bottom lip, “makes it difficult to take you seriously.”

Osiris’s left brow rose higher than the other.

“How so?” he said, quietly offended.

Casually I answered, “Because, quite frankly, I feel as though I am dealing with someone of, shall I say, inadequate education.” (Osiris’s nostrils flared.) “Or do you just have something against women?”

I glimpsed Osiris’s fist amid the spots before my eyes, and then the world blinked out.

TWO

Izabel

Present day – Caracas, Venezuela

Ice. Victor said he was going to get some ice. And he did come back with a bucket of ice from the vending area. The issue I have with it was that it took him fifteen minutes—the machine is at the end of the hall—and when he came back into our hotel room and set the bucket on the table, he left again. Said he had to run to the store. Bullshit.

Victor is a good liar—he kinda has to be doing what he does. But when it comes to me I’ve noticed over the time we’ve been together, the man can’t lie for shit anymore. And it’s hilarious.

The only question now is: Where the hell did he really go, and what exactly is it that he’s doing? We’re supposed to be on vacation. We’re supposed to be enjoying ourselves, setting aside the whole killing thing for one week. I should’ve known it was too good to be true, that a real vacation like normal everyday people have, wasn’t at all realistic. He’s probably in the hotel somewhere—probably has a whole setup in another room on another floor—checking his emails, phone messages, things like that in which have absolutely no place on a vacation. Maybe I’ll follow him next time he leaves the room. I’d love to catch him in the act. The I’m-sorry-sex would be awesome.

The door to our room opens and in walks the love of my life, tall and groomed with severe features that make him look both sexy and dangerous, kindhearted and merciless. He’s wearing a pair of loose-fitting khaki pants and a black Polo shirt. And flip-flops. Flip-flops! I never thought I’d see something like that—better chance seeing a nun in a bikini.

“Where have you been?” I step away from the wide open sliding glass door that leads onto the balcony, and I go back into the room.

“I had to take care of something,” he says, walking toward me with some kind of purpose. He grabs me by the arms and pulls me toward him, presses his lips against mine—oh, that kind of purpose. His kiss is long and rough; I can feel his big hands tightening around my arms, his fingertips pressing into my skin. Then he lifts me into his arms, my bare legs wrapped around his waist, my butt in his hands, and he carries me over to the bed, throws me down against it.

“What’s gotten into you?” I ask, coiling my fingers around fistfuls of his shirt as he crawls on top of me.

Victor dips his head, kisses me harder, pulls my bottom lip with his teeth. Damn…

“Nothing,” he says, and a second before he kisses me again, he pauses and looks down into my eyes with curiosity. “Do you want me to stop?”

Hell no…

With his shirt still clenched in my hands, I pull him down on top of me, covering his mouth with mine; I wrap my legs around his sculpted waist. Feverishly he kisses me, the way he knows I like it: aggressive and dominant. His hands explore my body, searching the barrier of my bikini bottoms, and while I’m getting lost in Victor, wanting him in every way imaginable, something occurs to me and I stop, my hands wound within his short hair, I grip tight enough to get his attention, and pull his head away.

He looks down at me with confusion.

I look up at him with accusation.

“What is wrong?” he asks.

Inhaling deeply, I take his scent in one more time, just to be sure.

“Izabel, what is it?”

Pressing the palms of my hands against his chest, I start to push him away, needing to get out from underneath him, but he won’t let me.

“I smell it on you,” I say, and sigh with disappointment.

With his hands pressed into the mattress on both sides of me, holding up his weight, Victor glances at his shirt, sniffs lightly, then looks back at me, still with a look of question. “You smell what on me?”

“You know exactly what I smell.” I manage to worm my way out from underneath him.

He sits upright on the edge of the bed; I can feel his eyes on me from behind as I step into my skirt.

“Izabel,” he says, “I’m sorry, but I do not know what you are talking about.”

I turn around to face him. “Oh come on, Victor,” I say, “don’t make it worse by lying to me—that’ll piss me off more than what you did.”

“What did I do?” He seems genuinely confused. But I know better. “Tell me—”

“You killed someone,” I say, slipping my arms into my shirt. “I can smell the gun smoke, or nitroglycerin, or whatever it’s called on your clothes.”

His shoulders rise and fall along with his act.

Shaking my head, I say, “That’s why we came here, isn’t it?” He doesn’t respond—and he doesn’t have to—so I go on. “I wondered why you picked Venezuela, of all places, to take our vacation. Nothing against Venezuela, but I can think of a few places I’d rather go—that’s why you shot down The Bahamas.” Stepping into my flip-flops, I turn to him and ask, “So who was it? How much was this job worth?”

“Fifty-five thousand,” he answers.

My eyebrows crumple under wrinkles of confusion. Fifty-five thousand? That can’t be right; Victor never takes a job under one hundred thousand anymore.

“So then you admit,” I say, ignoring the meager payday for the moment, “that this whole vacation idea really had nothing to do with you and me, alone time, away from all the chaos—it was just an excuse.”

Victor shakes his head. “No, Izabel,” he counters, “it wasn’t an excuse, and yes, I brought you here to be alone with you.”

“But you wouldn’t have chosen this place,” I say, not with anger, but with disappointment, “if your target wasn’t here. We could be soaking up the sun and breathing in the clean air of The Bahamas right now, but your hit was more important.”

“That is not fair, Izabel, and you know it.”

He’s right, I’m not being fair. I know more than anyone that our lifestyle is far from ordinary, normal. I knew getting into this—the relationship with Victor, the profession—that ‘normal’ would always be an illusion. So yes, he’s right, I’m not being fair. But he didn’t have to lie to me about it, either.

Victor sighs heavily and looks off toward the wall.

“I just wanted to make it seem as real as it could,” he says. “I could have told you the truth, I know, but I did not want to ruin it for you.”

“I know,” I tell him, forgiving him.

I go back over and sit sideways on his lap; he hooks his hands around my waist.

“So tell me about the job,” I say. “And why only fifty-five thousand?”

He kisses the side of my neck.

“It came at the perfect time,” he begins. “We needed to get away from Boston—I could kill two birds with one stone, so I took the job.”

“So then I’m a bird that needs to be killed?”

Victor frowns.

I smile.

“I’m just messing with you,” I tell him, and kiss his lips.

Victor smiles lightly, and then helps me off his lap.

“I apologize,” he says. “I know I could have—should have—just set everything else aside and taken you where you wanted to go; made the vacation about you. About us.”

“It’s OK,” I say. “This is who we are, Victor. And I wouldn’t trade it for anything. Besides, you’re the Great Victor Faust, and you have a reputation to maintain. Bein’ all God-like and stuff.” I scrunch my nose up at him, and smile. I’m just trying to lighten the mood again.

“Izabel,” he says, walking away, mood not lightened, “you give me far more credit than I deserve.” He pulls his gun from the back of his pants and sets it on the table beside the ice bucket. And then he strips off his shirt. “You’ve only ever seen two sides of me. I’m not perfect. I’m skilled, yes. But immortal? No.”

I want to laugh—how could he assume I believe something so ridiculous? But I don’t laugh. I don’t because I realize that all this time I’ve never really believed that anything could ever happen to Victor; I can’t think of a single instant when I was truly afraid for him—he’s right: without realizing it, all this time I’ve considered him immortal. And maybe even perfect, too.

I walk over to him, touch his bare arm lightly, brush my fingertips over the curvature of his bicep muscle. “Well, maybe you’re right”—I press my lips to his shoulder; his skin is warm against my mouth—“maybe when I look at you I see something more…complex, more advanced.” Walking around him slowly, my lips leave a trail of kisses across his back, his sides, and then his chest when I make a full circle.

I stop and look at him gazing down into my eyes. What is that in his gaze? Lust? Indecision? Struggle? For the first time in a long time I can’t tell the difference.

“There’s something I need to tell you, Izabel.”

The words, although vague, are cryptic enough to stop my heart. No one ever starts a sentence like that unless the rest of it is going to suck.

I take a step back and away from him immediately.

“What is it, Victor?” I’m afraid of the answer.

He sighs and his gaze drops to the floor; a hand comes up and his fingers cut a nervous path through his short hair.

He looks right at me.

My heart stops again.

“There was more to the mission in Italy than what you were lead to believe.”

I blink twice, and then just stare at him for a drawn-out moment.

“OK,” I finally say. “Then what? Tell me.”

Victor pulls out a chair from underneath the table and he takes a seat. I remain standing. I feel like I should probably sit down for this too. But screw that.

“I want you to sit down,” he says kindly.

“No, I’m fine right here,” I respond with a little less kindness—I cross my arms.

He sighs, and then slouches in the chair somewhat, letting his long legs fall apart before him; his left arm rests on the tabletop.

There’s a long pause, and although only a few seconds, I feel like I’m going to die with impatience.

“Victor—”

“There are things about me,” he begins, “that you will never understand, or be able to accept, things that I cannot change.”

“Can’t or won’t?”

“Both.”

That stings. But I say nothing.

And where the hell is this stuff coming from? I’m getting whiplash trying to figure out how we went from almost-sex to you’re-gonna-need-to-sit-down-for-this.

“When I met you,” he goes on, not looking at me, “or I should say after I fell in love with you, I thought maybe I could change.” Now he looks right at me, hooking my gaze and holding it. “That part of me that loves you wanted to…adjust”—he motions a hand casually—“certain things about my personality, to better suit you as your…lover.”

“My lover? You’re not a robot, Victor,” I snap, “so please speak normal, everyday English.”

“I love you,” he says, “but I can never change who I am for you.” (That didn’t sting—it gutted me.) “And I was a fool to ever consider it. Changing is impossible. I knew that all along. I tried to find ways around it, but in doing so I got myself in tight situations.”

My mouth pinches bitterly on one side; my arms stay crossed. I want to argue, but he doesn’t give me a chance.

“If I was myself, Kessler never would have made it out of that auditorium alive the night we apprehended her. But because of my feelings for you, I played her game to save the life of your mother. I changed who I am, how I work—for you. And as long as you’re alive, as long as I’m in love with you—as long as you are mine—I’ll struggle with who I’ve become, and who I am. And the consequences will be that I get myself, and you, and everyone else, into tight situations. Because I am not used to caring for someone, Izabel. I am not used to…caring at all.”

“So what are you saying?” I ask, bitterly. “Is this your way of leaving me? Is that why you brought me here: show me a good time, give me the last part of who you tried to be, and then send me on my way?”

Wait. Or could it be…? No…that can’t be what’s happening—did he bring me here to kill me?

I take two more steps backward, my legs becoming unsteady underneath my trembling weight.

Victor stands, and my eyes dart to see his gun still laying on the table beside him. In his reach. My heart is pounding against my ribcage. I’m losing my breath.

“No,” he says calmly, regretfully, and walks away from the gun, moving toward me. “I brought you here to tell you the truth. About Italy. About Nora. About everything.”

About Nora? Why does it feel like my stomach is in my throat all of a sudden? What the hell does Nora have to do with this?

“Then tell me, Victor. Tell me and get it over with.”

He stops abruptly, just feet from me, and cocks his head curiously to one side. He looks stunned, maybe even a little wounded, and I can’t quite place why. I think he’s going to say something—maybe he’s hurt by how afraid I am of him suddenly. No, it’s something else…something entirely—

“Victor?”

His eyes appear heavier, unfocused; his legs seem to struggle holding up his weight; he’s like a tree moved by a steady wind.

“Victor, you’re scaring me.” I move toward him. “Victor?” He collapses, and instinctively my arms shoot out to catch him, but the heavy weight of his body falls against mine; we crash onto the carpeted floor together.

“Victor! Victor wake up!” I crawl from underneath his hip and sit on my knees beside his seemingly lifeless body. “Victor!” I shriek. My hands probe his face; his eyes are wide open, but empty—thank God I feel breath emitting from his mouth and nostrils.

What the hell is going on? What just happened?

My fingers graze something foreign when I grab him by the neck. I turn his head to one side to see a tiny golden piece of metal jutting from his skin. Yanking it out quickly, a trickle of blood follows, trailing down his throat. I drop the strange-looking dart on the floor.

The balcony. Victor’s back was facing the open balcony doors. Panicked, I struggle to get to my feet, intent on making it first to Victor’s gun on the table and then to the balcony doors to close them. But I don’t even make it to the gun when I feel a sudden hot prickle in the side of my neck. And just like Victor, I stop, stunned, instantly feeling the drug moving through my bloodstream, and into my brain. The room begins to spin; my legs feel boneless; I can’t feel my hands or my chest or my face.

Two dark figures, blurry and colorless, appear at the balcony doors. All I can make out is the movement, and their feet. Am I on the floor again? How did I get here?

“She’ll fit in the suitcase,” I hear a man’s voice say.

Suitcase? What the fuck do you mean suitcase? I feel like I’m screaming at these people, but for some reason I don’t think they hear me. I could swear that I’m thrashing, trying to fight them off, but I don’t think they notice.

Moments later I feel my body being lifted into the air. No, I don’t feel it, I see it—I don’t feel anything—and although everything is out of focus, I can still vaguely make out the furniture in the room. I can see one body standing over Victor. I can see things moving as I’m carried away. Then I hear, muffled in my ears, the ominous sound of a zipper.

No! Don’t put me in there! Please! NO!

I realize now that I can’t move and I can’t speak. But my eyes are open and I can see. And I can hear. And I can smell. Perfume. Peppermint. Dial soap. Nail polish. Leather. My sense of smell is intensified, but my sight and hearing have diminished severely.

The zipper sounds in my ears again.

“Hurry,” a woman’s voice urges. “They’re coming.”

What little light I could see, and everything within it, goes black as the zipper closes around me, sealing me inside a leather tomb.

THREE

Victor

Present day – I think…

My fingers are finally starting to move again; the blur is beginning to clear away from my eyes, but little good it does when the people who kidnapped us are wearing black masks over their faces. And despite the minimal movement in my hands, I am in a small cell with iron bars, and without a key or a lock pick, I can do nothing to free myself.

The stone floor is warm and moist against my bare back; I am wearing no shoes. The air is humid and reeks of mildew. Wet straw. Remnants of animal feces and urine. It smells like a farm or a zoo or a circus, which leads me to wonder what kind of animal was in this cage before me, if it died in here, and if I will be treated with the same cruelty.

Izabel. Where is she?

I struggle to move my eyes in search of her; I still cannot lift my head. I feel myself straining—every part of me—but the effort produces no results. The drug is taking too long to wear off; I feel trapped in my own skin, and I would rather be dead than to feel like this.

I close my eyes and sleep—sleep always speeds up time.

I wake to a scraping sound, and the distant clatter of voices. Arguing. Cursing. But the people are not in the same room; I think they are behind a door, somewhere to my left. I can feel my toes now. I can move my legs, my hands, my head—but I refrain; as much as I want to get up from this filthy stone floor, or at least raise my head to look for Izabel, I remain still. Because although I cannot see him, although I have only ever heard two distinct voices since the hotel room in Caracas, I know there is a third person. A man. I saw the masked figures look at him on two separate occasions, giving away his authoritative presence. I can sense him watching me now, I can feel his eyes on me; I can smell his cologne, his sweat—he is close, right behind me, sitting in the dark on a metal chair on the other side of the bars. I had heard the chair legs scraping lightly against the floor moments ago. It was the sound that initially woke me.

“Fifteen years,” the man says, breaking the silence, “seems like a long time, doesn’t it, Victor?”

I hear him get up from the chair, I can hear his footsteps moving slowly over the stones, but he stays behind me in the shadows. I hear the snap of a lighter, and seconds later the potent smell of cigar smoke reaches my nostrils. I am thankful for it; it suffocates the stench of animal.

There is no reason to pretend any longer—he knows that I am awake.

“Kidnapping does not suit you, Apollo,” I say; my bones feel like they have not been used in days as I struggle into a sitting position.

Apollo’s laughter is as deep and suave as his voice; he puffs on the cigar, taking his time.

“And stupidity doesn’t suit you, Victor—you know why you’re here.”

Yes, I do—revenge for what I did fifteen years ago. Not to mention the substantial bounty on my head.

I push myself into a stand with difficulty, my legs still do not feel like a part of me; my breath is heavy and uneven; my head spins. I reach out and grab the vertical iron bars to steady myself, shaking off the remnants of the drug, but it clings to the back of my eyes and the crevices of my brain like spider webs.

“So how much did they tell you my head is worth?” I’m looking down at my bare feet; yellow straw helps to cushion them against the floor.

“Oh, now let’s not get ahead of ourselves,” Apollo scolds, playfully. “I’d like to get the questions about that girl of yours out of the way first.”

“What questions?” I ask, pretending.

Apollo laughs; the darkness illuminates briefly with a soft orange glow as he takes another puff of his cigar.

“You always were the unpredictable type,” he says, takes another puff. His voice draws closer as he steps out of the shadows and into the light of the moon beaming in through three high windows. “OK, so if you’re gonna pretend you don’t give a shit about her, then I’ll just get to the point.” He steps up to the bars—I could reach him if I wanted, but if I do anything stupid, Izabel will pay the price.

Apollo smiles craftily amid his dark skin; smoke floats in a cloud around his head. Dark eyes stare back at me with a sort of sick delight—it looks very much like revenge, despite his claims. Short black hair. Sharp cheekbones. Perfect skin. He looks so much like her—Artemis, his twin sister. It bothers me a half a second longer than I like.

“By all means,” I tell him, urging him to ‘get to the point’. But then I try to do it for him. “Let me guess,” I begin. “You want something from me first. Information. Money. Something you cannot get from Vonnegut. And if I do not give it to you, Izabel will die.” I look him straight in the eyes. “Is that about right?”

He smiles.

“Not necessarily,” he answers, and I detect the satisfaction in his voice—it is not often that I am wrong about these things, and he is enjoying the rare moment.

Apollo drops the cigar on the floor and crushes it with an expensive black dress shoe.

“You really are slipping, Faust,” he says, shaking his head. “It amazes me—never thought I’d see the day; the legendary Victor Faust, Golden Boy of The Order, one of the most dangerous men alive”—he chuckles, shaking his head again—“and now look at you”—he points at me in a disgusted fashion—“in a cage, like an animal, and it all started with that girl back in Mexico.” He turns his back to me and walks away from the cage. “Now I don’t know too many details about when you went rogue from The Order; I don’t even know if the shit that I heard is true: about how you helped that girl and risked your life for her—hell, I even heard you almost killed your brother to protect her.” He turns to face me, something dark and serious in his eyes. “That’s fucked up, bro. You know that saying about blood being thicker than water? It’s true. Family comes first.” He should know—Apollo was betrayed by his own flesh-and-blood brother, Osiris. He is still bitter about it, I see.

“Falling in love with someone makes them family too,” I say. “Then it’s just a matter of which family member deserves your defense—my brother deserved a bullet at that time, not unlike your brother fifteen years ago, if I remember correctly.”

Not liking my answer, but unable to argue with it, Apollo tracks back to what he was saying before. “Anyway—I don’t know too much about when you went rogue, but it’s pretty fucking plain to me that you’re here, in this situation, because of that girl. And now you just admitted to being in love with her. Thought I was gonna have to break that out of you.”

I thought he was too—I did not even realize until now that I had said it out loud. So much for pretending Izabel means nothing to me in hopes they will not harm her. Apollo is right—I am slipping. But I knew that already. I have known that for a long time. Only now do I realize just how severely.

Other things are becoming clear to me as well: the real reason I was commissioned for the hit in Caracas.

“I take it you had a big hand in the job here?”

Apollo smiles.

“So then,” I go on, “I was brought to Venezuela under false pretenses just to get me where you wanted me.” I should have sensed something misleading about this job. I hope Apollo does not see that realization on my face, but I get the feeling that he does.

Apollo nods, and a smirk pulls one corner of his mouth. “You’re slipping, just like I told you,” he says, proving my assumption.

“Yes. I admit it. Vonnegut should have taken a page from the handbook of the SC-4—they are true soldiers. Emotionless. Loveless. Merciless. In a way I envy them.” I look away, lost in my thoughts, feeling regret for thinking them at all. If Izabel knew how often I thought of Nora…I have wanted to tell her, but for a long time I feared she would not understand. I had planned to tell her in the hotel, but the moment was…interrupted. Maybe it was for the best. Maybe none of that matters anymore now.

I look up at Apollo again, shaking the thoughts from my mind.

“So how many of your family are left?” I ask.

Apollo drags the chair he had been sitting on before, out of the shadows, and places it near my cell. He sits down, props his right ankle on his left knee, and folds his hands loosely within his lap.

“Me. Osiris,” he says, and casually gestures one hand. I get the feeling there are others.

“What about your sister, Gaia?” I say. “You were close with her.”

“Killed last August,” he says. “Pissed off boyfriend, or some such shit.”

I nod.

There is a pause, and then Apollo says, “Do you ever think about her?” shifting the subject to the one I was brought here for.

“Artemis?” I ask.

“Yeah, Artemis—who the fuck else would I be talking about?”

“What does it matter?” I say.

“It’s just a question. Do you still think about my sister?”

“No.”

Apollo seems only mildly surprised—I cannot tell if he believes me. I am a skilled liar by default—except when it comes to Izabel—but if I am slipping as much as Apollo believes me to be, then he will probably know that I am lying about this. I do think about Artemis from time to time. She was the only woman who ever came close to being as important to me as Izabel is.

The memory, to this day, haunts me.

Fifteen years ago – Two days before the abduction

My eyes sprang open and my hand instinctively went for my gun on the nightstand. But the sweet, hysterical laughter, and the thin, delicate fingers digging into my sides, brought me into reality quickly.

“Happy Anniversary,” Artemis said, nuzzling her head into the side of my neck; she sat on my waist, straddling me on our bed; her hands still worked futility to tickle me.

I smiled up at her, reached up and cupped the sides of her face within my hands and pulled her down to kiss me. Her lips were soft, careful, as if she worried she might break me. She had always been that way with me; I thought it both amusing and endearing at the same time.

“One year ago today,” she said, her mouth inches from mine, “I met the only man in the world who can put up with my shit.” She kissed my forehead, then straightened her back and rose into a sitting position atop me.

“Are you going to let me up?” I asked. I could easily get away, and she knew it, but I enjoyed giving her more power over me than she really had.

I felt her thighs tighten against my hips; she grinned.

“No,” she said, “I want you to stay in this bed with me for the rest of your life.”

“If that is what you want,” I said, matter-of-factly, “then that is what you will get, my love.”

I felt myself growing beneath her; the palms of my hands moved up her thighs and I clutched her hourglass hips within them.

Curiously, Artemis cocked her head.

“What?” I asked.

She sighed lightly, looked away from my eyes for a moment long enough to make me wonder if she was ever going to answer.

“When you call me that,” she began, “sometimes it feels…”

“It feels what?”

She sighed again, a bit deeper this time; then her dark eyes fell on mine with a sense of urgency that made me uncomfortable.

“Forced,” she finally answered, and I blinked, stunned. “I don’t know, it just…I don’t know.”

“Speak your mind,” I told her, moved my hands up and down her bare thighs in hopes of comforting her. Of course I could have asked the obvious question: Are you insinuating that I do not love you, Artemis? But I needed to stay as far away from that topic as I could.

Artemis frowned, pouted, the way she always did when she was trying to get me to baby her. I liked it—that childlike frown, and babying her. I reached out and grabbed her around the waist, pulled her down on top of me, and with a little less aggression than she had with me, dug my fingertips into her sides.

A peal laughter filled our small apartment bedroom; she kicked and screamed. “Please stop! Victor please! I’m going to pee—PLEASE STOP!”

Of course, I didn’t stop.

And, of course, she did pee.

When I saw the look on her face—I was on top of her by then—that blank, horrified expression that could only be caused by pissing one’s self, I finally stopped tickling her, and I roared with laughter. I laughed so hard and for so long that tears steadily seeped from the corners of my eyes.

“Victor!” Her size-seven foot hit me square in the chest and sent me flying across the bed.

It made me laugh even harder—I thought I might piss myself, too.

Present day…

I snap out of the private reverie.

Laughter. Smiles. Tickling. That was a time so long ago, when I was the one still wet behind the ears, despite my progression in The Order. Still so young. So incredibly foolish. But most of all, vulnerable. Needless to say, I learned from that mistake.

Or so I thought I did.

“Judging by that look on your face,” Apollo says, “I don’t believe you.”

I look over at him.

“Yes,” I answer with honesty this time, “sometimes I still think about Artemis.”

Izabel

The woman holding me hostage in this room looks over at me, expecting some kind of response, knowing it’s the moment she’s going to get one. A shift of my facial expression? The tensing of my shoulders? The holding of my breath? How about all three?

“I don’t want to hear this,” I tell her, looking away from the speaker on the desk where I’ve been listening to Victor talk to some guy for several minutes now.

“You don’t have a choice,” she says.

She’s wearing all black, every part of her covered but her head and her hands. Black boots that stop just below the knees. Black bodysuit that zips up the front from her navel to just beneath her chin. Black hair pulled into a tight braid that drops to the center of her back. Black eye shadow. Even the gemstone on her only ring is black.

“Does it bother you?” she asks, stepping toward me with a gun in her right hand.

“What exactly?” I can’t look her in the eyes.

The soft sound of laughter finds my ears.

“That the man you love,” she begins, drawing closer, “loved someone before he loved you.”

I laugh lightly, though it’s fake. And forced. Swallowing my pride, I keep the woman in my sights, but keep my eyes on the wall beside her.

“Why would that bother me?” I say, pretending that it doesn’t. “It would be ridiculous—everybody has a past.”

I can sense the woman smile, I can feel her eyes on me, studying me, laughing quietly at me like a bearded woman in a freak show circus.

Then I feel the cold metal of her gun press against my temple.

“Go ahead. Shoot me. I have a feeling before this is all over, you’re going to anyway.”

There’s a pause, and then she says as if she’s bored, “As much as I’d like to, me killing you wasn’t part of the plan.” Not sure I’m comfortable with the emphasis she put on ‘me’.

“Well, if using me to get Victor to talk was part of your plan”—smirking, I turn my head to look her in the eyes, despite the barrel of the gun—“then you’re going to be disappointed.”

She smiles, and the gun falls away from my head.

“That’s probably true,” she says. “Because a man like Victor Faust—specifically Victor Faust—is incapable of choosing a woman over his nature.”

She has no idea what Victor would do for me—I know, but I don’t want her to know, or this could end badly for both of us.

“But surely you knew about Artemis,” she says. “Or did he have you believing he’s never been in love with anyone but you before? Think you popped his love cherry, huh?”

I want to smack that mocking look off her gorgeous black face, but she’d probably retaliate with a bullet in my glowering white one.

“I don’t care what Victor did in his past, or who he loved.”

“Are you sure about that?”

“Yeah.” I nod, pursing my lips defiantly. “Pretty sure.”

She smiles. Ah! I hate that!

“I wonder if you’ll change your mind before you walk out of here—if you walk out of here.”

Both of my brows rise curiously. “So then it’s a choice?” I ask, leery of the prospect, and the conditions surrounding it.

Her smile melts into a mysterious smirk; she looks at me sidelong, without moving her head, to follow my movements, which are few.

“That’ll be Victor’s decision,” she answers, cryptically, and for some reason I can’t figure out, a chill moves up my spine.

The woman walks back over to the desk, fits her thumb and index finger on the volume knob of the computer speaker, and Victor’s voice fills my tiny cell of a room.

FOUR

Victor

The Stone Family are royalty in the crime world, primarily Venezuela, Haiti, Cuba, and Brazil. And the siblings—once a total of seven—were all named after mythological deities. Osiris Stone, the eldest, is who started all of this fifteen years ago. Gaia Stone, the second eldest, was a black widow. Ares, third eldest, did not live up to his ‘God of War’ namesake—I killed him as he ate a pancake, sitting on a barstool in a Waffle House; his embarrassing death brought shame upon the Stone Family. Hestia, fourth eldest, was in a Guatemalan prison last I heard, and murdered nine prisoners in her first two days—she was the deadliest one of them all. Then there was Theseus; nothing special about him—I killed him too.

Apollo and Artemis, the youngest of the Stone Family, were born eight minutes apart, Apollo’s cord wrapped around his sister’s neck. The family, coming from a long line of superstitious people, thought that when the twins grew up, there would be jealousy and conflict between them, and that Apollo was destined to kill his sister because he tried to do it in the womb with his umbilical cord.

But that was not what happened.

And that was not how they lived.

And that was not how she died.

Apollo and Artemis were as close as twin brother and sister can be. Vengeance—it is most certainly what fuels Apollo now. But money always lit a fire beneath him, too. As with the entire Stone Family. And now he has me. And now he can have everything he has ever wanted since his sister’s death—his revenge, and my head for the biggest payday of his life. And it is my own fault that we are here.

“So then shall we get on with it?” I suggest. “No need to drag this out, I suppose. What do you want?”

Apollo’s smile softens, but behind it I know there is nothing but malice.

The chair legs, uneven on the stones, tap against the floor as he stands. He walks around my cage, his eyes never on me, but I know they are watching every move I make. Then his tall figure disappears into the shadows again, and although I cannot see him, I can plainly hear his voice.

“I know you probably wonder why I never came after you for killing my mom and dad and two of my brothers.”

“I never thought about it much,” I say, “to be completely honest.”

“But you’re thinking about it now—aren’t you?”

He knows that I am. No need to answer the question.

Apollo moves around in the darkness; I cannot make out what he is doing, but I get the distinct feeling I am not going to like it.

“Then tell me,” I urge. “Why haven’t you come after me sooner, for killing them?”

He shrugs. “Dear ol’ Dad and Mommy Dearest deserved what they got. Ares was a smart-mouthed little shit and I’m still not that fucked up over his death, if you wanna know the truth. Theseus?” He shrugs once more. “He was like a blip on a screen—easy to miss—and he fucked my girlfriend, so there’s that.”

Growing tired of the runaround, I ask, “Is that what you want, Apollo—the conversation?”

I don’t have to see him grin to know that he is.

“Actually, Victor, that is exactly what I want from you.”

His answer surprises me.

“You…want to talk?” I ask, leery. “About what?”

“About you, of course.” He steps out of the shadow, carrying a cattle prod in one hand. Interesting. Perhaps I am just too accustomed to the macabre interrogation methods of my Specialist, Gustavsson, but I am curious as to what Apollo expects to get out of me with a simple cattle prod.

Waving his hands in gesture, he says, “I want to know all that I can about the man behind the hands that kill, the man I hear about in dark corners, the man I think of whenever I eat a fucking pancake”—he points at me with the cattle prod—“I used to love pancakes; had to ruin that for me too.”

“Then your revenge will be that much sweeter,” I say, not trying to provoke him, but surely it does anyway.

A long, deep sigh rattles in his chest; his shoulders rise and fall heavily.

“Yeah, I guess it will,” he says, and leaves it at that.

Apollo turns as a door opens behind him, flooding the dark, dank room with dull gray light from what appears to be a hallway.

I practically throw myself against the bars of my cell, gripping them in my hands, furious that I can go no farther, when I see Izabel, bound and gagged, sweat and blood and grime dripping from her face. Behind her is a woman. Tall and angry. Brown hair pulled into a ponytail behind her. A birthmark underneath her left eye. Breasts bursting out of her blouse. A knife in a sheath around her upper thigh. She looks Latin, with no Haitian roots like Apollo.

Izabel’s eyes find me almost immediately when the woman pushes her farther into the room. She loses her footing; with her hands tied behind her back and no way to cushion the fall, she hits the stone hard. A sharp muffled sound and a painful grunt follows. I grit my teeth, my eyes staring the woman down with purpose and malice, with retribution and threat. She smirks, turns on her open-toed heels and leaves the room.

Izabel raises her head from the stone, and she tries to speak, so desperately, to tell me something, to warn me, I do not know, but her words are muffled and I can make nothing out.

Apollo moves in behind her—I grip the bars harder, grind my teeth together more harshly, wanting to get at him, daring him to hurt her. What am I doing? This will get me nowhere.

Upon realizing I am acting absurd, I drop my hands at my sides and steady my erratic breathing.

“There is no need to hurt Izabel,” I say calmly—on the inside I feel the rage vying for control. “I will cooperate, Apollo; all you need to do is tell me what you want.”

He lifts Izabel to her feet, his hand gripping the rope binding her wrists behind her, and shoves her harshly onto the chair just feet from my cage, close but not close enough. I look only at her; many emotions are well-defined in her eyes, but not one of them is fear. Anger. Vengeance. And desperation—mostly desperation. But for now, nothing will be getting past her lips; a thick cloth has been packed tightly inside her mouth, and another has been wrapped around her head, tied within her dark auburn hair.

Apollo looks at the wall, pauses in some kind of concentration, and then turns back to me, and although I find his behavior peculiar, I focus only on Izabel, and what he intends to do to her.

Izabel’s entire body tenses and her face twists with pain before she falls over sideways and out of the chair; the static sound of the cattle prod rings sharply in my ears long after it’s gone. So it is Izabel who will suffer the torture if I refuse to speak—knife, box cutter, fire, ‘simple’ cattle prod—suddenly there is nothing simple about any of it.

“That’s enough, Apollo!” I grab the bars again, letting the rage have the control, my teeth crushing together so hard that pain shoots through my lower jaw and up the back of my skull.

In my peripheral vision I see Izabel, lying on her side against the stones, trying to catch her breath, but my eyes and my focus remain on Apollo.

He places the cattle prod on the floor behind him, and then approaches the cage.

Yes, that is it—come closer, Dead Man Walking, and give me one opportunity, just one, and I am going to take it.

He stops just shy of the opportunity.

“Let’s begin,” he says, taunting me, “with Safe House One.” His smirk deepens, and my confusion grows.

“Safe House One?” I ask.

“Yeah. That’s what I said.”

“I do not understand—what about it?”

Apollo helps Izabel back onto the chair; she tries to wrench her arm from his hand; words that can only be of a profane nature push through the fabric in her mouth and come out as a series of high and low sounds. But her eyes say everything her voice cannot: “I’m going to fucking kill you.”

“Her name was Marina, if I remember the way Artemis told the story.”

Marina…

I try not to look at Izabel anymore, but it is difficult to avoid. I just hope she does not see the guilt in my soul.

“So, Artemis told you about Safe House One—how is that relevant?”

“My sister told me everything about you before she died,” Apollo reveals. “She and I were close, being twins and all; she didn’t keep secrets from me.” He seems lost in a memory suddenly, the pain of losing his sister evident on his dejected features. But he shakes it off, looks at me again. “Except your sexual relationship”—he waves a hand dismissively—“I drew the line with that shit.”

“Why do you want me to talk about Safe House One?”

“Marina,” he corrects me.

“Why do you want me to talk about Marina?”

For a fleeting moment, Apollo’s eyes skirt Izabel sitting on the chair.

Ah. Now it makes sense. Now I understand—everything. And my heart stops beating; I feel a crushing sensation in the pit of my stomach.

This is it.

Today, it all ends.

Finally, I make eye contact with the woman I love, still hoping she does not see the guilt, but in my heart I know that she does. There is a brief but distinct flicker in her eyes as she gazes at me; the fact she is no longer attempting to speak is proof that Apollo has her attention.

“Izabel?” I whisper, but not in an attempt to conceal my voice. “You probably know why we are here. Do you know why?”

Izabel nods slowly—she has an idea, but she cannot possibly know what I am about to tell her.

Ignoring Apollo’s amused gaze, I keep my eyes only on Izabel.

I take a deep breath. “We are here because of me,” I say. “And you are…” I cannot finish the sentence; my breath feels like it’s fleeing my lungs; my heart pounds in my ears and in my stomach.

I look away from her, but the sound of her mumbling voice beneath the fabric brings me back, to face her—to face and to accept and to tell the truth.

I owe her that much.

“Izabel…you are going to die today”—my hands begin to tremble and sweat—“…and…and there is nothing I can do to stop it.”

I see Izabel’s chest fall, followed by her eyelids; tears seep from their confines and stream down her dirty cheeks. If only I could kiss the tears away, just one more time.

I am sorry Izabel. I am sorry for the day we met, for not taking you back to Javier Ruiz’s compound, for not handing you over to Izel when she came for you in the motel; I am sorry that my weakness has put your life in peril; I am sorry that because of me you will die long before you have had a chance to live your life. A real life. A life untouched by the pain and the horrors in which suffocate me and the only life I know. I am sorry for falling in love with you. I am sorry for everything.

These words I wish to tell her.

But I cannot.

I cannot because…I am afraid.

I look down at the soiled stones beneath my feet as if they can comfort me somehow. But they turn their backs on me instead, leaving me not even a shoulder.

“No need to scare the girl,” I hear Apollo’s voice distant in my ears—mostly all I hear are my thoughts. “You didn’t have to tell her the truth. And I wouldn’t have said anything, bro. As a courtesy. But whatever. Your fuckup, not mine.”

“I will tell the truth about Marina—I will tell many truths on this day,” I announce, but then turn my face to Izabel. “But let it be known that I will do this only because Izabel deserves to know the real me.” I look away from Izabel and glare at Apollo. “Nothing that I say is because you want me to say it.”

He smiles.

“You don’t have to say anything,” he says, laughter in his voice. “If you know you’re gonna die—that she’s gonna die—then why dig your grave that much deeper? You’re a fucking enigma, Victor.” He laughs out loud.

I look Izabel in the eyes again, and all I can think about as she stares wordlessly back at me, is if she will be able to forgive me for all that I have done.

But in her eyes I see nothing but pain; no accusation, no confusion, no more desperation. Just pain. And it tears me up inside.

Apollo wants more than my death as revenge for his beloved twin sister—he wants the woman that I love to know the real Victor Faust; he wants to expose me to the one and only person in the world who can hurt me; he wants the woman whom I love to suffer in place of his sister who loved me deeply, and died because of it.

He wants me to suffer. And on this day, he will get it.

“You have the stage, Victor Faust,” Apollo announces, pulling me out of a guilt-induced trance.

Izabel shakes her head, her way of telling me that I don’t have to do this.

I nod at her once, slowly and with repentance, telling her that, yes, I must.

Softly she closes her eyes.

Softly I close mine.

And regretfully, I open the doors wide to my past, and let in the sterilizing light.

FIVE

Victor

Two years before Artemis…

Safe Houses, to me, were not exactly what they were meant to be. In the beginning, I used them for their purpose, I hid out in them in various parts of the United States, and the world, while on missions, and I took advantage of their benefits the way many men, and women, would. But when I met Marina in Safe House One, hidden deep in the Oregon wilderness, I got my first taste—since I was a child—of what the outside world was really like. What I was missing from it.

Marina was a beautiful woman of twenty-nine, with a voluptuous figure like a 1940s movie star, and long, curly blond hair like Marilyn Monroe. I had never seen a woman like Marina before; I had never been bewitched before, but Marina, emerging from the doorway of her tiny house like a goddess from a bed of feathers and gold, cast such a spell on me that I came close to losing everything I had worked so hard for.

“Why do you always come to me, Victor?” Marina asked in a voice of silk; she nuzzled against me in her bed; the smell of her perfume mingled with our sex made me want to take her all over again.

Her fingers danced along my chest, over my collarbone, and found my mouth.

I held her hand and kissed her fingers.

“I like coming here,” I told her, and kissed her fingers again. “You make me forget about…everything out there.”

Marina raised her blond head from my chest; I could feel the cottony softness of it tickling my side.

“I know you probably won’t tell me,” she said, “but what exactly is it that you do out there? You know, that makes you want to forget.” She batted her thick black eyelashes at me, but it was in no way an act of seduction; Marina always batted her eyes when she spoke.

Running my fingers through her soft hair, I looked up at the ceiling, and I thought about telling her. I wanted to, more than anything in that moment, because it was just she and I alone in the house, far away from the world, and I felt like I could trust her and could tell her anything. I had never had that before. I could not even talk to my brother about my life.

But I told her nothing I had not already told her.

“Does anyone really enjoy their job?” I moved around the truth. “Unless it’s a billionaire, or one of the lucky few who make a living doing what they love, no one likes to work, and everyone complains. I am no exception.”

Marina smiled carefully at me, leaned over and pressed her plump lips to my nipple, and then sat up on the bed next to me. I watched with admiration—and lust—how her long hair fell around her powder-white shoulders; my gaze secretly took in the fullness of her breasts, the roundness of her hips and butt—I always wondered what compelled women to be so thin. Not that’s there is a thing wrong with thin, but…well, there was just something about Marina.

“You always say the same thing,” she said, but did not hold it against me.

“And you are paid to know only what I tell you,” I say, also in a kind manner.

She smiled again and got up from the bed, slipped her soft arms into a white see-through robe that fell to the middle of her thighs. She lit a cigarette. I never liked cigarettes, or women who smoked them, but…well, like I said, there was just something about Marina.

“How do you feel about me, Victor?” she asked, and it surprised me.

I sat up on the bed too, watching her as she gazed at herself in the mirror on the vanity, patting down her sex-frizzed hair; a coil of smoke rose from the end of her cigarette.

When I did not answer soon enough, she turned from the mirror, looked right at me, and then said, “You don’t have to answer that. But if I were to ask you to help me get away from here”—she stopped abruptly, her big sultry eyes becoming more childlike and afraid—“I mean…would you help me if my life was in danger?”

I got up from the bed immediately, and walked naked across the room toward her, but she put up her hand and took two steps backward.

Shocked by her fearful reaction, I came to a dead stop.

“Marina, what is it?” I tried to approach her again, more slowly, but for every step I took forward, she took one backward, and so I gave up.

“Please don’t kill me,” she said.

“What?” I was so shocked that for a moment it was all I could say.

She took a long drag on the cigarette and then set the rest in an ashtray on the dresser, left it burning. I noted that her hands were trembling—she was shaking all over.

“I know that if I ask too many questions,” she began, “and especially if I ask you to help me, there’s a good chance you’ll kill me for it.”

“I’m not going to kill you—”

“How do I know that?” she cut in.

“Because I have no reason to kill you,” I said. “And because…I care about you—now tell me, Marina, what is going on? Why is your life in danger? And if you thought I would kill you for asking for my help, then why did you ask?”

“Because I’m desperate, Victor, and because the only way I’ll know is by asking. It’s a risk, I know, but a risk I’m willing to take because I have no other choice. No other way out except through you.”

“Why me, Marina?”

She paused, swallowed nervously, and said, “Because you’re the only one I trust.”

She came toward me then, just a few steps, but stopped short of being in reaching distance. She looked me deeply in the eyes, held desperately onto my gaze. “Because I believed in my heart that you cared for me, on some level—I just felt it. It’s why I asked first how you felt about me. Look, I don’t have much time.”

Now I was the one looking in different directions, feeling paranoid about having unwelcome eyes at my back.

“Marina,” I said calmly, but in a serious manner, “I need you to sit down and tell me what this is all about.” I took another step toward her. “Please. Sit with me and talk.”

It took her a moment, but finally she relented. I reached out my hand to her and reluctantly she took it.

We sat down on the edge of the bed together. I held her hand.

She looked over at me.

“You know my past,” she began. “I was honest with you when I told you I used to be an exotic dancer. But I didn’t tell you the truth about how I ended up here, sharing my home with strangers who I know nothing about other than every one of you carry guns and probably have killed a few people. I know only what I see, and believe only what I can assume is the truth. But I need to tell you the truth about how I got myself into this—it wasn’t like I told you: there was no mutual agreement—they threatened me, The Order.”

I thought I knew the answer before Marina told me. I knew about Safe Houses and the men and women who occupied them, about how they were mostly civilians who knew little to nothing about what the people, like myself, who sometimes stayed in them, did for a living. But it was with Marina that I began to see the truth about how some Safe House residents were recruited: more with blackmail and threats than with willingness, and substantial financial offers.

“A man came into my club one night,” she began, “and he came with a lot of money. A lot of money, Victor—for a private dance he paid me more than I’d ever see in a lifetime.” Marina lowered her head in shame. “I started sleeping with him—for the money, of course. I’d never done anything like that before; sure I danced for money, but I’d never degraded myself like that.” She paused, took a deep breath as if to release the memory by way of her lungs, and went on.

I sat and listened, and with every word, I wanted to help her that much more.

“After two weeks,” she continued, not looking at me, “the man—he said his name was Brant—well, he started to change, became more aggressive with me, even slapped me around. But I wanted that money; I probably would’ve let him beat the hell out of me as long as I kept seeing that money.”

“What did this ‘Brant’ do?” I knew that was not his real name as much as she did.

Marina glanced over, but could not look at me for long; she began to nervously move her fingers about within her lap. I reached over and moved her hair away from her shoulder so I could see all of her face.

“He came to my house one night,” she said, “and told me that my life was no longer mine, that from that night forward it belonged to him. Of course, at first I just thought he was an obsessed maniac—I had a few guys come into the club who I had problems with; one even stalked me for a while before he pissed somebody off and got himself shot—but Brant, I found out real quick that there was something different about him, and that he was much worse than any of those guys.” Her breathing began to quicken, and she stared straight out ahead without blinking. “He reached into his briefcase and took out a few pictures. My mother watering her plants. My little sister in California walking to her dorm.” She looked at me again, and this time held her gaze firmly. “They were the only family I had.”

“Had?” I asked, thinking the worst.

Marina nodded. “My mother died last year—cervical cancer. My sister is still alive, but…”

She looked away again, down at her hands, her trembling fingers interlaced.

“But what, Marina?” I rested my palm on her back; her skin was warm. “Tell me.”

She swallowed, hesitated, and then worked up the courage.

“I’ve been talking to her—in private, of course—and I told her, in a way that no one but she would understand, that her life is in danger. We made plans to go on…vacation, if you know what I mean, but really we just want to leave the country. Go somewhere they can’t find us, and start all over”—she turned to face me fully, took my hands into hers and squeezed—“and I know you can help us start over, Victor. New identities, all of that stuff.”

I shook my head, looked away.

“Marina,” I said, “we cannot be having this conversation; if they find out—”

“They won’t.”

I knew that was not true—they already knew.

She jumped off the bed and crouched in front of me, cupped my cheeks in her hands. I could not help but look into her eyes and let her speak; I could not help but listen to her pleas and continue to fall deeper and deeper into a hole that my subconscious mind knew I would never be able to crawl out of. Because I did truly care for Marina. I spent months visiting her. She was easy to talk to, and she understood my struggles without having to know exactly what they were; she gave me advice, knew all the right things to say, and I never told her anything about what I did. Marina was to me more than just my friend—she was my lover, my conscience, and my only link to the outside world in which I craved. I was not in love with her, but I wanted to be, and I was not ready to give up the relief and excitement and anticipation I felt when I knew I was going to see her again.

But I knew I had to. What I wanted did not matter.

She began to gasp for air; her slender, womanly hands reaching, grasping for anything, her fingers digging into my neck as my arms tightened around hers. I could not look at her; I somehow shut my ears off to the desperate sounds she made as she struggled in my hold. I squeezed tighter. I could feel the breath from her nostrils rapid and shallow against my arm; the violent beating of her heart bursting through her jugular vein; the life slipping from her like water slipping through my fingers.

I held her limp body there for a long time, staring into her dead eyes, mourning her life and her beauty and her innocence that I stole from her.

“I am sorry, Marina,” I whispered. “I am sorry…”

Carefully I laid her body on the floor, and I sat back down on the bed again, with her at my feet. Killing Marina was, at that point in my very short life, the hardest thing I ever had to do.

My cell phone rang on the nightstand. As I knew it would.

“Faust,” I answered.

“You did the right thing,” the voice on the other end said. “I thought I’d have to send someone in and deal with her—and you—myself.”

“Was this a test?” I asked.

“Actually, no,” he said. “But her house has been bugged since day one. I’ve been listening to the conversation. I always do.”

It was a significant detail that I should have remembered—all Safe Houses run by The Order are bugged, or were at least supposed to be—but because of Marina, and how easily she clouded my judgment, that detail completely slipped my mind on this night when she started talking. How could I have been so stupid to forget such a thing? How could I have gone so far in The Order only to come so close to letting a woman destroy everything I had gained? But the second Marina said the name ‘Brant’, the memory came back. And I knew that what I did to Marina could not have happened any other way. My and Marina’s relationship, whatever kind of relationship it was destined to be, was doomed from the very beginning.

“Pack up and check into a hotel for the night,” my mentor said. “Report to me in the morning; Vonnegut has a new job for you in Los Angeles.”

“What about the girl?” I inquired about Marina.

“A Cleaner will be sent in after your car leaves,” he said. He paused and then added with a tinge of humor in his voice, “Are you all right, Faust? I know she was an irresistible woman, but this is the way things are.”

“Yes sir, I know,” I said. “And yes, I am perfectly fine,” I lied.

“Good,” he said. “Well, I’ll talk to you in the morning.”

“Wait—I am curious,” I said, stopping him.

“About what?”

“Why you chose the name ‘Brant’. You always use the same one.”

He chuckled.

“It was the name of the first man I ever killed,” he said. “No other reason than that, really—it’s sort of like a trophy. Why did you choose the name ‘Victor’?”

I paused and said, “Victor is my real name.”

“Ah, I see,” Brant said. “Well that’s as good a reason as any. Pack up and leave the residence, Faust; the body ain’t gettin’ any fresher.”

I set the phone on the nightstand. I spent another ten minutes with Marina, apologizing to her in my mind, before finally getting dressed, grabbing my belongings, and leaving the tiny house in the Oregon wilderness that was the only place I felt at home since I was a boy and was forced into The Order.

Present day…

Apollo shakes his head and smiles.

“And why did you kill her?” he asks, already knowing the answer, but wanting Izabel to hear it. “It wasn’t because you thought you were being tested, was it?”

I give only Izabel my attention, because as hard as this is for me, she deserves to know.

“I knew that Marina was telling the truth—I saw it in her eyes, I felt it in her touch, heard it in her words. The truth is that I cared about her…too much.”

Izabel does not appear to blink for a long time; she just looks at me, and I cannot read what it is in her eyes. And then finally she shuts them softly and takes a deep breath. And I know—I know that she is disappointed, that she is hurt, not because I cared about a woman other than her, but because I killed that woman, and why I killed her.

“So you murdered an innocent woman,” Apollo drills me like a prosecuting attorney, rubbing vinegar into the wound, “because you cared about her.” He clicks his tongue, shakes his head.

“Yes,” I admit. “I killed her for no other reason than my feelings for her. Even if I could never love her, the way that I love you”—(a tear slips down Izabel’s cheek)—“I knew I had to kill her, or The Order would have killed me.”

I stand up and move close to the bars, crouching to Izabel’s eye-level, wishing now more than ever that I could touch her.

“And Marina was not the first,” I say.

Another tear tracks down her cheek. And another.

It will all be over soon, my love.

It will be over soon.

SIX

Izabel

I love you, Victor, with every shred of my soul. I wish I could tell you—can’t you see it in my eyes, in my tears? Can’t you fucking see it?!

Or is the pain all that you see? The disappointment and the disapproval? What you did was awful, Victor. That poor, innocent girl, who was not so unlike me. She needed your help. She trusted you, and you cared for her, yet you chose to take her life rather than to save it.

But I understand. I don’t approve, and I can never look you in the face and tell you that what you did, you had to do, that you had no other choice. I can’t look at you as a man whose hands haven’t been stained by the blood of the innocent, like I could before. It didn’t have to be you who killed her—it didn’t have to be you. You knew The Order would’ve killed her and your conscience would be clear, your hands would be clean; they could’ve done the job you shouldn’t have done yourself.

But you did it.

And for that I can’t give you the forgiveness you seek. I can’t pretend any longer that…you are perfect.

But I will always love you—that will never change.

I close my eyes softly, trying to force back the rest of my tears. If I’m going to die here today—and I know that I am—I don’t want the last few moments of my life to be spent crying. Because I’m stronger than that, and I don’t want these crazy people who brought us here, to feel the satisfaction.

A powerful, excruciating jolt moves through my body, nearly knocking me unconscious. My heart stops and my muscles tense so tightly I become a rock on this unsteady chair; my teeth catch my tongue and the taste of blood pools in my mouth; my eyes roll into the back of my head. I try to scream, but the gag in my mouth prevents anything but muffled curses.

“I told you!” Victor shouts, his voice banging in my ears as I struggle to stay upright. “I told you I would cooperate! Leave her alone!”

I try to catch my breath, but it’s that much harder when I can only inhale and exhale through my nose. My back is on fire where the cattle prod left its mark.

I want to kill that sonofabitch!

“Oh it gets much better,” I hear Apollo say somewhere behind me. “Marina was just the beginning”—I feel his hot breath on my ear—“wait until he tells you about Marina’s baby sister.”

My eyes, dizzied by the electric shock, find Victor’s again. He looks the same as before, when he was about to tell me the story of Marina, and I’m not liking what I see.

I shake my head again, just as I did earlier when I wanted him to refuse to talk. We’re going to die anyway, and I’d rather die with the man I know and love, not with a stranger that I love. But I know he’s going to tell me anyway. And I know the more he talks, the less I’ll be able to forgive.

I love you, Victor…please, don’t say anymore.

Victor

“I killed her, too,” I confess. “No need to go into those details—I killed her. She had to be…put down…because she knew too much, because Marina told her too much.” I sigh, hesitating, because the rest of the truth is worse. “It was not even an official order that the sister be terminated—it would have been, but I did not wait for it; I took it upon myself to tie up that loose end like any skilled operative would have done.”

“A loose end,” Apollo echoes. “Put down like a dog.”

“Yes.” It is all I can say.

Izabel is shaking her head; I feel like she wants me to stop talking. But I cannot. I may not have brought her on vacation to tell her the truth about my past—though I would have told her that, too, eventually—but I did bring her here to tell her other truths. And this was not exactly how I envisioned coming clean. But it is the hand that I was dealt, and it is the hand that I will play. It will be my only chance to tell her.

I notice Apollo, from the corner of my eye, concentrating hard again, and I realize that he is listening to someone, possibly through an earpiece.

So far I have counted five different people, including Apollo, who are in on this. Now I have to figure out which one of them Apollo is answering to. Osiris, perhaps? It would not surprise me, despite their tumultuous past.

“I have to take a piss,” Apollo announces.

He walks past Izabel and me and says on his way to the door, “I hope you don’t miss me too much while I’m gone.”

He slips out and the gray light blinks off as the door closes with an echoing bang behind him.

“Izabel, listen to me,” I say in a rush the moment Apollo is gone. “I need to know if you can move your hands at all. Enough to work them free.”

She struggles against the chair, and then after a moment, shakes her head no.

My heart drops. As ashamed as I am to admit it, I had been counting on her having a plan. This cage around me is not coming open without a key, and I have a feeling Apollo is not the one in possession of it. Izabel’s hair is still growing back from when it was cut in Italy, so there are no pins holding it in place like she wore on occasion with longer hair. She wears no jewelry; her feet are bare; not even her bikini top has an underwire—there is nothing I can use to pick this lock. Frantically I check the pockets of my khaki pants, but they are empty. I am not even wearing a belt.

I sit down against the filthy stones, cross my legs Indian-style, and I let out a long, surrendering breath.

“Taking you away for a while,” I finally say after a moment, “was supposed to be a fresh start for me. I wanted to get things off my chest, to be honest with you about why I did not kill Nora Kessler…but I”—I raise my eyes, look right at her now; hers are full of heartbreak—“but I also wanted to tell you about something that I did. You have a right to know. And I still want to tell you these things, but I feel in a way that now it is wrong, because you cannot speak, you cannot have your say, or ask the questions you have every right to ask—you cannot scream at me, if that is what you want to do. It would just be me talking, confessing, not so unlike Kessler had us all doing not long ago. But bad timing or not, it is the only way…”

She mumbles something through the gag in her mouth.

“Do you want me to tell you the truth?” I do not know why I am asking because I intend to tell her anyway; maybe I just need to hear her say yes.

She starts to shake her head no, but it changes direction. She looks frightened, not of our predicament, but of the things I will tell her.

I nod, acknowledging her, and then I look down at my feet partially hidden beneath my crossed legs.

“Your confession,” I begin, “in the room with Nora…I…later I listened to it; I had bugs in the room aside from the audio in the ceiling. Izabel, I know about the child you had with Javier Ruiz.”

At first, she just stares at me, but then more tears appear in the corners of her eyes and slip down her face unrelenting; the gag in her mouth catches them, soaks them up as if they are nothing.

“I am sorry,” I go on. “I know that it was your secret to tell, and I never should have listened to that recording, but I had to know.”

“Why?” Izabel mumbles—I am confident I made out the word correctly.

“Two reasons,” I say. “One, because it is my duty to know everything about every person in my Order, even you. But secondly, and more importantly, I wanted to know if your painful secret was something I could help you with.”

She looks away from me, angrily.

“Look at me, Izabel, please.”

She refuses.

“Please…”

She relents, and turns her eyes slowly toward me again, but they are still filled with anger and hurt.

“After that day,” I continue, “I began the search. None of my contacts in Mexico have found anything yet, but one of them has a possible lead. I knew it would take time, but…Izabel, I only wanted to find your child.”

“Why?” she asks again, this time with more accusation, disbelief.

And I find myself stuck between wanting to tell her the truth like I claimed, and not expecting to have to tell her this much so soon.

“Because I wanted to help,” I say, trying to sidestep the answer in its entirety.

“Why?” Her face is turning red, her tears have become tears of anger. “Why, Victor? Why?”

I sigh and answer with the truth: “Because…I wanted to…steer you in another direction.”

The tears seem to vanish from her eyes as if my magic; she looks across at me, coldly, unforgivingly, and with eyes that express only the deepest of betrayals, that hold the heaviest of questions.

The guilt, as I knew it would, ravages me.

I do the only thing I can do—answer those questions for her.

I push myself into a stand, thankful that the drug has finally worn off. Then I begin to pace. Back and forth over the stones in my five-by-ten prison cell. I can hear Izabel’s heavy, tremulous breaths; I can sense the resentment in the air. But I do my best to ignore it. Because I know that our time is limited.

“After Nora,” I begin, not looking at her, “after what she put us through—what she put me through—I knew, Izabel, that there was no hope for me; I knew that no matter how much I loved you, that one day my love for you would be the end of me, and my brother, and even you.” I stop, turn, look at her once to emphasize my point, and then go back to pacing. “Kessler opened my eyes to the truth; she infiltrated my Order, outsmarted me and everyone in it, and she turned my brother against me. It was my Awakening, Izabel”—I step over to the bars and look down at her; she glares up at me—“I knew I could never kill you, but I had to do something. And I thought that if I could find your child, that maybe your motherly instincts would kick in and you would want to change your life, leave my Order, give your child the life he or she deserves, and then I…” I avert my eyes from hers; this is so hard to say. “…I could go on with my life with a clean conscience. And I—”

“STOP!” she screams through the gag—it might have also been NO! But either means the same.

“STOP!”

“I am sorry, love…with all my heart, I am sorry.”

SEVEN

Izabel

I can’t listen to this…STOP, VICTOR!

I tongue the cloth in my mouth until I can no longer feel my tongue; my throat fills up with saliva, choking me. I gag, and my eyes sting and water. I work tirelessly to loosen the rope from my wrists to the point that they too become strangely numb. My knees open and close, open and close, as I try to free my ankles, but like my wrists, I know they’re stuck like that. Indefinitely.

How could you do this, Victor?!

I scream against my gag, my fury intensifying because I can’t say the words I so desperately want Victor to hear. He watches me from behind the bars of his cell, helpless to do anything but let this torturous moment between us run its due course.

The door opens again, and that man, Apollo, re-enters the room. My eyes dart to find the cattle prod on the floor, but I don’t see it.

Because it’s in his hand and—

I think I blacked out.

I know I did.

Where am I?

Where am I…?

Victor

“Where was she taken?” I demand, my hands gripping the bars. “Apollo, answer me!”

He has been giving me the silent treatment for fifteen minutes while he sits on the chair reading a magazine.

“Apollo!”

He finally raises his head, very slowly, and makes eye contact with me. He is smiling faintly, more in his dark eyes than on his lips. He places the magazine on his leg propped on his knee, and then stares at me, enjoying this.

“What is it like, Victor,” he begins in a composed voice, “knowing that you’ve ruined so many families? How do you sleep at night? Do you ever think about the people you’ve killed?”—he gestures a hand in front of him—“Do you ever sit around in those expensive suits and expensive shoes and that high-dollar haircut and ask yourself: ‘I wonder what kind of life so-and-so might’ve had if I didn’t take it from them?’ Or, ‘I wonder how many people will never be born because I, singlehandedly, destroyed literally generations of future families.’” He drops his leg from his knee and leans forward, the magazine wedged in his hand. “Tell me, Victor—tell me the truth.”

It will do me no good to continue asking about Izabel.

“Do you really care about any of that, Apollo? Is that why I am here—retribution for being less than a human being, a danger to society? Or is this about you and your notorious family? A family, I should add”—I hold up my index finger—“known for being less than human and a danger to society. He who casts the first stone, Apollo.”

He drops the magazine on the floor and gets up from the chair—he is not smiling anymore.

“My family,” he defends, spitting out the word, “may be known for some heinous crimes; my mom and dad may have been the biggest bastard and bitch this side of the hemisphere”—he grits his stark white teeth and snarls at me—“but my brothers and my sisters, when you came in with your lies and your bullets, never did anything to deserve what they got. I never did anything to deserve what I got!” (A tiny droplet of spittle from his mouth hits my cheek.) “The worst I’d done by that time was rob a liquor store! And I didn’t even kill anybody!”

In a calm voice I respond, “This business is not about eliminating criminals, Apollo. I was not commissioned to kill your family because you were a menace to society. I was commissioned to kill your family because your mother and father were the biggest bastard and bitch this side of the hemisphere. They are to blame for the death of your brothers and sisters, not me—Osiris is to blame. Or have you forgotten? Have you forgotten that things would have been much different if your own flesh and blood brother did not betray you, betray your family name?”

“I haven’t forgotten,” he comes back, rounding his chin.

My hands slide away from the bars.

“It seems that you have,” I point out. “You are in league with Osiris again, after all these years, after everything he did to you and your family—yet, I am the one in the cage.” I do not know if my theory is correct, if Osiris is in on this, but it is the only ammunition that I have, as unlikely as it feels.

Apollo’s hands knot into fists down at his sides; his eyes churn with animosity. I see now that maybe things between Apollo and Osiris are not as patched-up as I assumed, after all.

“Where is Osiris, anyway?” I ask, hoping to get some truth myself. I would very much like to speak with him.

Apollo turns his back on me, crosses his arms.

“He’s not here,” he says. “I have better things to do than to keep track of my brother.”

A moment of silence passes between us.

I decide to switch gears, careful not to push too far, in hopes he might open up more if I manipulate him gradually. But this is all very hard to do when all I can think about, all I care about, is Izabel.

“Why fifteen years, Apollo?” I inquire. “That is a tremendous amount of time wasted. Why wait fifteen years to put me in this cage?” Other than it probably took you that long to figure out how to successfully pull it off.

He smirks. “Oh, believe me,” he says, his tone laced with bitterness, “I would’ve done this a long time ago—I wanted to, but…well, that’s beside the point.”

“You wanted to,” I echo, “but this whole plan does not only involve you, does it? You are not here—I am not here—simply for your revenge.”

“There isn’t anything simple about this!” he shouts, and it surprises me, furthermore confirming my suspicions: he is not the one in charge.

He steps right up to the bars, well in arm’s reach, at last giving me that opportunity I wanted moments ago. But I do not take it. I fear now more than ever for Izabel’s well-being. Regardless knowing this is the day she and I will die, the last thing I want is to make her final moments more difficult than they already are.

“Where is Izabel?” I ask, my voice relaxed, but my core apprehensive.

He shakes his head. And then he smiles a smile so chilling that it alone elevates my concern.

“With my sister,” he answers.

I blink, stunned, and a wave of anxiety moves through my body, settling in my chest. If there is any one person in this world I would choose not to leave Izabel alone with, it is certainly Hestia Stone, the only Stone sister still alive. She is beautiful like her sister, Artemis, was, but unlike Artemis, Hestia is cruel and dangerous and with a bloodlust that would have given Fredrik’s ex-wife a run for her money.

“Hestia? You left her with Hestia…”

“Ah, there it is,” Apollo taunts me, “that fear I never imagined I’d live to see in the great Victor Faust.” He tosses his head back and laughs, then lowers his eyes on mine once more, and a grin spreads across his lips. “I’d say not to worry, but, well, you know how my sister is.”

I grab the bars and try to shake them, managing only to shake myself. “Apollo, do not do this! If we are to die here today, then just kill us! Just kill Izabel—torture me if that is what you want, but do not—”

“Wow, look at you”—he points at me—“this is fanfuckingtastic, bro”—he pumps his fists—“YEAH!”

But then his smile disappears and he steps up to my cage, places his fingers atop mine around the bars and squeezes; he is so close I can feel his warm breath between us. “Wait until you see her—my sister. I can’t wait to see it myself. There will be fireworks n’ shit. And I’ve got a front row seat.” He visibly shakes his upper body, demonstrating his excitement with dramatics. “It’s even makin’ my dick a little hard.” Then his fingers move from mine and he presses his face even closer, daring me to take advantage of it—I keep my calm, as much as I want to choke him to death where he stands. “And by the way,” he adds, “begging doesn’t suit you, either.” He steps away from the cage slowly.

I cannot find the proper words to say—there are none. Izabel would have been better off if I had killed her myself a long time ago.

Hestia and I have only ever spoken once; we have only been in the same room with one another on one occasion. But one time was all it took to make that woman despise the ground I walk on.

Hestia knew I was not with Artemis simply because I loved her—Hestia knew I was the one killing off her family members; she knew, by gut instinct alone, that I was using her sister to fulfill my contract. But she had no proof. And Artemis would not listen to her:

“Are you really that stupid, Artemis?” Hestia scolded—I was in the restroom listening through the wall. “Ever since he showed up, our family has been dying off one by one. There’s something about him—I can feel it!” Her voice was a whisper, but sharp and strong enough I could hear her almost plainly.

“You always do this,” Artemis snapped. “You just don’t want me to be happy. Hestia, please, just let me live my life—I love Victor! Can’t you see that?” It sounded like she was crying.

“Yeah, I see that,” Hestia came back, “and that’s what makes this whole thing so…fucked up. He’s using you! And you’re letting him!”

“That’s enough! Just stop!” I could hear footsteps stomping heavily across the floor. “I don’t see you for years and you waltz in here one day, out of the blue, and instead of spending time with me, catching up like long-lost sisters are supposed to do, you tell me how stupid I am—you’re just jealous, Hestia. You always do this!”

I heard glass shatter against the floor.

Wanting to prevent Hestia from hurting Artemis, I exited the restroom promptly, and made myself known once again.

Artemis was on her knees on the floor, carefully picking up shards of clear blue glass that was once a dolphin that sat on the coffee table—I never knew which one of them broke it.

“Is everything all right?” I asked, pretending not to have heard anything incriminating.

“Everything’s fine,” Artemis said, despondently.

I went right over and crouched in front of Artemis, proceeded to pick up the glass for her. “No, let me,” I insisted, taking the shards from her palm. “I do not want you to cut your hands.”

“This is ridiculous!” Hestia hissed. “Why don’t you tell my sister the truth? Tell her you have something to do with the deaths of our mother and father and—so far—two brothers. Tell her!”

“STOP IT! Please just STOP!” Artemis buried her face within her hands.

I shot into a stand and turned to face Hestia, stood toe to toe with her.

“I think you should leave,” I insisted.

She glared at me through eyes full of ire. (I thought it was such a shame I was not commissioned to kill her, too. At that time, I did not understand why only the Stone brothers and parents were the ones with bounties on their heads—all three sisters were off-limits. Until that fateful night fifteen years ago.)

“You’re the reason for everything that’s happened,” Hestia accused boldly, completely unafraid of me in every way. “I don’t why, or who else is involved, but I’ll find out.” She pressed the tip of her index finger dead center in my chest, glared more coldly than before. “And if you hurt my sister…so help me God, I’ll hunt you every minute of every day until I find you. I’ll hang you from a meat hook and strip you of your skin, slowly, and I’ll leave you there to feel the pain. And then I’ll kill you.”

I had been threatened by many people in my life, but never had a threat chilled me before—I knew she would do it. I didn’t know why, but something told me that Hestia Stone was more than capable of backing up her threats—she would make sure of it. She was the only woman I ever feared.

A flash of black hair moved suddenly in the corner of my eye, and I lost my footing as Artemis flung herself between Hestia and me. I stumbled backward, grabbing onto the arm of the sofa for balance, but before I could stop her, Artemis was on top of Hestia, a shard of glass poking from the top of her hand. At first I thought maybe she had fallen on it because there was blood seeping through her fingers, running down her wrist, but when she raised her hand on her sister I saw that the glass was not there by accident, but with purpose.

“Artemis!” I ran toward her, tried to stop her.

But I was too late. Artemis’s hand came down, and it all happened so fast: the look on Hestia’s face, twisted by pain and shock and betrayal—most of all betrayal; the sound of glass penetrating the skin; the dark red color that soaked through the white of Hestia’s blouse; the chilling, rage-filled bellow that thundered through Artemis’s core, filling my ears and my heart with something I never could have imagined of her—unadulterated insanity.

Frozen in shock, I could not will my mind to move my legs; I could not form a sentence. My dear, sweet, Artemis Stone, not innocent by any means before this day, but certainly not what she became when she attacked her sister—I could not believe it.

Hestia managed to kick Artemis off of her, and Artemis fell backward into my arms; blood from both of them stained my hands. I grabbed her wrist and squeezed, knocking the shard from her grip; it fell on the floor without a sound. She fought against me, writhing, hitting, kicking, screaming, but I held her with ease in my arms until she calmed.

Hestia picked herself up from the floor, one hand covering the stab wound on her left breast; she was breathing hard, and could barely remain on her feet.

Raising her head once she was able, she started to look at me first, perhaps to finish what we started, to let me see just how much more desperately she wanted to kill me. But at the last second, her eyes veered and found Artemis instead. The look on her face, it spoke volumes—Artemis was no longer a sister of Hestia, and Hestia would never forgive her for what she had done.

Not a single word was spoken from the three of us, only the silent words that needed not be spoken to hear and understand them.

And then Hestia left. And it was the last time I saw her.

After all these years, I thought that because of what Artemis did, Hestia did not care much anymore about revenge against me. I kept tabs on Hestia from that day forth; it was only logical and mandatory I watch my back because of her threats. I could have killed her on many occasions, but, like Nora Kessler, I wanted her alive. I wanted to study her. She intrigued me. She intrigued me, because I feared her. And I have never been a man to snuff out or run from something that I fear. I face it and move toward it so that I can better understand what it is about that thing that I fear.

“You know,” Apollo says, waking me from my memories, “I never believed it before, but I see now that it’s true—you’re afraid of Hestia. You’re actually afraid of her!” His laughter echoes throughout the space.

I raise my eyes to look at him. I want to say, ‘No, I no longer fear Hestia; that was a long time ago when I was still young—the only fear I have for her now is what she will do to Izabel.’ But I do not say these things; defending my pride and protecting my ego is not important.

“Let me see Izabel,” I demand.

Apollo smiles and sucks on a tooth.

“Can’t do that just yet,” he says, with the shrug of his shoulders. “But you’ll see her soon enough.”

He leaves, closing the door behind him.

I grab the bars of my cage again and roar something not even I understand into the night.

EIGHT

Izabel

The strong smell of perfume wakes me, and when I open my eyes I see that woman from before again, dressed in the tight bodysuit that zips all the way up her throat, standing in the room with me.

“Good. You’re awake,” she says. “We should get started.”

I realize that I’m lying on a bed; a pillow has even been tucked under my head. My bonds have been cut; the gag has been removed from my mouth.

“Get started with what?” I ask, weakly.

The woman smiles carefully at me. I glimpse a knife beside her on a vanity next to various sorts of makeup, hair styling items, and other such things; four bright lights, two on each side of the vanity mirror, light up the small room that has little else in it worthy of noting.

Of course, of all the things in her reach she could take into her hand, she chooses the knife and comes toward me.

Instinctively I try to leap off the bed and run for the closed door, but my legs collapse beneath me, and a familiar white-hot pain sears through my tailbone and hips; the buzzing sound of the cattle prod zips through my ears. I crash onto the floor; my eyes are clenched tight as the pain works its way through my stiffened body. Only after my muscles begin to ease and soften again do I hear the second set of footsteps behind me as whoever had been in the room with us backs away.

The woman crouches in front of me as I lie on the floor, trying to catch my breath.

“What I plan to do to you,” she warns in an eerily calm voice, “will be much worse than a little shock.”

“W-What are you going t-to do?” I stutter, as I still haven’t gained back the full ability to speak after that last shock.

I feel her fingers moving through my hair, and I look up at her looming over me.

“I’m going to finish what I started so long ago with Victor Faust.”

Her words, though vague and few, inject several extra beats in my heart.

She raises the knife to me, letting the shiny silver blade flash in front of my eyes. “Now, will you be cooperating, or will you be making this more difficult for me, and in turn, yourself?”

“What do you want me to do?” I ask, settling with cooperation.

“For now,” she says, stands, and then reaches out a hand to me, “I want you to listen.”

Reluctantly I accept her hand and she pulls me to my feet.

“And later?” I ask, uneasy.

She walks back over to the brightly-lit vanity, her back to me, but I don’t forget about the other person in the room.

The woman, clearly in charge, doesn’t look at me when she answers, “That will also depend on Victor Faust—everything that happens here tonight will depend on the man on the other side of that speaker”—she turns only her head, slowly, to see me now—“the man you think loves you enough to save your life.”

“He does,” I say immediately, regretting it afterwards. This isn’t the time to be arguing with a woman who I feel like I know can never be reasoned with.

She smiles, and runs the knife blade smoothly between her thumb and index finger.

“We’ll see,” she says. Then she pats the empty chair in front of the vanity. “Come and have a seat.”

I glance behind me, finally seeing a man standing next to the door with the cattle prod clutched in his hand. There are no windows in this room, just that solitary door; and judging by the footsteps I hear outside in the hallway, even if I could take these two down, I probably wouldn’t get far once I left the room. But more importantly, I wouldn’t leave Victor in this place, and I have no idea where he is; for all I know, he might not even be here. All I have of him is his voice funneling through the speakers on a laptop.

This can’t be the end of us, Victor…it can’t be the end of everything.

But I feel like it is. I feel it deep in my soul—this is the end. I’ve been in countless life or death predicaments, even before I met Victor, but this one…this one I know in my heart isn’t going to end the way all the others did. Is this what it feels like when a person knows she’s about to die? They say you always know, that you just feel it, that your time is short.

Victor feels it. I think maybe that’s why I’m so convinced of it myself. If he has no hope of getting us out of this alive, then what’s left to hope for?

I wish I could talk to him, just one last time.

I don’t care that he wanted me to…stop loving him. I don’t care. I’m pissed, and I’m hurt that he’d give up on us like that, but I still love him. I understand him. And I forgive him. I forgive him because I understand him like no one else can.

Turning my ear toward the speaker, I take a deep breath and try to mentally prepare myself for everything else that’s about to happen. For what this crazy woman is going to do to me. For how many more times that cattle prod will shock the hell out of me. For whatever else I might hear Victor tell Apollo. For how I’m going to die—instinct tells me it won’t be quick. For a brief moment I think of Fredrik, and Niklas, and Nora, and James; for a longer moment I think of Dina. I feel guilty for what she’ll go through when notified of my death. It hurts my heart to imagine her sitting there on her faded orange sofa that smells like potpourri, crying into her hands.

Many minutes pass, and all I can hear coming from the speaker are noises from Victor, but no voices: him shuffling around inside the cell; grunting and growling and yelling indecipherable words under his breath; the squeaking of the skin on his palms rubbing against the fixed bars of his cage; his pants legs brushing as he paces. And all the while I listen, wishing I could reach out to him to say something to console us both, this woman is, of all things, fixing my makeup and hair.

“What’s the point of this?” I ask her.

“You’ll see,” she tells me, and then places the tip of an eyebrow liner pencil to my left eyebrow.

“It’s a shame about your hair,” she adds.

I don’t say anything in response, and she continues with her work. I continue to listen, like she told me she wanted me to do, but for a long time all I hear is more of the same from Victor. Secretly I glimpse the knife on the vanity, out of my reach but easy enough to get to if I wanted. But ‘easy’ is what worries me; these people were smart enough to put Victor, of all people, where he is now, so I’m confident that ‘easy’, in this case, is just an illusion.

After another five minutes or so, and still nothing has changed, I try to get the woman to talk.

“What’s your name?” I ask her.

“Do you really care what my name is?” she says, and I feel the heat from the curling iron getting a little too close to my ear. “Are you wanting to bond, Izabel?” Her question is laced with sarcasm.

“No,” I answer honestly. “I don’t play that bullshit game. I’m just tired of the silence.”

I see her smile slimly in the reflection of the mirror; steam rises from my hair as she releases it from the curling iron.

“I can see why Victor loves you,” she says.

“Thought you didn’t believe he loves me?”

Her smile spreads. “Oh, I never said that,” she answers. “I believe he loves you, sure, but in what way he loves you is the big mystery. There are many different kinds of love.”

“Victor loves me in the way you think he doesn’t,” I point out, icily. And I know that he does—I don’t question it at all. It just infuriates me that this woman, whatever the hell her name is, thinks she knows Victor better than I do.

“My name is Hestia,” she finally answers, ignoring my rant as if it’s not worth her time refuting. “Apollo is my brother. Do you have any brothers or sisters?”

“Do you really care?” I come back.

She purses her lips, rolling another section of my hair into the hot metal. “Not really,” she answers. “But for the sake of conversation.”

“I might have half brothers and sisters,” I say with a shrug. “Couldn’t really tell you; my real mother had a weak spot for men, and she wasn’t exactly a safe sex kind of woman.”

“Ah, well, most of us wouldn’t be here if it wasn’t for women like her—I sure as hell wouldn’t be.” Then she says suddenly, “Why haven’t you asked why you’re here? I’m curious. Not once have you begged me to tell you what this is all about, or tried to reason or bargain with me. Surely you care about that.”

“I’m not gonna beg anybody for anything,” I tell her straightaway. “And it doesn’t take a genius to know the basics of why we’re here. Aside from that whole revenge thing your brother wants, most of it is pretty self-explanatory. It’s the same old story, a typical scenario of vengeance”—I shrug again—“I could ask you for specifics, but I already know you’re not gonna tell me anything you haven’t already told me, so why waste my breath?”

Hestia picks up a bottle of hairspray and presses her finger down on the pump; I shut my eyes to keep out the tiny beads sprinkling my face.

“Well, just so you know,” she says, setting the bottle down, “there’s little typical about this scenario—that I can assure you.”

Her words leave my brain buzzing with questions and worry, but I don’t give her the satisfaction of knowing that she got to me.

The door to Victor’s room creaks open again and closes with an echo. Then I hear the sound of Apollo’s—assuming, anyway—footsteps going over the floor. I come to attention quickly, eager to hear Victor’s voice again. I don’t care what he might say that I won’t like; he can say he never loved me at all and I’d be happy just to hear him, to know that he’s alive—I was beginning to wonder.

But the first voice I hear is Hestia’s, speaking into the mic affixed to the laptop.

“The story of what happened fifteen years ago”—Hestia glances briefly at me—“to our beloved sister, Artemis; I want him to tell it now.” She steps away from the mic and comes back over to me, sits on the seat next to mine; she goes back to curling my hair. “Now listen closely,” she tells me, wrapping another section of hair around the scorching metal. “I want you to have a good understanding of everything before you go back in there.”

I nod, but all I can think about now is knowing I’m going to get to see Victor again, even if it’s the last time…I’m going to see him again.

And that gives me hope.

NINE

Victor

Apollo walks past my cage and disappears within the shadows again; I make note of his footsteps as they get farther away. Then he stops, and I hear the sound of metal pulling away from metal, followed by several clicking sounds. The fluorescent lights high in the ceiling hum to life as he flips the switches in the breaker box one by one.

The space that houses my cell is much larger than I anticipated. I knew it was expansive and mostly empty, but the darkness, and my head still dizzied earlier by the drug, kept me blind to the truth. But my sense of smell was spot on. This place was—maybe still is—some kind menagerie, most likely owned by a private collector or distributor of exotic animals. I count twelve other cages set in the walls to my right and left, six on each side, and three more just like mine, situated down the center of the vast room in a perfect row, spaced at least ten-feet apart. Primates have been kept here, evidence of that in three cages equipped with hanging rope, a swinging tire, and wooden platforms mounted high on the back wall. I am certain other exotic animals have been housed here at some point. But today I am the only one.

Apollo makes his way back up, taking his time, walking toward me in slow strides, his hands folded together behind him. He raises one of them in gesture as if showcasing the place, and says to me, “It’s fitting, don’t you think?”

“I do not care much for the pointless dialogue, Apollo. Let us get to it, shall we?”

He smiles, folding his hands together on his backside again.

“Eager to die, aren’t you?” he asks.

“Eager to get on with this,” I answer.

Eager to see Izabel is more like it; it is killing me not knowing what is happening to her right now.

Apollo takes the chair Izabel had been sitting on earlier and drags it back a few feet from my cage. With the sweep of his hand, he pretends to dust off the seat before sitting down; he brings his right foot up and rests it atop his left knee; he folds his hands loosely across his stomach. And then he just looks at me, waiting, for what exactly he will have to tell me, but of course he knows this already.

“That night,” Apollo begins, “fifteen years ago, what did you do before Osiris burst into the house?”

“Before as in when?” I inquire. “Minutes before? An hour? You could be more specific.”

He smirks.

“Begin with earlier that evening,” he says. “Didn’t you take my sister out for your one-year anniversary?”

“Yes,” I say. “Though it was two days late.”

“Why was it late? Was my sister not worth remembering?”

“No, Apollo, that is not why I took her out late; I did not forget. We both had to work, so we decided to spend our anniversary the following Sunday.”

He nods. “I see.” Then he switches legs, propping the left foot on the right knee. “So tell me about that night. Before Osiris. Tell me everything, even the little things.”

“Why?”

He leans forward.

“Because I want to know how happy my sister was—you were the last person to see her happy, Victor. And she was happy. She was in love with you, thought she’d found the one.” He laughs, and then shakes his head with disappointment. “Why do women care about that shit, anyway? I mean really”—he holds out both hands, palms up—“Any idea, man?”

“No, really I have none.”

Apollo sighs, and folds his hands on his stomach again, interlocking his fingers. “Oh well,” he says. “So anyway. About that night.”

“I took her to dinner,” I say. “An expensive Italian restaurant.”

“So tell me about it.”

I take a deep breath and begin pacing.

“She wore a black dress…

Fifteen years ago…

Artemis insisted the restaurant be expensive. She loved expensive things—temporarily. She dreamed of living the high-life, but she had said she only wanted to live it for one month. Not a day more. Artemis’s family was wealthy—as you well know—but it was all blood-money, and she did not want to be part of that. She wanted to earn her wealth honestly, work hard for it, and then spend it all up in one month. I was baffled, and intrigued, by her plan—mostly intrigued.

“I despise money, Victor,” she said, sitting next to me on a chair at our small table. “It ruins lives—it corrupted everyone in my family except me and my brother, Apollo.” She smiled over at me; her long, slender fingers caressed the side of her wine glass; her pinky finger curled around the stem. “If I ever make enough honest money for myself that I can use bills to light my fireplace, I’m going to spend it all up in one month just to see it go.”

“I do not understand,” I told her gently, and with interest.

She moved her hand from the glass and placed it atop mine, brushed her fingertips over the top of my knuckles as she spoke.

“Defiance,” she said. “I want to do it because I can; I want to be the opposite of what my parents were, and what they expected me to be.”

“So then why waste the money?” I asked. “Why not give it away? There are many charities—”

She laughed under her breath, then brushed her fingers across the top of my hand once more and then reached for her wine glass again, fitting her fingers around it. She brought it to her lips, paused before taking a sip and said, “I can’t pretend to be a do-gooder, Victor—there’s no Robin Hood blood in these veins. I’m a Stone, and I accept that. Not that I’m proud of it. It’s just the way I am.” She took a drink, then set the glass carefully back on the table.

When we were done eating, Artemis took the fancy cloth napkin from her lap, placed it on the table, and smiled over at me; it stopped me in my tracks—it was a mysterious smile that, at first, I could not place. But when I reached for my wallet so I could retrieve my credit card, I felt her hand touch my wrist to stop me.

I looked at her inquisitively, but already, somewhere in the back of my subconscious mind, I knew what she intended to do.

“Live a little, my love,” she said, grinning.

I smiled, placed my wallet back into my jacket.

We took off running out of the restaurant, leaving the unpaid bill on the table, Artemis cackling as two waiters came after us. I was laughing too, which surprised me. Though less and less the longer I was with her. I was certainly a different kind of man a couple of months after I met her. I did not know it at the time, but I was changing because of Artemis Stone.

Present day…

“Were you caught?” Apollo asks.

I look up from the floor, watching the memory of Artemis’s radiant smile evaporate from my mind; hearing her lovely laughter fade, like churned up dust settling over a lonely field.

“No,” I answer. “They never caught us.”

Apollo smiles, genuinely, and not with hatred, which can only mean that he, too, is remembering his twin sister.

Then he shoots up from the chair, wiping the smile away, and replacing it with something less inviting.

He looks right at me.

“Go on,” he demands.

After a lengthy hesitation, I continue, but with difficulty.

“After the restaurant, we went home and changed clothes. We sat together on the porch, looking out at the ocean; she had made coffee—black, the way I liked it—and we talked for a long time before she told me that…”

“Before she told you what?”

I do not want to answer.

“Before she told you what, Victor? Come on, don’t start skimping on the details now.” Apollo grins, and I look away, if for anything than just to alleviate my need to punch him in the face.

I think back to that night again, now with bitterness.

And despair.

Fifteen years ago…

“I do love you, Victor,” Artemis said, reached over and grabbed my hand. “And I owe it to you to tell you the truth about something I’ve been keeping from you.”

My eyes met hers, and I waited. I did not urge her, I just waited.

She looked out ahead then; the moonlight glistened on the surface of the water. “I was pregnant,” she said. “And I had an abortion.”

My hand had slipped from hers before I even realized.

“I’m sorry, Victor, I really am, but you know me—I can’t be having babies; I’m still a baby myself sometimes. Besides, I don’t really like kids much.”

I could not speak for a long time.

“I hope you understand,” she said. “I hope you can forgive me.”

She got up from the chair, moved around to stand in front of me, her face stricken with concern, worried that I did not understand, that I could not forgive her.

I raised my eyes. I looked at her. And then against the war raging inside my head and my heart, I softened my gaze and then reached out with both hands and cradled her face within them.

Leaning forward, I pressed my lips to her forehead.

“I understand, love,” I said quietly. “And I forgive you.” I lied.

I carried her in my arms and took her to bed. And I made love to her that night as a different man. A man that I had forgotten existed in the year that I had known her…

Present day…

“And what man would that be?” Apollo inquires, as if already knowing the answer.

I look straight into his dark eyes and say, “I was Victor Faust, highest honor operative of The Order—I was an assassin there only to execute a job.”

“And Artemis?”

“She was a means to an end. A tool in which I used to fulfill my contract. And I had but one Stone sibling left to kill”—I nod in Apollo’s direction—“You.”

TEN

Victor

Apollo smiles largely, close-lipped; he holds that smile for a long time, without saying a word. It is unnerving.

And then, breaking apart his hands and opening his arms wide at his sides, he says, “And yet here I am. Alive and well. Did you ever wonder why you couldn’t find me to kill me?” He laughs, shakes his head. “I mean, surely it’s been bugging the shit out of you after all these years. Come on¸ be honest with me, Victor!” He smacks his hands together excitedly.

“Yes,” I admit. “I have thought about it from time to time, how you could have eluded me.”

Apollo stands, smacks his hands together again; the smile never diminishes but only seems to broaden. Then he begins to pace back and forth in front of my cage.

“The first few months,” he says, “it was as simple as me being on vacation in Rio de Janeiro, partying my ass off—wouldn’t doubt a few kids of my own were conceived during that time.” He smirks at me. “When my brothers were killed, I didn’t think much of it—people die in my family all the time—but when my parents were offed shortly after, I knew something was up. So, I had a guy get in touch with another guy, who hired some other guy, who found out that my brother, Osiris, had put a hit out on everyone but my sisters. I knew I was next, so I left Brazil and laid low—”

“Tell me again,” I cut in, “why I am the one in this cage, and not Osiris.”

Apollo holds up his index finger.

“I’m not done, Victor,” he says, scolding me.

He continues pacing.

“Now, I understood why Osiris did what he did,” he says, pursing his lips. “Mom and Dad treated Osiris like a red-headed step-child; I mean, sure they beat the shit outta all of us from time to time. But Osiris, being the oldest and all, got the worst of it. I knew one day he’d fuckin’ explode. Osiris loved his sisters though—Hestia was to him like Artemis was to me—but he hated me, and he hated Ares and Theseus. Osiris was jealous of us because the boys in the family were the favorites. But not Osiris. It’s why he was protective of our sisters; he felt more like one of them than one of us.”

“So then why did he put that knife in my hand that night fifteen years ago?” I interrupt again. “If he loved Artemis so much, why did he want me to kill her?”

Apollo smiles, and then rolls his eyes with irritation.

“Because he was using my sister against me, getting revenge for what I did in retaliation for what he did.”

“And what did you do?”

“He was offing our family, and I was next, so I killed his wife,” he answers matter-of-factly. “I—well, I fucked her first, and then I killed her. Needless to say, Osiris was not a happy man. But an eye for an eye, I thought.”

“And you never thought he’d retaliate by coming after Artemis,” I say, figuring it out on my own.

Apollo nods once.

“Yeah,” he says with regret. “Never saw that one coming. But I should’ve. Hell, if he was crazy and cold enough to kill our brothers—who never did shit to him, I should add—then I should’ve known he’d use the only person in the world who I loved—my twin—to get back at me for killing his wife.”

“You are all disturbed,” I say. “Your entire family. And I thought my family had issues.”

He shrugs again. “Yeah, well,” he says, “I guess I can’t really argue with you on that one.”

I step up to the bars, peer at him with focus. “Still, none of this explains why I am the one here, paying for his betrayal. It is not much different than killing the messenger. I did only what I was commissioned to do—by your brother.”

“Ah, but you didn’t,” Apollo tries to correct me, and I fail to understand. “You did something far worse. And you’re just as guilty as he was.”

I am thoroughly frustrated with all of this. More-so with myself. It never takes me this long to figure out the most complicated of puzzles. Quite frankly, it is, as Izabel might say, pissing me off.

Apollo takes a seat again, and props his foot on his knee and his hands on his stomach, just like before. Then he nods at me and says, “Finish the story, Victor. Tell me what happened that night when Osiris got to you before I could.”

“Tell me where Izabel is first,” I demand. “You want to know this story desperately enough—tell me if she is still alive, if she has been hurt.”

“Oh, she’s still alive all right.” He grins. “As far as what has been, or is being done to her, I can’t answer that. But she’s alive, and I can promise you one thing: you’ll see her again before this is all over.”

Nothing about his cryptic promise eases my mind. It does exactly the opposite.

“The story, Victor,” Apollo speaks up over the vociferous sound of my restless thoughts. He taps his watch with the tip of his finger. “Unfortunately, we don’t have all night.”

I tell Apollo about Osiris breaking into the house in the middle of the night after Artemis and I had fallen asleep. I tell him about how Osiris dragged his sister off the bed and held a gun to her head. And I admit to not being alert, or fast enough, to have been able to stop it; another gun was in my face before I could reach mine on the nightstand. And I tell him how Artemis’s life was used against me so an accomplice could tie me to a chair without me killing him. It was not a shining moment in my life—certainly not in my career—but it was one night of mistakes I quickly learned from and vowed never to make again.

Yet here I am again. Because, unfortunately, history does tend to repeat itself.

Fifteen years ago…

Osiris stood and shoved his gun into the back of his pants; his black leather jacket concealed it.

“So,” he said, coming toward me, “you’re saying that if someone above you, from The Order, was to walk in here and tell you to put that bitch out of her misery—”

“Your use of expletives,” I cut in, blood dripping from my bottom lip, “makes it difficult to take you seriously.”

Osiris’s left brow rose higher than the other.

“How so?” he said, quietly offended.

Casually I answered, “Because, quite frankly, I feel as though I am dealing with someone of, shall I say, inadequate education.” (Osiris’s nostrils flared.) “Or do you just have something against women?”

I glimpsed Osiris’s fist amid the spots before my eyes, and then the world blinked out.

I was unconscious for precisely six minutes—I remembered seeing the time on the bedside clock just before he knocked me out cold. And when I finally came to, everything was as it was before. Except one thing. Artemis was also conscious again.

“Osiris, why are you doing this?” she pleaded with him; her face was bruised; blood smeared across her cheeks, glistened on her teeth. “You’re my brother! Why are you doing this?”

That was how I finally knew they were, in fact, siblings. But I was as confused as Artemis about why he was there, why he put a knife in my hand and wanted me to kill her, his own sister.

Artemis tried to get to her feet but she fell, too disoriented to maintain her balance. She reached out her hand to her brother. “Please, Osiris, tell me what this is about. Is it because of Mama and Papa?” Then she started to cry. And wail. “Oh please, God, tell me you didn’t! Tell me you aren’t the one who’s been killing everyone!” Then she became frantic. “Where’s Apollo?! Osiris, where’s my brother!”

“Your brother?” Osiris shook his head; he pointed his gun at his chest in place of his finger. “I’M YOUR BROTHER!” he roared. “I was part of this family too!”

My eyes went back and forth between them; my ears hung onto their family squabble. Artemis began to back her way toward me; I was still bound to the chair by my ankles and one wrist. My free hand still gripped the knife; I hoped for an opportunity. I cursed myself quietly for not taking the one I just had when Osiris pointed his gun away from me for that briefest of moments. But then I knew, too, that my knife-throwing hand was the one still bound to the chair, and that my aim was off by thirty-percent with the other—if it was not going to be precise, I was not going to risk it.

Osiris continued to walk toward Artemis, and she continued to walk backward until eventually she fell onto my lap. “Please, brother, let’s talk about this.”

But Osiris had nothing more to say to his sister.

He looked only at me. And the knife in my hand.

“Do you work for The Order?” I asked him.

“No,” he said, and kept his gun trained on me. “I’m the fucking client. I’m the one who commissioned your employer to kill my family.”

Upon hearing his admission, Artemis threw her head back and bellowed; instinctively my free hand held onto her around her waist, the knife blade harmlessly pressed against her ribs. She laid her head on my chest and cried against me.

But then she stopped, and she raised her head and looked into my eyes, realizing for the first time that her brother was not the only person in the room who betrayed her.

“Hestia was right,” she said; her mind seemed to know what it wanted to do—to get away from me—but her body was paralyzed by the realization, the shock. “You killed my brothers…you…Hestia was right!” Her mind finally caught up and she jumped off my lap, fell onto the floor again trying to get away.

Osiris was on top of her before I could blink; he pulled her up by the back of her hair; her nakedness on full display. She screamed and kicked and tried to bite him, but her efforts were wasted; he held on to her easily, as if she were a defenseless child in his powerful grip.

“What is this about, Osiris?” I asked, trying to buy time. “Artemis is right—you should talk this out.”

“NO!” He pointed the gun in the air toward me; Artemis continued to flail in his grasp. “It doesn’t fucking matter why I’m doing this! All that matters is that it’s done!”

“Then why don’t you do it yourself?” I suggested. “If you wanted your family dead so badly, why outsource the job? Why not just do it yourself?”

“BECAUSE I CAN’T!”

“He can’t kill us,” Artemis said in a strained voice, as Osiris’s arm put pressure on her throat. “He’ll sour his bloodline; he’ll be cursed…and his children, and his children’s children will be cursed. He can’t…kill his own blood. Not with…his own hands.”

I could not escape Artemis’s pleading eyes staring down at me from just a few feet away; that look destroyed me inside. I knew she loved me the way a woman loves a man for the rest of her life; I knew that woman would have died for me, killed for me, would have done anything for me, even still after finding out the truth that I was the one who killed her family. I knew it. And I could not look away from her eyes. Please, Victor, help me, her eyes told me. I love you more than anything or anyone I could ever or will ever love; please don’t let him kill me. Because he will, Victor. If you won’t do it, Osiris will, despite the curse, because his anger is too great. Please…

I tore my gaze away finally, swallowing a strange lump that had formed in my throat. My eyes began to sting and water. It made me angry, and I tried to push that anger down, but it just kept building.

For the…second time in my life, I did not know what to do. For the second time in my life and in my career, my emotions were at war with my duties, my nature—because of a woman. But this time, it was very different; Artemis was very…consuming.

I raised my head, looked at Osiris standing behind Artemis. “I cannot kill a woman who I have not been commissioned or ordered to kill, a woman who is not a threat to me, or to the organization I work for.” At that moment, I had hoped Osiris would not kill her himself. I wanted to calm him down, let the two of them talk, so that, perhaps, Osiris would have a change of heart.

“Then I’ll ask you again,” Osiris came back, and he shoved the gun deeper against Artemis’s throat, “if someone above you, from The Order, was to walk in here and tell you to put this bitch out of her misery, would you do it?”

And like the first time he had asked that question, I refused to answer it.

I looked over then when I caught movement in the corner of my eye. Brant Morrison, a man in The Order ‘above me’, entered the room, dressed in his typical black suit and silver tie, wearing the typical proud and confident smile he always wore. There was a gun in his hand, a piece of gum in his mouth, and a gleam in his eyes.

ELEVEN

Victor

“I always wondered about you,” Brant said. “Ever since that gorgeous piece of ass, Marina, who you were quite smitten with, despite the life you snuffed from her so ceremoniously.” He laughed under his breath lightly, his broad shoulders bouncing. “I have to admit, Faust, I’ve always admired your style. Balls of steel, and more unpredictable than a bipolar bitch on her period.”

“What is this about, Brant? Why are you here?”

He smiled evenly.

“I’m everywhere you go,” he told me. “Being my apprentice, Faust; you know that.”

Yes, I knew that, but why was he here? I had done nothing wrong; I was fulfilling my contract on schedule, even without finding you yet, Apollo. But I still had time. I had done nothing to warrant a surprise visit from my superior. I kept asking myself this question: Why is he here? But I already knew the answer—I was being tested by The Order, after all. Like I had assumed when this all started, there was suspicion about my feelings for Artemis Stone.

And with good reason.

Brant walked farther into the room; his jaw moved as he casually chewed gum. He sat down on the end of the bed, placed his gun beside him, and leaned forward, propping his elbows on the tops of his legs; his hands dangled between them.

I looked back and forth between him, Osiris, and Artemis. Tears streamed down her cheeks. I looked away again quickly. I had to.

“The girl was not in my contract,” I stated.

Brant nodded. “But she is now.”

“Why?” I asked right away, but wished I had not.

“Oh, Faust,” Brant responded with casual reprimand, “you know that’s one of the first rules: Never ask why; the why never matters. A contract is a contract; the name or names on it are just names, destined to be numbers, with many zeroes behind them.”

There was nothing I could say in defense or argument—Brant was right, and I knew it better than anyone.

I turned to Osiris, still trying so hard to keep from seeing Artemis’s eyes.

“What about Apollo?” I asked.

“Apollo Stone,” Brant answered for Osiris, “has been—at least temporarily—removed from the contract.”

“Removed?” My questions were merely a stalling tactic; I was still at war with myself, and I needed time to figure out what I intended to do.

Osiris breathed heavily, and his gaze veered; he seemed ashamed, or disappointed. “I could only afford one of them,” he admitted. “At the last minute I decided I wanted Artemis dead instead of Apollo—I want my brother to live with what he did to my wife, and to live with knowing that because of what he did, his treasured twin paid the price.”

“You bastard!” Artemis screamed.

She bit down on his arm, and automatically he released her. His hand came up and fell down against the side of her face like a bloodthirsty whip. Artemis hit the floor. He leaned over, grabbed her by her hair again, lifted her violently, and pushed her back onto my lap. The chair I was bound to almost could not hold the abrupt weight, and it tilted on its two back legs before settling. Feeling like I was the only one in the room who could save her, Artemis did not try to run from me; she latched on to me instead, buried her face in the crook of my neck, and cried. No, I cannot have her here, on me like this…I cannot smell her, or feel her soft flesh against mine…I cannot…

The raging war inside me grew.

And grew.

And grew.

I could hear the voices of Brant and Osiris and Artemis, talking to me, talking to each other, arguing, pleading, mocking—I did not know the difference anymore. I began to see faces in my mind, clear as glass, as vivid as reality. They were the faces of the people I had killed. But they were not there to haunt me, they were there to remind me. About who I was and what I knew I would always be. And when I saw Marina’s face, framed by her Marilyn Monroe hair, bejeweled by her Monica Bellucci lips, I felt in my heart something that no true assassin is ever permitted to feel—regret.

Suddenly I could no longer hear the voices of my company, and the faces had vanished from my mind. I heard nothing and saw nothing other than the steady pounding of my heart, and the dark of Artemis’s hair as she lay against me, the warmth of our naked bodies mingling as if we had never been dragged out of bed.

I loved her. It is true. Artemis Stone was proof that I could never be the operative everyone thought that I was. She was proof that I was more human than what was required of an Order operative. But to me, more than that, Artemis Stone was proof that I was weak, and that not once, but twice, I allowed the scent of a woman to cloud my judgment, to throw me so far off my game that Death himself was but feet from my door.

Did I care about my own life? No. I did not. I have never been afraid to die. I do not go looking for it, but I have always chosen to welcome death when it chooses to visit me. I was prepared to welcome it on this day, but…

“Victor,” Artemis whispered, looking up at me at an angle, “please don’t let them hurt me.” I could still faintly smell the wine on her breath from our dinner earlier that night. I pictured her in that black dress; I could still smell the product she had used to curl her long, dark hair; I thought of the two of us running out of the restaurant, laughing and smiling and living in the moment.

With two of my fingers, I pulled her head closer, and I dipped mine, pressing my lips to the spot between her eyes. And I held them there for the longest time; my eyes, closed tightly, began to sting and water; that strange lump had formed in my throat again, but this time I could not swallow it down and it was choking me.

And as I slid the blade across Artemis’s throat, I whispered against her ear with tears in my voice, “I am unable to have children, Artemis Stone.”

Izabel

I gasp so sharply that I lose my breath; it feels like someone punched me in the stomach.

He killed her…he loved her, yet he killed her anyway.

I stumble backward, away from the vanity, trying to understand, trying to find words and thoughts and excuses for Victor. I can still vaguely see my reflection in the vanity mirror; I’m dressed in a black dress and black high-heels; my hair has been curled so that it falls just below my ears; my makeup has been painted to perfection by Hestia’s careful hand. But mostly what I see is the sad and bloody picture that Victor’s words left remnants of in my mind.

He killed the woman he loved…

“Now do you see?” I hear Hestia say somewhere behind me. “Now do you understand?”

I look down at myself again: the dress, the curled hair, the telling similarities to Artemis when she spent her last meal in that restaurant with Victor so long ago, and all hope I had left disappears.

Without turning to look at her I answer, “Yeah…I understand.” Then I do turn, and I look her right in the eyes. “I understand perfectly.”

Hestia smiles slimly, confidently, and I accept that Death is at my door.

Victor

Blood seeped through all of my fingers, and I could hear Artemis choking, gasping for air, and I could not let her go. I held her there in the embrace of my one free arm, listening to her last breaths, feeling the life drain out of her. Osiris and Brant stood like statues in the room, watching the scene with wide eyes and parted lips, shocked by my actions, I supposed. I thought it odd how they both wanted me to kill her, and I did, exactly in the manner in which was required of me, yet they looked as though they had never seen someone dying before.

Sirens wailed and drew closer; ultimately drawing Brant and Osiris from their shock-induced states. Police? Who called the police?

“We have to go, Victor,” Brant insisted.

He walked toward me quickly, drew a knife from his pocket and cut me free from my bonds—I was so dazed myself that I never noticed when Artemis fell from my lap and hit the floor. And I could not recall later—because I thought about that night many nights after—if I ever looked back at her as Brant dragged me from the room and out of the house, still naked.

I sped away in my car, following Brant down the back roads, and almost crashed into a tree because all I could look at, the only thing that existed in my world at that moment, was Artemis’s blood on my hands, both literally and symbolically. I was white-knuckling the steering wheel; her blood covered the tops of my fingers, and every crevice in my mind. It was all that I could see, her blood.

Present day…

“And Osiris?” Apollo asks.

“I never heard from him again,” I answer, still somewhat lost in my thoughts. “It is not customary to keep contact with a client after a job has been fulfilled.”

Apollo is standing by my cell now; I am sitting on the floor.

“That’s not what I meant,” he says.

I erase the images completely from my mind, and I look up at him through the bars.

“How did you feel about Osiris,” he clarifies, “after he made you kill the woman you loved?”

“He did not make me do anything,” I answer without flinching.

“So then you wanted to kill my sister?” He cocks his head to one side. “Is that what you’re saying, Victor? Because if that’s true”—he shakes his head, clenches his fists—“if that’s true then we have a very different problem, you and I.” His solid gaze seethes with anger.

“There is nothing more to tell,” I say, and look down at the stones around my bare feet.

An eerie silence chokes the room all around us.

Then Apollo says, “Oh, but there is, Faust,” and a proud grin deepens in his face. “There is so much more to tell. Only…”—he glances behind him toward the exit, then looks back at me—“…you won’t be the one telling it.”

I hear voices funneling down the hallway just beyond the door; shadows move against the floor beneath it. I am afraid; absolute fear grips my chest. What has become of Izabel? All that I can think of is Hestia’s threat years ago, and I try to mentally prepare myself to see Izabel, wheeled into the room because she can no longer walk; bloodied by the blade of Hestia’s knife; skinned alive and put on display. For me. For long-overdue revenge.

Dull light from the hallway spills in as the door opens. I cannot breathe; my heart is beating so fast I feel it in my head, hear it pounding against my eardrums. Slowly I rise into a stand, and I do not tear my eyes away from the figures moving through the darkest shadows; my hands are on the bars of my cage again, gripping, squeezing, pulling; all of the moisture has evaporated from my mouth.

And then I see her, Izabel, alive and seemingly unharmed, and I let my breath out in one deep sigh of relief; my legs feel weak beneath me, and for a moment I feel that hope is not lost, after all.

But then I see another face—Artemis Stone.

And what strength I had left in my legs, betrays me.

TWELVE

Izabel

I’ve never seen a look like that on Victor’s face before. He appears…traumatized; that calm, impassive disposition he always carries, replaced by something more…fragile.

And he’s not even looking at me.

“Artemis…” Victor says in a sort of gasp.

I gasp too, stunned, and I turn my head to see the woman behind me, the same woman who dressed me and fixed my hair and did my makeup. The same woman who told me that she was someone else. And then, as if a dam has been opened, the answers to everything rushes into my head like a raging river. Ah, so that’s what that traumatized look is on Victor’s face. Now I know exactly how I must appear to him.

I feel a hand on the center of my back, and my body is pushed forward. With my wrists tied behind me, I fall, skinning my knees on the floor; my shoulder hits next, and then my face. Oomph! A sharp stab darts through my head and spreads throughout my jaw, neck, and back, and my only consolation is knowing it was from the fall, and not the cattle prod this time. I don’t know how much more of the electric shock my heart can take.

Artemis walks past me as if I’m not even here, and steps closer to Victor and the cage.

I’m lifted from the floor by unseen hands, and am shoved onto the chair I sat on before I was whisked away to this crazy bitch’s beauty salon. “Don’t move,” I hear Apollo say behind me.

Suddenly I feel the pull of Victor’s gaze; he isn’t looking at me, but I feel like he wants to—or that he’s trying not to.

“Victor?” I say, but he doesn’t answer, and he doesn’t look my way; I’m not sure what I would say if I did happen to get his attention.

But why won’t he look at me? Why is Artemis the only person in the room he acknowledges? I mean sure, he thought she was dead, he thought he killed her himself, but the look-like-he’s-seen-a-ghost syndrome should be wearing off by now.

How is she alive?

And why, Victor, won’t you look at me?

Victor

It takes every ounce of strength I have to keep from looking at Izabel right now. The second my eyes stray from Artemis, the very moment in which Artemis sees me look at anyone other than her, and Izabel will be punished for it.

I focus only on her. It is what Artemis wants: my devoted, undivided attention. She has waited so long for this day, this moment; she has trained for it no doubt—I would not be in this cage if she had not, if Apollo had not worked with her. And as I look at her, secretly studying her movements, the expression in her eyes, the confidence in her walk, I know that the woman before me is a far cry from the woman she used to be. Artemis Stone, my first love, my first real mistake, she is so very different from the woman I once knew. And I know that whatever happens here tonight, whatever kind of beast that unleashes from within her, that it was created by me fifteen years ago. And I know that I deserve the havoc it will wreak.

“The police,” I begin with the first of many things swirling around in my mind—I indicate Apollo with the tilt of my head, but never take my eyes from Artemis. “He knew he could not get to you before Osiris, so he called the police. That’s how they got there so quickly that night.”

Artemis steps up to the bars, curls her long, delicate fingers around them with both hands. For seconds that feel like minutes, she just looks at me, unblinking, unflinching, and I feel slightly destabilized by it.

More than a minute goes by, and still she says nothing. She just stares at me, injecting discomfort into every one of my limbs, weakening my confidence. Why will she not speak?

“Artemis—”

She raises her right hand to stop me, and I do. Then the same hand moves slowly toward her throat, and carefully she takes the zipper tab of her bodysuit between her thumb and index finger, and slides it down. Slowly, very slowly. Her penetrating gaze never wavers, and still, her eyes never seem to blink. Only when the zipper has stopped, just above her cleavage, and her hand moves to her side, do I look away from her eyes and behold the thing she wants me to see.

A long scar, smooth-looking and raised above the skin, discolored against her natural brown flesh, looks back at me. Ashamed and consumed by guilt and regret, my gaze finally falls from hers and I can look at no one, nor anything, except the palms of my hands. I hold them out in front of me, remembering the blood, Artemis’s blood, seeping through my fingers the night that I killed her. Because I did kill her—I killed the person she was.

“Look at me, Victor,” Artemis says, calmly, yet with command. “Look at what you’ve done.”

What I’ve created…

I raise my head. And I swallow.

“Now do you know why you’re here?” she asks.

I nod, unable to offer a verbal response. I want to look at Izabel behind Artemis, but I cannot do that, either.

Apollo stands quietly off to the side.

“Tell me why you’re here, Victor,” Artemis insists.

I do not. I cannot say it aloud, not when Izabel is in earshot. I see the dress that Izabel wears; I see the makeup and the curled hair; I see the black high-heel shoes—I see Izabel as a copy of Artemis fifteen years ago when she and I spent our one-year anniversary in that restaurant, the night I killed her. Yes, I know why we are here. I know why…

“Answer her,” Apollo finally speaks up.

He steps forward.

“No, Apollo,” Artemis says, without looking at him. “Please let me do this. You’ll get your turn, but right now, it’s all me.”

Apollo holds his position, and his tongue.

Artemis crosses her arms. “You asked my brother,” she begins, “why fifteen years—let me tell you the real answer to that question.” She cocks her head to one side. “In the beginning,” she says, “I just wanted to be prepared; I needed to be trained. I wasn’t anything when you knew me; I was just the daughter of criminals, a sister to a traitorous brother. I could hardly defend myself from a mugger at a bus station, much less hunt down a dangerous and elusive, not to mention elite contract killer, and manage to kill him without him killing me first. And I knew I had to keep to the shadows, stay dead to you.” She stands directly in front of me, fiercely holding my gaze. “And I did it. I pulled it off, to my surprise, to my brother’s surprise.” She pauses, and then says, “I guess since you thought you killed me, you had no reason to look out for me, giving me the chance to fly under your radar until I was ready. And when I was ready, Apollo said something to me the day I planned to make my move against you—tell him what you told me, Apollo.”

“I said it was a shame she couldn’t get you where it would really hurt,” Apollo speaks up.

“Yes,” Artemis says. “That’s what he said; half-joking of course, but I saw it as something else”—she twirls a hand in gesture—“I thought it would be perfect poetic justice to do just that: kill the one you love right in front of you since you felt it so easy to kill me.”

“It was not easy, Artemis,” I say with truth. “It was the most difficult thing I have ever had to do.”

“But you didn’t have to do it!” she shouts, and it stuns me. Then she calms her voice again and adds, “You could’ve found another way; if anyone can find a way, it’s you, Victor. We all know it, you know it. You didn’t have to kill me.”

“You are right,” I answer, again with honesty. “I could have found another way.”

“You admit it,” Apollo says with condemnation.

Artemis turns from my cage and puts the palm of her hand against her brother’s chest, stopping him from moving forward. She shakes her head at him as he stares me down. And after a few tense seconds, he steps away, glaring icily at me. But when his angry eyes pass over Izabel sitting obediently on the chair, my blood runs cold. Stay away from her, my eyes tell him. Stay away from her…

“Why fifteen years?” I bring the subject back, trying to avoid the latter. And to distract Apollo from Izabel.

Artemis turns. “Because it took that long for you to fall in love again,” she reveals. “I was willing to wait. I was patient. I wanted this moment to be perfect. After eight years, I thought I’d never get the chance. But still, I waited. Ten years, and you were as cold and unloving as the day you slit my throat. But still, I waited.” She grabs the bars again, and brings her beautiful face closer between them. “Then finally, I got the news: Victor Faust has gone rogue from The Order, allegedly because of a girl in Mexico”—she glances briefly at Izabel—“and I knew, despite Apollo telling me that it couldn’t be true, I knew that it was. I just felt it”—she holds a closed fist against her chest—“here in my little black heart, a heart that used to beat only for you…I knew it was true.”

Her hands slide away from the bars. But her gaze never falters.

“Why did you kill me, Victor?” she asks.

“That is not a simple question to answer, Artemis.”

She shakes her head, smirking.

“I thought I knew why for a long time,” she says. “The last words you said to me as you held that knife to my throat, told me everything I thought I needed to know—but I was wrong.” She looks back at Apollo and holds out a hand. “Give me the key.”

Apollo steps up solidly, argument in his features. “No, Artemis, I don’t think—”

“Please, brother, just give me the key,” she insists. “Victor won’t hurt me. Not because he gives a shit, but because he knows”—she looks me right in the eyes, threatening me with her gaze—“that if he does, you’ll kill his precious little Mexican redhead.”

Against his concerns, Apollo sighs, reaches into his pants pocket and places the key to my cage into Artemis’s hand. Then he motions to his left and right, and seven other people leave their positions and walk forward; three stand behind Izabel, pointing their guns at the back of her head; the other four stand at the opening of the cage, guns pointed at me. Apollo unsheathes a knife from his belt and holds it to Izabel’s throat. “I won’t think twice, Victor,” he warns.

When Artemis feels that the message has gotten across to me, she walks around to the front of the cage and inserts the key into the lock. She turns it fully and it clicks; I notice the hands of those standing at the entrance, tighten nervously on their guns.

Artemis passes the key off to the nearest guard, and then the cage door opens with a creaking sound. She steps inside the cell with me, closing the door afterward; it automatically locks. Carefully, slowly, she approaches me—secretly I look for evidence of any weapons on her, but she has none so far as I can tell. That is a shame.

“Just kill her, Victor,” Izabel calls out from the chair; her voice is now smothered by Apollo’s hand; his other hand putting pressure against the knife at her throat. “Say another word,” he taunts her, pressing the back of her head to his midsection, “and the gag goes back on.”

As desperately as I feel I need to speak out against Apollo, I know that I cannot, or it will give him more power. Ignoring Izabel, as much as I possibly can, may be the only thing that saves her. At least for a little while.

“Tell me, Artemis,” I say, looking up at her. “Tell me everything you have wanted to say. I will listen. I owe you that.”

She steps right up to me, places her palm on my beating heart. And she smiles, softly, innocently, the way she used to. But behind it I sense the devil within.

“Oh, you owe me more than that.” She waits, allowing her words to sink into me.

“You didn’t kill me,” she finally goes on, speaking in a gentle tone, “because you thought I’d had an affair. You killed me because you were looking for a reason all along. I’d remembered what you told me about that woman, Marina. Of course, I didn’t know the story the way you told it here tonight—you kept things from me because of what you are—but still, you told me more than what you were supposed to.”

“Yes, I did,” I speak up. “There were many things I did and said that I should not have.”

Artemis’s hand slides down my chest and away from me.

“Yeah,” she says, agreeing with deep regret, “and because of that, because you loved me, and stepped in a hole so deep you couldn’t see over it, you knew the only way to pull yourself out was to end my life. You knew that if you didn’t kill me, that The Order would kill you. But most of all, Victor, more than anything”—she points her finger at me—“more than anything, you needed to kill me for yourself. Not because you worried about what Brant Morrison would think of you, or report about you; not because your life was hanging in the balance by The Order—you killed me because you needed to, because you hated what your love for me did to you.” My ears ring and my head snaps sideways as her full palm smacks against the side of my face; the skin burns like fire, but I resist the urge the reach up and touch it.

Artemis glares coldly, unforgivingly. She leans forward and says, “And just so we’re clear, I never had an affair. The baby I told you I aborted was yours, Victor.” She pulls away.

“I know,” I say, at first under my breath. Then I raise my eyes, and my voice. “I did not believe it then, because I had had a vasectomy, but—”

“You didn’t want to believe it,” she cuts in sharply.

I shake my head. “No. I did not want to believe it.”

I feel her fingers digging into the flesh of my jawline; her warm, sweet breath on my lips. “Thinking that it wasn’t possible I’d been carrying your child,” she goes on, squeezing, “making yourself believe that I’d cheated on you, it all made it easier to do what you would’ve done anyway.” I see her eyes sweep over my mouth. And then she touches her lips to mine. “You would’ve killed me that night no matter the situation—even if I was still carrying your child.” She squeezes harder, nearly breaking the skin with her fingernails, and then she releases me abruptly, pushing my head backward.

“Say it, Victor,” she demands. “You would’ve killed me even if I was still carrying your child.”

For the first time since I had forced myself not to, I look right at Izabel; my face full of regret and apology and shame. “Yes,” I answer Artemis without looking away from Izabel. “I still would have killed you.”

Tears seep from the corners of Izabel’s eyes. A suffocating silence blankets the room like a stifling heat.

THIRTEEN

Izabel

It can’t be true…

It can’t.

I feel like I’ve woken from some strange dream, like one of those dreams that seem normal in the beginning, but halfway through, things begin to defy all sense of sanity and logic. Now I’m sitting here on this chair, awake, feeling out of touch and out of time, wondering what the hell just happened, as an uncomfortable feeling sweeps over me, and I never want to dream that dream again.

Was I right all along? Was I right to be afraid of Victor, to wonder if he could ever kill me if the situation were dire enough? Had Niklas been right in saying, ‘How long will he allow you to compromise him? Victor is experiencing his one moment of entitled weakness right now, just like I did with Claire. Just like Gustavsson did with Seraphina. And look at what love did to Flynn, right in front of your eyes. It’s my brother’s turn now, like a rite of passage, but how long will it last?’ Had Nora been right? ‘Anyone can be in love, Izabel, and I can tell by the look in that man’s eyes that he is in love with you. But a man like Victor Faust can’t stay in love forever. Like Fredrik’s type can’t live without love, Victor’s type can’t live with it. And the more that it gets in the way of his duties, and the more human you make him become, the closer you push him to his breaking point. He’s just like me. And one way or another, he’ll instinctively do whatever it takes to restore the balance to the only life he’s ever known.’

I feel like now I have my answers.

And I know…(a sob rattles inside my chest)…I know that not only will I die today, but also by whose hands.

Raising my head again, I look only at Victor; the tears streaming down my face are itching, and I wish I could move my hand to wipe them away.

“I still love you, Victor,” I tell him, not caring that Apollo has a knife against my throat; he doesn’t cover my mouth with his hand this time. “No matter what you’ve done, or what you will do, I’ll always love you.” The words are as true as they ever were, but this time they taste strange and final in my mouth.

But I need Victor to understand that I understand him. I need Victor to know that I’m more like him than he realizes, and that I’ve almost always been…

“Sarai, baby,” my mother whispered to me; her body odor, mixed with strong perfume and cigarettes, choked me as she laid next to me on the soiled bed. “You forgive me, don’t you? I never meant for any of this to happen. I just…wasn’t thinking straight.” I saw the whites of her eyes briefly in the darkness as the heroin began to swim through her bloodstream. She smiled euphorically as if she’d touched the Face of God. I set the needle down on the tray at the foot of the bed.

“It’s OK, Mom,” I whispered back, and loosened the tourniquet from her wiry arm. “I forgive you…”

Victor looks at me, but he doesn’t respond. Not verbally, anyway. His eyes tell a different story. Unfortunately, I have no idea what it is.

Artemis’s laughter rings in my ears.

“After all this,” she says to me from inside the cell, “you still have love for this…barbarian?”

“Yes,” I answer without hesitation.

She shakes her head. “Such a dumb, love-struck girl.”

“You loved him,” I counter. “You knew he killed Marina, and you knew, in a roundabout way, why, yet you still loved him.” I round my chin, defying the cold blade pressed to my throat. “And you still love him now. He slit your throat and left you for dead, and he admitted that he still would’ve killed you if you were carrying his baby, yet you’re still in love with him—dumb and love-struck doesn’t even begin to explain you.”

Artemis scowls, and Apollo wrenches my head backward vigorously in reaction to it.

She steps away from Victor and approaches the cage exit; the guards shuffle backward carefully to make way for her. I watch Victor in my peripheral vision, and see him start to follow, but he stops when Apollo’s hand makes a threatening movement against me.

Artemis exits the cage without incident, and stands in the opened doorway. She motions a hand toward us. “Bring her now,” she orders, and I’m violently extracted from the chair and brought to my feet; all the way to the cell, Apollo’s knife blade is kissing my jugular. Artemis moves out of the way of the door, and then I’m kissing the stone floor when Apollo shoves me through the opening.

Victor’s hands are behind me before I can even raise my head, and he’s lifting me into his arms. “I am so sorry, love,” he says, and presses his lips to the top of my head; his arms encircle me.

“I remember when he used to call me that,” Artemis says, whimsically. She closes the cage, twists the key in the lock afterward, and then pockets it.

She walks around in front of us, then she reaches out her hand to her brother. Already knowing what she wants, Apollo places the knife he had been holding to my throat, into her palm, her long, slender fingers collapsing around it. Stepping up closer, she leans over and slips the knife through the bars, setting it on the floor inside the cell.

“If it looks familiar,” she says to Victor, “that’s because it is.”

Straightening her back, she turns and walks away, taking her twin brother with her.

“I’ll give you something that we never had,” Artemis says, stops, and turns to see us once more. “A moment alone together before you kill her.”

My heart stops.

“I will not kill her,” Victor says calmly…uncertainly?

The blood in my veins turns to ice; his arms tighten around me.

Looking back, Artemis smiles and says with eerie confidence, “Yes you will. I’ve never been so sure about anything in my life.”

She and Apollo exit the room, leaving us with the armed guards.

Trying to ignore the feeling in my gut, I turn to Victor quickly, my wrists still bound behind my back. “We have to get out of here,” I say, frantic. “Cut me loose.” I turn around, putting my back to him, and my wrists into his view. “Hurry, Victor!” I don’t care that the guards are watching. I don’t give two fucks that they’ll surely stop us when we manage to use the knife to pick the lock of the cell door. I don’t care! We have to do something—

“No.” Victor’s voice stuns me, the stillness of it, the irrevocable finality of the word.

I turn again to face him, my eyes wide, my mouth parted.

“W-What do you mean?” I ask. But I already know; still I don’t want to believe it.

“I mean no, Izabel.” He looks right at me, and the tranquil, yet intense look in his gaze frightens me. “This time it is over. There is no getting out of this one—it is over.”

I start to throw my hands up in the air until I realize that I can’t, and that pisses me off even more.

“So you’re just giving up?” I can’t even believe I’m saying this. “You’re just going to accept this and give up? What the hell is wrong with you?” I push myself into his space, glaring at him.

He remains as calm as ever. And I want to slap him for it.

“Victor—”

“I did not finish telling you the truth about Kessler,” Victor interrupts. “You need to know the truth.”

I suck in sharply, unable to speak, terrified about what he’s going to admit to. I hadn’t forgotten any of this: about Italy, or Nora, or whatever else Victor had wanted to say—I just wanted to forget. Already I feel sick to my stomach, and my heart is withering like a dying flower.

Anything but that, Victor…tell me anything but what I think you’re going to.

Victor

“I knew you would want Kessler alive,” I say. “I wanted her alive even more than you did, but I could not let you know that.”

Izabel’s chin rears back; a look of confusion crawls over her features—perhaps she thought I was going to say something else; I cannot tell if she is relieved by my confession, or not. But then another look begins to take over, and this one I am quite familiar with: the sting of realization.

Her eyes narrow; she glares at me in a sidelong manner.

“You manipulated me,” she accuses.

“Yes.”

“You didn’t give a shit about what Nora did: kidnapping Dina; turning Niklas against you; making me relive the nightmare of my confession when I was alone—or so I thought—in that room with her. You didn’t care about any of that!”

“That is not true,” I speak out. “At first I wanted her dead as much as everyone else—I was going to kill her myself. And later, I did care about what she did to you.”

“But not enough to kill her for it!” She struggles with her hands behind her, her shoulders end up making awkward motions for her as her voice blazes at me from just a foot away. “You knew I’d want her to stay so she could train me! But you wanted me to be the one to make the decision because if you did it, after everything she’d done, then I’d know the truth—I’d know you wanted her!”

“No, Izabel!” I shout back. I move toward her, and she stands her ground. “It is not what you think,” I continue, lowering my tone. “There is not, and has never been, any kind of sexual attraction to that woman. I simply wanted to study her, to know her ways, to learn how she…”

“How she what, Victor?” She grits her teeth. “How she what?”

I start to speak, to answer her question, but she stops me, and surprises me with the answer all on her own.

“You wanted to know how she does it,” she says with accusation and ire. “How she can do what she does without batting an eye, how she can be so heartless and emotionless, how she can be so immune to love—you wanted to be just like her! You wanted me to go off with some kid I never knew and play fucking house, so you could be just like Nora!” She stops long enough to take a breath. “You let me think I was making an important decision in your Order; you let me believe that you believed in me enough to trust my judgment”—she clamps her jaw shut, presumably to stifle an indignant scream—“but the truth was you had already made the decision for me; you had no intention of killing her, whether I wanted her dead or not!” She turns her back to me; her shoulders rise and fall heavily with heavy, deep breaths. “You manipulated me,” she repeats, at last.

“I am sorry,” I speak softly from behind.

Silence fills the room again.

“So am I,” she finally responds, and it catches me off-guard.

Izabel turns around to face me, and while I am wondering what she could possibly be sorry for, she begins to tell me.

“In my heart,” she says, “I sided with Niklas when you confessed to Nora what you did to Claire.”

“But—”

She shakes her head sharply, in substitution of putting up her hand. “I’m not done,” she says, and goes on. “And while we were in Italy, I was given the opportunity to know the real Niklas, to understand him, and to see through the rough exterior. And do you want to know what I saw?”

I nod subtly, and with reluctance.

She swallows, and glances briefly at the floor; when she raises her eyes again she is not looking at me anymore.

“I saw someone who, although he has done so much harm, still deserved forgiveness; someone who, in a way, is still innocent in all of this; someone who has so much love and compassion in his heart.” Her eyes find mine again and then she says, “I saw a man who…can still be saved.”

“And you are sorry for this?” I ask, confused.

“Yes.”

“Why?”

“Because I feel guilty,” she answers. “I feel guilty because…when I look at you…I don’t see the same.”

I turn my back to her so she does not see the pain in my face.

FOURTEEN

Victor

I step up to the bars, peer out at nothing, and I think about my brother, about Izabel’s compassion for him. And it does not take me long to think about Italy and why I sent Izabel there.

Once I vanquish the emotion from my face, I turn to see her again, ignoring the fact that the knife Artemis placed on the floor inside the cell is the same knife I used to slit Artemis’s throat. That is why Artemis said it was familiar. And that is also why I choose to ignore it, the meaning behind it.

“You are right about my brother,” I admit. “And you have nothing to be sorry for. Izabel, you and Niklas are…the same. You were both forced into this life; you were both against it, and wanted only a normal life; equally you both did what you had to do to survive; and you both followed me when you could have taken another path, a less-traveled road that leads to redemption, and not death. Izabel, like my brother, you are innocent in all of this; you still deserve forgiveness; you can still be saved.” I look beyond her momentarily, my mind captured by my thoughts. “I had hoped you would save him…I had hoped that you would save each other.”

Izabel

The light has been stolen from my eyes. I don’t even see darkness anymore, only nothingness, and the two are not the same. No words, spoken or written, have ever hurt me so much, or cut so deeply; no confession or regret or truth could ever do the damage that this has done.

I feel gravity betray my body and I fall to my knees on the dirty stones; I sense Victor reaching for me, but he backs away when I deny him. “Don’t touch me,” I hear my voice say, but it sounds far off, as if coming from someone else’s mouth. “Don’t…”

Victor sits down on the floor, rests his back against the bars, draws his knees up and props his arms atop them. I can’t look at him, but somehow I can still see his every movement; even the sadness in his face. I see it. Somehow.

After what feels like a long time, after I feel in control of my voice again, I raise my head and look at him with tears in my eyes. “That’s why you sent me to Italy,” I say, pain altering my voice. “That’s why you said it had to be Niklas who went with us. It wasn’t because you knew he’d protect me, or that you knew you could trust him with me—you wanted us to be together.”

Victor sighs. Slowly, he nods.

“Yes,” he says softly. “I wanted to…save you both.”

“You wanted to save yourself,” I come back.

He shakes his head. “No,” he says, “it was not about saving me—it was about you first, my brother second, and then myself last.”

“You’re a liar.”

Victor blinks, stunned.

“I am sorry you feel that way,” he says. “But I am telling you the truth. I only wanted to save you.”

“From what?” I ask, with bitterness this time. “From your lifestyle? The dangers at every turn—I don’t believe you, Victor.”

“I wanted to save you from me,” he answers quickly. “I…wanted to save you from this.” He opens both hands, palms up, indicating this cage, this inevitable predicament.

And I look at those hands. I look at them, long and hard and symbolically, because in my heart I know they’re the hands that will end my life before this night is over.

He is telling the truth, after all: he wanted to save me from himself. Victor knew that one day he would have to kill me if our feelings did not change. Just like Marina. Just like Artemis. He is going to kill me…because he loves me. That’s why I’m still in these bonds. That’s why Victor has already told me that I’m going to die tonight. That’s why we are still in this cage together. That’s why…

Choking back the tears, I try to have some courage in my last moments, instead of cowardice, or feeling sorry for myself. This is all my own fault anyway; I could’ve left a long time ago; I could’ve chosen a different path, a different life, but I didn’t, despite all of the things that I saw and knew—I chose this.

I have no one to blame but myself.

I sigh, looking at my feet perched in the nice black shoes, and say, “Then why did you bring me here, Victor?” I raise my head and look at him. “If you were trying to push Niklas and me together, why whisk me away on a vacation, pamper me, and make love to me—why tell me how much you love me—if you didn’t want me anymore?”

He stands and moves toward me, holding out his hands, and he cups my cheeks within them. “That is what I have not told you yet,” he says, desperation evident in his voice. He pauses, softens his gaze. “I wanted—”

The door opens on the far side of the vast room. We turn swiftly to see Artemis and Apollo moving through the path of light borrowed from the hallway. They appear eager, worried even, not methodical and patient as they did when they left. It’s obvious something changed in the few minutes they were gone.

“Let’s get on with this, Victor,” Artemis calls out as she approaches; the sound of her boots moving over the stones echoes throughout the vast space. “You know why you’re here. You know why she’s here”—she stops at the bars, her twin standing behind her—“I want to hear you say it. Tell us all why you’re here, Victor…love.”

Victor steps away from me.

My heart picks up its pace, thrashing violently against my ribs; my throat is dry; I feel my palms sweating, my ears pounding, the vein in my throat hammering against my esophagus. My eyes dart between Artemis and Victor. This is it and I know it. I feel it. Then I see it…I see that flickering moment in which Victor reveals for the first time his intentions, the struggle within him that he knows won’t go his way, the downward shift of his gaze, the swallowing of his guilt—his eyes skirt the knife lying on the floor next to his feet.

Suddenly I can no longer hear their voices, or see their faces; my mind is cruelly carried off to a time that seems so long ago, a time when I barely knew Victor, but loved him enough already in my heart that I was willing to die at his hands:

He pulls my head back even farther. The gun is pressing into my stomach now.

“I’ve never been with a man that I wanted to be with,” I say. “I want to be with you. Just once. I want to know what it feels like to be the one in control.”

He’s conflicted, I feel it in the heat emitting from his skin, in his tense, uncertain movements. In one instance the gun digs deeper into my gut and I feel like my hair is about to come out within his hand. But then he relents, loosening his grip just a little, allowing my neck some reprieve. I can see his eyes now, peering up at me so deadly and yet so seductively even though I know he’s not doing it on purpose.

“You can’t be in here,” he says, also in a whisper.

I feel his eyes on me, sweeping over my body, my bare breasts, downward to where my naked thighs are latched loosely around his hips.

“I don’t care, Victor.”

His gaze moves back to my face where he studies the curvature of my lips. Then I witness something else flash over his eyes, something frightening that I’ve never seen before in him, and I tense within his grasp. He studies me quietly as if I’m something to be ravaged and then ultimately…killed.

And despite my growing fear, I still want to be right where I am, trapped in the merciless arms of a killer.

“SAY IT!” Artemis rips out the words, further proving her worry, and her impatience. “TELL US WHY WE ARE ALL HERE, VICTOR!”

Victor, standing in all his dark glory, his posture refined, his expression impassive, looks up at the tall ceiling, inhales a calm, steady breath and answers, “You want me to be the one to kill her.” Then he looks at Artemis. “You want me to take her life the same way I took yours years ago. With the same knife. With the same betrayal. You don’t want to go on, living your life, knowing that the man you loved could ever love anyone else more than you thought he loved you.”

Artemis crouches, reaches into the cell to retrieve the knife from the floor. She rises back into a stand, holds the knife out to him. “I know you don’t fear death, Victor,” she says, now with composure, and no threat or sarcasm. “I know you, what kind of man you are, so don’t for a second think this is a kill-her-or-die scenario.” She places the knife into his opened hand—tears of heartbreak, and anger, roll down my cheeks. “You, Victor, won’t die here tonight, whether you choose to kill her or not.” His fingers collapse around the knife, and Artemis’s hand encloses his. “I know it may be hard to believe, after everything you’ve put me through, after what you did to me, but the truth is, as much as I hate you, Izabel’s right…I still love you.” Now Artemis is the one crying; three tears track down her face.

Slowly she pulls her hand from his.

“I’m doing you a favor,” she says. “You know you have to do this, just like you knew when you held me in your arms and drew the blade across my throat—it has to be done; you’ve known this since the day you met her.”

Victor looks down at the knife in his hand.

I don’t move. I don’t speak. I don’t tremble or fear or ache anymore. I just am. I am the girl who fell in love with a killer, and the girl who still loves him despite knowing what he’s about to do.

I accept my fate.

I am fearless. Bold. And ready.

I am Izabel Seyfried.

FIFTEEN

Victor

I knew that this day would come. I did not know when. I did not know how. But I knew, and I never really could prepare myself for it. Killing someone you love is not something one can ever prepare for. And in my case, it is not something one can change, either. Whether by my hands, or by the hands of my enemies, Izabel was destined to die too soon—and either way, it is me who ultimately kills her.

Slowly I look at her, and it does not surprise me that she looks back, unflinching, and unafraid. She has always been the strongest woman I have ever known. Even before she found her true self in her alter ego, long before she escaped Mexico in the backseat of my car, long before she began to learn the ways of an assassin’s life—Izabel has been more powerful than I can ever be, possessing virtues that I never could get right: compassion and love, strength and balance. She—not Nora Kessler—is who I should have always strived to master. Izabel is the me I could never be. And that is why I loved her. Why I love her.

My hand grips the knife with an uncontrollable force; I feel it burning, the heat from its purpose boring into my bones, traveling up the length of my arm, and shooting into my heart.

“Just do it, Victor,” Izabel says. She steps up me, presses her lips to base of my throat, and then lays the side of her face against my rapidly beating heart. “I’m ready,” she whispers. “And I…I’ll still love you even in death.”

Wrapping my arms around her, I do not want to let her go. I grip her tightly, bury my face within her hair; I feel like I am going to break, that my bones are suddenly glass and I am going to shatter into a thousand pieces around her. I feel my teeth grinding in my mouth. Anger. It rises up inside of me so great that I cannot fight against it to make myself calm. But why anger? Why not regret, or anguish? Oh yes, I know why anger—because I despise the man I am; I am ashamed of my own soul, one forged by vanity and greed, poisoned by weakness, damned by my own demons.

Beautiful but defeated and damaged. Damaged for the rest of her life and no amount of emotional mutilation will ever fully give her back her innocence. The girl is a ticking time bomb, a danger to herself and very possibly to others. I was not sure before, but now I know that she is more unstable than I ever could have imagined. And because she is so skilled at hiding it, not only from me but also from herself, she is more dangerous than I am. I am discipline. Sarai is rage. I am aware of my choices at all times. Sarai’s choices are more aware of her, lying in wait to decide for her based on the severity of her mood with no intention of leaving her any conscious control over it.

I know what I have to do.

I cradle the back of her head in the palm of my hand, my gun resting beside me on the bed in the other. I feel her tears soaking my shoulder, her body wracked by sobs that coalesce into my muscles. And her sweet spot still presses against my cock every time her body tenses. But I leave her there despite the moral need to pull away.

“Sarai,” I whisper against the side of her head, “I am sorry.”

I raise the gun slowly behind her.

I squeeze Izabel ever tighter; the anger, the memory, rendering me powerless, and I find myself turning her around violently in my arms so that her back is against me instead of her heart—I cannot bear to feel her heart beating next to mine!

“Do it, Victor,” Artemis says, but I cannot look at her; not in this moment of all moments.

I put the blade to Izabel’s throat.

Tears begin to wet my face.

“I was wrong about you, Izabel,” I whisper near her ear; the pain engulfing my insides. “I am the ticking time bomb. I am more unstable than I ever could have imagined. You are discipline, and I am rage. And the only way I know to control the chaos inside, is to eradicate the things that control me.”

The room begins to blur and fade in and out of my vision; unfortunately this time not from a drug injected into a vein in my neck; sweat drips from my forehead, tears from my chin, love from my heart, light from my darkness—how did I get on the floor? I do not recall the moment when my legs failed to hold up my weight; I am on my knees on the stones, Izabel clutched to my bare chest, the ceremonial knife still pressed against her jugular.

“Kill her, like you killed me,” Artemis says nearby, but from where I do not know, because I do not care. “It’s the only way out of this, Victor; it’s the only way to save yourself, from yourself.”

“Please, just do it,” Izabel says in a soft voice, and it rips me apart.

I squeeze her tighter, enough that I hear her gasp for air and feel her muscles stiffen beneath the power of my arms. A reddish-black fog covers my eyes, swirls around behind my closed eyelids, and suddenly everything goes silent: Artemis’s taunting; Apollo’s deafening smiles of satisfaction; the guard’s hands gripping tightly to their weapons; my raging, spinning thoughts; Izabel’s sweet voice.

I feel the warm blood oozing from my hand, dripping down my wrist. And then suddenly I can hear a faraway sound amidst the monumental silence, but I cannot make it out. For a moment, I listen more closely, trying to understand the sound, to understand what I have done, but I am denied the answers. I wrench the knife tighter, press down harder, and another gush of blood seeps through my fingers. Blinded by my own rage and insanity, I scream out into the ether, trying to drown it all out. “NOOO!” My own voice frightens me—or is it the desperation bleeding from it?

I hear the knife clink against the stones, thunderous in my ears, and I open my eyes; the gash across the palm of my hand is deep.

Izabel is sitting on the floor feet from me, her back pressed against the cage bars, her hands still bound behind her, a look of astonishment consuming her beautiful features.

I look down at my bleeding hand again. Back up at Izabel again.

“VICTOR!” Artemis shouts.

Izabel and I remain locked in this moment of eternity.

“Goddamn you! Kill her!”

“They’re coming, Artemis,” Apollo says. “We have to leave! NOW!”

“No! I’m not leaving until he slits that whore’s throat! KILL HER! KILL HER NOW!”

I do not move from my knees on the floor; I do not look at anyone but the woman I love and would rather die for, than kill.

“Why won’t you kill her?” Artemis screeches; desperation and pain in her eyes. “Victor…why can’t you kill her…like you killed me?” She is crying.

Finally, I look away from Izabel and see only Artemis. “Because I love her too much,” I say, and feel a heavy weight leave my body.

Artemis stiffens, her features stunned.

Then suddenly I glimpse movement behind Izabel—fast, but painfully slow at the same time—and the flash of another blade. I freeze; I cannot move anything, not even my eyes; I scream out, but I cannot hear my own voice.

“I love you, Victor,” Izabel mouths, and then blood pours from her throat.

“No—NOOO!”

From the bars, Artemis’s left hand is wound in the top of Izabel’s hair, the right, slowly, horrifically, moves away from Izabel’s throat, a knife, stained with Izabel’s blood, clutched beneath her fingers. Izabel’s eyes roll back, and the whites come into view; her body slumps sideways. I still cannot move. It seems as if some invisible force stronger than my own will forbids it.

Dead. I am dead inside. This is how it feels to be dead.

After seconds that stretch like hours, in a rush of emotions, I feel my knees trudging across the floor, carrying my trembling body toward her. It feels like an eternity, but in seconds I am struggling to get her into my arms, my hands covering the gash on her throat, trying to stop the blood flow. “Izabel!” I cry out, my voice straining through the tears. “I am so sorry, Izabel! I am so sorry! SOMEONE PLEASE HELP HER! FUCKING HELP HER NOW!”

My pleas go unheard.

Everything becomes a blur, every sound and movement is chaotic, whirling around me and inside my head like debris tossed by a tornado. People running, guns firing, boots pounding against the stones, screams, more gunfire. “Forgive me,” I whisper to Izabel, ignoring it all, as if I were in the eye of that storm where everything is calm, rocking her limp body in my arms. “Forgive me…”

SIXTEEN

Niklas

Two weeks later…

My brother’s seat at the head of the table has been empty since he came back from Venezuela. He and I still aren’t on the best of terms, but I can’t leave our organization without some kind of structure in his absence—it falls, I fall too, that sort of thing. So here I am. Standing where my brother usually sits, looking out at a few familiar faces, and a couple new ones, too, all sitting around the meeting table. Nora, on my right, taps her nails against the tabletop, from pinky to index, again, and again, and again. Fredrik sits to my left, across the table from Nora; he’s as quiet as ever, staring off at the wall; probably got that serial killer he’s been hunting with the government, on his mind—hell, he hardly talks about anything else. James Woodard sits to Fredrik’s left, looking healthier these days; got himself on a Vegan diet, or some such shit; lost a few pounds, and is feeling like a new man.

Izzy’s seat is empty.

Tap-tap-tap-tap. Pinky to index. Tap-tap-tap-tap.

The contents of the table shake when I slam the side of my fisted hand down on it. “Do you mind?”

Nora snarls at me in response, but her fingers go still; she leans back against her chair, crosses her legs, and leaves her arm stretched out on the table.

I still sleep with her every now and then; it’s a mutual understanding we have: there’s nothing special between us other than work, and that we like to fuck—we’re not even friends. And if something ever happened to her, I couldn’t be bothered to give a shit, really. Might even give me some relief, to be honest. Nora isn’t exactly on my List of People I Trust, and she never will be.

“So where is this guy, anyway?” Nora asks, glancing at the double-doors that lead into the meeting room. “Twenty minutes late—not a good first impression.”

“I doubt he’s coming to impress us,” I point out.

“You know,” Fredrik speaks up, “I don’t recall being briefed on what exactly he is coming here for.”

“And without Victor,” Nora adds with a wary, sideward glance.

“Victor is who arranged it,” I say, and then look over at Fredrik. “And all I know is that you’re supposed to give him the same respect you’d give my brother.” That’s how I know that what we think of our visitor, no matter how unimpressed we might be, won’t make a damn bit of difference to Victor.

“You mean that we’re supposed to give him,” Nora corrects me. “You too—not just us. And I don’t like where this feels like it’s going.”

“Neither do I,” James Woodard seconds. Then he lowers his eyes. “I-I mean, not that it matters what I like or don’t like.”

“Grow a pair, will you?” Nora says, shaking her head.

The other two operatives—new to the Table, and probably temporary—just sit and listen. The woman, uptight and suit-clad, has this annoying habit of chewing on the inside of her mouth, with her mouth open—pop-click-pop-click-pop; the man, long-faced with small black eyes and a gourd-like nose, breathes too loudly for my tastes; he sounds like a fucking Chinese pug going up a flight of stairs—heave, hisss-sooo, heave, hiss-sooo.

“I hope this doesn’t take long,” Fredrik says. “I have to get back to my investigation.”

“I think this is a little bit more important than that psychopath you’ve got a hard-on for,” I say. “Don’t you even care what happened to Izzy?” Please don’t say something to piss me off, Fredrik; I’m not in the mood.

Fredrik looks right at me, straight-faced, unemotional.

“I do care,” he says, “but what’s done is done, and we have to move on.”

OK, I guess that just barely hugged the line between acceptance and a fist in his face. Besides, I can tell the guy is downplaying the way he really feels—he cares more about Izzy than he cares for anyone.

“Who is he, anyway?” Nora asks.

Everybody looks at me now, waiting. Tap, tap, tap, tap. Pinky to index. Pop-click-pop-click-pop. Heave, hisss-sooo, heave, hiss-sooo. I’m going to lose my shit in a minute.

“I don’t know,” I say, irritated by the noises and the truth. “Victor gave him the code to enter the building, informed all the guards that he was not to be frisked, and if he has a weapon he gets to keep it.”

“I don’t like this,” Nora says. “Why would Victor do this? Especially after what happened. What if he’s losing his mind? Like this whole thing has finally pushed Faust over the edge. This mystery guy could be anyone, friend or foe—or worse, he could be just like any one of us.”

“Then I guess you better hope he’s more like James,” I say.

James looks up, red-faced; I laugh a little inside.

“Where is Victor?” Fredrik asks. “He had to tell you that much, at least.”

I nod. “He’s on his way to Dina Gregory’s as far as I know.”

No one says anything, knowing what that means.

The sound of shoes tapping against the floor outside in the hallway becomes evident, and all eyes turn to the doors; guns come out of our pants and boots and such, fixed in our hands, ready to fire if needed. I admit, even I’m holding my breath a little. Because Nora could be right about my brother finally being pushed over the edge. I also have to agree with her about not liking any of this, or where it feels like it’s going. Hell, I pretty much agree with Nora one hundred percent in this whole ordeal, but I’ll be damned if I give her the satisfaction of knowing it.

Voices exchange words outside the door, and then seconds later, one side of the double-doors opens into the meeting room. A tall black man with short black hair walks in, dressed from shoulders to toes in a black-and-gray suit and black shoes; diamond-and-silver stud earrings shimmer against his semi-dark skin. He looks about my age, maybe a little older. Nora seems to be covertly checking him out—good, maybe he can take her off my hands. And my dick.

Holding out my empty hand, I offer the man a chair at the opposite end of the table. “Have a seat.”

He nods, and then sits. Only after he sits do I follow suit. I keep my gun in my hand.

“I’m Niklas Fleischer, Victor’s brother.”

“Yeah, I know who you are,” he speaks up, and already he’s pissing me off. “I know who all of you are. Victor briefed me well before sending me here.” He raises his arms, elbows propped on the table in front of him, and folds his hands together; silver-and-diamond cufflinks shine demonstrably on the wrists of his dress shirt poking from the ends of his jacket sleeves.

Sucking on the inside of my mouth, I say bitterly, “I wish I could say the same about you. Victor told me your name is Osiris, but not much more than that. In fact, the only thing I know about what happened in Venezuela is what happened to Izabel. It’s been two weeks and I don’t know shit, so you’ll have to excuse the fucking chip on my shoulder because you know more about my brother than I do.”

Osiris smirks. Motherfucker.

He unfolds his hands and rests his back in the chair, puts his hands in his lap.

“I’ll just get right to the point,” he says.

“Yeah, that’d be the wise choice,” I come back.

He ignores my attempt at provoking him.

“My brother and sister are responsible for what happened in Venezuela,” he says, looks at us all one by one, and then continues. “And I was hired by Victor Faust to help track them down, capture them, and bring them to him alive.”

SEVENTEEN

Niklas

I set my gun down on the table, but keep it well within my reach. “I see,” I say, aggravated and suspicious. “But that doesn’t mean shit to me. I can do all that on my own.”

“I didn’t come here for your approval, or your permission,” Osiris says. “I’m here to recruit”—he looks only at me—“and to tell the rest of you about my brother and sister, Apollo and Artemis, so you’re not blindsided by them if they happen to show up here. And they likely will, to finish what they started.”

“And why should we trust you?” Nora asks. “This is your family we’re talking about.”

Once again, I agree with Nora.

“She’s right,” I speak up. “Everybody knows I’ve had my differences with my brother, but I’d never work with someone against him, no matter what he’s done.”

“I never got along with my other siblings—except for Hestia—so you can say they’re as much my family as they are yours.”

“That still doesn’t give us reason to trust you,” Fredrik says.

Osiris leans forward and folds his hands atop the table.

“A long time ago,” he says, “I was the one who commissioned The Order to take my family out. Victor happened to be the assassin handed the job. My hatred for them hasn’t changed—I want them dead as much as Victor does.” He backtracks a little, shrugs, and adds, “Well, after what Artemis did to Victor’s woman, it’s possible he wants her dead a little more than I do—common ground.”

I remember now. Something about the name Osiris did feel somewhat familiar when Victor told me on the phone about this meeting.

I look across the long table at the man. “You’re Osiris Stone,” I say. “You and my brother, from what I understand, aren’t the best of friends.” My brother never told me the full story about the Stone family, and his involvement with them, but he did tell me that Osiris tied him to a chair and beat him—all the more reason not to trust this guy.

“No, we wouldn’t be friends,” Osiris admits. “I was sort of forced to…push Faust to his breaking point, I guess you can say. It wasn’t my choice; The Order made what I did to him, mandatory per my contract.”

“And what exactly did you do?” Nora asks.

“It doesn’t matter,” Osiris says. “That’s not why I’m here. I’m here because Victor asked me to be.”

I still can’t believe this shit. “You expect me to believe that my brother hired you to do a job for him?” I ask with disbelief.

Nora laughs. “Yeah, that’s like Picasso hiring you to paint him a picture”—she stands up, throws her hands in the air—“Are you fucking kidding me? This is bullshit, Niklas.”

I stand, too, and begin to walk the length of the table, ignoring Nora, but always quietly agreeing with her.

“OK, Osiris,” I say, “so Victor needs your expertise because you know the targets better than he does; does that about sum it up?”

He nods. “Something like that.” Then he stands as I get closer, and I realize how much taller than me he is.

“So you’re going to tag along with him and me on the hunt,” I assume.

“No,” Osiris says, and that provokes a few raised eyebrows in the room, including mine. “Apparently, Victor is sitting this one out, from what I gathered in my meeting with him. Of course, he didn’t tell me what he plans to do, but he isn’t leading this particular mission. He’s paying me and my sister to do it for him.”

“So what does this have to do with me?” I ask. “You said you came here to recruit.”

“Not you,” he says. “Victor told me to get with you about recruiting two of your best operatives who’ll be going with us.” He glances around the table. “I’m assuming they’re here?”

“Yeah, they are,” I say, and then point at myself. “If this is to hunt the ones who hurt Izzy, then one of them will be me.” I point at Nora. “And that blond over there.” If I’d known what this was about beforehand, I never would’ve chosen those two noisemakers!

Osiris shakes his head. “The blond I can accept,” he says. “Victor said you’d probably volunteer yourself, but he needs you here.”

Why isn’t Victor going after these people himself? If Izzy was my woman, I sure as hell wouldn’t leave this up to someone else; I’d hunt them into their graves. And why isn’t my brother here for this meeting, either? What the hell is going on?

Fredrik stands; he leans over slightly, propping the tips of all ten fingers on the table in front of him.

“It appears our leader is taking a leave of absence,” he says, practically reading my mind. “He’s leaving the most important mission of his life up to someone else; leaving his renegade brother in charge of his organization—such surprising and reckless actions can only mean one thing: Victor Faust has finally fallen. I wonder how long it’ll take him to get back up again.”

Leave it to Fredrik Gustavsson, the one person in the room most intimate with his demons, to know when another man has been defeated by his.

Fredrik leaves his chair and walks past us, heading to the exit. “I’m at your disposal, Niklas, whenever you need me for an interrogation,” he says, slowing his pace. “But please keep in mind my other duties, primarily with my current mission.”

I smirk. “Yeah, Fredrik, I’ll try not to pull you away from your weird fetishes if I can help it.”

“I appreciate it,” he says at the door, then pushes it open and leaves.

I turn back to Osiris, and everyone else in the room.

“OK.” I nod, thinking to myself. Then I pluck the cigarette from behind my ear, a lighter from my pocket, and set the end aflame. “Aside from me, the blond is the best operative in the First Division—”

“We both know which one us is the better operative,” Nora cuts in snidely, and I continue to ignore her.

I point briefly at the suit-clad woman.

“Agent O’Hara will be your second recruit,” I say. “And if something happens to one of them”—I grin at Nora—“then Agent Asthma over there can take her place.” I take a drag and inhale deeply, then say to Osiris with smoke in my lungs, “You said Victor hired you and your sister?”

Osiris nods. “Hestia,” he answers. “The only one of my family who I trust.”

“And this Hestia,” Nora inquires, leery, “is as willing and eager as you, to betray her own flesh and blood?”

“As a matter of fact she is,” Osiris says.

“And just how…capable is she?” Nora interrogates. “Better yet, how capable are you?”

Osiris grins, and licks his lips subtly. “Oh, I’m very capable,” he answers, though I get the feeling his answer has nothing to do with the mission. “I can assure you that, Miss Kessler, is it?”

Nora’s body movement shifts from rigid and untrusting to relaxed and interested. What the fuck is this, some kind of mating ritual?

“Why don’t you tell us more about this Artemis and Apollo,” I interrupt. “And hell, while you’re at it, you can tell us about you and Hestia, and everything else, too. I’d like to know exactly how we got to this moment, why Izabel ended up on the wrong end of a blade, and how my brother ended up falling from grace.”

Osiris spends the next thirty minutes telling us everything he knows: his history with my brother; Victor’s history with Artemis; what Victor told him happened in Venezuela—of course, this is all Osiris’s account; before I believe any of it I’ll need Victor’s account, too. And when the inevitable questions about Hestia arise, the devil hears us talking about her and she shows up right on cue.

“I’m only here for the money,” Hestia says as she struts through the room toward her brother—goddamn she’s beautiful. “Let’s get this out of the way first: I’m not here to be anyone’s friend, or partner—Osiris is my only partner. There’s nothing in my contract with Victor Faust that says I need to put my life on the line to save any one of you, if you step in shit too deep to pull yourself out of. I’m here to do a job, collect my cut, and then take my sweet ass back to Venezuela.”

Yeah, that’s a sweet ass, all right.

I glance at Nora, sensing that at any moment her claws are going to come out—though it has nothing to do with me; this room just isn’t big enough for two alpha females.

Nora walks toward Hestia, bold and fearless the way only Nora can be—this could turn out to be an interesting night. “Trust me,” Nora says, smirking, and crossing her arms, “I’m the last person here who would step in shit.” She moves closer to Hestia, stands just a foot away; there’s a dark smile in Hestia’s eyes that sends a slight chill up the back of my neck. And I kinda like it.

Nora continues: “I don’t do friends, either; and I won’t think twice about leaving you for dead, so I guess we understand each other perfectly.”

“I guess we do,” Hestia says, venomously.

Neither of them back down from the other; Osiris steps between them to stop a fight before it starts, and only then do they move away in opposite directions: Nora back to her seat next to me; Hestia next to her brother. It’s then that I notice they kinda look like twins, too, Hestia and Osiris.

“So what’s your story?” James speaks up—I had forgotten he was even in the room. “I-I mean, despite wanting the rest of your family dead, you two seem close…” It’s as though when more than one pair of eyes looks at James Woodard all at the same time, he immediately tucks his head back inside his shell.

“The more important question,” Nora puts in, “is what your qualifications are? Just because you come from some crime family, doesn’t make you Order material—Niklas, I really can’t believe Victor would leave this up to these two.” She begins to pace back and forth behind her chair. Then she reaches for her cell phone on the table. “I’m calling Victor.”

As she’s running her thumb over the screen, Osiris says, “We are The Gemini.”

Nora’s thumb freezes over her phone, and she looks at Osiris.

I throw my head back and laugh, because I just can’t fucking believe it.

The Gemini. Here. In the flesh.

I sit in Victor’s seat again and kick my feet up on the table, crossing my ankles.

“Interesting,” I say.

And then I light another cigarette.

EIGHTEEN

Victor

Tucson, Arizona

I have thought about it a lot in the two hours I have spent in this car, parked outside near Dina Gregory’s newest residence: When have I ever sat alone, the way I am now, evaluating the events that have unfolded throughout my life? Never. Never have I bestowed upon myself such a luxury; I do not deserve it; I do not want it; I do not want it because it frightens me.

Evaluating one’s life leads to change in one’s life.

Change. The very thought of it sets my teeth on edge. But I can no longer pretend that I am forever immune to its inevitable purpose. No one is immune to change, especially those who fear it. It comes for us first, and it destroys us swiftly because we fight it the hardest. I have been fighting it since I met Izabel. I fought it relentlessly as it happened all around me; every single thing I have done, since Sarai in Mexico, has been me fighting the change she has stirred.

I was wrong before, when I told Izabel I cannot change for her—I must. I cannot fight it anymore. In the end, to continue fighting it would mean that Izabel would have to die.

But she lived.

Again, and again, and again—she survived. And although it was not me who ultimately saved her, it was I who spared her. And for me, there is no proof more compelling that I love this woman more than I have ever loved anyone or anything.

But I must find a balance in this change. I am still the same man I was yesterday—that will never change—but I must now also allow the part of me that Izabel created, to live equally alongside him.

I get out of my car and walk down the sidewalk toward Dina Gregory’s house, and for the first time in my life I look up at the stars with purpose, a hundred pinpricks in the fabric of a black sky, and I feel the change happening in real-time. I feel the pressure in my chest, a strange, warm light in my eyes, and, of all things, I welcome it. Maybe that is the key to surviving change: embracing it, however cumbersomely, or gracefully, one can.

Bugs swirl around the blazing porch light near the front door; I hear a dog barking in the distance, the night breeze combing through the trees, a truck engine revving in the driveway of a house nearby, and my heart beating in my ears and in my head. I knock lightly. And I swallow.

Izabel has been staying with Dina since she was released from the hospital, and I have not spoken to her since the night Artemis slit her throat. I was there with her, nearly every hour of every day at her bedside, and when she was awake and able to talk, I tried, but she would not talk to me. Or anyone for that matter. Only the nurses. I have been patient, as I will continue to be. But I cannot deny the anxiety I feel inside, not knowing what she is thinking, or if she can ever forgive me for what happened to her.

I hear movement on the other side of the door, and then the clicking of a lock. My hands are sweating; I unfold them from one another to allow in some air.

“I wondered how long you’d sit outside,” Izabel says, standing in the doorway.

She gestures me in.

“You knew?” I ask.

Izabel makes a noise with her breath, and shakes her head as if she cannot believe I even asked. I cannot believe it, either. Love makes a man undeniably stupid.

My gaze sweeps the living room. A basket of folded laundry sits on the floor beside the sofa; lemon-scented furniture polish and powdered carpet freshener is distinct in the air.

“You have been cleaning,” I say, feeling awkward about my poor attempt to spark conversation. I am not used to this sort of thing; I want to talk with Izabel about what happened, but I certainly do not want to lead with it.

“Yeah, I’ve been cleaning,” she says.

She walks into the kitchen, and I follow.

“Want some coffee?” she asks, turning her back to me and sifting through a cabinet.

“No thank you.”

Withdrawing her hand, it comes out empty, and she closes the cabinet door.

Then her shoulders rise and fall heavily, and still with her back to me she says, “Then what do you want, Victor?”

“Thank you, but I do not want anything,” I tell her kindly. “I could not eat or drink anything if—”

She turns, and looks at me from across the bar. “I mean, what do you want?”

Oh.

I sigh, and glance at a kitchen chair.

“May I sit?”

She nods.

“I will understand if you do not want to see me—”

“If I didn’t want to see you, Victor, I wouldn’t have opened the door and let you inside.”

She is waiting for something. An apology? I will gladly give it to her. I do not know how many times I told her I was sorry while she was in the hospital, but I will apologize every day for the rest of my life if that is what she needs. An explanation? I have been desperate to give her one of those as well, and I intended to do that also while she was hospitalized, but considering she would not talk to me, I did not feel it the right time.

I decide to go with something different, something she would likely never expect of me—something I never expected of myself.

“It would make me very happy if you would marry me, Izabel.”

She just stares at me, unblinking, and although the expression on her face has not changed much from the emotionless one, I see evidence of something different in her eyes. But I haven’t the faintest clue as to what it is.

I stand up. Because it feels right not to be sitting.

“I…I do not expect it soon,” I begin, nervously, “but I hope that someday you will be my wife, because I—”

“Stop, Victor.” She puts up a hand.

Maybe I should have stuck with the apologies and explanations.

“I am sorry,” I say.

“I said stop.”

She drops her hand at her side and comes toward me; I get the feeling I am about to be lectured in the calmest of ways.

Her hands touch my shoulders lightly, and the next thing I know, I am sitting down again. She pulls out the empty chair next to me and sits, drawing her legs up and crossing them with her feet tucked beneath her bare thighs; she rests her hands in her lap. I try so hard not to look at the still-healing four-inch-long scar running upward along the side of her throat; the many stitches, like a freakishly-large centipede with wiry black legs; the glistening medicated lubricant—I tear my eyes away, swallow hard, and look at her beautiful face instead. I feel the stiches across the palm of my hand, but mine are nothing compared to hers.

She hesitates, as if gathering the appropriate words, and then says, “I love you fiercely, Victor. I can’t control that, and I can’t change it. But unlike you”—she pauses, holding my gaze—“unlike you, I’m not trying to.”

I start to speak, but she is not finished.

“It’s all you’ve ever done,” she says. “Since you met me, you’ve tried to push me away, tried to control something no man or woman can ever control, instead of accepting it, and letting life happen—please look at me, Victor.”

I had not realized my eyes had strayed from hers. Out of shame. Out of regret. Out of knowing that everything she is saying is right.

“I can forgive a lot of things,” she goes on. “I can forgive and forget. But what you did—what you tried to do—with Niklas, I don’t know if I’ll ever be able to get past that.”

“Izabel—”

She leans forward a little, and begins to whisper harshly. “You tried to pass me off to your brother”—her hands squeeze into fists within her lap—“do you have any idea how that feels to me?”

“No,” I say. “I can never understand fully how you feel, but I do know how much I regret it, and if how much I regret it is any indication of how you might feel, then I know the intensity of the pain, at least. I cannot take it back, but I know I could never do anything like that again.”

“But you did it once,” she says, shaking her head. “You didn’t want me…”

I shake my head, too, more vigorously, in advance of hoping to get my point across. “That is the furthest thing from the truth,” I say. “Because I wanted you, because I love you, that is why I tried to push you away—it makes no sense, I know. It is why I tried to put you with the only person other than you in this world who I trust. It was a mistake, one I do not ever expect to be forgiven for, but one I hope you can at least understand.”

“I do understand,” she comes back. “I understand why you did it; I understand that what you did wasn’t bad—it was just wrong. So very wrong, Victor. But I’m right when I say you did it because you didn’t want me—please let me finish.”

I drop my hand and close my mouth.

“You were willing to give me up to somebody else,” she says. “That fact remains, and can’t be argued—no matter what your reasons were, you still wanted to give me up.”

“But I do not want that anymore,” I say quickly. “And in my heart…I never really did.”

I try to reach out and take her hands into mine, but she gets up from the chair, refusing me, and begins to pace. Then with her arms crossed and her back to me, she stops near the counter.

I stand as well. But I say nothing. I feel everything like a heavy weight in my chest but I say nothing because I cannot. I am afraid—no, I am terrified of losing her.

“I didn’t talk to you in the hospital, because I was afraid of saying things I’d regret.” She turns around. “I needed time to think, time to heal, not just my injury, but my heart as well—time to…decide.”

My heart drops.

“To decide what?” I ask in a quieter voice than I expected; my hands are sweating again.

Her eyes find mine and she answers, “I want to live on my own, Victor. I want my own house, my own address, my own…bed.”

“Why? What are you saying?” This cannot be happening—I will not let it.

Izabel leaves the counter, steps up closer, and looks into my eyes. “I’m saying that I love you,” she answers, “but I don’t want to live with you anymore. At least for a little while.”

I do not feel good or bad about her announcement; it confuses me more than anything.

“I need you to listen to me for a moment,” she says. “I need you to understand something that I realized during the time I’ve been away from you.”

I nod. “I am listening.”

She crosses her arms and walks back toward the counter, taking the weight on her shoulders with her, and preparing to release it.

“I’ve never had anything that was just mine—not even my own space and freedom. My thoughts and actions and decisions have always been dictated by someone else—even you. I’ve barely even slept alone.” She leans against the counter. “But that’s going to change. No matter what you want, or how you feel about it, I’m going to do what I want, Victor, and if you have a problem with it, then we can end this relationship right now.” (I blink, stunned, and my heart feels like it just took a punch.) “I’m going to live in a place of my choosing, pay for it with the money I’ve worked hard for, and I’m going to do what I want, when I want, how I want, and without eyes at my back, or babysitters in my driveway.”

She uncrosses her arms, pushes herself away from the counter.

“Victor,” she says, changing the tone of the conversation to something more nurturing, “you need time away from me as much as I need it from you. You’re as messed up as I am—more, or less, who knows, but what difference does it make?—and I think it’s better for both of us if we take some time apart to figure out what we really want.”

“I know what I want, Izabel; I have never been more sure of anything in my life—I want you.”

“And you have me,” she says quickly, and moves closer, placing a hand on my chest, just above my heart. “You have me…” she whispers. “But I want you to make sure you want me forever. I already know what I want; I’ve known for a long time—you’re just figuring yours out. But despite knowing what I want for a long time now, I’m not even ready for it yet. I need to be my own person, my own love affair, my own everything, before I can truly be any of that for you. I don’t want to depend on you, or anyone else; I want to…live life on my own terms for once.”

“What does that mean?” I ask, getting anxious; the more she talks, the further away from her overall point I feel like I am getting. “What exactly do you want to do, Izabel? Tell me. I will help you with anything.”

“No. That’s just it—I don’t want your help.”

“Then what?” I ask, holding up my hands. “Tell me what you want me to do.”

“I want you to let me do whatever I choose without refusal, without an argument, without your opinions. I just want you to let me go for a little while; set everything aside—your need to protect me, your love for me—and let me live my life the way I want to.”

I shake my head. “I cannot just ignore or forget that I love you, Izabel.”

“I didn’t say that,” she cuts in. “I said to set it aside; don’t let it get in the way of my choices, my wants, and my needs.”

Something about that I do not like, but I know I have to accept her wishes. Because deep down, I know that if I do not, she will walk away from me and never look back. This realization numbs me, because I have never felt it before. The Izabel I knew and fell in love with would have forgiven anything I did, and I know she would never have allowed herself to walk away. Not because she was clingy or desperate—Izabel has always been anything but clingy or desperate—but because she loved me more than she loved herself; she would have stayed by my side even if the Universe told her I was bad for her.

But Izabel is not that person anymore. She has grown. She has…changed. And, unlike me, she is gracefully embracing it.

“I will set it all aside,” I finally say. “And I will give you your space—I will give us our space.”

A small smile becomes barely visible in her eyes.

“Thank you,” she says in a soft voice.

I look at the floor. Then at my hands. Then at the floor again. I am at a loss, about what to say or do next. So I just stand here in discomfort.

“Victor,” she says softly, and I raise my head. “I need to know if there’s anything else you’re hiding from me. We need to clear the air now before it becomes so polluted with lies that we can’t see each other for them.”

“There is nothing else, Izabel,” I say with truth. “You now know the real me; I have done unforgivable things to others for which I am sure I will answer for in death; I have lied to you, and manipulated you, and even used you for my own selfish needs—but what you now know is where it ends.”

She nods. I can only wonder if she believes me.

Then she looks at the floor.

“Do you still love her? Artemis?” Her eyes meet mine slowly.

“No,” I answer right away. “I did love her, but that was a long time ago.”

“What about the baby?” she asks, and I wish that she had not. “Is what you said true? Would you have killed her if she was pregnant with your baby? I just…Victor, I don’t believe you; I don’t care what you’ve done, or the secrets you’ve kept; I don’t care how savage your actions have been in the past—I don’t believe you would’ve killed your baby…I just can’t—”

“I was angry, Izabel,” I speak up. I want to crawl in a hole and be lost to the world.

I start to pace the kitchen now, my arms crossed. I cannot look at her, too focused on the truth to see anything but Artemis’s face, the face that betrayed me, no matter how much she claimed to love me—she murdered my child.

“Victor?”

“I said I was angry,” I repeat, staring at the wall. “She killed my child…and…” I sigh, clench my fists against my midsection. “And I can never forgive her for that.”

“So then you lied to her,” Izabel says, hopeful.

I turn and look at her. “Yes,” I answer. “I wanted to hurt her. But no, I would not have killed her if she was carrying my child.”

She lets out a breath, relieved.

What would she have said, or done, if I had answered any other way?

NINETEEN

Izabel

If Victor would’ve answered any other way, despite how much I love him, I would’ve walked away and never looked back. When it comes to him, I can forgive a lot of things—even his plan with Niklas—but I could never overlook a man so cold that he could murder a woman carrying his child, no matter how young or confused or brainwashed he was—I just couldn’t. But I didn’t believe it in my heart that he could be so vicious.

“Artemis will be looking for you, Izabel,” he says. I feel like it’s something he’s wanted to say since he walked through the doorway. “When she finds out that you are still alive—”

“I’ll be waiting for her,” I cut in.

“You need protection.”

“No,” I say quickly, “I don’t. And I meant what I said about babysitters in my driveway, Victor. If I find out that anyone is watching me…”

He stands there, waiting for the rest, but I decide to leave it at that, let him draw his own conclusions, because any one of them are possible. And I think he knows it.

Finally he nods, accepting my decision, and fighting against it inside his heart. I see it in his eyes, the fight.

I step up closer to him, push up on my toes and kiss the edge of his mouth. “I know this will be hard for you to hear,” I say, “but I want you to know that…I’m glad things turned out the way they did. Everything, from all the secrets you kept from me, to the moment Artemis slid that blade across my throat”—I touch my wound with my fingertips—“I’m grateful for it.”

Victor’s eyebrows draw inward; he shakes his head with disbelief, refusal, but I place my hand on his chest again to stop him from saying what he’s thinking.

“It’s usually unimaginable pain and hardship,” I go on, “that ultimately makes us see who we really are, who we were meant to be, who we’ve always been deep inside...” My hand falls away from his chest. I want to tell him more, about the person awake inside of me, but I can’t. I take a step back and say instead, “Artemis can’t kill me, Victor. I’m convinced of this fact. If I was supposed to die by her hands, I wouldn’t be standing here right now.”

“Sarai?” I hear Dina call from her bedroom down the hall.

I look toward the hall briefly, and then back at Victor, who seems anxious underneath that quiet exterior—he knows our conversation is going to end long before it’s finished.

And that’s how I want it.

“I need to help Dina,” I say.

He nods, though with disappointment.

“How has she been?” he asks.

“Not well. She’s getting worse. I think the diagnosis, just knowing what’s going to happen to her, is accelerating the disease.”

He nods again.

“It always happens like that,” I add. “You’re fine, maybe a few minor symptoms, but nothing debilitating, and then six months after the diagnosis, you’re dead.” I tap the side of my head with my finger. “Most of it is in the head—maybe all of it—I just wish I could convince Dina of that.”

Yet again, Victor simply nods. It’s something else I think he needs to work on: developing his casual side, so maybe one day he and I can have a meaningful conversation about the many flavors of ice cream, or why music moves souls, or how nothing can escape a black hole. We’ve talked about many things in the short time we’ve been together, but never, that I can recall, about the seemingly insignificant things in life, things that have no bearing on his profession—things that, to me, are anything but insignificant, and matter a great deal.

“I’ll be right there,” I call out to my mother.

Then I push up on my toes again, and kiss Victor on the mouth.

“I love you, Victor.”

“And I love you…”

I sense that he wants to say so much more, but he forces it down.

“Sarai, honey…” Dina calls.

“I have to go,” I tell Victor.

Reluctantly, he steps outside; the light from the porch touches his shoulder, leaving one side of his face in shadow.

“Victor,” I say, before he moves down the last step.

He stops, turns to look at me.

“There’s something that I’d like to know,” I say.

“Anything,” he tells me.

I pause. “How did you get me out of that cage? How did you save me? I don’t remember much after—”

“I did not save you,” he admits, regretfully. “I spared you, but I did not save you. It was out of my hands.”

That surprises me; I stare at him, blank-faced, trying to remember that night, any details at all, but I can’t.

“Then who did?”

Victor’s gaze strays, and he glances at the steps momentarily.

“Someone from The Order,” he says.

My breath catches. “Ours?” I ask, hesitantly. “Or Vonnegut’s?”

He doesn’t say anything for a moment; he doesn’t even seem fully there.

“Victor?” I turn my head at an angle, looking down at him from the top step in a sidelong manner. “Ours or Vonnegut’s?” I repeat. In my heart, I already know the answer—I just need to understand it—and if it’s true, then there is a shit-storm of new problems that lay ahead.

Still, he doesn’t answer, and I know now that he doesn’t need to.

“Are you safe?” I ask him. “Don’t lie to me, Victor—do they know where you are?”

“They have always known, Izabel.” His voice is calm, his words feel almost…apocalyptic in nature. “It is only a matter of time that all of this”—he waves a hand in the air—“all of this freedom, this life, will come to an end. I have told you, since the beginning, that until Vonnegut is dead and I am in control of his Order, none of us are free; we are but a breath away from the end of everything. And no walls or secrets or disguises can hide us forever. Vonnegut must be identified, and eliminated, before he eliminates us.”

“That’s the real reason you’re worried about me being here, isn’t it?” I go down two steps toward him. “Artemis has nothing to do with it, does she?”

He nods.

“I am confident in you where Artemis is concerned, yes.” He steps up to meet me. “But you should know something.”

“Tell me,” I urge him.

He pauses, and then says with a hint of disbelief in his voice, “The price on your head is even greater than mine.”

I feel my eyes and forehead creasing with lines of confusion; my head rears back.

“I don’t understand,” I say.

After a moment, Victor admits, “Neither do I.”

We stand together in silence, though the thoughts in my head are loud. How can this be true? Why? Why would The Order want me more than Victor Faust? For a moment I can’t find my own voice, and when I finally do, I can’t bring myself to use it.

Cradling the back of my head in the palm of his big hand, Victor leans forward and touches his lips to my forehead. My cheekbones. My chin. My mouth. I fight the urge—the need—to grab him and give him every reason to take me right where we stand. His kiss leaves me breathless, but I don’t show it. His touch, and his closeness, does things to me that I know I’ll never be able to fully control, but this time I’m able to tame it.

Then he walks down the steps, and I watch him go, his tall, athletic figure disappearing in the shadows covering the sidewalk cast by the trees.

And then he’s gone.

He asked me to marry him…No, I can’t think about that right now; I can’t carry that possibility in my heart yet when I have so much else I need to do and become and resolve and accept, first.

I look up from my thoughts, hoping to catch one last glimpse of him before the darkness swallows him completely, but he’s not there and I knew he wouldn’t be.

A time ago, I would’ve stopped him, I would’ve made sure that Victor knew this wasn’t goodbye. But things have changed. My love for him hasn’t, but everything else around me has. Everything else inside of me has. And in Victor, I see the same—he is changed; he is still changing. Can our love for each other evolve with the changes? Can our bond stand the test of time and we still come out together at the end, stronger, unbreakable? The odds are that we may never know, because we might not live long enough to find out.

I have so many questions that I could’ve asked him, that most people in my shoes would have. Questions about exactly what happened that night, about who saved me, why I was saved, why I’m still free. I want to know these things. But not yet. I have something more important I need to do before I can even begin to start thinking about any of that. Someone more important.

My gaze remains fixed on the dark sidewalk, my memory capturing the moment he traveled it, savoring every detail of the man I would die and kill for. The man I would kill, if that’s what I needed to do to take away his pain.

Shutting my eyes, shutting out the memory of his face and replacing it with that of my mother’s, I move slowly up the steps and go back inside the house. With a heavy heart. With a heavy purpose.

“I thought you left me,” Dina says, as I enter her bedroom.

The sheet she lays on has been soiled; she can barely move her arms anymore, and walking herself to the restroom has been out of the realm of possible since about a month ago, according to her doctor. She had been hiding it from me for over a year, not wanting me to worry. The last time I saw her she seemed fine; she could do just about anything I could do, but the disease recently took the inevitable turn for the worse, and with ALS there is no turning it back.

“I’m here,” I tell her softly, lifting her head with one hand and readjusting the pillow beneath it.

With difficulty, I manage to change the sheets and clean her up, without moving her from the bed.

“I’m sorry you have to do this for me, baby girl.”

“None of that,” I tell her sternly, covering her from the waist down with a clean sheet. “And I’ll never leave you again. I’m staying right here to take care of you.”

“Nah!” she argues. “You can’t be staying here, wiping my butt every day, Sarai—I won’t let you.”

“How are you gonna stop me?”

She frowns. For a second, I think I chose the worst words I could say to someone with this particular disease, but she eases my mind with a weak smile.

“You’ve had such a hard life, baby girl; it hurts my heart to think about what you’ve been through.”

“Nothing compared to other people,” I say; I wipe her forehead and face with a warm, wet cloth.

“And none of that,” she argues in return; I know she wants to shake her finger at me but she can’t raise her hand. “You’ve suffered a lot more than most, Sarai, so don’t do that. You’ve got every right to be mad as hell at the world.”

“Of course I’m mad,” I say, “but I’m doing something about it, Dina. There are women in those fucked-up countries who get stoned to death for getting raped; shot or hung for showing too much skin; eight-year-old girls murdered by their forty-year-old husbands during sex—they can’t do anything about it. But I can…”

“You’ve got that look in your eye, baby girl.”

I blink back into focus, and look at my hand holding the wash cloth near her face; my knuckles are white from gripping it so harshly.

Relaxing my hand, I say, “What look?” pretending not to know, and I go back to swabbing her face.

Dina looks up at me through eyes framed by deep wrinkles and exhaustion; her curly gray-blonde hair is laying softly against the pillow, her hairline damp from the wash cloth. “The same one you had a long time ago, right after I got you back. I’ll never forget it, that day you sat at the table, watching that news broadcast about that billionaire, Arthur Hamburg—thought you were gonna go after him right then.”

I shoot her a look of surprise. “You knew about that?”

Dina smiles weakly. “Well, you admitted to me that you’d killed a man in Los Angeles. And I never forgot the way you looked at that man on the news. Eventually I figured it out, or at least I thought I did—I had my hunches. Didn’t know for sure until just now.”

I nod, and then set the wash cloth on the nightstand. I take her hand into both of mine and I caress it because I sense this is a moment in which, if she could, she’d want to hold my hand.

“What are you planning to do?” she asks. “I know, honey, that I can’t be asking you too much about what you do, but I—”

“I’ll tell you anything you want to know, Dina.” Gently I squeeze her hand.

She thanks me with the tender look in her eyes.

“I have a feelin’ you’re gonna be makin’ me roll around in my grave,” she says. “Look, I know you live a dangerous life, that every day you step out a door that it could be your last, and I know better than to ask you to stop doing it—I know you’ll never stop. But there are some things I never want you to do, and that look in your eye just a few seconds ago when you were talkin’ about those fucked-up countries, well, baby, it really scares me something awful. Promise me you won’t go over there. I see it all the time on the news: innocent people kidnapped by those extremist bastards; the beheadings—Sarai, I just can’t be at peace knowing that the next time it could be you.”

I shake my head, squeeze her hand again. “You don’t have anything to worry about, Dina,” I lie, because I have to. “I won’t be going over there, I promise.” I smile down at her, then lean in and kiss her forehead; I bring her hand up afterward and kiss the top of it.

I don’t tell her anything else, and thankfully she doesn’t ask. I don’t want to have to lie to her anymore.

“Sarai,” she says softly, “do you remember that day your mom’s boyfriend came to my house looking for you?”

I smile. And then I can’t help but laugh when I picture her standing at the door with her shotgun.

“Yeah, I remember.”

She smiles, too.

“I’da blown his greasy head clean off, and I would’na blinked or felt bad about it afterwards. I’da done anything for you.”

“I know,” I say softly, and pat the top of her hand.

But I’m no longer smiling, because I feel like I know where she’s going with this; I know what she’s going to say next.

Her smile fades too, replaced by something more somber, proving my prediction right.

“I know you don’t want to talk about it, baby,” she says, “but have you…made a decision?”

I can’t look at her eyes.

“I know it’s a selfish thing to ask of you,” she says, “and it’s wrong, and terrible, and maybe even unforgivable, but when you peel off those layers and see it for what it really is, you have to know that it’s not wrong, just unbearably difficult. It’s mercy and compassion, Sarai.”

She goes on, pleading her case:

“I’ve lived a long and good life—shorter than I’d planned; I pictured myself with cottony-white hair, a sunken-in face because I didn’t care about having my dentures in anymore, and me sitting in a rocking chair just like my great-grandmother used to sit in on her front porch. Ninety-one. That’s how long I planned to live. I’m a few decades short of that goal, but that’s all right. I’m happy with the time I had.” Her voice begins to waver; I squeeze her hand more firmly. “I-I know I shouldn’t ask you…I’m sorry, Sarai, I’m just desperate. I-I don’t want to be trapped in this body for whatever time I have left, unable to move, to speak—it scares me more than anything. If I could…baby girl, if I could do it myself, I would”—anger rises up in her voice—“I should’ve done it when I when I was able!”

I move my hand from hers and place it gently on her chest. “Calm down, momma; everything’s gonna be all right.”

Moisture coats her eyes, and she manages a fragile smile.

“You are my momma,” I tell her, knowing it’s what made her smile. “You always have been.”

“But what kind of mother would ask her daughter what I’ve asked of you?” Now she’s the one who can’t look at me. “I’m sorry. I’m so sorry.”

“Don’t be,” I tell her, and take her hand again. Then I swallow, unsure of what I’m about to tell her, but I do it anyway. “I’ve done it before,” I say. “I’ve…”

Suddenly, the memory coats my mind like the tears in Dina’s eyes.

I pulled back the plunger, drawing another spoonful of heroin into the needle. Both of my eyes throbbed; the left side of my face felt bigger than the right; I was so angry, so tired of nursing my mother every day, feeding her veins because she couldn’t find them herself anymore; tired of the smell; tired of these men raping me and beating me when Javier was gone. The one that just left, thought it necessary to rape me in front of my mother. And she just laid there on the bed, her back to us, too high to move a hand against him to stop him. So that extra spoonful of heroin, I knew in my heart was too much. I knew her emaciated body couldn’t take another one so soon, that her barely-beating heart would fail the moment the heroin touched it.

I knew…

“Sarai, baby,” my mother whispered to me; her body odor, mixed with strong perfume and cigarettes, choked me as she laid next to me on the soiled bed. “You forgive me, don’t you? I never meant for any of this to happen. I just…wasn’t thinking straight.” I saw the whites of her eyes briefly in the darkness as the heroin began to swim through her bloodstream. She smiled euphorically as if she’d touched the Face of God. I set the needle down on the tray at the foot of the bed.

“It’s OK, Mom,” I whispered back, and loosened the tourniquet from her wiry arm. “I forgive you…”

I force myself back into the present.

And I look right into Dina’s eyes.

“At least you have the courage to ask,” I say to her, the memory lingering on the fringes of my mind, and my heart.

I kiss her hand.

“Will you play the piano for me, baby girl?”

“Of course I will, momma. Of course I will…”

TWENTY

Victor

My Boston headquarters was perfect. It was hidden in plain sight, located in the heart of the city, built with just enough levels and rooms for all of my needs and personnel; not to mention, being a juvenile detention center previously, it was equipped with cells that served more than their fair share of purpose since setting up here.

Perfect.

Yet, not so perfect, after all.

It was, in a sense, a fantasy to believe even for a moment that I could stay in the same place for too long, much less run a growing underground organization of my own here, without imminent threat of The Order moving in and taking me down, and everyone in it.

Empty.

That is the only word to describe my perfect sanctuary now; it has been stripped clean of every stitch of furniture, every painting, every gun and bullet and blood sample and computer. But more notably, the hum of my operatives—spies, assassins, guards—has been silenced, leaving the walls of the building to whisper the things they have been subject to. I can almost hear them, talking to one another.

There is an echo in what was once my office overlooking the city; everything produces an echo now that there is nothing in it to cushion the sound. On this day the echo comes from Gustavsson’s dress shoes moving over the floor behind me as he enters the room. And his voice, as he unnecessarily makes his presence known to me.

“I’m here, Faust.”

I stand at the barred window, my hands crossed down in front of me, and I take in the sight of the city through a filmy glass: the day in its transition to night, the traffic thinning out as the last few minutes of rush-hour fade from the clocks of over six hundred thousand residents, the bustle of Bostonians living out their lives knowing nothing of the unlawful activities, outside of the usual crime, that play out all around them every single day.

“You wanted to see me?”

Still with my back to him, I nod.

After a moment, I turn from the window to face him.

“I would offer you a chair”—breaking apart my hands, I gesture at the empty room—“but as you can see…”

“I’m fine standing.”

I nod again.

“We cannot operate out in the open any longer,” I begin. “Not until we bring The Order down, and we cannot accomplish this until we smoke out the real Vonnegut.” I walk toward him, slowly, my hands folded again in front of me, and then I stop. “It was a mistake to spend even a fraction of my time and resources on any mission that did not directly, or indirectly, involve taking Vonnegut out. That changes as of today—but do not worry; you will continue to work closely with the government in catching your serial killer.”

“I appreciate that,” Gustavsson speaks up, relieved, “but isn’t that doing exactly what you said we were no longer going to do?”

“No,” I answer. “Working closely with them is indirectly moving toward Vonnegut. They want him almost as much I do; they have, as you already know, resources and information that I do not have and very much need. You will continue as you are, but, as always, keep your eyes and ears open; report to me anything, no matter how small, having to do with Vonnegut, The Order, or anyone who is a part of it—directly or indirectly.”

“OK, but what about everybody else?” he asks. “Niklas, Nora, even James Woodard—not to mention, Izabel.” Obviously, he is very interested, and even somewhat anxious, to know anything he can about Izabel. As far as I know, he still has not spoken to her since Artemis. Gustavsson, as much as everyone else, I am sure, would like to know what is to become of her, whether inside, or outside, of my Order.

The only problem is…so would I.

“Kessler will stay partnered with Osiris Stone—the only mission more important to me than Vonnegut, is finding Artemis and Apollo, and there is no one better than Osiris and Hestia to do that. It is an outside job, and they are not members of my Order, but even still, Kessler will be working indirectly on the Vonnegut mission by keeping her eyes and ears open while with them.”

“You think Osiris Stone is involved with The Order in some way?” Gustavsson inquires.

“It is not likely, but possible, and I cannot risk leaving any stone unturned—not anymore. I admit, it strikes me somewhat peculiar that members of Vonnegut’s Order are who found us in Venezuela, in the same timeframe that Artemis and Apollo did. I also admit that, as I have stated, it is not likely that the Stone siblings have anything more to do with The Order than Osiris’s deal with them fifteen years ago. I am simply covering all of my bases, while at the same, doing whatever it takes to find Apollo and Artemis so that they can be…properly punished for what they have done.” Gently, I crack my neck, and pop my jaw; a distraction that I have found recently, helps to calm my blinding anger. My need for revenge. Never have I experienced such feelings of overpowering rage. Never have I sat alone, staring at four walls, imagining a scene so bloody and torturous that it could be taken straight from the mind of Gustavsson himself.

“And Niklas?” Gustavsson says.

“My brother—”

“Is present,” Niklas interrupts, as he enters the room. “You can talk about me with me here.”

I did not expect to see him—we are still not much on speaking terms, certainly not outside of our jobs. I did extend an invitation to this meeting to Niklas yesterday, but given that his response was, “I have to jack-off at that time, but thanks anyway,” this is the last place I expected to see him.

James Woodard enters the room seconds later.

“Sorry I’m late,” he says, nervously.

I look at each person in the room, one by one, checking their names off in my head: Gustavsson, Woodard, and then lastly, my brother. It feels incredibly incomplete. But Kessler’s absence has nothing to do with that feeling. Not having Izabel here is affecting me more than I could have ever imagined.

I swallow, raise my chin, and get to the matters at hand.

“Until Vonnegut is eradicated, and I am in control of The Order, we will be scattered and divided as an organization from this day forth. We will stay in contact with one another through secure means, but we will see little to nothing of each other for quite some time. Too many of us in one place is too large a risk—like right now, for example. If one of us is captured or killed, all of us will be, and that will be the end.” I look at Gustavsson. “You will continue with your current mission, as we discussed, but you”—I glance at the others—“as with everyone else, will vacate your current residences, even the cities, and settle elsewhere. And you will need to lay low; either blend in with society and become more a part of it, or stay out of it entirely.”

“What about everyone else?” Gustavsson speaks up. “The two hundred plus recruits you have working for you.”

“They will be left in the dark,” I announce. “Only the three of you standing in this room, and Kessler, currently out in the field, have been informed of anything. Everyone else will continue as they are, but you are all to cut off communication with them until I say otherwise.”

“And what if someone has important information on Vonnegut?” Woodard asks. “Stiles and McNamara in the Second Division have been working on their mission for a year, and—”

“Is that really the fucking question that needs to be asked here?” Niklas cuts in. He looks right at me, an angry, blameful glare in his eyes. “Do you plan to leave Izzy in the dark, too? You know, I think it’s only the proper thing to do by telling us what happened in Venezuela, what exactly happened to Izabel, and what you intend to do to keep her safe. I know she’s your woman, but quite fucking frankly, you’re not the only one here who cares about her.”

I step forward, into my brother’s space, and stand toe to toe with him—I crack my neck. “Izabel is none of your business, brother.”

Niklas grits his teeth, and his nostrils flare as he inhales a deep breath.

I pop my jaw.

“You’re the reason,” he says, icily, “she almost died—brother.”

“There’s no time for this,” Gustavsson says. Then he looks at me and says with respect, “Niklas may have gone about it all wrong, but it doesn’t make what he said any less true—you’re not the only one who cares about her. All we want to know, Victor, is what you’re willing to tell us. Besides, considering the circumstances surrounding The Order, it’s pretty vital, in my humble opinion, that we know who from The Order saved Izabel’s life and set you free; we have a right to know how much they know, and how close they were—or are—to taking us down. It is the reason we will now be scattered and divided, is it not?”

Satisfied with Gustavsson’s input, Niklas takes a resentful step back. I do the same, not wishing to further this quarrel with my brother.

“I’d like to know as much everybody else,” Izabel says from the doorway.

TWENTY-ONE

Victor

Four heads turn in unison to face her; with difficulty, I manage to restrain the enthusiastic swelling of my heart.

“Izabel,” I say, and for a longer moment than intended, it is all I can say.

She is wearing a black pencil skirt that hugs tightly to her curves, a pair of black heels, and a black silk blouse, fully buttoned all the way up to the middle of her throat; a sheer black scarf is wrapped around the upper-half, perfectly concealing the wound on her neck. But no amount of fabric can keep the eyes of others in the room from zoning right in on the very thing she seems to want to hide. She is stunning, as always, but I realize that there is something quite different about her. It is not her dark auburn hair, shorter than usual, done up in springy curls that barely brush her shoulders, or the glittery black barrette that holds her bangs away from her face on the left side; it is not the long, black eyelashes that seem to sweep her face majestically when she blinks, or the light glimmer of her rosy cheeks. It is the power in the depths of her eyes, a fearless necessity, a darkness that can never again hinder or blind her, but will forever be her advantage—it is The Change. And it delights and troubles me just the same.

“It’s good to see you,” Gustavsson says, beaming at her.

He makes his way over and takes her into a hug, in which she happily returns.

Woodard does the same, moving more gracefully these days since he became determined to better his health.

“I-I hope you’re not offended I didn’t try to see you in the hospital,” he says, pulling away from her. “I-I just thought you might want time alone.”

She smiles faintly, and shakes her head. “Not at all,” she says, then glances at the rest of us with quiet reprimand. “Actually, I appreciate the gesture.” She examines Woodard with a curious and impressed sweep of her eyes. “You’re looking good, James. I’m proud of you.”

Woodard smiles giddily. “Aw, thanks, Izabel.” He pats his stomach with his palm. “Lost nineteen pounds already.”

Izabel smiles, close-lipped.

Then she turns her attention to Niklas; she walks toward him. I—and Niklas, judging by the look of expectation on his face—thinks she is going to say something to him, but she passes him up and comes my way instead.

“Have you told them yet?” she asks.

I pause, thinking. “Told them what?”

She glances back at everyone else, and then her eyes fall on me. “About the bounty on my head.”

“No,” I say, “but I planned to.”

“What about the bounty?” Niklas says, stepping up closer. “We already knew there was one—we all have bounties on our heads.”

“Yes,” I say, “but things have become more complicated.”

“How so?” Gustavsson asks.

Niklas narrows his eyes, chews on the inside of his mouth; I will never get used to my brother looking at me that way, as if everything is my fault, as though I am the Devil in a suit.

Perhaps it is. Perhaps I am.

I leave them all, Izabel included, and make my way toward the window again. I can feel their eyes on me from behind, the anticipation, the impatience, and the resentment from my brother.

I inhale deeply, and fold my hands together down in front of me again. “I will tell you all about the bounty, the surprising and…concerning possibilities surrounding it. But first, I will tell you how Izabel’s life was saved.”

I do not have to think back to that night too deeply to remember—I will never forget it for as long as I have breath in my lungs.

Venezuela…

Bullets ripped through the air; I could hear them, but only in my subconscious; I could hear boots hitting the stones in fast succession; the firing of another gun blasting in my ears. I saw bodies falling around my cage. But I did not move. Or blink. Or flinch when a bullet zipped past me and dinged the cell bar inches from my head—I was disappointed that it missed.

More shots rang out, echoing off the tall stone walls of the building.

“The key!” I heard someone shout. “Victor, where’s the key?”

Still, I could not find the will to move, or to understand—what key? Who was this woman screaming at me about a key? I was sitting on the floor with Izabel in my arms; we were covered in blood, but…I thought…it was mostly hers.

“Victor!” shouted a man’s voice this time. “We need to know where the key is. Snap out of it, man, or she’s going to die. And I can’t be having that.”

I blinked, and raised my eyes to place a face with the familiar voice—Brant Morrison, my mentor from The Order. I knew I should be concerned that he was there, but I was not. Take me if you must, Morrison, put me out of my misery if you would grant me a dying wish, but do it quickly.

“The key! WHERE IS THE KEY?” he shouted.

It took a moment for me to understand, to pull my mind from the drowning sea of my despair, but finally I answered absently, “…Artemis…she has the key.”

The woman—something was also familiar about her—crouched in front of the lock on the cage door. She set her gun on the floor beside her and fished a lock-pick from her boot.

“Is she still alive, Victor?” Morrison asked.

I glanced unsteadily down at Izabel; I moved one arm from around her and brought my fingers to her nose, feeling for air coming from her nostrils. At least I thought that was what I was doing…I did not know; I felt like I was in another place, very far from there, but could still hear and see and feel everything. My other hand remained tight on the side of Izabel’s neck, trying to control the flow of blood; somewhere in the depths of my muddled mind I was still trying to save her, even though in my heart I knew she is dead.

“I should have done it myself,” I said absently, looking at no one. “I should have done it a long time ago…spared her all of this.”

“Snap out of it, man,” Morrison told me again. “If she’s still alive, there’s still time to help her.”

I looked right at him now, and for the first time since he entered the building, I was fully aware of his presence. But I did not care an iota that he was here, or who he was, or what he planned to do with me.

“I want her dead,” I said aloud to myself about Artemis, my teeth crushed together in my parched mouth. “Both of them—I will kill them both!”

“Calm down,” Morrison said; he pointed at Izabel. “Victor, keep pressure on the wound.”

I realized my error quickly and threw my hand back on her neck; her blood covered me, slippery and warm and final.

Finally, the strangely familiar woman picked the lock on the cage and pushed the door open; she dashed inside the cell; I did not even notice until afterwards that she checked Izabel’s wrist for a pulse. “She’s alive—Brant, we have to get her to the nearest hospital; she won’t make it to the Safe House.” She gestured for him with one hand. “Hurry!”

Morrison ran into the cell and crouched in front of me; he reached out to take Izabel; instantly my grip tightened around her, and I pulled her closer—they were not taking her anywhere.

“If you want her to live,” Morrison said, encouragingly, “you’re gonna have to snap the fuck out of it and let us take her.”

“Keep your hands off her!” I roared, wrenching Izabel closer. “I know you want me, to take me back to The Order—I know! But leave Izabel out of this! I will let her die before I let you take her!”

Morrison shook his head, and then set his gun on the floor; he held his palms up, facing me. “Listen to me, Victor,” he said. “I’m not going to hurt her. I just want to get her help.”

“Bullshit!”

“There’s no time for this,” the woman said.

Morrison reached out for Izabel again. “Hate me all you want, Victor,” he said, “but right now we have to get her to a hospital or she’s going to die. Do you understand what I’m trying to tell you? Think about it—if I wanted her dead I’d let her lay there and bleed out. If I wanted you dead, I’d have shot you already.”

The woman crouched next to Morrison in front of me, peering intensely at me. I did not understand what that look was in her eyes, but for some reason, I felt like I should trust her; she wanted me to trust her.

“Victor,” she said, carefully, intent on holding my gaze. “I swear to you that the only thing I want to do is save her. I know I can’t make you believe me, but you have no other options. She goes with me, or she dies.” She leaned in closer—what is that look? Trust me, Victor, it felt like she was conveying. I’m here to help you. Covertly, without moving her head, she averted her eyes in Morrison’s direction, then quickly back at me. He may not be, but I am. Please trust me…

I looked down at Izabel in my arms, then reluctantly back up at the woman. Desperate, and knowing that she was right at least about having no other options, I gave in. “Take her—but only you. He does not touch her! Hurry,” I said, and let go of Izabel.

Morrison nodded at the woman, giving her the go-ahead, and then she took Izabel’s limp body into her arms swiftly but carefully, keeping pressure on the wound with one hand, and she dashed away on flat-heeled boots, weaving through a maze of dead bodies. I watched the doors out ahead long after she had disappeared behind them.

The clicking sound of handcuffs locking into place pulled me back into the imminent threat: Brant Morrison, high-ranking veteran operative for The Order, who I knew was there to apprehend me. Squeezing my fist, I pulled back my hand in anger, the handcuff locked around my wrist jangled and scraped against the bar.

“Why save her?” I asked Morrison about Izabel. “Is she worth more alive?” I felt the warmth of Izabel’s blood all over me, soaking into my pants, into my bones; I swallowed hard and tried not to think about it, about her, and if that woman could get her to a hospital in time. If she would even try.

Morrison rose into a stand, towering over me; his bearded face stretched into a smile as I raised my head to look up at him.

“Most of you are,” he answered. “You. Fleischer. Gustavsson; you’re all worth double alive what you’re worth dead.” His smile grew, and he paused, studying me, and said, “But the girl”—he chuckled under his breath—“the price on her head is likely more than any hit you’ve ever carried out, Faust.”

Surprised by his statement, I stared up at him, long and hard and with tremendous curiosity. But before I could inquire further, Morrison shifted gears and threw the topic off course.

“I always knew you couldn’t handle it,” he said, shaking his head. “Attachments. They were your only weakness. They always have been, Faust, from the day you were brought into The Order, to the day you went rogue and left it. Your mother. Your brother. Marina. Artemis. Sarai…” He shook his head once more, a look of shame and disappointment spreading over his rugged features. “I have to give you credit though. You tried more than anyone I know could, to overcome the weakness, or to suppress it at least, but in the end it had more power over you than you would ever have over it. Should’ve been born into The Order; if you had, you’d truly be the unstoppable machine that most believe you are.”

Refusing to give him the satisfaction of a pathetic response—because he was right, and a pathetic response was all I had—I retained eye contact and said, “So then what are you waiting for? Why cuff me to the bar, rather than take me in?”

He smiled a slippery smile.

“I’ll get to that soon,” he said. “But first, I wanted to ask you something.” He shrugged. “You don’t have to answer, of course, but I’m very curious, and it can’t hurt to try. Right?”

I did not respond.

Morrison dropped the handcuff key into his pants pocket, slid his gun still laying on the floor, behind him, and then crouched in front of me again, but out of my reach; he sprang up and down momentarily on the front of his feet.

“Did you ever wonder why no one in The Order knew you and Niklas Fleischer were half-brothers?” He twirled a hand at the wrist. “I mean surely it had to be a question itching in the back of your mind.”

Still, I did not respond.

Morrison’s mouth pinched at one corner, and he looked at me sidelong. “Oh come on, Faust, just be honest and say you thought about it but never could quite figure it out—there’s no shame in the truth.” When he still did not get the response from me he sought, he sighed and pushed himself into a stand. “All of us know—you know—that nothing in The Order is ever as it seems. Of course, you, being higher on Vonnegut’s pedestal than any operative in history, you had every reason to believe that everything you thought you knew was exactly how you knew it to be. But you’re not stupid, Victor; you’re probably the most intelligent man I’ve ever known. And you damn-well know, somewhere inside that methodical head of yours”—he pointed at his own head—“that there was no way you and your brother made it through the most sophisticated spy and assassination organization in the world, flying under the noses of those who built it, without them ever knowing the truth about your relation.”

“Why are you telling me this?” I asked, though I already knew he would not tell me.

Morrison shrugged.

“It was just a question, like I said.”

“You said yourself that I am not stupid, Morrison, so do not insult my intelligence with cryptic bush-beating.”

He smiled; the yellow-white of his teeth barely visible beneath his lips. But as I expected, he had no plans to alleviate the aching curiosity in me.

“I have a question for you,” I said, turning the tables.

“Ask away.” He motioned his right hand, twirling it at the wrist.

“Just how in love with Marina Torre were you before I choked her to death?”

The smile disappeared from his face, and he stopped blinking.

TWENTY-TWO

Victor

Morrison rounded his chin; he used a cool smile to conceal the animosity.

“You heard Marina that night,” I began, “when she told me the story about when and how she met you. But when after a while she did not return the affection, you, like any deranged sociopath with underdeveloped people skills, turned on her, started threatening her, beating her, all to keep her in line and under your thumb.” (The skin around Morrison’s nose crumpled; he clenched his teeth behind closed lips. He wanted to kill me, but he could not. I was worth too much.) “I had no idea about your feelings for Marina then, but I figured it out later, after the night I slit Artemis’ throat.” On my knees now, I pushed myself toward him, as far as I could, so that he could see the look in my eyes; the cuff rattled against the bar; the knife beneath my leg, covered by the fabric of my pants, was as silent as my intention to use it. “You, Brant Morrison, are just like me; you are as guilty as I am; you are as flawed and weak as I have ever been, affected by the same attachments you accuse me of. I suspect that Marina was the first of many women with whom you confused obsession for love, and that Marina was the first of many who denied you.”

Confetti-like spots sprang before my eyes like bursting fireworks in a black sky; I fell backward against the bars; the left side of my face pulsed and throbbed. In the three seconds it took for the stun to wear off, I was still able to keep the knife hidden beneath my pant leg.

I opened my eyes, shook off the remnants of the blow; Morrison was standing over me. Right where I needed him. Patience, Victor, I told myself. Do not kill him yet, or the answers die with him. I knew it would not be my only chance to get him close if he moved out of my reach—my plan to shake him enough to get him this close worked faster than I thought it would, therefore it would work again.

“This isn’t about me,” he said, indignantly.

“No,” I came back, “it is not. However, it is about something. Everything is connected—we are all connected in some way; are we not, Morrison?”

“What’s that supposed to mean?” he asked.

“I do not know,” I answered, doing a little bush-beating of my own. “It was just a question.” I smirked.

He sneered, and then stepped out of my reach again; fortunately, not because he realized that he was standing too close—the clouded expression of anger and perplexity in his face told me his mind was anywhere but where it should have been. I barely had time to wonder how this man could have been the one who trained me; how could I have turned out like I did, when he was failing every test I put to him? Was he simply slipping in his advancing age, forgetting the most basic of skills? Or had the student transcended the master? Oh, that’s right, I thought smugly, I transcended him a long time ago.

“You wanted to tell me something, Morrison. You would not have brought it up if there was not something you were itching to say. I presume it is something you have wanted to say to me for a very long time.”

“Is that so?” he said, with sarcasm. “And just what makes you think that?”

I nodded. “Because jealousy and envy are cheap suits made of flashy colors,” I said. “No one wears them well, and everyone sees you when you are coming.”

He crouched in his flashy suit to be eye-level with me, still out of my reach.

“Go on,” he urged, cocking his head to one side. “Tell me what you think you know, Faust.”

I cocked my head opposite his.

“You spent a great deal of time and effort talking to me about my and my brother’s hidden relation in The Order—I bet you practiced that in front of a mirror.” (He snarled, but kept his cool.) “You are at war with yourself: you want to tell me something I do not know, that you feel I should have figured out by now, so you can feel like you finally have something over me, that for once in your life, you are better than me at something. But you cannot, because you still work for The Order. You are now—last I heard, anyway—Vonnegut’s new Golden Boy, his top operative. You are now what I used to be. You now have what you feel you were robbed of when you trained me.”

Morrison’s jaw hardened.

I shrugged, pursed my lips on one side.

“You are not the first operative under Vonnegut,” I went on, “who despised me because I was better at my job than you were; because Vonnegut favored me over you.” I straightened my head, looked him dead in the eyes, taunted him, because it was working so well. “My own brother had his issues with me for the very same reasons. But I find it peculiar how much deeper your jealousy runs—at least Niklas got over it.”

His hand latched around my throat, nearly crushing my windpipe. I felt the veins in my temples bulging; the air cut off from my lungs, sounding the alarms inside my brain. But I maintained my still position on the floor, and I willed my mind to allow me control, even if only for a few seconds before I had to succumb to the sensation of being choked to death.

“Say what you wanted to say, Morrison.” My voice was rough, strained.

He squeezed harder—my eyes began to water.

“Go on,” I continued. “Say it. You want to…you could”—I was losing the control; I began to choke—“…you could get it off your…chest and then kill me…afterwards. Is…getting one over me not worth…the…money you would lose?”

Beyond the blurring of my vision I saw his lips furrow in anger.

He was going to do it—he was going to choke me to death just like I choked Marina; I was going to die, right there, covered in Izabel’s blood.

With my free hand, I secretly reached for the knife hidden underneath my leg.

I could not see.

I could not breathe.

I could not…I needed the information.

My eyes opened and shut, opened and shut, but all they took in were the darkening colors and lights; the veins in my temples were on the cusp of bursting.

If I did not kill him soon, he would kill me.

Izabel. What if she is still alive?

Fuck the information!

Grasping the knife in my fist, I started to gut him, but just before I slid my hand from beneath my leg, he let go of me; the back of my head was crushed against the bars, sending a shockwave through my skull and a ringing through my ears; a great surge of air rushed back into my starved lungs. I coughed and gasped, left the knife in its place and instinctively raised my free hand to my throat.

My eyes opened a sliver at first, and then all the way; although I could see, everything remained blurred. Morrison was out of my reach again; he stood tall, pacing the limited space the floor provided.

Finally, everything blurred back into focus.

I saw Morrison’s throat move as he swallowed. He reached up and straightened his tie, then smoothed his hands down the front of his suit jacket. Rounded his chin. Cracked his neck.

“The money you’re worth alive,” he said, “will benefit me more than the satisfaction.”

“Maybe so,” I said, still breathless, “but you have to take me in before you see a penny of it.” I grabbed the knife with my dreaded thirty-percent hand, and sent it hurling at him. And in that second it took to hit the target, I held my breath hoping that my aim had improved over the years.

“And I take it,” Izabel says, “that because we’re still alive, that your aim did improve?”

I want to smile at her, mostly because I am happy to see her here, but I refrain.

I nod. “Yes,” I say. “It did not take him long to bleed out from the neck. I waited for him to die. I sat there, drenched in blood and sweat, thinking of you”—I look Izabel right in the eyes, but then just as quickly, I look away—“and once he was dead, I dragged his body by the ankle over to me, and I fished the handcuff key from his pocket. I took his gun, and I left.”

“But what about Izabel’s bounty?” Niklas says, as if he is stepping in for her.

Back off, little brother, or you and I will have that much more added to our growing list of problems.

“That information came later,” I say out loud, “after I went looking for Izabel and the woman who took her. As I ran down the street, barefoot and bloody, I began to doubt that the woman could be trusted, that I, in my most desperate moment, fell for the most basic of tricks, and that there was no way she really took Izabel to a public hospital for treatment.”

I pause, and turn to the window again.

“But she did,” I say, staring into the distance, letting the scene materialize in front of me. “And when I arrived, and saw that Izabel, although unconscious and near death, was still alive, and when I saw the woman sitting in the room watching over her, not only was I thankful, but I somehow knew right away, that I was looking directly into a mirror.”

“A mirror?” Niklas asks.

“Yes, brother,” I say, still with my back to everyone. “A mirror.”

TWENTY-THREE

Victor

Venezuela…

I did not know how long I had been with Morrison before I killed him and set myself free, or how long it took me to find the hospital, but by the time I arrived, Izabel had just come out of surgery.

“Señor! Señor! You can’t go in there!” a nurse screamed at me in Spanish. And when she ran into the room behind me, saw the extent of the blood on my clothes, she instantly backed away.

Two more nurses rushed in; they took one look at me, eyes wide and panicked, and either thought I was in need of a doctor myself, or I was the one who cut open Izabel’s throat.

The woman who had brought Izabel to the hospital, shot up from the chair. “It’s OK,” she also spoke in Spanish, motioning her hands, “he’s not the man who did this; he is her husband; he was attacked, too.”

The nurse’s eyes darted between me, the woman, and Izabel lying on the bed.

I ignored them all and went quickly over to the bedside.

The police were there in under five minutes, and as I sat with Izabel, holding her hand, the woman did most of the talking, reiterating what she apparently had told them when she first arrived without me. After they asked me questions, and I told them what happened—a fabrication, of course—they left us alone.

I stayed with Izabel for a long time before I went outside into the hall, and I sat down next to the young woman who looked to be in her mid-twenties, but I got the feeling was a little older. She had soft brown hair that fell to her breasts, bright blue-green eyes, and freckles splashed across the bridge of her nose.

It was eerily quiet in the hospital; I could vaguely hear the nurse’s rubber-soled shoes squeaking against the floor, and a computer keyboard being tapped, and a life-support machine—Izabel’s life-support machine—beeping steadily from the cracked door of her room.

I sat hunched over, my forearms on the top of my legs; my feet were still bare, and my injured hand was wrapped in a bloody cloth. The woman beside me sat with the back of her head against the white brick wall. The bench beneath us was made of wood; I could distinctly smell the black paint that it had been coated with last.

“If she’s as tough as everybody says she is, she’ll—”

“Who are you?” I cut in; I did not look at her.

I heard her sigh. She began to adjust her position next to me on the bench; she placed her folded hands on her lap.

Finally she answered, “My name is Naeva. Though you might remember me as the little blond-haired girl who always tried to play with you and Niklas when we were children. Niklas slapped me in the face with a dead snake once. And you—”

“I took the snake from him and forced it in his mouth,” I finished.

I looked over, and Naeva, my baby sister, smiled.

I smiled, too. But it was short-lived. Izabel, clinging to life on the other side of the door just feet from me, controlled all of my emotions.

“Your hair is different,” I said. “It used to be white.”

“I grew up,” she said. “And it turned brown. Like yours.”

I nodded.

After a long time, she asked, “Is he dead?”

“Brant Morrison?”

“Yeah.”

I nodded again. “Yes. He is dead.” Then I glanced over briefly. “Does that bother you?” I hoped she would say no.

She shook her head. “Not at all; actually, I’m relieved.”

The silence went on for another stretch.

I sighed.

Naeva sighed.

There were many questions she and I both wanted, needed, to ask one another: our separation as children; where we have been all these years; what kind of life outside of The Order had we lived, experienced, and shared with others; how long she had been in The Order; how she ended up there in the first place; who raised her after our mother was killed; if she forgave me for killing our father. But this was not the time nor the place to open that book. There were other, more important questions that needed immediate answers, and so I spoke to her not as my long-lost sister, but as any other young woman who might be able to tell me what I needed to know.

“Morrison said that Izabel’s bounty is even higher than my own. Can you tell me why?”

Naeva looked at me and shook her head sadly.

“I don’t know, Victor,” she admitted. “All I do know is that just like you and Niklas, Izabel is to be brought in alive—and unharmed.”

“How much is her bounty?”

“Forty million.”

I blinked, quietly stunned. Forty million? How is that possible? I could not fathom why The Order would want Izabel so desperately, why she was more valuable to them than myself or my brother or Gustavsson, all of whom broke the most sacred of laws. To The Order, Izabel was just an escaped sex slave from a Mexican compound. Or was she?

Then it occurred to me: “At the compound, or anywhere Javier could keep tabs on you and control you, you were not a threat to him. But now that you have escaped, you are a bigger threat than anyone because you know too much. He probably never anticipated you leaving. You being alive and free is a threat to his entire operation and anyone involved in it.”

I thought about that revelatory conversation for a long time, trying to remember it word-for-word.

“The information you hold, no matter how insignificant you think it all is, could bring down a lot of high-profile people.”

I was almost convinced that it was all coming to fruition now, that word did get out about what Izabel knew, after all. I thought perhaps the bounty was so high because several ‘high-profile’ clients all chipped in and hired The Order to find her. But still, it did not make sense to me why, if someone held that many powerful lives in the palms of her hands, she would be wanted alive.

And then something else occurred to me.

I turned my head to see my sister.

“You said Niklas and I are also wanted alive?” I asked.

She nodded. “Yes. That is the condition.” She laughed lightly under her breath, and shook her head. “Brant wasn’t happy when he found out about this. He wanted you dead more than anyone—he could’ve killed you once. I was there; he had you in the sights of his scope; he almost pulled the trigger.” She sighed and looked back out ahead of her. “I think maybe he would’ve if I hadn’t reminded him that if he killed you, they’d come after him next. For a moment, I knew he didn’t care about that; he was going to do it anyway. But at the last second, he moved his finger from the trigger and packed the rifle away. He didn’t speak to me for two days. He didn’t speak to anyone for two days.”

A question I had been asking myself since I set up in Boston and began conducting hits of my own outside of The Order, had finally been answered. How did I manage to stay alive for as long as I did? I may have been smart about it, worked out in the open but stayed out of the open; I may have covered all of my bases, killed anyone who seemed suspicious—except Kessler—but I knew something about still being alive, was too good to be true. And as I sat with my sister on the bench, outside the room where the woman I loved was lying in a hospital bed, the answer had become clear to me. Killing me would have been easier than apprehending me—and killing me was not an option, despite what Morrison said.

Well, you almost had me, Morrison, I thought to myself as I sat there, staring at the wall. And while I was relieved that things did not turn out the way Morrison wanted them to, I was disappointed in myself that he got as close as he did.

“Why are you helping us?” I asked Naeva. “We have not known each other since we were children; you owe me no loyalties.”

I felt her hand touch mine, but I did not look down at it.

“You are my brother, Victor,” she said, and then squeezed my hand. “And who do we have in this world if we don’t have the love of our family.” Her hand slid away. “You and Niklas are all I have. I’d do anything for you.”

I looked over.

“How did you know I was your brother? Does The Order know?”

She nodded. “They know. I found out after you went rogue and Brant started hunting you. He was the one who told me.”

More silence passed between us, and then sometime later, I asked Naeva, “What do you plan to tell The Order about what happened here tonight?”

“I’ll figure it out,” she said. “Of course, I’ll have to explain something about why Brant is dead, but as far as you and Izabel—I’ll manage. Brant knew that he had to turn you in, but he kept everything quiet: the months he spent watching you; his plans to move in on you once he decided the best way to do it—no one knows about tonight, so I have time to figure it out. He knew that if he reported it too soon that every eye would be at his back, every mouth breathing down his neck.”

“So he never called it in,” I said, understanding.

“No. He wanted more from you first. He not only wanted to be the one to take you in, but he wanted to use you to lure in Niklas and Fredrik Gustavsson; he wanted information, numbers, names, etcetera. Brant didn’t just want what everyone else set out to get—he wanted everything. He wanted to make Vonnegut proud.” She paused and then added softly, “But he wanted too much…”

The shift in her tone planted a seed in my head.

“Were you involved with him, Naeva?” I asked gently.

She shook her head sadly. “No,” she answered. “But he was kind to me. He protected me. And I cared about him. He was my teacher just like he was yours.”

“But you told me you are relieved that he is dead.”

She nodded. “And I told you the truth. As much as I cared about him, he probably got what he deserved.”

She looked out ahead at the door to Izabel’s room, pushing down her grief, it seemed. “I do hope that she’ll be OK,” she said moments later, and with all my heart I knew she was being sincere. “I don’t know her, but I’ve heard a lot about her, and I admire her. She’s strong. She’s what I strive to be every day.” There was a sadness in her voice, and I found myself wanting even more to open that book, but we were still in the same time and place. It felt strange to me, to want to reach out to her, to comfort her, to understand her, to protect her, my beautiful and soft baby sister who I could not for the life of me picture being in such a dangerous line of work—it incensed me. But Izabel was my priority, and so I left it alone. Nothing incensed me more than what Artemis did to Izabel.

Naeva stood from the bench. I did the same.

“You need to go into hiding, Victor,” she warned. “Too many know where you are in Boston; you and your people, you shouldn’t all be under the same roof for more than minutes at a time. Vonnegut may not want you dead, but the longer you stay in the same place, the easier it’ll be for someone to figure out how to capture you.”

I had known this all along, but it took my sister reinforcing it for me to finally make the decision to do what needed to be done.

Then Naeva reached up and plucked a strand of hair from her head, and then handed it to me. Instinctively knowing what it was for, neither of us commented on it. I tucked the hair away deep in my pants pocket.

As she started to leave, I asked, “Naeva, have you ever seen Vonnegut?”

She looked at me as if I had asked a ridiculous question; she even smiled a little.

“Of course,” she said. “Why?”

I shook my head. “I was only curious,” I said, choosing to be vague about the truth. It was apparent to me, just from the little time I spoke with Naeva, that she was an expendable operative, someone who knew nothing, and probably always would know nothing. Like myself and many others, Naeva only believed she had ever seen the face of the real Vonnegut. And I let her leave that night, continuing to believe it—for her safety, the less she knew, the better.

I turn from the window; everyone is looking at me, waiting for the rest. My brother, as expected, is staring the hardest; the cold and unforgiving look in his face that was there for Izabel’s well-being before, has now deepened to include his sister.

Niklas never asked about Naeva after we were taken away from our families and forced into The Order; he pretended not to care about the little blond-haired girl who seemed to favor me as her brother. “I don’t give two fucks about that girl,” he had told me once or twice when I brought her up over the years. “Why should I care? And why do you keep asking?” But the truth was, Niklas cared more about what happened to Naeva than I ever did.

And Naeva loved him as much as she loved me, despite what he thought. “Why is Niklas so mean to me?” Naeva had asked the day he slapped her across the face with a dead snake. “He loves you, Naeva,” I had told her, “but he doesn’t know how to show you.” Naeva dragged a finger underneath her eyes, wiping away her tears. “Well, I love him too,” she had said. “I just wish he wasn’t so damn mean.”

Niklas scoffs and crosses his arms. “Wow,” he says, “you really think you know me—you didn’t have to lie to the girl; she’s probably not even my real sister.”

I turn to Woodard. “The results of Naeva’s hair sample?”

“They were a match,” Woodard answers. “She is your sister.”

I turn to Niklas again.

He snarls, and chews on the inside of his mouth.

“Whatever,” he finally says. “What I’m looking at is how you handled it—you just let the girl leave? Rookie move, Victor. Should’ve killed her.” There is accusation in his voice. But I do know my brother, and he is only using accusation to cover up pain.

“Yes,” I answer. “I let her go. She works for The Order, and unless we want a bounty on her head like you and I have, we should stay away from her.”

Niklas sneers.

Izabel steps up. And steps in.

“This has to end, Victor,” she snaps, pointing her index finger at the floor. “We can’t continue to live like this; we can’t keep hiding from Vonnegut and his thousands of employees”—she put a lot of emphasis on the number—“I won’t continue to live like this. We never should’ve spread ourselves so thin, taking on other jobs, wasting time and resources on other things when we should’ve been doing everything in our power to find and eliminate Vonnegut.”

Eliminate—it troubles me how much more like me she sounds every day.

“She’s right,” Niklas puts in. “France. Washington. Italy. A waste of fucking time, Victor. I’m tired of always feeling like someone from The Order is standing right behind me, just waiting for me to bend over. We need to take him down before we get fucked.”

I look across at a quiet Gustavsson, giving him an opportunity to put in his two cents.

“Victor and I were discussing this before the rest of you showed up,” he says. “I’m in agreement.”

Niklas scoffs. “You want to take time away from catching your serial killer?” He smiles, shaking his head with disbelief.

Gustavsson looks to me, and once again I have the floor.

I explain to everyone what I spoke to Gustavsson about, and for the next fifteen minutes they all debate and converse and agree and disagree.

“Then what do you plan to do, Victor?” Niklas asks; he gestures his hands as he speaks. “So we’re all gonna split up; Fredrik is still going to be doing his serial killer thing; Nora is going to be off with some crazy brother and sister hunting down and even crazier brother and sister—I don’t see how any of that is going to lead to putting a plug in Vonnegut’s operations. Not to mention, now you have The Gemini involved—crazy fuckin’ shit, brother. What do you plan to do? What do you expect me to do? And Izabel?”

I start to speak, but Izabel interrupts me.

“Actually, that’s the only reason I came here today,” she says.

All eyes veer in her direction—especially mine.

“I leave for Mexico in two days,” she announces. “And I’m going alone.”

TWENTY-FOUR

Victor

I feared this day would come, and in my heart I knew that it would, but I did not expect it so soon. I thought I had more time. Time to condition Izabel to her fullest (or to allow Kessler to do it for me); time to steer Izabel’s sights in another direction—any direction other than Mexico. She has talked about it the past many months, about going back there; she has pressed the issue, arguing her—I hate to admit its truth—very valid and solid case. But I have continuously shot her down at every turn, giving in only a fraction by telling her that she could go on the mission with Nora, but that only Nora would be putting herself in danger’s path. I was a fool to let myself believe that Izabel would ever give up on this pursuit.

“Out of the question,” Niklas speaks out.

But Izabel puts up her hand to silence him. And without looking at him she says to me, “Without refusal, without an argument, without your opinions,” reiterating our conversation weeks ago at Dina Gregory’s house, to which I know I must abide.

She drops her hand; Niklas wants more than anything to keep talking, but he hesitantly gives her the floor.

Izabel turns so that everyone can see her.

“The end begins today,” she announces. “We eradicate Vonnegut, and Victor takes over The Order before the summer is over.” She makes eye contact with everyone in the room, one after the other, challenging any one of us to a debate. “The plan to weed him out will not change: we will trust and utilize the information that Nora gave us, and I, being the only one who knows how the slavery rings work in Mexico, will be the one carrying out the mission—I’m the only one here who can.”

She begins to pace, her arms crossed, her mind focused, determined, and unwavering.

“It’s a bad idea, Izzy—”

“No,” she cuts Niklas off, finally looking at him. “It’s the only idea.”

“Bullshit—there are a hundred different ways to go about this,” he argues. “There are dozens of women in our Order who can play the part you think you’re going to play.”

“That I am going to play,” she corrects him swiftly. “Sure, you can take any other woman from our Order, make her dress the part, show her how to play the part, but not one of them”—she points her index finger at the floor sternly—“knows what I know; not one of them has been there, seen the things I’ve seen, experienced the things I’ve experienced. I am the fucking expert”—her voice begins to rise and harden—“and I’m the one who, no matter what any of you believe, will be the one who pulls this off. Not So-And-So from the First Division, or Agent-Whatever who watched a few movies about sex slavery and read a few newspapers and case files and thinks she’s ready. And not even Nora Kessler, who can fake tears and emotions well enough, but she can’t fake being broken. Not like I can.” Her hand shoots up again. “But more importantly than being the absolute best for the job because of first-hand experience, I’m the only one here who’s seen the real Vonnegut.”

An uncomfortable quiet blankets the room.

“I hate to say this, Izabel,” Gustavsson speaks up, “but I agree with Niklas—despite your experience, you shouldn’t be the one to go there, not after everything you’ve—”

“I’m not having this conversation with any of you again,” Izabel snaps, and she looks at each one of us in turns. “About how you think what I went through in Mexico will impede my performance—it’s an old and tiring argument.” She pauses, inhales and exhales deeply. “Look, I’m as much a part of this Order as any of you; I may be the youngest, the one with the least experience, but all of you seem to forget, or maybe you just don’t realize it, that every one of you are as fucked up as I am. Every one of you have sapping weaknesses that threaten to derail you every day in this profession—not just me.”

She points at Fredrik.

“You kept a psychotic woman prisoner in your basement because you couldn’t see through your love for her to realize she was a danger to you, herself, and to anyone who crossed her path, including all of us.”

Gustavsson swallows hard, says nothing.

Izabel looks to Niklas.

“The grudge you hold against your brother is a bigger weakness than you realize,” she points out.  “Not to mention, you can’t keep your dick in your pants, or your tongue in your mouth.”

“My two best assets,” Niklas comes back, ignoring the part about me. “I don’t see how that’s a weakness, Izzy.” He grins. “And my tongue…well, it’s kind of famous, actually.”

Izabel snarls, and rolls her eyes. “That’s not what I meant by your tongue, Niklas. I mean that you can’t seem to shut up; your mouth is always running ninety to nothing”—she presses the fingers and thumb of her right hand together rapidly—“with your vulgar, disgusting comments; loud and obnoxious personality; pretending to be a thoughtless, heartless bastard with thick skin, when really you’re just a brokenhearted little boy on the inside, scared to death that someone is going to swoop in and pull the scab off your heart.” She cocks her head to one side. “Why don’t you try being yourself for once?”

Niklas’s wide eyes seem stuck, unblinking.

Finally, he says bitterly, “I am myself.” He waves both hands down the front of his chest. “Who you see here is one hundred percent me. I’ve never pretended to be someone I’m not, and quite fuckin’ honestly, I’m offended you’d accuse me of it.”

Izabel steps up into Niklas’s face, looking upward at his tall height so he can see the seriousness in her eyes. “Then say it,” she challenges. “Say you love and miss your kid sister, Naeva. Or are you too proud?” She steps up even closer; my own stomach is suddenly twisting into one solid knot, as if I somehow know that what she is about to say next will make me extremely uncomfortable. “Or better yet, Niklas…admit that you have feelings for—.” She stops abruptly. She glances at me, clears her throat, and then turns back to Niklas. “Feelings for Nora.”

That is not what Izabel had started to say to my brother…

Niklas tosses his head back and roars with laughter. He laughs for a full five long seconds, before finally lowering his head and letting the laughter fade.

“Wow,” he says, “that’s probably the most asinine thing I’ve ever heard you say, Izzy.” He shakes his head, still laughing under his breath. “If you believe that, you’re not as smart as you’re trying to make us believe—you’re doing a shitty job trying to prove your point. Ha! Ha! Ha!”

“And you, James,” Izabel says, sharply, and she turns swiftly to face him. I get the feeling she only wanted to cut Niklas off before that particular conversation got too revealing. And I am glad for it.

James Woodard frowns; his chubby fingers wind around one another nervously down in front of him.

Izabel pauses, looks him over, contemplates.

Then she waves a hand dismissively and says, “Honestly, you’re the only normal person here.”

“Nora,” Niklas says, still with laughter in his voice. “Unbelievable…”

“And speaking of Nora,” Izabel goes back to making her point. “She may truly be the thoughtless, heartless human being that Niklas pretends to be; she may have more experience than anyone here other than Victor, but that woman is the epitome of one-track-mind, and her inability to feel emotions is going to be her downfall one day. She’s a disaster waiting to happen.”

Now she looks at me, and all of the moisture evaporates from my mouth.

“And you, Victor…you know very well what your biggest weakness is.”

Yes—you are.

“Your biggest weakness is yourself,” she says. But she does me the courtesy of not extending the detailed, and humiliating, explanation that she did with everyone else.

“If you go to Mexico,” Niklas says, “you’re only gonna get yourself killed, and that’s all there is to it.” He looks to me, as if expecting me to step in and say something to back him up, but Izabel quickly gets his attention again.

She lifts the hem of her black silk blouse, revealing her stomach.

“You tried to kill me once,” she says, showing him the scar from her gunshot wound, “but you failed.”

Niklas’s jaw tightens.

Izabel’s blouse falls back over her stomach. She walks back to the very center of the room, and gazes at all of us standing around her. Then she reaches up and takes an end of the sheer black scarf, pulling it slowly away from her throat. Her scar blazes at us all, affects us all in different ways: Woodard lowers his head with sadness; Gustavsson shakes his head with disbelief; Niklas’s head turns red with anger; my head feels like it is going to explode with rage. I take a deep breath as Artemis’s face flashes across my mind.

“I have been shot,” Izabel begins. “I’ve had my throat cut open. I have been…” She stops, appears to be contemplating. “I don’t need to explain anything to any of you,” she says at last. “I’m going to Mexico, and I’m going to be the one who smokes the real Vonnegut out of that hole he’s been hiding in all these years. I know what I’m getting myself into; I know what not only could happen to me while I’m there, but what will happen to me while I’m there. I’m prepared for it—all of it. And if any of you have any objections, you can, quite frankly, shove them up your ass.”

The room remains stiffly silent for several long seconds.

“Victor!” Niklas breaks that silence; his hand juts out, pointing at Izabel. “Tell her she’s not going.”

“Again,” Gustavsson says, “I agree with Niklas. Mexico is the last place Izabel should ever go alone. What happened to the plan with Nora going along?”

“I-I care about you, Izabel,” Woodard speaks up, “and that’s why I agree w-with Niklas and Fredrik.”

The entire time, while everyone else is going back and forth about all the reasons why Izabel should not go, she never once takes her eyes from mine. In this moment, all I see is her, all that I hear are her thoughts conveyed through that steadfast look in her eyes, and the last conversation we had the night I naïvely asked her to marry me.

Finally, I look up, breaking our gaze, and I announce amid the carrying voices, “Izabel will go to Mexico,” and the same voices cease to express another word. “She is right—she is the best candidate for the job. She will go on her own terms, make all of the decisions, and if anyone intervenes in any way whatsoever, the repercussions will be…unfortunate.”

Gustavsson appears to think on it a moment, and then nods, gracefully as always stepping out of the way of the situation.

Woodard is too much of a coward to step out of his comfort zone surrounded by his technology to ever consider setting one foot out in the field—he would never interfere.

Niklas looks as though he would very much like to cave my nose into the back of my skull. He clenches both of his fists, then reaches into the back pocket of his jeans and retrieves a pack of cigarettes. After putting a cigarette between his lips and pocketing the pack, he lights up. After a long drag, smoke swirling around his head when he pulls the cigarette from his mouth, he looks at no one in particular and says with the shrug of his shoulders, “Whatever. I’m outta here. Call me when you fuckers have your shit together,” and then he exits the room, a trail of cigarette smoke in his wake.

Sending Izabel to Mexico is the last thing I want, but if I try to stand in her way like I have in the past, I know I will never see her again. I have to let her do this. And I have to let her do it her way.

Besides, the truth is that I have absolutely no doubts about her ability to pull off this mission. She is the best candidate for the job, not only because of her experience, but because of her skill. Izabel is more than capable of doing it, and every part of me tells me so. She has eluded death enough that, between the two of us, I believe that she is the immortal one. Yes. She will go back to Mexico, and she will suffer unimaginable trials, but she will live. Of this I have every confidence.

But when it came to the Mexico mission, it never was the possibility of death that I agonized over. It was everything else that, like Izabel said, not only could happen to her, but will happen to her, that put the fear into my heart. Will I be able to look at Izabel the same way I look at her now after she returns? Will her being violated by other men, touched, kissed, even possibly raped, change the way I feel about her, especially with the knowledge of her going into this knowing the risks and the consequences? Yes. And no. Yes, I will be able to look at her the same. And no, whatever happens to her will not change the way I feel about her. I love her too much.

“Izabel,” Gustavsson says with disappointment, “even if you manage to live through this, what happens when someone realizes who you are?” He turns to me now. “From what I understand, you think Vonnegut was one of the wealthy men who purchased girls from Javier Ruiz?”

“That’s a good point,” Woodard says. “If the bounty on Izabel’s head is as much as your sister told you, l-logic tells us that a lot of people know w-what she looks like.”

“No,” Izabel answers, “that’s not necessarily the case where I’m going. It’s not like there’ll be Wanted posters nailed to light poles on every city block in this place. And besides, back to Mexico, back into the belly of the same beast I escaped from, is the last place anyone, whether they’re looking for me or not, would ever expect to find me.”

I step forward. “To answer your question,” I say to Gustavsson, “yes, we have reason to believe that the real Vonnegut was one of those wealthy men that Izabel saw when she was Javier’s prisoner.”

“So that raises a lot of questions,” Gustavsson says, “as to just how much business Vonnegut did with the Ruiz Family.”

I nod. “It does indeed.”

“If it’s true,” Izabel reminds us. “We’re taking what Nora told us on good faith—and I believe her—but whether she was telling the truth or not, in the end, the information could be bad. Only way to know for sure is to go and find out. And that’s what I’m going to do.”

No one says anything for a moment.

“So then this is it,” Gustavsson speaks up; he opens his hands to the room. “We leave this building today, all heading in different directions—it feels so…final.”

“It is temporary,” I correct him.

“Yes,” Izabel says, and glances briefly at me. “And when this is all over, everything will be different.” She looks at me again, for longer this time. “Vonnegut will be dead; The Order will be under Victor’s control; we’ll be able to not only work freely and out in the open, per se, but our very lives will change in unimaginable ways. Freedom. Wealth. Opportunities.” She walks toward me, and she stops right in front of me, tilts her head slightly to one side. “And power,” she says, locking eyes with me, her way of telling me that, of all things, power is what I crave.

I am not sure how I feel about that. Is that what Izabel believes, that I am a man who longs for power? Is that what she thinks of me?

Perhaps she is r—

“Victor?” I hear Gustavsson call, and I blink back into focus. “Is this it then? Is this where we part ways and ride off into the sunset?”

For a second, I feel like I had been daydreaming longer than I thought, but finally I manage a nod. “Yes,” I say. “This is it. For now.”

Gustavsson steps up and offers his hand to me.

I accept it.

“If you need me,” he says, “I’m a call away.”

“Good,” I acknowledge. “The same goes for you, my friend.”

Gustavsson turns to Izabel. He looks at her fondly. And then he takes her into another hug, in which she returns.

“Izabel—”

“No goodbyes,” she interrupts. “And none of that ritualistic ‘be careful’ stuff, either. I’m going to be fine. And I’m coming back.”

He seems to think on her words for a moment, and then he nods.

“If you get into any trouble—”

She presses her hand to his chest, stopping him.

“Go catch your serial killer, Fredrik,” she says, and he smiles.

Gustavsson leaves, and after Woodard’s awkward, but endearing goodbyes, he leaves shortly afterward.

And now it is just the two of us, Izabel and myself, alone in the building we once called headquarters. And, in many ways, home.

Izabel reaches out and touches the side of my stubbly face with her fingertips; she gazes up at me. I want to take her into my arms and never let her go. I feel like I have been deprived of something very important, a moment between us that is long overdue and aching to be felt—reuniting for the first time with the one I love and almost lost. The last time I really held her in my arms was when she and I were in that cage together. Not once since her release from the hospital has she allowed me that important moment. And I feel that even now, standing here alone with her, just days before she sets out for Mexico, I will still be deprived of it.

And I do not understand why.

“Victor,” she says, and I almost cannot look at her because it hurts too much. “Do you have faith in me?”

“Yes. I do.”

“Do you trust me?” Her voice is almost a whisper; the sad, but determined look in her eyes is killing me because it feels like goodbye.

“Yes, Izabel, I trust you. And I trust in you.”

She pushes up on her toes and kisses me, letting her sweet lips linger on mine for an excruciating moment—I want more but I know I cannot have it. Her fingertips graze my face, and then slowly fall away. My stomach aches, my chest tightens.

“Good,” she says.

She wraps the black scarf around her neck again. And then she walks toward the door.

“Izabel.”

She turns. She looks at me, waiting patiently.

“How is Dina?” I just want Izabel to stay a little longer.

“She’s dead.”

“Oh.” I blink. And then I nod, understanding. I do not have to ask how Dina Gregory died—I know that Izabel did it swiftly so that her mother would not feel any pain.

“I am sorry,” I tell her.

Izabel nods. And she waits, because I am not exactly hiding the fact that I have more to say before she leaves.

I stumble over the words in my mind, wanting to tell her all of them, but not quite knowing how. I glance down at my feet, and then back up at her again. For the last time? That is what it feels like—the last time—and I cannot bear it.

I gather my composure.

Finally I say, “The stars will die before we do, Izabel…”

She smiles.

“I know they will,” she whispers.

After a second, her smile fades, and so does my nerve to finish what else I had intended to say.

“That question you asked me,” Izabel speaks up, “when you came to Dina’s.” She pauses. Looks at the wall. Then back at me. “If you still love me when I return…ask me again.”

And before I have a chance to respond, to tell her that I will always love her, she exits the room. And my life.

TWENTY-FIVE

Izabel

Tucson, Arizona

The car parked on the street outside my house isn’t Victor’s this time—it belongs to the coyote who I paid to take me across the border. Usually it’s the other way around, and I had to pay a lot more to get into Mexico than an illegal immigrant wanting out. “Your situation is unique,” he had said during our negotiations, parked behind a convenience store at two a.m. yesterday morning. “Why don’t you just use your passport and catch a plane?”

“Because I have to get in this way,” I had said.

He smiled with intrigue, his dark eyes backlit with greed and expectation.

He looked me over. Young, white, American girl with a plan and a purpose. A girl, who clearly by my decision to go dangerously into Mexico by way of a coyote, knew that I not only had bigger balls than him, but also a much bigger bank account.

“Fifteen thousand,” he said, and I knew it was non-negotiable.

But money was the least of my concerns—I went into our negotiations expecting to pay no less than twenty thousand.

“Fifteen for the ride,” I agreed, handing over an envelope stuffed full of cash. “And I’ll also be needing a few other things.”

He cocked a thin brow.

I explained what else I needed, and by the time our meeting was over, he had half of his money up front (twenty-five thousand), and I had a very eager and willing coyote at my disposal.

I close the curtain and slip back into my room. There’s blood on my clothes from an earlier meeting, and I intended to change, but decide against it at the last minute. The blood will only help me to play the part—I just have to make it appear to be mine. No need to pack a bag or grab a toothbrush or anything like that, because kidnapped victims bound for sex slavery compounds don’t have such luxuries; they’re lucky to still be wearing shoes by the time they’re brought through the gates of one of the last places they’ll ever call home.

I swallow a birth control pill, and get to work on braiding a month’s worth of the little pills into the roots of my hair.

A knock echoes lightly through the house. At first, I think it came from the basement, but when I hear it again seconds later, I confirm the source to be at the front door. Maybe it’s the coyote. He told me to call him Ray, but that’s his real name as truthfully as mine is Lydia. I had chosen the name on a whim, thinking a lot about the good friend I lost escaping Mexico the first time. I guess it’s my way of honoring her, of avenging her murder.

Before I go into the living room, I peek out the window of my bedroom and look into the street. Ray’s old beat-up car is gone, and there’s no other vehicle anywhere I can see that wasn’t there before.

The knock sounds again.

I grab my gun from the bed, head down the hallway, crouched low, and take a right into the kitchen instead. Quietly I slip out through the laundry room door, and make my way around the side of the house. Always on high alert, especially while I’m still in the United States, out in the open for Artemis to find me. She is still on the run, as far as I know.

Looking around the corner of the house, I glimpse a woman standing at the front door. The porch light is not on so it’s hard to make out anything more than her being female—the long hair and petit frame easily give away that much.

Pointing the gun at her just five feet away I say, “What do you want?”

The woman’s hands come up slowly, as if she knows I have a gun, and then she turns her head toward me.

“I just want to talk,” she says. “Well, actually I want more than that, but I can assure you I’m not here to hurt you.”

“You couldn’t,” I say with confidence.

She nods, raises her hands higher. “Yeah, I’m fully aware of that.”

I move in closer, feeling the cool, smooth concrete underneath my bare feet; my finger hugs the trigger.

“Turn around,” I demand.

She does exactly as I say, keeps her hands level with her shoulders.

“Now reach out with your right hand,” I instruct, “and open the front door.”

A brief look of surprise flashes over her partially shadowed face. “You left your front door unlocked?” she asks.

“Yeah,” I admit. “I’m not going to live in fear. Someone wants me bad enough, a locked front door isn’t going to stop them. And if they get in by way of that door and catch me off-guard, then I deserve whatever happens to me. Now open the door.”

She cups the knob and turns; the door opens soundlessly; dim light from the living room lamp touches the entrance and the woman, revealing her light brown hair and kind eyes. She’s dressed in a simple pair of khaki-colored slacks, and a short-sleeved white button-up blouse tucked in; her shoes are flat-soled, white, and pointy in the toes. I don’t care about any of this stuff—I was looking for a weapon somewhere amongst it all.

“Where’s your gun?” I ask, still looking her over.

“I don’t have one.”

“A knife?”

She shakes her head.

I gesture my gun at the doorway. “Go inside. Keep your hands where I can see them.”

The woman enters my house, and I follow in closely behind her, closing the front door with my free hand.

“Sit in that chair,” I tell her, glancing at Dina’s flea market wooden chair.

She sits down.

“Put your hands on your knees.”

She puts her hands on her knees.

I sit on the coffee table, facing her, gun still pointed at her. She doesn’t look threatening; she’s smaller and much frailer than me, but I’d never underestimate her because of her size. Or even because she appears to be weaponless. It’s often the ones you least expect capable, who turn out to be the most dangerous.

“Now tell me who you are, and what you want.”

She keeps her focus all on me, but she doesn’t seem afraid—careful and smart, yes, but not afraid.

“I’m Naeva Brun,” she says. “I’m sure you know by now who I am and how I know you.”

Victor and Niklas’s sister. Interesting.

“Go on,” I tell her.

“And I’m here because I need to go with you to Mexico.”

A wave of disappointment and betrayal rushes over me. How could Victor do this after everything I told him? After I warned him? After he pretty much gave me his word that he wouldn’t interfere? I bite down on the inside of my mouth, and look at Naeva with exasperation.

“So he sent you to babysit me,” I say, and then stand.

“No,” she says, “I came on my own. He doesn’t know I’m here.”

“I don’t believe you.”

“I’m telling you the truth.”

I jerk my hand toward her to emphasize the gun’s presence, just in case she needs reminding.

“Then how did you know about Mexico?” I drill her. “How did you know when I was leaving?”

“Like you, and my brothers,” she says, “I have a set of my own skills.” She shrugs her petit shoulders. “Nothing to brag about, but I’m not completely useless.”

Hmm…to be related to Victor and Niklas, Naeva sure lacks the confidence in herself that they reek of.

“Then tell me how?” I say.

She looks up at the popcorn ceiling. “I was hiding in the building’s venting system,” she says, looking back at me. “It was easy to get into the building after everything had been moved out, and everyone with it. I snuck in a couple hours before nightfall, and I waited.”

“Waited for what?” I ask. “How’d you know there’d be a meeting?”

“Niklas has a big mouth,” she says. “You were right about him, about what you said in the meeting.” She smiles softly. “I’ve been going to that bar he sleeps at, for a while now. I’ve sat next to him a few times, wanting to tell him who I am, but I never had the courage. I don’t think he’s ready to see me.”

“I’m surprised he didn’t hit on you,” I say.

She blushes. “Actually, he did,” she says, and I cringe. “But I brushed him off, and he left me alone.”

“Good thing Niklas isn’t the determined type,” I say. Though he seems to be with me, unfortunately, I think to myself.

She nods. “Yes. It’s a good thing.”

We’re both quiet for a moment.

Feeling less threatened by her, I decide to sit down on the coffee table again. The gun remains in my hand, resting on the top of my leg; I casually take my finger away from the trigger.

“OK, so let’s say for conversation’s sake,” I begin, “that you’re telling the truth, and that Victor doesn’t know you’re here—if it’s not to babysit me, then what’s your interest in Mexico?”

Naeva’s expression becomes more serious and thoughtful; she makes a movement as if wanting to gesture her hands, but stops before her fingers lift from her knees, remembering her predicament. She sighs; her eyes stray from mine, and then she looks down at the floor. I wait, growing impatient, but I don’t let her onto just how much.

Then suddenly she raises her head, and I get the oddest feeling from the look in her eyes. Empathy? Familiarity?

She leans forward just a little, keeping her hands on her knees, and in a soft voice, she says, “Sarai, do you not remember me?”

I tilt my head to one side; I feel my eyebrows drawing inward; I blink with confusion. Remember her? From where? My mind begins to race; only snippets of full pictures flash across my memory, but Naeva isn’t in any of them.

Then something dawns on me—she called me Sarai.

I’m standing again, and I don’t recall the movement that brought me to my feet; my gun is still in my hand, but in my heart I must not feel threatened or my finger would’ve already found the trigger again by now.

Empathy. Familiarity. I feel them both more now, the longer I look at her, the deeper I peer into her eyes, the harder I study her delicate features.

Yes—she is familiar to me, but I can’t recall…

“May I stand?” she asks.

I nod.

Slowly Naeva stands from Dina’s chair. With both hands, she begins to break apart the pearl-white buttons of her blouse, untucking the hem from her slacks as she makes her way down to the final button. She slips her arms from the blouse, and then lays it carefully on the seat of the chair. Then she turns around, and as the lamp light touches her bare back, it reveals the horrors of her past. And of my past. Scars crisscross her skin, from one side of her back to the other, remnants of a brutal beating. Or two. Or four. Or ten. I feel my breath catch, air filling up my lungs, drowning me; the salt in my eyes; the ache in my heart; the searing in my memory.

I swallow.

I set the gun on the coffee table.

Naeva turns around again, and steps more into the light; her face becoming clearer. And I can’t take my eyes off her. Because I remember her.

I remember her now…

Mexico – Eleven years ago

I had been sitting alone, huddled in a dark corner when they brought the girl into the room. It was night, and I couldn’t tell how long I’d been awake already, but I knew it must’ve been more than twenty-four hours. I was nearly fifteen-years-old, but as with the time of day or night, I couldn’t be sure. I wondered if the girl knew how old she was, or if she even cared anymore. I wondered if any of the girls cared.

Beams of moonlight penetrated the holes in the tin-roof ceiling like little rods of hope that constantly reminded me there was life and freedom on the other side of these walls. The light stirred the dusty floor, particles rising up into the beams; tiny dancing fairies, I made myself believe they were. They were going to save me one day soon. They were going to save us all. But I had only been in this part of the compound for forty-eight hours, and little did I know that no one was ever going to save me, and that I was going to spend the next nine years in this place.

I could smell her blood; the lashes on her back were brutal, nearly biblical. I tried not to look when she was dragged in by two men and dropped on the soiled cot. I had backed myself into that corner, hoping not to draw attention to myself, and I covered my ears with my fists as I tried desperately to shut out her cries. They were terrible cries, like a dog that had been struck by a car: unadulterated suffering, the final whimpers before death. I thought she was going to lay there and die, and I didn’t want hear the moment when it happened. I was afraid. I was very much afraid.

“Vamos!” I heard one girl whisper in Spanish when I finally took my fists from my ears. “Toma la botella.” I didn’t know much Spanish then, but I knew enough to get me by.

I raised my head from the wall, and watched quietly from the shadowed corner; the eight girls I’d shared this room with the past two days all clustered around the girl on the cot. One of them—Marisol—crawled away on her hands and knees to a spot near the shuttered window. I could vaguely make out her hands moving in a hurried motion against the floor; the sound of wood creaking, and then one board scraping against another one. Seconds later, her right arm disappeared into the floor all the way up to her shoulder; her cheek lay pressed against the wood, and I could see her face in the dim light of the moon as she struggled to grasp something. When she raised up again, a bottle of whiskey came out in her hand. She rushed back across the room, still on her hands and knees, and joined the other girls in caring for the one on the cot.

The girl screamed when the liquor was poured into her open wounds, and my hands instantly went over my ears again. Tears streamed down my face. I thought I was going to throw up.

An hour went by, and a few of the girls had fallen asleep next to the one on the cot, curled up around her. Marisol stayed awake, sitting up with the wounded girl’s head on her lap. Constantly she combed her fingers through her hair.

“Is she going to be OK?” I asked. They were the first words I’d spoken since I was brought to this room.

Marisol looked up from the girl on her lap; her fingers never stopped moving through her hair. Then she glanced at another girl—Carmen—sitting against the wall underneath the window. It became evident to me that Marisol didn’t speak English, and she relied on Carmen to translate. Or at least to do the talking.

Carmen leaned away from the wall, pushing her face out of the shadow and into view.

“No we ever be OK here,” Carmen said in broken English. “You see this, no?” she added, scornfully.

I began to shrink away from her, back into my corner, but she stopped me.

“Lo siento,” she apologized. “I’m just worried about Huevito.” She glanced around the room at the other girls. “We all are.”

She pushed farther away from the wall and very slowly came toward me on her hands and knees; I wondered why none of them ever stood fully upright and walked through the room, but I didn’t ask.

Marisol watched from her spot on the floor, steadily combing her fingers through the wounded girl’s hair. The other girls who were still awake also watched, but only Carmen ever spoke. I know some of the others spoke perfect English—some were American—because I’d heard them on occasion, so I figured they were all just too afraid. And I didn’t blame them. I was afraid, too.

Carmen sat down next to me. She smelled bad, like sweat and body odor and menstruation. But all of us stank; even I was beginning to smell less like the privileged girl I was when I first came to Mexico, and more like the girls who were now my only company.

“Me saw you before,” she said quietly. “Me saw you with Javier. And another white woman. She is palillo; looks like she no eat.”

I swallowed, trying to push down the memory of my mother, but this time I couldn’t. It had only been two days ago that I…well, since I—

“The woman was my mom,” I told Carmen, but I couldn’t look her in the eyes. “She was Javier’s girlfriend, I guess.”

Carmen smiled, but there was no harm in it. “Javier no have girlfriends,” she kindly corrected me. “He has sheep.”

“He doesn’t seem like the shepherding type,” I said.

Carmen shook her head. “No, he’s the wolf that mutilates the shepherd, and then eats the sheep.”

I thought about it for only a second before nodding in agreement. She was right about Javier, and I had known that since the day my mother brought him into our trailer in Arizona and he first laid eyes on me. They were not kind eyes. Javier had the eyes of a predator.

“And if that woman was your mom,” Carmen said, and then she pointed at me, “that mean you are sheep he after all along.” She gestured at the other girls in the room, and added, “Welcome to the flock.”

My stomach sank.

To my left, I heard another girl whisper harshly in Spanish, “Callate Carmen! Por que te pueden escuchar!”

Carmen ignored her.

“So you said was.” She waited for a response, studying my face, and at first I didn’t understand what she was talking about. But then she added, “Javier kill your mama?” and then I understood perfectly.

I lowered my eyes, shook my head. I couldn’t bring myself to answer. My mother was the last thing I wanted to talk about.

Then I looked up, making the wounded girl with her head on Marisol’s lap, my only interest.

“Why did they beat her?” I asked.

Carmen glanced back at the girl.

“No they,” she said, and looked right at me again, “Izel. Javier’s sister. Puta gets off on it.”

“Carmen!” the same girl from before hissed. “Por favor! Por favor! Solo cierra la boca!” Her eyes darted back and forth from Carmen and the wooden door. Admittedly, I was as worried as she was about those men coming in here again.

This time, Carmen lowered her voice so that no one could hear her but me. She peered in closer. “And Huevito beaten because she tried escape. Como te llamas?”

“Sarai,” I answered, understanding her probably accidental Spanish there at the end. She had introduced herself, and the rest of the girls, when I was brought to the room yesterday, but I had been too traumatized to talk before now. Traumatized by what was happening to me. And by what I did to my mother.

Carmen reached out and touched my wrist; the look she regarded me with could only be described as motherly, even though she was as young me. “No ever try escape, Sarai,” she warned, and then crawled on her hands and knees back to her spot underneath the window.

Suddenly, I felt in danger just thinking about it—escaping—as if Izel, who I was already quite familiar with having had several unpleasant run-ins with her before, could hear my thoughts. But this—I looked across at the wounded girl again; the deeply-cut gashes on her back glistened in the eerie moonlight and were the most colorful thing in the room—this was so very different from a few unpleasant run-ins.

Just then the wounded girl they called Huevito, began to stir.

Marisol tried to help her adjust her position on her lap, but we all knew there was nothing any of us could do to ease her pain. I felt terrible for her. And I became angry. At the woman who did this. At Javier for allowing it to happen. At my mother for bringing me here.

I stood up, to the gasps and Spanish whispers of the other girls, and I walked quietly across the room, and crouched in front of Huevito. Her eyes were open, though just barely. Marisol stared at me, a terrified look spread all over her pretty features—had it been because I stood up? It’s what I assumed.

“I’ll talk to Javier,” I whispered to Huevito, and then I reached out and touched her sweat-drenched forehead with the back of my fingers. “He’s kind to me; I’ll tell him what happened to you, and I’m sure he’ll do something about it.” Everything I said, I knew in my heart was a lie. Javier may have been ‘kind’ to me, but I wasn’t stupid—it was just a show; he wanted me to like him, to trust him, probably the same way he did all of the other girls here at one time. But I had to say something; I had to at least try to give the poor girl some hope.

Marisol, finally snapping out of her shock that I had stood up in the room, reached out and slapped my hand away from Huevito’s forehead.

“Alejate de nosotras!” she said in Spanish, and I didn’t understand the words, but her body language set me in the right direction. “Vete! Tu vas hacer que nos lastimen a todas!” She clenched her white teeth amid her caramel-colored skin; her long, black hair sat ragged around her square-shaped face.

I looked over at Carmen, hoping she’d translate, but then I heard the voice of Huevito, weak and hoarse, and no one cared about me or Marisol or Carmen anymore.

“Promise…me,” Huevito said, with great difficulty.

I leaned in closer, took her hand into mine.

“Promise me…if they kill him…” she had to stop to catch her breath, and with every word, every movement the muscles in her face aggravated, the pain in her body became that much more evident in her expression.

“It’s OK,” I told her, and softly patted her hand. “Take your time. Catch your breath.”

Her eyes opened and closed from pain and exhaustion; her hand was weak and clammy in my own. I could feel everyone’s eyes on us, all around me, and the warmth of their breath as they all leaned in to hear what Huevito struggled to say; it didn’t matter that it was in English.

Huevito’s eyes opened a little wider, and she looked right at me. But I got the feeling she didn’t even know where she was, that she’d been beaten so severely that she was hallucinating. And when she continued to speak, I became more convinced of that assumption.

“I won’t let them kill you,” she said. “Te amo mucho, Leo. I won’t live without you.” She started to cry, tears tracked through the dirt on her cheeks; her breathing began to labor.

I held her hand more firmly, and I started to cry too. Who was she talking about? I didn’t know, but whoever Leo was, even my heart ached tremendously for him—for both of them.

Huevito closed her eyes, caught her breath once more, and then opened them again. Her lips were so dry and cracked that the skin began to break apart right in front of me; slivers of blood appeared in the tiny slits.

“If they kill him,” she repeated, “promise me you’ll let me die—promise me!” I couldn’t tell then whether or not she was coherent.

Then the door burst open, and Izel stood in the doorway like Death in a short skirt, tall and dark and lethal. And I learned before she dragged me out, kicking and screaming, why no one ever stood up in that room at night—Izel was always watching from her room in the house next door, for walking shadows to move along the walls.

But that night, as Izel tormented me about my mother’s death, and how I belonged to her then, all I could think about was Huevito. And I never saw her again.

TWENTY-SIX

Izabel

Present day…

Until now.

I stare at Naeva blankly; words have abandoned me; I can feel my heart beating in my ears. I raise both arms, gun still clutched in the right hand, and I rest them on the top of my head. I hold them there, the gun pointed at the ceiling; I shake my head, trying to sort out what’s happening: why she’s here, how she’s here. My God, she’s Victor’s sister; she was in Javier’s compound—with me. What could that possibly mean?

I can’t…

It’s too much. I don’t know where to begin with any of this. My mind is racing. I feel dizzy. Finally, my arms come back down. And I just look at her. And out of the hundred or so questions I want to ask, I settle with, “Why did they call you Huevito?”

Naeva smiles softly.

“Carmen thought I looked like a little egg,” she says. “The nickname stuck.”

Overcome with unwanted emotion, I step forward and wrap my arms around her small frame. She returns the affection, holding onto me with more strength than she appears to possess.

“I can’t believe you’re still alive,” I say, pulling away; I cup her elbows in my hands and look her over. “I…well I thought Izel killed you—she even said she did.”

Naeva shakes her head. “There were times I wished she had,” she says, dejectedly.

“But I never saw you again after the night we met.” I hug her one more time, just relieved to know that she’s OK. “I was there for nine years.”

Although my and Naeva’s relationship never went beyond that night, our conversations never went further than the desperate, incoherent things she said to me as she lay beaten on that floor, the mark she left on my mind and my heart was heavy. It was the same with all of the girls in the compound who I grew to love as my sisters. All we had were each other. And a bond formed in such trying times can never be broken.

Naeva takes up her blouse from the chair and slips it back on, closing the buttons from top to bottom.

I set the gun on the coffee table and sit back down next to it.

“I know you have a lot of questions,” she begins, “about me, and what happened to me in that place, and I’ll tell you anything you want to know, but in time—I want to know all about you, too.” She sits on the chair again. She’s no longer smiling, nor does she seem interested in catching up, or telling me her sad story. She’s in desperate need of something else, something far more important; the enormity of it encompasses her.

“All I care about right now,” she goes on, “is going back to Mexico. I don’t care what I have to do; I don’t care about the risks, or what it’ll cost”—she takes a deep breath; her eyes lock on mine—“Sarai, I just need to go back—I have to go back. I know you’re going there on an important mission of your own, but I won’t get in your way, and I don’t expect, nor want you to feel like you have to babysit me. All I’m asking for is your company and expertise. You know how to get in where I need to go; you know people…” She hesitates, and looks at the floor briefly; I sense a bit of embarrassment, and disappointment. “I’m not who The Order wanted me to be. No amount of training, or brainwashing, ever made me as good as my brothers. But you…Sarai, I know you can help me. Just get me there and I’ll do the rest.”

I think on it, looking down at my legs.

“Naeva,” I say, raising my head, “I…why would you want to go back there? And why with me? If you’re working for The Order, I imagine you can find much easier—safer—ways to go to Mexico.”

“And you could do the same,” she responds quickly.

I blink, surprised by how much she knows.

“How’d you—?”

“How’d I know?” she asks. “You just told me yourself. By saying I can find easier, safer ways in, you’re basically telling me the way you’re getting in is anything but easy or safe.” She points at the window overlooking the front yard. “And I’m assuming that man that’s been parked out on the street the past hour is your ride?” She puts up her hands, palms facing me. “Hey, I don’t know for sure, but I’m guessing coyote. Or at least the guy who’s going to take you to one.”

Yeah, this one is very smart; she’ll need that level of intellect if she doesn’t have anything else to depend on.

I don’t answer her about Ray—I don’t fully trust her yet. I believe she’s telling me the truth about everything. But I’ve made one too many mistakes trusting what I believe is my heart, too soon, and I don’t intend to make another one.

I get up from the coffee table—gun in my hand—and begin to pace. I don’t look at her directly, but I keep her in my sights.

“But why don’t you go an easier way?” I probe. “Going with me could get you killed—I could die.”

“Because I can’t make it that easy for The Order to track me,” she answers. “They know all of my aliases—they’re who set them up for me, right down to the social security numbers and the fake lives each of my identities supposedly led. I use a passport, or a credit card, and they’ll know exactly where I’m at. I can’t take that risk.”

I contemplate a moment longer.

“OK, so then what happens when you just disappear?” I ask, and I look right at her now so I can read her eyes when she answers.

She sighs. “You don’t have to worry about that,” she assures me. “At least not yet. I’ve been given a leave of absence, if that’s what you want to call it. Since Brant Morrison’s death, I’ve just been floating around—they don’t know what to do with me. Brant was my partner and my teacher; I never worked with anyone else. And I was never good enough to work alone.”

I know that feeling all too well.

“What exactly do you do for The Order then?” I ask.

“I’m a spy,” she answers right away. “I’ve never even killed anyone; seen a lot of people die, but thankfully, never by my hands.”

“So they just—I don’t understand. Leave of absence?”

It just seems odd. I wouldn’t expect an organization like The Order having perks such as leave of absences and sick days and such.

“I was told to take some time off,” she begins. “Go on a vacation—whatever I want. They said they’d be in touch when, or if, they need me later.” She looks troubled all of a sudden; her hands become unsteady on her lap. “The ‘if’ worries me, Sarai.”

“Why?”

I step up closer, and crouch in front of her sitting on the chair. I don’t know why, but I don’t see Victor’s sister sitting there; I see Huevito from so long ago.

A knot moves down the center of her throat. She makes eye contact and says nervously, “I think they’re going to kill me. I meant what I said about being useless to The Order. I may know my way around obtaining useful information for them, but the truth is there are hundreds of operatives who do it better than me. I can’t offer them anything they don’t already have, and in The Order, you’re either valuable or you’re expendable—there’s no such thing as in-between.” She sighs. “I was never cut out for any of this, but Brant insisted I be given a chance. I think if it wasn’t for him, they’d have killed me a long time ago.”

“He protected you,” I say, more to myself than to Naeva. But why?

“Yeah,” she says, and then looks off at the wall. “But now he’s dead. And if I don’t get out before they decide my fate, I fear I’m going to end up dead too.”

But why would they wait this long to kill her?

It’s too risky. This could all be part of Vonnegut’s plan to track down the rest of us. What if they’re using Naeva—without her knowledge of it—to find us? No, that doesn’t make sense, either. Like Victor said, The Order has known where we were for a while; they wouldn’t need Naeva for that. OK, so that still leaves the question: Why would they wait this long to kill her?

Then she says, “If they don’t kill me soon, they’ll probably use me to get my brothers to give themselves up. I had to report something to The Order about the night Brant died. They already knew that Brant was hot on Victor’s trail, and probably closing in on him; not to mention, they know I’m always with him, so I had to tell them the truth about you and Victor getting away, about Victor killing Brant. They wouldn’t have believed anything else. The only thing I didn’t tell them was that I helped you and Victor.”

Warily, I cut in and ask, “And what exactly did you tell them about your role in what happened?”

“I lied, of course,” she says. “I told them that Victor almost killed me too, but that he spared me when I told him I was his sister. I said Victor let me go. And I think that’s the only reason I’m alive right now to tell you any of this.”

“They want to keep you as a backup,” I say, “in case they need to use you to lure Victor in.”

“Possibly,” she says. “Only thing I can figure is that since they think Victor spared me, that he might try to save me later because of our blood ties.” She starts to gesture her hands. “But Sarai, I don’t know if any of this is true. It’s all speculation. And believe me when I say I’ve been worried maybe they followed me here, even though I took every precaution before coming.” She shakes her head. “I have a lot of fears, and just as many theories, but the only thing I know about any of this that is concrete, is that everything I’ve told you is true. I know you don’t have any reason to believe me—I wouldn’t believe me, either—but this is all I have.” She lowers her head again, and folds her hands gently on her lap. “All I care about is getting to Mexico. Vonnegut, The Order, my life hanging in the balance—I don’t care about any of that.” A sadness suddenly fills her features. “And I love my brothers, but not even they are as important to me as me getting to Mexico.”

“You still haven’t told me, Naeva—why Mexico?”

When she raises her head this time, there are tears trapped in her eyes. “Leo Moreno,” she says, and her lips begin to quiver. And just like that time long ago when she cried out for the life of this man, I can’t escape the feelings of pain and heartache she infects me with.

I swallow, and I place my free hand on her wrist. I want to say something to her, to comfort her, though I don’t know what to say. But I do know that believe I her. The heart never lies, whether it’s telling you something you want to know or not—the heart is incapable of deceit. Sometimes, I admit, I get my mind and heart mixed up, but in times like this, when you feel the truth deep in your core, you know that it can only be your heart talking.

Taking her hand, I place my gun into it and close her fingers around the cold steel. She sniffles and raises her head slowly. She looks down at the gun in her hand, then back up at me; her pale, rosy features perplexed.

I glance at the gun. “Here’s your chance,” I offer. “If that’s why you’re here, you can do what you came here to do. I won’t stop you.”

Her eyebrows drawing inward, Naeva begins to shake her head, slowly at first, until realization fully dawns on her and then she shakes it more rapidly. “No,” she rejects the opportunity, and shoves the gun back into my hand, practically pushing me away with it. “That’s not why I’m here—please, you have to believe me.”

Either she’s the best actress in the world, or she’s telling the truth. And since she’s clearly not Charlize Theron…

“I do believe you, Naeva,” I say, and then I stand and reach out my hand to her. “But it’s not because I believe you, or because I feel the pain you feel for this Leo, that I’m…choosing to let you go with me.”

Her face lights up just enough to show how relieved she is by my decision, and then she stands, gripping my hand.

“Then why?” she asks. “I thought it’d be harder to convince you than this. Honestly, I didn’t think you’d say yes at all. I’m grateful, Sarai, but why are you going to help me?”

“Because you saved my life in Venezuela,” I answer. “And because you and every other girl I spent even two minutes with in that compound in Mexico, are and always have been very important to me.” I take her into another tight hug, and as I stand here with her in my arms, I learn something about myself. Or, rather I remember something that I’d forgotten slowly over time since I escaped Mexico. Those girls are another part of me; I shared something with them that I could never share or feel even with Victor. And I’ll do whatever I can to help any one of them for as long as I live.

Of course, these aren’t my only reasons for helping Naeva. The plot has thickened, so to speak; and Naeva is an unexpected, and very welcoming piece of a complex puzzle that I intend to put together all on my own. The very fact that Victor’s own flesh and blood sister was in the same compound that I was in, is an intriguing mystery in itself. Coincidence? Not even close—too significant to be a mere coincidence. And there’s more. So much more. The mystery surrounding Brant Morrison: his blatant jealousy and hatred for Victor, and his protectiveness of Naeva; why The Order wants Victor and Niklas brought in alive; why The Order wants me brought in alive; why I’m worth so much. My head is spinning with the possibilities!

I will get to the bottom of this. Everything is soon to come full circle. And that inevitable end will begin where things began—in Mexico; back into the heart of the nightmare that was my life.

“Are you sure about this, Naeva?” I gently grip her upper arms in my hands, anticipation seizing me now more than ever. “I meant what I said—you could die. And as much as I want to help you, I don’t want that on my conscience.”

Naeva smiles softly. She reaches up and touches my face.

“If I don’t go, Sarai…I’ll die anyway. I have to find him. If it’s the last thing I ever do, I have to find him.”

We embrace each other tightly.

Naeva Brun. The long-lost kid sister of none other than the man I love. Standing in my living room on the eve of the most important mission of my life. It’s one of those moments when you look back on your plans, your hopes and dreams, and realize that nothing ever happens the way you envision it; something odd or extraordinary, the one thing you never could’ve imagined, is thrown into the wheel in the most unexpected of moments. And it either helps to turn it, or it stops it in its tracks. Naeva, I believe, is very much turning that wheel—I feel it. I know it.

And even still, when I look at her, I can’t for the life of me see her as Victor’s sister. She’s Huevito, the girl who Izel nearly beat to death eleven years ago, a girl who I was not so unlike once upon a time, and I still feel as though I’m peering into a mirror when I look at her.

“What was that?” Naeva asks suddenly, pulling out of our hug.

I pretend not to have heard anything.

But then the voice gets louder, carrying through the vent in the floor.

“Did you hear that?” she asks; she squints her eyes in concentration, and gazes off in the direction of the muffled voice.

Then she looks at me, seeking answers.

I wasn’t going to tell her—or anyone for that matter—but since I trust her enough to take her to Mexico with me, I may as well let her in on this dark project, too.

I sigh and say with the wave of my hand, “Come with me and I’ll show you,” and she follows down the hallway.

TWENTY- SEVEN

Izabel

Pushing up on my toes, I reach above for the key hidden over the basement door. “I left the front door unlocked about twelve hours ago,” I say, sliding the key into the knob, “and someone almost wanted me bad enough.”

“Oh?” Naeva cocks an eyebrow, watching me with intense curiosity.

I open the door and reach out to flip the light switch on the wall; light floods the carpeted steps leading down into the basement. The voice becomes louder. “I need to take a piss, you fucking bitch!”

Naeva stops on the second step and just looks at me, her face all twisted up with confusion and concern.

I jerk my head back casually. “It’s all right,” I tell her, insisting she continue to follow. “He may’ve worked the gag out of his mouth, but there’s no way he’s getting out of the ropes.”

“Who is it?” Naeva whispers, still immobile on the second step.

I take her by the hand and lead her down the last ten steps, and we make our way into the basement.

Naeva’s eyes widen, and she gasps quietly. “My God,” she says, her hand loosely covering her mouth, “it’s Apollo Stone.”

Apollo is bound to an old wheelchair; ropes are tied around his arms and wrists and the chair’s frame; his legs and ankles to the folding leg rests. His feet are bare and the only clothing he wears are his form-fitting boxer briefs. He has muscle-defined runner’s legs, and a physique like the God Apollo himself. But this Apollo, being tied to a dusty wheelchair in nothing but his underwear and colorful language, isn’t doing his divine namesake any justice.

“Come on, girl,” Apollo insists, with the backward tilt of his head, “I gotta piss. Get me a soda bottle or somethin’. Don’t even have to untie my hands—you can hold it for me.” His mouth turns up on one side.

Naeva can barely take her eyes off him.

“Why—how is he here?” she asks, without looking at me.

Apollo snorts.

“You’ve gotta be kidding me,” he says, looking Naeva over with comical disappointment. And relief. “This is who you brought to keep an eye on me while you’re in wetback country?” He throws his head back and laughs.

I ignore him.

“Victor was right,” I tell Naeva. “When Apollo and Artemis found out I was still alive, they wasted no time coming after me.”

Naeva glances around the dimly-lit room, probably looking for another wheelchair with Artemis tied to it. But all she’ll see are a few water damaged boxes piled in one corner, a rusty crotch-rocket motorcycle frame leaning against a wall, two miss-matched end-tables pressed against an old water heater. But no Artemis Stone.

“Or, Apollo came for me, at least,” I correct myself, and then I look at Apollo. “No sign of Artemis yet, but it’s only a matter of time. Right, Apollo?” I smirk at him. “Or did your sister abandon you? Leave you here to rot like you deserve?”

Apollo smirks right back at me.

“She’s doing what she has to do,” he says. “She’ll come for me soon. And when she does, she’ll finish the job she started—how’s that scar feelin’, anyway? It’s not lookin’ any better.” He smiles. “It never will.”

I grin. Then I reach up and touch the still-healing scar across my throat with my fingertips.

“Actually, I kinda like it,” I say. “It’s proof that I’m not easy to kill.”

“Well don’t forget,” Apollo says with a gleam in his eye, “that Artemis has one just like it.” Then his smile spreads, and he adds, “Seems you have a lot in common with my sister. Near-death experiences. Matching scars. Victor Faust.” If he was trying to get under my skin—of course he was—then it worked. He’s used that against me a couple times since I dragged him down here. But I always openly ignore it.

I move closer to him. “I look forward to the day I can face her fairly,” I say. “Just me and Artemis. No rules or ropes or bars between us. We’ll see how similar we are then.”

Apollo bites down gently on his bottom lip, and his dark eyes sweep over me like a man mentally savoring his sexual prey before he eats it. He smiles with intrigue, and moves his tongue slowly in-between his lips. “Y’know, Izabel,” he says, “I’m all for my sister getting what she wants, but I’d never really want to kill you myself. It’d be such a waste. I can think of a hundred things I’d rather do to you.”

“Is that so?” I say, continuing to move closer; every step I take dripping with sexuality and purpose. I stop right in front of him, and I lean over, grabbing the arms of the wheelchair in my hands; I purposely let my breasts fall before him, barely covered by the thin white tank-top I’m wearing. “Tell me what you’d do to me, Apollo Stone.” I lean over farther, to tempt him further.

And he takes the bait.

His eyes stray, and he looks into my shirt—I look down at his lap, clearly able to see the hard bulge growing behind the spandex-like material of his boxer-briefs. He looks into my eyes, wanting me closer, and so I give him what he wants and I lean in so close I can feel the warmth of his breath on my mouth. “I want to switch places with you,” he whispers, “and throw your thighs over the arms of this chair, and then spread you open with my tongue—slowly—before I fuck you with my fingers.”

“And then what?” I whisper.

“And then I’ll shove my fat cock down your throat, and fuck your mouth until you puke.” It was meant to offend me, I know, but I can’t be offended by someone I don’t give a shit about.

Grinning, I lean away from him just slightly, and then look across the short distance at Naeva, whose eyes are wide with shock, and repulsion. “This is what I’ve had to listen to the past twelve hours,” I tell her, shaking my head.

Then I pull back my fist and send it crashing into his face; blood trickles from both nostrils—his nose is already broken, courtesy of me during the first hour after he woke up in the wheelchair.

Apollo laughs as blood streams down over his lips and into his mouth. He spits a little on the floor.

“Do what you want with me,” he says. “I kind of enjoy it anyway. Say, when are you leavin’? I’m looking forward to that meatless piece of ass taking over.” He smiles at Naeva, showing his bloodied teeth.

She makes a horrible face.

Making a face myself, I wipe Apollo’s disgusting blood from my hand onto my tank-top.

“I wondered why you had blood on your clothes,” Naeva says. She glances back at Apollo. He puckers his lips at her and kisses the air. She looks away from him quickly. “What are you going to do with him? Are you going to tell Victor that you have him here?”

“No,” I answer immediately. “Victor will just kill him. I want him alive. I’m not done with him yet.”

“She likes me,” Apollo tells Naeva, wriggling his eyebrows. “Look, I really need to take a piss. And when are you going to feed me? I could do with a burger and some fries.” I start to walk back toward the staircase and he calls out, “You can cook can’t you? I don’t want any of that cheap fast-food bullshit!”

Naeva follows me up the steps.

“I have someone coming to take over for me while I’m in Mexico,” I tell her.

Apollo’s voice carries up the stairs.

“I changed my mind!” he calls out. “I want a steak! Medium rare! A side of homemade mashed potatoes—keep the skins on! Some macaroni and—”

I close the basement door, shutting off his voice. Most of it anyway; I can still hear him muffled through the walls and the vents, and I’m suddenly wishing I hadn’t forgotten to put the gag back into his mouth.

“Who’s going to watch over him?” Naeva asks.

She follows me into my bedroom. I sit back down in front of the vanity and get back to work on braiding birth control pills into my hair. From the corner of my eye I see my cell phone screen light up, indicating a call. I ignore it and let it go to voicemail.

“I hired outside help,” I say. I see Naeva, in the reflection of the mirror, sit down on the foot of my bed. “They’ll be here in an hour to take him to another location. In case Artemis shows up, which I fully expect that she will. Sooner rather than later.”

“Sarai?”

The concern in her voice makes me look up and pause what I’m doing.

“Yeah?”

She hesitates, maybe searching for words, and then asks, “I don’t know you outside from what I’ve heard about you through Brant, and I know the girl I knew all those years ago when I first met you is long gone by now, but I don’t have to know you to see that you’re deliberately pushing my brother away.” She points at the door, indicating Apollo down the hallway. “He has people looking for Apollo and Artemis. You have one of them in custody right now, but you don’t want him to know. And then the whole thing with you going to Mexico alone.” She glances at the floor, then back up at me. “Don’t get me wrong—I’m not judging you, I just don’t understand what you’re doing. I…I guess I just…”—her gaze strays again, her expression clouding over with a deep-rooted pain, it seems—“…I guess I just can’t imagine pushing away the man I love for any reason. When you find that one person you know you were meant to be with, to live and die with, you do just that—you live and die with him. For him, if you have to.” I know she means well, but the only person she’s thinking about right now is that man, Leo.

I turn around on the little stool to face her instead of her reflection; I drop my hands from my hair and place them into my lap. “You’re wrong, Huevito,” I say softly. “The girl you knew all those years ago, is sitting right in front of you.”

She looks at me for a long moment, seeming in search of her own understanding of my words, or rather the ones I refuse to say, and then I turn around and go back to braiding my hair.

“We leave for Mexico in five hours,” I tell her. “Are your tubes tied?”

It takes her a second; perhaps she’s surprised by the question, but she answers, “Y-Yes.”

“Good,” I say. “Now, I’m gonna need you to hit me in the face.”

“What?”

Snapping on the last tiny rubber band around the end of a braid, I get up from the stool and walk toward her.

“I need you to hit me in the face.”

“Why?”

“Because I’d rather it be you than Ray—he doesn’t seem the type to wash his hands after he takes a piss.”

After Naeva beats the shit out of me—she’s stronger than I expected—and I rip her clothes and rough her up a little myself, I spend the next five hours telling her everything she needs to know, and the role she needs to play. I admit, I was worried about her tagging along in the beginning, but after only a short time, I realize she needs no training. Naeva is, unfortunately, even more experienced than me when it comes to underground Mexico.

TWENTY-EIGHT

Victor

The stars will die before we do, Izabel…the stars will die before my love for you does. I am not good at these things; I am inexperienced. Romance. Gestures of affection. Words weaved together poetically to proclaim love. Gifts and smiles and laughter and conversation about the simple things in life—I know nothing of these things. They make me uncomfortable, the way that embracing my father would have made me feel if I had not killed him, or crying on my brother’s shoulder. I may never understand these rituals, these feelings. But we have an eternity to find out. It takes an eternity for a star to die.

Those were the words I wanted to say to Izabel the last time I saw her.

If she had come here tonight, I would have worked up the courage to say them. I thought that she…no, I had hoped that she would come to see me one last time before she left for Mexico. I called her, but she did not answer, and so I left a voicemail with cryptic details only she would understand about the hotel I am temporarily staying in. For the night, anyway. I wanted to remain in Boston tonight, close to the residence Izabel and I once called home. Just in case.

But I know she is gone.

I glance at my Rolex. Four a.m. I wonder where she is. I wonder if I will ever see her again. Or if the talons of her old life with sink into her, fatally this time.

Clenching my fists, I resist the desperate urge to go after her.

I resist.

I resist…

Instead, I picture her radiant smile, and the light in her eyes, and her laughter, and her warmth. I picture the first time I saw her, hiding in the backseat of my car, and I remember the first time I heard her play the piano. And I wonder what I could have possibly done to deserve her. All I have ever done is wicked. I am a monster in the shadows; the blood of many stains my gnarled hands; the souls of the innocent are forever caught in my blade-like teeth.

So how can this be, that even an ounce of light be given to a monster such as me?

I go to the window of my top floor hotel room and gaze out, not at the glittering city, but at the stars fully awake in the early morning sky. And I see her, Izabel, Sarai, in every single one of them. And this is how I know, that because of her, because I see her in everything, I am not only a monster, but a man.

-A GLIMPSE INTO FUTURE BOOKS IN THE SERIES-

LOOK FOR THE SEVENTH BOOK IN THE SERIES, IN THE COMPANY OF KILLERS…

SPIDERS IN THE GROVE

(Note that the following books are not listed in any particular order. Also note that the following books are not the only books left in the series. Lastly, please note that as storylines progress in the series, some titles listed here, as well as the content accompanying them, may change.)

THE RED LOTUS - #??

“Life is not is journey, nor is it a destination, it is merely an experience in which no one possesses genuine control; paths are never chosen, but taken, blindly, as if walking through a dark corridor, barefooted, where the ground is soft in some places, but sharp, and missing, in others. There is no God; there is no puppet master pulling the strings; there is no Heaven or Hell; there is only Life and Death—all of the in-between is merely existence. Because, after all, a flower that grows in a meadow, is just a flower that grows in a meadow.”

The victim cries out as the blade splits his flesh, the hand that wields it, delicate and precise; the arm that moves the hand, frail and soft; the shoulder that connects the arm, dainty and flawless; the mind that controls it all, tranquil and unhinged.

“I’ll tell you aaanythiiing!” the victim screams, his voice booming in the small confined space. “What do you want from meee?! Unnn-Ahhhnnn!” He passes out from the pain, his head lolls to the side; blood from his missing teeth drips from the corner of his mouth onto the shiny metal table his body has been strapped to.

“I want the roots that give your petals life,” the Red Lotus answers, and continues cutting.

THE DARKEST HALF - #??

“Look at me, Fredrik,” Seraphina says; her slender fingers grip the man’s bloodied cheeks. “Look at me, my love—you can do this; you can because you’re strong, and because the demon inside of you is hungry”—she wrenches the man’s face, digging her fingertips into his flesh—“and it can’t live on blood alone. Mine never could.”

I never liked killing. Torturing, I could do—I had to do—but not taking lives. I was afraid of it, afraid of wearing the suit of God—it never fit right. I had killed before, many times, but only out of rage, or vengeance, and only those directly responsible for making me what I am. But this man, sitting naked at Seraphina’s feet, covered in blood and bruises, has never done anything to me. I don’t know him, aside from his criminal record.

“I thought this was supposed to make me feel better, Seraphina,” I say, lowering my head; I stare absently at the pliers in my hand. “I’d rather just continue to…do what I do, to feed my demon.”

Covering his whole face with the palm of her hand, she shoves the disoriented man backward; he falls against the concrete, moaning.

“It’s not enough,” she says, stepping into my space; the smell of her lipstick, as always, intoxicates me. “It’s the hunger,” she whispers softly, but with determination. “It’s why you can’t sleep at night; why the nightmares of your past continue to rape you, over and over again.” I feel her fingers winding within the back of my hair. She traces my lips with her tongue, and then bites my bottom lip, drawing blood. I grow harder. “You can’t just punish them, my love. Kill him and you’ll know serenity and ecstasy you’ve never known.”

A FEAST OF DEVILS - #??

The sound of rushing water from the dam below is vociferous in my ears, but Artemis’s voice threatens to drown it out. The wind is strong and brisk; I feel myself conscious of it, part of my brain mindful of the need to ground me in case it threatens to knock me from my feet. But I will allow nothing to take this moment, this opportunity, from me. I finally have Artemis in my grasp. And this time I will make sure I kill her—I cannot let her do it herself.

“This is what you always wanted, Victor!” Artemis shouts over the angry river; she opens her arms out at her sides. “To snuff me from existence!”

I make another move forward, but then I stop, because I know if I do not, she will jump.

“Come down from the edge,” I tell her. “I do not want you dead. I want to talk. That is all.”

Artemis laughs, immune to my lies.

“I’ll tell you what,” she says, pointing at me, “I’ll come down and let you be the one to kill me, if you can promise me one thing. Are you a man of your word, Victor Faust?”

“Recently, yes,” I tell her, thinking of how Izabel changed me.

I motion for her. “I give you my word.”

Artemis studies me for a moment; the wind whips through her long, dark hair, and pushes her blouse against her. Then carefully she steps down and comes toward me. I grip the knife in my hand, eager to plunge it into her heart.

She steps up, and then reaches into her pocket. She places a folded piece of paper into my hand.

“Promise me,” she says, looking into my eyes, “you’ll protect him.”

THE SHADOW SECT - #??

The table I’m supposed to meet the woman at could be any one of these; the woman could be any one of these women, too. The brunette sitting in front of the large window, stirring her drink, dolefully; the African American woman in the booth with the glittery clothes and spicy high-heels; the sexy blond sitting with a man half her age. It’s my job to know which one. They’ll kill me just for getting it wrong.

I choose the mature woman sitting under the lamp light; scotch on the rocks on the table in front of her.

I sit down in the empty chair, and she looks up at me.

“How’d you know I was the one?” she asks, bringing the glass to her lips.

“You’re the only woman in this bar satisfied with who she is,” I answer.

She twirls her free hand at the wrist. “Please. Elaborate.”

I glance at the brunette.

“She’s waiting on someone,” I say. “And he’s terribly late. But she refuses to get up and leave, in case he decides to show.” I glance at the African American woman. “She’d be so beautiful if she wasn’t trying so hard. The jewelry and clothes are wearing her, not the other way around.” I nod toward the blond sitting with the much older man. “She uses others for what they have and can give her, because deep down inside she hates herself, and it’s the only way she can get back at the world for shitting on her.”

The mature woman nods.

She takes another sip and sets the glass on the table.

“So what do you have on Victor Faust?” she asks.

“Everything.”

-OTHER BOOKS BY J.A. REDMERSKI-

Speculative Fiction/Contemporary Fantasy

DIRTY EDEN

Crime & Suspense

KILLING SARAI (#1 – In the Company of Killers)

REVIVING IZABEL (#2 – In the Company of Killers)

THE SWAN & THE JACKAL (#3 – In the Company of Killers)

SEEDS OF INIQUITY (#4 – In the Company of Killers)

THE BLACK WOLF (#5 – In the Company of Killers)

BEHIND THE HANDS THAT KILL (#6 – In the Company of Killers)

More to come…

New Adult Contemporary Romance

THE EDGE OF NEVER (#1 – The Edge Series)

THE EDGE OF ALWAYS (#2 – The Edge Series)

SONG OF THE FIREFLIES

THE MOMENT OF LETTING GO

Young Adult Paranormal Romance

THE MAYFAIR MOON (#1 – The Darkwoods Trilogy)

KINDRED (#2 – The Darkwoods Trilogy)

THE BALLAD OF ARAMEI (#3 – The Darkwoods Trilogy)

-ABOUT THE AUTHOR-

J.A. (Jessica Ann) Redmerski is a New York Times, USA Today and Wall Street Journal bestselling author and award winner. She is a lover of film, television, and books that push boundaries, and is a sucker for long, sweeping, epic love stories. Things on Jessica’s wish-list are to conquer her long list of ridiculous fears, find a shirt that she actually likes, and travel the world with a backpack and a partner-in-crime.

To learn more about Jessica, visit her here:

www.jessicaredmerski.com

www.inthecompanyofkillers.com

www.facebook.com/J.A.Redmerski

www.pinterest.com/jredmerski

Twitter - @JRedmerski

Content

J.A. Redmerski
BEHIND THE HANDS THAT KILL

-PRAISE FOR IN THE COMPANY OF KILLERS-

-ABOUT BEHIND THE HANDS THAT KILL-

ONE

TWO

THREE

FOUR

FIVE

SIX

SEVEN

EIGHT

NINE

TEN

ELEVEN

TWELVE

THIRTEEN

FOURTEEN

FIFTEEN

SIXTEEN

SEVENTEEN

EIGHTEEN

NINETEEN

TWENTY

TWENTY-ONE

TWENTY-TWO

TWENTY-THREE

TWENTY-FOUR

TWENTY-FIVE

TWENTY-SIX

TWENTY- SEVEN

TWENTY-EIGHT

-A GLIMPSE INTO FUTURE BOOKS IN THE SERIES-

THE RED LOTUS - #??

THE DARKEST HALF - #??

A FEAST OF DEVILS - #??

THE SHADOW SECT - #??

-OTHER BOOKS BY J.A. REDMERSKI-

-ABOUT THE AUTHOR-