Isaac Marion

THE LIVING

Dedicated to R’s Rmy

Author’s Note

This book is being published in 2018, but I finished writing it in 2015. There are elements that I wrote as morbid fantasy that have edged uncomfortably close to fact, to the point of feeling obvious or even exploitative. This was never meant to be a “political book.” I wasn’t commenting on specific public figures or current events—those events hadn’t happened yet. I was observing the patterns around me and speculating on where we might end up if we keep following them. But fact is catching up to fiction with alarming speed. I can only hope that the dark parts of this imaginary future aren’t the only ones that come true.

WE

WE ARE NOT BOUND by our bodies. Flesh is an experience we choose to have. From the bright cloud of our vastness we grow fingers to dip in cool water, to run through soft grass, to touch our skin and fur and feathers and somehow, from the sum of our myriad bodies, begin to understand what we are.

We are not bound by time, but we choose to live in it. We evolved consciousness to learn and to know, and for that we must focus. So we sit patiently in the vehicle of the present, traveling toward some unguessable tomorrow.

And we carry the past with us. It trails behind us like bubbles as we rise through the depths of time. It gathers in the books in our Library; it builds like magma beneath our mountain. We read our own books and learn from ourselves. We wait for our moment to erupt.

• • •

Paul Bark is sixteen. His face is pimpled, his mustache is thin, and he and his friend are about to burn down Denver.

“Are you ready?” he asks his friend.

His voice is high, but he has been working on deepening it, and he likes how rich it sounds in this cavernous space—“Hall B,” according to the tattered banner hanging above the stage. The logo on it is illegible, some kind of old-world fan convention, its superhero mascot faded to a gray ghost. The building was gutted long ago, all its windows broken or stolen, its hallways now filling with sand dunes as the wind sweeps the desert inside. It’s hard to picture this place roaring with exuberant life, joyful crowds cheering for imaginary heroes and fictional battles while the real battle raged all around them. Paul can hardly fathom such frivolity. So much passion wasted on made-up nonsense. Civilization deserved its end.

“Everyone’s in position,” he tells his friend, and he likes how serious he sounds, like a grizzled commando in the army of God. “Have you prepared your sermon?”

Brother Atvist doesn’t answer. The pale, lanky teenager sits cross-legged on a pile of broken ceiling tiles, staring down at the walkie in his hand. “Did they listen to yesterday’s?”

“Most of them. We’ve counted sixty-eight trucks heading out of town.”

“That can’t be more than half.” His shaggy dark hair hides his eyes. His flat tone hides his thoughts.

“We’re giving them too much time,” Paul mutters, and spits a wad of phlegm for emphasis. “Once the panic cools off, they remember they have a government and a fire department and they think that makes them safe. They think it can’t happen because it’s never happened before.”

“So we do it anyway? With hundreds of people still in their homes?”

Paul wishes his friend would look up so he could get a read on him. Is this some kind of test of Paul’s commitment? No, that’s not his style. Brother Atvist is a raw nerve, a beating heart exposed to the world, devoid of defenses and guile. It’s why people are drawn to him, and it’s why he needs Paul: to be a rigid container for his delicate dreams. To carry them to their conclusion against the tides of sentimentality.

“They’ll go once we get started,” Paul says. “That phosphorous puts on quite a show.”

His friend finally raises his face, and Paul does not like what he sees there. The most dangerous sin of all: uncertainty.

“How many died in Helena?” he asks Paul.

“None.”

“How many in Boise?”

Paul stiffens his jaw. “Three, but they were—”

“How many will it be here? Nine? Ninety?”

“They were warned!”

Paul’s shout echoes through the hall, scattering the pigeons roosting in the rafters. His face is suddenly red, his fists clenched. “We lit the beacons! We broadcast your prophesy! And God has been warning them them for years! Is it our fault if a few stiff-necked fools won’t listen?”

Brother Atvist slowly shakes his head. But is it a response to Paul’s question or is he slipping further into doubt? All of this was his idea, his epiphany, how can he falter already after just two cities?

Paul’s mind races. What will he do if his friend backs out, or even tries to dismantle the fellowship? Could Paul counter his influence, hold the church on its path? Paul is a good speaker too, a clear and forceful hammer to his friend’s florid oration, and he has always been the connective tissue between idea and action. Would they rally around him the way they did his friend? Brother Atvist insists he is not their leader, that this church has no leader. Their calling is to unmake structure, to erase human lines, to scour the earth for God’s coming, and a hierarchy would be antithetical to this. Brother Atvist repeats this over and over because the Ardents keep forgetting, keep defaulting to the standard model of top-down authority. But didn’t God himself set that model in place? Can people really be expected to live without a strong man telling them how? If Brother Atvist won’t—or can’t—be that man, perhaps it’s time for Pastor Bark to—

Brother Atvist stands up.

It’s a sudden movement, scattering the tiles at his feet, and Paul takes a step back. Paul is not done growing, but he will never be a tall man. He is built like a cornerstone, thick and strong, grounded and unshakeable, while his friend is a soaring pillar, perhaps more easily toppled but undeniably impressive while upright. There’s a fire in his eyes now, and Paul races to read its meaning as Brother Atvist raises his walkie.

“A day ago, we gave you a warning.”

Amplified by loudspeakers at every major intersection, his soft voice sounds immense. Delayed by distance, it reverberates from every direction, not one voice but a chorus, washing over the city in a wave. Paul lets out a sigh, mostly relief but with a trace of something else that he’d rather not acknowledge. He tucks away the thoughts that were starting to swell in his chest.

“But you had plenty of warnings before that. A poisoned planet choking on your apathy. A government festering as you filled it with rot. A culture sustained on conflict, feeding on its own blood, a thousand tiny wars that could never be allowed to end.”

He moves toward the staircase, and Paul follows him.

“And then one day, it all caught up to you. Your government went rabid and turned on you. The ocean you used for your toilet rose up for revenge. Even the earth itself tried to shake off its tormentors, but no matter how many cities it flattened in its convulsions, you kept drilling. No matter how many wars erupted, you kept provoking more, kept raising armies and smashing them together like toys, kept hating and hurting and devouring each other until you finally broke the universe. You reached the very bottom and you drilled right through, and a new kind of death bubbled up to meet you.”

Their boots rattle the rusty metal steps, echoing up and down the stairwell as they ascend toward a distant light.

“This new death was the final warning, but you still didn’t listen. God held up a mirror and said, ‘See what you’ve become!” but you refused to look. So your reflection climbed out of the mirror and ate your children. It ravaged your world and reduced it to a skeleton. But instead of falling to your knees and begging God to save you, you’re building new houses out of the bones.”

Paul smiles. This is a good one. Each sermon has been sharper and hotter than the last. Paul sometimes wishes his friend would skip all the poetic preamble and just get to the point, but he has to remind himself that this is the point: to deliver a message that stings hearts. As satisfying as it is to set the fires, they are only a medium for the message, a bright blazing sign that can’t be ignored. It’s the message that will move the world to repentance. To acceptance. To surrender.

“So in exactly fifteen minutes,” Brother Atvist continues, “we are going to burn those houses down.”

They emerge onto the roof of the convention center and Denver spreads out around them, an endless flatness spiked with a few highrises. It glows the usual sickly orange against the night sky, but it’s dimmer than it should be. A third of the buildings are unlit, abandoned, darkness creeping across the city like a stain as the world unravels.

“But the Lord is not willing that any should perish.”

From up here his voice sounds even bigger, ringing through the streets as the stubborn holdouts gather around the speakers, pacing and squirming with mounting agitation.

“We don’t want to take your lives. We only want to show you that it’s time to give them back. To accept the end. To tell God we’re ready to go home.”

Paul nods approvingly. A solid conclusion. Now for the altar call…

But Brother Atvist doesn’t deliver the expected coda. His grip on the walkie tightens and he’s quiet for a moment. Then:

“Don’t you feel it?” His voice is softer now, and there’s a tremor in it. “Don’t you see that our road doesn’t go anywhere? That our battles were never winnable? Why are you still fighting when there’s nothing to fight for? Aren’t you tired?” His voice cracks and the walkie sags away from his mouth a little. “I am,” he tells the city of Denver. “I’m tired.”

And with that, he hands the walkie to Paul and sits on the edge of the roof.

Well. Not the most inspiring benediction. They won’t be gaining many converts from this particular outreach. But so be it. Seventy-two angry youths with jars of homemade napalm should be more than enough for now.

Paul checks his watch and raises the walkie. “In nine minutes, the fires will start. Within an hour, they will have spread across the city. Don’t wait for the authorities to stop this. They will not be able to.”

He feels the the thrill of expansion as his voice echoes through downtown Denver, the sense of being everywhere, a huge presence hovering over the city he’s about to destroy.

“The borders of the fire will be Highways 95, 225, 285, and 70. Everything outside should be safe. Everything inside will burn. Pack only what you need to live and evacuate immediately. We suggest taking I-25 to avoid congestion.”

He frowns. His announcements sound mundane, almost municipal after his friend’s grand oration. Where is his passion? Where is Pastor Bark? He thinks for a moment.

“We ask only for your city, to give it up as a burnt offering to God. But if your pride makes you give up your lives, he will accept those too.”

He smiles, nods, and joins his friend at the edge of the roof. He’s too excited to sit. He stands with his arms crossed, fidgeting from foot to foot.

“You had to end it like that?” his friend asks, still gazing out over the city.

“Like what?”

“Like a villain.”

Paul grunts. “Don’t bullshit yourself. The world never loves a prophet. We’ll always be villains to them.”

Down below, the city is lighting up with red and blue flashes, a preview of what’s to come. Police flood the streets and swarm the buildings. Firefighters ready their ladders and hoses. Even with the dying government’s desperate suppression of news, they have probably heard about Helena and Boise. Even with all the lines cut and signals jammed, a story that big still travels, so they should know that their efforts are useless. There aren’t enough police in the whole state to uproot seventy-two unremarkable teenagers planted loosely across the city. And even before the great decline, no fire department was ever equipped for arson on this scale.

It never happened before because no one decided to do it. The fire was always ready, always primed, just waiting for a reason to start.

“Three minutes,” Paul says. His excitement tightens his voice, makes it high and thin despite his best efforts, but it doesn’t matter here with his friend, who shows no interest in the pageantry of manliness.

“How many do you think it’ll take?” his friend murmurs. No excitement at all in his unaffected tenor. Paul can barely hear it over the sirens, the shouting, the distant tumult of evacuation. “How many do we have to burn before God accepts our surrender?”

A perfect response comes to Paul but he holds back for maximum effect. Thirty seconds…twenty…ten…

“‘The day of the Lord will come like a thief,’” Pastor Bark recites. “‘The heavens will disappear with a roar, the elements will be destroyed by fire, and the earth and everything done in it will be laid bare.’”

His watch beeps.

The tallest building in Denver flashes white. Burning bits of phosphorous spew out from its windows like a rain of shooting stars, scattering onto all the neighboring structures and scribbling the air with lines of white smoke. But that’s just the opening ceremony. A second or two later, spread evenly through the densest parts of the city, seventy-two Ardents ignite their jars of napalm. It’s not quite simultaneous, more a staccato of bursts than the single vast explosion Paul was hoping for. They’ll have to work on their timing for the next one. The hotter they can stoke the drama, the deeper the message will burn.

“‘Since everything will be destroyed in this way,’” he continues, his voice now trembling with exultation, “‘what kind of people ought you to be?’”

He looks at his friend as if for a response, like a preacher awaiting an “amen,” but his friend still hasn’t looked at him, eyes glued to the rapidly spreading hellscape below. So Paul finishes without him.

“‘You ought to live holy and godly lives as you look forward to the day of God…and speed its coming.’”

Still no reaction. Paul lets it go. His friend has always been this way. Always lost in his head, straining toward some distant skylight that he is never going to reach. Is he blind to the achievement burning right in front of him? They are changing the face of the earth, clearing the overgrown land for the foundations of God’s Kingdom. If that’s not enough for him, what ever will be?

Paul stretches out his hands, feeling the heat of the fire in the wind, the bits of ash blowing against his cheeks like warm snowflakes. It’s spreading quickly. He knows they should leave soon, join up with the others and start skimming for converts in the stream of evacuees, but he wants to savor this as long as possible.

Playfully, boyishly, he pretends he’s the Angel of the Lord smiting Sodom for its sins. He imagines the power coursing through him, the brimstone gathering in his hands, the approving nod from his Father as he strikes. How wonderful, to be an angel. To be created perfect, not broken, not designed to crave evil and set loose on a path to Hell. To be born good, a child of innate worth who does not have to hate himself to be loved.

He blinks hard and glances around like someone pinched him. Where did that thought come from? Heretical, self-pitying, weak. It couldn’t have been his. A dart from the Devil, then, trying to poison him at the very moment of glory. His face flushes with shame and anger.

“Do you think Heaven will be worth all this?” his friend asks, squinting against the furnace winds from below, his hair fluttering like feathers around him. “What do you hope to find there?”

Paul finds the question boringly obvious but he welcomes the distraction. “Our reward,” he replies, staring into the flames. His face is still scorched from Boise, red and peeling, and his close-cut hair is singed. He thinks he must look like a man who’s fought dragons. “Mansions and streets of gold. A seat at the right hand of the Father to reign forever and ever. ‘Know ye not that we shall judge angels?’”

His friend doesn’t respond to this. Even in the orange glow of the flames, his face looks sick and sad.

“And you?” Paul asks, growing annoyed with his friend’s negativity. “What’s in your Heaven, Brother Atvist?”

His friend smiles. It’s faint, wistful, but it’s the first warmth to touch his face since they first started planning this fire. “A house,” he says, so softly he might be speaking to himself, or to some imagined listener far away. “A couch…a desk…a bed. A home and someone to share it with.”

Paul snorts. “You can have all that right here.”

His friend shakes his head. “This world hates us. We fight it for every breath. I want a home in a world that loves.”

Paul opens his mouth to laugh, to mock this gooey vision of the Kingdom, but then for some reason he shuts it. He feels a spasm in his chest, a tiny cracking open. He shuts that too.

Below these two boys, the city of Denver burns. The seventy-two fires have merged into one, spilling orange light across miles of Colorado desert, roaring together in unison like an ecstatic choir. But from a mile above, all of this is silent. And from five miles, it’s nothing at all. Just another city glowing in the night.

• • •

So we depart from there and then. We continue our rise, drifting across miles and years, skimming ahead to another dog-eared page, and on this page is Julie Grigio, newly twelve and still carrying her father’s heavy name, not yet rechristened by the friends who loved her, not yet bereaved by the parents who failed her, a stubbornly hopeful child who has only killed three people, who has not been abused by men or tortured and maimed by monsters, who can still imagine a future where she goes to school and rides horses and does not have to fight a war.

This bright young girl is walking through a dark tunnel. The light at the end is dim and gray and when she reaches it she is greeted not by angels but by a crush of malnourished humanity. The steady rumble of voices, the pounding and grinding of construction, the smell of piss and shit, mostly cow but with some human in the bouquet. Julie smiles. After months of abandoned ruins, creepy rural communes, and cold, cramped car camping, she has missed the mess of cities.

“John!” Rosy calls out, emerging from the crowd, and Julie’s smile widens. She has missed him too, this odd old man, growing through the years from her father’s subordinate to the closest Julie has to a grandfather, the warmth of a gentler wisdom always peeking through his military mask.

“Major Rosso,” Julie’s father replies with a restrained smile. He accepts Rosy’s effusive embrace but cuts it short with a crisp double-slap. Rosy pulls back, remembering how his friend thinks. A box for every occasion, and in this one he is not “John,” he is Colonel Grigio.

Julie does her best to smash these formalities. She lunges forward and tackle-hugs Rosy, knocking him back a step, and he laughs helplessly. “My God, Julie, you were barely up to my waist when our roads diverged in a wood! Was it ten years ago?”

“Six months!”

“Have they been feeding you that hormone-boosted Carbtein or something? Look at these armaments!” He squeezes her biceps and she shakes him off, laughing. He turns to greet Julie’s mother, and his warmth cools again. “Good to see you, Audrey. I imagine it’s been a hard road.”

“Hard enough.” Her tone is flat. Her face is blank.

“We’ll catch up properly later tonight,” Colonel Grigio interjects. “Right now I’m eager to hear your report on the enclave.”

Rosy straightens up and clears his throat, forcing himself to switch boxes. “I really think this is the place, sir. Exceptionally defensible, well-equipped, and lots of room to grow.”

“How does it compare to what you found in Pittsburgh?”

“Sir, if the reports of the New York quake are true, this might be the strongest fortification still standing in America.”

“Good work, Major.”

Julie hates it when they do this. Talking like action movies, pretending they aren’t just overgrown boys who get drunk together and cry about their wives and sing old Deftones songs at the top of their lungs. These silly characters they play when they think it’s time to be men.

Her mother hates it too. Maybe that’s why she’s abandoned the conversation and wandered off into the mess of construction.

“And what’s the current command structure?” her father continues.

“A mix of military and corporate, but their general manager just died and the chain is a mess. They’re glad we’re here, sir.”

“I want to meet them A.S.A.P. Arrange a conference with…”

Julie sighs and goes after her mother. She finds her a couple “blocks” away, wandering among the scrap-wood towers of this shantytown metropolis.

“What do you think, Mom?” She turns in a circle with her hands outstretched like a wide-eyed country tourist. “It’s not Manhattan, but at least it smells like it!”

Precocious wisecracks like this usually get a big laugh, but her mother doesn’t even smile. She isn’t looking at the buildings or the people. She is staring at the concrete wall that surrounds them.

“Mom?”

“I don’t know,” her mother murmurs, as if in response to some inner query. Her hands run down the sides of her gray mechanic’s jumpsuit, feeling the coarse fabric and sticky stains. After months of prodding from her husband, this is what she chose to replace her beloved white dress. As a statement of protest, Julie finds it a bit melodramatic, and Julie is twelve.

Her mother is usually quick to notice absurdities. She is usually the one to turn tragedy into comedy in the least amount of time. But something is different lately. She seems increasingly blind to irony, trapped inside her experiences, unable to step outside them and laugh. And Julie worries.

“You don’t know what, Mom?”

Her mother stares at the wall. She doesn’t answer.

She doesn’t say a word for the rest of the day. Her husband is too busy to notice as he tours the stadium and meets the leadership, working his way in, but her daughter notices. She watches her mother warily as they carry their bags to their new home, a narrow tower of white aluminum glowing under the stadium’s floodlights.

“This is where we’re going to live?” her mother says, finally breaking her silence. Her emotions are still muted, but a note of horror leaks through.

“It’s austere,” Rosy admits, “but it has power and plumbing. All the luxuries, really.”

Two soldiers salute them from the third-floor balcony, leaning against turret-mounted sniper rifles.

“The guns are a bit much,” Julie’s father says, glancing sideways at his wife.

“Leftovers from the original project, apparently.”

The new general raises an eyebrow at the new colonel.

“By the looks of it,” Rosy continues, “someone was trying to convert the stadium into something else. Some kind of communications facility, judging by the wiring, but they didn’t get very far.”

General Grigio looks at the American flags dangling from the rafters of the open roof. The sun has bleached them almost white.

“When the first platoon found the place, it was just that little building surrounded by a billion dollars worth of construction materials rotting in the rain. Sounds like Old Gov standard procedure, right? But whatever the place was meant to be, I think we’ll put it to better use.”

Julie’s father narrows his eyes, examining and considering, his mind reaching out to grasp some intuited opportunity.

Her mother shrinks inward. Her mother retreats.

Evening fades to night as Julie buzzes around the new house, already deep into her decoration plans. Her new bedroom resembles a prison cell, gray and empty except for the twin bed, but it has potential. She reminds herself that every room is the same empty box until someone starts living in it.

She descends to the main floor to find her mother, to see if she wants to go looting in the city, find some cute antiques and colorful rugs, maybe a slightly more flattering jumpsuit.

“Mom? Hey Mom!”

She passes her father coming up the stairs. He’s shaking his head and his lips are trembling, a state that only one person can put him in. Julie has seen him emerge from knife fights looking calmer than this, bloody but unperturbed. Only the woman he loves has the tools to cut him deep.

“Mom?” Julie calls in a lowered voice, moving from room to room. “Hello?”

She checks the kitchen. The bathroom. The empty white cube that will serve as the living room. She is about to go back upstairs to ask her father for clues when she hears a noise from somewhere below.

She hadn’t realized this place had a basement. The door is small, tucked away in a corner and painted the same color as the wall, nearly invisible when closed. But now it’s hanging open, and a noise is rolling up to her, rippling and shifting, refusing to cohere. Is it five songs playing at once? Is it ten people talking over each other? Is it howling wind or howling animals? It’s very faint, almost subliminal, but she feels it in her head like a fluff of white wool, dulling her thoughts the way road noise dulls music.

“Mom?”

It comes out a timid whisper. With a reluctance she doesn’t understand, she pushes herself closer, and perhaps the noise is just an acoustic oddity of the building’s shape because as she approaches the doorway the pressure in her head subsides, the noise clarifies, and by the time she’s at the threshold looking down into the shadows, it’s familiar. It’s the sound of her mother crying.

“Are you okay?” she calls down into those shadows, and her own voice breaks a little.

Because this sound scares her. She’s been hearing it more and more since the day they left New York. In the evenings, while helping her father with the perimeter check in some deserted nook off the highway, she would find her mother alone in the trees, eyes glistening as she watched the day die. At night, with the three of them nested like a set of measuring spoons in the canopied bed of the truck, she’d wake to stifled weeping behind her head. She thought it would stop when they finally found a home. She thought once her mother felt the sunlight, she would emerge from her long winter and begin to bloom again. But here she is in the basement, as far from the sun as she can get.

Julie takes a step into the stairwell and then stops. She doesn’t want to go down there. Her mother is down there, her mother needs her, but Julie is too scared. Too soft. Too weak to help anyone.

“Mom!” she pleads miserably.

Her only answer is her mother’s sobs, sinking again into that wooly noise as Julie backs away.

• • •

On this very same shelf, tucked in tight with Julie, we find a book of Nora Greene. In this book she is eighteen years old and she is walking through a city. She has walked through many cities, or the remains of them, and she has encountered many people. She has lived with them and worked with them, and some of them have been kind, but there is a search inside her that won’t let her rest. The moment she feels comfortable, the dream comes to drive her onward.

There’s a boy, and then there’s a wolf, and that’s all she ever remembers. But she always wakes up screaming. She packs her bags and leaves in the night and walks until she collapses.

This is Nora Greene’s life, for a time. Much has been stolen from her. A childhood, a family, and things she doesn’t remember. Books hidden behind shelves. Pages torn out roughly, leaving only the telltale tatters.

So she feels a strange thrill as the stadium comes into view, but she does not know why. How will this place be any different from the other encampments she’s visited on her endless southward trek? The oblong vault of bare gray concrete looks more like a sarcophagus than a city. The small plumes of smoke rising through the retracted roof are the only sign of habitation. So why does it feel like a discovery?

She has little difficulty with the immigration officer. A strong, healthy, mostly intact young woman unburdened by family attachments is a valuable asset to any enclave, and her combat skills only sweeten the deal. There was a time when her brown skin might have been an obstacle, but it’s been years since she’s encountered that particular malice. She remembers it from childhood, her family squirming beneath that skeptical scan almost everywhere they went, but these days it’s down to a few sideways glances. Whatever racial superstitions may still lurk in humanity’s brain stem, few people actually live by them. They can’t afford to.

She is ushered inside with promises of fast-tracked home placement, though she puts little faith in that. She has heard such promises before, back in the old world when people still bothered with child welfare, still defining family by blood over love, and her parents could put on a good show when they—

But no. Nora has no parents. Never did. She grew out of the ground. And she doesn’t need a home tonight. A bed will always present itself. Right now all she needs is a drink.

She makes a few inquiries, ascends a dizzying maze of apartments and catwalks, and steps through the thick oak door of the Orchard.

She takes a stool at the end of the bar. The LOTUS Feed flashes on the TV above her but she keeps her eyes down, too tired to handle that frenetic collage.

“What’s your poison?” the bartender asks with a note of irony she doesn’t understand.

Nora pulls a hundred dollar bill out of her bag. “Whiskey.”

The bartender looks embarrassed. “Oh…I thought you were local. There’s a ban on alcohol right now. We uh…we serve juice.”

She stares at him blankly.

“Some whiskey drinkers say grapefruit has a similar kick?”

“I’ve been on the road for two years,” Nora says. “I spent most of last week in the Gresham Patriots’ prison pit before they tried to sell me to the Nor-Cal Riders and I had to kill two people with a broken bong. I could really use something stronger than grapefruit.”

The bartender purses his lips. He looks around, then snatches the bill and disappears into the back room. He comes back with a pint glass of brown liquid and sets it in front of her.

“Enjoy your apple juice,” he says loudly.

She takes a sip. She smiles.

An hour later, the glass is almost empty. She has gone past the euphoria, past the reckless bliss, and is entering the uncertain realm of the deep drunk. She feels her mind loosening, liquefying. She watches people enter the bar and leave. The citizens of this tiny world, soon to be her neighbors. She sees a blond girl a few years younger than her with black clothes, black nails, bandaged wrists, eyes sunken and red. The girl looks angry and sad and familiar somehow. She is pleading with the bartender, holding out her glass like a beggar seeking alms. A trio of men in their twenties descend on her with hungry smiles, and the muscular, tattooed alpha tips a flask into her juice. Nora tries to speak to her, even just a hello, but nothing comes out. She closes her eyes—

She is in a restaurant high above the earth, sitting across a table from a boy-shaped void, and the void reaches toward her and says—

She opens her eyes with a start. She looks down. She has scraped a hole through her coaster and shredded her napkin into confetti. Her pocket knife is in her hand and she has carved things into the bar, random shapes and letters that would disappear into the rest of the graffiti except for their freshness, a trail of gibberish leading over the bar’s edge and under it to a single legible word, a name—

She gouges at it with the knife until she can’t read it anymore and then stands up. The bar is busy now and no one is paying her any attention except the blond girl. The girl’s bloodshot eyes cling to Nora’s as the tattooed man pours more liquor into her juice, and Nora sees things she recognizes in that gaze. A loss locked away. A desperation restrained and hidden, writhing within the straightjacket of her body.

This girl has much to suffer before she reaches Nora’s age. But if she makes it through all those hard years…she’ll stand on the glorious plateau where Nora is now.

Nora chuckles like bubbling acid. She tastes it in her throat. Her emptiness suddenly descends from her chest to her groin, impelling her forward, and she finds no reason to resist. She locks eyes with a man and draws him to her—it might as well be one of the tattooed man’s cronies, the only help she can offer the girl tonight, reducing her trouble by one.

His pickup routine rolls over her in puffs of sour breath until she stops it with a finger to his lips, grabs him by the collar, and drags him out of the bar.

A body. A bed. She keeps it simple, stripped of all detail and context, and when she puts it like that, it doesn’t sound so bad. She has become very good at editing her thoughts.

But only when she’s awake. In her sleep she has no defenses. Her grip slackens and she floats into darkness, at the mercy of her mind.

In her sleep there’s a boy playing in a sandbox—not a void, a boy, though she can’t see his face, just his puff of black hair, his tiny hands working the sand—and from the woods behind the playground comes a wolf, trotting toward him with no hesitation, as if it came here from far away knowing exactly what it would find, and Nora screams but the boy doesn’t turn, doesn’t even look up as the wolf lunges. He never turns. He never looks up. Because he didn’t.

• • •

This boy is not bound to a book. His pages are loose and scattered across the shelves. Some of them have slipped into Nora’s. Others are still floating, carried deeper into the Library on subtle gusts of breath.

The boy is fourteen years old, but not really. Age is a line of progress, a marker of experience, and what can it mean for a mind that’s asleep? A mind stripped of self, robbed of history, set adrift in the fog of the plague?

The boy is small; he looks no older than seven. He does not grow. He does not heal. The puncture in his shoulder and the bite just above it have long since dried up, but they do not close. His cells are caught between forces, pulling toward life while the plague pulls toward rot, locked in a struggle he doesn’t understand.

What would it mean to win? Is it even a prize he wants?

All he knows for sure is he doesn’t want to lose. He has seen people lose. It begins in their eyes, a cooling of fire, a sagging of strength, a decision to stop fighting. Then it spreads. Their flesh withers and peels. Their faces become masks, lipless, eyeless, identical. Some surrender immediately, rotting to bones in just a few days. Others manage to last months or even a year before the plague overtakes them.

The boy has held it tight, thrashing in his grip, for over seven years.

He awoke in the city with the big man watching him. Blood on the big man’s mouth…whose? It didn’t matter. Nothing mattered. The boy was a single neuron, unable to form a synapse, sparking uselessly into empty space.

The big man took his hand and led him off with the others, and the boy didn’t resist. The big man killed people and fed the boy their meat and the boy didn’t resist. And when the big man forgot who the boy was and wandered off alone, the skeletons gave him to new parents and the boy didn’t resist.

All of this was congruent with the life he’d known before. A life of unkindness, abandonment, daily hurts and horrors. All of this seemed natural enough, and he accepted it with the same downcast nod he always had.

He does not fight the world outside. He saves his strength for the fight inside him, to keep the plague at bay. Because he feels that his life is not over. He won’t let it end in this airport, wandering in the dark with a thousand rotting corpses.

There is something more he has to do.

He looks down at the cardboard box he’s carrying. It is filled with photos of the Living. He pulls out a child smelling a flower. He pulls out two lovers watching a sunset. He pulls out a happy family and he tapes them to the wall. He is doing this because his friends asked him to. The blond boy and the brown girl. They were here when he first arrived, and they welcomed him. They shared the toys they’d collected, paperweights and staplers. They showed him where the meat is kept. And most importantly, they remembered him. When his new parents wandered off, as they always eventually did, his friends were there, the only constant in the drift of his existence.

But now even that constant is changing. His friends have found words and names. Their skin is warming. Their eyes are flushing with color. They tell him everything is changing. They say they’re going to fix the world, and it’s going to start right here in the airport. The Living bring the photos like charity donations, and the children tape them up around the airport, hoping to catch the eyes of the wandering Dead. They are supposed to be reminders, triggers, sparks. The Dead gather around them like televisions, releasing bittersweet sighs and groans.

It will not be enough.

The boy can feel this with certainty. Whatever tide may be rising, this is just the first wave. It will recede before it returns.

“All done!”

“Okay. Let’s go get more.”

As his friends’ voices echo down the corridor, the airport power comes on. Lights flicker and music crackles, a jubilant sense of revival. But it will die again in an hour or two. It’s a trick, like cruel parents teasing a gullible child. The world is full of traps like this. The boy is wary.

His friends emerge from the corridor, flying off the conveyer belt in a full sprint, and he’s struck again by the change.

Joan.

Alex.

They almost look alive. For a moment he can feel that life in himself, radiating off his friends like heat from a fire, warming his charcoal skin to brown. But the sensation will fade when they’re gone. And eventually it will fade in them too.

“All done,” he says, holding his box close to his chest.

His friends nod and run off to get more photos. The boy looks down into his box. It is still half-full of those sugary talismans of hope.

“All done,” he murmurs, and drops the box to the floor.

He feels inertia inside him, like he’s standing on a conveyor, gliding down a hallway whose end is too far to see.

Someone loved him once.

In the cold fog of his mind, this fact gleams like a distant beacon. He doesn’t know who this person was, if they’re still alive, or if they could still love whatever he’s become. But he can feel this person’s presence, the lingering warmth of a hand pulled away.

The boy walks out of the terminal. He walks across the tarmac, his bare feet so thickly callused that shards of glass don’t pierce them. He walks into the surrounding forest, and as the darkness surrounds him and the fear and loneliness rises, he calls out to us in the depths of the Library:

Will you guide me?

We don’t answer him. But the answer has always been yes. We guide him in faint breaths, distant echoes, the soft rustling of pages. We are open to him always and he reads us always, wheth-er he knows it or not.

We guide him through the forest. We alert him to monsters and introduce him to friends. We lead him across the country, through pain and terror to the heart of what he’s searching for, but that heart is a four-dimensional target. Its center drifts, its lines wander, and it is not always where it seems to be.

So when he arrives at his destination, he appears to have gone astray. Because here on the surface of time, floating atop the present, he is a prisoner on a bus on his way to be enslaved.

• • •

What will happen to us? he asks us as the bus hurtles through miles of wasteland. What should I do?

We don’t answer.

Why don’t you ever answer?

The boy sits on the back bench, sandwiched between his friends, Joan and Alex. Their revival has receded like he knew it would, and they are like him again, their skin cool but not cold, pale but not gray, their scent bland but with a faint effervescence of life. They are in flux. Mind and body and whatever else there is, weighing the world around them and debating what to be.

For now they are only prisoners, wrists cuffed in their laps. Two men with shotguns watch them like they’ve committed some terrible crime.

They have eaten a few people. Kids will be kids. But what about Sprout? Surely she’s done nothing to deserve this. She sits in the front with a handful of other Living children, and while most of them blubber and scream, Sprout is quiet. Not dazed and disconnected like her Dead peers, but calm. One eye is hidden beneath a sky blue eyepatch with a daisy painted on it, but she gazes out the window with the other eye, smiling faintly like she’s seeing visions in the passing scenery, the rising sun and the blurring trees.

Why did they take her? the boy asks us. Will they put her in that school with the noise and the poisons? What part of her could they possibly want to change?

We don’t answer.

The boy glares hard into the driver’s rear-view mirror. The driver slaps the side of his head as if to kill a mosquito and then looks at his hand, puzzled. He glances into the mirror and sees the boy’s yellow eyes boring into him.

“The fuck are you looking at?” he shouts over his shoulder.

The boy is looking at the cells of the driver’s scalp and through them to his skull and trying to find his way through that maze of osseous bubbles to the gray meat inside. When he sees the man’s eyes it becomes easy; he dives through the window of a pupil and follows a flock of photons along the optic nerve to the frontal lobe, and behind that is a small room with a small bookshelf with a few small books, mostly technical manuals, a few self-help guides, one or two thrillers, and a stack of pornography. Nothing the boy can use to reach him.

“Will somebody put a bag over that kid’s head?” the driver mutters to the guards. “Little freak’s creeping me out.”

“I think he’s in love,” one of the guards chuckles.

“I’m serious, asshole. I can’t drive with those fuckin’ wolf eyes in the mirror. Go knock him out.”

“You can’t knock out a zombie. They’re already out.”

“Then cut his damn eyes out, I don’t care. Just get ’em off me.”

Still chuckling, the guard saunters back toward the boy.

The boy reaches out to us, into us. He searches our shelves, looking for guidance, but he can’t find what he needs.

Help me, he begs. Answer me.

“You really want me to cut his eyes out?” the guard says, pulling a black tactical knife off his belt. “Doesn’t Orientation need intact specimens?”

“The ones with gilding are worthless. Almost as hard to Orient as Living folks and half as useful. He might have a better chance getting a job without the eyes.”

The guard shrugs. “Well, okay.” He flicks open the knife.

Something moves inside us. Certain regions of our vastness shudder in patterns, like someone trying to speak. Not an answer, exactly, but an impulse, a simple message encoded into bursts of will. It is addressed to the boy but loud enough for the others to hear. Roughly translated:

Fight.

In perfect unison, Joan and Alex grab the guard’s arm with all four hands and shove as hard as they can. His knife is suddenly not in his hand anymore; it’s in his stomach. He looks shocked and confused, like he’s been stabbed by something invisible.

All the children in the bus have risen to their feet like a classroom pledging allegiance. The other guard peers over their heads, trying to see what’s happening in the back. “Hey. You okay back there?”

The boy scurries up the aisle, crouched low, his bare feet silent on the floor, and he bites. His teeth sink through the guard’s pants and into the knotty calf meat. He feels the plague coursing through his cuspids, hardening them and imbuing them with venom, but it no longer feels like his own. It feels like a parasite living inside him, and though he can’t quite be rid of it, he can sometimes trick it into helping him.

The serenity has vanished from Sprout’s face. She spares only a second to watch the guard writhe, another second to give the boy a grim smile, then she steps into the driver’s area.

“Hi,” she says to the stunned driver, and pulls the wheel hard to the right.

What has come over us? We do not involve ourselves in the affairs of the living. We are the sum of what has been; we are the music, not the instrument. And yet there is a churning in us. A pressure that demands release. We feel parts of us pushing up from our depths, reaching out to touch, to help—to speak.

This has happened before. History is full of our reckless intrusions, often known as miracles. But it has been a very long time since we have boiled up like this.

Tires scream. The bus tips. And as the boy’s world shatters in a spray of glass, he sends us a message of his own. A simple reply, heavy with portent, like a volcano’s first hiss of steam:

We’ll fight.

ONE

the ladder

I would grieve at all that may befall you still

If I did not know you must return

And bury your own loss and build

Your world anew with your own hands.

—Herbert Mason, Gilgamesh: A Verse Narrative

I

HER BREATHS ARE SLOWING. Through the roar of the road, I hear their faint whistle. I feel each expansion of her body against my arm, the pressure pushing me deeper into the RV’s bristly cushions, so much like the couch in our house in a life that now feels like a dream. Her head grows heavier as she relaxes onto my shoulder, as the symbolic gesture becomes actual rest, and I savor this moment of peace, knowing we might not have many left.

I stretch it into months. Years. I live with her inside it.

Then something crunches under the tires and Julie jolts upright. Our bubble floods with conflict and purpose and the unknown horrors ahead. I stifle a groan.

“What was that?” Julie calls toward the front of the RV, rubbing her eyes.

“Roadkill,” Nora calls back.

“Sorry,” Tomsen adds. “Too big to avoid. Elk or deer or other ungulate.”

Julie leans back into the couch, but not onto me. She is wide awake now. I guess I’ll wake up too.

Behind us, New York City is dwindling. Manhattan has vanished from view except for its two tallest buildings: Freedom Tower and 432 Park Ave, clawing up from the horizon like pompous actors refusing to exit the stage. Here on the outskirts of Brooklyn, the buildings are humbler. Flat-roofed boxes, unlit and silent, glowing in the moonlight like a city of the ancient world. Egypt, Rome, mud huts and stone palaces sleeping under a sky full of mysteries.

Julie presses her face to the window as we pass an old military base. The moon’s dreamy light reveals its layers of history: colonial cannons, World War II fortifications, Terror War surveillance towers, and nonlethal riot-control turrets hastily converted into lethal ones.

“I used to play there when I was a kid,” Julie says with a wistful smile. “Waiting for Dad and Rosy to finish their meetings. Mom would lift me onto a cannon and I’d pretend it was a horse.”

A memory flutters through my head and I feel the old instinct to catch it, to seal it in a jar and hide it in my basement until it suffocates. But I don’t.

“I used to do that too,” I say with a nervous smile. “At the base in Missoula.”

Julie’s expression shifts to cautious amazement. The man with no past is reminiscing.

“Except I was a boy, so…I pretended the cannon was my penis.”

She stares at me for a few seconds, then bursts into laughter. It’s a sound of delight and surprise, and it delights and surprises me. Have I ever made Julie laugh before? Unintentionally, sure, with gaffes and pratfalls, but never like this.

“So…” she says with exaggerated earnestness, trying not to giggle at the sheer normalcy of it, “you grew up in Missoula?”

We proceed to have a conversation.

Months after falling in love, building a house, and traveling the country together, we do first-date chit-chat. Where we grew up. What our families were like. How we got to where we are—with substantial omissions on my side, of course. There will be a time and a place for the dark chapters, but not tonight, soggy and exhausted in this rattling motorhome. Tonight we keep it light, and I’m surprised by how much light I find. There is more to my past than shame and tragedy. There are childhood friends, tree forts and rope swings, river floats and hill hikes. Even my life in New York has days worth recalling, brief flickers in which I’m not the tortured scion of a corporate warlord, just a young man exploring the city, marveling at its grandeur and prying at its history, getting drunk for the first time a block from where Julie lived.

I give her the human parts of me. The parts that everyone has, in some shape and color. And when the time is right, I’ll give her the rest, and I’ll hope what we’ve built can withstand it.

• • •

We soar over the Narrows bridge and onto Staten Island, the ocean to the east and the shallow seas of New Jersey to the west. We curve down into Pennsylvania, a few hundred more miles of peopled land before the barren expanse of the Midwaste. Finally, sometime after midnight, Tomsen pulls off the highway onto a farm road. She drives about a mile until we’re well out of sight of the highway, then parks.

“Okay, goodnight,” M says, lowering himself gingerly to the floor.

“Hold up, big man,” Nora says, stepping over him to open a cabinet. “Very tough and impressive, forgetting you just got shot…” She pulls out a gallon of vodka and thumps it down on the counter. “…but we’ve got to get that mess cleaned.”

“Your opinion as a nurse?” M grunts. “Or just a girl who wants my shirt off?”

“Oh yeah,” Nora purrs as she unpacks Tomsen’s first-aid kit. “Nothing gets me hot like a septic gut wound.”

M sighs and stands up. Very carefully, he pulls off his shirt. As I’ve always suspected, his bulk is more muscle than fat. Not the sharp edges of a modern bodybuilder but the round, mountainous power of an old-fashioned strongman. Still busy preparing her instruments, Nora shoots him a sideways glance that sticks just a little longer than it should, a subtle raise of the eyebrows. Then her eyes settle on his wounds, and she’s all business again.

“Fold out that couch and lie on your back,” she tells him, and he obeys, grimacing with each movement. “Tomsen, do you have anything to put under him? It’s gonna get messy.”

M raises his head sharply.

“I don’t like messy,” Tomsen says, opening a cabinet that’s crammed so full it explodes onto her, burying her in obscure equipment that she holds in place with her shoulder and forehead. “Can’t get careless out here, have to stay neat, organized, ready for anything. Cluttered house, cluttered mind.” She plung-es an arm deep into the cabinet and emerges promptly with a folded blue tarp, then body-slams everything else back inside. “Can you sit up please?” she asks M, keeping an uneasy distance from his naked torso. When he obliges, she unfurls the tarp over the couch with a single crisp motion, then retreats to the front of the RV.

M lowers himself onto the crinkling plastic and frowns at the ceiling. “I feel like I’m in a fucking auto shop. You gonna change my oil?”

“Something like that,” Nora says, and jabs a pair of pliers into his shoulder.

One by one, she removes the staples that held him together during our mad dash out of Manhattan. He barely flinches, so I flinch for him, and I feel anger bubbling low in my belly. He took these bullets for Abram’s daughter. Did that man offer so much as a nod of thanks? Did he erase this gift along with a dozen others when he convinced himself he didn’t need anyone?

“I think I’ll give you two some privacy,” Julie says, looking queasy as she watches the surgery.

“Hell no you won’t,” Nora says, waving the bloody pliers at her. “You’re not leaving me alone in this horror show. Here.” She holds out the huge plastic vodka bottle. “Have a shot.”

Julie hesitates. “Well, when you put it that way.”

She takes a pull from the bottle, then offers it to me. I shake my head. Tonight is not the night to test my tolerance.

“Tomsen?” she says.

“I don’t drink alcohol,” Tomsen says, watching the proceedings from the elevated perch of the driver’s chair, spinning it left and right with her leg while her fingers wander through her short mat of copper curls. “Makes me jittery.”

“Hey,” M says, lifting his head to frown at everyone, “if anyone needs a drink right now, it’s me.”

Nora takes the bottle from Julie and pours it into M’s wound. He shrieks.

“Oh, wrong hole? Sorry about that.” Her sadism softens as she holds the bottle to M’s lips, pouring a gentle stream into his mouth. “I bet you miss being a slab of frozen beef, when you could get shot all you wanted.”

M swallows the liquor and lets out a sigh. “Those”—he winces as she plunges the stitching needle—“were the days.”

“Remember when we first met? When I shot you three times and you were too busy eating my friends to notice?”

The mirth drains from M’s face, but Nora gives him a playful slap on the cheek. “I’m just fucking with you, Marcus. Past is past.”

She takes a long pull off the bottle and continues stitching.

• • •

By the time the surgery is finished, Nora is far too drunk to be performing surgery. M looks a little tipsy too, but he’s spending all his euphoria on pain management. He eases himself back to the floor and groans, “Goodnight.”

“Are we done partying already?” Nora asks the room, crestfallen.

“It’s been a long day,” Julie says. She’s not entirely sober either, but her buzz looks more internal, the kind that leads to thoughts and feelings more than energy and action. The only kind I know.

“Fine,” Nora sighs, capping the vodka and handing it to Tomsen, who tucks it away with visible relief. “We should give these two the big bed,” Nora tells her, indicating Julie and I and the “bedroom” at the rear of the RV. “And I hope you have earplugs, because they’re wild ones.”

I feel heat in my face at the irony in her voice. It’s been so long since Julie and I had a moment alone, I had almost forgotten about our difficulties. But what were those difficulties, really? What could possibly be left of them after the fires we’ve passed through?

“Seriously, though,” Nora says, “we’re all taking our clothes off, right? We just survived a hurricane and I’m not sleeping in this soggy shit.”

There is a tense silence.

“I’m good,” M says, folding his hands on his chest. “But you should definitely strip.”

Tomsen glances around uncomfortably. “Goodnight,” she says, and curls up on the couch-bed as close to the wall as she can get, her shape disappearing beneath her baggy safari gear.

Nora shrugs and begins stripping.

“Goodnight!” Julie chuckles and drags me into the bedroom before I see more than a bare stomach. She slides the curtain shut, and we’re alone.

We slip under Tomsen’s ratty old blankets and I inhale a bewildering array of scents, from mildew to craft glue to various shades of body odor. Then as Julie begins to peel off her wet clothes, draping them piece by piece on a shelf, I forget about smell and focus on sight.

“Come on, R,” she says, tugging at my soaked shirt. “You’ll wet the bed.”

I shed my clothes while I watch her shed hers. She stops at her panties, which I take as a signal, so I leave my boxers on too. We curl up together in the back of this ancient RV, parked in some weedy field whose former crop I could never guess. I press my body against hers, both of us cold and clammy at first, then slowly warming, and despite the damp cotton between us, I feel myself responding. I want her, in every way. I always have, and I think I’ve finally thinned my hedge of fear. But a barrier remains, and it’s not mine. She eases away from me, a subtle retreat from my pressure.

“What’s wrong?” I ask her.

“I don’t know,” she mumbles. I wait a moment and ask again.

“What’s wrong?”

“I just…I still don’t know who you are. Not really.”

I give this a moment to settle. “I’ll tell you.”

I feel her shaking her head, rocking it back and forth on the pillow. “Not now.”

“Not now,” I agree. “But I’ll tell you.” I lean in, burying my face in her hair, but she curls up tighter.

“There’s too much.” She is nearly in the fetal position, like her nightly program of bad dreams is already starting. “My mom…everything. There’s just too much.”

I let my electricity dissipate. I relax my body, still touching but not pressing. “We’re going to find her, Julie.”

She doesn’t reply.

“Your mom. The kids. We’re going to find all of them.”

“Do you ‘know’ that?” she asks with her face still in the pillow. “Is that one of those things you ‘know’?”

I sense her alertness as she asks this. A step into dangerous territory. A question for the man she’s not ready to meet.

“I don’t know it. But I feel it.”

She breathes quietly. I can hear her heartbeat. “I know we won’t have long,” she whispers. “I just need to be with her at the end.” Her whisper trembles. “I need to hear what she has to say to me…before I say goodbye.”

I place a firm hand on her hip. “You will.” It comes out with surprising conviction, and although I don’t know the future, it doesn’t feel like empty comfort. “Before we deal with Axiom, before BABL and the rest of this ‘war’…we’re going to find our family.”

She’s silent for a long time. I kiss the back of her head and close my eyes. “Goodnight, Julie.”

She reaches behind her and places her hand on the back of mine, her fingertips nestled between my knuckles. Then she slides my hand off her hip and up her stomach and presses it around her breast. I surrender to sleep with the soft weight of her resting in my palm, breathing the sweet, spicy scent of her hair, and I allow myself an indulgent thought: maybe we’ll get through this. Maybe the home we left behind won’t have to become a memory. Maybe somewhere in the space between bullets, we can still find room for a life.

WE

ABRAM KELVIN is fifteen years old, and he is picking up his brother from school. A normal thing, a normal day. The wrongness is all in the details: the crumbling brick of the school, the sage brush that chokes the playground, the distant specks of patrols making their rounds on the barren hilltops.

“You don’t ‘love’ her,” Abram tells his brother. “That’s stupid.”

“I do too,” Perry says, smiling across the playground at a little blond girl whose name Abram has already forgotten. “I love her and I’m gonna marry her.”

“You’re only five,” Abram says.

“So?”

“So five-year-olds can’t fall in love.”

“Why not?”

“Because love is complicated and only grownups can do it.”

Perry shakes his head, still smiling. “I can do it.”

“You’re a weird kid, you know? At your age you’re supposed to think girls are gross.”

“Girls are cool. I like girls.”

Abram sighs. “Come on, weirdo. We’ve gotta pack.”

He grabs his brother’s soft hand and drags him away, wondering if Perry realizes he will never see that girl again, just like Abram will never see the girl in his combat class, the one who gave him that wicked smile when she flipped him on his back, a private invitation that he’ll never get to accept. This place. All these people. Gone and soon forgotten.

“Do you love anybody?” Perry asks him as they walk back to the house.

“Nah,” Abram grunts, then turns his head and spits for no reason, the way older men do. His father doesn’t do this but all his father’s friends do, spattering the garage floor with their milky phlegm. His father doesn’t always act like a man, even though he builds houses and works on motorcycles, and this troubles Abram. What if his father is weak? What if he can’t protect them from the world? If he can’t, it will be up to Abram to do it. Abram spits again.

“Why not?” Perry says. “Why don’t you love anybody?”

“I love our family.”

“Nobody else?”

“Nobody else sticks around. They’re not real.”

Perry squints at him. “Not real?”

“Think about it. Last year you said that Jeff kid was your best friend. Where’d he go? Do you even remember him?”

Perry frowns at the ground.

“Now you say Mike’s your best friend, but when we leave, he’ll disappear and you’ll forget him too. So was he really even there? What was the point?”

“Well…” Perry says, considering the question, “having fun. Playing and stuff.”

Abram shakes his head, suddenly embarrassed at his outburst of openness. “Forget it. Just remember to stick close to the family. Things might get bad out there.”

“Where are we going, though?” Perry asks.

“Don’t know yet. Somewhere safe.”

“But I like it here. I want to stay here.”

“It’s not safe here anymore. Even Dad says so. You want to be safe, don’t you?”

Perry looks over his shoulder at the town’s red roofs and cherry trees, the distant burble of the playground. “Nah.”

Abram snorts. “Then you’re weird and stupid. Wait till some-thing really bad happens to you, then you’ll understand.”

• • •

In the last image Abram has, Perry is still a boy. Soft cheeks and little white teeth, smiling just before the attack. Abram wonders what that boy became before he died. Did he ever grow out of that rose-twirling romanticism? Did seeing his family peeled away piece by piece finally make a man out of him?

Abram tells himself it doesn’t matter. What matters is the present, where he has a job to do.

In this all-important present, Abram is a thirty-one-year-old man gunning a rusty motorcycle down a forgotten stretch of highway. He is no longer anyone’s brother or son or husband. He is no longer an employee or a soldier, a colleague or a friend or anything to anyone—with one exception.

He is a father.

Despite all the death and pain that fill the pages of his book, he is still a father, and his daughter has never needed him more. His last image of her fits neatly over his last image of Perry: soft cheeks and little white teeth, smiling at him through the window of Axiom’s transport bus, happy to see her father even as he fails to fight off the guard, fails to stop the bus, fails over and over until she’s gone.

Abram holds the image close like a beloved photo. He runs it through his mind, caressing its sharp edges and savoring the sting of the cuts. He deserves the pain. He needs it. It will keep him moving.

The sound of an approaching vehicle scatters his musings. He swerves off the highway and hides the motorcycle in the underbrush, and as the noise resolves into the rumble of a big diesel engine, he entertains wild thoughts. It’s the bus. It’s her. In a few seconds I’ll see her face in the window and this time I’ll do what it takes.

He sees a flash of yellow as it passes. A glimpse of chrome and stripes.

It’s not the bus.

He steps out onto the road to watch it go. A garish 1970s motorhome, bristling with antennas and solar panels and fuel barrels marked “Do Not Steal.”

It’s them. It has to be.

How did he become the chaperone to that gang of overgrown children? How did they drag him into their suicide cult and why did it take him so long to get out? The bullet wounds in his arm and shoulder still throb, and he doesn’t doubt the girl would have kept shooting if he pushed her to it, but that’s no excuse. He had plenty of chances to snatch the gun, crack her skull, and go his way. But he stayed.

Did their fantasy infect him? Did he enjoy the sugary taste of their dream? For one indulgent moment, maybe he did. But as he watches the RV trundle away, big and bright and begging for abuse, he tightens his jaw.

No more dreaming. Abram will stay awake.

He heads back to the motorcycle, an old scout bike he salvaged from the wreckage of Fort Hamilton. Most would have considered it scrap metal. Abram got it running in two hours. He unearthed the tools and fuel from a bomb-blasted mechanic shop, crawling like a rat through the briar of twisted sheet metal. He is hard, he is resourceful, and he needs no help to do his job. He will do it alone like he always has. He will find the bus. He will take back his daughter.

And after that?

It’s a question he hadn’t expected to hear in his head, but the answer is clear enough: after that doesn’t matter. He is a man with both boots on the ground, and what matters is the next step. Watching the steps ahead is a good way to fall on your face.

And not watching them is a good way to get lost.

He stops. The thought is so loud it almost sounds external, like someone is whispering to him from the shadows. But he can’t place a position or even a number—is it one voice or many? His hands squeeze around imaginary weapons as he growls reassurances under his breath.

“I do what it takes to survive. I fight to protect my family. And that’s all there is to this.”

There’s more.

He whirls around, teeth gritted, fists clenched. But the road is empty. The city is silent.

He is alone.

I

MY SLEEP is a womb. I float in warm darkness and it nourishes me, feeding amniotic nectar into my fetal form. Unmade by the day before, broken into simple cells, I am growing a new body in this silent oblivion.

This is rest. This is what rest feels like.

I get perhaps four hours to savor it, and then a hand is shaking me and I’m gasping musty air and looking up at a bearded giant who appears to be throttling me.

“Hey,” M whispers, giving my shoulder one last shake. “Get up.”

I blink reality back into my head, a rush of information reminding me where and who I am.

“Need to talk,” M says. “Please.”

I’ve never heard earnestness like this from him. As I push the blankets off of me, I realize I’ve presented a clear view of Julie’s half-naked backside, but M doesn’t even look. And now I’m very concerned.

I throw on my clothes and tip-toe past the other two women. Nora’s clothes—all of them—hang from ceiling hooks above Tomsen, who seems to have uncoiled a little, accepting Nora’s persistent spooning in exchange for the body heat. It’s unseasonably cold. Outside, a layer of frost covers the fields, turning the old furrows into snowcapped peaks that glisten in the morning light. I glimpse a few strawberries among the weeds and think of a Beatles reference that Julie would have enjoyed once, back when all I had to do to impress her was to know literally anything.

“Okay,” I say, throwing up my palms. “What?”

M glances over his shoulder, a gesture that looks ridiculous in this empty field. He lowers his voice until it’s barely audible. “Do you remember a boy?”

I wait for him to elaborate.

“Before the airport. That long walk. Little black kid?”

The airport itself is a fog, and before that is nothing. A gray void of abstract symbols and formless sensations, like the dreams of animals. I give him an emphatic shrug that says of course not.

He digs his fingers into his forehead. “Keep having…thoughts. Dreams. I think maybe…” He squeezes his eyes shut. “Maybe I did something bad.”

“You did,” I say with a bewildered frown. “Lots of things. We all did.”

“No. Something worse.” He looks at the ground. “Something to Nora.”

“Like…what?” I ask cautiously.

He scrunches up his face, rubbing his shiny scalp. “Don’t know. A boy…a house… It’s just pieces.”

So M’s voyage through the past isn’t such a pleasure cruise after all. There was a time when I might have taken some ugly satisfaction from this, and I’m ashamed to remember it. There is nothing satisfying about the anguish on my friend’s face.

“Does she know?”

He shrugs. “Must not. But if she finds out…remembers…”

I clap a hand on his shoulder. I feel like I should offer him a word of wisdom, some gem that I’ve mined from my own past, but I have yet to pull the tarp off the results of that dig. It may be nothing but dirt and bones.

“She knows who you are now,” I hear myself telling him. “Whatever it is…she’ll forgive.”

I have no idea if this is true. I may be talking to myself more than to him. But it seems to take the edge off his fear, and he nods.

We both turn at the muffled sound of Nora’s voice in the RV. Then Julie’s, sharp with annoyance. I step back inside and M follows with a reluctance that almost looks like shyness. I hope no one notices the change.

“Fuck off,” Julie groans into her pillow. Nora is pulling on her ankle, trying to drag her out of bed. Only their years of friendship give Nora immunity to Julie’s morning wrath. Anyone else would die for this.

Tomsen is awake too and already sitting in the driver’s seat, her vivid green eyes lost in a sleepy haze while she waits for the vegetable oil to warm up.

“Get up,” Nora says. “Important shit to do, remember?”

“Not yet,” Julie pleads, pulling the pillow onto her face as if to smother herself.

“I thought you wanted to save the world, you fucking walrus. Get up!” Nora yanks the blanket off her, and this time it’s not her back that’s exposed. This time M does look, but I can hardly blame him.

“Oh my!” Nora laughs as Julie scrambles to grab her shirt. “Looks like you had a good night after all!”

Tomsen watches in the rear view mirror with a look of creeping apprehension: what have I gotten into?

“I hate you,” Julie grumbles, staggering out of the bedroom while buttoning up her jeans. “Like, so much.”

Nora makes a kissing noise.

Julie plops down onto the couch-bed and looks at the floor with puffy eyes. Her hair is the usual postmodern sculpture of crazed angles and spikes. She offers me a faint smile as I sit beside her, but it’s clear that her night was not the restful repose that mine was. Wherever she went in her dreams, part of her is still there, chasing her mother down dark alleys while the flood rises at her feet.

“Coffee,” she croaks at the floor, then looks at Tomsen. “Please tell me you have coffee.”

“I don’t drink coffee,” Tomsen says, but before Julie can burst into tears, she adds, “but I know a place.”

She starts the engine.

• • •

As day dawns on the highway, we begin to encounter traffic. The first car behind us triggers a panic; M and Nora reach for guns we don’t have and Julie starts rattling off a plan for how to overpower the attackers when they stop us, but then the car passes with a honk and a wave and we all feel foolish. We remember that not everyone in the world is a thief, a rapist, a killer, a cannibal, or an employee of an insane corporate militia. Some people are just people, on their way to wherever, and as more and more of them pass us on this crumbling highway, cars and trucks and bikes and horses, I realize our posture toward life may need some adjustment.

Somewhere between Baltimore and DC, we pull into a diner.

It looks the way a diner should look. Old, ugly, clean but well-worn. A blinking neon sign makes an unbelievable claim: OPEN.

“Is this real?” Nora wonders as we park between a boxy red camper van and a row of horses tied up saloon-style. “It’s some kind of secret base, right? A rebel front? Or are we in some suggestible universe shit?”

Tomsen’s eyes dart over to Nora. “You’ve read The Suggestible Universe?”

“Of course I have. Everyone was reading it back when zombies first went public. Fascinating stuff.”

“Too bad more people don’t believe it,” Tomsen says, hopping down from the driver’s seat. “But no, we didn’t think this into being. Lynda’s Diner, established 2021, best and only breakfast in town.”

The diner is busy yet eerily subdued. Most of the customers have a look of soggy exhaustion, and I realize these aren’t just customers, they’re refugees. Less than twenty-four hours ago, New York City sank a little deeper under the tide of inevitability, and the labor camp that called itself Manhattan vomited its population into the world. The few busloads that Axiom deemed valuable got free shipping west, to be reinstalled into the machine as soon as possible. Everyone else was left to scatter, and with all that traffic funneling through just a few remaining highways, Lynda’s will be a popular pitstop on the route of the New York diaspora.

Lucky for us, the rush hasn’t hit yet. We have been racing nearly non-stop since the moment the hurricane passed, driven by desperate quests, and our urgency has put us ahead of the brunch crowds.

Tomsen leads us to a booth by the window, and Julie and I squeeze in next to her on the red vinyl bench. M and Nora take the other side, but M sits near the edge, projecting none of his usual attempts at charm. Nora notices, and a curious frown hovers on her face.

A weary, middle-aged waitress approaches the table with a notepad at the ready, just like in the movies, but instead of “What can I get you?” she asks, “What’ve you got?”

Tomsen reaches into one of her jacket’s many pockets and pulls out two black objects: little bundles of wires encased in tape and plastic. “Signal filters,” she says. “Hook them to your walkie’s antenna, reduce jammer noise by ten percent. Limited stock, act now.”

The waitress picks up the gadgets, eyes them skeptically, disappears into the kitchen for a minute, then returns with a look of amazement. “I just talked to my husband on the farm. Still squealy, but I can hear him. You could get rich off these things.”

“They won’t be worth much once we destroy BABL.”

The waitress smiles patiently. “Right. And how’s that going, ‘H. Tomsen?’ Haven’t seen you in a while.”

Tomsen glows with the pleasure of being remembered. “I was in jail but these people helped me escape. I killed the jammer in New York, now we’re going to blow up the west coast.”

The waitress raises an eyebrow.

“It’s going to be beautiful.” Tomsen is bouncing in her seat like a child, and I wonder if someone should try to stop her before she gushes our plans to the whole world, but it’s coming out so fast… “You’ll be able to walkie your farm man whenever you want, tell him you love him and have radio sex, lost kids will find their families, weird people will find friends, we’re going to untie the gag so the world can talk again.”

I glance around, but no one is listening to us. The waitress scans our faces, dirty and bruised and tired, hair matted and wild, and I realize we probably look more like delusional drug addicts than villains, heroes, or any other threat to the norm.

“Good for you,” the waitress says with a faint smile. “So what can I get for you?”

“Five days of food and all your fryer oil.”

“Deal.”

“And coffee,” Julie mumbles, staring into empty space. “All your coffee.”

• • •

The coffee comes first and Julie nearly dunks her face in the mug. Tomsen slides hers over to Julie, who grabs it with her free hand and holds it at the ready.

I look down into the black well of my mug. Aromatic steam drifts up to my nose. Iridescent oils swirl on the surface. I take a sip of the inky brew, bitter and bracing, and I feel the caffeine meeting my neurons. A cautious greeting, then recognition, old friends reunited. My brain lights up like a city.

Ten minutes later, the food comes: a classic breakfast of pancakes, eggs, bacon, and fruit, and not the thin, pale, reconstituted versions I remember from diners of the old world. Not frozen food ingots dumped out of a bucket off a ship from China. Real food, fresh from a nearby farm, thick and brimming with life.

For the first time in weeks, I feel hungry.

I take a bite of pancake and my eyes snap wide when the flavor hits my brain. I can taste it. It doesn’t taste like carbohydrates and proteins and the knowledge that I won’t starve; it tastes like butter and maple and rich, doughy warmth. I pop a bulging strawberry into my mouth and my tongue ignites with tangy sweetness so overwhelming my eyes roll into my head.

“R,” Julie says with a wondering smile. “Are you…enjoying your breakfast?”

My cheeks are too stuffed to answer, so I just nod and keep chewing. The only thing I don’t inhale with rapture is the bacon. Staring at that thick rasher of smoky meat, my mouth tingles with desire, but my mind backs away. I am not ready for that. Maybe I never will be. It’s harder to decontextualize meat when you’ve chewed it off a living, screaming body. Perhaps some parts of my humanity should be left unremembered.

M notices my conflict and resolves it for me. Three strips of moral ambiguity disappear into his mouth.

• • •

There is no further conversation at our table. Food is a delightful novelty for me, but for these three women and their fully Living appetites, it’s serious. They’ve subsisted on little but Carbtein since we left the stadium—much longer, in Tomsen’s case—and despite providing all the nutrition of a proper meal, there is some aspect of human hunger which that miraculous chalk never satisfies. I can see a few patches of sunken skin on Tomsen’s neck, translucent brown like apple bruises, revealing the phantom malnutrition of a Carbtein diet, the body insisting “I’m fine!” until the very moment of death. All three of them are literally starving, and the meal proceeds accordingly. The minutes tick by in wordless chewing.

So I settle in to wait, feeling full in a way I never have in this life, and as I gaze idly around the diner, studying faces and skimming conversations, my ears perk to the sound of an escalating debate in the booth behind me.

“It won’t work,” says a man says with a faint East African accent. “Maybe with a dozen people in a house, maybe a hundred in a remote compound, but once it tries to be a society, it will always implode or be crushed.”

“And you’re so sure of this why exactly?” says another man with an Irish lilt.

“Because history! People have been trying this kind of thing for centuries. It does not work.”

“With all due respect to your field, love, history is overrated.”

“Oh is it?”

“History isn’t long enough to be an accurate predictor. It’s a statistically insignificant sample size. An idea fails a few times in a single century and that means it will always fail, no matter how much things change around it? Bollocks!”

“Okay, but—”

“You can’t take a handful of examples and call it universal law. Our entire recorded history amounts to a few thousand years—a nanosecond on our evolutionary timeline. We have no bloody idea what’s possible.”

I notice the rest of our table has tuned in. Julie sits upright and cranes her neck, trying to catch a glimpse of the speakers.

“Okay,” the other man says. “Valid point, if you want to zoom out that far. But right now? You really believe this could work right now?”

“It’s the post-apocalypse, Geb! All the old systems are gone, the rubbish is swept out. There’s never been a better time to try something different.”

The other man pauses. “Let’s take a poll.”

He turns around, smiling at us over the top of the booth, and suddenly we are participants. “Excuse me. My name is Gebre and this is my husband Gael and we are having one of those windy debates about how to rebuild society. Can we get your opinion?”

“Sure,” Nora says with an odd note of unease, perhaps fearing a repeat of the Julie-Abram conflicts.

Julie, Tomsen, and I twist around on the bench to face our neighbors. Gebre is slim and dark-skinned with short, tufted hair and a neat goatee, dressed for the wrong decade in crisp khakis and an improbably clean blue button-up. Gael is nearly his opposite, with fair skin and shaggy blond hair, his ratty mustard t-shirt revealing tattooed strings of numbers spiraling up his forearms. He gives us an apologetic smile as Gebre launches into his “poll.”

“So in the Old Gov days, society was a machine, yes? Each law was connected to another law leaving no empty space between them. There had to be a law for every situation, no loose parts, no gaps, because if there was a gap, someone would exploit it. You agree so far?”

No one confirms this, but he continues.

“We know that many people are good, but we designed the machine to assume everyone is bad. Most people wouldn’t choose to hurt others even if they were allowed to, but some would, so we had to design the machine around those ones. We couldn’t leave anything to choice. We couldn’t use soft human ethics for any of the machine’s gears. They had to be hard, made out of law and force.”

“Which severely limited the possibilities of the design,” Gael interjects.

“Yes,” Gebre agrees, nodding. “There aren’t many designs to choose from when they have to be this rigid. But what are you going to do?” He shrugs. “If you live underwater, all your vehicles must be submarines.”

“See, this is where Geb and I part ways,” Gael says to our table. “He thinks people are a mindless erosive element like water, that we’re always working to break down society, so the only kinds of societies that can survive are watertight ones.”

“No, no, no,” Gebre says. “This is not what I think, it’s what they think.” He waves a hand around the diner, taking in everyone. “What most people think. And whatever most people think becomes reality.”

“Our idea of what ‘most people’ think hasn’t been updated in a long time.”

“Well, this is my question for these people, isn’t it? So. You people.” He swings his hand back to our table and looks us over, taking in our haggard appearance, our bandages and scars. “You look…well traveled. You look like you’ve had your share of experience with humanity. What do you think?”

Julie leans forward against the bench, cocking her head. “About…what, exactly?”

“Would you want to live in a society that uses altruism and cooperation for some of its gears? A system that contains opportunities for exploitation but expects people not to choose them? A society based—at least partially—on goodness?”

Julie thinks for a moment, but not a long one. “Hell yes.”

Gebre hesitates. “Hell yes?”

“Fuck yes!” Her eyes glitter. “Sure, it sounds crazy, but we’ve been using sane systems for a long time and look how that turned out. If we’re not willing take a big leap, we’re going to end up right back where the apocalypse started.”

Tomsen raises her hand. “I say aye, concur and agree. Break stuff open and show what’s in it and make new stuff from the pieces.”

Gebre has lost some momentum but he continues. “It would be very difficult. People would have to rely on each other—not just their own groups but everyone together. We’d have to give up some security and independence. We wouldn’t have what we had before.”

“Fuck what we had before!”

I smile at the half-crazed passion in Julie’s eyes. Nothing gets her revved like a windy debate, no matter where, when, or with whom. Combine it with untold quantities of caffeine and…

“What we had before is what burned the world down. I’m ready for a whole new everything.”

“Chairs on the ceiling,” Tomsen adds. “An otter for president.”

Gebre looks at us for a moment, then tosses up his hands and turns back to his husband. “Well. Okay.”

Gael erupts with laughter. “You’re out of touch with the youth, old man.”

“I might even agree with them,” Gebre says with a shrug, “but they’re hardly representative of the general population.”

“We might be someday,” Julie says. “Maybe sooner than you think.”

Gebre grunts and resumes eating while Gael holds back a flood of gloating.

“But is this a real place you’re talking about?” Julie asks the couple, all but climbing over the booth. “Is there a enclave like this out there somewhere?”

“No, no,” Gebre says, waving dismissively. “Not a real place. Utopia means ‘no place.’”

“It’s just an idea that’s been floating around,” Gael says. “Although I’ve heard they’re getting close in Portland.”

“Even if it could work in theory,” Gebre sighs, “a seed this delicate could never take root while that is steamrolling the landscape.” He jabs a palm toward the TV hanging over the counter.

I stare at the screen and my stomach sinks. The onslaught of flashing images stings my eyes, but I can’t look away. A reminder of why we’re here. Where our road leads. What we’ll face when we get there.

There was once a nation that hated itself. It was founded on the idea that no one should need it, that each individual was his own nation and needed no alliance with neighbors, that each of the millions was separate, alone, and in competition with every other. This contradiction drove the nation insane. For the second time in its short history, the nation declared war on itself.

So to defend this nation against the people who comprised it, its government built a machine called BABL, and every communication channel but its own disappeared into static. This slowed the government’s fall. It bought a little time. And then, after years of fire and death and unimaginable mutations of reality, the government disappeared, too.

But like the impossible walking corpses that were rapidly replacing humanity, Old Gov’s channel shambled on after its death. It showered the ruins of the nation with a looping collage of stock images, fragmented clips, and foggy filler content, and people kept their TVs and radios tuned to this cultural compost because if they squinted hard enough, they could imagine the world was still turning. Even meaningless noise was preferable to silence.

This was the LOTUS Feed I grew up with: the jabbering ghost of a dead world, annoying but harmless.

Times have changed.

The ghost has become a demon, growling and spitting and fighting for possession. In between coded messages to Axiom operatives, the Feed spews dire warnings and aggressive recruitment ads, calling every able body to donate itself at the nearest branch. Zombie hordes and burning houses fade to smiling families safe behind concrete walls. Demure women clutching babies. Square-jawed men clutching guns. A surprising number of the diner’s patrons are watching this grim infomercial, but whether with interest or horror, it’s hard to tell.

I am relieved, at least, to see no recurrences of our wanted poster in the Feed. It seems Axiom has decided we’re no longer worth the airtime, no longer a threat worth worrying about.

Good.

“Lies Over Truth United States,” Gebre mutters. “How is anyone going to listen to an experimental civics lecture over all that noise?”

“They did,” Gael says, gesturing to us.

“That’s not the acronym,” Tomsen interjects.

“A joke,” Gebre says. “Who knows what it really means?”

“They listened, Gebre.”

“Old Gov never made it public,” Tomsen says, “but popular rumor is Lullaby Opiate Trauma and Urge Satisfaction.”

“Lady Ogle,” M mumbles, “Tits and Underwear…Show.”

“We listened, Gebre,” Julie says, cutting forcefully through all the cross-talk. “And there have to be more like us out there. And by the way”—she thrusts a hand out to our neighbors—“I’m Julie.”

“Hello, Julie,” Gebre says, shaking it.

“This is R, that’s Tomsen, and that’s Nora and Marcus.”

I smile. Tomsen waves. M nods. Nora stares.

“Pleasure to meet you,” Gael says. “Been a long time since we’ve heard any new names, hasn’t it, love?”

Gebre nods with a whimsical smile. “These days mostly just ‘hey you.’”

“So what brings you lot on the road?” Gael asks. “Fleeing New York, is it?”

Julie swallows the enormity of the understatement. “Um…yeah. You?”

Gael sighs. “We drove thousands of miles for a life in the big city and weren’t there a week before the hurricane hit. Not that we would’ve stayed long anyway.”

Gebre shakes his head ruefully. “The rumors made it sound so perfect.”

“Kudos to Axiom’s viral marketing department.”

“Where are you headed now?” Julie asks, her eyes filling with sudden inspiration. “If you’re going west, we could caravan!”

Gael shares a weighty look with Gebre. “We can’t.”

“Why not?”

“We’d slow you down. Going to be a wee bit scattered.” Gael’s eyes drop to his plate. “We’re looking for someone we lost.”

The cloud that gathers over him spreads to his husband and seems to shadow Julie as well, smothering her excitement. A reminder that people aren’t on these roads to meet new friends. A reminder that neither are we.

“Oh,” she says, sinking back into our booth. “Yeah. We lost a few too.”

A brief quaver as she rolls over the topic, like the bump of a body in the road.

“What’s your accent?” Nora blurts, staring at Gebre, and I realize how uncharacteristically quiet she’s been throughout this exchange. She watches the couple with an expression I can’t read.

“Boston,” Gebre says with a raised eyebrow. “By way of Somalia. Why?”

Nora shrugs, shakes her head, blinks several times.

There’s an awkwardly long silence. M squirms, then heaves himself out of the booth and stretches noisily, trying to bring the party to a close. And he’s right. A humming tension has crept into the air. It’s time to go.

Julie gives Gael and Gebre a deflated little wave as we all exit the booth. “Well…good luck, you guys.”

“You too, Julie,” Gael says with a sad smile.

“If you find your friend and you want to start that caravan, well…” There’s a subdued desperation in her eyes. “…keep an eye out for us?”

“Wild guess,” Gebre says, pointing out the window at the RV. “The yellow submarine is yours?”

“Her name is Barbara,” Tomsen says, a little defensively.

“Should not be hard to spot.” He smiles and flashes us all a peace sign. “Good luck, new friends. Maybe we see you in Utopia.”

• • •

We load the barrels of fryer oil onto the roof rack and stuff the RV’s fridge full of takeout boxes, then we’re rattling down the highway again. But despite the sunny start to this day, the bliss of breakfast and conversation with strangers, a heavy silence hangs over us. Everyone stares out the windows at the blur of passing hills, and I glance from face to face, trying to read their troubles. M’s I know. Nora’s I’m beginning to suspect. And Tomsen’s are too numerous to name. So I settle on Julie. I watch dark clouds pass across her face though the sky outside is blue. How many losses does she blame herself for? Has she added Sprout and my kids to her list? Did she count her mother twice? She’s convicted herself of so many crimes, maybe nothing less than saving the world will absolve her.

And then I have to wonder: if she sets the price that high for her tiny sins of omission…what could ever repay mine?

“What’s that?” Julie whispers, and for a horrifying second I wonder if I’ve been thinking aloud. But then I see it. A strange shape ahead. A twisted mass of metal slumped against the highway embankment.

A bus.

A New York City bus, its markings half-covered in faded decals…an ad for a show about sharks.

It’s the bus that took my children, and it’s lying on its side like roadkill, shattered and bent and crushed.

-

JOAN AND ALEX are not my offspring. They have none of my genetic material and I have never seen the woman who birthed them. I did not even raise them, never filled their heads with my words and ways like little Arks of the Covenant, commanding them to carry me forever. So I find it wondrous that I love them anyway. These tiny strangers who bumped into me in an airport, looked up at me and smiled. Like so much of love, this is a miracle. A small act of defiance against nature’s brutal physics.

And yet as I scramble up the side of the overturned bus and drop down through a shattered window, I find myself wondering how to switch it off. If I see what I’m afraid I’m about to see…do I really have to feel it too?

There are bodies in the bus. A man with a gut wound and a chunk of metal through his skull. A man with a bite on his leg, a gun in his hand, and a bullet in his head.

No one else.

A rush of warmth replaces my desperate calculations. I hop back down to my waiting friends. “Empty.”

“What happened?” Julie wonders.

“The kids,” I say, permitting myself a morbid smile at the thought of the guards’ wounds. “I think…they fought.”

“But where are they?”

M is walking the perimeter of the crash, scanning the ground with military focus. “Driver escaped.” He studies the debris on the pavement, the indentations in the grassy embankment. “Kids scattered.” He leans down, squints, touches the dirt. “Except…three. Group of three went together.”

“That’s them, right?” Julie says. “Joan, Alex, and Sprout? They would’ve stayed together.”

M follows the footprints—or whatever it is a tracker tracks—for a few yards, then stops. “Four now.” A faint note of anxiety enters his voice. “Another kid. Barefoot.”

Tomsen is still at the wheel of the RV and she idles along behind us as we follow M down the highway. The tracks lead up the embankment and stay there, as if ready to jump into the bushes at the first sign of pursuers. That had to be Sprout’s forethought. She must be leading them. But to where?

After about a mile, M traces the tracks onto a highway offshoot and stops. He looks into the distance, where the wilderness road becomes an urban arterial. “They went down there.”

“Highway One,” Nora murmurs. “That’s…” She turns abruptly and hops into the RV, and we follow her. “They’re going to DC.”

“DC was the Fire Church’s favorite target,” Tomsen says. “They were blasting away at it right up until the collapse. Been empty for years.”

“The kids don’t know that. They’re just trying to find people.” Nora drops into the passenger seat and slaps her thighs. “Let’s go.”

“Tomsen,” Julie says with a certain reluctance. “Is it empty? Or just exed?”

“Are you asking if there’s a hive? In a vacant city walking distance to a population center?”

Julie frowns. “Maybe…?”

“Is the sky gray? Is the Pope dead? Does a bear shit in the White House?”

“So that’s a yes.”

“Yes. There are many, many zombies in Washington Dead City.”

Julie looks at me. I look at the floor, my guts knotting.

Nora kicks the dashboard. “I said let’s go!”

• • •

The cold morning has matured into a full-boil summer afternoon. The sun hovers directly overhead, turning the RV into a barbecue, and I feel my skin getting slick with sweat. I should be thrilled to see my body resuming its Living functions—I am very nearly normal—but my concerns have moved outside of myself. All I can think about is Joan and Alex and tiny, worried Sprout wandering into town looking for adults to keep them safe, and finding a swarm of self-gratifying monsters instead. Are my kids at least still Dead enough to be ignored? Or will their hard-earned steps toward life be turned against them?

No one speaks as we travel up this dry artery into America’s stilled heart. Vine-choked suburbs give way to the beige boxes of retail, all bright colors long since bleached away, sidewalk trees and other caged flora baked to death by the hot concrete, advertisements faded to blue-hued ghosts of impossibly happy people, faint mouths grinning through the haze.

As far as I can see, the city is a silent tableau, and I begin to wonder if Tomsen’s information might be faulty. I see no signs of the super-hive she implied; it feels as empty as Detroit. I watch the windows of apartments blur past us, flashes of dark bedrooms, moldy kitchens, a face—I pull back with a grunt.

Sunken eyes follow me as we fly past. A man standing at his window, watching the street. And now that I know where to look, I start to see more of them. Not massed together like herds of animals. Huddled in their homes, watching their televisions or the street outside, as if awaiting news.

“Something’s different,” Tomsen says, squinting into the buildings around us. “Why aren’t they swarming? Hunting? I’ve never seen a hive like this.”

I remember a quaint neighborhood on the outskirts of Post. A cul-de-sac of crumbling houses. A quiet man named B, and hundreds of others like him, and I mumble:

“I have.”

• • •

As we enter the historic part of town, I begin to see more signs of the Fire Church’s efforts, but their work is oddly spotty. Individual buildings blackened, half a block here and there, but none of the scorched-earth devastation I remember. Perhaps the capitol put up more of a fight than the sad little towns they were used to. Not that it mattered in the end. The capitol is dead, all its grand endeavors erased, just like the Church promised. Whether by fire or subtler ruin, the point gets made.

But I wonder how their dogma has adapted to the Dead. What do they make of the aftermath of their work here, this booming population that’s not at all bothered by the loss of its comforts and not at all interested in the Church’s reasons for taking them? These people who simply are?

The density increases as we approach the city center and small swarms appear in the weedy lawns of various monuments. But even these are oddly subdued. Almost focused. They don’t shuffle around in vague orbits, waiting to detect human flesh. They stand and stare at the ground and even at the sky, that gaping mouth of an unknown god that’s always about to swallow them.

The knot in my gut begins to relax, warming with cautious hope. If this is the assembly that met the kids, they may have passed through freely. They may even have found friends.

“Last time I visited,” Tomsen says, “there was a steady flow of hunting parties going into Baltimore and the surrounding camps. They were stockpiling flesh. It was a busy place, almost industrialized.” She watches a woman standing alone in the Reflecting Pool, staring at its bone-dry bottom. “But this I don’t understand. No signs of feeding. They should all have starved to full-death.”

“Maybe the rules aren’t as rigid as we think,” Julie says, and glances at me.

We drive deeper into the white marble carnival of American pageantry. The sun blazes off Egyptian obelisks and Roman columns, an empire’s monuments to its invincibility built in the styles of fallen empires. The White House is now just a white house. Barely even that with its pillars and doorways scorched by the flames that gutted it. But I’m surprised the Fire Church wasn’t more thorough. Surprised they didn’t come back to finish the job once the government was gone. For a group seeking to scour the earth of its pretensions toward progress, there could be no bigger target than the very symbol of civic ambition. I see a few of their slogans graffitied on the walls, but they’re lost among the thousands of other tags, the disgust of an entire nation hurled like rotten fruit at the government’s face. Perhaps a pillory is exactly what Paul Bark had in mind when he chose to leave the place standing. A public humiliation instead of the usual obliteration, driving the point a little deeper: none of this is coming back.

“Where am I going?” Tomsen asks the rear view mirror. “Should I just drive down random streets until we run over the children? That will take a long time. Guidance welcome.”

No one offers any. A hush hangs over us as we tour this haunted city. Julie is looking at Nora like she wants to ask her something, but Nora is far away, staring through the windshield with blank, round eyes that don’t track the passing scenery. Their only movement is a barely perceptible twitching.

“14th,” she blurts suddenly. Her voice is distant, like she’s transcribing a dream. “North on 14th. Ten blocks. Then right on U Street.”

Tomsen takes the cue without question. We head north on 14th.

M sits on the edge of the couch, watching Nora. She never looks back, so he watches the back of her head, looking into her cloud of curls as if searching for a ticking bomb. I’ve seen him weather countless mortal dangers with a stoic grimace. I’ve never seen real fear on his face. It frightens me.

WE

NORA GREENE has a strange way of reading.

We find her crouched in a dim aisle of the Library, books scattered at her feet. She picks one up, skims it, drops it, grabs another, throws it aside. Then she’s in another room, another hall, up on the ladder, down in the basement. She appears to be looking for something, but in fact she’s looking for nothing. She avoids fiction, music, poetry, art. She looks for magazines, textbooks, history, science. Things that will chat with her through the door without asking to come in.

But the uninvited guest keeps sneaking inside. She opens a volume of economic statistics and finds a feature about a family’s escape from a burning city. She flips through a book on human anatomy and finds a chapter titled “The Big Man.” She opens a travel magazine and finds a photo of a girl and a boy with a caption that says:

Find us.

Her scream echoes through endless halls, scribbling grief into the margins of every book.

“Nora,” Marcus says. “Can I ask you something?”

Blackened houses drift past like sinister temples. The fires traveled well in Little Ethiopia. Some buildings are reduced to mounds of charcoal, others are merely scorched, but no part of the neighborhood escaped untouched. Nora hears sirens. Helicopters. Police and firefighters drowned out by a voice booming over loudspeakers, warning her of what’s coming, urging her to accept it, let go, surrender to the peace of God’s plan. And a woman—a white woman with Nora’s brows, Nora’s jaw, Nora’s long legs—running through the streets shouting, Amen! Amen! Lord take us home!

“Nora?”

“What.” It comes out with difficulty. A feeling of choking.

“Your family…you said you didn’t have one. What’d you mean?”

She doesn’t answer. She watches the buildings get sootier as the RV approaches U Street and she hears a voice somewhere in the distance. Not the woman’s. A boy’s voice. Small and high and too far away to understand. But she knows it’s calling her.

“Where did you grow up?” Marcus asks. His tone is strangely insistent, and Nora feels anger coiling in her.

“Why?” she says with the bluntness of a crowbar. She sees the melted sign of Dukem Restaurant, where her parents first met. She sees the blasted entryway of the habesha grocery where her father used to work. She sees the pile of ash that was the community center where she spent so much of her childhood. “Here,” she says without looking at him. “I grew up here.”

She feels something pushing at the side of her vision, like a reel of film trying to overlap the one currently playing. She fights it. She feels Julie’s eyes on her, watching with mounting concern, and she opens her mouth for a joke or lighthearted quip to make everyone comfortable again, but she finds herself utterly empty of these things. She takes a deep breath and closes her eyes—a shadow reaches toward her—she opens them wide and begins to breathe hard.

“Nora?” Julie says.

The voice is closer. She can almost discern the words.

“ I didn’t really have a hometown,” Marcus says at a weirdly high volume, like he’s forcing a panicked shout into the tone of casual chit chat. “Dad was Navy. Moved every year, so not much chance to make friends. Just me and my brothers, town after town. Did you…” His voice cracks. He sounds terrified. “Did you have any siblings, Nora?”

R puts a hand on his shoulder and shakes his head, don’t. That strange, lanky ghoul and his gigantic friend. Tall man. Big man. Two corpses walking and talking, lives and deaths and new lives. Time doesn’t flow; it’s a solid mass. It’s here all at once, tripping over itself.

“Did you have a brother?” Marcus pleads, and R pulls him back, muttering admonitions.

But Nora doesn’t register the questions. She is listening to someone else. A voice that’s loud now but still unintelligible, like a scrambled radio signal. She is watching a burnt building grow nearer and she’s shrinking back against her seat. It looms ahead like a monster in a dream; she tries to run away but she can’t turn around; she floats forward, locked on a track.

She is standing in the dead grass outside the burnt building, staring up at its crumbled plaster frame, its bright green paint peeled and scorched, its windows empty and black. She hears people talking behind her, questions and warnings and urgent entreaties, but she doesn’t know these people. They are from a distant, unimaginable future, and a voice from right now is calling her.

She steps through the doorway of the apartment where she lives. Her boots crunch on the charred wood staircase and a few steps crack under her, but she ascends. She passes the doors of the neighbors she’s never met, a community of hunched shoulders disappearing around corners. She passes the window where she practices her aim, shooting BBs at birds in the birch across the street, hating her accuracy when they fall to the ground but telling herself it’s necessary, because sooner or later her parents will fail her, and she’ll have to take care of herself.

No. Not just herself.

She hears the voice, very close now, just behind the last door. She doesn’t want to go in. Her heart is pounding and she can’t catch her breath, but the door is open. She smells frankincense and coffee. The voice is sad and alone. It’s been waiting for her.

She steps into her family’s apartment.

There is a void sitting on the sofa.

She feels everything in her trying to run away, and yet she doesn’t run away. She wonders how this can be. If everything in her says run, what is left to say otherwise?

We are learning how to speak.

We can’t shout, but we can whisper. We can’t push, but we can nudge. We can slip truths between pages until finally she reads them.

Nora stands in front of the void and croaks a name.

“Addis?”

Her brother looks up at her. Her brother is here, sitting on the sofa.

Nora sways on her feet. Her vision blurs in and out. How? After all these years, how? It can’t be real. He can’t be here.

“Addis?” She stumbles closer. She reaches toward him. “Are you…”

She touches his cheek. His skin is cool, but he’s here. His eyes are strange, but he’s here.

“Addis, it’s me, it’s—”

It’s hard for her to speak. Her throat is full of warm water. “It’s Nora, your sister, do you…?”

She sees a distance in his gaze, not quite recognition. But he’s here. The hole in his shoulder that started this, the bite just above that finished it—both wounds are dry, and there is fresh blood smeared on his mouth, and Nora knows what all of that means. But he’s here. Perhaps not Living, but not gone. His yellow eyes regard her with curiosity…and something else. Some distant tremor of feeling.

It’s enough.

Nora collapses to her knees and embraces her brother. Sobs burst out of her in waves; tears stream from her closed eyes and soak her brother’s neck. If he bites her, so be it. If she joins him in whatever foggy limbo he inhabits, so be it. They will wander it together.

The boy’s name is Addis.

We draw lines between his scattered volumes, connecting them with his sister’s, and we smile. Two tiny parts of our vast body, a brother and a sister, severed and now reattached. The average temperature of the universe rises a degree.

“Addis, I’m sorry,” Nora sobs. “I’m so sorry.”

His arms are limp at his sides. His face is tight with confusion. But when Nora finally releases him, he stares into her eyes, frowning in concentration, and raises one hand. It trembles in the air for a moment, as if about to fall. Then it brushes Nora’s face.

We dwell in this moment for as long as we can, wrapping it around us like a warm blanket. Then, with great reluctance, we step back into the cold river of time.

Nora hears footsteps creaking on the staircase.

A chill rises in her spine and she stands up, wipes her eyes, steps in front of her brother.

The big man enters her home.

I

“M,” I HISS. “Don’t.”

He moves toward the scorched building like he’s being dragged. “Have to,” he mutters. “Have to be there… Have to explain.”

I look to Julie for help but she’s staring at the top window with a preoccupied frown. Tomsen is busy with her scooter, cranking it down from its rack to ready it for a tour of DC. Neither of them seem to share my concerns, and I can’t even define what they are. All I know is I don’t like the coldness in Nora’s eyes and I don’t like the fear in M’s, and I don’t want them anywhere near each other.

“Julie,” I say. “Is this Nora’s house?”

“I don’t know. She never talks about her childhood.”

“But I’ve heard you…”

“I know she grew up in DC and I know her parents abandoned her in Seattle, and that’s about it. Took me years to pry that much out.” She takes a step toward the building, then reconsiders. “She has this recurring nightmare about a wolf in a playground. It always makes her get weird for a while, but this…”

I grit my teeth as M climbs the steps to the entryway. “So she wants to be alone right now, right?”

Julie seems to wake up, just now realizing M’s intent. “Oh. Marcus! Yeah, definitely don’t go in there.”

He steps through the door and onto the staircase.

“Hey! You really don’t want to bother her when she’s like this.”

He disappears into the sooty blackness.

“Fucking idiot,” Julie says, throwing up her hands. “No idea what she sees in him.”

I run after my fucking idiot friend. At the top of the stairs, the floor is covered in a layer of dust so thick it’s almost soil. The sun pours through gaping holes in the burnt roof, painting golden bars on the clusters of moss and weeds. But a trail of footprints has destroyed much of this newborn landscape, and I don’t have to be a tracker to recognize these tracks: a woman and a man and four children.

I see my friend standing in the doorway. Over his shoulder, I see Nora. Her eyes are red. Wet. Round. And behind her: a small Dead boy who bears her a striking resemblance.

“No,” M whispers. “No, no.”

“You,” Nora says.

“Nora, I’m…”

“You,” Nora says.

“I’m so…sorry. Didn’t…remember. I’m so—”

A throaty scream rips out of Nora, a knot of grief and rage and confusion tangled and pulled tight.

She lunges at M.

He stumbles back into the hall and I hear the fleshy thumps of her fists slamming into him. Not the hooks and jabs of an honest fistfight, not clean punches to sturdy targets like the belly and the jaw—she hits him in dangerous places. The temples. The throat. The wounds she just finished stitching.

She is trying to kill him.

And I am paralyzed, because I don’t understand what’s happening. He is nearly twice her size and could fit both her fists in one gorilla palm, but his hands hang at his sides. He does nothing to stop or even soften her blows. And not because she is too weak to hurt him—she is hurting him. He gasps and chokes and reels backward, then finally collapses, but Nora doesn’t stop. She straddles his chest and pummels his face over and over, and the whole time he just looks at her, his dark red blood mixing with tears.

“Nora! Stop!”

Julie rushes up the stairs behind me and tackles her friend, knocking her onto the dusty floor. For a moment I’m certain Nora will attack Julie; her face is contorted and her bloody fist is cocked and I wrench myself free of my paralysis to intervene. But she regains just enough control to convert her punch into a violent shove. Julie tumbles off her and Nora jumps up, runs into the apartment, and emerges with the boy in tow. She lingers for just a moment over M, and I see the red mist clearing from her eyes, leaving a sort of numb horror. Then she rushes the boy down the steps like the building is still on fire, burning all these years and forever.

I hear Tomsen’s voice from outside. “You’re bloody. What happened? Who’s that? Is he Dead? He looks like you. Hey. What are you doing?”

I hear a small motor starting up, revving, fading into the distance.

Then I hear a voice from the apartment behind me, soft and scared. “Julie?”

Sprout stands huddled in the doorway. Joan and Alex are behind her.

Julie staggers to her feet and kneels in front of Sprout, breathing hard. “Are you okay?”

Sprout hesitates, then throws herself into Julie’s arms.

“Our friend,” Alex says, gazing sadly at the empty stairwell.

“She took our friend,” Joan says.

They come out into the hall and stand next to me, looking down at M. His right eye is already swelling shut. His left opens to a narrow crack, glistening with tears. He pulls in a shuddering breath and sits up.

I hug my children. They hug me back. They are warm.

• • •

I emerge from the building with M’s arm draped over my shoulder, keeping him balanced as he totters and sways, grimacing with each step.

“That’s why she was bloody,” Tomsen says, nodding as if this answers all her questions.

While Julie tends to the kids, I lower M onto the RV’s rear bed and gingerly lift his shirt. His wounds are inflamed and seeping blood, but most of the stitches are still in place.

“You okay?” I ask him in lieu of a medical examination.

He lets out a slow groan. Pain and regret and disgust. “Do you remember now?” he says. “The boy?”

I find a few glimpses of the boy’s face in my fog. A muted presence hovering behind my kids as they tried to redeem the airport, watching them tape photos to the windows in a childlike attempt to remind the Dead of life, observing but not quite participating in their noble arts and crafts.

And before that…faint flickers. A long walk. His hand held in bony fingers while grinning skulls taught him to kill.

“I remember a little.”

M rolls his head back and forth on the pillow. “I killed her brother.” His voice is choked, not just from the swelling in his throat. “Once I saw him…it all came back. Bright and loud.” He closes his eyes. “Wanted her to kill me. She deserved to.”

I watch Julie buckling the kids onto the couch. Their bus debacle gave them a few new cuts and bruises to go with the ones from the plane crash—all they need now is a shipwreck to complete their collection—but they appear mostly unhurt.

I hear Sprout asking about her father and Julie struggling to explain. Your father went looking for you and now he’s gone. Your father is lost and broken, and you are rapidly realizing it.

Unhurt? No. No one here is unhurt.

“I used to be Axiom Management,” I tell M, very softly. “I’m Mr. Atvist’s grandson.”

He says nothing, but even his swollen left eye widens a little.

“We’ve all been monsters. We’ve all toured Hell.” I give his good shoulder a slap. “But now we’re here.”

I return to the front.

“She went north on 16th,” Tomsen is telling Julie. “Probably toward 495 if she’s still sane.” She cocks her head. “Is she still sane? Looked like maybe not.”

Julie slips into the passenger seat and doesn’t answer. She looks back at me. “That was her brother, wasn’t it.”

I nod.

“And I’m guessing Marcus…?”

I nod.

“She never told me she had a brother.”

She stares through the windshield at the burnt wreckage of Nora’s home. Tomsen starts the engine and pulls onto 16th. A single tire track cuts through the ash on the pavement.

“I can’t say I know what she’s feeling right now,” Julie says, watching the trail veer from lane to lane, “but I know what it’s like when someone you buried comes back. It’s not a sane thing.”

The ash thins on the outskirts of town, but before the trail disappears, it shoots up the 495 onramp, heading west.

Julie’s voice drops to a whisper. “Where are you going, Nora?”

WE

OUR BOOKS CANNOT BE BURNED.

They can be lost, abandoned, taped up in boxes; their pages can be pulled out, scribbled on, crumpled up and tossed into dark corners; they can be locked in a vault and withheld from everyone, even their authors. But they cannot be burned. Wherever they are hidden, they remain there, their words unchangeable, waiting to be found and read again.

So Nora is writing a new draft to replace them. She is trapped in a house, surrounded by monsters, but this time she escapes unharmed. This time she kills the monsters. This time she saves her brother. She doesn’t wander for years, alone and adrift, looking for someone she can’t remember—a vague ache in her chest, a sourceless sadness that never leaves. This time her brother is with her, sitting on her lap, clinging to the handlebars of this sputtering scooter. He is not a void in a dream, a shadow playing in a sandbox while a lupine hellmouth opens up behind him. He is Addis.

According to calendars and math, Addis is fourteen years old, but he looks the same as the day she lost him. Seven years of resisting the plague’s rot, holding this impossible balance, and now here he is: a boy frozen in time. Nora wonders who he is inside. Did his mind halt, too? Is he still the fragile, good-hearted child she remembers? Or is he more?

It takes a long time for her thoughts to return to earth. She doesn’t know how many miles she’s traveled by the time she realizes she’s traveling. She is on a highway, pushing the scooter’s engine to its limit, but who is pursuing her?

Did she kill someone who cared about her? Did she abandon all her friends?

She buries these distressing thoughts—an ability she retains despite her recent exhumations—and focuses on the road. She is aware that she’s going west. Something important is waiting for her in the west. A task. A home. Some kind of future. Her present feels fragmentary, shattered and scattered by this explosion of memory, but it will come back to her. For now, she has only one concern, and he’s sitting on her lap, his dry, dusty hair like wool against her throat.

The whining engine makes talking to him impossible, but he seems calm, so she sets her questions aside and tries to follow his example. She tries to enjoy the feeling of the warm wind in her face, the pleasant tug on her scalp as her hair forms a parachute. She tries not to feel the pain in her knuckles or see the blood spattered on her clothes.

• • •

After a few hours, the engine begins to gasp. Nora forces herself to look down at the light that’s been blinking for a while and finds exactly what she feared: the tank is empty.

She pulls off on the next exit and feathers the throttle, coaxing as much distance as possible before the engine dies in a puff of fry-scented exhaust. Her boots hit the ground with a dry crunch. She looks up, hoping to find herself in a populated area with some possibility of help, but that would be too much luck. It’s one of those roadside blips that may or may not have a name. Inexplicable encampments floating in the vacuum between towns, a lone gas station surrounded by a few moldy houses; no industry, no schools, no fathomable reason to be here. A place where the end of civilization didn’t change a thing.

She helps Addis off the scooter and stands next to him, surveying the dusty ruins. “Well, Addy,” she says, “here we are again.” She laughs at the sound of her voice, the sound of her brother’s nickname filling the air after so many years in storage. “Just like the bad old days.”

He looks up at her with those unsettling yellow eyes. The same color as R’s and Julie’s during that moment of geysering hope when anything and everything seemed possible. The same color as the Gleam, which feels distant and imaginary now, though it was a fact of her daily life less than a month ago.

“Are you still you?” Nora asks him. “Do you remember anything?”

He doesn’t answer, but his stare isn’t blank. It’s not the gape of a mindless corpse; it’s the searching gaze of a philosopher. The same unquenchable curiosity she remembers, but the questions have gone internal.

“All right,” she says. “I see you thinking. Good enough for me.”

It bubbles up suddenly, an uncontainable joy. The absurdity. The impossibility. She is talking to her brother.

She starts wheeling the scooter toward the gas station, hoping for another miracle. Addis remains where she placed him, watching her walk away.

“You coming?” she says. “Or are you gonna stand there like a dumb-ass?”

He considers this like it’s a profound question, then he follows her.

• • •

The pumps look too dry to bother with but the repair garage is still locked, always a good sign. She kicks the glass out of the office door and opens it. Rows of dusty snacks; rock-hard chewing gum, disintegrating jerky, and neon orange chips that are probably still edible. Addis picks up a bag of Teddy Grahams and stares at the packaging, bleached silvery white by the sun. He tears it open. He looks inside. He pours its powdery contents onto the floor and drops the bag with a distant frown.

“Sorry Addy,” Nora says, fighting confused tears. “Snacks later.”

The garage is a scrapyard of rusty car parts and oily rags. She finds a barrel marked DIESEL, but a hard kick makes it ring like a gong. Of course it’s empty. Why would anything in this place be full?

She is preparing herself to face a grim reality—that they will have to either continue on foot or risk hitchhiking in a world trained to shoot her brother on sight—when she hears a noise. A distant snarl of tires on gravel. She experiences an emotional paradox:

My friends are here, and I’m terrified. I must get away from my friends.

She hides behind a stack of tires and watches the dust cloud approach. But it’s not her friends. It’s a boxy, armored bank truck hauling a horse trailer. She catches a glimpse of three young people as the truck rolls by: a woman and two men in their early twenties. She steps out of the garage and watches them drive the short distance to the edge of town, where they stop at a train crossing, turn around, and back the trailer up to the tracks.

She watches them climb out of the truck. The woman is thin and pretty, the men tall and handsome in their slim jeans and chambray shirts, trimmed beards and neat haircuts. They laugh and shove each other while the sun glows on their light tan skin and Nora thinks of beach parties and barbecues, mountain cabins and crowded campfires, a lush LOTUS vignette filling her with emptiness.

She takes Addis’s hand and rolls the scooter toward the truck. She stops at a safe distance and waits.

The youths all freeze when they see her, then the driver waves. “Hey there!” he says, flashing a big smile. “Didn’t expect to meet any friends way out here. Everything okay?”

She doesn’t answer. The man’s eyes dart to the blood on her hands for half a second but his smile doesn’t waver. “Need any help?”

Nora can’t find any answer except the truth. “Yes.”

During this exchange, the three youths have closed the gap she placed between them, subtly gliding into conversational range.

“What’s your name?” the woman asks with a warm smile. Either she’s a true natural beauty or she has a stash of makeup somewhere, because her face is creamy perfect like the models in old magazines.

Nora gives the woman her name without thinking about it. She is wondering what her own face looks like. She can’t remember the last time she saw a mirror. She wipes her hands on her pants, but the blood is dried. She touches her hair and finds a few leaves in it.

“Nice to meet you, Nora,” the woman says. “Is this your brother?”

Nora nods. “Addis.”

The woman bends down and leans on her knees. “Hi, Addis!”

Addis stares at her blankly.

The woman gives Nora a sad smile. “How long has Addis been Dead?”

Nora stiffens.

“It’s okay,” the driver says, holding out a hand as if to stop her from running. “We’re totally cool with the Dead. We welcome all kinds of people, wherever they’re at in life.”

“Anyone who’s willing to listen,” the woman says.

Nora looks from face to face. All three of them—even the man who hasn’t said a word—watch her with sincerity pouring from their eyes like there’s nothing in the world more important than befriending her.

“Who are you guys?” she says.

“We’re part of an outreach group,” the woman says. “We’re going across the country looking for people in need. Especially Dead people in need.”

“He’s not Dead,” Nora says.

“I’m so sorry,” the woman says with a wince. “Nearly Living? Is that the term he prefers?”

“We’ve heard all about the changes,” the driver adds hastily. “The ‘cure’? We respect that. We think it’s great. It’s a wonderful thing God’s chosen to do.”

“To bring the Dead back so they can witness the Last Sunset with us?” The woman closes her eyes. “Such a beautiful gesture of grace.”

Nora feels the impulse to recoil from their gooey enthusiasm, but she’s so exhausted, all she can manage is a skeptical squint. “So you’re like…missionaries? Out to convert the heathens?”

The driver laughs. “I guess you could put it that way if you wanted to. But we let God do the converting. What we’re really about is community.”

“Community,” Nora repeats.

“The world is fucked up, Nora.” He says it like he’s confiding an intimate fear. “And it’s only going to get worse. How do we respond to it? What’s our purpose in these last few days?”

“We believe it’s a test,” the woman says. “God’s showing us the emptiness and ugliness of the world because he wants to see if we have the courage to let it go. To abandon ourselves and let things fall apart…so he can scoop up the pieces.” She smiles.

“But it’s hard,” the driver says. “It’s confusing and painful, and that’s why we need our community. We need to gather together and support each other, because the world is full of traps.”

“False loves and false hopes,” the woman agrees.

“And no one should have to walk through it alone.”

Nora watches their beautiful faces straining with conviction. Her first instinct is to laugh at them, but something deeper inside moderates her response. “No offense,” she says, “but you guys sound kinda nuts.”

They laugh uproariously, even the quiet one.

“We get that a lot, Nora,” the driver says.

“Sorry if we come on too strong,” the woman says. “It’s just hard to play it cool with something you’re really passionate about, you know?”

Nora nods. “Right. So is your cult the kind where no one has names? All are one within the Community?”

“Oh shit!” the driver laughs. “Sorry, Nora. Got a little distracted there. I’m Peter.”

“Miriam,” the girl says as she and Peter take turns shaking Nora’s hand.

“And the guy who never talks?” Nora says, jutting her chin toward the taller man.

He smiles. “Sorry. I’m such an introvert.” He offers his hand. “I’m Lindh.”

“So Nora,” Peter says, “we’re not a cult, and we’re not trying to sell you anything. But you did say you needed help.”

Nora’s posture softens a little at this reminder.

“And please don’t take this the wrong way…” He looks her over, from her finger stump to her blood-spattered clothes to the dirt and sweat and scars that cover her body, and then to the ashen boy at her side. “…but you and Addis look like you’ve had a hard time out there. Like the world hasn’t been kind to you.”

Nora’s eyes fall to the ground. It’s an obvious statement and an understatement, but somehow, she has never really spoken it to herself. Never phrased it quite that way. She feels a sudden lump in her throat.

“If you need a place to go,” Miriam says softly, “well…you can come with us.”

“Where?” Nora mumbles.

“To our community in South Cascadia.”

Nora looks up.

“It looked like you were heading west anyway,” Peter says. “I’m guessing you ran out of fuel?”

Nora answers with silence.

“So why not ride with us? Check out our little town. Get some dinner and a hot shower and meet some great people. All we ask is that you keep an open mind.”

Nora stares hard at the three youths, but she finds nothing in their eyes but radiant sincerity. There’s a bang against the wall of the horse trailer and she seizes the disruption, trying to recover her footing. “So on top of being smooth-talking hipsters, you’re cowboys, too?” Her flippancy rings hollow in her ears, but she holds onto it. “Coolest cult ever.”

Three more bursts of laughter.

“I like her!” Peter says to Miriam, then turns back to Nora. “But no, I’m afraid we’re not that cool. Have a look.”

He gestures to the window slits along the side of the trailer.

Nora peeks through a window. Then she jumps back, gagging.

There are no horses in the horse trailer. Dozens of metallic gray eyes bulge at her in the shadows, and a stench far worse than horse shit smacks her in the face.

“What the fuck,” she says. “What the fuck.”

“Just people in need,” Miriam says. “Just like your brother. We find them out here, lost and confused, and we bring them home to our community.”

“What are you doing with them?” Nora watches the trailer rock on its squeaky hinges as the Dead stir from their standing sleep.

“We take care of them,” Peter says. “We give them a home and treat them with respect, until God reveals his plan for them.”

“We can help your brother,” Miriam says.

Nora instinctively grabs Addis’s hand, and Miriam’s demeanor adjusts.

“Nora,” she says, tilting her head with a look of deep empathy. “I know you just met us. We don’t expect you to trust us that quickly. But just so you know, in a few minutes a train will be pulling up to this station. We’re going to get on it with all these sick people, and we’re going to ride it all the way to South Cascadia. And if you want to, you can come with us.”

“Our community is two hours east of Post,” Peter says. “It’s a beautiful little town. We have everything we need there. And no pressure at all, but if you decide you want us to…we can help you take care of Addis. We can make a life for him.”

Nora’s feet are embedded in the ground. She looks at Addis, but his open face gives her nothing. She can’t tell if he knows they’re talking about him, or if he even understands a single word. The decision is hers.

In the silence of this hollow town, she hears the distant chug of a train. It’s a sound she hasn’t heard in a very long time, a storybook sound, and it makes her feel that she is dreaming. In this dream, she is stranded in a desert, and a magical mystery train is coming to take her away. In this dream, beautiful friendly people are offering her everything she needs. And outside the dream, people are pursuing her. People who have hurt her and people she has hurt. People whose faces will destroy her if she lets them get close again.

A speck appears on the tracks. Peter and Miriam and Lindh smile at her and wait.

Nora grabs her brother’s hand and closes her eyes. She will let the dream decide.

I

I REMEMBER what it felt like to set the fires. It felt good. All of us had grown up powerless, reminded over and over that we were dirty, broken dolls that should be grateful to be played with by God’s hand. We were to withdraw from the world, to barricade ourselves in our homes and wait patiently for God to pull the plug, and if we emerged it should be for one reason: to drag others in.

The fires changed everything.

We were no longer refugees; we were warriors. We had been a small circle of saints persecuted by the mob of the world, but it was remarkably easy to turn the tables. With the flick of a lighter, we could preach a sermon that no one could ignore. We could transform centuries of human endeavor into a blazing reminder of its futility. We didn’t have to wait for God’s timing; we could nudge him along, push him to do what we knew he wanted to do anyway, and it wasn’t pride, it was prayer. Every city we burned was an eloquent orison urging God to act. Our message was for Earth, but it was bright enough to be seen from Heaven: let it end.

It took only twelve of us to destroy Helena.

We had no fancy munitions then. No napalm or phosphorous grenades. We were just a few kids with Coke bottles full of gas and gym socks for fuses. We spread across the grid, positioning ourselves at the densest points, and when our watches beeped, we sprung. We tossed and ran, tossed and ran, pulling bottles from our backpacks like arrows from quivers, and by the time the first fires were called in, we had already set dozens. By the time the first trucks left the station, there were more fires than there were firefighters, and it was ludicrously too late.

I remember thinking how strange it was, that it should be this easy. We could have done it anytime. Anyone could have. All it took to crash the system was enough people deciding to do it.

I watch the last few razed houses fade into the distance as we leave DC behind. That’s who I was, then. A mad young man with a heart of hot coals, capable of winning minds and changing the world, but only for the worse.

Who am I now?

How much of that charred foundation is still under me, and can I use it for anything good? It’s much easier to burn a house than to build one.

I hear a groan from the back of the RV. M is sitting up, cradling his head and wincing at the floor like each heartbeat is a boot to the face. Julie glances over her shoulder at him.

“She packs a big punch in those skinny fists, doesn’t she? I learned my lesson the first time I tested her.”

Tomsen looks shocked. “Nora punched you?”

“Oh yeah.”

“Why would Nora punch you? I thought you were friends.”

Julie shrugs. “Sometimes friends punch each other.” She looks at the floor and a nostalgic smile creeps over her face. “That’s how we became friends, actually.”

“Is that usually how it happens?”

Julie chuckles, failing to notice Tomsen’s straight face. “I was out of my mind back then,” Julie says. “My boyfriend cheated on me and somehow that was Nora’s fault, this bitch who ‘stole’ my man, like he was an inanimate object. She didn’t even know me, the problem was between me and Perry, but I went running up to her room…” She shakes her head. “She tried to talk me down but I started swinging at her like the dramatic little kid I was…so she knocked me out. One punch.” She laughs and shakes her head. “When I woke up, she was sitting next to me holding some ice on my face. She shook my hand and said, ‘Hi, I’m Nora. You want some vodka?’ And that was it. Friends forever.”

Tomsen stares at her like she’s not speaking English.

“So Marcus,” Julie calls back to him as he stumbles toward the front, “try not to despair too hard, okay? These things find a way to work out.”

He looks at her blankly. “I ate her brother.”

Julie shrugs. “Yeah, well…not all of him.”

Abandoned farms rush past us on both sides. Most of them are just fields of baked dust, but a few of the more high-tech crops refuse to die with dignity. The highway plunges between two fields of “Mayze” brand corn and the stalks tower above us like trees, their bloated ears breaking off under their own weight and littering the ground like lumpy cysts. The gnarled trees of a Rad Delish orchard cling to their fruits long after they should have fallen, masses of mealy pulp wrapped in leathery skin, left to rot on their branches. Even the birds know to stay away.

I wonder if there are any crops left that were never redesigned by a board of directors, never stretched into transparency to fit the ballooning demands of population and profit. I wonder if these plants, with enough time and guidance, can find their way back and become food again, before the next generation starves.

I feel an eye on my cheek. Sprout is looking at me, a faint smile on her face, like she’s reading my thoughts and finding them funny. Joan and Alex watch me from the other side of the little fold-out table, and it occurs to me that the next generation is sitting right in front of me. It occurs to me that they are different from any before them, stronger and stranger, and there is no way they’ll give up their turn.

I release my anxious breath.

“Do you see it?” Sprout asks, looking past me into the twisted jungle of a Durapeach orchard.

“See what?”

“The train.”

I assume this is one of her “visions” and I follow her gaze mostly as a courtesy, but I’m surprised to see a flicker of movement behind the stooping trees. We emerge into another empty field and the trees sweep aside like a curtain, and there it is: four freight containers grinding along behind two silver passenger cars and a rusty green engine belching clouds of black smoke.

“We’re pretty far from people and this is probably just a reality vacillation,” Tomsen says, “but is anyone else seeing a train over there?”

The engine wears a fearsome mask over its front: a massive wedge of crudely welded steel, like an old locomotive’s cow catcher redesigned to catch bigger things: abandoned cars, blockades, and other modern obstructions.

“I see it,” Julie says, her eyes narrowing.

“Haven’t seen a train in years,” Tomsen says. “No commerce, no travel, no one coming or going. Rare enough to see cars.”

“It’s got to be Axiom,” Julie mutters. “Another load of beige jackets to dump on Post.”

“Or…” Tomsen says, shooting Julie an uneasy glance. “Could be specimens.”

Julie’s eyes widen slowly, filling with hope and fear. “Follow it.”

Tomsen hits the gas and Barbara lurches forward, sending the kids’ water cups tumbling off the table. The cabinets rattle and clang, the tires roar and the whole vehicle begins to wobble dangerously, but the train continues to pull ahead of us. Then we’re surrounded by alien crops again. The splotchy gray jungle obscures our view for several miles, and when we finally emerge into daylight, the train is gone.

“No, no, no,” Julie growls, eyes darting. “Tomsen, can’t this thing go any—”

“Do you hear that tinkly chattering?” Tomsen shouts over the cacophony. “Those are dishes. This is a house. Don’t ask if a house can go faster.”

Julie grits her teeth and waits, diverting her anxiety into her white-knuckled grip on her armrests. And then she springs forward. “There!”

She’s pointing at a small cluster of buildings on the rippling horizon. A plume of smoke drifts up from behind them.

“They must be making a stop in that town. Pull off!”

Tomsen takes the next offramp and we bounce and sway into the sad little rest stop of a town. But the smoke is already moving again, and we reach the tracks just in time to see the train dwindling into the distance.

Tomsen slams the RV into park with an air of finality. “We can’t catch them,” she announces.

Julie digs her fingers into the dashboard, but she doesn’t argue. We are silent, watching the black cloud disperse into the atmosphere. Then Julie jumps to her feet. “Is that…?”

She shoves the door open and runs to the railroad crossing. M and I follow her.

Nora’s scooter is parked next to the tracks. The dust shows two sets of footprints walking away: boots and bare feet. They reach the rails and disappear.

“She got on the train,” Julie says, mystified.

M is examining the scooter, putting his face near the ground and scanning the dust for signs of struggle, sniffing for blood, perhaps dragging whatever’s left of his Dead senses back into service. But Julie stops him with a tap on the shoulder.

“Marcus,” she says, and presses the scooter’s gas cap into his palm. “I think she went willingly.”

M stares at the cap, then the empty tank. “So it wasn’t Axiom, then.”

Julie shakes her head. “Even if she had a full nervous breakdown, I can’t see her doing that.”

“Then who?”

I run my eyes down the tracks to where they disappear in the distant mountains. I feel a brand-new anxiety begin to knot my guts.

“Tomsen,” Julie says while our driver loads the scooter back onto its rack. “Do you know where these tracks go?”

“East-west. Maybe a few squiggles.”

“So if we keep following them, we’ll end up somewhere near Post?”

“Close enough. Assuming we pass through the Midwaste undigested.”

No one questions this last comment, so I assume it’s just another colorful Tomsenism and let it go.

“Fire up the fryer,” M grunts, hopping back into the RV. “Let’s move.”

With a roar and a rattle we cruise back to the highway and follow the tracks west. The train’s smoke lingers like a bad memory, staining the horizon black.

TWO

the attic

“There is no help! Great God, who talks of help? All the world has the plague!”

“Then to avoid it, we must quit the world.”

-Mary Wollstonecraft Shelley, The Last Man

WE

“DAD!” Abram screams. “Perry!”

His voice is so hoarse it barely resonates at all, just air rattling through a numb throat. He has been doing this for a long time, and eventually, no matter how much terror remains inside, the screams have to go silent.

He has been running for a long time too, and he is tired. He sags against a fir tree and breathes for a minute, but the breaths tighten into curses. Why wasn’t he fast enough? He runs track at school every day; he should be faster. How did he let a shuffling mob of corpses get between him and his family?

They were eating breakfast. A nostalgic last meal before they left their home forever. Then the windows were breaking and his mother was screaming and something was dragging him outside, and he was surrounded by them, clawing and clutching, and all he could do was run.

But didn’t he do everything right? Didn’t he follow the plan?

Run around the block until you’ve got some distance on them, then circle back to the truck. The truck is always the meeting point.

But his family wasn’t at the truck, and the house and the yard were crowded with the Dead.

If you can’t get to the truck, run to the hills. Stay in an open area with a clear line of sight, and wait for us. We’ll find you.

But they didn’t find him. He paced around the bristly yellow slopes for hours, watching the Dead swarm over the town below. And then the explosions. The gunshots. The hooting raiders charging in on war-painted quads, a pack of hyenas eager to share the kill.

He did everything right. How did this happen?

He feels his breath beginning to hitch and his eyes beginning to burn and he straightens up furiously. No. Absolutely not. He lunges into a fast, stiff march just to rid himself of that quivering softness. The sun falls behind the hills and the valley sinks into shadow, a new darkness on top of the haze of smoke, and a cold whisper of logic hisses in his head. If his family stayed down there, they must be dead. If they escaped, they must think he’s dead. Either way, he’s on a new path now.

They say it’s better on the coast, his father said with a cheery shrug, trying to lighten the weight. I figure we’ll just hit highway 12 and head west until it feels right. Sound good, boys?

Abram descends the hill toward Highway 12. If he walks fast, he’ll reach Elliston by morning. Maybe they’ll still be there. Maybe he’ll burst into their motel room and they’ll wrap their arms around him and he can toss away the grim future he’s now writing in his head. Maybe.

The air is already cooling. Sage scrapes his calves and thistles stick in his socks. But shorts seemed like the right choice when he woke up today. It was a thrill day, an adventure day, and the muggy dawn stillness promised a summer scorcher. Perry was wearing sweatpants and he told him to go change. The kid emerged looking like Abram’s little twin, jean shorts and a white shirt and a big silly grin. Looking good, buddy, Abram said with a wry thumbs-up. He knew it was going to be a hard day, but he felt ready for it. A long drive. A search for a new home. It was the four of them against the world, but as long as they stuck together, they were going to be okay.

• • •

Abram is dreaming with his eyes open. It plays out faintly on his face, the fear, the anger, then a bittersweet smile, a glimmer of wetness in his eyes—he blinks and shakes his head and slaps himself so hard his ears ring. Reality roars back in.

Reality is the concrete of Highway 80 blurring beneath his motorcycle. Reality is the sweat running down the back of his gray tank-top. Reality is the snarling in his stomach, the burning in his throat, and the steady sinking of the fuel gauge. Reality is hard.

He has not slept since leaving New York. He has moved beyond fatigue into delirium, and he is distantly aware that this is foolish, that the road is rough and his motorcycle is shaky and a dead father is no use to anyone. But he keeps riding until the sun is a red blaze behind the black treetops, and then he rides in darkness.

“What is your job?” he murmurs to himself.

“To protect my daughter,” he replies.

“What are you doing right now to move toward success?”

“I’m going to Post to find her.”

He repeats this drill every sixty seconds, the way they made him do it in his early days in Pittsburgh. Path Narrowing, his father-bosses called it. When he was an angry, grief-stricken teenager struggling to accept his new life in Axiom’s workforce, this was an effective focusing exercise, especially when combined with Physical Disincentive. Every night he fell onto his cot, bruised and numb, the questions still shouting in his head, following him into his dreams. He never imagined he’d use the drill voluntarily.

He starts again:

“What is your job?”

“To protect my daughter.”

“What are you doing right now to—”

He kills the engine and lets the bike coast to a stop. A dark shape ahead. A little round mini-van parked in the grass to the side of the road. And in the trees nearby: firelight. A camp. His eyes go round—

The mountain passes of Montana, then Idaho, searching for his family but afraid to call out for them, because what monsters might hear him instead? Every camp, every car, every human encounter a deadly flip of the coin…

He brushes off these old fears. He has his own coin now, and he knows how to flip it his way.

He stashes the motorcycle in the bushes and approaches the camp on foot, whistling loudly. By the time he’s close enough to see the campers, they’re standing at the ready, watching and waiting. A man and woman in their late forties. Thin. Pale. Soft clothes unsuited to life on the road, already worn and torn. Their hands are tensed but empty.

“Hi there!” Abram calls from a safe distance at the edge of the little clearing, raising his pitch and softening his timbre. “Hope I didn’t startle anybody. Been walking all night and was just hoping you might let a stranger share your fire for a minute.”

They relax slightly, and he knows it’s the voice as much as the words. His real voice crouches low inside him like a soldier in a trench, gritty and hard, but this one perches high in his sinuses, quavery, prepubescent, unthreatening. Vocal Placation, they called it in training, just one element of the broader skillset called Adaptive Inducement. At first he had scoffed at how many acting techniques Axiom employed—was he in a troop or a troupe?—but soon enough he understood the motivational poster above his father-boss’s desk:

Use YOUR Head To Get Into THEIRS!

Force Is The Least Efficient Means of Control!

“Well…” the man says, “I don’t see why not.” His face is thickly stubbled but his graying hair is trim, suggesting a fairly recent exile from more civilized realms. “It’s a hard road for all of us. Come on in.” He steps aside and gestures toward the fire. His other hand hovers instinctively above a holster that isn’t there. No hidden weapons, then.

“I sure appreciate it,” Abram says, forcing a grin onto his face and playing up his Montanan drawl. A counterintuitive choice—most of his classmates used drawls for the opposite effect, to boost their masculine swagger—but Abram thinks it pairs well with the boyishness, a wholesome rural charm. “Plenty warm tonight but it’s the loneliness that’ll get you, right? Real good to see some friendly faces.” He reaches out a hand. “Name’s Denny.”

The man looks at it for a moment, then shakes it, and the woman does the same. Their grips are weak. Palms silky. They give him their names but he redacts them immediately.

“You folks coming from Manhattan?” he asks as they take seats around the fire, a shared log for them, a boulder for him.

“That’s right,” the man says, growing more cautious as he recognizes Abram’s khakis and tank-top. “They downsizing soldiers now too? I figured anyone with combat training had a job for life.”

Abram notes the bitterness. Edits his backstory. “Believe it or not, I quit. Ethical differences.”

They both raise their brows.

“I didn’t know you could quit Axiom,” the woman says.

“Things got a little loose in the evacuation. I took my chance.” He looks ruefully at the ground. “They were splitting up families. Taking the high value folks, leaving the rest to die. Sending kids off in buses to God knows where…I said heck with this. Saw my window and jumped out.”

The man nods. “Is it true the whole city went under?”

Abram sighs. “We all knew it was gonna happen but nobody wanted to think about it. Just kept plugging our ears and raising the walls and hoping we’d be gone before it got bad.” He gazes into the fire, sinking deeper into his character, but he keeps the man and woman in his periphery. Poisoner, Electrocutioner…there are plenty of Aggression Skillsets that don’t harden the hands.

“I guess that plan worked out for us,” the woman says dryly. “We missed all the fun.”

“You quit before the storm? How’d you manage that?”

“We didn’t quit exactly.” Her bob of gray-brown hair ends in a choppy line, suggesting a hurried snip while on the move. “The new Management’s been making big cuts to the soft departments. Science, education…if they can’t fit your job into Orientation—”

“Or if you won’t let them fit it,” the man adds bitterly.

“If you can’t or won’t be a part of that horror show…you’re out on the street.”

“So you were scientists?” Abram asks.

“Anthropologists,” the man says. “Some of the last in America, I’d guess.”

Abram nods to himself. “Anthropologists. Okay.” He takes a deep breath and straightens up on his boulder. “Hey listen, I hate to be any trouble, but my canteen ran dry two days ago and to be honest, I’m in a bad way. You folks happen to have any water?”

They don’t even hesitate. The woman gets up, lifts a blanket off a big plastic jug, and fills a paper cup. She hands it to him without a word and he downs it like a shot. “Thanks a million,” he gasps. “And now I’m really gonna feel like a jerk, but any chance you’ve got a spare bite to eat? Food ran out way before the water.”

A brief hesitation at this, then the man digs into a duffel bag and pulls out a Carbtein kit still sealed in its original box, the US Army markings faded but still legible.

“Oh wow, y’all are saints.” Abram gets up and moves toward the man. The man reaches into the bag again and pulls out a pocket knife. Abram pauses. The man runs the knife along the box’s seal and pops the lid. Abram moves closer, watching over the man’s shoulder like a hungry child waiting for dinner. The man lifts a cube from the box, still wrapped in its translucent foil, and hands it to Abram, who takes it with a grateful duck of the head. “Really can’t thank you enough,” he says. “Can I ask for just one more favor, though?”

He’s standing awkwardly close now. The man takes a half step back, looking up at him as if just now noticing how much taller Abram is.

“Can I borrow some gas for my motorcycle?”

The man shoots an uneasy glance at the woman. “Uh…”

“Seems a little much all at once, doesn’t it?” the woman says, frowning uncomfortably.

Abram throws up his hands and shakes his head, chastised. “You’re right. I’m sorry. It’s just that…truth is…they took my daughter.” Tears would be good right now, but he’s unwilling to go that far for these people. “They’re taking her to Post to do something horrible to her, and I’m out of food and water and almost out of gas, and I just don’t know how to do this without being a little rude.”

The man and woman exchange another glance. This time, to Abram’s amazement, it’s full of sympathy.

“I’m so sorry about your daughter,” the woman says. “And I’m sorry, we really can’t spare much of our supplies, but listen, Denny…we’re going to Portland. That’s pretty close to Post. Why don’t you just come with us?”

Abram stares at her in disbelief. “Are you serious?” The Denny voice slips a little, but they don’t seem to notice.

“Safety in numbers,” the man says with a shrug. “We help you, maybe you help us.”

“Or at least you live to help someone else,” the woman adds. “That’s what it’s all about, right? This ‘society’ thing?”

Abram squints. “But you don’t even know me.”

The woman smiles with a tilt of her head. “Well, how do we change that?”

Her smile is half sympathy, half motherly warmth. No part of it is malice or fear. He looks from the woman to the man as if he’s considering their offer, and for a moment he’s not sure why he isn’t. For a moment he loses himself in the character, forgets where the border lies and why he has to stay behind it. But only for a moment.

“No, no,” he says, shaking his head, “this isn’t going to work.”

And the man is pulling back in alarm because the boyish rube has just become a different person, his voice suddenly deeper and rougher, but Abram is already in motion, snatching the knife and darting around behind him and wrapping an arm around his throat.

The woman screams, of course, but that’s all. No gun hidden under the log. Nothing. It’ll be clean, a simple transfer of goods from two people who need them to one person who needs them more.

“Food and water in the bag,” he tells the woman.

Cringing and quaking, the woman obeys.

“Please don’t do this,” the man gasps.

“I have to.”

“We’ll die out here.”

“You’ll figure something out, just like I did.”

“Please—”

Abram tightens his hold, choking off the man’s whimpering. “You.” He jerks his chin at the woman. “Where’s the gas?”

“We don’t have any,” she whimpers. “Just what’s in the van.”

“You’re driving to Portland. You have at least one extra tank. Get it.”

The woman rubs her face in her hands like she’s trying to wake from a nightmare. Very slowly, she digs a big red gas can out from the back of the van. Very, very slowly, she carries it toward him. Abram feels each pulse of blood pounding against his forehead.

“Hurry up!” he barks. “Next to the bag.”

She starts crying again as she sets the can down. “We’re in the middle of nowhere. We’ll be stranded.”

Abram squeezes his eyes shut. The world is spinning around him. There are voices humming in the fire, a funeral dirge. “Shut up,” he whispers.

“Why won’t you just come with us? We’ll share everything, just—”

“Shut up!” His eyes snap wide. “Say one more word and I’ll cut his throat.”

“Please—”

He cuts the man’s throat. A short, shallow incision, just enough to get the blood flowing, but it has the desired effect; the woman shuts up, frozen in horror as a little puddle of blood gathers in Abram’s elbow and trickles over the edge.

“Dad?”

Abram whirls around, clutching the knife so tight it trembles. On the other side of the fire, two boys are staring at him with round eyes. One is fourteen or fifteen, the other is five or six. One has an armload of branches, the other has handfuls of twigs. All of it clatters to the ground when they see their father’s blood.

Abram lowers his head. He screws his eyes shut and grits his teeth. He lets out a long, shuddering breath, and he releases his grip.

The boys’ father stumbles to the ground, clutching his throat as his family rushes to his side.

“Keep pressure on that,” Abram mumbles as he turns away, head down and shoulders slumped. Limply, he drops the cube of Carbtein back into its box. Then he leaves his new friends and slips back into the dark trees, empty-handed except for the man’s knife.

He starts his motorcycle. His stomach still snarls and his throat still burns, begging him to go back and finish what he started, but he ignores their commands. The fuel gauge sinks deeper into red as he roars back onto the highway.

“What is your job?”

“To protect my daughter.”

“What are you doing…to…”

The force in R’s voice as he reached out to the Dead in Detroit, as he tried to remind them they were people…why was he so sure?

“I’m going to Post to…”

The passion in Julie’s eyes as she begged him not to leave, as she told him what her mother told her, that humanity’s a family you can never lose…why did she care so much?

He blinks dust out of his eyes and squints against the wind. Why the hell is he thinking about them? Those fools are long gone, couldn’t possibly matter less to the task at hand. His thoughts feel fuzzy, tangental, nonlinear. He starts over.

“What is your job?”

“To protect my daughter.”

“What are you doing right now to move toward success?”

“I’m going to—”

You’re going to lose her.

A chill freezes the sweat on his back. That voice again. His own, but not quite, like a skilled impersonation. A stranger muttering beneath a mask of his own face.

He repeats the drill, shouting it now.

“What is your job!”

“To protect my—”

You’re going to lose yourself looking for her, and that’s when she’s gone forever.

He skids to a stop. His eyes dart through the trees and his ears strain. But this is absurd. No one is whispering to him while he rockets down the highway at sixty miles per hour. He is exhausted. His mind is a murky stew. The stars are strange, the constellations too clear, like actual bulls and scorpions cavorting in the blackness.

He rolls the bike onto an overgrown forest road, leans it against a tree, and collapses onto the cushion of wild grass. The grass is alive and curious; it reaches out to touch his skin. The stars drift in lazy circles—a hard blink stops them, but not for long.

Let yourself rest, the voice says from behind the mask. Whatever they taught you, you are not a machine.

His face flushes with embarrassment as he finds himself answering the voice in his head. Who are you?

The only reply is the rustle of leaves and the distant roar of water. He sinks into the ground while reality churns around him.

I

THE WORLD feels bigger than it is. In this imploded era, when stepping outside an enclave is a suicide attempt and “long range” communications barely make it out of town, distance has been exaggerated to terrifying proportions. America is now a world unto itself, bordered by mysterious realms with unknown inhabitants, and other continents are just legends whispered by mad sailors, fantastic landscapes and exotic kingdoms out beyond the sea serpents.

My brain tells me none of this is true. It insists that the world is small, that I have flown around it many times, and that it takes only fifty hours to drive across America. But I find this easy to doubt as we plunge into the Martian deserts of this vast and unfathomable continent.

A bullet-pocked road sign flashes by in the headlights:

ENTERING INDIANA

We’re a quarter of the way there, my brain tells me. Thirty-seven hours to go.

As the sunset darkens like a rotting orange, Tomsen breaks the long silence. “It’s different with people,” she says, as if un-muting her internal dialogue in the middle of a thought. She has said very little since we left the last town, focusing on the road as she pushes the RV to sports car speeds.

“What’s different?” Julie says.

Tomsen waves her hand over the highway, the sky, the interior of the RV. “I’ve driven…thousands of miles through this country. Thousands of thousands. Back and forth, up and down. Always alone, except that first year with Dad. Very different, alone. Talk to myself, to Barbara, to the road. Sing songs, go into trances, see things. Wake up two states away.”

“What’s it like now?”

Tomsen thinks for a moment. “I feel you sitting there. I feel those two behind me. The kids in the back. And I’m not floating anymore. You’re all ropes holding me down.”

Julie winces, looks back at the road. “Sorry.”

Tomsen shakes her head. “No. After ten years alone you can float too far. Out of the atmosphere and into space and on and on until you see that giant mouth that’s waiting behind the stars…” She drops her eyes and looks intently at the steering wheel. “I’m glad you’re here.”

Julie smiles. “Can’t say I’m glad to be here…but since I have to be? I’m glad you’re with us.”

Tomsen is quiet for a moment. “My name is Huntress.”

Julie blinks, then her smile widens. “Cool name.”

“It’s stupid. My dad was hoping I’d be gonzo fearless, sex and drugs and danger, seize the world by the throat and squeeze till it tells the truth.” She shrugs. “I tried. Kind of. Went a different direction with it.” She rubs her scalp. “But it’s stupid. You can still call me Tomsen. I just wanted to tell you.”

Julie’s smile turns tender. “Thanks, Huntress. It means a lot.”

Huntress Tomsen keeps accelerating. Dishes rattle in the cabinets.

I glance at M, expecting to find him smirking at the girls’ little friendship chat, but he’s staring at the back of Julie’s head with a strange intensity. He hasn’t spoken in hours.

“M,” I say. “You okay?”

He blinks like I just woke him up and turns to the window. He watches the landscape flickering past in varying shades of black. “I don’t belong here,” he says.

I frown. “Where?”

“Here. With people like that.” He jerks an elbow toward the cockpit, where Tomsen is laughing at Julie’s attempts to sing along with the BABL squeal on the radio.

“People like what?” I press. “Happy people?”

“Kind people.” He watches the dark plains outside flicker into trees, then hills, then plains again. “Good people.”

I watch him in silence for a moment. “What kind of person are you?”

He shakes his head. “I get it now. Why you fought your memories. Thought I was wide open, but…I was hiding the worst.”

I keep quiet, letting him unpack.

“Did bad shit with the Marines. Worse with Gray River. Even worse with…her.” He looks up at me with an unsettling smile. “Remember my girl, R? Big smile, fashion model body?”

Faded memories fill with nauseous color. A withered, eyeless face. Leathery lips peeled to a grin as she watched my first feeding. A charismatic force who made obedience feel inevitable, until her skin finally sloughed off and she disappeared into the airport swarm, indistinguishable from all the other skeletal despots ruling empires in their minds.

“You remember,” M says with a grim nod. “So imagine her alive. Tough…mean…hot as hell.” He shakes his head. “Did war crimes for her. Killed and stole. Had to prove myself. Couldn’t be…lover boy. Piano boy. Had to be the big man. And then…Nora…”

He keeps his face turned away from me, but I can see his reflection in the glass. A glint of water in his bruised eye.

“I’ve been thinking,” I tell him. “About our new lives. How we got here from there. And I think…dying isn’t so bad.”

He turns his head just enough to look at me sideways.

“Dying…halts your momentum. All those wheels set spinning in childhood…determining what you do…who you are…they stop. You stop. You see where you’re standing. And then you can turn around.”

He’s facing me now, and there’s fascination in his damp eyes. I feel winded, like I’ve just delivered a two-hour speech. But I don’t feel self-conscious until I notice that the radio is off. Julie is looking at me. Then at M. Then back at me.

I shrug.

• • •

Night creeps toward morning. Conversation dwindles to idle comments that receive no replies. Eyelids droop, heads sag, and I wonder how long we can maintain this pace. When Tomsen drifts onto the highway’s rumble strip for the third time, Julie finally calls it.

“We should stop. This isn’t smart.”

“The train won’t stop,” Tomsen objects, but weakly. “If they reach their destination while we’re asleep, might never find them.”

M taps her shoulder. “I’ll drive.”

She sizes him up. “Don’t you need to sleep?”

“I slept when I was dead.”

Tomsen pulls over. With great reluctance, she surrenders the driver’s seat. “Keep her below sixty, and don’t brake too hard. Don’t jerk the wheel to avoid potholes; her joints are sensitive. But do avoid potholes.”

“I’ll be gentle,” M says, giving the wheel a caress.

Tomsen hovers over him, scrutinizing his every move until we’re safely cruising again, then she sighs and collapses onto the couch. Julie staggers back to the bedroom, fighting a huge yawn, and I realize I’m feeling it too.

“You’ll be okay alone?” I ask M.

He nods. “I’ll listen to some tunes.” He turns on the radio and rich, multi-timbral static fills the speakers. “Maybe do some thinking.”

I stare at him for a moment. Not even half a year ago, he and I were two dusty corpses grunting at each other in the ruins. Hungry, I said. Eat, he said. And that was our friendship. That was our existence. How astonishing that we’re here now, real people with real thoughts, stumbling through the choreography of living.

I leave my friend to his thinking and join Julie in the bedroom. We roll the sleeping kids against the wall and squeeze into the space beside them, lying on our sides with our faces close. I feel her studying me, and I try not to flinch.

“R,” she says, barely a whisper. “You’re different.”

I watch her eyes glint in the dark as they explore my features.

“When your heart started beating, I thought that was it. I thought you were ‘cured’ and whoever you were then was the real you. But you’re still changing, aren’t you? You’re still… forming.” A fragile smile touches her face. “Who are you going to be when you’re done?”

Our foreheads are an inch apart, and I wonder why words are necessary. Why do we need those humid blasts of air to reach each other’s minds? Can’t the electricity of our thoughts arc this narrow gap?

“Julie.” My larynx is a crude noisemaker, my mouth a primitive tool. “I need…to tell you.”

She squeezes her eyes shut and presses her forehead against mine. “I know. But just…not yet.”

I can feel the pulse of the veins that feed her brain, but its secrets remain just out of reach, sealed behind that quarter inch of bone.

“Why?” I ask her.

She is silent for a while, her eyes still closed, and when she answers, it’s barely a whisper. “Perry. Dad. Rosy. All in two months. And any day now…if we can find her…I’ll be saying goodbye to Mom.” Her voice is so faint it seems to sneak past her lips without permission. “I’m losing too many people. I’m not ready to lose you.”

My eyes slide open. Her words spread through me like icy water.

She kisses me, hard but brief, then rolls over. I lie awake all night, staring at the back of her head.

WE

IT’S 5:32 IN THE MORNING and the sun is a faint glow behind the distant hills of Pittsburgh, shining through the tiny window of the doctor’s office where Abram Kelvin—twenty-five, smooth-cheeked, skinny—has just become a father.

The doctor lifts the baby from the bloody mess on the sheets and frowns. He turns her over and gives her a quick swat. She wriggles silently. Without a word of assurance he hurries her out of the room, and Abram starts to panic. His wife’s eyes are swimming, dilated; she seems unaware of what’s happening. But before Abram’s terror can take hold, the doctor returns, shaking his head at the newborn in his hands.

“Strange,” he says. “She’s breathing fine. I don’t know why she doesn’t cry.”

Kenrei reaches out for her baby but her hands shake and sag. She is a frail woman and the labor was hard and Abram sprung for the full drug package to make sure she wouldn’t feel pain.

“Take her,” she whispers to Abram as her eyes close and her arms fall.

Abram braces himself as if to catch a falling bomb, and his hands bob up under the the baby’s unexpected lightness. Is she made of air? Some otherworldly ether? Is she really there at all?

“Murasaki?” he murmurs.

The name doesn’t roll easily off his thick American tongue, but he doesn’t argue with his wife’s choice. It’s rare that Kenrei expresses any desires of her own. A traditional woman from a traditional culture, it’s rare that she speaks at all. So when she insisted this name was important to her, he didn’t argue. He didn’t even ask why. Names will be the least of his concerns for the children he brings into this world.

“Just a reminder,” the doctor says, wriggling out of his blood-soaked scrubs, “the delivery ran over schedule, so that’s coming out of your paternity break. You’re due back on the airstrip in…eighty-four minutes.”

“What about my wife?” Abram mumbles, lost in the contours of his daughter’s tiny face.

“Don’t worry about her.” The doctor stuffs the scrubs in a trash can and slips back into his beige uniform. “Maternity break is a week.”

He opens the door of the tiny white room and Abram glances out into the hall. An endless corridor of blinking, buzzing fluorescents, wires hanging from the ceiling, doors to other offices opening and closing continuously like valves in a monstrous engine.

“Eighty-three minutes,” the doctor says as he shuts the door behind him, and then Abram is alone with his family.

He takes a deep breath, trying to purge everything else from his mind. He looks at his wife, her long black hair slick against her forehead, her skin damp and pallid, drained of its tawny warmth. He looks at his daughter, barely bigger than his hands, her eyes shut tight but roving beneath the lids. She turns her head and stretches her fingers like she’s exploring the room. He can almost feel her eyes on him even though they’re closed, a strange, humming heat pressing against his mind.

“Murasaki,” he says again and the baby goes still, as if listening attentively. He feels a chill run down his spine. Not just from the eerie calm on her wrinkled face, but from the realization of what he’s looking at. A new chapter. A new generation. Before this moment, Abram was the dangling end of an ancient chain. Now he’s a link inside it. He feels an electric connection, a giddy expansion. Finally, after so many years of failure, mistakes, and darkness, he has put something bright into the world.

A lovely, elegant thought. But close behind it comes something louder and hotter, primal and inarticulate:

Anything. Anything.

He will do anything for this child.

• • •

Abram’s eyes are burning, but he’s sure it’s from the wind. The road has a hypnotic effect, gliding toward him in its endless sameness, undulating gently from side to side, and he finds his thoughts wandering off task, indulging in nostalgia and sentiment—but it’s the wind that’s blurring his vision. And when the road briefly becomes a vast gray snake writhing underneath him, that’s just the sleep deprivation. And the hunger. And the clawing, unbearable thirst.

The engine sputters again, skipping beats like a bad heart. The fuel gauge screams at him like a hungry baby, but he can’t provide. Very soon he will be on foot, trudging through these woods in dreamy slow motion while his daughter speeds into the distance.

His mind feels soft, his senses slippery. So when he sees a cluster of buses parked in the valley ahead, he’s not quite sure they’re real. He stops the motorcycle and rubs his eyes, but the buses remain, lined up in rows in the parking lot of an ancient truck stop, surrounded by men in beige jackets.

Adrenaline jolts through him, squeezing the last reserves of energy from his cells. His head clears.

“What is your job?”

He creeps through the surrounding woods to the back of the service station and pauses there. He’s close enough to hear chatter from the camp, not the words but the familiar drone of their voices, the low, growling timbre of men hiding weakness behind puffed chests and crossed arms. Even the smell is familiar: Axiom’s signature blend of diesel, sweat, and fear.

He doesn’t see the ad-covered bus that took his daughter, but they could have transferred her. She could be anywhere, loaded from bus to truck to trailer like common freight, a little sack of apples bruising and rotting.

He grits his teeth, takes a deep breath, and plunges into the camp, striding casually as if just returning from the restroom.

No one pays him any attention as he moves from bus to bus, scanning the windows and poking his head through the doorways. No one recognizes him from his brief television appearance an eternity of weeks ago. The Feed has moved on to other targets—a glimpse of one dashboard screen reveals a procession of traitors and insurgents from every major enclave, accompanied by brief statements of condemnation. Abram thinks whoever is running the Feed should be fired. When you’re spending more airtime on your dissenters than you are on your agenda itself, it’s time to stop broadcasting.

Most of the guards are busy securing the perimeter and scouting for salvageable goods, so the buses are empty. Except they’re not empty. They are packed tight with the Dead. Abram will continue to think of them as Dead, even the ones who meet his gaze with quiet contemplation in their gold-flecked eyes. The idea that there are more than two categories—and that there is travel between them—is a knot that sticks in his brain, and behind that knot is a swelling balloon of black blood that he can’t allow to leak through. A truth he can’t allow to be true. A decision he only survived because he thought he had to make it.

Abram scans for Sprout’s face among all these rotting corpses. She is more and more a mirror of her mother, though she didn’t have time to learn Kenrei’s demure grace. She has begun to bristle with will and wildness, like Abram’s own mother. Like all the girls he used to fall for, before his father-bosses set him straight.

Nature made it clear who’s supposed to be in charge, they told him. When you go against nature, people get hurt.

After a few years of mental drills and Physical Disincentive, Abram understood. He found a wife who understood. He raised a daughter who understood. They accepted the work he had to do for them, and he accepted it too, and for a while the machine ran smoothly. Why did it break? What parts were missing?

He climbs into a bus, rank with the smell of the Dead in their varied states of decay. “Murasaki?”

The Dead watch him with an array of emotions that he refuses to see.

Another bus. “Mura?”

Another. “Sprout?”

“Hey!”

A harsh voice behind him. A man squinting up at him from the ground. Abram turns slowly.

“What are you doing?”

The man is young. Barely into his twenties. He carries a clipboard tucked under his arm, and Abram sees a list of names and numbers.

“Checking on the cargo,” Abram says.

“The cargo’s fine,” the young man says. “They’re all locked in and I check them every hour. Who told you to double up on me?”

“Just walking by, thought I heard something.”

“I watched you check four buses in a row.” The man’s expression cools from annoyance to suspicion. “Where’s the rest of your uniform?”

Abram doesn’t answer.

“Which bus are you on? Did you join up in Nashville?”

Abram glances left and right.

The man checks his clipboard. “What’s your SSN? I’m going to need you to—”

Abram’s elevated position puts the man’s face right at foot level, so his boot strikes it dead-center, obliterating the nose. He jumps down and grabs the man around the neck, clamping a hand over the mouth, and rushes him into the trees behind the service station. He flicks out his knife and presses it to the throat.

“What’s your name?” he asks, though he doesn’t want to know.

“Jim,” the man gurgles. “Jim Roberts.”

“What’s your SSN?”

The man hesitates, his mind racing with the implications of these questions, but Abram wiggles the blade enough to bite and the man’s reflexes take over. “559-94-2350!”

“I’m sorry,” Abram says, and he means it. A quick flick of the wrist, and Jim Roberts dies.

While Abram buries the body under a pile of dead leaves, we take a moment to skim this young man’s life. It contains little that anyone will want to learn. Another youth recruit raised in the subhuman nightmare of Path Narrowing and Physical Disincentive and a rotating roster of indistinguishable father-bosses, all his broken pieces compressed into a solid shape by endless heat and pressure. He was already a casualty long before this stranger cut his throat. We grieve for him now as we breathe him in.

Abram Kelvin emerges from the trees, wiping dirt and blood on his pants, adjusting his beige jacket and reciting his new SSN. If he doesn’t find her here, he will find her in the next caravan, or in Post itself, somewhere deep in the guts of Axiom’s new body. He will cut his way to her and pull her out.

From a great distance, he watches himself merge into the camp. He hears himself chatting with the troops, the old blustery tone and obfuscating jargon springing easily to his lips, and in spite of his loathing for the system that stole his life, he feels a familiar comfort as he slides back into its embrace. That sense of being aligned, defined, identified and indemnified by something bigger than himself. For a moment—just to help him blend in—he surrenders to the feeling. After all these days in the icy wilderness of self-determination, it’s like sinking into a warm bath. He grabs a water bottle from the well-stocked cooler and drinks until his stomach hurts. He pours a big bowl of stew from the catering cart and joins the men around the fire. He sounds so relaxed and natural while he probes for information that it’s hours before anyone even asks him his name.

“Roberts,” he says.

Don’t do this, the voice mutters deep in his head.

“Jim Roberts. Bookkeeping and Guest Supervision.”

This isn’t the way.

“So where’s our next stop?”

I

JULIE DOESN’T TALK about her nightmares. On the rare occasion she has a good dream, she will stumble through her deepest reserves of poetry to convey its surreal beauties, but she keeps the nightmares inside. So sometimes, lying awake next to her, I try to reconstruct them from what I see on her face. I translate her whimpers and grimaces and occasional screams into an impressionistic narrative, like a film without a story, just emotions in a sequence.

Most nights, it’s just another clumsy attempt to access her inner world, to understand her a little better. Tonight, it’s more urgent. Tonight, I feel like I’m divining my fate in these little sounds and movements. When I see tears in her closed eyes, I can’t help wondering if she’s already mourning me in her mind.

And then, in the gunmetal glow before dawn, there’s a shift.

Her anguish relaxes, smoothing into the natural expression of sleep, then further; arched brows and a subtle, parted smile. Bliss. Awe. Her whimpers become slow, steady sighs, like she’s bathing her lungs in perfume.

I didn’t expect this. My involvement in her dream now seems unlikely, but I watch with fascination and an ounce of cautious hope.

The rumble strip roars and Barbara swerves left, wobbling a bit before stabilizing. I glance down the hallway to the driver’s seat and see M blinking and slapping himself. Julie doesn’t stir, but her expression has faded back to neutral. I slide out of bed and join M up front.

“Morning,” I say, though it barely is.

He grunts, pulling the bag of frozen hash browns away from his cheek. The swelling has gone down some. His eyes are visible again, but they’re bleary and bloodshot. He looks less alive than he did when he was Dead.

“I’ll take a turn,” I offer. “Can’t sleep anyway.”

He hesitates like I’m asking him to break an oath.

“Marcus.” I put a hand on his shoulder. “Punishing yourself doesn’t help anyone. Just puts more pain in the world.”

He snorts. Then he sighs. Then he pulls over. We switch seats and I hit the gas, and I’ve driven several miles before I remember that I can’t drive.

I glance over at M to see if he’s impressed with my wheelmanship, but he has slipped out of his chair and settled down on the floor behind me, already snoring. I turn back to the road and enjoy it alone, flying through fields and forests as the horizon begins to glow.

I am gone for a while, watching the slow infusion of color into the sky, and when I come back, Julie is sitting next to me. I gesture to the steering wheel and raise my eyebrows. She smiles and nods, not bad. We watch the sunrise together.

“You’re up early,” I say after soaking in the silence for a while. Her hair is a little less crazed than usual. She looks tired, but not battered.

“I had a good dream,” she says, and there’s a note of wonder in her croaky voice, a sparkle in her crusted eyes as they wander the passing scenery. “An amazing dream.”

I watch her expectantly. This is new.

“I was in this huge library,” she says. “I was climbing a ladder, and the shelves went up for miles, farther than I could see. They went down too, but I was going up. And I wasn’t—” She pauses, laughs to herself, searching for the words. “I wasn’t really reading the books, but I could sort of sense what was in them. And the higher I went, the better they got. I could feel them getting more complex and meaningful, like I was going from kids’ books to pulp novels to classic masterpieces, and I was like…breathing them in. All those stories at once.” She laughs again, choked with conflicting emotions. “They were so beautiful. I can’t even explain it. Sad ones and happy ones, some that didn’t even make sense, but when I breathed them all together it was just…it was like this perfect perfume.”

She shakes her head. Her eyes are glazed. Then they snap into focus and she looks at me. “But the spooky thing is, when I woke up…it was still there. I could see those shelves through the bed and the ceiling, like the RV was made of glass. I was rubbing my eyes, trying to make sure I was really awake”—she rubs them now—“but it just kept going. I sat there in the bed for a full minute, just waiting for things to turn solid.”

She looks at me with a sudden soberness. “It was like in Detroit. But I was in the low shelves there. I was climbing down. This was…so different.”

I break away from her gaze and stare at the road ahead. It runs in a straight line through miles of empty fields all the way to the vanishing point, a vision of infinity. And it occurs to me that at this moment, I could be the only human being looking at this road. I could be the only complex mind for a thousand miles who’s thinking about it, correlating it, confirming it.

I feel a tingle in my spine as I let my vision blur. I look to the side, out into the fields. And in the corner of my eye, the road flickers. The straight line becomes a curve. Then a hill. Then a rushing river.

“Julie,” I whisper, and she looks.

She gasps.

And it’s a road again, long and straight. But the evidence that it wasn’t remains in Julie’s eyes.

“You saw that?” I say.

She nods, dumbstruck.

“Welcome to the Midwaste,” Tomsen says, peering at me in the rear view mirror. “America’s biggest mystery hole. A thousand miles of haunted house. Dreams or nightmares, take your pick.”

Julie twists around in her chair. “What the hell did I just see?”

“One of several reasons only crazy people cross the Midwaste. The Suggestible Universe calls it a vacillation. What reality does when no one’s watching.”

“What does that mean?” Julie persists, gripping the top of her chair.

Tomsen cocks her head. “If the idea could be explained quickly, why would there be a four hundred and thirty-three-page book about it?”

“Oh come on, Tomsen! Give me the synopsis.”

Tomsen blinks at her for a moment. “Okay. Synopsis. From the bestselling author of comes a mind-blowing that redefines the. We all assume. But what if? This timely will forever change the way you.”

Julie slaps a hand over her eyes.

“Okay, let me try again.” Tomsen steps over M’s snoring mass and puts a pot of water on the propane stove. She clears her throat. “Consciousness exerts a force. Or it is a force. Like gravity. Electromagnetism. It’s not locked in our brains, it’s out there. Without it, everything’s just potential. Things don’t decide what to be until someone observes them being it.” The pot drifts across the burner as the RV vibrates and Tomsen nudges it back into position. “A subtle effect. Other forces at work too, very weird and complex. But we’re in there somewhere. When we restart the internet, look up observer effect, double slit experiment, heated fullerenes, cosmic habituation. Also, prayer.” The pot jumps as we go over a pothole and she clamps it down, watching it intently. “Although the most obvious evidence is sitting right next to you.”

Julie glances at me. “Him?”

“They popped into reality exactly as we’d always imagined them, broke all kinds of scientific laws—only crazy people think it was a virus or some other dull normality. No way around it, zombies are magic.”

Julie raises her eyebrows at me, repressing a giggle. “Are you magic, R?”

I shrug.

“A few thousand years ago, this stuff was obvious.” Tomsen crouches down to eye level with the pot like she’s trying to intimidate it. “Happened all the time. Vacillations. Manifestations. Monsters and miracles. Reality was a stew of potentiality because there was so little sentience defining it. A few million complex minds on the whole planet? Anything could happen. But then we added a few billion more and built up assumptions and consensus, so reality hardened.”

The pot should be boiling by now, but I see no steam and hear no bubbling. Just a strange, rattling squeal like dry ice on metal.

“But then? But then?” Tomsen laughs. “Everyone died! Hooray!” She leans so close to the pot I see a few hairs curling. “And reality melted again. And now here we are, back in a primal world but with all our lessons learned, and anything can happen again.”

She turns her back on the pot. The squealing instantly becomes a bubbling roar, and a cloud of steam billows up.

While Julie and I stare at her, then at each other, then back at her, Tomsen pulls a sock out of a drawer, stretches it over a mug, dumps a pile of Lynda’s coffee grounds onto it, and pours the boiling water over this makeshift filter. She hands the mug to Julie, who hesitates only briefly before diving in.

“I could’ve used this before that conversation,” she mutters, wincing as she slurps the steaming brew.

“Very interesting book,” Tomsen says. “Of course no one really believes it, not enough to live it, however you’d even do that. But things are complex and this is a component, an ingredient, color, note, notion.” She pushes her fingers through her hair. “Borrow Nora’s copy when we save her. Sorry about the sock. It’s clean. I don’t have coffee tools. I make herbal tea sometimes. Rooibos.”

“Tomsen,” I say, catching her eyes in the mirror. “What are the other reasons?”

She cocks her head at me.

“You said only crazy people cross the Midwaste. Why?”

She starts shaking her head, but I can’t tell if that’s her answer or just agitation.

“Earlier…you said the Midwaste might digest us—”

“Do you want coffee?” she blurts to no one in particular. “You’ll have to take turns with the mug. I only have one. His name is Mugritte.”

I’ve never seen her avoid a subject and it’s making me as anxious as she is. “Tomsen. Are vacillations dangerous?”

“They can be. If you’re not prepared. If you let them rearrange your head.”

“But can they…eat you?”

She laughs stiffly and finally meets my gaze. “Not the vacillations,” she says. “The Ossies.”

The word buzzes in me, half-remembered, like the blocked-out face of an abuser.

Julie frowns. “The Midwaste is full of Australians?”

“Ossies as in ‘ossified.’”

A knot is tightening inside me. My forehead tingles and sweats.

“Oh,” Julie says, and her face pales. “Haven’t heard that term in a while.”

“What is it you call them on the west coast? ‘Boneys’?” She snorts. “Stupid name. Makes boys snicker. I prefer—”

“Tomsen!” I shout with unexpected intensity, and both women look at me. “Are you telling us…we’re driving into a swarm?”

“Well…” Tomsen looks at the ceiling as if searching for the best way to explain it. “Yes.”

I grip the wheel, shaking my head in disbelief. I feel the sensation of falling and I think of sinkholes, ancient voids eating their way up from the depths, waiting just beneath the surface to swallow us down to the earth’s primal basement. I feel it happening. I see the road crumble—

My head snaps forward, my teeth click together, Tomsen topples into the sink.

“Jesus,” Julie gasps, gripping the dash. “Was that a pothole?”

I am looking in the rear view mirror. The jolt suggested a hole deep enough to bury a body. But there’s nothing there. The road is smooth.

WE

ADDIS HORACE GREENE.

We know his name now, and so does he. A strange name, a chimera of cultures, made from people and places now gone, changed, merged, erased. This is how he feels. Like he is made of jagged fragments.

One thing he knows comfortably: the tall girl is his sister. His memories remain murky, but even in the absence of proof, she has made a convincing case. She has not left his side since they boarded the train. When the crew tried to put him in the freight cars with the Dead, she objected so violently they avoid even looking at him now.

And then there was the big man, and what she did to him.

They have the rear car to themselves now. The teal vinyl seats, the moldy carpet, the dirty windows offering hazy views of the landscape. The car is facing backward, so they watch the scenery scroll by in reverse, unable to see what’s coming until it’s already past. But Nora rarely looks out the window. She watches Addis like he’ll disappear if she blinks. She talks to him, tells him stories about himself, and asks him questions he doesn’t answer. She clings to his hand like he’s a kite in strong wind, like she’s one slip away from losing him. She cries sometimes.

“How are you two doing back here?” the boy who called himself Peter asks as he and “Miriam” stroll in from the front car. The other boy, “Lindh,” is following alongside the train in the armored truck, and he waves at Addis every time Addis glances out the window.

There is so much dissonance radiating off these people, even their names sound like lies. Addis glares at “Miriam” as she bends down to his level and says something in the sing-song voice of idiots talking to animals. He does not bother to register the words.

“We’re fine,” Nora replies to whatever Miriam said, watching the two warily.

“Not a bad way to travel, right?” Peter says. “Anyway, just wanted to let you know we’re over halfway there. Might even roll in tonight if we don’t have any more pick-ups.”

“We’re so excited to show you our community,” Miriam says, sitting cross-legged on the floor next to Nora’s seat. “I think you’ll really appreciate our message once you hear it from Pastor Bark.”

“I wouldn’t count on it,” Nora says, but her voice comes out a little too soft to support the words.

“He’s an incredible speaker,” Miriam gushes. “He can take ideas that sound crazy and almost, like, wrong?”—she laughs—“and make you see the truth in them.”

Nora raises her eyebrows. “How crazy and wrong are we talking about?”

“We’ll let Pastor Bark tell it,” Peter says, crouching down next to Miriam. “I always mess it up.”

“Our mom was Catholic,” Nora says. “She taught us we were eating chunks of Christ’s risen flesh every time we took the Eucharist. Is your stuff crazier than humans eating a zombie?”

Peter and Miriam both laugh. Addis grits his teeth.

“Well, it’s not ‘crazy,’” Peter says, “it’s just…challenging. Human reason always rejects God’s truth because his ways aren’t our ways, you know? He created us with a sense of right and wrong, but he made ours different from his so we’d have to rely on faith.”

“Otherwise it’d be too easy,” Miriam says.

“Right. If it just intuitively ‘made sense,’ then everyone would believe it, and what would be the point? There’d be no conflict to overcome and our faith would be weak.”

“You have to be strong to accept truth,” Miriam says.

“But that’s how you know it’s truth. The harder you have to struggle to believe it, the truer it must be.”

“Truth hurts.”

“Okay, okay,” Nora says, holding out her hands to stop them. “I’m getting exhausted just listening to how fucking difficult everything is.” They start to laugh again but she cuts them off. “Quit stalling and just spit it out. What’s this glorious truth of yours?”

Peter and Miriam look at each other, both a little nervous.

“Well,” Peter says. “Basically, we believe humanity’s trial on Earth is over.”

“We believe God’s ready to take us away from this place,” Miriam says, “and the only reason we’re still here is because we refuse to let go.”

“Because we keep trying to repair and rebuild our rotten world when we should be letting it burn.”

Addis watches his sister’s face turn cold. He watches her eyes narrow.

“Stop the train,” she says.

Peter laughs. “What?”

“Please stop the train as soon as possible. I’d like to get off.”

“Nora, why?” Miriam says, sounding genuinely heartbroken.

“Because you’re fucking Burners,” Nora says without raising her voice.

Peter sighs and shakes his head. “I knew I’d mess it up. I’m so bad at explaining it.”

“Nora,” Miriam says, reaching toward but not quite touching her leg, “you’re misunderstanding it. That’s not who we are.”

“You’re not with the Fire Church?”

“We are members of the Church of the Holy Fire, but it’s not what you think it is.”

“You probably think we’re all a bunch of pyromaniac nut-jobs, right?” Peter says. “That we’re just here to blow shit up and kill everyone who disagrees with us?”

“But that’s really not who we are, Nora. We’re just regular folks looking for something to believe in.”

Nora’s face remains stony. “So you don’t burn cities?”

Peter shakes his head. “That’s not what we’re about. We’re about helping people see the truth so they can make the most of the short time God gave them.”

“I’m just gonna ask this again,” Nora says. “Do you burn cities?”

“I’m just trying to explain that that’s not what we’re—”

“Yeah I heard you, it’s not what you’re about. But do you fucking do it?”

Peter and Miriam glance at each other, frustrated.

“Well,” Peter says slowly, “we do have a few liturgies that involve fire. It’s a symbolic thing, like an offering to God. But normally we don’t get into that stuff until later, after you’ve gotten to know us a little.”

“It’s always harder when someone has preconceived ideas about what kind of people we are,” Miriam says with a note of insinuation. “I’m sure you’ve experienced that before, as an African-American.”

Now it’s Nora’s turn to laugh. Hers doesn’t irritate Addis at all, though it’s loud and long. “You people torched DC!” she says with wide-eyed incredulity. “We had to run out in our pajamas while you burned down our fucking neighborhood!”

Peter and Miriam’s faces go very pale. “Oh,” Miriam says, putting a hand to her forehead. “Oh, that’s challenging.”

“Very fucking challenging!”

“Nora,” Peter says, in the most deeply sympathetic tone Addis has ever heard, “whatever happened in DC back then, it must have been so hard. And I’m so sorry your family had to go through it. But you have to understand…that was ten years ago. Me and Miriam were kids. Most of the people involved in that aren’t even alive anymore.”

“They were all just teenagers at the beginning,” Miriam says. “They were trying to do something way beyond them, and they made mistakes.”

Nora snorts. “Mistakes.”

“Big mistakes. Some terrible stuff happened.” Miriam’s face is all desperate remorse. “But we’re not the same church anymore. We’ve grown up.”

Nora cocks her head, her anger curdling into confusion. “What’s that supposed to mean? You don’t burn cities anymore?”

“We burn symbols,” Peter says. “Dead idols that people can’t stop clinging to. But life belongs to God and we do not take it.”

“What the hell does that—”

“Nora,” Miriam cuts her off gently, leaning in close, “can I ask how old you were? When you had to leave DC?”

Nora stares at her for a moment. “I was sixteen.”

“So you must remember what came before the fire, right? The broadcast? The three days of warnings and guidance?”

Nora’s eyes narrow. “I remember some lunatic ranting into a loudspeaker, yeah. What the fuck about him?”

“Do you remember what he said?”

“Some shit about how we’re all doomed and the world is over. Give up a pointless fight, cut yourself loose and fall back into God’s arms…” Her eyes drift to the side for just a moment, then snap back. “You know, ‘let go and let God.’ All that bullshit.”

Miriam looks faintly hurt. “Did it really sound like bullshit to you?”

Nora opens her mouth for an angry retort, but then shuts it. Her scowl flickers with uncertainty as the memories rush back to her. And they come to Addis too.

He remembers following Mom around town as she searched for the man behind the sermon, that supremely assured voice thundering from the loudspeakers. He remembers her shouting “Amen!” at every tagline. He remembers her fighting with Dad as the sermon poured through the apartment’s windows, begging him to leave with her and join this new movement while he shouted that she was crazy and they weren’t going anywhere. And he remembers his sister sitting silently between them, ear cocked to the window, listening to that booming voice.

“Wasn’t there anything in it that rang true?” Miriam pushes.

Nora folds her arms. Her stare is steady and hard, but some heat has gone out of it. “I wasn’t listening. Got a little distracted by the ‘we’re about to destroy your city’ part.”

Peter takes a subtle step toward her. “Did you lose anyone in that fire, Nora? Did you hear of anyone getting hurt?”

Nora hesitates. “No.”

“No one was ever supposed to. And no one has for many years. When we surrender a city, it’s a controlled demolition. We’re just clearing away the debris so God can build something better.”

“DC wasn’t debris. It was our home.” The words are defiant but they come out oddly limp. Unsupported. Her gaze wanders to the window.

“I used to think Reno was my home,” Miriam says with a wistful smile. “I grew up there. Went to school there. Thought I’d raise a family there someday.” She sighs. “And then ‘the Fire Church’ showed up.”

Nora’s eyes dart back to her.

“I was angry too,” Miriam says with a shrug. “It’s only natural to feel that way when someone takes something from you. What gives them the right, I thought. What makes them so sure.” Her eyes drop to the floor and her tone drifts a little. “Why can’t I find my own path to God.”

“But what about drug rehab?” Peter says, shooting a quick glance at Miriam as if partially addressing her. “What about mental hospitals? Sometimes you can’t see your own problems, and you need someone with a clearer vision to pull you out.”

“Right,” Miriam says, snapping back to herself. “And once I was out, I realized that city was never really my home. It was just the box my parents put me in. I’d been pouring my love into it all those years but it had never really loved me back.”

Nora says nothing. She has become a statue, her eyes fixed on Miriam but looking right past her. Addis is surprised by the erosion he sees in her. She seemed so strong, so solid, but perhaps her walls have hollow spots.

“Nora…” Miriam takes a gamble and touches her knee. Nora looks sharply at the girl’s fingers but doesn’t recoil. “I know all this is tough to swallow. And I’m sorry if it’s bringing up painful memories. Some of our doctrines are really challenging, even to us, and we wouldn’t normally get into this stuff so early. It all makes so much more sense when Pastor Bark explains it.”

“Pastor Bark, Pastor Bark,” Nora mutters darkly, her voice a low croak. “This guy’s so smooth he’s gonna convince me to burn the world?”

The two youths allow faint, wry smiles. “He might,” Peter says. “But no pressure.”

Nora takes a deep breath and closes her eyes. “I need you to leave me alone for a minute.”

Nodding effusively, Peter and Miriam get up and flee to the front car.

Nora holds the breath for as long as she can, then slowly releases it, eyes still closed. “Can you believe this shit, Addy? Of all the rescuers in the world, we get them.”

Addis can believe it. He is not surprised at all.

Nora folds her hands in her lap and continues to breathe for a few minutes, each respiration a little slower than the last. She tries to hold the serene expression of a Buddha statue, detached and aloof, but her face crumples under the weight. “What am I doing?” she mumbles. “How did I get here?”

She opens moist eyes and watches the dusty landscape for a while. “Are they as crazy as they sound, Addy? Are they bad people?”

Addis grimaces. This is not the right question. If he nods, it’s a lie, unfair and misleading. If he shakes his head, she will think he trusts them. But the right question is too complex to be answered with oscillations of the skull. He stares at her, trying to remember the words he needs to express himself, but there are too many.

“Nora?” Miriam whispers from the doorway while Peter peeks over her shoulder.

“Yeah,” Nora sighs, waving them in.

They enter with quiet steps like they’re afraid of waking someone.

“Listen, Nora,” Peter says. “If you really want to get off, we’ll stop the train. I don’t know where the next inhabited town is—this is the Midwaste, after all—but we’ll drop you off wherever you want. Okay? Just want to make that clear.”

Nora looks out the window at the endless plains of dust and dead crops.

“But before you decide, I just want to ask you one more time…will you give us a chance?”

“We’re not some crazy militia trying to take over the world,” Miriam says. “We’re not the fucking Axiom Group. We’re just a community of people who share a philosophy.”

“What philosophy is that?” Nora mumbles. “That we should all just kill ourselves?”

“That we should change our priorities. That we should look beyond ourselves and focus on the things that really matter.”

“We’re not a doomsday cult.” Peter’s earnestness warms into another wry smile. “We’re a doomsday family.”

Nora stares down into a dry riverbed as the train rattles over a bridge. Coyote skulls and snake skins. “Yeah, well,” she sighs into the dirty glass, “I’m not trying to walk across the Midwaste. So…I guess we’ll see what’s what when we get to your little compound.”

Peter’s walkie beeps. He glances at it, then back at Nora. “Thank you, Nora. We’ll check back with you later.” He presses his palms together in a little bow and disappears into the front car.

“Thank you, Nora,” Miriam echoes, and tip-toes a retreat to the other end of the car.

Addis doesn’t want to leave his sister alone in her misery, but he feels an instinctive impulse. He gets up and follows Peter to the front. He stands in the jostling junction between cars and he listens.

“How many?” Peter is murmuring into his walkie, watching through the window as the truck and its trailer veer off into the ruins of another small town.

“I’m seeing three so far,” Lindh crackles.

“Condition?”

“Pretty dry. Lots of fractures. Okay, they see me…they’re coming…really slowly. Maybe just starved, but…”

“Leave them,” Peter says. “Not worth it.”

“You sure?”

“God’s Jury isn’t seeker-friendly. I don’t want to scare Nora away just when we’re starting to reach her.”

“But isn’t this why we’re out here?”

“We’ve already got a car-full with us, over a thousand at the community, and plenty more between all the affiliates. It’s enough.”

“But Pastor Bark said ‘anything with teeth.’ He said, ‘until our storehouses overflow.’”

“I know what he said, but…” Peter pauses, grimaces. “Pastor Bark’s a focused man, okay? He finds a purpose and he pursues it, relentlessly. That’s why he’s a great leader, but sometimes it’s up to us to be his periphery vision, you know?”

“Periphery vision?”

“We watch out for the stuff he can’t see while he’s charging into war. And right now I see a scared girl whose soul is on the table, and that’s worth a lot more than what’s out there.”

A long pause. “All right. Guess I’m all done, then.”

“Drive safe. See you at the station.”

Peter pockets his walkie and turns around.

“Oh—hey, Addis!” He erases his surprise with a big grin. “Do you, um…do you like trains? I loved trains when I was your age. Want to see the engine room?”

Addis’s stare is unreadable but never quite blank. He finds that this ambiguity unnerves people, and he lets it do its work for a moment. Then he says, “I want to see the cargo cars.”

Peter’s eyes widen. “Oh wow! I didn’t know you talked.”

“Cargo cars.”

“Well…I’d love to take you back there, buddy, but I don’t think your sister wants that.”

Addis turns and starts back.

“When we get to our community,” Peter calls after him, “we’ll set you up with a nice spot in the Redemption Hall and you’ll get to meet all the other people like you. Okay?”

The door squeals shut behind Addis. He walks past the rows of backward-facing chairs, struggling to stay upright as the floor sways beneath him. He walks past his sister, who is staring out the window at the endless miles of desert. He comes to the end of the car and pushes the door latch, but this one is locked. He stares through the door’s tiny window at the faded red freight car behind it, trying to penetrate its walls, but all he gets is fine detail on a patch of rust. So he listens instead. He hears the wheezing and groaning and squishy movements of a car full of rotten corpses. And behind that, more of the same.

But behind that, in the car at the rear: something else. A sound he’s been hearing since the train arrived, what he assumed was just an undertone in the train’s chorus of squeals and roars. But now that he’s listening, it rises out of the noise. It clarifies and introduces itself.

A low, dissonant hum.

I

A STEADY RATTLE fills the RV. It began when I hit the invisible pothole and it’s slowly growing louder. Tomsen didn’t yell at me when it happened, just stared silently until I pulled over and surrendered the driver seat. Now I can’t tell if she’s upset with me. She’s silent, but so are the rest of us, watching the road pass with wide-eyed vigilance. We have more to worry about than auto repairs.

I catch glimpses of skeletons sprawled in the sand or leering through the windows of rusty cars and I tense. But so far, nothing moves. Some of the skulls are shot through—responsibly neutralized by their former occupants. Others lie in pieces, pried open and cast aside like oyster shells. They don’t buzz or roar with rage at our disruption of their desert diorama. They are empty.

“No guns?” M asks, digging through the RV’s cabinets. “Really?”

Tomsen grips the wheel, frowning into the horizon. I can feel the axle’s rattle in my feet.

“You lasted ten years…alone in America…with no guns?”

“You can’t shoot the plague,” Tomsen says. “You only hit its victims.”

“Well, yeah…” He tests the weight of a cast-iron skillet. “But still.”

I agree with Tomsen. But M has a point. And I have a big wrench in my white-knuckled grip. Julie hunches in the passenger seat with a tire iron. All three of us glisten with sweat.

We pass scene after scene of dried-up carnage, constant reminders of the danger with still no sign of its source. As hours pass without incident, the anticipation ferments into an itchy, maddening anxiety. Julie gets up and paces the RV’s short hallway, tapping her tire iron against the walls and countertops. The kids have sequestered themselves in the bedroom. If they were ordinary children, the ambient tension would be overloading their nerves, sparking fights and teary meltdowns. Instead, they have built a fort of cushions and blankets, and they peer through the opening as if awaiting a siege.

Finally, it’s too much. Julie drops the iron on the floor and throws up her hands. “Okay, where are they? Where the hell are they? Were you pranking us, Tomsen? I’m freaking out.”

Tomsen looks her over with an evaluative squint, like a doctor considering a prescription. “Do you want some cannabis? Some people find it relaxing.”

Julie stops pacing and cocks her head. “Seriously?”

“Left of the sink, bottom drawer.”

Julie opens the drawer. Her eyes go wide. “Holy shit, Tomsen! I think you have a problem.”

The drawer is almost completely full of baggies and bales. It’s enough to give Tomsen a strong claim to the title of drug lord.

“I don’t smoke it,” she says. “It’s universal currency. That drawer was going to fund the Almanac for another five years.”

“Um…” Julie pulls out a pack of rolling papers and a lighter. “You don’t smoke it?”

“Sometimes I offer it to Almanac guests. For interviews. Loosens tongues. Especially for the odd topics, the terror tales and sailor stories. But help yourself. I don’t smoke cannabis. Makes me jittery.”

Julie looks at me. I shrug.

“Well,” she says, “we need to stay alert…but a few puffs might steady our nerves.”

She rolls a joint. She takes a drag and offers it to me. I consider it for a moment, then I remember the last time I tested a new drug on my newly Living brain. That first shot of vodka in the Orchard bar, and the stumbling mayhem that followed. I already know I’m a sloppy drunk…this isn’t a good time to find out what I’m like when I’m high.

I smile and shake my head, and M snatches the joint.

“Don’t mind if I do.”

They exchange a few puffs, then Julie stubs it out and returns to the passenger seat. She stares ahead at the passing yellow lines.

“Feel better?” Tomsen asks.

“Maybe.” Her grip on the tire iron relaxes until she sets it in her lap. “A little.” She’s no longer panicking, but her eyes still comb the dusty plains with a nervous intensity. “But I don’t get this. Why would Boneys swarm out in the desert? There’s no one to eat.”

Tomsen nods. “Strange phenomenon. Started about three months ago. Mass migrations. Retreating from the cities, swarming in the empty spaces, like they wanted to get away from the Living instead of into them.”

We enter a nameless little town and come out the other side, still the only moving object for miles around.

“I took this route on my last trip to New York, before I heard about the migrations. Hundreds of Ossies here. Barely made it through.”

“What were they doing?” Julie asks. “Just standing in the street?”

“Seemed confused. Purposeless. I got the feeling they were waiting for something.”

“Like what?”

Tomsen shrugs. “For the field to tip back in their favor? Their next opportunity?”

I remember the last thing I heard from their dusty archive of prerecorded messages, the anonymous voice of some long-dead spokesman buzzing with immutable confidence:

You will become us. We will win. Always have, always will.

The wrench trembles in my hand. Half fear, half rage.

“R,” Julie says as Tomsen guides the RV around a wrecked convertible. Its driver is grinning at us, and Julie holds eye contact with its hollow sockets until we pass. “What are they?”

I watch the skeleton recede behind us, now grinning at nothing.

“They’re not just dried-up zombies,” she says. “They’re different.”

I nod.

“So what happens? How does a shuffling corpse turn into a running, jumping, roaring…” She trails off with a shudder. “What’s the line they cross?”

“There’s no line,” I reply. “It’s gradual.”

“But…what makes them get stronger and smarter when they should be falling apart?”

I shake my head. “Boneys aren’t smart.”

She gives me a skeptical side-eye. “R. They had you guys serving them dinner. They were judge and jury. Everyone knows the Boneys run the hives.”

I consider this for a moment. “They’re not smart, they’re just…unencumbered.”

She raises an eyebrow.

“Self-awareness…empathy…perspective…all heavy weights. Boneys climb to the top…by shedding them.”

Julie nods. “Okay…” We drive past a wrecked RV with all its windows broken, doors torn off, claw marks gouged into its sides, and cracked-open skulls littering the ground around it. “But that doesn’t explain how they can do that.”

She has me there.

“How can something get stronger the more it rots?” She stares into the rippling liquid of the horizon, and I can tell that she’s high but this is no dismissible stoner rambling. Her questions are disturbingly valid. “It’s like…inverted life. Like they’re feeding on the entropy.”

Dark thoughts begin to cascade in my head. Perhaps this is the reality of the undead world: a physics of consciousness, a biology of intent. Perhaps when I consumed the Living, it wasn’t the life itself that fueled my unnatural body, but the very act of taking it.

Where did this come from? In what tarry bog of the universe did such a monster evolve? And how do we send it back?

• • •

An hour later, Julie and M are deep in quiet contemplation. Tomsen, meanwhile, scans the horizon with a puzzled squint and increasing agitation, like a lost tourist looking for landmarks. “I don’t understand,” she mutters. “Two months ago, they were everywhere.”

The highway curves away from the train tracks and into another little village. The road is more pothole than pavement here, and Tomsen slows to a cautious creep, babying Barbara’s delicate joints. I see two skeletons in the shadow of a police station and I stare into their grinning faces as we approach. My mind is far away, still exploring Julie’s questions, so the skeletons are already behind us by the time it registers:

They were standing up.

A crack from the rear bedroom. A scream from the cushion fort. I whirl around just as Tomsen hits the gas and the surge sends me stumbling back onto the bed, landing face to face with the nearly toothless skull of a long-dead officer. It has punched a finger through the rear window, but as the coach accelerates it stumbles and falls, leaving its finger quivering in the glass. Sprout pops out from the cushions and pushes it back through the hole, then returns to the safety of the fort.

The spike in my heart rate slows as I watch the Boney cop and its partner scramble after us. This isn’t the threat we’ve been bracing for, the swarm of catlike demons that clawed its way up the stadium walls. They lurch. They totter. They are stripped of tissue, almost ready to become dust. And still they pursue us, as blindly certain as ever that they’ll win.

“Bye,” M says, waving at them through the window.

“Maybe that’s all that’s left,” Julie says. “Maybe the rest all starved.”

Tomsen shakes her head. “The swarm’s always shedding its old and weak. Leaves them behind like dandruff. But there were thousands of thousands, like ants, termites, wasps, locusts, cicadas—they didn’t all die in two months.”

“So you think they…migrated again?”

Tomsen shrugs. “I don’t think anything. No idea. But if they’re not here anymore, they’re somewhere else.”

I spot a few more as the sun dips into the west. Some linger around towns and rest stops, others have wandered into the desert on splintering legs or no legs at all, dragging their torsos through the sand on fingers worn to sharp points. I think of insects crawling across a parking lot. What brings a bug to that endless expanse? What tiny blips of thought inform its decisions? What does it imagine it’ll find at the end of all that effort? Like insects, like animals, like most human beings, the Boneys don’t pause for such questions. Their line of inquiry stops far short of introspection, landing somewhere around how do I get?

It’s a pathetic sight, but every time I feel the urge to empathize, they twist their heads around and snap their teeth and struggle in our direction, revealing the brutal monomania that drives them, and my empathy recoils. These things are not people. They’re not even creatures. They’re the embodied reverberations of a single ancient utterance, and I have heard it too many times.

• • •

We pass a sign announcing: Highway 50, Loneliest Road in America. Below it, another one warns: No Services 88 Miles, but the 88 has been sprayed over and amended to 146. No doubt it’s due for another update.

The road is a straight line all the way to its vanishing point. Mountains rise and fall on the horizon like frozen waves. We are approaching the end of the Midwaste, and Tomsen’s swarm is still a no-show. Somehow, this is far from comforting.

A high metallic squeal has joined the rattling in the RV’s front axle. Combined with the whistling from the hole in the rear window, it sounds like an aural expression of a panic attack. Julie and M are mellow now, but I see Tomsen’s eyes twitching in the mirror.

“Sounds bad,” M says. “CV joint?”

“I keep replacing them,” Tomsen says through gritted teeth. “Barbara hates these roads. She’s an old lady. She wants to go home.”

“Should we stop and check it?” Julie asks, grimacing as the noise drills into her high.

Tomsen’s hands twist on the steering wheel like she’s wringing out a rag. “Of course we should stop! That’s the herald horn of a breakdown! But we can’t stop on the Loneliest Road a few hours from the witching hour. Can’t trust reality out here, it’s liquid, it’s slippery! Shows you cracks and holes, ghosts and demons, things you’re not ready to see. Very bad place for a pit stop.”

Julie watches Tomsen’s hands tremble. “Huntress…are you sure you don’t want some weed?”

“No weed. No damn cannabis. I told you it makes me jittery.” She’s shaking her head violently.

“I just thought—”

“Open the glovebox,” Tomsen snaps, sharper than I’ve ever heard her. Julie opens the glovebox. “Hand me that case.” Julie hands her what looks like an antique silver makeup kit. “Hold the wheel.”

While Julie reaches over to comply, Tomsen flips open the case to reveal a mound of white powder. It’s not makeup. She cuts a vague line with her fingernail, pulls a hundred dollar bill out of a jacket pocket, rolls it up with a flick of her fingers, and snorts.

“Jesus, Tomsen,” Julie says with wide eyes. “We were trying to calm our nerves, not fucking party.”

But Tomsen’s nerves suddenly do look calm. She gives the case back to Julie and takes the wheel with steady hands, and then she closes her eyes. The shriek from the axle winds down as the RV decelerates. When we come to a full stop in the middle of the highway, Tomsen’s eyes slide open.

“Okay,” she says with a hazy smile. Her voice sounds lower and softer, like she just woke up from a nap. “Okay.”

She climbs down from the cockpit and moves to the back. She opens a cabinet and pulls out a big, jangling tool bag. “Give me two hours,” she says, casually swiping the tire iron out of Julie’s lap, and saunters out the door.

Julie and I exchange dumbfounded looks. The kids wait in their cushion fort, worried and silent. For a moment, the only sound is the desert wind, then there’s a clanking and a cranking, and the front of the RV rises notch by notch.

“What’s she take when she is trying to party?” M wonders, staring out the open door. “Chamomile tea?”

Julie chuckles. “Tomsen in the club, snorting lines of Ambien.”

A smile creeps onto my face. Their high is infectious. I enjoy it for a few seconds before a voice from the cushion fort punctures the levity.

“What about Nora? Won’t we lose her?”

Our smiles fade. Sprout Kelvin: our six-year-old voice of responsibility.

“Maybe her train will make some stops too,” Julie says. “Suggest that to the universe.”

M steps out the door and stares west. His posture is hunched in odd ways, favoring his many wounds. “What Tomsen said…ghosts and demons…she’s just crazy, right?” He turns slowly, scanning the horizon. “None of that’s real, right?”

The sun is retreating toward the mountains. A bruise-blue shadow spreads in the east. “Zombies weren’t real,” I mumble, imagining things springing to life in that shadow, emerging from lairs of nonbeing as the sun abandons its watch. “Until we decided they were.”

WE

ABRAM SQUIRMS in his seat. His forearms stick to the leather. The interior of the huge SUV is inexplicably cramped, all black, and hot despite its tinted windows. He sweats in the humid darkness. He swears he can hear the heartbeats of the two soldiers squeezed against him, like they’re a set of triplets in some monster’s leathery womb.

He can’t stand it. He has to do something. He wants to kick and thrash but he sublimates his panic, funnels it into yet another cautious probe.

“Hey, uh…” He considers asking the man on his right for his name but quickly scraps the idea. “You guys heard about the new program? Orientation?”

“It went public two weeks ago,” the man says dully, staring straight ahead.

“Pretty crazy, though, right? Zombie employees?”

The man says nothing.

“How many do you think we have working for us by now?”

“Don’t know.”

“In the facilities I’ve seen, there’s more of them than us.”

“And?” The man keeps staring at the seat in front of him.

“Just wondering if we’re putting ourselves out of a job.”

The man looks out the side window and says nothing. Abram turns to the woman on his left. “I mean, they’re using Living subjects now, right? Kids, even?”

The woman shrugs. “Whatever it takes.”

She’s young, possibly a teenager, but she sounds as blank and disinterested as the man staring out the window. Women are rare in Axiom’s field ranks, especially young ones. Abram wonders what degradations she had to crawl through to reach this position. Her black hair is dull, her tawny skin is scarred, her dark eyes look haunted behind their heavy lids.

“Do you…” Abram says, struggling to continue his subterfuge through a sudden wave of emotion. “Do you know what they do with them? The Living subjects?”

The girl squints at him like he’s crossed some line of decorum.

“They don’t tell us much in Nashville,” he adds. “Just wondering if you know what’s—”

“Hey.” A grizzled face leans around the front passenger seat. “That’s enough back there. Orientation’s not our problem.”

The team manager is an older man, past his prime but sturdy, graying everywhere but his thick black eyebrows. Abram is still waiting for someone to say his name.

“Sorry, sir,” Abram says. “Just curious, sir.”

The team manager studies him in the mirror for a moment. “I don’t recognize you.”

“Jim Roberts, sir. I joined up in Nashville.”

The manager nods. “Well, Roberts, ‘curiosity’ isn’t a good fit for this company. If you’re worrying about someone else’s job, you’re not doing yours.”

“Yes sir.”

The manager’s walkie squawks. “Scout Beta to Team Manager Abbot.”

“Go ahead,” Abbot replies.

“Civilians two miles ahead of you. Large RV.”

“Profit-loss?”

“Gas cans, supply crates, no visible weapons. Worth a stop.”

“Do it.”

Abram leans forward. It’s a smaller world than it used to be; there are only three passable highways to choose from when traversing the length of the country, so run-ins with familiar faces are far from impossible. But it can’t be them. It can’t be.

He restrains a sigh of relief when the RV comes into view. It’s a blocky modern coach, adorned with gaudy swooshes in four different shades of beige. The scouts have already lined up the passengers, eight people ranging from elderly to adolescent. A family.

The scouts haven’t drawn any weapons and are no doubt employing Adaptive Inducement to seem less threatening, but the effect only seems to work on the youngest of the children. Everyone else looks terrified.

“PR time,” says Team Manager Abbot as he steps out of the vehicle. No one else moves to follow him. The driver keeps the windows up despite the heat, and Abram watches the proceedings through the tinted glass, a mute procession of gestures and expressions like a grim silent film.

Abbot approaches the family with his hands outstretched, greeting them jovially.

The family listens with increasing unease.

Abbot gestures to their RV, the supplies on its roof, then to the Axiom convoy. His face adopts a soliciting look, like he’s asking for a favor that’s significant but not unreasonable.

One of the younger men takes a step forward, his mouth moving rapidly. He waves his hands at the empty wilderness around them, then to the rest of his group, with an emphasis on the children.

Abbot appears to consider this, then brightens like he’s had an idea. He points to the group, then spreads his hands to indicate the Axiom convoy, then concludes his statement with a proud grin, like a gameshow host announcing a prize.

The young man shakes his head vehemently.

Abbot shrugs. He says something to one of the scouts, who climbs into the RV and slowly drives off, leaving the family in a cloud of dust.

The young man shouts at Abbot’s back as Abbot walks away, and it’s loud enough to be heard inside the Hummer.

“Wait!”

Abbot stops and raises his walkie, waiting.

The young man looks at his family. One of the children is crying. The man nods to Abbot, and Abbot smiles and speaks into his walkie and the RV comes to a halt.

Abbot returns to the Hummer while the remaining soldiers escort the family back into their vehicle. A minute later, the convoy is back on the road, and the RV looks right at home among the small army of buses.

“Eight new hires,” Abbot says, leaning back in his seat with a satisfied groan. “Thought these ones might actually stand on principle but they always come around once reality sets in. No choice, when you’ve got kids.”

Abram notices no one else in the Hummer is sweating. He notices the sun is setting behind the approaching mountains.

“You got kids, Roberts?”

Abram looks up to find Abbot’s eyes watching him in the mirror. They look small beneath his heavy dark brows.

“Yes sir,” Abram says.

“Then you understand why we keep our heads down. Why we focus on the job at hand.”
Abram knows he should say “Yes sir” and do his best to fade from Abbot’s awareness, but he’s distracted by the heat and the sticky seats and he hears himself say, “I’m not sure I do understand.”

Abbot’s eyes flicker with surprise and perhaps renewed interest. The girl on Abram’s left raises her eyebrows at him and even the dead-eyed drone on his right gives him a glance. Abram’s face pales beneath the beads of sweat.

“How long have you been with Axiom?” Abbot asks neutrally.

“Not long, sir. About a year?”

Abbot nods, and his gaze drifts out toward the reddening horizon. “Well let me tell you something. You make a lot of hard choices in this company and you have to make ’em fast.” His voice sounds distant, tired. “They’re coming at you down the assembly line, and if you pause to get philosophical and ask what it is you’re building, they roll right past you, the machines jam, and the factory shuts down. And then you’re unemployed, and your kids are hungry, and you’ve failed as a father and a man.” He straightens in his seat and tightens his voice. “So don’t do that, Roberts. Do your job.”

Abram wonders if he’s coming down with a fever. The heat passes through him in waves, and he sees strange things through the windows, veiled and abstracted by the dark tint—eyes blinking in the desert, bottomless potholes lit by deep fires, the silhouettes of giants ambling behind the mountains. But he blinks hard and manages to say, “Yes sir,” and the air cools a little. The sweat dries on his face.

I

I AM LOOKING at a TV screen, and there’s a man in a suit addressing the viewers, but this is not Axiom’s manic ad campaign. It’s the introduction to tonight’s episode of The Twilight Zone.

The kids found the ancient VHS tape in one of the drawers. They uncovered the little TV when they built their cushion fort. The fort is now a bed again, and Julie and I sit squeezed in with the kids, watching a distant era’s vision of the uncanny while a less sanitary one seethes all around us.

I can feel it in flickers. Subtle instances of object impermanence. The wrinkles in the blanket rearrange themselves when I glance away. The pattern of the ceiling stains is slightly different every time I look up. The hole the Boney stabbed into the rear window widens and contracts, as if forgetting exactly what made it. But this is all in my head, purely subjective, and if I tried to prove it—if I took photos or made sketches to record the current states—I suspect they’d stay as they were. It’s the things no one’s watching that start to drift.

Tonight’s episode is unusually quiet. Almost entirely wordless. I hear the squeak and scrape of Tomsen working on the axle, the occasional grunt from M when she requests his help, the whistling of wind through the window hole. On the TV, a group of Civil War soldiers is preparing to execute a man by hanging. I begin to squirm, wondering if this might be too intense for the kids, but as the condemned man teeters on the edge of the bridge and a noose is tightened around his throat, I feel a tightness in my own throat, and I have an embarrassing realization: my discomfort isn’t for the kids. This hokey bit of 1960s television is too intense for me. It’s been a long time since I’ve experienced fiction of any kind, and maybe the desert’s blurring of boundaries is adding to the sensation, but I am identifying too strongly with the man in the noose.

I glance over at Julie, but her face reveals nothing. She is as grim and silent as the soldiers on the screen.

The condemned man falls. My stomach lurches. But the rope breaks and he sinks into the river. He swims to safety, and as it dawns on him that he’s escaped death, a surreal folk tune mumbles on the soundtrack:

A living man…a living man…I want to be…a living man…

The man laughs and stares rapturously at everything around him, the chirping birds, the sun through tree branches.

I see each tree…I read each vein…I hear each bird…upon each leaf…

He makes his way through the woods to his home. His wife runs out to greet him.

I want to be…a living man…

His wife reaches out to embrace him; it’s perfect; it’s too perfect—there’s a gruesome snap. The scene cuts. The man is dangling from the rope, swinging from the bridge, dead.

“So he didn’t really get away?” Sprout asks Julie. “He just imagined it?”

“I guess so,” Julie says, her eyebrows slightly raised. “That was…a weird episode.”

The wind through the hole in the window sounds weirdly human, like a voice singing off key. It’s right between Joan and Alex’s heads, warbling in their ears, and they both twist around and frown intently as if to shush it.

“What if that happened to us?” Sprout says. “What if we all died a long time ago?”

Julie might still be stoned enough to answer a question like that, but I don’t stick around to listen. My legs are numb and my neck hurts and I’m remembering what Julie said last night.

I’m not ready to lose you.

I climb off the bed and step out into the dry heat of the evening. The fire on the western horizon is spreading. The shadow on the eastern horizon is deepening.

“Need any help?” I ask Tomsen for the third or fourth time. The left wheel is off and Tomsen has her head deep in the wheel well, looking a bit like a lion tamer. By way of reply, she hums a brief melody.

“We’re good,” M says, taking a wrench that Tomsen hands him and replacing it with another from the bag. “She’s uh…in the zone.”

I nod. If they did need my help, I wouldn’t have much to offer anyway. Most boys raised in poverty learn basic repair skills, but when God is coming tomorrow to burn away the world, you don’t think much about making things last. The only talents I learned from my life at the bottom are how to fight, how to kill, and how to convince others to do the same.

I start to wander down the highway, toward the fire in the west, and Tomsen must see my feet because she calls to me from under the RV: “Careful. Eight minds make a small island. Don’t wade out too far.”

I don’t bother to decode her metaphor. I’m thinking about the forced smile on Julie’s face when she asked who I’d be when I finished “forming.” She tried to make it look like anticipation, but she couldn’t hide the fear.

The wind from the west is hot on my face. I walk slowly, each step requiring permission.

“R,” Julie calls to my back and I turn around. She’s hanging out of the RV doorway, one hand on the frame. “Where are you going?”

I shrug.

She hops down and approaches me with a hint of caution. “You okay?”

I consider offering some explanation—just taking a piss—but I shrug and continue walking. She walks with me.

We have a couple hours before nightfall, but the rocks and wiry brush are starting to cast long shadows. I try to imagine being alone out here at night, submerged in that viscous blackness… Would the ground even hold me? Would I fall through into some indeterminate abyss?

“R,” Julie says, “can I talk about Perry for a minute?”

My wandering thoughts screech to a halt. Of all the subjects I thought might come up tonight, that wasn’t one of them.

“Not about…you and him,” she adds quickly. “About me and him.”

I’m confused and more than a little apprehensive, but I shrug. “Okay…”

She watches the cracked pavement scroll past her feet for a moment. “It was hard, dating him. Really hard.” Her hands are stuffed in her pockets and her bare arms are pressed against her sides. She looks cold, and I wonder if the furnace blast from the west is only in my head. “He’d been through a lot and he…had a lot of baggage. No more than me, but two messes don’t cancel each other out, you know? They just make a bigger mess.”

I glance back at the RV. It has shrunk to the size of a van, but I’m not seeing any holes in reality yet. I keep walking.

“Even when it was good, even when we were really in love, we fought all the time. He found so many things to get angry about, so many triggers and insecurities, and he brought mine out, too…” She shakes her head. “It was hell. Like one of those Bosch paintings, just a big, smashed-together mess of demons.” She weaves her fingers into a twisted knot to illustrate this, and the half-healed stump of her ring finger lends authentic horror to the image. She’s giving an accurate summary of what I’ve seen in Perry’s memories…but where could she be going with it?

“So when I met you…” Her face loosens and lightens and she takes in a deep breath. “You were like a wide open field. A Monet. No baggage, no history, no collection of neuroses, you were just this…presence. I could sit and talk to you for hours and unpack everything I’d been holding in, and you were just there, solid and simple. Once I was sure you weren’t going to eat me, anyway.” She tries to crack a smile but it falters into a grimace. “I liked that you were blank. I didn’t have to think about who you were or what you wanted, your ideas or your qualities. All that mattered was how you made me feel, and you made me feel safe. You loved me, you were there for me, and that was it.”

My pace has been slowing as she talks, my brows lowering, and now she stops and grabs my shoulder with one hand, staring me in the eyes. “I’m telling you that as a confession, okay? It was a fucked up way to look at a person—like you weren’t a person. Like you were comfortable furniture. But that’s what I thought I needed then.”

“And now?”

“Now I need a person. And…now that’s what you are.”

I hadn’t realized I was clenching for a blow until I feel myself relaxing.

“I want to meet you,” she says, looking up at me with round eyes that are starting to glisten. “I do. But I’m scared you’ll be a stranger.”

I stand still for a moment. I’m scared too, but the relief of this sudden openness is softening the fear, neutralizing the acid in my stomach like a wash of cold milk. “How can I make it easier? How should I…introduce myself?”

She looks at the ground for a moment, then back up to me. “Slowly.” She takes my hands and holds them in front of her. “Ease me into it.”

She releases my hands and steps off the road. We stroll into the desert, our boots kicking up puffs of dust from the baked earth.

“Ask me something,” I suggest.

She thinks for a few paces. “I want to ask what your name was…”

“Not that.”

“…but I’m not going to,” she continues, “because it’d be weird to just suddenly know that, after all this time. It’d be confusing. And kind of…sad?”

I nod, relieved that she understands. “My name is R.”

“Okay. So…” She eyes me up and down as we walk. “How old are you, R?”

I consider this. Scanning my fragmented past, I’m not even sure I know the answer. And does she mean how long have I existed, or how long have I lived? Do I count the seven or eight years I spent in the coma of the plague? Am I the actual age of my body, or is it my mind that defines me?

I clear my throat. “How about…yes or no questions.”

She laughs. “Okay, sure. Make it fun. Are you…under twenty-five?”

“No.”

“Over thirty-five?”

I pause to do some blurry math. “Probably not.”

“Okay. I can live with that range.” She hesitates. “Married?”

“No.”

She nods. “Girlfriend?”

“You mean…ever?”

“When you died. Did you have someone? Did you leave someone behind?”

I hesitate, then shake my head. “No.”

She releases a breath. “Okay. That would’ve been tough.”

She doesn’t need to hear about Rosa today. She doesn’t need to hear that one of Axiom’s glorified prostitutes was the closest I ever got to “having someone,” or that I watched her die in a forest while she cursed me with her last breath. No, that wouldn’t be “easing her into it.” That wouldn’t be “making it fun.”

Julie punts a dirt clod and it spins off into the desert. “Okay, let’s just get this one out of the way so I don’t have to keep wondering…are you a virg—”

“No.”

She looks at me with raised eyebrows. “Wow. Didn’t have to think about that one. Are you, like…very not a virgin?”

I grit my teeth in a cringing grin. “Yes?”

Her brows rise further. “How many?”

“Yes or no questions.”

“More than fifty?”

“I don’t remember the number.”

“But more than fifty.”

“Well…probably.”

“Wow.” She nods, jutting her lower lip. “You’re full of surprises, Mr. Zombie.”

I wince at this understatement. If something as benign as my sex life shocks her, what will the rest of my history do? Maybe we should stop. Maybe it’s too soon, too fast, she said “slowly” and I sense us gaining speed, maybe we should—

“Did you work for Axiom?”

I have a flash of panic, but there’s a surprising lack of accusation in her tone.

“I mean you obviously did. That’s no secret. So did Abram and Marcus, so did a lot of people. Who cares?” She’s not looking at me as she says all this, but now she glances sideways, grimacing with dread. “But you weren’t…one of those ‘pitchmen’ were you?”

“No.” An easy one. There were no such creatures in my day. Although was the creature I was any less loathsome?

“Okay,” she says, “I’m starting to get a picture here. Hotshot young Axiom employee, living large, fucking all the bitches…but secretly guilty and tormented, right?”

I nod.

“Yeah,” she agrees. “If you weren’t tormented, then you really are a stranger to me.”

“Very tormented.”

I glance behind us. The RV has shrunk to the size of a small car, and the sun is about to slip behind the mountains. Now would be a good time to turn back, before we drift any further into the encroaching shadows. I open my mouth to suggest this, but Julie is still digging.

“You also know how to fight,” she muses, almost to herself. “You’re weirdly lethal for such a skinny dude. You must have been a soldier or something, right?”

I don’t answer.

“Have you killed a lot of people? Is that what you didn’t want to remember?”

I don’t answer. I don’t like this path. I didn’t expect her to get so far so fast.

“It’s okay, R, these days everyone’s killed a few people. I killed three before I turned thirteen. How many was it? More than ten?”

“Yes.”

“More than twenty?”

“Yes.”

She pauses. Her steps are slowing a little. “We’re talking about your first life, right? Not the people you ate when you were Dead?”

“Yes.”

“More than…a hundred?”

I feel the skeleton of a small mammal crunch beneath my boot. I stop walking and look Julie in the eyes. “Directly? With my own hands? One person.”

She seems smaller somehow as she looks up at me. “Just one?”

“Just one. Directly.”

The followup question is obvious, but the dark heat in my eyes steers her away from it. She swallows. She looks queasy. “What about…before Axiom?” Her face brightens as she seizes on this idea. “Yeah, enough about the fucking Axiom Group, what did you do before they got to you?”

A laugh bubbles in my throat like vomit and I swallow it back down. She thinks she’s changing the subject to a lighter one, to simpler times and better days, but she has no idea where she’s heading. Each nested doll is uglier than the last.

“Did you have a job?” she asks. “Like…farming or something?”

“No.”

“Were you an artist?”

The question dislodges a few memories of me toying with a camera, snapping shots of mundane objects, macro lens closeups of dirt and skin, but this was during the leisure hours of my Axiom princehood, to distract myself from the horrors of my workday. It had nothing to do with these innocent early years that Julie is hoping to hear that I had.

“No.” My voice is gravelly and hard. It sounds like a verdict. “Not an artist.”

She’s looking queasy again. Her voice is faint. “Well what did you do, R? How’d you spend your days?”

I feel the bitter laugh rising in me again. Julie is remarkably flexible; her heart can stretch to accommodate many jagged shapes, but how much can it fit? What would it take to exceed her capacity? To break her fierce grip on compassion?

She reads my eyes and seems to wilt a little. “Maybe that’s enough for now,” she mumbles.

I nod.

“We should get back. They’re probably almost ready.”

She turns and starts walking. The wind sounds like a voice again. Not singing but whispering. I notice that I’m not following her.

“Are you coming?” she says over her shoulder, but she doesn’t stop to wait for me.

“In a minute.”

She doesn’t argue. I watch her dwindle. Then I turn and walk further out.

I hear the rhythms of syllables in the wind, the contours of phonemes, but it’s like a voice on a radio buried in static, just audible enough to make me wonder. I cock my ear, straining to make it out. Does the wind always speak? Is it always out here whispering to itself and whoever might happen to hear? What secrets would I learn if I could decipher it?

It’s blowing from the east now. A cold wind, and strangely stale, like a draft from some deep cellar. But it’s still speaking, and I’m starting to pick out words.

I tried to get away. I tried to hide you from the corruption.

It sounds like my father in his later years, his voice raw and wheezing through the tumors.

But you let the world seduce you. You gave in to your wicked heart, and now you’re going to burn. I’m sorry I failed you.

Why does the wind have my father’s voice? And what are these sharp bits of debris it’s blowing around me like tiny teeth?

Are you coming for me, kid? Are you coming to see what we built together?

The timbre has shifted. It’s raspy now instead of wheezy, older and more brittle.

You can’t sell your stock in this company. It’s locked in your blood, in your past, in a lifetime of choices.

I catch some of the debris in my hand. It’s not sand or bits of brush. It’s bone. Splintered fragments bouncing off my clothes and scratching my cheeks.

It’s inside you. It’s you.

A whirlwind is forming in front of me. It writhes and shimmies on the dry earth, filling with dust and leaves and ancient remains. It’s drifting northeast, away from the road, and it undulates like a beckoning finger, not seductive but commanding. A master to a slave.

Come, it says, and I obey.

Behind me, I hear a horn. It blasts insistently like a call to battle, but it’s miles away, someone else’s concern. I follow the whirlwind out into the night.

The underbrush grows thicker with each step. Gnarled roots tangle around my ankles and I trip into the sage and fireweed. Sharp leaves scrape my lips; I taste their bitter spice. I get up and keep walking.

Come get what you’ve earned. Come collect your inheritance.

The voices are in the whirlwind. There are many of them. They talk over each other, every statement an interruption, one trailing into the next. My father, then my grandfather, then a voice in a strange accent, then one I can’t understand at all. And then grunting. Growling. Hissing. Buzzing.

I look past the whirlwind at the dark skies to the east, and I glimpse the outline of something behind the stars. The curving edge of a maw too vast to comprehend, approaching slowly, inexorably, yawning around the universe to swallow every hope and struggle.

I move toward it.

And then someone tackles me. I topple onto my back and before I can right myself, a small but steely fist hammers into my jaw. My thoughts burst in flashes like a fireworks finale—and then it’s over. My mind is an empty night sky.

“Are you back?” Julie says between hard breaths, crouching over me with her fist cocked. “Or do I get to hit you again?”

I rise shakily to my feet. “What was I…?”

My question dies on my lips as I take in my surroundings. The RV is flashing its headlights and honking its horn, but it’s so far away it looks like a toy. And in the other direction, just a few steps from where Julie stopped me…

A cliff. A ravine of jagged rocks, like shadowy teeth in the darkness.

“We have to hold on, R,” she says, half accusing, half pleading. “Tomsen warned us. Our thoughts can change things. We have to hold on or we’ll fall apart.”

Her face is twisted with distress, but she doesn’t stay to hold me together. She heads toward the road with stiff strides, like she’s done all she can for me and can’t bring herself to look back.

I follow a few paces behind her, but I look back constantly. And I see nothing. The sky is empty. The wind is warm and silent. But my cheeks still sting from a dozen tiny scratches, and when I brush a hand through my hair, a few white fragments shake loose.

No one says anything as I step into the RV. Julie’s back is to me in the passenger seat. Tomsen starts driving without a single I-told-you-so. I retreat to the bedroom before M can break the silence, and I find the kids watching me with secretive smiles. It’s not amusement or mockery. It’s not about me at all. They did something they’re proud of, and they’re waiting for me to notice.

And then I notice. The wind buffets the coach as we hurtle down the highway, but I hear no off-key singing from the hole in the rear window. Because the hole is no longer there.

WE

NORA AND ADDIS are watching the sunset. Their heads are nearly touching, but their thoughts are far apart. Nora is wishing she could reach outside and clean the train’s windows. Addis is wishing he could live inside the sun. Nora wants a clearer view of the scenery so its beauty might reach her brother. Her brother wants to swim through miles of plasma and curl up in the sun’s unfathomable core, to listen to its secret dreams and ask it all his questions. Why do you keep giving? Why do you pour out your light, showering the universe with warmth and receiving no return from the processes you fuel, not least of which is life?

Why do you want life? Why did you spark us and feed us and raise us to these heights? Is there something we can offer that nothing else can, despite our hideous flaws? What are we here to do?

“It’s pretty, right?” Nora says, always underestimating her brother’s remote stare. “Wish the windows were clearer, but still…look at that.”

A deep green valley spreads out below them as they climb into the mountains. There are no stations or service roads along this ancient track, no capillaries to civilization; it was built before civilization was required, cutting through a primal wilderness that has changed little in the centuries since.

“We should be getting close,” Nora says in a tone somewhere between anticipation and dread. “Just over these mountains.”

The forest is thick, and though humans have swarmed over the planet for two hundred thousand years, voraciously mapping and cataloguing, there are places in this valley that have never known their footprints. There are stones no one has seen. Caves no one has entered. Secrets no one has found.

Nora reads this thought in us and takes it for her own as the train rattles on the decaying tracks. Maybe her brother has discovered such a secret. Or maybe he is one. She watches him watching the scenery until a tunnel swallows the train. The lights are all burnt out so the darkness is total, and it goes on and on. The tunnel must be miles long. She leans her head against the glass and the vibrations begin to lull her. The darkness doesn’t change when she closes her eyes.

Her family is celebrating. Something good has happened. Her father has accomplished something important, in spite of the doubt and discouragement from everyone around him—his friends at the grocery, his withered, shrunken father, and the pale, plump woman by his side. Nora sees the anxiety in her mother’s eyes, the fear that she’ll be left behind as her husband climbs the ladder, since she has no intention of following him up. But for the moment, she hides it well. For the moment, they’re all together, happy and even proud, and Nora’s father is doing something he rarely does: talking about where he came from. That dusty little village in that drought-stricken country that he’s always claimed he doesn’t remember.

He says he wants to mark this day with a ceremony his mother used to perform, and he empties out a bag from the habesha grocery. He pours green coffee beans into a skillet and puts it on the stove. He fills a mug with incense and lights it. As the coffee roasts and the incense burns, the apartment’s atmosphere of musty desperation blooms into a rich perfume. He pestles the coffee with the handle of a screwdriver and brews it in a bong. Nora assumes this is not the traditional method, but it feels right enough. The aroma fills her head and seems to lift her off the floor like the hand of a benevolent giant, raising her from the life she thought she had and carrying her up to a better one.

“Nora,” someone whispers in the grating clarity of the present. “Hey.”

Nora has had this dream before, this home movie of memories, and she knows it’s reached its high point. If it continues to its ending, it will shit all over this sweet moment and she will lose every bit of this warmth. So it’s a bittersweet relief that Miriam is waking her up.

“We’re here, Nora,” Miriam says, gently shaking her shoulder. “We’re home.”

Nora hears freight car doors slamming and trucks driving off amidst a low murmur of wheezes and groans, but she can’t find the context for these sounds. Zombies? Ridiculous. No such thing. She opens her eyes but she doesn’t feel awake. Her brother is by her side and that’s all she cares to know. The world is blurry and dark as Peter and Miriam lead them up a steep hill into a quiet town. Peter is saying something about family and community and something called “God’s House,” but Nora isn’t listening. She still smells frankincense. She still tastes coffee, bitter and syrupy sweet. She sees Addis’s eyes widening as the caffeine hits his brain, sees him running and crashing around the apartment, laughing like a demon cherub.

Peter takes them to a building he calls “Redemption Hall” and says something about keeping the Dead safe while they wait to learn God’s plan, and Nora doesn’t ask what that means, doesn’t care. After a decade of carving her own path, she is relishing the sensation of letting others lead her. Releasing her grip. Being cared for. The less she listens to what they say, the longer this can last.

But then they go and ruin it.

“…so as much as I’d love for Addis to hear tonight’s sermon, it’s best if we keep him here at Redemption Hall as long as you’re with us.”

The world comes rushing back in. “Excuse me?” Nora says.

“It’s just community policy,” Peter assures her. “I’m sure you understand we can’t have our Dead friends wandering loose in the—”

“He’s not Dead,” Nora snaps. “He won’t hurt anyone.”

“I believe that,” Peter says, holding his hands out. “But we have children here, and no matter how close to Living he is…it’s just safer if you leave him here. It’s safer for him.”

Nora grabs her brother’s hand and walks out. No one stops her. She walks down unlit streets past the dark lumps of empty buildings, shuttered storefronts. Is she still in the dream? Is this some new ending her brain wrote, and will it be any happier than the old one? She has often wondered if with enough sheer will, she could pull things out of dreams and into the real world. She tried it with Addis many times over the years. But maybe this time…

She grips his hand tight and starts to jog.

And then she hears a bell. Not a real bell but a recording, its sonorous depth rendered shrill by an overdriven loudspeaker. Then a high male voice singing in Latin:

Deus magnus est…Non est deus praeter Deum…

For a moment, Nora is terrified. Is this an alarm? Will these people finally drop their facade, lock her up, burn her at the stake? But as the loudspeaker falls silent, she hears laughter. Bubbling conversation. People begin to appear in the streets, families and groups of friends, all strolling in the direction of the bell. They give her genial nods as they pass.

She feels foolish. She feels lost. She walks a little further to the edge of the hill, and she stops. All down the slope, the windows of houses are glowing warmly. People filter out at a casual pace, merging into the line that’s ascending the hill like a leisurely pilgrimage. And out beyond the town, shining dimly in the waning moon: the highway. It wanders off toward the coast, pale and twisting like an empty snake skin. Nora recalls her years alone on highways like that. The hunger, the cold, the constant fear. She looks down at her brother, who is watching her patiently. She looks at the groups of cheerful townsfolk on their way to church. She sighs and turns around.

“I’ll stay here with him,” she tells Peter and Miriam, who are waiting in Redemption Hall exactly where she left them.

Peter nods. “That’s fine, if that’s what you want to do…but tonight’s service is starting soon. Are you sure you don’t want to attend?”

“I think you’d find it really inspiring,” Miriam says. “And we all get together afterward to hang out and talk about what we’ve learned.” She folds her hands in front of her as if in prayer. “It’s so fun, Nora, please come!”

Nora tightens her grip on Addis’s hand. “I’m not leaving him.”

“Nora,” Peter says, “this is the safest place he can be right now. It was made for him.”

He gestures to their surroundings, and Nora perceives the building’s interior for the first time. It looks like a day care. A day care and a school, with traces of a hospital. She sees Dead children staring at toys. Dead adults staring at TVs. In the kitchen, an elderly woman is making dinner, mixing crushed Carbtein and what can only be human blood into a bowl of pork cutlets. Nora thinks of Auntie Shirley. Corned beef and cabbage…

“God’s House is only four blocks away,” Peter says. “The service is barely an hour. Do you think you can trust us for one hour?”

Nora looks down at her brother’s hand. It’s turning pale in her grip.

“Not everyone is trying to hurt you, Nora,” Miriam says gently. “Maybe out in the world, but not here.”

“Why not?” Nora mumbles. “Why not here?”

“Because God lives here,” Peter says with surging conviction. “And whatever God does, it’s always for our good.”

A large group passes by the open door, and their laughter is infectious; Peter and Miriam smile. Nora hears the pop of tiny knuckles and Addis whimpers, tugging against her vise grip. She hears the bell again, so much like the bell of her mother’s old church despite its electric harshness.

She lets go.

I

NO ONE SPEAKS as we leave the Midwaste and climb into the mountains. The road is absurdly steep and narrow, bounded by rock walls and dizzying drops, and the only sound is Barbara’s engine roaring against gravity. Finally we summit the peak, the trees open up, and I see the sky yawning above us. We have crested the final ridge, and a grassy plain stretches below us. For a moment the RV seems balanced on the apex and I feel a disconcerting tension, like a decision waiting to be made. Then we tip over the edge and plummet toward the coast.

I hear breaths being released throughout the RV. I remember I’m not alone.

The sun still glows faintly below the horizon but the moon is already up. The view is both beautiful and oddly menacing. There’s anger in the reds, fear in the blues, and the crescent moon is a sharp hook. I see the silvery line of the train tracks winding down from the mountains and into the plain, and up ahead: buildings. Houses. A town.

“R,” Julie says. “Put that away.”

I notice I’m clutching a wrench in front of me like we’re charging into battle.

“Whoever these people are, she went with them by choice, remember? No reason to assume they’re hostile.”

This is true, but it doesn’t feel like it. It’s never even occurred to me that the drivers of the train could be allies. Am I letting the new world get to me? Am I buying into its infomercial of paranoia and panic?

Inhaling Julie’s optimism as deeply as I can, I set the wrench down as the town rolls into view. The tracks disappear into a crumbled brick industrial zone at the bottom of a steep hill, atop which is a shocking sight: illuminated windows. I do my best to imagine friendly faces behind them.

We park at the train station and approach the platform cautiously. The freight boxes are all open and empty, but I see a few figures moving in the passenger cars. Julie pokes her head into one of the doorways and knocks on the wall.

“Hello?”

The muffled noise of activity stops. Then a set of footsteps. Julie backs up as a tall young man emerges from the doorway, looking at her blankly through black frame glasses.

“Uh, hi,” Julie says. “We’re looking for a friend of ours. A girl named Nora?”

The man smiles but doesn’t say anything. His eyes glide over each of us, and I feel a distinct sense of being scanned. Apparently not finding whatever he’s looking for, his posture retracts inward.

“We’re pretty sure she got on your train somewhere around Ohio…” Julie continues.

“Brown eyes?” the man says like he’s digging deep in his memory. “Curly hair?”

Julie gives him a flat stare. “She’s black.”

He nods cheerfully. “Yeah, Nora! Nora’s great. She rode with us for a couple days. You’re friends of hers?”

“Yeah. We really need to talk to her.”

“What do you need to talk to her about?”

Julie cocks her head. “Excuse me?”

“I’m just not sure Nora wants to see you right now. She’s had a hard time lately and she came to our community to learn about God’s truth. I’m not sure you’re here to offer encouragement.” He gives Julie an apologetic smile, sorry I can’t be of more help!

Julie glances back at the rest of us in disbelief. I shrug, but I feel my shoulders tightening. Something about the man’s demeanor feels familiar to me. Intense friendliness with an undertone of threat.

“Listen,” Julie says, “we don’t have any problem with God’s truth, we’re not here to break up your club, we just need to talk to our friend. Are you going tell us where she is or not?”

The man hesitates, then smiles. “Of course.” He points up the hill. “Peter and Miriam took her to God’s House for the service. Why don’t you go join them and hear the word God has for us tonight? We welcome seekers from all walks of life.”

“I’m sure you do,” Julie says, turning on her heel. She whispers in my ear as she moves past me: “I might’ve been wrong about that wrench.”

She’s joking. Annoyed, but not truly worried. M looks tense, but he has another, more obvious reason to be. And Tomsen just looks confused. Am I the only one feeling this churning unease? I have plenty of reasons to recoil at the scent of church, a natural aversion to all things corporate. Even in the blankness of my second life, I shrank away from the Boneys’ sermons and schools, their instinctive attempts to reinstate the hive mind. But there are many kinds of communal effort, many ways people come together to build and share and connect with something higher, and they can’t all lead down the dark path I took. If I can’t believe that, then what future am I fighting for? A world of solitary animals feeding and mating and dying alone? A world like Abram’s?

I have to believe there can be more. Despite the faint alarm rising in my head, the sirens of distant fires, I have to believe.

• • •

We drive up the hill slowly, hoping to avoid attention, though attention may be unavoidable in our bright yellow moon rover. I watch the windows. I see no one watching us. The lights are on, but I see empty rooms. Very empty—no bookshelves, no televisions, no stereos, no art or decorations of any kind. Only a few chairs and dishes indicate occupancy. The exteriors are on par with most rural ruins: peeling paint, clogged gutters, rotting roofs and wild lawns, a lack of maintenance so extreme it almost seems like a statement.

I see no one in the houses or on the street. The town appears deserted. And yet I hear music.

“Tomsen,” I say.

“Yes?”

We crest the hilltop and roll into the town center. The shopfronts are boarded up. We are the only vehicle on the crumbled road.

“I think we should park here.”

“Why?”

“Don’t want to…get trapped.”

“Trapped?” Julie arches her eyebrows at me. “Do you know something we don’t?”

I shake my head. “Just a feeling.”

Tomsen regards me uneasily for a moment, then parks behind a shuttered bookstore. The moment she cuts the engine, the kids spring out of their fort. They look excited. Even Joan and Alex look excited; their skin shows a faint wash of their natural hues, cool brown and pale pink.

“You have to stay,” I tell them.

“But there’s music!” Sprout says.

“Not safe.”

Julie kneels down to Sprout. “Let us go check it out, okay? If the music’s any good, we’ll come get you.”

“You promise?”

“Promise. We can’t have a kid as cool as you listening to shitty music.”

Sprout smiles.

“Stay with them?” I ask, glancing from Tomsen to M. Tomsen nods, but M stiffens.

“If it’s not safe,” he mumbles, “I should be there.”

“Marcus,” Julie says, shaking her head. “No you shouldn’t.”

“But Nora—”

“Whatever danger she might be in…” She gestures to the bruises on his face and neck. “…you can’t help her right now.”

He lowers his head.

“If she’s there, I’ll talk to her. We’ll figure this out.”

Slowly, M nods. But I’m finding it hard to concentrate on M and Nora’s tension. I feel my own rising up around it, smothering my friends’ plight under my own anxieties. I hear booming voices condemning me for my selfishness. Heat on my face. Smoke in my nose—

“Let’s go, R,” Julie says, stepping out into this nameless town, and after a moment to pry my fingers off the door frame, I follow her.

• • •

There’s something medieval about the town that makes me want to call it a village. The leaf-caked streets resemble dirt paths, and some of the rotten rooftops almost look like thatch. The remains of the sunset cast everything in a dull orange glow while the sickle of the moon hangs in the eastern blackness. I think of Bosch. I feel the gloomy skies of his dour moral universe pressing down on me. Every time we round a corner, I expect a mob of surreal grotesques marching forth to illustrate my sins.

The music drifts through the cool air from somewhere just beyond the retail district, too far to make out a melody. It clarifies as we get closer, but it’s still a murky muddle even when the source is in sight: a flat, featureless building the size of a gymnasium, all concrete and sheet metal painted matte blue-gray, its entire perimeter lined with blinding floodlights. The only windows are the glass entry doors, behind which I see dense crowds—perhaps a whole village’s worth of people. The building has no signage, but its clean, monolithic presence stands out so sharply from the decaying homes around it that its identity is obvious.

“R?”

Julie has stopped and is watching me expectantly, because I’ve fallen an awkward distance behind her. My boots drag like they’re filled with stones. I can make out the chords now. Major, major, minor, major, a familiar emotional recipe.

“Julie,” I mumble. “Maybe…we shouldn’t.”

“Shouldn’t what?” She holds out her palms, squinting at me in the dark. “Shouldn’t go in? Nora’s in there, R.”

“Maybe she…wants to be left alone.”

“R,” Julie says, taking a step toward me. “She’s just scared. She lost control of herself and she doesn’t know how to come back.” Another step. “I’ve been there. So have you. We have to show her she’s still loved.”

My dry throat sticks to itself as I swallow. I wish she would smile or touch my arm right now, some gesture to include me in this concept of unconditional acceptance, but she doesn’t. She returns to the task at hand, striding toward the crowds and the lights and the music, and I have no choice. I jog to catch up with her, and we push through the doors into the pandemonium of God’s House.

• • •

Pamphlets fly at our faces as we squirm through the gauntlet of eager greeters. They want to know our names, where we’re coming from, is it our first time here; they welcome us over and over without ever specifying what they’re welcoming us to. A church with a tarnished brand, perhaps. A church with a reputation.

We settle into a dark corner at the back of the auditorium and I see Julie’s eyes searching the crowd, but from here in the back there are no faces, just featureless knobs of skin and hair. The ceiling looms over me, tiny fluorescent lights miles away. The building is huge, yet I feel claustrophobic. The lack of windows, the unadorned walls of corrugated steel. I feel like meat in a shipping crate on my way to be rendered. The congregation is packed neatly into rows of purple office chairs, all eyes on the stage at the front, where attractive young musicians blast pop-rock worship songs through an arena-worthy sound system. It’s moist with emotion. Foolproof chord progressions, fervent male vocals meekly supported by female harmonies. It jerks hard on the heartstrings, commanding me to feel uplifted—a sensation that becomes profoundly dissonant once I pick out the lyrics:

Lord take it all, consume my whole life, leave nothing behind, no struggles no strife…

Burn me to ashes, the hour is now, don’t need to know why, don’t need to know how…

I feel the slow creep of nausea. I glance down at the program in my hand. No name or logo, just blocks of small text that I can’t read in the dim lighting. But I hear murmuring from the wretch in my basement, waking from a long nap. At first I can’t understand what he’s saying, and then I realize he’s not speaking—he’s singing. With a bitter edge in his weary voice, he’s singing along to the church’s self-immolating anthems:

Burn down my pride, burn all that I’ve built, passions that die, and flowers that wilt…

Quiet my dreams, Lord silence my voice, I’ve nothing to say that can alter your choice…

Finally it ends, the church erupts with applause, and the band shuffles offstage. My nausea deepens and I feel the dread of certainty: vomit is coming. It will not be deferred.

“R?” Julie whispers, looking at the side of my face. “Are you okay?”

I stare at the stage with bulging eyes, sweating from every pore as the lights come up and the purple curtain parts. Time convulses, the past gives a peristaltic heave, and out comes a man I once knew.

“No.”

I don’t mean it as an answer to Julie, but it will suffice.

Paul Bark is old. His doughy teenage countenance has firmed into rigid angles, crow’s feet and frown lines. His shaved head fails to hide his receding hairline or the scattering of burn scars marring his scalp. He raises his hands to the cheering crowd, either to quiet the applause or accept it. His face is theatrically grim, like he’s here to do battle, a pro wrestler entering the ring.

I sink low in my chair, not so much hiding from Paul as hiding Paul from me. I should not have come here. I should have smelled this hellmouth’s sulfurous breath all the way from Ohio. I was prepared to face Axiom, to brave that dark corner of my past, but I never expected to stumble into this one.

“Hello, Ardents,” Paul says into his headset mic, and a chorus of cheerful hoots rises from the congregation. “Are you feeling strong? Are you ready to sweat?”

More hoots.

“Good. Because God can bench the universe, and he’s not impressed with your girly pushups.”

A murmur of chuckles.

“He’s tired of your excuses. He doesn’t think you’re ‘curvy,’ he thinks you’re a fucking fat-ass, and it’s time to tighten up.”

A wave of delighted laughter.

His clothes are a costume of asceticism: leather sandals, distressed jeans, a V-neck T-shirt that looks woven from horse hair. He wears just enough stubble to evoke casual disregard without softening his firm jaw, his permanently jutted chin. More burns on his hands and forearms, too symmetrical to be accidents.

“So my question for you tonight is this.” His tone is abruptly serious. “What do you see when you look in the mirror?” He paces the stage, giving the audience a moment to sober up. “Do you see what you want to see? Or do you see what is?”

Silence.

“Do you see a ‘good person’ who’s ‘beautiful on the inside’? Or do you see an apathetic slug sinking into the couch while the war rages outside your window? Because I’m sorry to tell you, but that’s what God sees when he looks at you.”

Somber nods.

“He sees a broken, hopeless fuck-up who’s inherently incapable of doing anything right. But for reasons we’ll never understand in this life…he loves that broken fuck-up.”

Paul smiles wryly and the audience mirrors him.

“Or at least he wants to. But we make it hard, don’t we?” He nods to himself, strolling back and forth across the stage. “We resist his love. We reject it. He offers us a position in his kingdom and we whine about the long hours. We sleep through our shifts and fail all our assignments and then act surprised when God fires us.”

He stops in the center of the stage and pivots to face the crowd, straightening his shoulders. “My friends, there is nothing we can do to earn God’s love, but there is plenty we can do to lose it. Anyone who says God’s love is unconditional hasn’t heard of a place called Hell. Because he sure as Hell stops loving you on the day he sends you there.”

Paul is looking right at me, but he doesn’t see me. His eyes are feverish and distant, like he’s exulting in some infernal vision just above my head. His face has more crags and creases than it should at his age, as if he spent so many years holding it stiff that it’s starting to split open. It clings to his skull like an ill-fitting mask.

Is this what I should look like? Is this who I really am beneath my mummified skin?

“We stand on a tiny island of mercy surrounded by damnation, because we are not ‘good people.’ There is no such thing. We offend God with our very nature, every instinct and inclination, every silly dream and self-indulgent whim.” Another wry smile. “We are God’s shit. Just because he made us doesn’t mean we don’t disgust him.”

The crowd chuckles, and I hunch over in my chair, holding my stomach.

“R,” Julie whispers, touching my shoulder, but I cringe away from her. I stand up and rush toward the foyer, crouching as low as I can, but something forces me to look back at the stage and Paul’s eyes fall on mine. I see him squinting into the stage lights, an awkward pause in his polished delivery, but I’m gone before my presence can fully register, squeezing through the overflow crowds in the foyer, and everyone is too fixated on Paul to notice me.

I move along the walls until I find the restrooms. A paper sign says Out of Order but I push through the creaking door, expecting perhaps a clogged toilet or a broken faucet. Instead, I find myself in a dim, damp chamber of cracked tiles and rusty steel urinals, lit by one flickering light above a cigarette-filled sink, the air thick with the stench of sewage. My nausea feels stalled, balancing on the brink of release without quite tipping over. I stumble toward the sink on wobbly legs and brace myself against it. I look into the dirty mirror.

Whose face is this looking back at me? Which of my many lives does it represent?

My cheeks are smooth. There are no lines to mark my journey. I have seen things both horrible and beautiful, I have lost hope and found it, learned new lessons and let go of old ones, I have wandered into Hell and fought my way out—but where is the evidence? My face is the blank canvas of youth, preserved through all these years like a mocking dismissal of my experiences. I am a man stitched into the skin of a boy cadaver. A twisted experiment in the laboratory of the plague.

I feel it coming. The nausea has deepened into pain.

I stagger into a toilet stall and open the lid. A bowl of dark sludge greets me, an aged septic liquor off-gassing an aroma that’s sublime in its awful complexity. And still the vomit won’t come.

I shut the lid and sit on it, fighting back tears from the methane and ammonia and grief.

“R?”

Her voice echoes in the entryway. Her footsteps are soft as she approaches the sound of my ragged breathing. She doesn’t knock. She opens the stall door, sees me hunched there, sweat dripping from my forehead, and she kneels down on the filthy tiles.

“What’s wrong, R? Talk to me.”

Does she even notice the stench? She should be gagging, but her eyes are calm as they search for mine.

“Tell me,” she says, putting a hand on my knee, and although I don’t know if she means it as such, I take it as permission. No more “slowly.” No more “easing her into it.” I fill my lungs with the putrid air and I breathe out the truth:

“This is mine.” I wave my hand around, indicating the filthy stall and everything around it. “This is me.”

She squints. “What?”

“This church. The Fire Church.”

“This is the Fire Church?” Her eyes dart; she’s afraid for all the wrong reasons. “R, we need to—”

“Julie, listen. I built this.”

She pauses. Her head tilts and her eyes squint. “What are you talking about?”

“I founded the Fire Church. Me and my friends, when we were kids.” My eyes drop to the floor. “We hated the world. We wanted to burn it down.”

I can’t look at her while I’m speaking, but I feel her eyes pressing into my forehead like dull blades as my life spills out of me.

“We tried to avoid killing anyone, but people died. We spread misery, ruined lives. And then my grandfather pulled me out, and I…” My tongue locks up, trying to hold back the flow, but it’s too late to stop now. “I helped him run the Axiom Group. I helped him poison the world. Axiom wasn’t my employer…it was my inheritance.”

I force my eyes to rise. I let hers pierce them. “I was a monster before the plague. And whoever I am now…that will always be part of me.”

Her face is utterly blank, eyes wide and empty. And I suddenly realize that I’ve made a mistake. I should never have been so eager to tell her or so certain she’d understand. Time rounded my memories like beach pebbles until they seemed too smooth to hurt anyone, but now that I’m hurling them at Julie, I can feel their jagged edges.

I run past her to the sink and vomit till it overflows.

“Now you’ve met me,” I gasp when I’m empty, wiping acrid drool from my lips. “Now you know who I am.”

“How?” she whispers. Her voice is shaky with compressed emotion. “How could that person become you?”

I catch her eyes in the mirror. She is blinking back tears.

“I don’t know,” I tell her, wishing I could offer more than this, my standard response to every question that matters. “I don’t know.”

Slowly, she backs away. She pushes through the door, and I hear an echoing bang when it closes. I am locked up once again, alone in my cell surrounded by piss and shit, the years scrolling backward to darker and darker prisons.

WE

“THERE IT IS,” says Team Manager Abbot as the town comes into view, glowing faintly on a steep hill. “Take the next exit.”

The driver steers the Hummer off the highway and the rest of the convoy follows, a small army of buses, SUVs, and one large RV, all hastily stenciled with the Axiom logo.

“Stay out of visual,” Abbot tells the driver. “That road there. There’s a spot around the back.”

They skirt around the hill, headlights off, letting the moon illuminate the narrow road until they plunge into the trees. After a mile in darkness, Abbot gives the go-ahead and the convoy lights up the forest, revealing the sparse remains of a trailer park. Only a few sagging single-wides occupy the lot; most of it is an empty clearing, sickly grass climbing up through the gravel.

The convoy parks around the perimeter of the lot and leaves the headlights on, making a spotlit stage in the center of their criss-crossing beams. The men climb out to stretch and smoke, and Abram longs to collapse on his bedroll and soak his shriveling brain in sleep, but he can’t. He can’t. He walks to the edge of the park. He unzips his fly and pretends to be relieving himself, but his bladder is empty. He stares into the trees and the spaces between them, darkness within darkness. The camp behind him is eerily quiet. No one builds a fire or plays music or even talks above a murmur. Abram can hear insects chirping. A river gurgling somewhere in that darkness.

“Something on your mind, Roberts?”

Abbot moves quietly for such a big man.

“No sir,” Abram says, zipping up theatrically. “Just taking a piss.”

Abbot observes the dry gravel in front of Abram but doesn’t remark on it. “What’s your position, Roberts?”

“Bookkeeping and Guest Supervision, sir.”

“Not bad for one year in the company.”

“I’m a climber, sir.”

Abbot chuckles. “Well, we like that. But what about your family? They still back in Nashville?”

Abram tries not to tense visibly. It’s not quite natural, this conversation between manager and employee alone on the edge of the camp. He weighs his answer carefully. “They’re in a civilian convoy. They’re meeting me in Post.”

Abbot nods. “Better hope they show up soon. Between the Manhattan transfers and these recruitment ads we’re running on the Feed, it’s about to get real crowded over there. And it sounds like you wouldn’t appreciate what we’re doing with the overflow.”

Abram looks at the older man uneasily, but Abbot keeps his eyes on the forest, like he’s waiting for something. Then Abram sees it. Headlights.

“Are we expecting company, sir?”

Abbot’s weathered face shows no surprise. His eyes are dull beneath his bushy eyebrows. A tired old man who’s eaten his fill of the world and is ready for the long nap. “Roberts…how did you become a bookkeeper without being informed of our arrangement with the Fire Church?”

Abram hesitates. “Communications have been a little blurry lately, sir.”

“Ain’t that the truth,” Abbot sighs. “Well, nothing much to know here. Just more Orientation bullshit.” He shakes his head, talking more to himself than to Abram. “I figured we’d be putting the experiments on hold till we got settled in Post, but Executive’s all about forward momentum lately. Like it says on the posters, right? ‘Enough is Not Enough.’”

Two vehicles roll into the lot with a snarl of gravel. The first is a beefed-up Land Rover with oversized tires and an urban camouflage paint job. The second is an armored bank truck hauling a horse trailer.

“Here we go,” Abbot sighs. “Another game of Red Rover.”

The bank truck backs its trailer up to one of the convoy’s. A young man with black frame glasses hops out and heads around to where the trailers meet, but Abram can tell by his quiet efficiency that he’s not the one in charge. While he’s busy unlatching the trailer doors, another man emerges from the Land Rover.

“How was the service, Pastor?” Abbot says with a smirk. “Everybody on fire for the Lord tonight?”

The man is around Abram’s age but with the sunken cheeks of someone much older. His shirt is thick and bristly like burlap, and small burn scars blotch his head, face, and hands like some kind of extreme body art. He regards Abbot with a stiff reserve, chin raised, eyes narrow, as if trying not to breathe a foul smell.

“Got an answer for us about those rituals?” Abbot continues, ignoring the man’s disdain. “You’ve got a fun little rave going on out here, I’d hate to have to shut you down.”

“We’re praying about it,” the pastor says. His voice is flat and empty, giving Abbot as little as possible.

Abbot chuckles. “You do understand it’s not a choice, right? Uprooting you would be expensive and Management doesn’t spend unless it has to, but obviously we can’t have you burning down our assets.”

“Obviously,” the pastor says.

“It’s a new era. Law and order. Religion has to adapt to the times.”

“We’re praying about it.”

Abbot stares at the pastor, searching for a crack in his wall, then he shakes his head wearily. “All right, Koresh. I’m trying to help you, but we’ll table that one for now.” He turns to the horse trailer. “So what’ve you got for us here? Anything fresh?”

Abbot disappears into the church’s trailer. The pastor disappears into the convoy’s. Abram glances at the faces around him, searching for some hint of what’s going on here, but they’re all as stony as the pastor’s.

The inspection doesn’t take long. A moment later the two men reconvene in the patch of gravel between the trailers, squinting into the glare of the criss-crossing headlights.

“You got another truck coming or what?” Abbot says, gesturing back to the trailer with a frown.

“That’s all we have for you,” the pastor says.

“This better be a bad joke,” Abbot scoffs. “There’s only ten in there.”

The pastor nods thoughtfully. “We’ve been praying about this too. The gain is worth the sacrifice, but God is telling us to give less.”

Abbot chuckles. “Oh so you want to bargain now? You’ve got God playing sales manager?”

The pastor shrugs. “Not bargaining. Just stating a fact.”

“We’re already giving you three for one! You expect to get our whole load for that sad little crew?”

“Broken bodies can’t do your work. They’re garbage to you.”

“And what are they to you again?”

The pastor doesn’t miss a beat. “God’s creations. Our sick brothers and sisters.”

“Right, right,” Abbot sighs. “Why do I keep forgetting you people are crazy?” He tosses up his hands. “Fuck it. You’re wasting our damn time, but fuck it.” He turns to the troops and shouts, “Full swap!”

The pastor’s assistant unloads the horse trailer: ten men and women bound together on a rope, Dead but intact, eyes clear and hungry, like they died yesterday of natural causes. From the convoy’s trailer comes the opposite end of the spectrum: a grotesque procession of oozing corpses, some rotted to slimy black leather, some still fresh but hopelessly mangled, torn apart by weapons or teeth.

The Axiom Group and the Church of the Holy Fire exchange their cargo. The intact Dead file into one trailer while a far greater number of ruined ones stumble into the other, dragged by collars and chains. Most of the latter show awareness levels on par with the state of their bodies: slack jaws, drooling lips, eyes blank in their sunken sockets. But Abram notices one who stands out. Her eyes dart in a panic as she’s prodded up the ramp. The headlights shine through large, dripping gaps in her naked torso, but her face—

“Shit,” Abram grunts under his breath, a jolt of surprise. He takes an instinctive step forward. “Wait.”

The soldier dragging her stops, and Abram stares at the woman’s face, pale gray with a hint of pink. This pink wasn’t there the last time he saw this woman. It wasn’t there when he flew her across the country, leashed to the floor of the plane while her daughter pried at her heart. It wasn’t there when they shared a prison in Manhattan, or when men like the ones around him dragged her away to be shipped off like freight. He has to be imagining it. It must be a trick of the light. But when the woman finally notices his stare and her eyes latch onto his, it’s impossible not to see the cognition in them. And the recognition.

She knows him. And apparently she knows him as a friend, because her features flood with an unmistakable emotion.

Hope.

Abram feels the balloon of black blood pulsing in his brain, screaming for release.

“What’s the problem?” Abbot says.

Abram shakes his head and steps back, swallowing hard. “Nothing.” He swallows again; there’s a dry lump that he can’t seem to get it down. “Thought her collar was loose.”

He keeps his eyes on the ground as the woman disappears into the church’s trailer. Under his breath, inaudibly, he murmurs, “What is your job?”

When the exchange is complete and the doors are latched, the pastor turns without a word and heads back toward his Land Rover, but Abbot grabs his arm as he brushes past.

“Hey, Bark.”

Bark shakes him off with a sharp jerk and glares at him.

“I was raised Catholic,” Abbot says in a low, man-to-man tone. “I know the drill about the ‘sanctity of life,’ but come on. We’ve given you, what, six hundred by now? What the hell are you doing with all this rotten meat?”

“When we hit rock bottom,” Bark says, “when we’re utterly lost and broken, that’s when God can use us.”

Abbot rolls his neck and groans. “Don’t you people ever drop the act? Do you recite the gospels while you’re fucking your wife?”

Bark is already turning away but Abbot keeps pushing.

“I’m done humoring your bullshit! Turn around and start talking like a human being or this our last trade!”

Bark stops. He turns around and looks Abbot in the eye. “You want me to talk like a human being?” He cocks his head, sounding genuinely intrigued. “You mean you want me stop telling the truth? You want me to soften it and modernize it so everyone can be comfortable?” An unsettling smile is creeping into the rigid mask of his face. “You want me to say I don’t really believe any of this, that I’m just playing a role for money or power because that’s something you could comprehend, right? Is that about right?”

The mask has melted into a toothy grin. He takes a step toward Abbot and Abram is surprised to see Abbot step back.

“But see, I do believe it.” His voice is a fervent whisper. “All of it. And I don’t just believe it, I do it. Because a real man does what he believes. A real man doesn’t make excuses for the truth or sand off its sharp edges. A real man takes the truth and”—he makes a double fist and strikes his chest—“shoves it into his heart. And dies on it.”

Abbot watches him with a flat glare. Bark takes another step closer.

“I am not a human being.” He gestures down at his body with a grimace of revulsion. “I’m not this.” He extends his disgust to the surrounding forest. “I don’t live here.” He thumps a hand to his chest. “I’m spirit. I live with God. And he’s coming to take me home.”

He stares Abbot in the face for a moment, then abruptly steps back, tossing out his palms in an easy shrug. “No act, boss man. Just faith.” His smile is relaxed. “And faith doesn’t bargain.”

He hops in his SUV and slams the door. It lurches into the woods with a spray of gravel, and the trailer truck follows it.

Abbot’s face is a granite slab as he watches the vehicles disappear. “Roberts,” he grunts. “You got any scouting experience?”

Abram swallows again and this time it goes down, his autonomic reflexes finally regaining control. “Some,” he says. “I served on the Goldman and Citi acquisition teams.”

“Get a few guys and head into town. Snoop around. Go to church.”

“Yes sir. Anything specific I’m looking for?”

Abbot lights a cigarette. He breathes out a cloud and stares through it into the trees as the headlights fade from view. “These people have been waiting a long time for Armageddon, and I’m sensing some impatience. I want to know what they’re up to.”

As Abbot is speaking, Abram’s desperate brain lapses into a flicker of microsleep. His daughter is wandering off into the forest but he doesn’t run after her, he is occupied with some important task that requires his attention, he just needs another minute, just a few more seconds to finish and then—

“Yes sir,” he says, blinking hard.

Despite the agony in his head, he is fairly sure he said it without hesitation, the way Jim Roberts would say it. Jim Roberts would follow orders. Jim Roberts would do his job and get his pay and go home to his family, just like the man in the RV who is now sporting a beige jacket and studying the company handbook while his wife and children stare out the windows in mute horror.

Abram emerges from the forest and begins his trek across the plain. There are other men with him, but we are not interested in them. Their stories are dull and small, but Abram has ties to more lives than he knows. Many of them, like Jim Roberts, are snarling at him from the depths of the Lower, and these he hears clearly. But other voices come from above, and these he ignores, even though they are louder, stronger, and far more beautiful. Even though—or because—they are voices of love.

You are not this man, one of them whispers. You are not this mask. When you find her, will you be able to take it off?

The grass is silver in the moonlight and it clings to his feet, whispering warnings as it rustles in the wind. He kicks it and stomps it down, keeping his eyes straight ahead, locked on the lightless outline of the town on the hill.

• • •

In the back of a filthy horse trailer, a Dead woman shivers. The sensation of cold surprises her, as have so many others in these last few days. The sensation of longing. Regret. Hope and fear. She presses her face to the window slits and her eyes scan the night, darting from shadow to shadow.

Where is she?

The inside of her head, so cold and silent for so many years, is filling with a trickle of warmth. A single thought repeats like a steady drip:

Where is my daughter?

She keeps searching as the men load her out of the trailer. As they drag her into a dim, echoing warehouse. As they prod her into a cage. She searches the faces around her, the stern grimaces of the Living, the slack confusion of the Dead, but she finds nothing resembling what she sees in her daughter’s face. She finds nothing at all like love.

Where is my daughter?

It is thus far a simple thought, lacking much context. Most of what she remembers comes to her second-hand, from the stories her daughter told her. Her daughter’s name. Her own name. Vignettes of their shared history. But she believes these stories, and she is slowly making them real. Each word wipes a little soot from the scorched photo of her life, and to her great surprise, she wants to see more.

She wants to see who she is, even if it’s an ugly portrait. Even if it’s despair and surrender and betrayal. She wants another chance, even if it’s brief. Her chest clenches with this longing as the cool night air passes through it, caressing her desiccated heart.

“Ju…lie,” she whispers, a feeble breath lost in the groans around her. “Help me.”

WE

NORA GREENE LISTENS to the band play a song about dying. Or surrendering. Or accepting fate. She’s not sure what most of the songs mean; the lyrics dance circles in her head, just out of reach. But they do rhyme, and their melody is sweet, like songs from the old days.

She did not like the sermon. It was loud and muscular and simmering with hate, and she struggled to reconcile it with the gentle conviction of her new companions. She watched Peter and Miriam as the sermon raged on, and she could see a tension in them too. They smiled at the pastor’s jokes, but they didn’t laugh. They nodded at his pithy aphorisms, but they didn’t shout amen. They shifted in their seats and shot glances at Nora, and she kept waiting for them to lean in and whisper, It’s not normally like this! But they held their ground. They pursed their lips and flexed their jaws and nodded.

And then the pastor left the stage, and the music started again. And the music is nice. The music washes away the sermon’s lingering stink, and Nora thinks of her mother’s church, its hellfire homilies followed by lovely chorales, and then fellowship in the foyer, tea and jelly donuts, and the weekly potluck dinners—and yes, the study sessions after the meal, the scripture, the guilt, the confusion—but then card games! Laughter! Homemade dessert! She thinks maybe she thinks too much. Maybe she should close her eyes and plunge into this warm pool.

But as she is bracing for that plunge, someone sits in the empty seat next to her.

Miriam peeks around Nora’s head to see who it is, then frowns warily. She mumbles something to Peter, but Nora isn’t listening. She is trying to decide what to feel as she stares at the side of her friend’s face.

Julie doesn’t speak. She doesn’t even look at Nora. She watches the band play, but Nora is fairly sure the wetness in her eyes isn’t from the music. Nora is disarmed. She forgets her urge to run.

They listen to two more songs together, eyes locked firmly ahead. The first is about war, judgement, the earth burning away. The second mentions blood sixteen times. Both have joyous melodies.

When the third song begins—something about the depravity of the flesh—Julie finally looks at Nora. There is hurt and confusion in her red, round eyes, and Nora feels things she can’t process in this place. She gets up and rushes outside.

She stands in the empty town square and looks up at the stars. Why do they look so big? Like fat globes of white fire?

Julie stops beside her and follows her gaze skyward. The music is muffled now, reduced to a slow swirl of soothing tones. It’s far lovelier without the words.

“Remember when we camped on the stadium roof?” Julie says. “You and me and Perry and the guys from the foster home?”

Nora doesn’t respond. She scans the sky for Orion, for Venus, something familiar to make the world sane again.

“And Perry made a campfire and I tried to roast Carbtein and it just exploded? And the coals slid off the roof onto the gate guards and they thought they were under attack?”

Even the moon looks alien, menacing the earth with its razor sharp sickle.

“And then we got really high and started making up new constellations?”

Nora sighs and stops searching. “Phallus Minor,” she murmurs. “The Little Dick.”

Julie points at a curving cluster on the western horizon. “Is that yours there? Whorion?”

A small smile forces itself onto Nora’s face. “We were so mature.”

Julie lets out a wistful sigh. “I can’t believe I’m saying this about those years but…simpler times.”

“Twelve-year-old Julie would have clawed your eyes out for that condescension.”

Julie shakes her head. “Fucking kids. We really thought we’d seen it all.”

“We’d seen a lot,” Nora says, dropping her eyes to the ground. “But yeah…there was more.”

Julie turns to face her, and Nora forces herself to meet her gaze. “Do you want to talk?” Julie asks her.

Nora shakes her head.

“Okay.” Julie glances back at the church. A tall figure with bad posture is silhouetted in the doorway. “I don’t either. Let’s go for a walk.”

“Where?”

Julie turns her back on the tall figure, and it wanders off into the dark. “Introduce me to your brother.”

• • •

Nora’s earlier anxiety feels foolish as the kindly old matron of Redemption Hall welcomes them at the door. She leads them to a padded room full of Mostly Dead children, some free to roam, others strapped to their bunk beds. Addis has not been carved up by scientists or used for target practice. He’s sitting on the floor with the other children, playing quietly with a pile of toys. Or rather, picking them up and examining them like an archaeologist identifying ancient tools.

“Addis,” she says, “this is Julie. My best friend.” She takes a deep breath. “Julie…this is my brother.”

Julie crouches down and smiles, her throat clenching with emotion. “Hey, Addis.”

He looks up from his study of the toys and begins to study Julie. He stares at her very hard, until she starts to squirm. Then he smiles.

“Whoa!” Nora says, shooting Julie a wide-eyed glance. “That’s a first.”

“He’s gloating,” Julie says. “He destroyed me in that staring contest. Not that I stood a chance against those eyes.”

But Addis is not gloating. He is not playing a game. He’s not smiling because he’s in a good mood or because Julie is pretty and speaks to him with respect. He’s smiling because he knows her. Because he remembers a day long ago when her voice reached out to him, echoing through empty streets and piercing the fog of his fever, a ringing rebuttal to the skeletons all around him: You’re not dead.

“Those damn yellow eyes…” Julie mumbles. “What do they mean, Addis?”

The matron sidles up to Nora and clears her throat. Julie blinks out of her reverie and stands up.

“Sorry,” the old woman says, “but we’re settling in for the night and we need to find Addis a bed.”

“Can’t he just stay with me at the Hostel?” Nora asks. “You can cuff him to my wrist. He won’t hurt anyone.”

“I’m so sorry, dear,” the matron says with a sympathetic smile. “I’m sure Addis wouldn’t cause any trouble, but we just can’t take the chance of having the Dead loose in the community at night, no matter how close to cured they are. You understand.”

Nora nods reluctantly. “Yeah.”

“He’ll be safe at Redemption Hall. Our Dead brothers and sisters are as much a part of God’s plan as we are.”

“Yeah.” She ruffles Addis’s hair. “I’ll see you in the morning, Adderall. Be good, okay?”

Addis watches them leave. Julie shoots him a final glance as she closes the door. He smiles again.

• • •

Nora and Julie walk in silence. At the bottom of the hill sits the guest housing: a huge, dilapidated manor that Peter and Miriam called the Hostel.

We’re all tourists on this planet, Peter explained. We should never think of it as home.

All the other tourists are still at the service, or perhaps at the “after party” to discuss the sermon, so the house is empty. Nora and Julie’s footsteps echo in the unfurnished rooms. The floorboards groan like weary old men. Finally, Nora unties the knot in her throat.

“Are you here alone?”

They have stopped at the bottom of the narrow staircase leading to Nora’s room. Julie shakes her head.

“Where are they?”

“They’re here.”

“Is…” She pauses, tenses, forces through another knot. “Is he okay?”

“He’s okay.”

Nora nods to herself. “Where’s R?”

“Here. Somewhere.”

Nora studies her friend for a moment. “You were crying.”

“Yeah.”

Nora sighs and heads up the stairs. “Come on. There’s an open bed.”

What was once a large master bedroom has been converted into a sort of boarding school barracks. Rows of single beds run along the walls, thin pillows and blue wool blankets. No other furnishings whatsoever. It’s too hot for the blankets so they lie on top of them, staring at the cracks in the ceiling.

“You sure you don’t want to talk about it?” Julie says.

“Honestly,” Nora says, still fighting the knot, “I don’t know what I want yet.”

“All right. I’ll go first then.” Julie folds her hands on her stomach. “R just told me everything.”

Nora turns her head on the pillow, trying to read Julie’s face, but her eyes are far away.

“Who he was before. What he did.”

“And?” Nora says quietly.

“And it was bad.”

“Worse than eating your boyfriend?”

“Somehow…yeah.”

“Wow.”

“Because there isn’t any plague to blame for this stuff. It was just him. His choices. His character.”

They’re silent for a moment. Nora considers asking for specifics but decides she doesn’t need them. “I don’t know, Jules,” she says. “I feel like that doesn’t add up.”

“What do you mean?”

“I mean…R may be awkward and kind of a whiny bitch…but if there’s one thing he’s got going for him, I’d have to say it’s his character.”

Julie glances over at her. “You think so?”

“Have you ever seen anyone try harder to be a good person? Everything’s a moral puzzle with him. He agonizes over every step. It’s fucking annoying, to be honest.”

Julie looks back at the ceiling. “That’s what I don’t understand. How could he be a monster for so long and then become who he is now? Is it just the magic reset of being Dead? Did he…cheat his way into a new life?”

“I’m sure that’ll be a big topic in post-plague philosophy,” Nora says. “But I don’t think that’s it. I think there are lots of ways to reset. I mean, how did you do it?”

“Me?”

“Seven years ago you were an insufferable emo kid who thought the whole world was built for your torment. You walked around flashing your wrist scars like they were badges of courage.”

Julie grimaces.

“You actually listed off all the bad shit you’d been through to see how it compared to mine, like it was a fucking contest. Like whoever had the most trauma had the most authority on life.”

“Please stop before I puke,” Julie mutters.

“My point is…you used to be the worst. And now you’re my favorite person. Now you’re kind and caring and fucking hilarious, and you take everything seriously except yourself. You love the world, and you fight for it.” She rolls onto her side and looks right at Julie. “And you fight for your friends. When they’re falling apart, you chase them across the country to catch the pieces.”

Julie keeps her eyes on the ceiling. They are glistening again.

“So how did you do it?” Nora asks her. “How’d you break all that bad momentum and become who you are now?”

Julie wipes her eyes and looks up at the ceiling with a faint smile. “I think it was you.”

Nora frowns. “Me?”

“I think meeting you was my reset.”

Nora snorts, but there’s affection in it. “How?”

“You were solid. Rational. You were immune to my melodrama but still…human. The opposite of my mom without being like my dad.”

Nora listens in cautious silence.

“You shook me out of myself. Knocked me off my course.” Julie chuckles. “Maybe literally, when you punched me in the face.”

Nora can’t help smiling. “Well…you’re welcome.” She swallows another knot and takes a steadying breath. “But we’re…we’re not talking about me, remember?”

Julie rubs her palms into her damp eyes, trying to smother the itch. “So you think it doesn’t matter who R used to be. Even if he was a fanatic and a warlord. Even if he helped create all the shit we’re fighting.”

Nora hesitates. It’s getting harder to resist demanding details, but she tries to keep herself on track. “It does matter. Whatever he was, it’s a part of him.” She weighs her words carefully. “But what matters more…is who he is now, right? What he built with those parts?”

Julie is silent.

“Maybe that’s why he tries so hard. Because he knows what it’s like on the other side.”

Julie sits up, cross-legged on the wool blanket, and twists a chunk of her hair into a knotted braid. “So you think I should forgive him.”

“I don’t know if you should or shouldn’t. But I think I would.”

Julie takes a deep breath and exhales, releasing the braid to unravel. “So does that mean you forgive Marcus?”

Nora opens her mouth, then clamps it shut. Her wisdom doesn’t sound as wise when it’s reflected back at her.

“Does it mean you’re ready to go with us?”

Distant voices float through the open windows. The tourists are returning. Nora rolls onto her back and studies the topography of the ceiling. Cracks like canyons, water stains like lakes, black forests of mold.

“Nora,” Julie persists. “Are you ready to go home? So we can do what we need to do?”

Nora listens to the approaching murmur of laughter and conversation. When the tourists enter the house, it rises through the floorboards like music, and if it had lyrics, they would be about about belonging together, marching together, safe and full of conviction.

“Are you?” Nora asks quietly.

Julie turns to look out the window. She squints into the muggy night air, a rippling blackness like molten tar. “I don’t know what I’ll feel the next time I look at R. I don’t know what I’ll do when I find my mom.” She takes a shuddering breath and straightens her spine. “And I don’t know know what’ll happen in Post, or if any of us will be alive next week.” She chuckles darkly. “So fuck no, I’m not ready. For any of this. But I know I have to do it.”

Nora sees conviction in her friend’s face, and it’s a different kind than the fervent intensity of her new Ardent companions. It’s not a graft; it’s old-growth, weathered and real, sprouting from her own experiences with no outside framework to prop it up. The laughter downstairs suddenly sounds thin, like something recorded long ago and replayed too many times.

“What if I wanted to stay here awhile?” Nora says in spite of the sinking in her stomach. “To take care of Addis.”

“Nora,” Julie says, twisting around to face her. “We can’t do this without you. I can’t.”

“Why not?” Nora half-whispers. “Why am I so damn important?”

“Because you’re my friend—no, fuck blood, you’re my family.”

Nora blinks. Her throat spasms.

“And wherever this nightmare’s taking us, we should go there together.”

Footsteps pound up the stairs behind an eruption of laughter. Julie gives Nora a final pleading look, then drops onto her pillow and pretends to be asleep. The tourists barely lower their volume. It doesn’t matter. Nora will not sleep tonight. She will lie on top of the blanket, sweating in the dark heat, watching black clouds of choices swirl behind her eyelids.

I

IN DOWNTOWN MISSOULA, across the street from the ice cream parlor, there is a religion store. It sells books of theology, guides for righteous living, and thirty-six different versions of the Bible. There are paintings and plaques bearing scripture, paraphrases of scripture, and modern aphorisms mistaken for scripture. And there are weapons. The sign calls them “disciplinary aids,” but when I see a rack of wooden clubs and rods hanging from leather straps, I find it hard not to think of a castle’s armory. Or its dungeon.

My father reaches for a long, flat club that resembles a cricket bat. I can’t read the words carved into its surface, but I can tell by their medieval script that they are scripture. My father has never hit me before, but something is different today. His anger usually blazes for a few minutes, then dissipates into the air, but today he found somewhere to channel it. Today he grabbed my hand and dragged me to this store with a purpose in his eyes, and now he studies the club with grim satisfaction, like he’s finally found an answer to some shouting inner voice.

It is a weapon against sin, he tells me as we leave the store. Against rebellion and ungodly passion. I try to believe this as it strikes me over and over, embossing scripture into my reddening skin. I try to understand what I’ve done wrong so I can repent of it, but it eludes me. It will be years before I can grasp the intangible abstraction of sin, and by then my father will have moved beyond this wooden club. He will not bother to dig it out of the closet when his hands are already clenched. Punishment needs no special ceremony; it surrounds us always like our guilt, eager and pulsing.

“It feels good, doesn’t it?” Paul Bark says, watching from the corner of the room as I endure the pain I’ve earned. I’m not sure if he’s addressing me or my father. “We all have it in us.”

Then the pain is gone, and so is my father. He sits slumped in his recliner, black phlegm running down his chin, his final cigarette scorching his fingertips. Year after year his smoke rose up to Heaven. He sacrificed himself on a thousand tiny pyres.

“We all need something to hate,” Paul says, “and what’s nobler than hating yourself?” We are standing outside the house, watching it burn. “You don’t have to die to be a martyr.”

He nudges me forward. My skin blisters.

“I hope you’re not buying this hairshirt bullshit,” my grandfather says, clamping a sharp hand on my shoulder. “Why fight yourself when you can fight for yourself?”

I follow him along the edge of the stadium roof, open to reveal the teeming masses below, the farms and gardens and apartment towers and the swarms of soldiers patrolling them. I see Ella Desconsado coughing in her bedroom. I see Wally and David and Marie assembling rifle parts. I see the once hopeful Nearly Living, hopeless and nearly dead.

“No one’s tallying your deeds. No one’s watching. It’s just you and yours, here and gone, so take what you can while you can.”

I’m sitting in a metal chair in a dark locker room, and he crouches down to leer at me, his rancid breath hissing through gapped teeth. “You know none of this is real, don’t you? The world’s a dream. It’s your dream. And do you feel guilty for what happens in your dreams? When you kill and steal and fuck the forbidden fruit?”

He runs his leathery fingers along Julie’s arm. She is slumped in the chair next to me, collared and wrapped in cables, her hair covering her face, blood dripping from her mouth.

“You know the world will disappear without a trace the moment you wake up, so you might as well have your fun with it.” He lifts Julie’s chin. “Like you did with her.”

I grab his wrist. I wrench his hand away from Julie and it snaps off; a brittle crack and puff of dust. He looks at the dry stump with a bemused smile.

I hear Paul Bark’s laughter as I struggle to untie Julie. “Do you really think she still loves you? How could you imagine you deserve such grace?”

I fumble with the cables. My fingers are slick with her blood. Her eyes slide open and watch me through the gaps in her hair, but I can’t read what’s behind them.

Paul Bark says: “Haven’t you learned we deserve nothing?”

I spin around, gritting my teeth, and Paul smirks at me from the shadows. “What now, Brother Atvist? Have you got a new sermon for us?”

I open my mouth—but there is no air in my lungs. My roar of defiance leaks out in a groan.

I wake up.

I am curled into a ball, trembling with rage. I fill my lungs till they hurt and I scream into my knees, throat straining, veins bulging. It’s the loudest sound I’ve made in at least two lifetimes.

I uncoil and scramble to my feet. I’m in a small, dark chamber with rusted metal walls; the air smells of dried blood and decay, and I think I must not be awake after all. Another nightmare. My twisted little brain, half-rotted and hateful. Is this what Julie experiences every night? An endless procession of horrors and accusers? And worse yet, is that why I love her? Because we share the same sickness?

My hand touches the cold steel, and reality seeps in. I’m not in Hell. I’m in a train. An empty freight car—it must have been hauling meat. A white bar of daylight glows through the half-open door.

Last night returns in red-orange flickers: wandering through the empty streets of this half-abandoned town, breaking shop windows, kicking down doors, searching for a violence strong enough to squeeze the poison from my veins. I don’t remember how it ended. How I found my way to this metal box and somehow managed to sleep. I only know I couldn’t sleep in the RV, alone in a bed I’ve shared with Julie, waiting for her to slip in next to me and feeling my guts twist tighter with every hour she didn’t.

I stumble out of the train into a dim gray oven. Cast-iron clouds diffuse the heat, baking me from all directions while the humidity threatens to drown me. Where am I? What country is this? What planet?

I walk for a few minutes before realizing I actually don’t know where I am. The train must have moved in the night. The same wooded hill looms up ahead, but there is no station platform and no sign of the Fire Church’s quaint little compound. A gravel road leads from the tracks to the hill, so I follow it.

Soon I’m surrounded by trees, but I hear noise up ahead: the rumble of big engines and occasional shouted commands. As the woods open into a clearing I feel an instinct to proceed with stealth, but I’m too angry to obey it. My stomach is burning, I have swallowed caustic chemicals, and if anyone stops me I will puke fire in their faces and stand tall for the consequences.

I stroll into the clearing like I belong there—and maybe I do. No one takes note of my presence. A few dozen young men mill around the field of dried mud, loading fuel cans and what looks like bundles of riot gear into the backs of trucks. The trucks are hitched to freight trailers, but these are not the standard highway haulers. The trucks are armored bricks on solid-rubber wheels, the kind once used to move cash between banks. The trailers themselves look reinforced as well, though they’re riddled with outward dents like they’ve been carrying loose boulders.

I think of a circus backlot. The trampled field of crew trucks, generators chugging inside sooty white trailers, gnarled carnies sucking cigarettes by the outhouses, a grimy reality behind all the whimsical lights and color. But where is the bigtop in this image? Is it God’s House at the top of the hill? Or is it the strange structure at the center of these trucks? I see nothing familiar in its outline; it’s not the usual repurposing of an old-world building for new-world needs, schools into barracks, stadiums into fortresses. Whatever it is, it appears to be built from scratch for a purpose I can’t imagine: a squat mass of thick steel sheets, the kind used to cover holes for road work, welded together to form…a box. A windowless, featureless box the size of a department store.

And what is that sound inside this box? What subtle undertone do I hear beneath the engine noise and shouting?

“Hi!”

I whirl around to find the young man from the train grinning at me. He sticks out his hand.

“We met earlier. I’m Lindh.”

I look at his hand until he lowers it.

“Listen,” he says, “I feel convicted about the way I treated you yesterday. I was rude.”

I shrug.

“I could sense you were closed off, so I think I withdrew some of my hospitality, but today you seem a little more…open?”

I can hear “vulnerable” humming just beneath this. Oh, Paul taught them well. I give Lindh an acidic smile, but he keeps going.

“Can I get you a coffee and share a little about our community?”

“Where are my friends?” I say, forcing myself not to growl.

“Okay, sure,” he says with an agreeable nod. “I actually just saw them walking with Nora and wondered where you were. Everyone’s heading up to God’s House for the special service.”

“Special service?”

“Pastor Bark is revealing our new calling. God is moving in a big way. Mind if I walk with you?”

I brush past him and plunge back into the woods, ignoring his earnest pleas, rushing to put this armored circus and its unnerving noises out of my boiling thoughts.

• • •

The road emerges from the forest behind a building that might be a hospital. I hear more strange noises from inside it, groans and muffled screams, but I’m drawn to the louder ones ahead: the tense burbling of a large crowd.

Stepping onto the main street is like falling into a river. The cheery procession from the town below catches me and carries me along, bouncing and spinning me like a leaf until I’m sucked into the drain of the church’s front doors. I try to hide in the back again, but the current drags me forward. By the time I manage to find a seat, I’m only ten rows from the front. I lean forward and hold my face in my hands, watching through my fingers as Pastor Bark takes the stage.

“Hello, Ardents,” he says into his headset. “Are you hungry? Are you ready for some meat?”

Hoots and murmurs from the congregation.

“Good, because we’re really going to get into it this morning. We’re at war, and there are no desk jobs in God’s army. All of us are in the shit!”

I scan the sea of faces around me. Are they here? Is she here? How do I address her now? Are we still lovers? Were we ever?

“But the tide is turning,” Paul says, spreading his arms wide. “I’m sure you’ve all heard the news by now, what God’s doing in the far east…”

A surge of applause.

“That’s right. Fire isn’t the only cleanser. Wind, water—all the elements serve God’s will. New York City, the biggest shit we ever took on God’s perfect world, has finally been flushed.”

He allows a moment for the cheering to subside.

“And with their den destroyed, guess who’s on the run? Guess who’s moving their whole parade of blasphemy right next door? That’s right. Our good friends, the Axiom Group.”

He paces the stage a few times, looking pensively at his feet, a signal that the interactive phase is over and it’s time to listen in earnest.

“Ardents,” he says, “we are approaching a moment of testing. And I’m here to tell you, I’m worried we won’t pass.” He runs his eyes across the congregation, nodding. “I am. I really am. Because we’ve grown complacent.” His voice abruptly jumps to a shout. “We’ve grown soft. Despite all our prayers for God to take us home, we’ve gotten comfortable here, wallowing in our disease. And I can hear you saying, ‘But Pastor Bark, we surrendered four towns last year! We gathered hundreds of souls into our flock! I think we’re doing pretty good!’ And to that I say fuck ‘pretty good.’”

He looks around as if waiting to be challenged, then nods, that’s what I thought.

“While we were out there burning half-abandoned backwaters that no one but God will even notice, Babylon’s been rising right down the street from us. We’ve allowed not one but two new enclaves to grow in what was once an empty ruin. And not just tents around a campfire but thriving mini-metropolises with agriculture and industry and government.” He paces faster, shaking his head in disgust. “The Post stadiums carry all the DNA of civilization, and we’ve allowed it to grow unchecked, from a little cluster of cells to a massive, throbbing tumor. So my question for you this morning is…do we have the balls to cut it out?”

My eyes stop wandering. He has my attention now.

“Everything God hates is gathering in one place. He’s never given us a clearer command. Do we have enough faith to obey it?”

The congregation is quiet. I see some brows knitted in uncertainty.

“Now I know what you’re thinking…” He adopts a faintly effeminate tone. “‘But Pastor Bark, how would we surrender a fortified enclave? We don’t fight our war with weapons! Only God has the right to take life!’” He lets out a reluctant sigh, as if defeated by this weakling objector. “Well, you’re right. We’re not invaders. We can’t surrender Post unless God decides to open it to us.” His downcast frown rises into an enigmatic smirk. “But what if he’s already decided? What if he’s been holding out his hand this whole time, just waiting for us to bring him a sword?”

I hear no hoots or amens. Everyone hangs on his words, waiting for the payoff to this puzzling setup. But I am already halfway there, and I feel my skin prickling.

“Lot and Sodom,” he says. “Joshua and Jericho. Moses and Egypt and the ten fucking plagues. It won’t be the first time God used his children as vessels for his wrath.”

I hear myself whispering, “No…no…”

“My dear Ardents,” Paul says, beaming with pride, “we have fetched God a sword. We have gathered him an army.”

Silence.

“Not of flesh and blood, but of clean, hard bone. An army God himself raised from our departed brothers and sisters, just like he promised in Ezekiel 37.”

Comprehension spreads through the crowd in a slow murmur.

“Yes,” Paul says, nodding fervently. “Yes. As much as we might fear them, these creatures are God’s creation. They belong to him. They’re a force without mind or will and their movements are ordained by God alone. Like a hurricane.”

He stands in the center of the stage, gripping the narrow pulpit. The lights glisten on his sweaty forehead.

“So we’re going to bring that hurricane to the gates of Post, and we’re going to set it loose to do God’s will. We’re going to put a sword in God’s hand…” He juts his chin and nods a few times. “…and we’re going to stand back and watch him swing it.”

There is silence.

It lingers.

I see a flicker in Paul’s confidence. An encounter with a distant but shocking possibility: that he is alone in his madness. That he is the only one who hears this particular voice of God.

Then a man in the front row lets out a throaty howl, pumping a fist in the air, and it spreads through the congregation in a wave of applause, hesitant at first but quickly gaining assurance, and Paul’s eyes grow misty with the relief of confirmation.

I am surrounded by wide-eyed faces cheering for the death of thousands, and I begin to recognize some of them. There’s the boy who looked over my shoulder the night my angry scribbles leaked into reality. There’s the girl who got the maps and protocols from her firefighter uncle. There’s the boy who brought the gasoline. Most of the congregation is new, but these familiar faces hover around me like phantoms, aged but essentially unchanged, still pinched with pride and hatred and pride in their hatred.

“Paul!”

The cheering stops. I recognize my own voice in the echoes. Somehow, I have been transported to the center of the aisle. I appear to be walking toward the stage.

“How many years, Paul? Ten? Fifteen? How can you still be the same?”

Paul watches my approach with a cautious blankness, waiting for more information before choosing a reaction. He doesn’t recognize me. I don’t care.

“How have you not moved past this? How have you not realized we were wrong?”

I stop in front of the stage, hands clenched at my sides. Paul leans down and squints at me like I’m a hallucination. “Brother Atvist?” he whispers.

My shoulders hunch at the sound of the name. I look behind me. The whole congregation is watching, but I feel one stare burning hotter than the rest, blue eyes cutting through the crowd like a gas torch. She is sitting in the back row next to Nora, watching this sweet reunion with my childhood friend.

What is she thinking? What dark visions does she see when she looks at me now?

I pull my eyes away from her and narrow them on Paul. I leap onto the stage and grab him by his bristly shirt and shove him back through the curtain. He is still too stunned to resist. We emerge from the thick purple cloth into a typical theater backstage: cables snaking over black plywood floors, lighting rigs climbing up the walls—same as any other big show.

“You can’t do this,” I growl, releasing my grip on his shirt. “There are thousands of people in Post.”

But he doesn’t hear me. His eyes rove across my face, wide and rapt. “You’ve barely aged,” he says, tilting his head. “What happened to you? Did God take you up like Elijah?”

“God didn’t take me anywhere. I found my own way into Hell.”

“What—”

“It doesn’t matter, Paul, I’m alive, and I’m…” I bite back the flood of words. I need to let him process his shock and get over the mystery of my appearance so he can actually hear me. “…I’m here.”

I leave it there and wait.

“You’re here,” he says, nodding. Then without any further analysis, a smile flickers through his confusion. Not smug, not cruel…hopeful. “Are you here to help finish what we started?” The smile broadens, lighting up his eyes. “Will you help me spread the Fire?”

And suddenly I see him. He’s peering out at me through the eyeholes of this leathery suit of armor. The kid I grew up with, played pretend with, went to church with, feared the world with, feared our parents with, feared Hell with, feared our own bodies and minds until we detached ourselves from both. Another kind of Orientation.

My anger collapses.

“Paul,” I mutter, shaking my head. “It’s all wrong.”

“We’re so close now!” He grips my shoulders. “We’ve come so far since they took you from us!”

“They didn’t take me, Paul, I left. I got tired of waiting for permission to die. I decided to try living.”

“Can’t you feel it in the air? God’s finally going to move!”

There’s a strange glaze in his eyes, like he’s looking right through me, muting out my words, and I understand why. The math is simple: I was like him, so if something could change me then something could change him, unmake his world, blow down his fortress of belief and leave him exposed.

Unthinkable. Impossible. There must be some mistake.

“He’s going to set us free!” Paul gushes. “We just have to prove we really want him to!” He’s shaking me now. His eyes glisten. “I know it’s a hard doctrine, it’s hard to think about all those deaths, but who are we to doubt God’s will? Once we pass this final test…he’ll do it! He’ll burn this nightmare away and take us home!”

“Paul…” I firm my face and look up, meeting his feverish gaze. “The world is our home.”

He blinks at me and pulls back, holding me at arm’s length.

“Yes, there are nightmares in it,” I tell him. “Horror and grief. But I’ve found good things, too. Things to live for. People to live for. I’ve found love here…” My voice cracks. “…and it’s beautiful.” My eyes burn but I keep them open. “It’s true, even when it changes. Even when it ends.”

Paul’s face is contracting inward, his body stiffening, recoiling. “There were rumors,” he says in a suddenly lowered rumble. “About your family…connections to Axiom leadership…” His eyes narrow to slits, cutting off my view of what’s inside. “What have you been doing all these years since you left us?”

I hear footsteps. I glance behind me. The young man from the armored circus—Lindh—is standing just inside the curtain, breathing heavily. “Pastor Bark,” he gasps, “we have a problem.”

But Paul ignores Lindh like he ignored me. “Have you been led astray, Brother Atvist? Did you let the world corrupt you?” His face is contorting with anger and perhaps a little relief; the uncertain hope is gone from his voice and the theatrical bombast is back. “Did you come to help spread the Fire, or to sow doubt and dissension? Why are you here, Brother Atvist?”

Lindh rushes to his side and whispers something in his ear. Paul’s eyes widen. His scarred face reddens. “You brought them here?” he asks me, but it’s more a gasp of disbelief than a question.

I frown. “Brought them? What are you—”

He advances toward me. He is half a foot shorter, but his body is a tight coil of rage. I back away from him. I feel the curtain slide around my shoulders and I’m on the stage again, the blinding lights, Paul’s voice booming through the PA. It suddenly occurs to me that our entire conversation was probably picked up by his headset. My eyes dart through the crowd, looking for Julie, but Paul is still advancing toward me.

“Some of you may remember this man,” he bellows to the congregation, “but he is no longer the man we knew. He has left our fellowship and turned his back on the Fire and he has fucking betrayed us!”

He shoves me in the chest. I stumble over the edge of the stage and land hard on my back; the stiff beige carpet knocks the wind out of me. As I struggle to inflate my lungs, two meaty hands clamp onto my shoulders and hoist me to my feet.

“Time to go, preacher boy,” M mutters in my ear.

I glance around, trying to get my bearings and make sense of this whirlwind, but M is dragging me toward the exit. I see Tomsen waiting there in the foyer, hopping from foot to foot.

“Now, now, now,” she hisses at us. “Are they coming with us or not?”

Julie steps into the foyer. Nora is behind her.

Nora looks at M. Rage foams up in her like a chemical reaction and M tenses, but she looks away and swallows hard and seems to contain it. With her head still down, eyes to the side, she jabs a finger at him and mumbles, “Deal with you later.”

But I’m only peripherally aware of their exchange. Julie is staring at me in a way I haven’t seen since we first met, when the question “What are you?” meant so much less. Her eyes roam my face like she’s searching for seams and zippers, and I want to grab her and kiss her and say You know me! with such conviction that she has no choice but to believe. But I say nothing.

“Can you guys do whatever this is later?” Tomsen says, glancing between the four of us. “They’re almost here.”

“Who?” I finally ask, but even as I ask it I hear the answer rising from somewhere outside, a rumbling hum like a bass chord with too many notes. It’s the sound of truck engines. Many, many truck engines.

“Your co-workers,” Tomsen says. “Former, I hope.”

Through the glass doors, I see a convoy of beige trucks cresting the hill in a cloud of dust. I see the jagged mandalas painted on their hoods.

“Julie?” Nora says, shooting her a meaningful look. “I think I’m ready.”

-

WE SKIRT THE TOWN SQUARE and run into the leaf-strewn side streets, and Julie doesn’t talk to me. She stays at the front with Nora and doesn’t look back. I remember the youthful fantasy of the crisis that solves everything, the asteroid or alien invasion that renders all conflicts moot with no need for painful resolutions. But does this curative effect still work when we’ve already been through the apocalypse? Has disaster lost its potency?

We pass the bookstore where we parked the RV but Nora seems to have another destination in mind. The humid heat makes my skin sticky before I even start to sweat. A few raindrops hit the back of my neck like a cold finger tapping a warning.

A familiar building looms ahead, mossy and half absorbed into the forest behind it: the hospital, or whatever function it might serve now, with its hidden gravel road to a secret in the woods. Nora crashes through the front door and whirls left and right. “Addis!” she shouts, storming from room to room, tripping over piles of toys and knocking aside strange medical instruments. “Addis!”

A heavy, windowless double door opens a crack and an elderly woman in a lab coat peeks out. “Ms. Greene? What’s the matter, dear?”

“Where is he?”

“Addis? He’s still sleeping, along with all the others. Please keep your voice down.”

“Addis doesn’t sleep,” Nora snaps. “He hasn’t slept once since—” She cuts off as she registers the lab coat, its spattering of mysterious stains. “What is that? What the fuck are you wearing?”

“I beg your pardon?”

A shudder runs down Nora’s body. A tremor of rage and shame, like she has just completed a puzzle to reveal an image of her house being robbed.

She shoves the door open so hard the woman tumbles over backward. I am momentarily horrified as her brittle body crashes into a table and tools rain down on her, but then my eyes take in the context of the room, and I understand.

An echoing open space lit by the feeble glow of tiny windows. Dangling bulbs whose light doesn’t reach the ceiling. A few work stations with implements that aren’t quite medical or scientific: radios and stacks of photos, odd wooden rods and toy-like knitted things, like aids for some obscure form of therapy. And all along the walls, pacing slowly in chain-link cages: the patients.

Julie speaks for the first time, a bleak murmur. “Everywhere we go. Over and over.”

The patients are Dead, of course, hundreds of them, apparently sorted by decomposition levels. Nearest to us are the fresh ones: men, women, and children who look confused and hungry but otherwise normal in the dim light. In the middle: battered wrecks with dangling guts, gaping holes, missing eyes and faces—though no missing limbs, I notice. And at the back, hunching and lurching in the shadows like emaciated apes…the transitionals. Hairless, eyeless, naked and withered, hanging over the abyss and preparing to cut the rope.

How versatile the plague is. What a variety of tools one can mold from its cold clay. Whichever direction your particular madness drives you, whether to build misery or demolish joy, the plague is ready to serve.

“Addis!” Nora shrieks, running to a cage near the front. I see the boy inside, huddled in a corner while the adults stumble around in an agitated mob. A collective groan rises as the scent of life wafts through the space. One by one, the cages begin to rattle.

“Addis!” Nora yanks on the gate, trying to snap the padlock. She glances back at the doorway, but the old woman is gone. Nora forces a wordless scream through gritted teeth as she tries to snap steel.

“Nora,” Tomsen says, tapping her tool kit against Nora’s arm. “I can do it.” Without waiting for Nora’s response, she nudges her aside and crouches down to pick the lock. “But once I’ve done it,” she adds as she works, “a lot of bad things are going to happen very quickly so you should all get ready to—oh.” The lock clicks. “I’m getting good at that.”

The gate swings open and the Dead spill out. But before Nora can plunge into the mob, M rushes past her, holding a workstation table in front of him like a bulldozer blade. He plows the Dead back into the cage and pins them against the wall while Addis crawls through their kicking legs. M gives a last hard shove and drops the table, backs out of the cage and slams the door shut.

Nora and Addis both stare at him as he pauses to catch his breath. I wonder if Nora’s about to thank him, but no, this day won’t allow any such warmth. I knew from the moment I woke up: this day wants to be war.

A series of barked commands echo through the streets outside, and the air erupts with gunfire.

“What the hell is happening?” Nora yells to the ceiling.

“Guessing Axiom overheard the sermon,” Tomsen says. “Guessing they’re cracking down on religious liberty. Guessing we’re surrounded.”

Julie is shaking her head, lost in some private lament. She doesn’t even look up when the doors fling open and men in riot gear pour into the room. I grab her hand and run for the back exit, preparing to dodge bullets, but no one shoots at us. No one even chases us. I realize these people aren’t Axiom troops; they’re Ardents—but what are they doing? Why are they jabbing poles at their Dead prisoners and banging on their cages? Why are they wasting time teasing zombies while their town is under attack?

Just before I run out, I catch a glimpse of a cage door opening.

• • •

God’s House is emptying like a high school party busted by the cops. There are more direct comparisons involving cult compounds and federal agents, but this is the one that sticks in my mind. A mob of drunk, surly teenagers shouting empty threats while bored officers duck them into cruisers.

And Paul Bark, the nerd that would be prom king, shouting louder than anyone.

“You think your little pistols can stop God’s plan? Nothing has ever happened that God didn’t want to happen! God gets what he wants!”

I watch from behind abandoned cars and dumpsters as we sneak our way toward the RV. The bookstore that seemed so secluded when we parked behind it is now on the crackling edge of this conflagration. We advance in quick bursts, dashing between buildings in groups of two, hoping Axiom is too busy containing the church to worry about a few stragglers.

“Do you really want to fuck with the guy who invented Hell?” Paul is almost screaming now. “Do you really want to fuck with his servants?” His hands are raised over his head while a soldier prods him toward a Hummer, but he makes it look like a charismatic stage gesture. “Our God burns babies in his divine justice and we praise him all the more! We are harder than you pussies can imagine! We—”

He stops walking. To my amazement, he stops talking. The soldier jabs him in the back with his rifle but Paul doesn’t move. A strangely serene smile replaces his fiery glare.

“We bathe in God’s wrath every day,” he says, still projecting but softer now. “We are always braced and ready for it. Are you?”

There’s a gunshot. A scream. I see a soldier grappling with a shriveled human form, then he disappears into a surging swarm of them. The Dead flood the square from every street and alley, a rushing river of mutilated flesh, starving eyes, gnashing teeth.

I am standing in the middle of an intersection, and I hear my friends hissing at me from the other side, but I can’t move. I watch Paul Bark run away. I watch the rest of the congregation scatter. I see guns firing, some at the Ardents, others at the more immediate threat. The rain makes a soft patter as it falls in misty sheets.

“R!”

I blink water out of my eyes. Julie is pulling on my arm, trying to drag me across the street. But then M and Tomsen and Nora and Addis are running back toward us, away from an oncoming parade of disemboweled horrors. There is no clear direction to run. The Dead are everywhere.

Bullets zip through the space between us and slap into the nearest corpses and I see my friends flinging themselves backward to avoid the line of fire. Julie yanks me to the ground. We crawl out of the street and huddle against a wall until the shooting moves elsewhere, and when we stand up again, I can’t see the others.

“Nora!” Julie shouts, but if Nora replies, it’s lost in the gunfire and rain. The rain is not soft anymore. It’s becoming a roar.

“Nora!”

The Dead appear to be ignoring us, too focused on the men shooting at them, but the riot around us is impenetrable. Julie is on her tip-toes, scanning frantically, but her eyes barely reach the average chest. In another life we’d be at a concert, and she would struggle to see the band until I lift her up on my shoulders, and then she’d bend down and kiss my forehead and pump her fists to the beat. In this life, she screams her friend’s name and claws at the tall zombie blocking her view. When he spins around and snarls at her, I smash his face with my elbow and he collapses, drastically reduced in stature.

“Hold on,” I tell her. I stretch to my full height and skim the top of the crowd. The soldiers have formed a perimeter around their vehicles and managed to keep the center clear. Some of the more sentient Dead are starting to notice the rising piles of corpses and are turning around and retreating like creatures who value their existence. The shriveled black transitionals still provide a steady stream of targets, hissing and wheezing and clawing the air with skinless fingertips, but there is enough breathing room that some of the soldiers have run off in pursuit of the fleeing Ardents.

I observe all this as black-and-white static around the bright red center of my attention.

“Do you see them?” Julie says, reading the alarm in my face.

I see them.

M’s polished dome towers above the crowd. Nora’s buoyant hair bobs next to it. The swirling currents of bullets and teeth have pushed them inside Axiom’s perimeter, and they shuffle toward a van with guns at their backs.

Bracing myself for Julie’s reaction, I deliver my report: “Captured.”

“No.” She grinds her teeth, straining to see for herself. “God damn it, no!”

I can’t say I’m surprised when she charges in after them.

-

I PROTECT JULIE and Julie protects me. This has always been the bargain. When a man twice her size goes in for the kill, I smash his face, and when my wandering mind leaves my body unoccupied, she drags me away from the bullets. It’s a good arrangement, and I believe it still holds, but this would be a very bad time to test it. As we shove our way through the stampede of the Dead, I remind myself for the hundredth time that I’m not immune to the invisible venom that’s coursing through their teeth. All it takes is a nip. One moment of distraction and my new life ends, erased and reset to gray like a shaken Etch-A-Sketch.

Let it happen, the wretch mumbles. Get us out of this mess you’ve made, all this pain and guilt and embarrassment. Wasn’t it easier in the gray?

I’m not finished, I tell him. I have to fix what we broke.

You tried, he sighs. It was too hard.

I squeeze my eyes shut to slam the basement door, and when I open them a second later, a Dead man is lunging for my throat. I fling him into the mud and stomp a boot into his kneecaps while the wretch chuckles sourly.

Normally I’d be more aggressive, smashing skulls and stomping brains, but knowing that these corpses still have people in them complicates combat. Most look like they don’t even want to be here; I see more confusion than hunger and some are trying to turn back, but the oily black proto-Boneys push forward with such ferocity it sweeps them up in the current.

In prison and afterward, I learned countless ways to kill with my hands. I resist them now. The Dead are focused on Axiom, so a well-placed kick to the back is all it takes to move them. But when we break through into the square…what then? Does Julie have a plan? It’s hard to imagine any outcome better than joining our friends in captivity. Maybe that’s all she wants.

A burst of gunfire goes off close enough to muffle my hearing. We are suddenly an island in a lake of fallen bodies.

“Stop right there.”

The voice brings a crazed chuckle to my throat. In my mind this man was gone; I wished him well and cut him loose to live out his days in the empty isolation he craved. But here he is again, standing at the mouth of an alley with two other men in beige jackets, rifle raised, eyes empty.

“I do not fucking believe this,” Julie says, staring at Abram Kelvin through mats of rain-soaked hair.

“Shut up,” Abram barks. “Hands against the wall.”

Gritting her teeth, Julie obeys. I do likewise, but I watch him over my shoulder.

“Cover me,” he tells the other soldiers, and they turn around to face the swarm. Abram pulls my hands behind my back and slaps cuffs on my wrists.

“You absolute motherfucker,” she hisses as the steel snaps into her flesh. “You can’t be back with them.”

“I’m with whoever I have to be,” he mutters.

“Abram.” The softness in my voice makes him pause. “We found Sprout.”

It’s like I’ve uttered a spell that freezes time.

“Where is she?”

“Let us go and we’ll show you.”

The swarm has thinned. All the fresher Dead have either fled or been killed. What remains is isolated groups of hobbling, flesh-coated skeletons, and the convoy is picking them off one by one. One of Abram’s partners turns and frowns. “You know these people, Roberts?”

“Met them this morning when I was scouting. They preached at me for a while.”

“Well move it along, man, we’re wrapping up here.”

Abram raises his rifle and jabs it at me. “Move.”

He stays behind us with the gun in my back while the other two walk a few paces in front, scanning the corpse-strewn streets.

“I’m not lying,” I tell him. “She’s with us.”

“I believe you,” he says under his breath. “And I’ll get her when we’re done here.”

“You don’t know where—”

“Could she possibly be in the big yellow parade float parked behind the bookstore? Not exactly a stealth transport.”

“Abram,” Julie says quietly, her anger melting into sheer confusion and hurt. “Why are you doing this?”

No reply. Boots squelching in blood-reddened mud.

“I could believe you’d ditch us in New York but not that you’d go back to them. You’re an asshole but you’re not an idiot.”

“It’s temporary,” he growls. “Means to an end.”

“What end? Finding Sprout? You found her! Drop these fuckers and let’s get out of here.”

Abram glances past her. The two soldiers are occupied with the surrounding situation; the hiss of the rain muffles our voices. “It’s not that simple.”

“Yeah, because it feels good to be back in the machine, doesn’t it? Nice and safe on the winning side?”

“Abram.” I stop marching and turn around. His eyes flash with warning but he doesn’t raise the gun. “Perry had to die before he understood why he was alive. Don’t wait as long as he did.”

“The fuck is going on back there?” one of the soldiers barks over his shoulder. “Move your prisoners, Roberts!”

“Your father wasn’t weak. He was good.” I look straight into his eyes. “And your brother wasn’t stupid for loving that girl on the playground.”

Abram’s eyes go wide. “Shut up and march!” he yelps, jabbing me in the ribs with the rifle barrel. I grimace but I stand my ground.

“Every good thing is worth fighting for. No matter how long it lasts.”

His eyes scan me up and down, his mind racing for explanations, but I’m not trying to shock him with my secret knowledge. I’m just trying to reach him however I can. I feel Julie’s eyes on me too, but I pretend not to notice. I turn and resume marching.

The “battle” has ended. Unleashing the Dead was an effective diversion and even managed to take out a few soldiers, but it bought the Fire Church twenty minutes at most. The troops dissolve their formation and climb into their vehicles. I see the prisoner van. The doors are still open and it looks like there’s room for us. I see our friends inside and they see us. I see Nora drop her head into her hands. I see M looking at his feet, eyes full of shame. I see Tomsen rubbing her scalp with manic intensity. And I see the boy, Addis, staring at me, through me.

A hard shove from behind. I stumble into a shadowed alleyway and Julie falls in after me.

Abram stands in the opening, silhouetted against the gray sky. “Two things before I never see you again. One”—he looks at me—“you’re fighting a giant. You can’t win. Get out of its way before it crushes you. And two”—he looks at Julie— “the Burners have your mother.”

And then he’s gone.

“What the fuck?” Julie says in a shaky whisper.

I twist around to look at my cuffs. The key is sticking out of the lock.

“He’s lying, right?” she says, still staring at the spot where he was standing. “She’s not really here, he just said that so we wouldn’t go after him, right?”

I present my cuffs to Julie. She sees the key. She unlocks me and I unlock her.

“What do we do?” she mutters to no one. “I don’t know what to do.”

I peek out from the alley. Knobby tires are grinding over corpses as the convoy pulls out of the square. Prisoner transports go straight down the hill while trucks and SUVs spread out in search of fugitive Ardents. I see Nora’s face in the rear window of the departing van. She sees us. She waves.

“This isn’t happening,” Julie snarls, digging her fingers into her scalp. “It can’t.”

Her eyes dart to the barrel of a shotgun poking up from a pile of corpses, and I recognize a dangerous threshold approaching. Julie is smart, and surprisingly rational for a self-proclaimed dreamer. But as I’ve witnessed more than once in others and myself, every cup has its brim.

She grabs the gun and runs after the van.

Nora is violently shaking her head, mouthing No! but I doubt Julie even sees her through the blur of tears. What do we do? What do I do?

I run after her.

Everything slows. I feel each second like heirloom china slipping through my fingers, precious and irreplaceable. Why? What does my mind know that I don’t? My surroundings snap into map-like clarity, every building and street etched in vibrating lines.

Ten feet ahead of me, framed by falling globes of water, Julie is running.

Forty feet ahead of her, the van and the rest of the convoy are approaching the crest of the hill.

Thirty feet ahead of the convoy, a freight door is sliding open on the front of a large warehouse.

A woman is staggering out from the shadows, naked and mutilated, eyes wide with fear.

Julie stumbles and stops. Her mouth opens, and it feels like minutes before the scream comes out.

“Mom!”

Audrey sees her daughter. She recognizes her daughter. She smiles and starts toward her. And then the shadows behind her fill with bodies, a dense mob of mangled corpses rushing into the street with the speed only starvation gives them in their dark inversion of biology.

I’ve never seen Julie run so fast. She’s halfway to her mother before I’ve processed what’s happening. The convoy revs forward and tries to plow through the mob; the Dead jam themselves into wheel wells and smash through windshields and I hear screeching tires and gunfire but I don’t pause to determine the convoy’s fate, even though it’s also my friends’. I run toward Julie as she runs toward her mother.

I see her shotgun flashing fire. I see it swinging to crack skulls or snap necks or simply push bodies back—whatever clears a path. She knows there’s no third life for these ruined creatures. She’s only ending their long nightmare. I’m right behind her now, and as she lowers her gun to grab her mother’s hand, I see the swarm closing in around her.

I release my restraints. I begin to kill.

Unarmed combat with the Dead is an absurd proposition. They feel no pain, their organs are irrelevant, and even broken bones are no obstacle for the force that animates their limbs—tissues stiffen around the break and they keep moving. But there are ways. I would quickly destroy my hands trying to punch through skulls, but I find that my elbows work nicely, especially once I’ve peeled them down to pointy shivs of bone.

Craniums crack like eggs on a pan. The feeling is hideous and more satisfying than I’d like to admit. Were Paul and Mr. Atvist right about the violence in everyone? Am I proving the wisdom of the devils that duel on my shoulders? I don’t care. All I want is to get Julie through this. I want to lift her out of this churning sea and set her safe on the shore, and once I’ve done that…

Two bloated, putrefying men get ahold of her shirt and yank her backwards. I rush up behind them and smash their heads together so hard they deform like rotten melons. Julie turns. She sees me. She and her mother are free of the swarm; the street is wide open ahead of them. I offer an encouraging smile and open my mouth to say something—

My teeth bite tinfoil, my nails scrape chalkboards, there are wasps in my hair, a cut cable in my neck, electricity knotting my nerves, splitting my bones, aluminum and bile in my mouth—it happened.

It happened.

Instant, unavoidable, like a drunk driver hurtling around a corner—how did it ever feel unlikely? How did the danger feel distant? A single glass-crack second and everything is gone.

I hear Julie screaming. I am sticky with cold gore; did she shoot the one that bit me? It doesn’t matter. The electricity is baking my blood into fat black worms and I feel them wriggling through my veins. It hurts. It shouldn’t be possible for anything to hurt this much; I should go into shock or black out completely, but I don’t. I feel every shrieking detail.

The first time I met the plague, I embraced it with a tired sigh. This time I know what I’m losing.

Julie is clinging to my shirt, sobbing, but there’s no time for any words worth saying. The bite is in my neck, inches from my brain—it will happen fast. Even if she can bring herself to shoot me, I won’t give her that trauma as my parting gift. I will exit the stage gracefully.

I pull her hands off me.

I take a step back.

I grant myself five seconds to look into her eyes. To let her see all the love I wanted to give her. To mourn for a future that died in its chrysalis.

Then I run into the forest.

WE

ABRAM IS BARELY LISTENING to the exchange between the soldiers and himself. Something about his prisoners escaping, how did that happen, which way did they go—he can’t find an excuse to go alone, so he suffers their presence. He drives to the bookstore, taking side streets to avoid the mess in the center of town, and he knows he should offer some explanation for this stop—There! They got in that RV!—but he’s too weighted with real emotion to play his role right now. He ignores their inquiries as he parks and gets out. He ignores the squawk of his walkie demanding backup for corpse control. He ignores everything as he approaches the RV.

He tries the door. It’s locked, but he hears movement inside. A scattering of tiny feet.

“Murasaki?” he says.

The movement stops.

“Sprout, is that you? Open the door.”

The soldiers’ voices become forceful enough to penetrate his awareness. “Roberts! Who the hell is Sprout? There’s no way your prisoners got this far on foot.”

“She’s not my prisoner,” Abram mumbles.

“Well whoever it is, shoot the lock and let’s get on with it. You heard the call for backup.”

A small, scared voice from inside: “Daddy? Who are those men?”

Abram grits his teeth. “They’re my friends, Sprout. We’re going to take you somewhere safe.”

“Where’s Julie? Where’s R?”

“It doesn’t matter where they are!” he snaps. “I’m your father and I’m here.”

“It’s your daughter?” one of the men groans. “What the fuck is this, man? Do I need to call Abbot?”

Abram’s hands clench around his rifle. Could he kill them? Was the blond bitch right? Now that he has what he came for, could he shoot his way through the whole convoy and run for the woods? But even if he could, would he do it in front of Sprout? He imagines her face smeared with their blood, her good eye wide and round with permanent shock, and he relaxes his grip on the gun. He thrusts an index finger back at the soldiers, one minute.

“It’s okay, little weed. Just open the door and we’ll go home together.”

Sprout pulls a gap in the window shade and peeks out at him. Her soft, round face, hardened barely at all since the day she emerged from her mother. She’s safe. He has not yet failed her completely.

But he has failed her. He can feel it. She watches him through the window, and though the hesitation is barely three seconds, it’s a tiny knife sliding into his ribs. Finally she opens the door and stands there, waiting. He wraps his arms around her and lifts her out, clutching her head against his neck. “My baby,” he murmurs, inhaling the clean scent of her sweat, remembering all those unwell nights, her flus and fevers and night terrors. “You’re safe now.”

He realizes she is stiff in his embrace. Her head is resting on his shoulder because he’s forcing it there. When he releases the pressure, she pulls back.

He sets her down with a ripple of shame and fear.

“Daddy,” Sprout says, staring at the two silently fuming soldiers. “They’re wearing those jackets. Are they going to hurt us? Are they—” Then she sees it. Abram squirms as she studies its contours, its logo, then looks up at him, confused and searching. His jacket is full of wasps and he wants to tear it off and throw it away—but not now. Later, when the right moment comes. When it’s safe.

“Let’s go, Mura,” he mumbles, leading her back to the Hummer with a hand on her back. He tries not to acknowledge that he’s avoiding her gaze.

“Are these yours too?” one of the men grumbles.

Abram looks up from fastening Sprout’s seatbelt and sees the men dragging a blond boy and a brown girl out of the RV. His heart twists.

“No,” he says. “Never seen them before.”

He feels far away, like the world is the surface of a lake fading from view as he sinks.

“Good. They look like prime material for Orientation.”

Abram clenches his jaw as they truss the kids’ wrists and ankles and toss them in the back of the truck like sheared sheep. He hears a voice in his head, and it’s not ours—in this moment, we have nothing to tell him that he’s not already telling himself. The voice is his own, though he barely recognizes its fragility.

I’m sorry, R.

• • •

Audrey’s daughter is crying. Sobbing. She is screaming a single syllable over and over as she drags Audrey away from the noise of the massacre and into the surrounding trees.

“R! R!”

Was that the man’s name? The tall, quiet man who was never far from Julie’s side, always there to calm her rage or comfort her grief? The way he looked at her. The soft stare at the side of her face or the back of her head, a yearning to see inside. Audrey knows that look and she knows what it means. She remembers it from another man, another life, so many centuries ago.

“R!” her daughter shrieks a final time, then drops to her hands and knees in the mud. Her breathing sounds tight; there’s a whistle in it. Audrey remembers this too. An image of Julie as a little girl clutching her throat in a wild panic, her airways closing tighter with every terrified gasp. On some old instinct Audrey glances around for the cure, the thing that makes it stop, but she has nothing. She is naked.

She stumbles back out of the trees and digs through the pockets of a few dead Ardents, but she doesn’t find it. She feels the rain on her back. She feels it on her exposed organs, like a ghost’s cold fingers wrapping around her heart. She pulls the white overcoat off one of the corpses and returns to her daughter.

The whistling has stopped. Julie’s shoulders still heave with the strain, but her breaths are no longer gasps. Did Julie make it stop by herself? Without any outside cure? Audrey didn’t know that was possible. There is a lot Audrey doesn’t know. She wonders how much she will get to learn before the ice of the plague thaws and she floats further down the river.

“I can’t let him go, Mom.”

Julie’s voice is a throaty rasp. Her wet hair hangs into her face, her tears merging with the rivulets of rain.

“I don’t know what I’m doing. Everything’s fucked. But I can’t let him go.”

“Love,” Audrey mumbles.

Julie pushes herself upright and kneels there in the mud, staring up at her mother. “What did you say?”

Audrey looks away. She can’t find the thoughts to expound any further. All she has is the word.

“Love.”

Julie rubs her face in her hands, smearing mud across her cheeks. “I let you die, Mom.” Her eyes are red pools. Her shoulders are heaving again, but not from the asthma. “I let Dad die. And Perry, and Rosy. And now R is—” Her voice breaks. It drops to a whimper. “Don’t say ‘love’ to me.”

She is shivering. Audrey moves to drape the lab coat over her but Julie sweeps it off violently and springs to her feet. “No. No, Mom.” Her hands tremble as she wraps it around Audrey and jerks her arms through the sleeves. “You wear it.”

She zips it up with a hard yank, catching a little skin—Audrey feels the muted pinch—then looks back the way they came, toward the rain-drenched carnage unfolding in the town. Gunshots. Shouts. The roar of trucks patrolling the perimeter, rounding up the Living and the Dead. Audrey closes her eyes. The noise of war muffles and fades, giving way to a new sound deep in her head. The rustling of leaves. Pages. The whisper of many voices.

Julie grabs her hand and pulls her into the forest.

I

THE CROWS are watching me.

Rats peer at me from tangles of roots.

Insects squirm in the mud beneath me, poking at my back: Can we have you?

I hear rushing sounds. Wind. A river. The blood in my ears. Raindrops spatter against my face, pooling in my staring eyes and gaping mouth, but I don’t blink or swallow. My vision is a watery blur, beyond which is nothing but dark gray, like the light in the tunnel to Heaven has gone out.

Death is taking longer than I expected. Instead of rushing straight to my head, the black worms take leisurely detours through my body, saving the brain for last. Just like I taught them.

My left shoulder is gone. The arm will go next.

My veins constrict against the worms, slowing them down a little, but they squeeze in like oversized syringes, stretching and splitting me open. But it doesn’t hurt anymore. There is nothing so loud and passionate as agony. The sensation is closer to sadness, somehow localized in the flesh itself. The muscles are weary, unable to summon energy, their fibers saturated with the brine of despair. And then my arm is gone.

Will I lose everything all over again? Will I tumble all the way to the base of Mount Purgatory and rise from this mud erased? What broken samsara is this?

I blink the rain from my eyes and see the rats creeping out of their holes, inching closer. A bold crow pecks at my arm and glares at me with one glassy eye as if daring me to challenge its claim.

I drift through my layers of lives. I remember a typical night for the wretch. The curdled cocktail of exhaustion and insomnia. The writhing half-sleep filled with vague troubles and terrors. And then the morning, trussed up in the sheets, aware of the world like a deep-sea fish is aware of the sky, an unreachable abstraction miles above the darkness. The feeling that I could sink forever if nothing pulled me up.

And then the jolt of rage. The surge of defiance that galvanized my limbs and filled my lungs with breath. I won’t let you win, I’d snarl at that moaning, meaningless darkness. I won’t let you have my short time on earth.

I’ve been fighting the plague since the day I was born. Most battles I’ve lost, but some I’ve won, and that’s all the proof I need that it’s beatable.

I stand up.

The rats scatter and the crows fly off, squawking in outrage.

I shake the mud off my back and start walking. My arm swings limp from my torso. I feel the worms change course and head for my legs, rushing to quell this rebellion before it spreads. I clench a muscle that doesn’t exist, and I feel the worms slow again, caught in the tangle of my ribcage. I hold them there, striding briskly along the river like a man who knows where he’s going, though I’ve never been more lost.

• • •

The river is deep. It flows swiftly but its surface remains calm, disrupted only by the rain: fat drops that strike hard enough to splash. This river is familiar to me. Something about the smoothness of the water. The way the trees lean out over it like they’re trying to touch each other. Have I been here before? In dreams or in life?

The worms thrust forward and brush against my stomach. Numbness spreads like I’ve swallowed ice cubes, and I hear a familiar voice.

Eat.

A bitter chuckle escapes my throat. I’d forgotten all about that one. The voice that taught me the rules of my second life. The brute that barked relentlessly like a dog demanding dinner, until our desires finally merged.

Take. Eat. Fight. Win. Fuck. Kill. Survive.

It swells back into my mind like a loop that was muted but never stopped playing. It rises through the floor of the basement from some forgotten pit deeper than the foundation itself. Even the wretch recoils.

Take. Take. Take.

I grit my teeth and focus on the river. In my memory, the water was a sickly yellow-brown, as if tainted with chemicals. Now it’s blue-green nectar, like liquid sky and forest. The land has begun to purge itself. Could it be that time does more than corrupt? Is there nuance to the law of entropy?

I cling to this as I follow the river. It curves like a finger, beckoning me deeper into the woods, but it is not seductive. It is harsh and commanding, an official summons to be ignored at my peril. I walk with my head low, full of dread.

The sky dulls from silver to iron as night approaches. I have walked thousands of miles; I have circumnavigated the world, and all of it is this forest. This river. This pain and this fear. But then: something new. Something sticking out of the water. Not a tree. Not a rock. A sheet of metal, bent and rusted, a faded logo barely visible under the moss.

Does this river have a name? Does anyone know it’s here, tucked deep in this northwestern jungle? Maps are useless in a suggestible universe. Borders bend, dots drift, miles expand and contract. The land is dreaming, and I find it hard to say for certain that this river really exists. But in this moment, for me, it’s here. And this tail fin is here, rising out of the water. These wings are here, bent around two massive trees, prop blades embedded in their trunks. And this crumpled fuselage is here, half-buried in the mud, poking up from seven years of fallen leaves. A life I still can’t believe was mine. An accusation I can’t put to rest.

The worms creep down my side and into my hip.

I limp forward like an old man, each step a battle, feeling a strange certainty that my destination—whatever it might be—is just ahead. Just behind this curtain of branches. Through this wall of brush. Past this knotted tangle of thorny vines. I feel a sense of trespass, like I’m burrowing through primal layers into secret places not meant for man.

I stumble out of the thicket, bleeding from a hundred scratches, and I’m there. A secret, yes, but I’ve seen it before. A small clearing in the ancient cedars, almost completely lightless beneath their opaque canopy. The rain barely leaks through; the ground is slippery but firm. The river’s gurgle is the only sound in this damp, dark womb.

There is not much left of the bodies. Loose piles of bones, picked clean and scattered by animals, skulls peeking out from profusions of mushrooms. But the clothes are still there: four Axiom uniforms laid out in the rough shape of men, their synthetic fabrics still bright and crisp, insisting that nothing is wrong.

And the briefcase, of course. My mission. It lies exactly where my last life left it, its aluminum shell resisting the years, half-buried in rot but refusing to disappear.

It takes me a minute to find the red dress. Only a few scraps remain, draped over her crumbling ribcage. Her skull sneers at me like it did in life. The hole in her forehead is an all-seeing eye.

“Were you right about me?” I croak, struggling to find my voice. “Have I done more harm than good?”

Rosa doesn’t answer, but the river sounds like laughter. Raindrops work their way through the canopy and fall like giant tears.

“Please tell me.” My eyes are starting to blur again. “Should I let it end?”

The numbing pressure abandons my leg and begins climbing back up. The worms are tired of toying with me. They are going for the kill.

I look into the empty holes that once held beautiful eyes, and behind those, a mind I was afraid to touch. I never even learned her last name. But whoever she was, whatever madness brought her to Axiom and to me, she deserved better than this. Better than rotting unburied and unmourned in this inhuman vastness of trees.

As the worms creep into my throat, I pick up a scrap of metal and begin to dig.

It’s not a very good grave. I can’t manage the proper six feet with my crude shovel and vanishing limbs. But when I climb out of the hole and look back into its dark center, I can see it as a resting place. A closure. If not for her, then at least for me, because there must be some meaning to a ritual this ancient. Some way to bring dignity to death.

I gather her bones and drop them into the grave. I toss aside the shovel and scoop the earth with my bare hands, feeling its texture, the bits of roots and tiny organisms. I strain to recall what little I knew of this woman to write a eulogy for her in my mind, and as I search my memory, I feel a sense of expansion. My mind is a small room lined with bookcases, but when I reach into the shelves, I find no wall behind them. My thoughts push through my skull into some deeper space beyond.

And then voices. A crowd.

We will show you.

My feet slip in the mud, and I fall into the grave.

-

THE SHALLOW HOLE has become bottomless, expanding all around me into a vast darkness. But somewhere out in that nothingness, slowly moving closer, I see light and motion. A stream of colorful rectangles rushing past me as I fall.

Books.

A wall of books, an expanse, extending in all directions until it disappears into the shadows. All my dreams and nightmares and teasing glimpses of mysteries—I feel them adding to a sum.

I know this place.

Outside the cramped garret of my mind, past my impoverished collection of self-help bestsellers, movie-adapted pulp, and barely-opened classics propped up by beer bottles, there is a Library. A place I have sensed but never seen. A place that is not a place but a reality beyond atoms. And somehow…I am there.

I am no longer falling. I am standing on a balcony at the base of a towering shelf. The balcony runs out of sight in both directions, lit in dim orange patches by unseen lights. Beyond the railing: a dark gulf, then another wall of books. I look up. Another balcony, and another above that, and on and on until they disappear into the golden glow of some impossibly lofty skylight. The level where I stand is utilitarian: metal shelves, tile floors, the dull municipal efficiency of a small-town branch, but the architecture grows more beautiful with each floor until its ornate intricacies become a blur in the hazy heights. The desire I feel to explore those shelves is an exquisite agony—but there is no way up.

Not for you, the voices say. Not yet.

Who are they? Which members of my ever-expanding inner ensemble are these? There was a time when I heard the murmurings of the minds I’d eaten, a room full of weary souls reminiscing on the past. I hear these now, but they have joined a much larger chorus.

“When?” I ask them. The sound hits the silence like a boulder in a still pool; cascades of reverberation rush through the space.

Not alone. You’ll need help to climb. But to fall…? A note of sarcasm emerges from the chorus, an individual overtone that’s strangely familiar. You do that pretty well on your own.

A ladder appears at my feet, leading down to whatever’s below.

I peer over the balcony and feel the worms wriggle in my belly, my chest, my groin, spreading numbness that’s almost welcome. Below is like above, but reversed. Level after level, an endless succession of shelves and balconies, growing cruder and uglier until they vanish from view in the shadows.

Go, the voices say, and I feel a nudge at my back. You need to see it.

“See what?”

That familiar overtone again, wryly amused, but warm. You’ll see.

I climb onto the ladder. It’s white and smooth, with organic contours—the ladder is made of bones. Not the dry, brittle remains I’m used to but supple and warm to the touch. The ladder is alive.

I descend.

It’s exactly like Julie’s dream. I can feel the books around me; I can read them without touching them; they jitter and dance in their shelves, pages fluttering open and spewing their words into my mind. But this is not the rich perfume Julie enjoyed. She was ascending toward those luminous heights; I am sinking to the basement. My perfume is dust and dried blood, wet fur and fear sweat.

“What am I looking for?” I ask the voices.

The plain metal balconies become crude plywood carpentry, then raw timber tied with rope, then stone ledges, then nothing. I pass level after level of inaccessible books, abandoned and forgotten but still here, moldering in the depths.

Nothing in particular, the voice replies.

I catch familiar faces in the swamp of words. Disjointed excerpts of lives I’ve known, but only the darkest passages down here, morbid cuttings tucked in amongst medieval prison records and lists of smallpox deaths.

I see a girl who looks like Tomsen watching her father shudder and cough, dying from some treatable disease while her screams for help disappear into radio static. I see M shoving a smaller kid’s face into the pavement and holding back tears while his brothers cheer. I see him pointing a gun at a family while his girlfriend takes their food. I see him sinking his teeth into a boy. I see Nora watching him sink his teeth into a boy. I see Nora wandering alone, freezing and starving. I see her holding a knife to her wrists every night, asking why not and scrambling for an answer. I see Julie’s wrists, the blood and then the bandages. I see her staring dead-eyed at her mother’s mock funeral, her father dropping the empty dress into the grave. I see her writing a list on a painter’s canvas of everyone she’s killed, mostly just descriptions since she rarely got their names—fat man with tattoo, bald man with scars, cute boy with knife—and I see her covering it over with blue and black paint.

I see her meeting me.

I see her watching her friends butchered all around her. I see her father’s gun pointed at her head, his eyes glassy and cold before a demon peels him apart.

I see the man she’d decided to trust revealing that he’s a demon too.

“Whatever it is you’re trying to show me,” I whisper into the gloom, “I don’t want to see it.”

I try to halt my descent but my numb legs continue on reflex, as if they never needed my input. I am a half-dissolved torso falling like a leaf.

“I don’t want to see it!” I scream up toward the skylight, just a tiny white spot now, but no one answers.

I see a boy who looks like my father touching the blood on his lip. My grandfather sneering down at him, shaking his head in disgust. My great-grandfather doing the same to a boy who looks like my grandfather. Wads of dusty parchment, sheafs of papyrus, clay tablets. They hum and shake, angry and insistent, vomiting their words into my mind: Learn the way of things. Do as was done.

I squeeze my eyes shut and grip my head in my hands. I can feel the worms hammering at the gates of my brain.

Are you seeing it, corpse?

My eyes snap open. The overtone has become the fundamental; the chorus has receded to a supportive hum for the unadorned voice of a single young man.

I choke on his name. “Perry?”

A feeling of warm water pools in my chest—a ghost is smiling. It’s good to be known, R.

My feet refuse to stop. I sink lower. To my surprise, there’s a bottom; I see it in that vague orange glow, a floor hidden beneath drifts of dust and scattered pages, but I don’t stop there. The ladder continues through a hatch in the floor, down into the basement.

You’re so much like I was, Perry says to me. So concerned with with your worth and your purpose, your very right to exist. Do you really think your bumbling human errors—no matter how colorful—disqualify you from life? Or even happiness? Look around you!

The basement is a cavern, a dank stone shaft like an immense well, the air cold and fetid, thick with mold and methane and unknown Precambrian scents blowing up from the darkness below. Its walls are honeycombed with holes and the holes are filled with language: pre-lingual symbolism in bent sticks and notched bones, forcing stories into my head with even greater violence than the books above.

An ape hunches over its meal, eyes darting left and right, angry and afraid. It pisses on a nearby rock, just to be sure, then returns to the food at its feet: the juicy face meat of a rival troop’s young. A thousand insects crawl in the ape’s fur, unaware that the ape is an ape or that it’s alive or that they are, unaware of anything beyond the chemicals that tell them when to bite, when to suck, when to excrete eggs and die.

Life is a long ladder, Perry says. We climbed from deep pits. The lowest thought of the basest human is a staggering achievement.

I sink deeper and even the dim lights fade. The darkness is complete, frozen and airless, but the stories continue, reduced to almost nothing: microbial etchings of binary narratives, hungry/fed, living/dead.

But there’s more than this, Perry tells me. There are Higher shelves.

My feet finally allow me to stop. I hover in the smothering blackness and I look up. The skylight is a dim speck, a distant star.

“They’re so far away.”

My voice sounds muffled, like I’ve been buried. It trembles with a purity of sadness that I’ve never felt before, the simple core of loneliness inside every elaborate grief.

Some of you is up there, R. Some of me, too. We’ve lived most of our lives in the Lower, but we have a few scenes in those lovely books. Everyone does.

The worms surround my brain, gnawing at its walls. My body is gone; my face and skull are gone; I am a wrinkled gray planet adrift in space.

It’s easier to fall than to climb, and yet against all logic, life keeps rising. The line wavers, but the trajectory is upward.

I can feel the worms’ outrage at being detained. Their tails thrash as they strain toward my center.

So what’s your choice, R? Where will you shelve the last book of your life? Down here in the pit with the primordial slimes?

I close my eyes. I grit my teeth.

Or up there in the light?

Somewhere inside me, far deeper than my lungs and larynx, a scream rises. It rips up from miles beneath my basement, a sound so fierce it scares the brute out of its pit, it sends the wretch running, it roars up the staircase and down the hall and bursts out of my mouth, and the worms fall still.

I clench that invisible muscle hard enough to tear it, and the worms slide backward. Squealing with indignation, they peel away from my brain, squeezing down through my jaws and jugular and finally, back into the bite itself. I compress them into a dark, tumorous mass beneath the Dead man’s toothmarks, and I hold them there.

Perry smiles again, and his warmth spreads through me. My limbs tingle and return. My hands twitch and ball into fists.

Good, Perry says, and the chorus surges in around him, absorbing his voice into its vast and complex harmony. Now you know what to do.

In a shallow grave deep in the forest, I open my eyes. I dig my fingers into the mud. I climb out.

I

THE CHURCH is empty. The speakers hiss, waiting to amplify whoever steps to the mic.

The houses are empty. The doors are open, so I search each one. They looked vacant before—no decorations, no furniture, blankets on the floor for beds—but now even their squatters have moved on.

The RV is empty. My kids are gone. But this is a relief. Better they be locked up in a van on their way to Post than somewhere on the streets of this town.

Because the streets are not empty. The streets are full of corpses steaming in the morning sun. I step gingerly between them, fighting my way through a squawking murder of crows as I scan the withered faces, desperately hoping not to recognize any.

Only morbid curiosity brings me to the circus in the woods. Deep tire tracks mark the escape routes of the armored trucks and their trailers. And of course, the metal building is empty. The daylight leaking through its entry is the only illumination for its windowless interior, but there is nothing to see. It’s an empty box. The only hints of what it held are the scratches on the walls, the broken teeth and chips of bone, the strange, pointy footprints in the bare earth floor.

No one will ever bury this town’s corpses. No one will ever inhabit its sorrowful homes. Future generations will steer wide of this nameless place, whispering of ghosts and curses.

I suddenly remember that I’m carrying something. It was dented and corroded but the Atvist code still opened it. The musty documents inside are unreadable, but they never said anything to begin with. The case’s true contents are hidden under its false bottom. A gift for some unlucky Cascadian enclave, a box of death for the first one to resist.

I feel an urge to use it now. To “surrender” this town and blast its rot from the earth. But there is only one good deed this weapon can do, and only one place to do it.

“Julie!”

My hoarse voice echoes down the streets of the town square. I suck in a deep lungful and shred my throat on her name.

“Julie!”

Another personal volume record, but my only answer is the angry crows.

She is not here. No one is.

I walk to the highway and head toward the coast, leaving the birds to their grim festivities.

• • •

The bite in my neck throbs. My grip remains fierce, holding the worms in place, but no matter how hard I squeeze I can’t crush them. They writhe in my blood, bellowing demands like powerful old men unaccustomed to refusal.

How long can I hold them? I am a single guard transporting a bus full of prisoners, and it’s only a matter of time before they overpower me. I need backup.

Perry? I whisper into my mind. Can you help me?

I know it’s a foolish request, but I’m desperate.

Can you show me where she is?

I imagine him pretending not to hear, as if to save us both the embarrassment. Wherever and whatever Perry is, he is not my personal assistant. He did not emerge from that cosmic chorus to be my GPS.

This journey is mine.

• • •

The trees that surround the highway grow taller as I move west, until the sky is just a narrow inverted river winding above my head. The sun coaxes languid ghosts of steam out of the wet earth. It strikes my neck and warms the bite; the worms shrink to the corners of their cage.

I walk just short of a run and soon I’m breathing hard. Each inhalation brings a rich bouquet: pine and cedar oils, grass like green tea, and the more complex scents of more complex living things. The sweat and dander of wolves and deer, rats and wildcats, dusty birds and the subtle bitterness of the insects they eat. All the creatures carrying on behind our stage, absent from our dramas, too pure for our plagues.

Lost in hermetic contemplations, it doesn’t strike me as odd that my once useless nose has gained bloodhound sensitivity. My body and mind have taken many forms throughout my many lives. I am a walking canvas for reality’s new rules.

And somewhere beneath all that piney, musky redolence, I smell Julie.

Not the generic scent of biological life, that cheap and consumable commodity—the scent of her, distinct among a billion others.

I leap off the highway and scramble up the embankment and crash into the forest. I make a token effort to shield my face from the trees but their claws rake me mercilessly. Go back, they tell me. You’re a fool. There is nothing for you here.

I swat their branches aside. I kick through thorny vines that wrap around my ankles. Julie’s scent grows stronger, a tendril of rich perfume guiding me through the woods.

Get out of our world, the trees snarl. You don’t belong here.

They’re right, of course, but I don’t belong anywhere. So I guess that means I belong everywhere.

I burst through a knotted mass of brush and stumble forward into daylight.

A meadow.

Tiny daisies dot the lush field. That uncharted river gurgles in the trees. Julie and her mother sit in a circle of flattened grass, like they planned a picnic and forgot everything but each other. They haven’t noticed me. I stay where I am, absorbing the painterly beauty of the scene, its classicism marred only by the black blood on Julie’s tank top. She sits cross-legged next to her mother, speaking softly while Audrey rocks back and forth, hugging her knees to her chest, draped in a baggy white overcoat. Both of them are filthy and ragged, but the sun glows in their matted hair.

Julie sees me. Her eyes are raw, drained of tears, and her reaction is muted. She stands up. She takes a step toward me. She looks at the bite in my neck, then the cuts on my hands, ears, face, the warm dew of blood seeping out of me.

She whispers, “Are you alive?”

I nod.

“Say it.”

“I’m alive.”

She blinks a few times, lets out a shuddering breath that might be relief or something beyond it, but no smile, no embrace.

She sits down next to her mother. “Mom,” she says. “Do you remember R?”

Audrey nods. Her skin is pale but no longer gray, closer to porcelain than concrete. Her eyes are leaden when shadowed but there’s a glint of blue when the sun hits them. “I remember R,” she says, straining only a little to find the syllables. “He loves you. You love him.”

A wall of tension appears between Julie and me, but it feels trivial in this sacred meadow. It collapses. Without meeting my eyes, Julie pats the grass. I step into the circle and sit.

Something is happening in her mother. Beyond the physical signs, there’s an electricity in her aura. Her fingers twitch. Her eyes scan from side to side. I think of Nora’s patient, Mrs. A, lying on a table in a pool of her own blood, reviving herself and killing herself with each hard-won breath. I remember the ferocity in that woman’s eyes as she fought to exhume her soul just in time to send it on. I wonder if Julie is ready.

“I remember…” Audrey continues, squinting at the ground, “…someone who loved me. Who I loved.” She looks up. “Where’s…John?”

Julie’s lips tremble. “He’s gone, Mom. Dad’s gone.”

Audrey lowers her eyes again and watches an ant navigate a blade of grass. She shakes her head. “Not gone. I hear him.”

“What?” Julie says, her voice cracking.

Audrey’s face is tense like she’s listening to an infinitesimal sound, the breath of an ant or the hum of the planets. “Parts of him,” she says. “Scattered through…the books.”

Julie is not as drained as I thought. Her eyes well up with some hidden reserve of tears.

“I’m…reading,” Audrey says. “Books about him. And you. All the years after I…” Her eyes rise to meet her daughter’s and she has tears of her own. “Julie…” Her voice spasms. “I’m so sorry.”

Julie finally breaks. She buries her head in her mother’s lap and sobs.

“I couldn’t hold on,” Audrey whispers. “Not even for you.” Her words come almost smoothly now. What a force she must have been in life, that it all comes back so quickly. “So many reasons to fight…but I couldn’t see them.”

Julie pulls back to look at her, a spike of anger jabbing into her grief. “So you did do it on purpose?” She makes no attempt to stop the quaver in her voice. “You weren’t just stupid? You really walked out there to die?”

“Julie…” Audrey reaches out to touch her hair but Julie pulls away, sitting up straight, her face reddening.

“How?” she demands. “How could you do it? You ruined Dad! I couldn’t hold him together. I couldn’t hold myself together!” She thrusts out her palms, exposing the scars that criss-cross her arms and wrists, none quite deep enough to be a true invitation to death but each one a conversation with it. Shallow cuts to distract from a deep one.

Audrey stares at her daughter’s wounds. Her tears begin to flow freely, falling into Julie’s hands like raindrops.

“How could you do it, Mom?” Her rage sputters down to a whimper. “How could you make that choice? To just walk out and leave us there?”

Audrey shakes her bowed head, dropping her eyes from Julie’s arms to the ground. “It wasn’t a choice,” she says. “It just happened. Like falling asleep when you’re very, very tired.”

Julie watches Audrey’s tears fall into the grass. Slowly, her face softens. Her stiff spine sags. She leans back into her mother.

Audrey holds her daughter’s head against her chest. A tiny sound leaks from her throat, wet, broken, maybe words, maybe just breath. But if it’s words, they might be, “Thank you.”

The two of them remain like this for a moment. Then Audrey’s body shudders, and she begins to speak again. “You were always stronger than me,” she murmurs. “And your father. You were stronger than anyone I knew. I hope you see that.” She strokes her daughter’s hair in slow, rhythmic motions. “I hope you take that with you.”

Julie straightens abruptly and feels her cheek. There’s a smear of blood on it. Bright red spots are blooming through Audrey’s coat.

“No,” Julie moans, shaking her head. “No, Mom, not yet.”

Audrey takes Julie’s hand and presses it against her heart.

“Mom, wait! Please not yet!”

“Julie.” A bittersweet smile touches her face. “I died a long time ago. I only came back to tell you…that you did all you could. That you deserve to live.”

Julie throws herself against her mother and empties deep wells. Her tiny body shakes with rattling sobs.

Audrey rests her head on Julie’s shoulder. She looks weary and old, like her years are returning as the plague departs. But the gray in her eyes is gone. I see their true color for the first time, blue like her daughter’s but lighter, a clear sky to Julie’s deep water. Her body begins to sag, and Julie shifts to support her. “They’re waiting for us,” Audrey says. “Everyone’s waiting.”

She slumps against her daughter.

A distant bird trills.

Leaves whisper in subtle breezes.

Blades of grass tick as they straighten, shrugging off the weight of yesterday’s rain.

Water trickles in the soil. Roots drink. Earth hums.

Silence.

Julie clings to her mother’s body until her shoulders finally stop shaking. Then she lowers its limp weight to the ground.

“She never wanted to be buried,” she mumbles. “I always figured cremation, but…she said to leave her here.”

She folds the body’s arms over its chest and straightens its legs, like tucking a child into bed.

“Said she wanted to be like the sun. Give her life to the grass and animals.” She brushes the hair off the body’s forehead. “She said, ‘I want to be heat and light.’”

Audrey’s body looks serene. A trace of her last smile remains on its lips. But Julie addresses her farewell to the sky, squinting into the noonday radiance. “Goodbye, Mom.”

She stands. She looks at me. Her eyes are red and raw, the irises like sapphires stuck into bullet wounds. She turns away and walks into the forest.

-

I trail her at a distance, unsure of my welcome but unwilling to lose her again. She pushes ahead with fierce strides, slapping branches out of her face, following a narrow deer path without any concern for where it leads. I think of her mad plunge into the ruins of Detroit. Her brazen defiance of every mortal threat she encounters. Beneath all her passion for humanity lurks an ambivalence toward herself. She tosses her life from hand to hand, not quite throwing it away but daring fate to take it. What will she do now, after all this? Has she ever carried this much weight?

I begin to shrink the distance between us, wondering if she’ll let me near enough to help.

We have entered an older part of the forest. Instead of the squabbling of greedy birds and insects, there is solemn silence. Instead of a tangle of unruly scrub brush, its floor is moss and layered loam. We are surrounded by creatures that have outlived empires. Gnarled oaks and towering redwoods whose inner rings inhaled the last breath of Christ and the smoke of Alexandria. How foolish we must look to them.

I hear a wheeze creeping into her breathing.

“Julie,” I say, only a few feet away now. “Stop.”

She stops. She stands with her back to me in a wide patch of moss. I reach out and touch her arm; she doesn’t turn, but she doesn’t pull away. I wrap my arms around her shoulders and move in close behind her. “I’m sorry,” I murmur into her hair, meaning so many things.

She says nothing. She just stands there, breathing, so I do the same, drinking in the scent that I’ve been chasing for so long. It has always been a mystery to me. I can’t fathom what composes it. The smells one expects from a human body are not pleasant—sweat and bacteria, mucus and sebum, a bitter cocktail of secretions and excretions. So why does Julie smell sweet? Where does the cinnamon come from? This rich blend of vetiver and honeysuckle, that subtle hint of pepper? Can it really be her body producing this perfume? When I inhale the warm air that rises from her head, is it her soul I’m smelling?

“Julie,” I say again, but I don’t know what comes next. I don’t know how else to console her. I don’t know any more ways to ask forgiveness or to show her she can trust me. I have never felt so stripped. “Julie, I want to—”

She turns around and grabs my face and kisses me. The wheels in my brain stop spinning. Her arms are around my neck, pulling me down and herself up so we can meet in the middle, and this is no quick peck just to tell me to hold on; this is no calculated signal—this is desire. I’m too startled to match her intensity; her lips crush mine against my teeth; her tongue pins mine to the floor of my mouth. My hands twitch a few inches from her body, unsure where they belong.

She pulls back, just far enough to look me in the eyes. There is more than grief in her gaze. I see a startling joy spreading through her tears. “We deserve to live,” she tells me, and she waits.

I feel wet warmth pooling in my eyes. Slowly, I nod. “We deserve to live.”

I pull her tight against me and we drop to the mossy ground.

With her fingers digging into my back, she claws the tattered remains of my shirt over my head, revealing my desolate landscape of bruises, scratches, scars. I roll her on top of me and she raises her arms and arches her back, an invitation. I slide her filthy tank-top up her stomach and past her ribs and over her breasts, and we pause, watching each other’s ribcages rise and fall. She smiles. She runs her fingers down my chest to the cavity under my sternum where my hearts beats visibly. She bends down and presses her face against it, wipes her tears on my chest, and kisses my pounding pulse.

My body jolts with a kind of electricity I’ve never felt. I see it in my mind as rose-hued lightning, coursing through my flesh and soothing it, healing it and making it strong. None of my memories contain any such power. Sex in my first life was a means to an end—my partners and I tolerated each other, sometimes even respected and appreciated each other, but what drew us together was the experience we could create. Skin was skin. It didn’t much matter who was wearing it.

Watching Julie slide my pants down with a nervous smile, never breaking eye contact, I am overwhelmed by the reality of her. An essence I know so well and crave so badly that her skin is just a veil around it—smooth, voluptuous, and beautiful, but secondary.

Her veil touches mine. The light behind it rushes into me through the wires of our nerves. My muscles go rigid; my limbs spasm; it’s euphoric electrocution. Her mouth wraps around me and brings me into the very center of her self, my most sensitive part surrounded by her eyes, her ears, her brain, caressed by her organs of speech and expression—can anything be more intimate?

Yes. Always yes. There is no limit; the Library has no ceiling. Our clothes are gone and we are naked under the ancient trees. We are dirty and hurt from weeks, months, years of struggle—sweaty and sticky, smudged with mud and blood, and perhaps we smell terrible and should be disgusted, but we are not interested in what we should be. I breathe Julie’s scent and taste the story of her body as I lick her deepest places, and I’m unable to imagine feeling anything but privilege.

Her moans are low and throaty, then high and cracking, exquisitely physical in their smoky timbre, and then she stops me. She grips the sides of my face and pulls it back up to hers. She looks in my eyes and smiles, then bubbles into laughter. It gushes out of her like an overflowing fountain, breathless and ecstatic and distantly incredulous that this is really happening, that we are really here, after all this time and torment, fucking in a forest.

She grabs my absurdly hard, fiercely alive cock, and she welcomes me inside.

• • •

I have always found it troubling that pain and pleasure make the same sounds. It seems a red flag for the sanity of our species. Why is our love aurally indistinguishable from violence? Why express euphoria with an anguished wail? Why this need to paint even the most basic human joy with a glaze of suffering?

These are not the sounds Julie and I make. Her gasps are warm, her screams are in a major key, and my groans are unmistakably enthused. When it’s too much to express, we laugh. Not a laugh of nervousness, embarrassment, or distancing irony, but something rapturous and paired with tears, that universal fluid of emotional overflow. What a strange miracle, to merge with another person. To be so fully entwined that every movement is linked in synchrony, every thought understood by subtle signals and murmured words, like two voices in the same head moving the limbs of one body, climbing toward some breathtaking plateau.

And what a strange mutation, to be a man with three lives. To have smashed myself against the rocks of the world and then started over, a newborn with a weathered soul. I have all the technique of a sexual veteran with all the raw wonder of a virgin. I am beginning to understand what my old lives are for. How experience—good and bad—is the cement that fills my gaps and shores up my trembling frame. Without it, I wouldn’t be a person. I wouldn’t know who this woman is or how she fits into the craggy landscape of my life.

I wouldn’t know how much I love her.

The forest fades as we climb. A glow washes it white, not the sun but something like it, blazing down from the remote ceiling of the Library. I sense Julie getting close and I release my control; a flood of hot light rushes up from the depths.

I lock eyes with her as we climax. They are fractal blue spirals of mad, impossible beauty, and I see my astonishment mirrored in them. We have become buoyant; we hurtle up toward the distant reaches of those Higher shelves, each level lovelier than the last, intricate filigree and dizzying arabesques, pearl and silver and teak and gold, and the books—bound in glass, in crystal, in living flesh and light, dousing us with sprays of bright memory, the bliss of a trillion lives, every generation of every creature that could ever feel ecstasy.

And it goes higher. We are nowhere near the top. But the ladder is dissolving under me. I scramble upward until I’m climbing air; I stretch out with my mind, straining toward that distant, unfathomable ceiling—

• • •

I am lying on my back on a carpet of moss. Julie is next to me. We are gasping, shivering, laughing, crying. Our hands rest in the space between us, fingers woven together, squeezing with each spasming aftershock. A bird chirps. A fly buzzes. The canopy of leaves spins slowly overhead like a time-lapse film of stars.

I remember the worms in my neck. They squirm and squeal like spoiled children, but I contain them easily, clenched in a fist of will. They bore me. I dismiss them from my mind and watch the sun leak through the leaves, forming solid gold shafts in the dust we’ve stirred up.

I don’t know how long we lie there. The sun moves across the sky. Its rays wander lecherously down our bodies. Finally, when they begin to dim, Julie shatters the century-long stillness. She stands up. She puts her clothes on. Then she gathers up mine and drops them on my chest.

“R,” she says, her face still damp and flushed, glowing with a smile that I’ve never seen before, calm and happy and invincible. “Let’s go home.”

THREE

the rooftop

Even now my voice is reaching millions throughout the world. To those who can hear me, I say…

—Charlie Chaplin, The Great Dictator

WE

WE FEEL PRESSURE. We feel strain. We feel rumbles and tremors and the rushing of rivers. Hills heave up from flatlands, mountains pierce peaceful fields. Earth bulges with potential, stretching and distorting its perfect sphere as it tries to decide what to be. Earth is a quantum particle. An indecisive electron waiting on its observers.

Two of its observers are called Gael and Gebre, and they are looking for someone they lost. Like all sane humans, they avoid the existential sinkhole of the Midwaste. They stick to the places with people. At major junctions they find guidance sprayed onto the pavement: skulls for the roads to nowhere, smiling faces for active arterials, the handful of highways that still have a pulse.

“Graffiti artists are the new Department of Transportation,” Gael chuckles as he guides the van toward the recommended lane. “The world’s upside-down. I love it!”

“Could be tricks,” Gebre says. “Or traps.”

Gael shrugs. “Anything could be anything. Why default to bad?”

“Well, historically…”—Gael groans—“…historically, vandals were lashing out at the society that excluded them. The last thing they wanted was to assist it.”

“History was a long time ago, love.” Gael gestures to the strange landscape around them, the murals on the road, the sculptures of stacked cars towering above the desert. “This is new territory.”

He hits the gas. The van roars over the big yellow smile and onto the highway.

It’s barely an hour before they see the first car. Then another, and another, until the lanes are full and brake lights begin to flare.

“Traffic!” Gael squeals with delight. “We’re in traffic!”

“I haven’t seen a jam like this in fifteen years,” Gebre says. “Where are they coming from?”

The answer to this question takes shape from town to town, from rest stop to truck stop to roadside diner as they work their way west.

They buy beers for Axiom troops from Chicago, who deserted in the night as grumbles rose to shouts.

They change a tire for youths from the UT-AZ Sovereignty, who hopped the fence of their feudal kingdom in search of the wider world.

They share intel with scouts from Montreal and Juarez, who climbed their border walls to investigate the cancer growing in the land between them.

And they listen quietly to people from the wilderness: families and tribes and underground enclaves who grew tired of isolation, who ventured from their hills and caves on some obscure impulse—some call it a pull, others a voice—in search of something they can’t name.

The long-sleeping continent is in motion. Gael and Gebre sense it too, this pull, this voice, but they force themselves to ignore it. They are looking for someone they lost.

“Have you seen any civilian transports?”

“Where does Axiom take Dead children?”

“Have you seen a boy with yellow eyes?”

The clues that emerge are less than conclusive. A man saw a caravan heading into Post. A woman saw helicopters circling around Portland. A little girl saw a ghost boy flying toward the sun.

“Well?” Gael says as they come to another crossroads: Portland or Post, both sprayed with smiles. “What do you think?”

Gebre sighs and leans against the steering wheel. “I think we should have discussed it further before deciding to adopt.”

“He was alone. He needed someone.”

“And so did we, I know, I know.”

They are on the outskirts of yet another empty town surrounded by crumbling factories. The highway splits off into the sagebrush hills, its two halves indistinguishable.

“Well, old man?” Gael persists. “Post or Portland? I defer to your ancient wisdom.”

Gebre rubs his goatee. “The Almanac said Post was ‘closed, hostile,’ which certainly sounds like Axiom…”

“But it said Portland was ‘no gov.’ Farming and barter markets…”

“Which sounds like something Axiom would love to invade…”

“Right. So it’s a variable. But if we go to Portland and he’s not there, we might still find something worth finding.”

“You mean our anarchist utopia?” Gebre says with an affectionate smirk.

Gael gestures toward the two sides of the crossroads, the highways like mirrored lines. “It’s a vacillation. It’s a potential reality waiting on our perception. What do we want to see?”

Gebre laughs. “Did you just reference The Suggestible Universe? I thought real physicists hated that pop-sci mysticism.”

Gael shrugs. “Dubious science. Intriguing metaphor.”

“Okay. Here goes.” Gebre takes a deep breath and closes his eyes. “I want to see a peaceful, Edenic commune. I want to see our little friend Rover, alive and Living.”

“And alone with no guards,” Gael adds.

“Alone with no guards,” Gebre agrees. Then he opens his eyes and hits the gas and the camper surges forward.

• • •

We watch the van dwindle into the distance. We savor the love inside it, subtle and nuanced but strong. And we are not the only ones observing this particle as it hurtles through the universe. Faces linger in the windows of obsolete factories—film stock, vinyl records, radios, paper; long-dead industries that are ready to revive. Eyes glimmer in the shadows with a dull metallic sheen, silver and lead with occasional glints of gold.

In this town, in the next town, in abandoned places from one coast to another, the Dead are waiting. It was months ago when they heard the first call, like an immense bell tolling across the world, announcing the arrival of…something. They woke from their sleep and cocked their heads, hearing a certain suspense in the bell’s lingering resonance. A promise of more to come.

So they continue to gather, in all stages of plague and cure, some contemplative, some hungry, all following the same subterranean current. They fill buildings and swarm in streets, forming vast populations not far from Living enclaves, but not even the hungry ones hunt. They listen to radios and stare at televisions and gaze up at the clouds, waiting for a signal to emerge from all this noise.

We have been dreaming of this moment. The world is not a closed cycle, endlessly resetting to zero. There is accretion. With every rise and fall, there is increase. We slip one rung down the ladder and climb two back up, and after so many epochs, from unquestioned bestial cruelty to a clumsy but fervent reach for progress, we are surely approaching a plateau.

We are ten thousand generations of humans and millions more of simpler things, a vast history of lives and experiences condensed like an ocean of oil, growing deeper and more refined with each new moment of beauty.

We want to ignite. We want to be heat and light. After billions of years, we are running out of patience.

WE

THE WOUND is so small. Two arcs, barely an inch across. Reddened skin, mostly unbroken, more of a welt than a wound. Abram refuses to believe this is enough to bring the change. This insignificant nip from a child’s little cuspids? Four tiny holes in his wife’s soft skin, barely even bleeding? After all they’ve survived together, this can’t be what tears them apart.

He closes his eyes. His mind races backward, searching for answers in the moments that brought them here.

“You all know what’s happening,” Branch Manager Warden says to the assembly. “Axiom is a walking corpse and we’re all in its belly. We have to cut our way out before it digests us.”

A hundred feet below Pittsburgh’s humming HQ, thirty-six young men stand crammed into the subway staff office, gathered to plan a revolution. Abram hovers at the back, near the door, listening.

“I know a lot of you grew up in this company,” Warden says. He’s older than any of them and probably stronger, his hairy forearms corded with muscle, but his eyes are sunken and tired. “Some of you were even born in it, and maybe it’s hard to imagine a life outside. But if we’re going to do this thing, we all have to be committed, so let’s hear it, guys. What scares you the most?”

There’s an uneasy silence.

“I know nobody wants to answer a question like that but I phrased it that way on purpose. I don’t want any macho bullshit compromising this mission. They train you to pack down your feelings and seal yourselves off, but that’s how you build a bomb. If one of you goes off we all die. So come on now, let it all out there if you’re man enough. What scares you?”

The assembly squirms, struggling to grasp this inversion of bravado.

“Is it the combat?” Warden prompts. “Afraid of getting hurt? Maybe dying?”

Still nothing.

“Is it punishment? What they’ll do to us if we lose?”

Abram stiffens his chin. “No,” he says over all the heads in front of him. “It’s what happens to us if we win.”

A murmur of nervous agreement passes through the assembly.

Warden nods. “The instability. The unknown.”

“I have a family,” Abram says. “I know the company has problems or I wouldn’t be here right now, but Axiom puts food on my table. How do I tell my daughter there’s no dinner tonight because Daddy had to chase a dream?”

The wave of agreement intensifies and all eyes turn to Warden for his response.

“I hear you,” Warden says. “I’ve got kids too, and yeah, that’d be a very tough thing to tell them. But I can think of tougher things.”

Abram crosses his arms but says nothing.

“How do I tell my kids that food is all I can give them? How do I tell them they have to spend their lives working in the dark to keep a broken machine running, sweating and bleeding for insane men they’ll never see? Men who don’t give a shit what happens to us as long as nothing interrupts their party?” His eyes are bleary and haunted in their deep sockets, glistening with emotion. “Ask that question, Kelvin. How do you tell your daughter her future will be a nightmare because Daddy didn’t chase a dream?”

Abram’s mouth tightens and his hands clench into fists. He turns and marches out. He’s heard enough poetry from weepy idealists. No matter how unstable Axiom may have become, it has to be a safer bet than this.

So Abram returns to his post. He collects his weekly rations and smiles as his wife cooks them. When he receives a new assignment, he follows it, even though it doesn’t quite make sense. Even though it relocates them to an outpost that’s off the supply route—the route will connect soon, Management assures him. Even though the convoy lacks adequate defensive support—the territory has already been cleared, Management assures him. Even though Management doesn’t answer his calls on the day of departure and his stomach is boiling with unease, he puts on a smile for his family and he follows his instructions.

They find the outpost abandoned and crumbling. No water source. No perimeter fence. The first messenger they send to HQ returns with a brief reply: Out of office for holiday weekend! Will get back to you next week!

The second messenger never returns.

One by one, the promises collapse. No supplies. No reinforcements. And no, the territory is not clear.

These last six months pulse through Abram’s brain like poison, congealing into a conclusion he can’t bear to face, a guilt too heavy to carry all at once. So he focuses on the wound in front of him. He can’t even call it that; it’s a nick, a poke. Kenrei’s skin is creamy soft and Abram has left worse marks than this in their lovemaking. Perhaps it won’t be counted. Perhaps the judges of this hideous sport will look the other way and give them both another chance.

“It’s happening,” Kenrei says flatly.

“No it’s not,” Abram mumbles. “Your eyes are normal, I don’t think it…” He trails off. The trickle of blood is darkening. Purple. Blue. Black.

“Abram.”

Gently, lovingly, she touches the gun on his hip.

He shakes his head. “There has to be some other—”

“There isn’t.”

“If we can keep you safe for a while…maybe they’ll figure something out…maybe something will change.”

“Daddy?” Sprout calls from behind the bathroom door. “Can I come out now?”

Kenrei gives him a hard look. “I won’t let her remember me like that.” Her voice used to be timid, her gaze always downcast and demure. Where is she getting this sudden strength? “I’ll do it if you won’t…” She slides the gun out of his holster and places it in his palm, pressing her hands around it like a gift. “…but I want you to.”

The barrel is still hot. Abram squeezes it until his hand burns. Then one by one, his fingers slide down to the grip.

“She’s yours now,” his wife whispers as her brown eyes pulse gray. “Find her a better life than this.”

• • •

Abram stares down at Sprout’s head as she rests against his shoulder, twitching and whimpering in her sleep. Most children are eager to share their nightmares, but she’s always kept hers locked away, crawling into his bed without speaking a word of the visions that haunt her. Where did they come from? Did he put them there?

Her eyes open at the grinding squeal of the stadium gates. When they boom shut behind the SUV she jolts upright, peeling her sweaty cheek away from Abram’s arm.

“We’re back here again?” she croaks.

The simple observation slides into him like a dull knife. Without malice, without calculation, she cuts through his denial like paper.

“It’s no Manhattan,” Abbot says as they climb out of the SUV, misinterpreting the defeat on Abram’s face. “Or Nashville for that matter. But it’s secure, and it has certain strategic assets, so I’m told. When I’m told anything.”

Sprout looks up at Abram with an expression he’s never seen on her. Tight lips and jutted chin, her eye like a sharp probe penetrating his skull. And the other eye, covered by the patch but not blinded by it, disregarding barriers in ways he’s never understood—what does that terrible orb see when it fixes on him? Does it judge him harshly for hiding it from the world?

“Abram!”

He whirls toward the sound of his name before he remembers it’s not his name anymore. Half a block away, his former friends—no, travel partners—are being unloaded from their van, wrists cuffed behind their backs. Four more sets of eyes join his daughter’s in hard appraisal.

“Are you really doing this?” Nora shouts as a guard prods her forward with his rifle barrel. “After everything you’ve seen, you’re just running right back?”

“Shut up,” the guard tells her, but she doesn’t register his presence.

“You’re really gonna feed Sprout to these people?”

Abram finds no suitable response. Instead of trying to distance himself from the prisoners, he just stands there, blank-faced, waiting.

The Dead boy with the gilded irises emerges from the van, and Sprout’s attention shifts away from Abram; he feels it go like a hot iron lifting from his skin. The two children watch each other from across the distance, their thoughts unreadable in the ever-evolving language of the young.

“Maybe you can’t help us,” Nora says as the guards march her and the others toward a doorway in the stadium’s concrete wall, “maybe you don’t even want to, but for fuck’s sake, man, get your daughter out of here.”

The guard jabs the butt of his rifle into the back of her head. She topples forward and grinds her face into the dried mud. A strange noise comes out of the boy, a little howl that’s not part of the usual human repertoire, and then it’s drowned out by shouts as Marcus head-butts the guard behind him and kicks Nora’s abuser in the back with such force the man flies right over her and ruins his face on the steel steps.

The ensuing scuffle is short-lived but brutal, and Abram finds himself wondering if there is anything besides his daughter that would make him fight like that. There was, once. He was not a meek youth. It took many harsh years to cut him from the Kelvin tree and graft him onto Axiom. Many Physical Disincentive sessions before he learned to obey his father-boss. Countless cold nights in those dark, dripping tunnels, sketching visions of airplanes and jetpacks and wings.

And Kenrei. He fought for her. He fought so hard he never quite stopped.

But that was all a long time ago. Today, there’s only one cause he believes in: this girl at his side. This girl who’s staring at him, into him, through him, filling his belly with fear.

He jumps when Abbot’s meaty palm claps onto his shoulder. “Listen, ‘Jim,’” the older man sighs, “we need to talk.”

Abram stiffens. Did he imagine the scare quotes?

“I’m going to settle into my new office,” Abbot continues. “The triple stack on Gun Avenue and Rooster Street. Why don’t you drop your kid off at Foster Care and meet me there in twenty.”

Abram struggles to remain professional. “Yes sir.”

Abbot nods and strolls away, relaxed and avuncular, but his final glance glints with a warning, like the flash of a weapon beneath a coat.

• • •

Abram rarely dreams. He wakes in a lukewarm blankness, the night a perfect nothing, and resumes exactly where he left off. The dreams he does have are always the same: misplacing something, failing someone, forgetting who he is. He wonders if he’s dreaming now as he leads his daughter through these narrow streets to a crooked tower full of children without parents. Is Sprout one of them? Is Abram already gone?

“I don’t want to go here,” she whimpers on the doorstep.

“Just for a little while. I have to go to a meeting, but then I’ll come get you.”

“And then we’ll leave?” Her eye goes round with hope. “We’ll escape and go find our friends?”

Abram’s mouth is a flat line. He should shower her with lies, tell her whatever will make her feel secure, but it won’t come out. He can feel the eye behind the patch burning into him like a laser, sealing the lies in his throat.

“When it’s the right time,” he croaks. “When it’s safe.”

The door opens and the foster mother takes his daughter and he walks off into the city, refusing to wonder if he’ll see her again.

“I’ll make this quick,” Abbot says. “I did some digging. I know who you are.”

Abram’s eyes roam the bare walls of Abbot’s office, a cheap movie set, a faded drawing, a memory of a memory.

“I know you were on the list a while back for some serious infractions. I know you helped some assets escape and may have been involved in a branch break.”

Abram wonders where he’ll be when he wakes up from this dream. Will he still be father in that distant reality? Will he find himself napping on the couch while Dad reads books and Perry builds blocks? How much of his life will vanish?

“I also know that you came back,” Abbot says. “I know you realized your mistake quickly and did your best to undo it. But more importantly, I know you’re a talented pilot and an effective acquisition assistant with a long and impressive record, and Axiom can’t afford to throw away resources in times like these.”

Three figures hover behind Abbot, gray shirts, colorful ties, gazing down at Abram with cheerful grins.

“We would like to offer you your former position,” the woman in the yellow tie says.

“All we need from you are assurances,” the man in the blue tie says, “that you resonate with our mission statement.”

“We need to know that you feel good,” the woman says with a radiant smile. “That you feel fantastic. That you’re ready to give a hundred and ten percent twenty-five hours a day so we can live in a world of certainty.”

“And we need to know that you care about your daughter,” the man says. “That you want her to be safe and stable and untroubled by dreams and urges.”

“Imagine such peace of mind,” the woman says, “to never worry again.”

“To never see her take risks or rebel or run off with some degenerate.”

“To never see her grow up,” the woman says softly. “To never see her leave you.”

Abram closes his eyes. Dry. Burning. The building sways in the breeze; the floor heaves like water.

“…so what I’m saying,” Abbot says, “is that I can offer you a probationary position, but I’ll be watching you closely until I’m satisfied that you’re not a liability. You did good work at the Fire Church compound, but that goat-fuck is far from over. Scouts haven’t been able to locate their…”

The floor is the deck of a storm-tossed ship and he’s staring down into dark water, catching glimpses of something huge rising from the depths.

“…attack any day now, so we need…”

It’s opening in the green-black below, a vast mouth, a throat.

“Well, Roberts? Are you onboard?”

He looks at Abbot. He swallows hard, holding back the nausea. He nods. He says something affirmative. Abbot smiles. Then Abram excuses himself, runs down the stairs, and vomits into the street while the buildings dance around him and helicopters hum overhead.

I

WE EMERGE FROM THE FOREST like remnants of an earlier age, man and woman, dirty and bloody, clothed in tattered rags. Below us is the city. The suburbs where we once tried to start a life. The urban center beyond it, a mirage of crumbled buildings rippling on the horizon.

“So this is home?” I wonder aloud.

“Well…” Julie squints. “It’s the closest thing we’ve got.”

We descend the hilltop, following the same trail that brought us through the woods. Julie recognized it as a route once used by the stadium’s salvage teams, safer and more direct than the highway, and we have indeed reached Post in half the time I expected. Just enough time to make a plan.

At the bottom of the hill, we’re greeted by the familiar ruins of our old neighborhood, and I’m about to indulge in some sweet nostalgia when I notice the smell. I glance at Julie; her wrinkled nose says she smells it too.

“Wow,” she mumbles. “I don’t remember it being this bad.”

“It wasn’t.” I sniff the air, detecting faint notes of pollen and rosemary, but mostly rotting flesh. And then I notice we’re being watched.

Every window. Every room. Every home in the neighborhood is filled with silent, motionless figures, like the world’s dullest block party. Rounding a corner to the main thoroughfare, we find that the gathering has spilled out into the yards. There are thousands of Dead here. Perhaps tens of thousands. Mostly Dead, Nearly Living—whatever their level of life, the important thing is they’re not trying to eat us. They watch us with muted curiosity in their monochrome eyes, a hint of childlike wonder like we’re a two-person parade.

“B has new friends,” Julie whispers.

I glance into our neighbor’s open door and see him sitting exactly where we left him, ensconced in his easy chair in front of his TV, watching the flickering gibberish of the LOTUS Feed. But he’s not alone now. His house is full.

Ands ours has a few guests, too. A young couple sits on our couch, staring through the hole we never finished patching. A man stands in our kitchen, slowly pouring one of Julie’s beers into the sink and watching the foam like it’s a miracle. We move through the house carefully, trying not to disturb whatever strange process they’re in, but Julie draws the line at the four boys huddled around the bedroom dresser, digging through her underwear.

“Okay guys, can we get a little privacy?”

They turn toward us. One of them looks down at the bra in his hand, then at Julie, then back at the bra.

“Out!” she barks.

They shuffle out. The boy keeps the bra.

Julie locks the door behind them and leans against it. “Okay. So you’re sure this will work?”

I answer without hesitation. “No.”

She sighs. “Let me rephrase it—you’re sure there’s some chance it will work?”

I think for a moment. “Yes. Some chance.”

“Good enough.” She looks me up and down and smiles. “Well, handsome, this should be a lot easier than your last makeover. All you need this time is a shower.”

I look down at the metal briefcase in my hand. I have this weapon today because of the man I once was. That wretch carried it across the country and left it for me in the woods. A corner of my mouth quirks at the thought: he was searching for BABL too.

Very carefully, I set the briefcase on the floor. Does age make a bomb less likely to go off, or more? Will anything even happen when I press its trigger? A question for Huntress Tomsen, if we can find her in the city. If she’s even there. If any of our friends are even still alive. We are entering a world of ifs, but I prefer it to a world of dismal certainty.

I enter the bathroom. I peel the clothes off my body. This shirt, these jeans—they were new when we left this house a few weeks ago. Now there’s little left of them, but each rip and stain is a story. Holes from a bombing, burns from torture, blood from carrying a wounded friend, mud from digging a grave…enough stories for a very long book.

I look in the mirror. My stubble is almost a beard now. It doesn’t quite fit the character I’ll be playing, but it’s the most visible sign that I’m no longer lifeless, and I can’t bring myself to shave it.

I step into the shower and pull the chain. Up on the roof, a valve opens in a tank, and collected rainwater sprays from the shower head, steaming with the sun’s heat. It’s my one real contribution to the building of this home, and a comforting reminder that sometimes my plans do work.

I close my eyes and let the rain strike my face. I don’t notice that I’m not alone until I feel Julie’s hands on my chest, her naked body soft against my back. I watch her hands rub away the stubborn grime that covers me like a second skin. Will this be our only moment? Our one chance to enjoy such simple sweetness? Will we ever return to this house and the life we hoped to build?

Ungrateful questions. Insults to a generous universe. I won’t reject a gift because it isn’t two gifts.

I turn around and pull her against me. Her skin is smooth, despite all her scars. I kiss her lips, her neck, her breasts, sucking rainwater off her skin. We let friction do its wondrous work. Our bodies scrub each other clean.

• • •

“Don’t think of it as an Axiom uniform,” Julie tells me as I stare at my old clothes laid out on the bed—my graveclothes, as I once called them. The gray shirt, the red tie, their high-tech fibers as eerily well-preserved as the body they once clothed. “Think of it as that fashion statement you always wanted to make.”

“That you always wanted me to make.”

“R,” she says, picking up the shirt and slipping it over my shoulders, “these were your clothes. You said you designed them, didn’t you?”

With difficulty, I nod, straining to connect the lines between my disparate lives.

“So reclaim them. Make them mean what you want them to. And when we’re done…we can fucking burn them.”

I see the wretch standing in the shadows at the top of the basement stairs. He thrusts out his filthy, blood-smeared hand.

I grit my teeth and shake it.

I put on the shirt. The pants. That garish red tie, the color of power, fire, hunger—everything I thought a strong leader needed—but also love, passion, the will to act. A color with many shades.

Julie straightens the knot and brushes my shoulders. She steps back and glances me over. “Okay. So we’re doing this?”

My mind floods with images of failure, all the many ways my plan could get her killed, and I fight the doglike reflex to bury the things I love. Since the day I met Julie, I’ve been trying to keep her safe. But what I’ve come to realize is that Julie will never be safe, because she doesn’t want to be. She wants to fight hard and love hard and eat life raw and bleeding. So I won’t try to keep her out of danger. If it’s time for war, I won’t hold her back. I’ll charge in beside her and make sure we win.

“R?” she says. “Are you ready?”

I nod.

She opens her mouth for her favorite correction but I beat her to it.

“I’m ready,” I say loudly. “I am so fucking ready.”

She grins. She hands me my briefcase. We go to work.

WE

NORA REMEMBERS when this room was not a prison cell. It’s emptied out now, a bare plywood cube, but under the Grigio administration it was a Security barracks, and after Grigio, during those two short months of thrilling uncertainty, it was a rehab room for the Nearly Living. A place where they could share fears and ask questions, where they could get counseling from someone reasonably well-versed in the very new field of undead psychology. Nora wonders what happened to those aspiring humans, those “uncategorized Dead.” Were they incorporated into Axiom’s glorious new society of smiling corpses? Or were they promptly liquidated? Nora isn’t sure which answer she hopes for.

It’s strange to think that this man sitting next to her—or rather, an awkward distance away from her—used to be one of them. He sat in this very room, listening intently to the counselor while Nora watched from the doorway. She told herself her interest was clinical—he was her patient, after all—but there was something about him that lingered in her thoughts after their surgery sessions. Was it the traces of the nightmare lurking in her past? No. If that were it, his presence would have repulsed her, not drawn her in. There’s something else.

He is not a handsome man. When they first met, he was downright ugly, and the Gleam’s restoration of his face only took him so far. But maybe it’s not quite done with him, because his features look a little finer every day, though Nora can’t pinpoint what’s actually changed.

“Marcus,” she says, and he jolts to attention. He hasn’t ventured a word to her since their capture. “Do you remember it? Do you remember what happened?”

Addis looks up. Marcus glances at both of them, then the floor. “Some of it.”

“Which parts?”

He sighs. “I remember dying. I remember you…trying to save me.”

“Do you remember hunting us?”

He shakes his head. “She was hunting you. I wasn’t.”

“Then why did you follow us?”

“I was…curious.”

“About what?”

He glances up. “You.”

“What about me?”

He holds her gaze. “You were different. Tough and kind. I wanted to understand.”

Nora squints at him for a moment. She notices Addis doing the same. “And you remember what happened next, right?” She touches the dried black wound on her brother’s shoulder. “You remember this?”

She expects him to avert his eyes in shame, but he stares at the wound, then at Nora, then surprises her with a glint of anger. “You know the plague,” he says. “You know I didn’t choose what I did. And you know I’m sorry anyway. So forgive me or don’t. Beat the shit out of me if you need to. But come on, Nora…don’t just fuck with me.”

Nora wants to smile. She is beginning to understand what she feels. But she keeps her face stony. “I’m not the one whose life you stole.” She ruffles Addis’s dusty hair. “I’ll forgive you when he does.”

Marcus looks at Addis. So do Tomsen and Joan and Alex, this unlikely ensemble of Living and Dead, all so exhausted that the distinction is barely there. They’ve been in this room for days, waiting for whatever fate their captors will assign them, but right now they’re waiting for Addis. For this quiet boy’s answer to the heartbroken man who killed him. They have little hope left for their futures—even the kids seem to understand this—but to witness one last moment of warmth before they’re herded into the machine…that would be nice.

Addis looks into Marcus’s eyes. Marcus winces, his eyes glisten, but he doesn’t look away.

Then the door unbolts and squeals open, and three pitchmen file in, beaming like they’re here to announce the winner of some grotesque gameshow.

“Thank you for waiting,” the woman in the yellow tie says. “We have cleared spaces for you in the facility and are ready to begin.” She smiles while the burly man in the black tie grabs Marcus by his cuffed wrists and lifts him to his feet. “Please wait while we transfer you.”

“Another prison?” Tomsen says, blinking furiously. “Two prisons in two months?”

“It’s three for me,” Nora mutters. “Third time’s the charm, right?”

“Incarceration is a waste of valuable resources,” Blue Tie says. “The Axiom Group can’t afford waste in these difficult times.”

“Over the next few months,” Yellow Tie says, her voice moist with pride and pleasure, “through the process of Orientation, we will be converting all of Axiom’s detainees into employees. Felons, dissidents, even enemy combatants—all of them can become useful assets!”

“There is a part of everyone that craves simplicity,” Blue Tie says. “Security, certainty, clarity of purpose. But these goals are prevented by all our contradictions. We want too many different things. We are confused.”

“Orientation narrows the path,” Yellow Tie declares. “Orientation draws a single line that anyone can follow.”

Yellow Tie grabs Nora’s wrist and lifts her to her feet with a strength that her spindly arms don’t suggest.

“At this time, please come with us to the facility,” Yellow Tie says, her voice overflowing with enthusiasm. “We can’t wait to get started!”

WE

IN THE CENTER OF THE HUMAN BRAIN, there are two structures shaped like coiled snakes. They are called the basal ganglia, and they are the stone tablets on which we carve our sacred laws. They store our habits, our instinctive reactions, the learned patterns of our lives.

In Paul Bark’s brain, these structures are throbbing. A surge of unexpected input has bruised them, hammered their neural pathways and attempted to redraw them. He resisted. He maintained the integrity of the grid. But it hurt.

He soothes himself now with the comfort of familiarity. The straight lines and right angles of this empty white room. The hardness of the laminate floor pressing into his tail bone as he sits cross-legged in the corner. He has lived in this house before, one of many scattered throughout the region in obscure towns far from freeways. Towns that embrace him and his teachings. Towns that are not soggy with sentiment and self-love and attachments to this life. Towns that are ready for the Fire.

The rest of the world will always hate him, and he welcomes their hate. He clings to it. What would be left of Paul Bark if he sank into the world’s acceptance? If he let his borders soften in that warm ocean, his power and purpose dissolving into a blissfully impotent slurry? No. He inhabits the world’s hate like a shell, and it gives him his shape.

And yet…his head pounds. He is trying to read scripture but his thoughts scrape and clatter against each other and the ancient verses lose their meaning. He closes his eyes and focuses on the voices outside instead, the reassuring presence of his followers. They shout instructions up and down the streets, loading supplies and fueling vehicles, preparing for their final test of faith. These people are with him. These people are like him: set apart—in the world but not of it—so he can allow himself the comfort of their love.

He is not quite alone with his burden. He is not quite alone with the truth.

Someone knocks on the front door. Paul closes the black book in his lap but doesn’t get up. “Yes?”

A young man enters, a girl close behind. Paul doesn’t remember their names, but he knows they were part of the outreach teams. Of the hundreds he sent out to reap souls and skeletons, barely half came back. Whether killed by their quarry or seduced by the world, Paul will never know, but it matters to no one but God. They’re gone.

Not these two. They are survivors twice over: the mission abroad and the massacre at home. God must have big plans for them. Perhaps they’ll be Elders someday. Well, one of them anyway.

“You don’t have to knock,” Paul says. “This isn’t my home.” He gestures to the bare floor around him. “Have a seat.”

They sit, folding their legs on the oak-patterned laminate. They look nervous. Perhaps they’re here to make a confession. They’ve probably been fucking.

“I don’t know if you remember us, Pastor Bark,” the young man says. “I’m Peter, and this is Miriam.”

Paul smiles and nods. “How’s it going out there?”

“It’s um…it’s going well. They’ll be ready soon. That’s actually what we came to talk to you about.”

Paul cocks his head. Have they not been fucking? It seems impossible. The girl is obscenely attractive, a masterfully crafted temptation, and few possess the self-mastery Paul has achieved.

“There’s something we need to confess,” Miriam says, glancing nervously at the young man, and Paul smiles inwardly; there it is.

Peter clears his throat. “We need to confess the sin of doubt.”

Paul’s smile cools. “Doubt?”

“About what we’re doing. About God’s Jury.”

Paul stiffens his jaw. “Fine,” he says. “You’ve confessed. Now swallow those doubts, repent, and get back out there. Go and sin no more.”

Peter and Miriam glance at each other, surprised.

“Is that not what you wanted to hear?” Paul says. “Were you expecting a pep talk? Did you want me to tell you doubt is only natural and you shouldn’t beat yourself up over it? Well doubt is natural, just like all sin, and if you won’t beat yourself up over it, I fucking will.”

Peter swallows hard and avoids Paul’s gaze. “We just…we were hoping you could help us through this. Help us focus, like you do.”

“It’s just so many people,” Miriam says. Her voice quavers. “And most of them are probably unbelievers, so…won’t we be sending them to Hell?”

“We won’t be sending them anywhere,” Paul snaps. “We don’t control the Dead. Whatever happens to that city will be God’s will.”

“But how do we know for sure?”

“Because everything that happens is God’s will.”

“Then…why even do this?” Miriam’s eyes are moist. “Why do any of what we’re doing? Why not just live our lives as righteously as we can and let God handle his own business?”

Paul blinks. His patient smile contorts into a grimace. Oh, they are definitely fucking. How could they not be? Just look at this girl, her back arched with the intensity of her emotion, her tits thrusting into Paul’s eyes, violating his brain, her pussy opening like a trap to drag him down to Hell just like all the other whores all these long years; of course they’re fucking, everyone but Paul is fucking and eating and drinking and sleeping because everyone but him is weak, enslaved to their humanity, and he will walk the empty streets of Heaven alone with his righteousness.

“Miriam,” he says stiffly. “You’re passionate. You’ll make someone a very good wife, and if the Lord keeps us here longer than I hope, you’ll be a good mother too. But it’s not your role to speak out on issues of doctrine.”

Miriam’s spine sags. Her eyes drop to the floor.

“Peter,” Paul says, dismissing the girl and turning his attention to the young man. “I have to say I’m disappointed. God has made it clear to me that you’ve been living in sin with Miriam, and it’s this sin that planted the doubt in your heads.”

Peter drops his eyes too, and Paul smiles grimly. He’s right again. He’s always right.

“You’ve allowed lust to cloud your vision, but remember, it’s not just lust you have to guard against. Even love can tie you to this world and make you forget what you’re here to do: to work and struggle and fight for the world to come.”

The two youths are silent, ashamed, as they should be.

“But you asked me to help you through your doubt.” Paul Bark stands up and looks down at his audience, his squat frame towering over these statuesque youths. “So I’ll say this to you. There is nothing more dangerous than doubt.”

He begins to pace slowly around the room, his boots clicking on the hard floor.

“And that’s because there’s nothing more wonderful than truth!” He feels his bitter rage subsiding in the glow of these words. “When you follow truth, you know exactly who you are, what you are, and what’s expected of you. We talk about the straight and narrow path like it’s some terrible challenge, but it’s actually the easiest way!”

The youths look up, replacing their shame with attentiveness, which is just as good.

“Because you can get lost on a wide path!” He gestures expansively with his palms. “You can bump into people and get turned around and end up somewhere you never meant to go. The narrow path keeps you focused on the goal, no matter what distractions the enemy throws at you. The narrow path is perfect, and doubt is the rain that erodes it.”

Paul Bark doesn’t write his sermons. He doesn’t even think them; the words flow effortlessly from somewhere deep inside, and he speaks them before they can be tainted by the tangled nest of his brain. It’s a rapturous feeling, this freedom from doubt. It’s what he hopes to impart to these confused youths at his feet.

“Fight your doubt.” He crouches down and touches Miriam’s cheek, squeezes Peter’s shoulder. “Don’t let it wash you away.”

He holds their gaze until they give him small, timid nods, then he stands again and stares at the blank white wall. “What we’re doing is right. We’re following the truth like no church ever has. All the way to its conclusion.”

I

LIKE ME, Citi Stadium has lived three lives. It was born as the ultimate expression of the spirit of its era: size, strength, and heedless excess, a sprawling expanse of concrete that smothered six square blocks and could host a football game on one end and a pyrotechnic political rally on the other. Then its life of flamboyance came to a violent end, and it became a grim, gray tomb for people waiting to die.

Now, after a flicker of hope, it’s becoming something else.

From a hill on the edge of the suburbs, I can see the signs of its transformation. Construction scaffolds creep up its walls like dark veins. Oily fumes rise through its open roof. And there’s a new structure sticking up from one half of that roof, a huge, pale lump that I can’t quite identify, like a tumor on a giant’s lip.

Axiom egressed from New York on the city’s dying breath. It floated across the country on a malign breeze. And now it’s here in the city I tried to call home, busily replicating in the cells of its new host. As Julie and I descend the grassy slopes toward the edge of downtown Post, I hear shouts and revving engines, the occasional gunshot. The ruins are crawling with activity, but it doesn’t feel like life. It feels like decomposition.

I see soldiers rounding up the Dead, herding them into fenced-off holding pens. I see soldiers rounding up the Living, herding them into fenced-off refugee camps. Main Street is a solid line of people all the way to the stadium gates; it resembles a protest but it’s the opposite. This mob has gathered to await their government’s pleasure, to be assigned work and housing and to cheer for the troops overrunning their streets. Most will end up in the camps or tenements; some will be brought into the stadium to serve in slightly higher capacities. None will have any idea who or what or why they serve. They will wonder in brief moments, perhaps grumble aloud when drunk or stoned, then sleep it off and return to work with all the old adages ringing in their heads: The way things are. Same shit, different day. Nothing new under the sun.

Black helicopters buzz over the stadium like flies on meat. Unlike me, this place has not found hope in its third life. At least not yet.

• • •

A wind is rising. I tug at my collar to let it cool my sweaty neck, but the tie is like the knot on a balloon, sealing all that damp air inside. We keep to the side streets, avoiding the active areas, but we still encounter a few stray soldiers here and there. I straighten my posture and flash them an insane grin, and they nod nervously and move on. It’s easy at a distance. My big acting challenge is a few blocks ahead.

I glance at Julie and my eyes stick. It’s been a long time since I’ve seen her clean. Her skin glows. Her hair is silky gold, tied back in a stubby ponytail, and her clothes—olive drab shorts and a light gray tank top—have a look of military purpose. Like my beard stubble, they don’t quite fit the character she’ll be playing—a stretchy red dress would be more convincing—but the shorts are short and the top is tight and Julie makes any outfit distracting.

“Should probably do this now,” I mumble, pulling the zip-tie out of my pocket.

She nods and holds her wrists out to me. I avoid her gaze as I cinch them together, but when I look up, she’s smirking.

“I never thought you’d be a kinky one,” she says.

I try to ignore her but I feel a faint flush. “You’re sure you’re okay with this?”

“It’s a story they understand, right? I don’t care. I just want to get this done.” She blows a strand of hair out of her face. “And I trust you.”

Casual. Off-hand. I forbid myself to grin.

“Okay. But I’m going to improvise…and it might get ugly. So promise you’ll forget whatever I say.”

She uses her thumbs to cross her heart.

“Say it.”

She smiles. “I promise.”

• • •

The closer we get to the stadium gate, the greater the tension in the immigration line. These people have probably been camped here for days, waiting for their big moment at the gate, and their desperation shows in wide eyes and clenched fists. I wonder where they came from and what they’re expecting to find here. I wonder what they’ve been promised by the fever dream flashing on their televisions.

The gate is open. One trio of soldiers interviews applicants while another points rifles at them. With a grimace, I knock on my basement door. One last job, I tell the basement’s occupant. Time to pay our debts.

The door opens. The wretch smiles.

Dragging Julie by the wrists, I shove my way into the front of the line.

“Hey!” shouts a grizzled man with two kids clinging to his legs. He grabs my shirt and I give him a fierce backhand; he collapses while his kids scream. I hear Julie mumbling, “Jesus,” but I stride forward, chest out, grinning.

“Whoa, whoa, whoa,” one of the guards says, putting a hand out. “What’s this about? Who are you”—he glances at my tie and falters slightly—“sir?”

I infuse my grin with murder. “If you have to ask who I am, I think you won’t be working here long. I haven’t made it to many meetings lately but I expect a basic awareness of Executive hierarchy, even from front desk girls like you.”

He hesitates. “Sorry, sir, I’m new to the company and communication’s been—”

“Shut up,” I say pleasantly. “I don’t care. I’m Mr. Atvist’s grandson. Get out of my way.”

I step forward, but the guards don’t part for me. They look nervous, but they watch the officer for a signal.

“I’m sorry, sir,” he says, “I just—I have orders to—”

“Who do you think gave those orders?” I snap, stepping into his personal space.

He swallows, then points at Julie. “But…who’s that?”

I shove Julie in front of me, toward the gate. “That’s my birthday present.”

He eyes Julie and I see lust and envy filling the space reserved for reason. He nods and reaches for a clipboard. “I’ll just need to check your—”

I move in close to his face, making the veins of my neck bulge. “Listen to me, kid. My family conquered New York and stuck our crown on the tallest building in America. We pissed the Atvist name all over this country, and I’m not having this conversation with whoever the fuck you are.”

He reflexively steps back. “Sir, I just—”

I put my face inches from his in that bizarre old ritual of domination, proving my superior manhood by threatening to kiss him. “Disappear quickly,” I growl, “and maybe I won’t remember you.”

He drops his eyes. He waves to the guards. They step aside for us.

With a decisive nod, I prod Julie into the lobby, and in the darkness of the entry tunnel, I stuff the wretch back into the basement, shuddering with revulsion.

“Wow,” Julie says. “‘Just…wow.”

“Please don’t,” I mutter.

“‘That’s my birthday present’? Where’d you dig up that one?”

“Julie. You promised.”

“I know, I know.” She chuckles and shakes her head. “But I’m gonna need a minute.”

I glance around for something to cut her zip-tie and end my humiliation—and it really is just mine; Julie is too self-assured to be affected by fake degradation. She seems to be having fun.

“Were you really like that?” she says through clamped teeth as she bites the end of the zip-tie and cinches it tight. “How could you have been like that?” She slams her elbows against her waist, forcing her arms apart, and the tie snaps.

“I wasn’t…quite that bad,” I reply. “But I would’ve been if I’d stayed in that world.”

She rubs her wrists and stares down the tunnel at the roiling crowds inside. “We have to destroy it.”

• • •

As much as I agree with Julie’s lethal intent, our ambitions today are more measured. We can’t topple Axiom and erase all its influence with one little bomb. We’re just here to break the silence. To show the world the dirt on its face and hope it has the sense to clean itself.

Our plan was simple, but I can already smell complications as we emerge from the tunnel into the stadium’s narrow streets, now so densely populated they’re almost solid. I can’t seem to find my bearings in the grid; all the familiar landmarks are gone or changed. A building that might be the Agriculture hothouse is covered in black plastic sheeting for no conceivable reason. The open space where I expected to find the cattle pens now houses some kind of assembly line manned by sweating, sunburned children. All of the street signs are gone.

“What the hell are they trying to do?” Julie wonders aloud, taking in the inexplicable renovations.

This pseudo-city once felt cramped, but now I feel lost in a labyrinth of plywood and trash. Julie gives up on landmarks and looks to the stadium’s retracted roof panels, using stains and broken girders like a sailor uses the stars. She navigates to a tiny “house” of rusty metal sheets and knocks on the door. There’s no answer, so she opens it, and we step inside.

Once, this was the home of Lawrence Rosso and Ella Desconsado. I remember it through two sets of eyes. Through Perry’s, it was a place of sorrow and decline. He browsed Rosso’s old books, searching for clues to blurry riddles. He watched Julie and Ella pretend to enjoy their dinner, he watched Rosso pretend to enjoy their conversations, he watched everyone around him fight to stay afloat, and he muttered, Fools, while he let himself sink.

Perry discarded his life here. I picked it up, dusted it off, and resumed it. Through my eyes, this is a place of rising, not sinking. A place of rebirth. It’s where I began my efforts to reenter Living society, where I sat at Ella’s table and tasted my first home-cooked meal, where I practiced my small talk and my big talk, where I drank tea in Rosso’s reading room and discoursed late into the night, both of us bloviating on topics mundane and esoteric. In this house as I remember it, no one was pretending. We may have been fools, but we were earnest fools. We believed in every mad act.

Lawrence Rosso is gone now. The house is dark except for one lamp in the living room, where his widow rocks slowly in a creaking recliner, a pen gripped in her veiny fingers, moving across the pages of a diary. She looks up as we enter, and I barely recognize her. That incongruous youthful vitality has drained from her face. She finally looks her age.

I can tell by her squint that we are just blurs at this distance, and I can tell by her scowl who she thinks those blurs are.

“What the fuck do you want?” she snaps. “Doesn’t Balt have anything better to do than bother sick old ladies? Tell him and his bosses to—” She cuts off in a fit of coughing.

“Ella,” Julie says.

Ella goes still. Her fit subsides. Julie steps into the lamplight and crouches down next to the old woman’s chair. She smiles, and her voice quavers as she says, “I’m back, Ella.”

Ella reaches out with trembling fingers. She touches Julie’s cheek, as if testing a mirage. Her eyes roam across Julie’s many cuts and bruises and come to rest on her finger stump.

Julie pulls it away. She tries to maintain her smile, though her eyes are glistening. “It’s been a rough month, hasn’t it?”

Ella grabs her, pulls her into a tight embrace, and they let the tears flow. I keep a respectful distance, but I can’t help joining them in this release. It feels good to cry. It feels curative, like washing out a wound.

“Where did you go?” Ella says, straightening up and wiping her eyes. “What happened to you?”

“It’s a really long story,” Julie says.

“But what are you doing here?” Ella is regaining her composure, and the anger of a few minutes ago comes flooding back. “Why on earth would you come back to this shit hole? Do you have any idea what’s happening?”

“Tell us,” Julie says.

Ella springs out of her chair and paces the room, not quite as infirm as she looked. “Well, where to begin?” she says venomously, and counts off on her fingers, starting with the thumb. “They’ve converted all the gardens and livestock pens into munition factories. No mention of where our food’s going to come from when the warehouse is empty.” She adds the index to the thumb, making a gun. “They’ve sent ‘acquisition teams’ to invade Portland, even though they’re barely holding Post together.” Now the middle finger, and an extra surge of vitriol. “They’ve put ‘Captain Balt’ in charge of Security”—she lowers the other fingers, leaving the middle one stiff—“so that’s been fun.”

Julie shakes her head.

“But Julie…it gets crazier.” Her venom congeals into fear. “They’re doing something with the Dead. They’re changing them, making them docile, and they’re giving them jobs. They have these facilities…”

“We know that part,” Julie says. “We’ve toured a few of those facilities.”

“But do you know it’s not just zombies now? Do you know they’re using anyone they get ahold of, Living or Dead? Turning them into these ‘human resources’?”

Julie and I look at each other sharply.

“They’re making more arrests every week than John and Lawrence did in seven years, but they don’t even use the prisons anymore. Everyone goes straight to—”

“Where?” Julie says sharply. “Where are the facilities?”

Ella’s face crumples as understanding creeps in. “Oh,” she says. “Oh no. Nora?”

“Ella, where are they?”

“They’re in the schools—I mean the Morgue. Or where the Morgue used to be.”

Julie stands up. She grabs Ella’s hand and squeezes. “We have to go.”

Ella looks frightened. “What are you going to do?”

“We’re going to get Nora out of there and end this bullshit.”

Ella raises her eyebrows. “All of it?”

Julie steps back and links her arm in mine, looks up at me, then down at my briefcase. “As much as we can.”

WE

ADDIS HAS EXPERIENCED most varieties of pain. He has been cold, hungry, bruised, burned, and impaled by a spear of bone. But none of those simple signals ever troubled him as much as the torment of a fever. Physical pain can be isolated and ignored; a fever makes pain your whole reality, a distorted universe of nauseous colors and warped physics. A little taste of insanity.

He feels himself sinking into that universe now, through the floor of the Orientation building and down into some shuddering esophagus. The “school” in New York was just an antechamber. Now he’s inside.

He can’t begin to identify all the things stuck into his body. He can’t find categories in which to place the sounds and images, so they slip past his brain into deeper lakes of consciousness. They reach all the way to us. Black droplets of sickness splash up from the Lower and stain our books. Our pages curl, our words blur, whole pages become illegible.

We have never seen this before. We didn’t know there was a poison that could penetrate so deep. No mere machinery could do this; no amount of chemicals and psychological torture could stain the very roots of consciousness.

What did those old men discover while their bones buzzed in the dirt? What deep well did they tap?

Addis sees other people around him. Many are strangers, but a few he recognizes. Joan and Alex, his friends. Nora, his sister. And a big man who was once a monster and now insists he’s not. All strapped into chairs, stuck full of tubes pumping pink syrup from someplace he can’t see. All shaking, shuddering, eyes wide or squeezed shut. They are sinking faster than Addis. He has wrestled the plague before and managed to pin it down, and though this is a new and more insidious strain, he has a resistance that slows its advance. But the others…

A long moan rises from Alex’s throat.

Joan is crying.

“Addis!” Nora screams through gritted teeth. He looks at her, but her eyes are shut. Sweat pours from her forehead. “Addis!”

Addis is a child, and so his life has been passive. He’s been nourished, taught, and protected, and he’s been neglected, abused, and abandoned. He has been either a beneficiary or a victim of other people’s actions; he has rarely ever acted. So he assumes his sister is calling out to make sure he’s okay, but as her screams continue with increasing panic, it hits him in a horrible, disorienting flash—she isn’t screaming because she wants to help him. She is screaming for his help.

The world is upside-down. Everything is slipping.

On the far end of this shadowy warehouse, a door creaks open. Two men push a girl inside. Addis’s eyes strain toward her, fighting their way past all the video screens and flashing lights. Happiness and despair squeeze into one emotion.

“Where’s my dad?” Sprout shrieks at her captors. “My dad said he’d be right back!”

“Your father’s busy right now,” says a man in a white coat.

“But he said to stay at the home and wait for him!”

The man reaches down and ruffles her hair. “Sometimes grownups don’t know how to say what they really mean. So we have to read their actions.”

Sprout scowls up at him. “He doesn’t want me to be here!”

The man shrugs. “Your father wants you to be safe.” He waves a hand around the facility. “This is where we make people safe.”

I

HOW LONG AGO WAS it that a man in clothes like mine opened a briefcase like this and destroyed a chunk of this city? I don’t know exactly. Weeks, not months, but Axiom has already erased all memory of it. The buildings they destroyed are raised and repaired, cinched back into the grid with new support cables. There was no tragic disaster. No peaceful former leadership. No thrilling glimpse of a world without the plague. No past, no future—just the way things are.

I feel someone watching me, which is a strange thing to feel while ploughing through dense crowds, but after a quick scan, I find it: the beady black eye of a security camera, staring down at me from a rooftop. Another one across the street. Will they recognize me? Will they care if they do? My grandfather is long gone, swallowed by the angry earth, and my face will mean little to whoever’s running this mess now. I am just a man whose effect on the Dead was briefly intriguing, but now they’ve reproduced that effect—or a perverse imitation of it—and moved on. I am the past, and they live in the present.

Good.

“Can I help you, sir?”

The Orientation building. Once it was a place where the Living studied the Dead, looking for new ways to kill them. Then it inverted into a place of healing—of resurrection. And now? I can only guess. The windows are boarded over. Only the occasional muffled scream tells me we’ve come to the right place.

“Sir? Can you identify yourself please?”

Julie nudges me. With reluctance, I return to the present, and with even greater reluctance, I summon the wretch.

“What the hell is happening in this branch?” I snap back at the guard. “Is the founder’s grandson really getting ID’d? I’m here to inspect Orientation procedures. Open the door.”

“I’m sorry sir, this is a secure building and we need—”

“What you need is to know your fucking place, you beta piece of shit.” I step in close. “Does the name Atvist mean anything to you?”

He looks me up and down. He’s older than the one at the gate, his face leathery, his mustache flecked with gray, and my bully act is having less of an effect.

“Haven’t heard that name in a long time,” he says, meeting gaze just long enough for it to register as a challenge, then he looks down at his clipboard, snapping back to professionalism. “But Red Ties do have full access, so if I can just verify your SSN with the officer manifest…”

I like him, the wretch says. Management potential.

You’re done here, I reply, and shove him down the stairs.

“Okay,” I sigh. “How about this?”

I pop open the briefcase, lift the flap of black felt, and rest my finger on the red switch. Finally, I get a reaction.

“What’s that?” the guard says, but his cool sounds forced now.

“I think you know what it is.”

The other guards raise their rifles but the officer holds out his hand. He gives me a smirk that’s not very convincing. “Is this some kind of undead rights thing? Free the zombies?”

Without missing a beat, Julie jumps in. “Yeah, that’s right, that’s exactly right!” Her voice is shrill and twitchy and I almost laugh when I see her face: she’s a wild-eyed fanatic, twisting her hair and fidgeting from foot to foot. “Zombies are people, sick people, they’re us, they deserve to be free, they deserve to run…” Her scratches and bruises give the performance a druggy authenticity. The guard cringes away from her and she dials up the spittle flying off her syllables. “It’s time for you fascist fuckers to face the fact that people are people, plague or no plague, and we won’t put up with imprisonment!” She pauses for a breath while he wipes his face. “So there’s two ways we can set them free. By that”—she points to the door—“or by this.” She points to the briefcase. “Your choice.”

The guard looks uneasy but still unconvinced. He sizes me up and makes an exaggerated grimace of disdain, his mustache bristling like a dog’s hackles. “Bullshit. You’re no suicide bomber.”

“Julie,” I say calmly, “get clear. This is my sacrifice, not yours.”

“Bullshit!” he repeats as Julie backs away, but there’s some urgency in it now. “That bitch might be crazy enough but I know a pussy when I smell one. You’re not gonna blow yourself up for a few dozen corpses.”

Still gripping the briefcase’s handle, I hook my thumb into my collar and tug it aside, revealing the bite on my neck: raw purple flesh with deep teeth marks.

“I’m about to die anyway,” I say with a grin. “Might as well die for a reason.”

The guard’s face pales. “Shit,” he whispers.

He and his men scatter into the streets.

I feel the black worms shudder in outrage. How dare I put them to good use?

When the guards are out of sight, Julie comes back. She gives me an approving nod. “Strong performance.”

“You too.”

“Although this changes the plan a little.” She looks up at the security camera watching us and casually flips it off. “How long do you think we have?”

I feel the urge to laugh again. The “plan.” It was a ramshackle construction to begin with, built from gambles stacked on assumptions and duct-taped together with hope. Now it’s falling on our heads, and all we can do is run.

I answer Julie’s question with a firm shove to the door. I barge into the building like I own the place.

• • •

What I find inside might shock me more if I hadn’t seen each stage of its development, from a few bloody instruments in a log cabin to a university laboratory full of grotesque experiments to the entire population of Pittsburgh replaced by twisted corpses. What I find in this building is just one more rung down the ladder.

It’s a warehouse full of chairs. Office chairs, table chairs, folding chairs, recliners, a hellish discount furniture store. Each chair has a person strapped into it, connected to an array of wires and an IV line dangling from a hub on the ceiling. They all wear headphones, and some have screens in front of them, flashing incomprehensible text and imagery like an art installation that’s the opposite of thought-provoking. The flickering screens are the only illumination in the cavernous space. The only sound is the tinny noise shrieking from the headphones, along with the occasional scream or groan.

“Everybody out!” Julie bellows, startling a handful of men in white coats—doctors? Scientists? What do I call the practitioners of such strange arts? Do they even know what they’re creating here, or are they just following one order at a time, assembly line workers who never see the final product? They’re all listening to their walkies, no doubt receiving warnings of our little attack, so Julie doesn’t have to push her point. They flee the building without a word, and we’re left alone with the human resources.

“Julie!”

Sprout’s high voice carries from the far end of the warehouse, and we run toward it. They’re all there, a line of familiar faces inserted between rows of strangers, sweaty, feverish, but alive.

“Help,” Addis says, piercing me with those gleaming eyes. “Help Nora.”

Nora’s head hangs forward. Drool drips from her mouth.

“She’s bad,” M wheezes. “Get her first.”

Julie rushes to free her friend and I attend to my kids. They look like they have a bad flu, damp and paler than usual, but they’re lucid. “Hi,” Joan says as I disconnect tubes and wires.

“Hi, Joan,” I reply, going to work on their restraints. “Are you okay?”

“We’re okay,” Alex says. He looks down at the pink syrup oozing onto the floor. “Plague juice…supposed to make us Dead again.”

“Won’t work on us,” Joan says, shaking her head. “We’re over it.”

I feel a mist coming into my eyes. I tug my collar aside and show them my new bite. “Me too.”

A moment later everyone is free and ready to run. Except Nora. Nora can barely stand. She sways back and forth, head down, mumbling incoherently.

“I’ll take her and the kids,” M says, slinging Nora’s arm over his shoulders. He shoots me a meaningful look which I’m not sure how to translate. “You do…whatever you need to do here.”

He hauls Nora to the exit and Julie turns to Tomsen. “Are you good?”

Tomsen nods, blinking delirium out of her eyes. “So odd. So very odd. Such a sickly stew, psychology, pharmacology, virology, thanatology, manually triggered vacillations, impossible stuff, like they’ve tapped some reservoir of—”

“Huntress,” Julie cuts her off. “We need to get the rest of these people out. We have maybe five minutes. Are you good?”

Tomsen rubs her face and lets out a puff of breath. “Good. Great. Best.”

“Get a few more free and let them do the rest. We have to finish our job before the whole place locks down.”

“Our job?”

“See that briefcase—” She cuts off. “R! Where are you going?”

Where am I going?

Their voices are growing fainter as I wander toward the back of the warehouse. I am staring up at the jungle of IVs dangling from the ceiling. I am following the pink hose that runs from the ceiling hub to wherever the pink syrup comes from. I am moving past the last row of chairs and encountering a series of white curtains placed across the warehouse like office partitions. I am pushing through them.

The pink hose runs down from the ceiling into a machine that resembles a soda fountain: several pressurized canisters feeding into a central mixing unit, but the hose doesn’t end there. It continues out the other end of the machine and connects to the base of a clear tank. And in this tank, floating in cloudy pink syrup, are several grinning skeletons. They wriggle and writhe, clawing against the Plexiglas, and then go still, drifting. They thrash again; one rips an arm off the other, a rib, a foot, then they go still. They float in the syrup like scorpions in tequila, infusing it with plague—their shriveled thoughts, their mindless hunger, their dark, sub-animal emptiness. And the machine mixes this with other poisons and pumps it into people, a chemical-spiritual cocktail.

What human mind could create this? What unspeakable product is this company trying to produce?

From some distant overhead viewpoint, I watch myself pull the hose out of the tank and tip over the mixing machine and hammer it with one of the steel canisters until I’m sweating and gasping and the machine is a heap of smashed parts.

Only then do I notice I have an audience.

Behind me is a chain-link corral just like the one in Pittsburgh, except the Dead locked in this one are not a feral horde. They are clean and placid, like embalmed corpses propped upright. Human resources waiting to be spent.

“I know they’ve done things to you,” I tell them. “They’ve put things in your blood and brains. But you can push them out.”

Their expressions are mostly blank, but I catch faint hints of curiosity. A crowd of about two hundred, like the crowd I once faced from the community stage while Lawrence Rosso cheered me on. And what was it he told me a few hours later as he bled out in my arms?

Show them. Help them wake up.

I recognize one of them. Young and muscular, with pockmarked brown skin. His name comes to me easily now. “Evan Kenerly.”

His eyes widen, then they squint. I see him straining to remember.

“Your name is Evan Kenerly.” I move up close to the fence. “Major Evan Kenerly. You worked with Lawrence Rosso. You loved Nora Greene.”

“R!” Julie shouts from the other end of the warehouse. “We have to go!”

I hear the escapees stampeding for the exits. I hear distant shouts. Gunshots. No time to finish my little sermon. I raise the canister over my head and bring it down on the corral’s padlock once, twice—snap.

“You’re not dead,” I tell the people behind the fence. “You can come with us.”

Without waiting to see the results of my latest impulsive act, I drop the canister and run.

WE

“YOU’RE DOING THE RIGHT THING,” Abbot says.

Abram watches the manager take a drag of his cigarette and release it in puffs that the wind instantly erases.

“Axiom has its issues, but it’s the only game in town. It’s going to be the new government, and no branch breaks or religious pyromaniacs are going to change that. So we might as well get on-board.”

The smoke blows into Abram’s eyes but he’s already squinting, watching the horizon, the freeway. He and Abbot stand in the stadium’s open gate as troops buzz in and out, preparing.

“When you have a family,” Abbot says, “you don’t always get to ‘do the right thing’ anymore. You don’t get to take risks or make sacrifices to indulge your moral qualms. You have to do what’s best for them.” Another drag, another wind-swept cloud of tar. “Anything can be ‘the right thing’ if you’re doing it for your family.”

“Sir?” Abram says.

“Yeah?”

“Should I go help the defense set up?”

Abbot presses his lips together. “All business, aren’t you, Roberts? That’s okay. I’m preaching to myself anyway.”

“I just want to make sure we’re ready.”

Abbot grunts and looks out at the horizon. “We’re ready. This place is a vault. The old management just repelled a skeleton swarm two months ago, and we’re twice as well armed.”

“I heard Executive sent half of Security to acquire Portland.”

Abbot waves this off. “We have eight hundred men here and six hundred at Goldman for backup, not to mention three armed choppers. We’ll mow them down before they even reach the walls.”

Abram nods toward the line of panicked immigrants being herded away from the gates. “What about them?”

“We’re putting them in the camps. Sealing up a few highrises for shelter.” He shrugs. “They might get hit, but we’re overpopulated anyway.”

Abram watches a young couple that was at the front of the line into the stadium, now at the back of the line away from it. The man carries their bags, the woman carries their crying daughter; both of them look dumbfounded at their bad luck. But every line to every sold-out show has one tragedy like this, turned away a single step from the entrance.

“Hey,” Abbot says, flicking the ash from his cigarette. “There’s a lot of people in the world. Worry about your own.”

Abram does. He never stops. He had hoped to drop by the foster home before joining the defense to tell Sprout to hide in the basement. He wanted to assure her that they will leave this horrible place but they have to wait for the right moment, that perfect strategic window when the risk is low and they have plenty of time and they’re healthy and fed and well-rested. Until then, just a while longer, they have to play along.

The chance never came. Abbot brought him to the gate without ever letting him out of sight. He seems to have made Abram’s “probation” his own personal project, watching his every move with a calm but stern vigilance. But the man has been surprisingly lenient with him. Abram knows company policy; he should have been terminated ten times over for his countless infractions, but here he is working at the Team Manager’s side. Abram wonders how many times Abbot has served as father-boss, how many young men he’s raised into the Axiom family, and how long it’s been since his last.

“In the old days, Burners were pretty sneaky.” Abbot puffs smoke away from his eyes as he scans the surrounding streets. “They’d spread themselves thin, hide out in basements with their napalm, and no one suspected a thing until Bark came on the loudspeaker. But that shit doesn’t work when the city’s empty. We’ve got rat patrols on every block. And from the sounds of it, they’re not after the ruins anyway.”

Abram looks back at the stadium, then toward the thick forests in the east. His eyes narrow.

“Yeah,” Abbot says, following his gaze. “If they were smart, they’d come at us through the woods. Spread their little ‘army’ as wide as they can and try to surround us.” He shrugs. “But Bark’s not a tactician. He’s a fucking showman. I’ll bet you my last bottle he comes right through there.” He sights his finger like a gun down the length of Corridor 1. “Bet you he marches right up Main Street and dumps his little bone collection right on our doorstep. And then we just”—he pulls the trigger—“sweep it up.”

Abram is still staring into the forest, but Abbot has misread his interest. Abram isn’t calculating the Ardents’ plan of attack. He is trying to imagine how this happened to them. How they drifted out so far, became so hopeless and desperate for purpose that they would rally around anyone who offered it, no matter what the cost. So angry and alone that the whole world became their enemy.

Abram tries to imagine all this, and he finds it easy. He can see it a dozen different ways in a dozen different places. Staring out into the forest and the countryside beyond, he wonders how many other towns like Bark’s are out there, shunned and forgotten by society, left to fester in their bitterness until they’re ready to erupt.

A thought creeps down his spine like a cold worm.

“Sir?” he says. “Do we know how many skeletons were in that siege three months ago?”

Abbot shrugs. “Reports say about nine hundred.”

“And they almost breached the stadium?”

“Well…‘almost’ is a slippery word.”

“What if there are more this time?”

Abbot frowns. “You saw the Burners’ warehouse. Couldn’t have been more than a thousand in there.”

“But that was four days ago. It’s a two hour drive.”

Abbot opens his mouth, then closes it.

“So where are they?” Abram’s tone is slipping out of proper deference but he doesn’t care. “If they had their army in tow when they escaped, why wouldn’t they come straight here and set it loose? Why give us time to prepare?”

“We rattled them,” Abbot says. “They had to regroup.”

He’s preaching to himself again. Abram can tell the idea has already taken hold, but he says it anyway:

“Or maybe they have other warehouses. Other armies.”

Abbot stares at the end of his cigarette. It glows like a tiny sun, or a tiny burning planet. “Shit,” he whispers, and marches back inside.

I

SURPRISINGLY FEW SOLDIERS have responded to our disruption. The handful who did show up are busy chasing the other escapees, and we slip into the streets unnoticed. I wince at the sound of gunshots. Did we push those people out of their chairs and into an execution? Even if we did, it may have been a favor.

We spread out to avoid notice, letting our group dissolve into the crowd of lonely strangers. Nora’s delirious stagger attracts some attention, but she’ll probably pass for drunk. Once we’re a few blocks away from the Orientation building, we regroup in an alley, and Julie rushes to her friend.

“Nora,” she says, squeezing her arms and leaning close. “Talk to me.”

Nora’s eyes drift back and forth, pausing only briefly on Julie’s. “What words?” she mumbles. “I’ll say…do…Tell me what.”

“Nora, where are you right now?”

“Don’t know.” Her voice is dull and distant. “Wherever you want.”

“Jesus,” Julie says, pulling away in worried disgust as if Nora is vomiting blood. “Why did it hit her so much harder?”

I’m not surprised. I know the things that feed the plague—confusion, loneliness, hurt, resignation—and Nora has been marinating in all of them.

“It’s just a little poison,” M says. “She’ll be fine.” He says it with such simple, stolid confidence that I find myself wondering how suggestible the universe really is. How loudly do we have to believe before reality agrees?

There’s a strained silence, then Tomsen whirls on me and Julie. “So what happened to you? How did you escape the raid? And how did you get in here? And also, why?”

Julie hesitates. “No time to answer all of those, but that last one’s easy: because we love you guys.”

Tomsen blinks.

“And because that’s a bomb.” She points at my briefcase. “And we’re going to blow up BABL.”

Tomsen grins like a birthday girl getting ready to open her last present, the big one in the back, hidden under a sheet.

The four actual children are listening intently, and I wonder how much they understand. Totalitarian takeovers and suppression of information are probably beyond their ken, but one thing is clear enough: there are bad people here. Blunt, cruel, selfish wretches, aligned to life’s lowest drives and scornful of anything higher. And we can’t keep letting them win.

“So how do we find the tower?” Tomsen says, fidgeting with excitement. “It’s a big stadium. Lots of buildings. Lots of guards. Do we have to take a hostage and torture them for information? I don’t like doing that. Maybe with enough cannabis…”

I notice Julie’s face hardening as Tomsen rambles. We have reached the end of my half of our plan. Before we left our house, I asked Julie for the first page of hers, and her eyes glazed like she was going far away, exploring old rooms and reading old books. And then they cleared to a glittering sharpness. They narrowed and began to smolder, and she answered through her teeth just like she does now:

“I know where it is.”

Tomsen gapes at her. Even Nora registers some surprise.

“You do?” M says, tossing up his hands.

Julie’s jaw muscles flex. She says it again, lower and almost vicious. “I know where it is.”

And with that, she storms into the streets.

• • •

There are advantages to living under an unstable government. Axiom is a belligerent drunk, fighting and flailing its way across the country with no regard for human life or long-term consequences, and if left unchecked it will gleefully repeat every mistake in history. But like most drunks, its vision is blurry and its punches swing wide, and our gang of terrorists moves freely through its headquarters under the gaze of a dozen cameras.

Where is Security? I see only a few teenage soldiers patrolling the streets, looking scared and uncertain. This should be reassuring, but instead I feel a chill. If the troops were reassigned, I have a guess as to where and why.

I force myself to focus. Here and now. Joan’s hand in my left, the briefcase in my right.

“My family lived in a nice house,” Julie says as we move along the edge of the street, where the crowds are thinner. Her voice is tight with bitterness. “It was already there when they found this place, before they built the enclave. It was the biggest and most secure building, so of course it’s where the leader had to live. And Dad was the leader.” Her lips twist like she’s trying to swallow something vile. “Four stories all to ourselves. It even had a basement.”

M looks at me with raised eyebrows. I shrug.

“Mom loved the basement. It was cool on hot days, but she’d sit down there even in the winter just to listen to the hum.”

I recognize the street we’re on. I remember stopping to ask directions from two kids named David and Marie. She lives on a corner. Daisy Street and Devil Avenue.

“Dad said it was just the power inverters under the floor, but it sounded so far away, like it was coming up from some deep hole. It sounded like a bunch of different songs playing over each other and there was this vibration…” She shakes her head. “I couldn’t stand it. It made my brain feel numb. But Mom said it was soothing. She said it quieted her thoughts.”

We come around a corner, and I indulge in another memory. A precious scent. A familiar voice drifting down from a balcony. A few tender seconds before the world interrupted.

“It’s here,” she says, staring up at the building with murderous intensity. “BABL is under my house.”

In my memory, her house is a lovely old manor covered in vines and flowers, marble columns leading up to a balcony where fair maidens sigh and pine. My memory is full of shit. Her house is a prison watchtower of white aluminum siding, tiny grated windows, a balcony mounted with sniper rifles.

“Shouldn’t bring them into this,” M says, indicating the kids and the unwell woman leaning against him. “I’ll take them somewhere safe.”

Sprout is shaking her head. “I want to stay.”

“Sprout,” I say, kneeling down in front of her, “where’s your dad?”

She doesn’t answer for a moment. Her chin quivers. “I don’t know.” A tear glistens in her right eye. “He let them take me.”

Julie crouches down and hugs her. Sprout accepts it but remains upright, arms at her side, teary but not crying. “I want to stay with you,” she says, and her voice is firm. “I want to help.”

Behind her, Joan and Alex nod. Addis remains neutral, his face clouded.

“Guys,” M starts to object, but Julie interrupts him.

“Stay out here and keep a lookout,” she says to Sprout, including M with a glance. “We’ll be quick.”

M looks unconvinced, but the kids start scanning the streets with militant squints. Nora mumbles inaudibly.

“R?” Julie says, and heads around the side of the house.

I follow her with our payload in hand.

There is a tiny sunken door in a concrete stairwell. A basement door. Julie takes a deep breath, then a step down—a bullet turns the next step into a spray of concrete chips.

“Welcome home, kids!”

Above us. The balcony.

Captain Balt.

In the weeks since I last encountered this man, I’ve seen stacked mounds of corpses oozing in basements. I’ve seen people shot, eaten, and liquefied, and I’ve crushed a dozen heads with my own hands. None of it filled me with as much revulsion as the sight of this man’s face.

He leans over the railing, pointing one of the sniper rifles at Julie. He swivels it up and down, ogling her through the scope. “Nice view from up here! No doubt about it, Julie, you’re all grown up.”

This man who exploited a young girl’s pain and broke her even further, who remained a leering presence year after year only to join the forces that destroyed her home. This man who has suffered no consequences for any of his vile acts—except for the night I cracked his skull.

Three more soldiers emerge behind him, taking aim at M and the kids.

“What the fuck are you doing in my house?” Julie shouts up at them, her anger drowning out any trace of fear.

“Oh you didn’t hear about my promotion?” Balt pulls his eye away from the scope and grins, but he keeps the rifle aimed. He looks professional. His Homo erectus jaw is clean-shaven, his hair slicked back and cropped on the sides, his tattoos covered by the sleeves of his beige jacket. “The Axiom Group knows a strong leader when it sees one. I got your dad’s job, so I took your dad’s house.”

Julie’s hands clench. My eyes dart to M, but he’s as helpless as we are in the sights of three AK-47s.

“You left dirty clothes all over your room. You’re a dirty girl!” Balt clucks his tongue. “But if you want to move back in, I’m sure we could figure something out. My boys would be more focused if they didn’t have to hunt for pussy.”

For the first time in my life, I wish I had a gun. I wish I could pull a little lever on a shiny little machine and watch it delete this grotesque mutation from the genome of mankind.

Julie dashes for the door. A bullet blows the knob off as she reaches out for it; she pulls her hand back with a gasp as spots of blood bloom from the side of her palm.

“Where you going?” Balt says. “We’re having a conversa-tion.”

“Fuck the fuck off, Tim!” Julie shrieks up at him. “Are you gonna kill me or what?”

Balt pulls away from the scope and finally quits the performance. “I saw your little activist act on the cameras. The fuck was that bullshit? I know you’re crazy but not that kind of crazy.” He squints at Julie, then at me. “What are you really here for?” His eyes move to my briefcase. Then the basement door. I see it dawning on him. But as he opens his mouth to express his opinion of our improbable plan, a noise interrupts him. A low growl rises to a sustained wail and then falls again—an air raid siren, the universal sound of fear.

I feel a vibration in my feet as massive motors jolt into motion. I see a shadow moving toward us from the far end of the stadium, rushing down the streets and engulfing the buildings like a tsunami of gloom. I see Balt and his men craning their necks upward to take in an incredible sight:

The sky is closing.

The rectangle of blue shrinks as distant roof panels grind toward each other, and I can’t help imagining the lid of a sarcophagus. Even a dull ape like Balt is awestruck by the spectacle, and I notice all the guns pointing at us have drooped.

Julie brushes past me without a sound and races to join M and the others, who are already halfway down the block. I understand what we’re doing just a few seconds before Balt does; I hear shouts behind me and then shots; bullets crater the asphalt close enough to spray me with stinging chips, but then I’m behind a building and momentarily safe, though it’s hard to use that word while sirens howl all around us.

“Due to higher than usual threat levels,” blares a cheerful voice from the stadium’s PA system, “we are initiating enclave lockdown at this time. Please remain where you are and we will provide further instructions shortly. Do not move at all.”

“What’s happening?” Tomsen says. “Is this all for us?”

“They’ve shut the roof three times in the last seven years,” Julie says between breaths. “Once for a hurricane, once for a siege, and once for a thousand Boneys. Whatever this is…” She looks up at the narrowing strip of sky. “…it’s bigger than us.”

The roof closes with a soft boom like far-off thunder. The floodlights kick on, replacing daylight with their pale imitation. People stand frozen in the street, perhaps wondering how literally they should take Axiom’s instructions not to move.

I hear Balt a few blocks behind us, bellowing orders and threats to his men and nearly out-shouting the sirens. Julie points to a gap in the stadium wall leading into its shadowy guts. “There,” she says, and disappears into the hole.

• • •

No one lives in the wall. Some of its hollow spaces have become storage rooms, packed with canned goods and building materials, but not even the dull-eyed citizens of this dead-end society were willing to spend their last days in these lightless corridors. I wonder how long before Axiom convinces them.

We are going up. Our footsteps make a pipe-like echo in the narrow stairwell. Julie leads with a confidence that deflects questions. She spent half her childhood locked in the stadium, and this concrete labyrinth was her one escape, her secret clubhouse away from it all. I have no doubt she knows it well.

At the sixth level she exits the stairwell into a long, dark hallway and starts to turn left, then stops and cocks her ear. The sirens have stopped. From somewhere outside the stadium, I hear the distorted squawk of a megaphone. I can’t make out the words, but the tone is fiery and melodramatic, more theatrical than military.

“Who is that?” Julie mumbles under her breath and moves toward the outer wall. I follow with mounting dread, the answer rising in my throat like vomit.

At the end of a hallway, there is a section missing from the wall and covered by a sheet of black plastic. The plastic undulates in the wind, heaving in and out like a cancerous lung. The megaphone sounds like someone speaking through a kazoo, shrill and piercing but stripped of its phonemes, a loud but meaningless buzzing.

“What the hell’s happening out there?” Julie says. She grabs a corner of the plastic and gives it a hard yank. The corner tears away, then the wind catches it and pulls the rest free. The black sheet floats off into the city like a wraith, drifting over broken towers and flooded parking lots, toward a horizon that’s hazy with dust and windblown trash. There’s a sad and desolate beauty to the ruins, but I spare only a second for the view before my eyes drop to the ground.

We are almost directly above the stadium’s front gate, where a small contingent of troops waits with weapons at the ready. I see many more lining the walls, guns bristling from every window, deck, catwalk, and fire escape. All of them point toward the mouth of the unfinished Corridor 1, where a strange traffic jam is in progress.

Main Street is backed up from the stadium to the freeway, a line of armored bank trucks hauling armored cargo trailers—at least five times as many as I saw in the Ardents’ town. The truck at the front stands out from the procession because it’s painted solid white from top to bottom, including the wheels and tires. The noise is coming from this one, of course, from the roof-mounted megaphone and the man shouting into it somewhere inside that metal box.

A shift in the wind carries his voice up to us, and I can finally make out the words.

“…has been trying to tell us for so long, in so many ways, to let go. To surrender to his plan. The story is over and he’s closing the book, but we keep trying to hold it open. We keep trying to write new chapters, but we are creations, not creators, and God is not interested in our contributions. The world is God’s story, this is the last chapter, and there is no sequel!”

M looks at me quizzically. “Why’s he driving an ice cream truck?”

I see a faint smile twitch on Nora’s lips, though her eyes are still glassy. Her brother watches her intently, as if trying to cure her with sheer will.

The wind muffles Paul Bark’s sermon for a moment, and when it blows back, it seems to be concluding.

“…allow you all a chance to leave this enclave before we surrender it. We are not here to kill you; life belongs to God. But we will tear down these idols of progress. We will lie naked in the dust before God until the Last Sunset burns us away.”

I hear the pulsing growl of helicopters behind us. The sun winks out as they pass overhead. Two local news choppers with large-caliber cannons welded onto them. One National Guard gunship.

“What is your answer?” Bark demands from the dim interior of his truck as the gunship hovers in front of him. “What will you submit to? God’s will, or his judgment?”

There’s a streak of smoke and a loud concussion and the trailer Bark was towing leaps into the air, flinging the truck up with it before snapping free. Both the truck and the trailer crash down on their sides, dented and smoking but apparently undamaged—except for a man-sized hole in the trailer.

The only sound now is the whir of the choppers. Then the megaphone crackles and squeals with feedback. I hear Bark’s distorted breathing as he struggles with the mic in his overturned vehicle. But he sounds barely perturbed when he says:

“God’s Jury is just. He guides their hands and teeth. We will pray for you.”

Like a torn spider’s nest, the trailer spews forth a stream of skeletons, scrabbling through the hole and spreading into the streets. Behind it, Ardents in riot armor hop out of all the trucks and run to the rear of their trailers, pushing through the Boneys with their Plexiglas shields. All three choppers open fire and a few of the men go down…but not enough.

They unlatch the trailer doors. They run back to their trucks and lock themselves inside. And then, almost all at once, like an explosion, thousands of skeletons spread out across the city.

-

I CAN’T HELP IT. I laugh out loud. The great pratfalling clown show of human rapacity. A plague strikes the world, and we see opportunity for advancement. It turns people into walking corpses, and we see cheap labor. Two months ago, through means I still don’t understand, Julie and I sent out a signal that the Boneys would no longer profit from us, and they scattered. And then my old friend Paul saw those festering swarms of skeletons and thought, Just what I need to grow my business!

A few blocks behind the church’s convoy, a white phosphorus grenade flashes on the roof of a highrise, a cheap special effect lost in the big-budget horror they’ve unleashed.

I laugh harder.

“Hey.”

M punches me in the shoulder. “Don’t you go crazy on me too. Got enough to deal with here.”

Nora is drooling on his shoulder. Tomsen is pacing in a circle, rubbing her scalp and muttering to herself. Julie is staring at the chaos below with a faraway expression.

“They’re going to lose,” she murmurs.

I can barely hear her over the racket of war, the drumroll of gunfire from the wall, the steady roar of the helicopters punctuated by thumping missile blasts. In a world where most battles involve ragged gangs with revolvers and machetes, this is an awesome display of military might. But it’s three choppers and a few hundred soldiers against several thousand ravenous skeletons. Even if Axiom hadn’t spread itself thin with its ill-timed foreign invasions, I’m not sure they could stop this.

“They’ll run out of ammo before they get halfway through that swarm,” Julie says, shaking her head. “Axiom’s going to lose.”

For the moment, the Boneys are focused on the Ardents, clawing at their armored trucks like bears trying to open campsite canisters. But hunting is the one area in which their minds are still adaptable, and they quickly recognize the futility of this effort. In almost perfect unison, they abandon the trucks and rush toward the stadium, where a richer pot of flesh awaits. They die in waves as bullets strafe their ranks. Their skulls explode like ceramic urns, scattering their ashes to the wind. But for each one that goes down, three more rush in behind it.

“Hate to tell you,” M says to Julie, “but that’s not good news. If they lose, we lose.”

Julie nods. “Oh I know. We’re probably going to die.”

M raises his eyebrows. “Well shit! What happened to Miss Sunshine?”

Julie finally pulls her eyes away from the battle. She looks at me like she’s been talking to me the whole time. “Everything’s going to fall apart.” Her voice is faint, her eyes slightly widened. “But like that guy at the diner said…like Gael said…maybe that’s what we need.”

“What do you mean?” I ask, though I’m starting to understand.

“Maybe this loosens Axiom’s grip enough to shake it off.” She looks down at the mayhem on the ground. “Maybe if everyone sees what’s happening here, they’ll realize nothing’s as solid as they thought. That the powers that be aren’t invulnerable. That we have a chance.”

I feel a tingle rising in my spine. Did the scope of today’s ambitions just widen by a mile?

Tomsen snatches the briefcase out of my hand with the twitchy speed of a pickpocket.

“Whoa, whoa!” M says, reaching out to stop her, but she ignores him and crouches to the floor, pops the case open, and pulls a little electronics kit from one of her many pockets.

“Where did you find this thing?” she says. “It’s ancient! Does it even work?”

“Let’s not find out,” M says, watching her nervously as she pokes around in the wiring. He jumps half a foot when a grenade detonates in the battle below. But after a minute of tinkering, Tomsen shuts the case and stands up.

“Trigger is good. Now what?” She doesn’t give the case back to me and I don’t ask for it. BABL has been her life’s work; she deserves to be the one who finishes it.

“I know a way into my house,” Julie says and starts to head back the way we came, then stops when she sees Sprout following at her heels. “But Marcus was right, Sprout. We can’t bring you into this.”

“I want to help!” Sprout says.

“I know you do, but this is too dangerous. Your dad would kill me if I let you come.”

“But me and Addis can see things,” Sprout says, and she doesn’t sound like a six-year-old arguing. She doesn’t sound whiny or pouty. She sounds strong. “See?”

She pulls off her eyepatch and drops it on the ground. Her “bad” eye gleams yellow like Addis’s. Like mine and Julie’s, once upon a time. I can feel it drilling past my flesh, seeking the spaces inside me.

“We can read the Library,” she says. “The books tell us secrets.”

A chill runs down my back. Julie and I exchange a glance. Addis watches us with his unreadable stare.

“Decision, now!” Tomsen says, passing the briefcase from hand to hand like the handle is hot.

“Sprout,” Julie says. “I know you can see things. I know you might be able to help. But you’re too small for what we’re doing and you’ll probably get hurt, or even get us hurt.”

Sprout’s stiff spine slumps a little.

“So I think if you really want to help, you should stay here with your friends and take care of Nora. You have your own brain, but I’ve been around longer, and that’s what I think you should do. Your choice.”

With that, she turns and heads down the hall.

M eases Nora to the floor and props her against the wall. “Listen,” he says, trying to catch her swimming gaze. “You’re Nora Greene. Baddest ass I ever met. Gonna take a lot more than poison to knock you down.”

Her eyes hold his for just a moment, then slip away again.

I glance back at the kids as we leave them in the corridor, the noise of battle rumbling up through the rectangle of daylight behind them. Sprout looks frustrated and confused. The others are harder to read.

“You really think they’ll stay?” I ask Julie.

She shrugs. “I said all I could. I’m not going to tie them up. They’re people.”

Tomsen is already to the stairwell, bouncing on her heels while she waits for us. “Faster! Sooner! Time is Russian roulette and every second is a trigger pull, tick tick tick, click click click.”

“Jesus Christ,” M grumbles.

We move past the stairwell, heading toward the interior side of the wall, and after a claustrophobic squeeze through a pitch-black service tunnel, we emerge into harsh white artificial daylight, perched on a narrow ledge of grating.

Directly below us, at the end of a rusty ladder: the sheet metal roof of Julie’s house.

“I was a teenager and my dad was a paranoid alcoholic general,” Julie explains. “I had to sneak out a lot.”

“What if Balt left some guards?” I ask. The streets are mostly empty now, despite the remain where you are message blinking on the Jumbotron. People must have decided to make their own decisions.

“What do you think I brought you and Marcus for?” Julie says with a wry grin. “You used to be some kind of ninja, apparently, and Marcus…he’s good at absorbing bullets.”

M sighs and slaps his barrel of a stomach. “One advantage of being big. You skinny bitches can’t hold your lead.”

Tomsen loops her belt through the briefcase handle and scurries down the ladder with the case bouncing against her hip. Julie is close behind and then M, leaving me alone on the ledge, staring at the ladder. I think of another ladder, much longer and made of living bone. These brutal skills I have—do I climb downward every time I use them? Are they stored in those primordial pits below the basement? The Library is messy. There are Lower pages tucked into Higher books and the opposite as well, and sometimes down is up.

I descend the ladder and pad across the roof of Julie’s house, limbering my hands for whatever they need to do.

WE

“TEAM MANAGER ABBOT to anyone in Goldman Dome! Do you read me? Does anyone read me?”

Abbot pulls his walkie away and curses at it like it’s an insubordinate officer. “Of all the fucking times for a jammer surge.”

Security forces have withdrawn into the stadium walls, digging in for a siege, but the nature of this fortress necessitates strange formations. They’re not gathered together in organized ranks but scattered throughout the tunnels, each soldier finding his own solitary perch from which to shoot. Only Abram’s probation keeps him tied to Abbot on this particular ledge.

“Line sounds clean, sir,” Abram says as he pops out a spent clip and replaces it. “They’re just not answering.”

Abbot presses the button again. The squeal of the jamming signal is indeed faint. “There was no attack on Goldman…” He looks in the direction of the dome as if visualizing it through the intervening buildings. “Why wouldn’t they answer?”

Abram fires carefully, trying not to waste any bullets, but the targets are small and fast and erratic; it’s like trying to shoot a wasp out of the air. He used to enjoy the challenge. All the new hires looked forward to Boney encounters because it was a chance to show their worth, to impress their father-bosses and perhaps earn a few Approval Credits. And there was a sickly gratification in the feat itself, the way a good headshot made them collapse like a snipped marionette, a clean, bloodless deletion of the enemy.

But today he feels nothing. No one is keeping score as he guns down these absurd stacks of animate calcium. Abbot is still shouting into his walkie, trying to reach Goldman or the acquisition teams en route to Portland, but no one is listening. Grenades turn clusters of skeletons into clouds of osseous shrapnel, but they’re spreading out to make harder targets, surrounding the stadium like a swarm of termites.

“You said it’s a vault, right?” Abram calls to Abbot. “They can’t get in, right?”

Abbot lowers his walkie and watches the skeletons mount the wall, their pointy fingers digging into cracks and lifting their weightless frames. “You see this watch?” he says in a disconcertingly subdued voice, lifting his wrist to display a gold Rolex. “Water resistant down to a thousand feet, it says. But I don’t take it swimming.”

Abram leans over the edge of the opening to pick off a few Boneys that were getting too close. The sound of their claws ripping free of the concrete reminds him of ticks. The sight of his calves dotted with them like gray warts after an afternoon in the woods with Perry. That hideous sensation of being inhabited. Of being fed upon. And that horrible tug as his father pulled them out.

“Sir,” he says, lowering his gun and looking directly at his superior, hoping to draw out some honesty. “Do we have any backup?”

Abbot shakes out of his introspection and his face resumes its glowering. “We have Goldman if they’ll fucking show up!”

“When I left Post, the merger was struggling. A lot of public firings, rumors of another branch break.”

“They’ve had some HR issues,” Abbot says sourly. “Locals aren’t merging as smoothly as we hoped, but I thought it was quelled by now.” He spits a glob of mucus onto the floor in front of him. “This is the goddamn Axiom Group! We’ve been doing this shit for decades! We don’t let a few religious nut-jobs walk in and take our—”

He cuts off. A smile creases his craggy face.

Two ancient, dented Apache helicopters have appeared in the sky to the west. They move in to join the three hovering over the stadium.

“About fucking time!” Abbot says, thumping the balcony railing. “If they brought their ground troops with them, we might have a—”

Missiles streak out from the Apaches, but not into the swarm of Boneys. The National Guard gunship spirals down in a swirl of smoke.

“No,” Abbot mumbles, but Abram feels oddly unsurprised.

The two news choppers turn to face Goldman’s Apaches. There’s an exchange of loud noises. Both news choppers fall in groaning masses of fire. One of the Apaches spins out of control and crashes into an office building, blasting a flurry of documents out over the street like parade confetti. The last one wobbles in the air for a moment before its rotors lock up and it drops to the ground like a stone.

Then the ground troops Abbot hoped for appear, pouring out of Corridor 2 with shouts of “For General Cinza!” They open fire on the skeletons, and on Axiom’s men, and the battle is suddenly very confusing.

So we stop watching it. We attune to Abram Kelvin, whose mind is also drifting away from the madness around him. How he hates it all. How he’s always hated it, even while he was making it. How he wishes there were other directions the earth could spin.

A small skeleton is climbing toward him. He has never seen a child Boney before but he supposes there’s no reason they wouldn’t exist. He locks eyes with its gaping sockets.

Is this what you want for her? whispers that maddeningly familiar voice, flickering on every syllable from boy to man and back. Is this the best you’ve come up with after all your years on this planet?

The skeleton is getting close. Abbot has retreated into the wall and he’s yelling at Abram to join him, but Abram doesn’t move.

If this is really all you can see, then let it eat you and be done with it, because this isn’t worth the pain.

Abbot is sliding the door shut. It squeals on its rusty track.

But we know you, Abram. I know you. And I know you can see more.

His bullet disintegrates the tiny skull, close enough to spray his face with bone chips. He ducks through the remaining gap and helps Abbot lock the door.

There are many distortions in Abram’s perception. Many scratches on his lens from a lifetime of rough handling. But one of his simplest mistakes is believing that no one is watching him. Many people are watching him, including the small girl five floors up, leaning over the edge and squinting, wondering if that’s her father down there.

• • •

Sprout Kelvin can see Abram perfectly well. Her special eye disregards the illusion of distance and sees every hair on his head, the grays here and there, the thinning patch at the back. But seeing his face does not answer her question.

Is that my father?

He disappears before she can decide. There are skeletons creeping up the wall. They advance slowly, wandering side to side in search of holds on the mostly smooth face of the stadium. It will be some time before they reach her perch, if they aren’t shot down first, so she doesn’t panic yet. But she is very, very scared.

She is scared of being eaten, of being imprisoned, of being pumped full of plague until she no longer has a self. But mostly she’s scared for the people around her, because she cares as much for each one of them as she does for herself, and there are more of them than of her.

We like this girl. She sees things. Sometimes, she sees us. She reads our fantastic tales of speculative fiction and projects them onto reality. And maybe someday, with enough projectors shining, someone will trace that image.

Sprout’s new friend Addis might have such talent, but the world has rapped his knuckles every time he’s reached out, and even with our voices inside him asking him to try again, he is not quite convinced. The world has much to prove before he will trust it with his hopes.

And yet here is his sister, who has given up everything for the people she loves. He can see the sludge coating her mind now, the puree of black worms chopped fine but still quivering, still sucking up her life and shitting out death. He can see her fighting to clean it off, spraying her soiled thoughts with a fire hose of will.

Nora stands up.

She blinks and shakes her head, swaying like a drunk. Her eyes manage to focus on Addis’s for just a second, communicating something like, I have to, and then she stumbles down the corridor.

Addis looks at Sprout.

“I’m going to stay,” she says. “I don’t want to get Julie hurt.” She glances down at the skeletons’ slow ascent, then at Joan and Alex, who nod. “We’ll be okay,” she tells Addis. “Go see what you need to see.” Then she smiles. “I think they’re almost ready.”

And she’s right. We are almost ready. We are fuel awaiting a spark.

I

ACROSS THE ROOF. Down the drain pipe. Through the balcony doors.

Julie’s bedroom is exactly how she left it. Her bed is there, but the sheets are gone. Her dresser drawers hang open, empty. Nails and thumbtacks mark the places where her art and mementos used to hang. The room is a gutted shell. A skeleton stripped of flesh.

It was a rushed moving day. It took her one hour to pack, stuffing her few meaningful possessions into boxes with violent haste, her eyes brimming but refusing to release. It was three hours after she watched her father die. Three hours after her father tried to kill her. But she didn’t want time to recover and mourn; she wanted to pull every trace of herself out of this place and wake up tomorrow somewhere new. She wanted to leave and never come back.

I see it in her eyes as we march through the wildly painted sanctuary of her youth, with its lingering scent of cheap incense and cigarettes. The struggle not to remember. To be here and now and nowhere else.

I know that struggle well.

I put an arm around her shoulders and pull her against me, forcing her to pause. She looks up at me, then buries her face in my neck. Just a moment. Just enough to acknowledge the thickly layered lives we’ve lived. Then she wipes her eyes and we move on.

The house is silent. I hear no gruff laughter or barked commands. The only sign of Axiom’s presence is the muffled noise outside the stadium, a jumble of shouts and explosions and inhuman roars, like all the world’s aggressors dumped into a blender.

We climb down stairs sticky with spilled beer and tobacco spit, past bunk beds, bean bags, TVs, and gun racks—empty, to my dismay and relief.

We reach the ground level. Julie stops in front of a separate staircase leading further down.

“Can you feel it?” she says.

I can’t at first, but it starts to rise as we descend the dark steps. It fills my head like viscous fluid, like a low vibration from some distant factory. By the time we reach the bottom, it’s actually audible, and Julie’s earlier description was accurate but understated. It’s not just a lot of songs playing at once; it’s every song—and every show and film and news broadcast, melodies clashing, beats overlapping into a shuddering rumble, a thousand voices shouting over each other.

The basement of Julie’s home is a perfect cube of concrete lit by a single red bulb, completely empty except for a beige rug in the middle of the floor. I see no cobwebs or rat droppings or other signs of life, just thin drifts of dust that have settled into strange patterns on the concrete: triangles and whorls of bristling fractals.

“She would sit right here,” Julie says, stepping onto the rug. “Like she was meditating.” She drops to the floor, cross-legged. The red light casts deep shadows on her face; she looks like a statue of some terrible goddess. “I don’t know how she could stand it.” She rubs the sides of her head. “Feels like I’m being buried.”

“It’s BABL,” Tomsen says, so giddy her voice cracks. “Same noise as the eastern generator. Harmonic resonance with the mantle? Tuning tectonic vibrations and distorting the magnetosphere? Maybe, maybe, but where is it?” She squirms and fidgets. She looks ready to set the bomb off right here. “Julie, where is it?”

Julie looks down at the rug. “This thing was Dad’s idea. To make Mom more comfortable, he said.”

It’s not actually a rug, just a rough-cut square of the same stiff commercial carpet that covers the floors above.

“She told him she didn’t need it, she liked the cool concrete, but he put it here anyway.” She tries to lift the edge—it doesn’t budge. Shaking her head in angry disbelief, she hops to a crouch, digs her fingers in deep, and pulls. The rug rips free of its glue and peels back, revealing the faint lines of a rectangle cut into the concrete. She pushes a tiny button, there’s a hiss, and a section of the floor swings upward on pneumatic hinges.

Another staircase awaits. But this one isn’t dark. This one is flashing with colored light, echoing with voices and snippets of music.

“Goddamnit, Dad,” Julie whispers. “You knew.”

Tomsen starts for the stairs but M pushes past her. “Bullet sponge coming through.”

I clench my hands into fists as I follow him.

The staircase is narrow and incredibly steep, sloping almost straight down into the flickering darkness. I have to keep my hands on the walls to stop the vertigo.

“He knew,” Julie murmurs into my back. She sounds far away, caught between anger and grief. “All those years, he could have cleared the fog and reached out to the world, and he sat on his hands.” Her voice trembles. “All those medals…and he was a coward.”

I can think of no possible way to comfort her. No wordless hug is enough for pain like this. But she won’t have long to dwell on it. After a descent of about four stories, we have reached the bottom.

Squinting against the flickering lights, we step into the basement beneath the basement.

This place bears no resemblance to the standardized structures above, as if it were built in a different era with a far bigger budget. It feels like we’ve crawled under a county permit office and discovered a pharaoh’s tomb. The huge, circular chamber rises sixty feet to a geodesic dome of tarnished green copper. The curving walls are lined with heavy-duty versions of familiar equipment: bulky monitors with inch-thick glass, mixing boards with palm-sized steel knobs and faders, computer towers encased in concrete and so overbuilt they’re the size of refrigerators. Technology that once strived to be as small and disposable as possible has reversed course, adapting to a world without repair or replenishment—adapting to live forever.

Because this place was precious to the former owners of the world. To control who can see and say what; this was always the dream of such people. In past eras they had to rely on social convention, political machination, and physical intimidation. All so very effortful. So when they found a way to silence the whole scary mess from the safety of their bunkers, it’s no surprise they poured their hearts into it.

BABL will last for centuries. Unless it doesn’t.

It gapes in the center of the chamber, Tomsen’s “inverted tower,” a perversion of its namesake in form as well as function—not an edifice reaching for the heavens but an absence plunging to the depths. The mouth of the pit is wide enough to swallow the house above us. The walls of the shaft are studded with green copper tetrahedrons that grow smaller as the shaft narrows, funneling toward some distant choke point deep in the blackness. Each stud seems to produce its own faint noise, bleeding together into that chaotic chorus, and from somewhere at the bottom…a churning. A thick, low rumble that I hear only in my bones, like the growl of some enormous stomach.

It’s good down there, says a voice near the base of my skull, perhaps my limbic cortex. We drank the deep dark and it was sweet.

Am I standing on the edge of the pit, staring into its dizzying regression of pyramids? Is the noise that fountains up from those depths actually in the air or only in my head?

A hand clamps onto my shoulder.

“R,” Julie hisses under her breath. “Look up.”

I tear my eyes away from the pit and raise them. Across the gap, on the far end of the chamber, I see what looks like a news broadcast studio. The colored light is from a wall of monitors displaying video streams and editing software. And a man and a woman in colorful ties are grinning and gesticulating into a camera while three men in white shirts operate the controls.

I had almost forgotten there’s more to this place than the jammer. Before we silence its noise and let the world start talking, we have one final message for it to shout.

The pitchmen and their assistants are so absorbed in their production that we’re close enough to smell their rancid cologne before they notice us. But of course they express no surprise. They just swivel their grins from the cameras to us.

“Hello!” Blue Tie says.

“How can we help you today?” Yellow Tie says.

Black Tie is notably absent. The other two seem somehow more absurd without his dull gravitas backing their prattle.

The pitchmen await our response patiently, but their more recognizably human assistants seem to understand the threat. Tomsen rushes toward them and they cower against their equipment. “Excuse me,” she says politely, like they’re blocking her path on the sidewalk, but they just cringe away from her. “Excuse me!” she shouts and starts hitting them with the briefcase like an old lady berating ruffians. I wince, imagining the contents of her “purse” turning us all into char, but the assistants scatter and she sets the bomb down and goes to work on the control panel.

“I’m afraid you’re interrupting an important announce-ment,” Blue Tie says, switching to his grave face. “The Axiom Group headquarters is under attack at this time.”

“Our employees are very important to us,” Yellow Tie says, still smiling. “If you’ll allow us to continue our announcement, we’ll get someone from the nearest branch to assist us right away.”

Above all the editing screens, I notice a bigger monitor that appears to be the actual Fed TV broadcast. I expect to see something like an emergency weather warning—flashing alerts and clear instructions, perhaps a screeching tone to get people’s attention—but to my amazement, even their distress call is embedded in LOTUS obfuscation. Stock footage of thunderstorms and forest fires intercut with old photos of the stadium and inspirational quotes about patriotism and preserving our way of life. The closest it gets to specificity is a repeating clip of the pitchmen gazing earnestly into the camera and urging America to “support our leadership in these difficult times.”

No casual viewer would guess that Axiom is on the brink of disaster, and I’m guessing that’s the point: to cry for help without looking vulnerable. Anyone watching this without the code key would get only a vague sense of unease. A generalized fear that only firms their support for the strongman rising in their midst.

“We’re going to make a different announcement,” Julie says.

“We advise against creating any further instability at this time,” Blue Tie says as if guessing our intent. “People need certainty in an uncertain world.”

“That’s literally impossible,” Julie says. “What does that even mean?”

“People don’t need meaning.” Yellow Tie’s smile takes on an unexpected subtlety that sends a chill down my spine. “They just need to feel safe while they die.”

What kind of minds remain behind these waxy, interchangeable faces? From what inhuman script are they reading? And can we shred it?

Julie steps up to Yellow Tie and stares into her glassy blue eyes. She sniffs. “You smell like death,” she says quietly. “You smell like the plague.”

I hear muffled noises above us. The hiss of the basement hatch. Then Timothy Balt and two dozen of his Cock Street Boys come thundering down the stairs.

I sigh. Julie grinds her teeth. Tomsen keeps working.

“That was a nice little jog around the city,” Balt says, swaggering toward us with his pistol at his hip like a cowboy. “I needed a good workout, been getting some flab.” He lifts his shirt a few inches, revealing chiseled abs. “But shit’s getting serious out there, we don’t have time for—hey you! Butch!” He jabs his gun at Tomsen. “Quit fucking with that. Hands up.”

With an agonized grimace, Tomsen pries her hands away from the console and puts them up.

“We appreciate your work, General Balt,” Yellow Tie says with a sultry smile. “It’s clear we weren’t wrong about your abilities.”

Balt gives the two pitchmen a quick nod, avoiding eye contact. It’s the first time I’ve ever seen him look uncomfortable, and I wonder how much he’s learned about the nature of his bosses.

“So you’re gonna hijack Fed TV?” Balt says to Julie. He forces a derisive chuckle, getting back into character.

“Yep,” Julie says.

“Gonna spread the news that Axiom is bad, get the people to rise up?”

“Yep.”

“Dumbest shit I ever heard,” Balt laughs. “You looked around lately? People are sick and tired. You think they’re gonna ‘rise up’ against the guys putting roofs over their heads?”

Julie stares at him, stone-faced. “Yep.”

Her voice is cold and blunt. This is one person she’ll make no effort to convince.

Balt’s grin flickers with frustration. No doubt he was hoping for a juicier tease. “Well,” he grunts, “if you’re gonna just lie there, I guess we’ll get on with—”

His mouth clamps shut. He spins around to face the staircase. “Who the fuck that?”

Another stampede of footsteps is rumbling in the house above us. A lot more than two dozen.

“You locked the hatch, right?” Balt shouts at one of his boys, who nods emphatically.

The noise is closer now, almost directly overhead. The sound of things banging and scraping on concrete echoes down the stairwell.

“Fuck me,” Balt mutters, putting on the fierce scowl he wears when he’s scared. “Fuckin’ Boneys got through the walls…”

But he’s wrong. I hear no warbling hum. No trace of the atonal theme music that accompanies those clattering horrors. This is something else.

“New orders from Executive!” Blue Tie announces suddenly, and Balt startles. “Please bring the intruders to the conference room for questioning at this time.”

Balt squints at the pitchmen. He squints at their walkies, which have not made any sound.

“Why?” he says. “We’re under attack, we don’t have time for—”

“Bring the intruders to the conference room,” Blue Tie repeats more forcefully, gesturing to a door on the opposite end of the chamber marked emergency exit.

Balt hesitates, gritting his teeth, then raises his gun. “All right.” He points it at me. “Move, corpse.”

Balt’s gun is huge. Some kind of high caliber magnum, so oversized it looks like a toy. How many times have I played this silly game? How many times have I stood frozen in the sightline of a gun, paralyzed by a bullet that hasn’t been fired? By the invisible threat, the fear of a possible future?

What if I don’t play? What if I walk away?

“Hey!” Balt shouts. “The fuck are you’re doing?”

I’m walking past the pitchmen. I’m walking around the edge of the pit. I’m walking away from Balt.

Incredulity pushes his voice to a girlish falsetto. “What the fuck? I’m pointing a gun at you, dipshit!”

I’ve circled behind his crew now, and they’re all staring at me, searching for some explanation for my behavior, but their frame of reference is limited. They begin to laugh—the corpse’s brain finally melted! Let’s watch the show!—and then I turn and sprint up the staircase, and their laughter dies.

Balt is probably shouting, guns are probably firing, but I hear only the scuffling and wheezing in the room above me. And my heartbeat, pounding slow, like I’ve never been more calm.

I flip the hatch’s lock and give it a nudge. Then I come back down the stairs at a leisurely pace, emerging into the chamber with my arms out, palms up, a gesture of surrender—not to Balt, but to whatever happens next.

I indulge in a small, slightly vindictive smile as Evan Kenerly and two hundred dis-Oriented people flood in behind me, swinging pipes and chunks of lumber.

WE

IN THE GLORIOUS MESS OF THE LIBRARY, books are bound loosely, pages migrate freely, and one moment of a life might disagree with the next. So when a corrupted man dies and can no longer cause harm, even his own memories rejoice. The better parts of his life, the Higher moments, they celebrate along with us and we bear them no grudge, because the Library is not a collection of people but a collection of moments, experiences, thoughts, and sensations, and we have only one goal: to elevate the whole.

This is how we endure the flood of fear that rushes from Axiom’s troops as their victims finally fight back. This is how we maintain a grim smile as a man cracks another man’s head with a pipe and a woman plunges a broken broom handle into another man’s gut. We focus on the Higher shelves, bracing them for the weight of books to come.

R wrestles a man’s gun away and jabs him in the throat with it.

Marcus hits a man so hard his whole face crumples inward.

Julie keeps her back against Tomsen’s while Tomsen scrambles to finish whatever she was doing with the broadcast station, oblivious to the conflagration behind her. Julie clutches a piece of rebar like a sword, swinging it without mercy whenever the battle gets too close to Tomsen. Only a few shots ring out. Kenerly’s crew presses in on Balt’s so tightly that the guns are reduced to bludgeons. Shouts and grunts and crunching noises bounce off the angular dome and echo in the bottomless pit.

It’s mayhem. It’s a miniature iteration of the mayhem in the city, and Addis wonders how far this fractal goes as he crouches in the shelter of the stairwell. He thinks of the Russian nesting doll he played with at his auntie’s house, and how he would scratch and pry at that final piece, certain there was an even smaller one sealed inside.

He looks at his sister standing next to him. She sways and twitches with confused agitation, her pinkish eyes darting between faces.

Nora watches her childhood crush, Evan, take a brutal punch and return it. She watches R, her strange new friend, slam a bloody elbow into someone’s temple. She watches Marcus—she doesn’t know how to classify him—kick a man in the chest, and she watches that man crash into Timothy Balt.

Balt sprawls out on the floor and his gun slides to the edge of the pit. Marcus rushes at him, but Balt jumps to his feet and fumbles a knife out of his belt just as Marcus tackles him.

The knife sinks into Marcus’s ribs.

Nora doubles over. A whimper escapes her throat.

Marcus falls to one knee. Balt raises the knife for a killing blow.

Julie hits him across the spine with a steel bar.

As Balt staggers forward, Julie locks the bar around his throat and pulls so hard she lifts herself off the ground. Balt reaches behind him with the knife and stabs blindly.

The blade sinks into Julie’s calf, then her thigh, once, twice…

Nora hears her friend’s screams like an alarm clock in a dream. Her mind tries to tell her it’s a bird tweeting or a violin playing, some innocuous nonsense that can disappear into the slurry oozing through her head. How much easier it would be to stay here in the dim shelter of this staircase and wait until the fight is over. How much simpler to forget the people she loves, to release her attachments, to cut her rope to the world and sink into the mud.

But the rope refuses to be cut. The rope is strong because it’s made of her. The rope breaks the knife.

Nora’s eyes snap open. She sucks in a breath. She runs through the scuffling mob and rams her boot into Balt’s testicles.

Balt drops to all fours and Julie rolls off of him.

“You…fucking…cunts!” Balt squeals.

Nora rears back for another kick, this time aiming for his face, but then her friend screams again.

“Nora!”

Where did that shotgun come from? Who slid it across the floor into Balt’s hands? Nora has just enough time for these pointless questions before something slams into her—but it can’t be a bullet. It’s a soft impact, almost gentle, and it comes from the wrong direction. She topples onto her side, stopping just before the edge of the pit, and then she hears the bang.

When she looks up, Evan is standing where she was a second ago. There is a hole in the center of his chest. He flashes Nora a sad smile, and she wishes there were time to say thank you, and I’m sorry, and a dozen other things, but Balt fires again, and Evan’s smile disappears.

Balt pumps the shotgun as he rises to his feet, his teeth bared in the ecstatic grin of a man winning his favorite game. Then his face flashes to incredulity—Julie is on his back again. This stupid girl isn’t respecting the rules. He already beat her and he’s on to his next target; this repetition is boring.

But it’s not quite the same. Julie is no longer armed with a steel bar. This time she has Balt’s knife. This time she doesn’t try to choke him. This time she cuts his throat.

Balt sinks to his knees. Julie stands over him and he glares up at her, clutching his gushing neck. Even now his face shows only outrage.

“Whore,” he gurgles.

With a snarl that’s been waiting seven years to come out, Julie kicks Balt in the face. Her boot catches his jutting chin and his head snaps back.

It almost snaps off.

Balt tips over the edge of the pit, and he’s gone.

Nora stares at that yawning void, though she refuses to look down into it. She stares at Evan, though only at his hands. She feels Julie’s arms around her, and for a moment she thinks Julie needs help walking. Then she remembers that Julie loves her, and this is an embrace between friends surrounded by death, and Nora returns it as her eyes burn and blur.

On the far end of the chamber, in the shadow of the stairwell, her brother watches. He doesn’t see violence and death. He sees risk and sacrifice. He sees love. And with our pages fluttering around him, a thought rings in his head:

Violence is concentric. Every great war grows from a thousand small ones. End the war at the center and you’ve ended them all.

How goes yours, Addis Greene? we ask him, for we are learning each other’s languages. Is anyone winning?

Addis watches his sister and her friend break their embrace and help the big man to his feet. He watches them pull him to safety while the tall man and the others close in on the remaining troops.

Does the world deserve forgiveness? Does it deserve another chance?

Addis bites his trembling lip. He doesn’t answer.

I

IT’S REMARKABLE what the death of a leader does to fighters who don’t know why they’re fighting. If these men had some noble cause, Balt would be their martyr and they’d fight twice as hard. But since their cause is some barely conscious blend of greed and fear, his death only releases them from his spell. They freeze. They glance around as if wondering how they got here. Then they run.

Kenerly’s army is unaffected by Kenerly’s death, because it’s not his army. These people are here for their own reasons, which have nothing to do with the charisma of one man. They chase the Cock Street Boys up the staircase without a backward glance, and suddenly it’s quiet.

As I gasp for breath and test a few broken knuckles, a sound that reached my ears earlier finally registers in my brain.

Julie’s scream.

I rush to the edge of the pit. Nora is helping her to her feet—or maybe they’re embracing; my attention is on her leg, where each heartbeat pumps tablespoons of blood out of three deep gashes.

“Are you okay?” Julie asks Nora.

Nora laughs darkly. “Fuck you, Cabernet. Worry about your—”

“Nora,” Julie insists, shaking her off and balancing on one leg. “Are you okay?”

Nora looks at the floor, wipes her eyes, and nods. “Yeah. I think I’m okay.” She looks over her shoulder; her little brother stands in front of the stairs, watching us with that strange, appraising gaze.

“Marcus is hurt,” Julie says, nodding toward M, who is upright but unsteady, pressing his hand to his side. “Go fix him up. I can handle my leg.”

Nora hesitates. “Sit down and keep it elevated. R, make some bandages.” She rushes to help M.

Julie finally looks at me. Her brows knit as she scans my body for injury, but most of the blood on my hands isn’t mine. I ease her to the floor and search the bodies for a reasonably clean shirt, then tear off three strips and wrap them around her wounds. She lets out of muffled shriek as I cinch them tight.

“Jesus Christ that hurts. I think he chipped my fucking femur…”

“Can you walk?”

She takes a deep breath and puts an arm over my shoulder. We stand up together and she takes a few cautious steps. When the initial rush of agony passes, she lets go of me and shuffles to the edge of the BABL pit. She looks down into its funneling depths. A smear of blood runs down its side, bits of clothing and flesh hanging off the points of the copper studs. There probably wasn’t much left of Balt by the time he reached the bottom.

Julie screws her eyes shut and unleashes a scream into the pit. Her veins bulge, her fists clench at her sides, her lips stretch back from her teeth. It’s not a scream of pain but of rage and disgust—for the man at the bottom of the pit and for the pit itself and for the insane world that built them both.

Her voice breaks and she stumbles backward, spent. I catch her under the arms and hold her.

“What now?” she mumbles.

My brain races to find its track, to remember what we’re here to do, but while it’s still rebooting, Tomsen steps up next to us with the briefcase in hand.

“Now this!” she says cheerfully, and tosses it into the pit.

“Wait!” Julie gasps, snapping out of her daze and reaching out in a futile attempt to grab the case. We watch in horror as it bounces down the funnel with a series of bell-like clangs and disappears into the shadows.

“What the fuck, Tomsen?” Nora says, running to join us. “Did you just blow us up?”

I’m relieved to see M hobbling along behind Nora, clutching his bandaged midsection, but my relief might be short-lived if Tomsen just lost her mind.

“It was designed to be a suicide bomb,” she says, “but I added a timer circuit so we don’t have to die!” She beams like a kid showing off her science project.

“Okay but…how much time?” Nora says.

“Enough for us to get away, but not enough for anyone to fish out the bomb. It’s perfect! I’m so excited!”

“Huntress,” Julie says, grabbing her shoulders. “How much time?”

Tomsen’s giddy smile falters and she cocks her head. “Fifteen minutes?”

Julie claps a hand over her face.

“Is that…not perfect?” Tomsen asks.

M sighs. “We’re gonna have to run again, aren’t we?”

“We needed to use this place before we destroyed it,” I tell Tomsen. “We needed to show the world what’s happening here.”

Her face brightens. “Oh! We’re already doing that. See?”

She points to the control station. All the editing monitors now display security camera views of various locations in the stadium. The big screen at the top, the one that was showing the Fed TV broadcast, is now showing…us.

Four blood-smeared adults and a debatably Dead child, surrounded by bodies on the rim of a bottomless pit.

“Are you saying,” Julie says under her breath, “that we’re broadcasting to the whole country…right now?”

“Exactly! We have been for about ten minutes.”

A profoundly uncomfortable silence fills the room.

Slowly, with wide eyes, we turn to face the camera.

“Everyone’s watching,” Tomsen says, “and listening, and they’re probably getting pretty confused by now, so maybe you should say something.”

Julie gives the camera a cringing smile. “Um…hi.”

Tomsen runs back to the control station. “Go ahead. Tell and show. Give them a tour of Hell. I’ll keep the cameras on you from here. But hurry, okay? Because…fourteen minutes.” She grins and flashes a thumbs-up.

I stare into the glass eye of the camera and I feel it growing, filling my vision like a dark planet. It can’t really be the whole world in there. It’s just this country. And maybe Canada. And maybe Central America if the technology is as advanced as it looks. But there’s no way it reaches the eastern hemisphere. Unless there are relay stations…?

“R?” Julie whispers, reading the tremors on my face. “Do you have something to say?”

I open my mouth. “My name is—”

My voice sounds too loud, like I’m in a small bedroom shouting into a megaphone. I shut my mouth, startled. I take a deep breath, hoping the words will come when I release it, but someone interrupts me. That voice in my limbic cortex, bitter and wry like a heckler in the back row of my mind.

Let’s hear it, kid. Let’s see you change the world with an idea.

I grimace. I take a step back.

Let’s see you tell hungry people that there’s more to life than food. Let’s see you convince these weaklings that they don’t need a strongman to lead them. Let’s hear some poems about hope while an army of death swarms their homes.

It’s him. It’s not just his raspy timbre in a roar of other voices; it’s him. He surges out of the noise, pulling his scattered identity together and reaching for my throat.

My throat is tight. I can’t speak.

What’s the matter, Recessive Atvist? What’s wrong, Recreant Atvist? Did you forget your big speech or did you never have one? Did you come all this way to stand in front of the world only to realize you’ve got nothing to say?

The black worms are sliding through my grip, spreading out from my wound and wrapping around my neck like a noose. I can’t breathe. I see Julie’s worried eyes on me and I remember what I said to her the last time her asthma attacked. Think about breathing. The pleasure of it. The privilege. I try to follow my own advice, repeating it like a mantra, but he interrupts me again.

You don’t need to breathe, remember? You’re a corpse. You don’t need these people. You don’t need this fight. You’re dead, and everything is easy.

Something sparks inside me, and my panic flares into anger. I feel my blood boiling, my face flushing red.

Wheezing and clutching my throat, I stumble away from the camera toward the emergency exit on the other side of the pit.

“R!” Julie says. “Where are you going?”

I hear Nora’s voice behind me, nervous and thin. “Hey, uh…world? So, I don’t know if you caught this earlier, but in about fourteen minutes, BABL’s gonna be gone. You’ll be able to change the channel. But first we need to show you something, so, uh…stay tuned?”

I hear the footsteps of my friends following me but they sound miles away. I shove the door open and find myself in a narrow shaft, not stairs but a ladder, rising toward a distant square of daylight.

If down can be up then up can be down, my grandfather says, and do I detect a note of unease creeping into his snarl? Maybe you don’t want to climb this ladder. Maybe it’s safer down here. Didn’t you have a speech to make?

I start climbing, ignoring both my grandfather and the screams of my broken knuckles. I hear Julie and M behind me making little agonized noises as they strain their own injuries and I want to tell them to turn back, to keep themselves safe…but no, I don’t want that. I want them by my side.

The shaft emerges onto the stadium rooftop. The wind howls across its opening; I have to crouch to stay steady. It takes an effort to make myself turn and help Julie up, because everything in me is pointing ahead, toward the structure on the apex of the roof.

Glimpsed from the outskirts of Post, it was an ambiguous lump. Now that I can see it clearly, I’m still no closer to understanding it. It appears to be the dome from Post’s city hall—not a recreation but the actual dome itself, torn off that building and dumped here on the stadium roof. Its cracked walls and bent pillars reveal stone-textured fiberglass and marble-patterned plastic, but despite the late era flimsiness of its construction, the stadium still sags under its weight. It doesn’t take an engineer to see that this thing will fall through any day. Perhaps any minute.

I move toward the crooked, crumpled edifice with careful steps. The wind buffets me furiously, blowing my hair over my eyes and hissing in my ears, hot like an animal’s breath.

You’ve come to work for us. This is the right thing. The only thing. We are unsurprised.

The dome is modeled after the US Capitol’s grand old rotunda, but reduced to the size of a small house. At its crown is a statue of a woman in robes, and two flags have been drilled into her shoulders: Old Glory and the Axiom logo. She is a shrunken plastic replica of the capitol’s bronze colossus, a statue called Freedom that was forged and erected by slaves.

Everyone has a place. We saw it all in the deep dark.

The voice becomes less and less Mr. Atvist as I get closer to the dome. I can feel his fury as he sinks back into the group, losing his precious, peerless self in the noise of all his peers.

The earth swallowed us. We sank beneath the city and the city closed over us.

It’s not really addressing me anymore; its attention has wandered into some obscure reminiscence, like an old man lost in dementia.

We raged as we died. We had beaten all our enemies but we were still going to lose. It wasn’t fair. The earth had no right to ignore our success.

“Oh my God,” Julie says. She is looking over the edge at the war on the ground. I can hear it—the guns, the explosions, the screams of the Living and the dry roars of the Dead—but I decline to look. I can feel the Boneys’ hum rising up the walls as they climb, but my eyes are locked on the dome. The doorway ahead. A keypad just like the ones in Freedom Tower.

We died with the earth smothering our protests, filling our mouths with soil, and our rage was so strong that when we awoke from death, we still remembered. We refused to disappear.

I punch in the Atvist family code, that vestigial fragment of my DNA lingering in this ever-evolving monster. The door clicks open.

But we were buried, crushed inside the earth. We felt the hunger but we couldn’t satisfy it. We seethed and struggled. Our teeth gnashed on rocks, and the dirt pressed into our eyes. Months passed. Then years. We went mad and then sane again, and finally we saw the truth.

I step inside the dome. My footsteps echo flat and strange off its misshapen walls.

We saw the natural order of everything, like the strata of earth that surrounded us, timeless and inescapable. We saw the line of our ancestors and the history of civilization, from chieftain to king to president to us. We saw the gears of the machine and how smoothly they turned, and we knew it was our job to keep it running.

The dome has no functional spaces. No offices or living quarters. It’s an ornate empty shell. The only notable feature is a jarring incongruity amongst all the faux-marble classicism: a rusty red shipping container, resting in the center of the space like an artifact in a museum.

We had to come back. We had to do our job. So instead of starving, we conquered the hunger and twisted it into power. We heard other voices like ours and we seized them. And as we rotted away, we grew stronger. We shed the weight of our flesh and began to dig.

I can feel the presence of my friends behind me, but they’re silent. Can they hear the voices? Can they hear the buzz inside the shipping container, like an enraged nest of wasps?

My skin crawls as I reach out and lift the container’s door latch. The door swings open with a squeal of long disuse.

Bones pour out around my feet.

The container is full of them. Not full skeletons, just white and brown fragments, rising waist-high all the way to the back of the box. I feel them vibrating around my ankles, disembodied hands grasping, unpaired jawbones trying to bite. The whole heap rattles and chatters and buzzes and hisses; acrid dust rises from it and blows into my face, and I want to cough and vomit but I’m paralyzed with disgust.

Look what I built! my grandfather crows, oblivious to all the other voices shouting over him and each other. I carved my name on the world! No one will ever forget me!

He sounds distant, muffled, buried somewhere in that dusty pile.

Now it’s your turn, kid! Come claim your inheritance!

A thought flashes in my brain like a small explosion—my father. My weak, violent, fanatical father…he rejected this offer. As broken as he was, he took that one step off the path his father laid out for him. One step away from that whirlwind of bones and the grunting brutes at its center. He never got far in his miserable little life, but he took that step, and my life began where it landed.

I am not a lone aberration in a heritage of cruelty. I am another step.

Tears flood my eyes as I turn to face the people I love. They watch me with horror and confusion. Everyone except Addis, who lingers in the shadows, waiting with what looks like expectation in those strange yellow eyes. I catch movement above me and I look up. A security camera stares down at me and past me into the rusty metal box that is Axiom’s executive suite. As I gaze into the black depths of its lens, the camera nods up and down.

You’re on, Tomsen is telling me. Say what you came to say.

Julie once said she could tell me anything because I just sit there and listen. I’ve always been a good listener. Even before my undead impediments, I preferred to let others do the talking while I relaxed in the safety of silence. But life isn’t a story that the world is telling me. Life is a conversation, and I’ve been listening long enough. It’s time for me to speak.

WE

THE SHORT MAN is sitting in his living room, ensconced in his plush recliner. He has not moved from this chair in a very long time. The room gets dark, then bright, then dark again as the days pass. Sometimes he closes his eyes at night, but he doesn’t sleep. He thinks. He wants. He waits.

And he watches television. He was unhappy when the LOTUS Feed became an endless Axiom infomercial. He doesn’t like this new show. He didn’t exactly “like” the old one either; no one really enjoys the Feed, they watch because it’s less horrific than silence. But that balance has almost tipped for the short man. Sometimes, when the noises get too loud and the images too frenzied, he considers getting up. He considers walking outside to see what everyone’s doing—his neighborhood has been busy lately. He even considers talking to some of these people who are standing around him in his house, wandering from room to room or just sitting next to him. But so far, the best he’s managed is to close his eyes.

His eyes have been closed for about an hour when he hears a stirring around him. He opens them and sees that he has more guests. People are coming in from the street, crowding into his living room until there’s only room to stand. For an instant, he imagines drinks in their hands, music on the stereo, laughter, joy—a party!—and his blank face warms with a smile. Then the image fades. He does not know these people. They do not know each other. So why are they all together?

He looks at the TV.

Something is different.

Instead of the glossy stock footage of the classic Feed or the garish intensity of Axiom ads, there is a grainy, poorly lit shot of a tall man in a cavernous room. The man stares into the camera, and the shot holds on his face. It doesn’t cut between five different angles or zoom in and out or insert bursts of music and sound effects. It just watches his bruised, bloody, trembling face.

The short man realizes he knows this person. The tall man was his neighbor. So was the short girl standing next to him. He remembers them sitting on the floor in front of his chair and talking to him. Introducing themselves. Their names were…

The short man’s eyes widen. Does he actually remember their names?

One was…Julie.

The other, just a strange sound…Arr.

And they asked him his name. And he said…

“B.”

He smiles as the sound parts his lips. He makes it again, first as just a letter and then as the beginning of a word, testing its possibilities. “Be. Buh. Beh—”

“Shh,” someone says, and turns up the TV.

The tall man looks scared but determined. He wipes his eyes. He takes a deep breath.

“My name…is R,” he says, struggling with the words. “It’s…only name that…matters to me. Only name I have…in this life.”

He looks at the ground.

“But…had another life. Another name.”

He shakes his head.

“First name’s not important. Just a noise my parents liked. But last name…family name…”

He forces his eyes back to the camera, takes a shuddering breath, and firms his voice.

“I was an Atvist. My grandfather founded the Axiom Group.”

“At…vist,” B says, frowning, and someone shushes him again.

“What this group wants is to go back,” R continues, and his voice is solidifying, gaining speed and force. “Back to packs and pecking orders, predators and prey and the dominance of the strong. It wants a world driven by hunger and fear, where we kill our children to keep them safe.”

The video stutters between R and a menu screen, a scrawl of code, a quick scramble through a selection of clips—then a huge room filled with plush chairs. B grins—paradise! But then he notices the people strapped into those chairs and stuck full of tubes and wires. He sees a little girl with a blue eye patch bucking and kicking against her restraints. And he sees R and Julie and a few others storming into this room and releasing everyone.

“The Axiom I worked for was a dangerous thing, but it’s become something much worse.”

He speaks over a montage of security camera footage:

Axiom guards divide up a crowd, directing some into apartment towers and others into vans.

A corral full of people sway and stare with looks of utter emptiness, like they’re waiting to be told what they are.

Two men in lab coats carry a struggling woman up a ladder. They drop her into a tank of clear fluid, and the three skeletons drifting in the tank come to life. The woman disappears. The fluid turns pink.

“Axiom isn’t a government,” R says, and his face reappears on the screen, his eyes now dry and fierce. “It’s not a strong leader of a secure society. It’s this.”

He steps aside, letting the camera focus on what’s behind him: a shipping container filled with brownish-white debris. Concrete? Dirt?

Bones.

Rattling bones and buzzing skulls, like the ones in the airport where B used to live, the ones that hissed wordless sermons and meaningless rules and roared like battle horns whenever they were challenged.

“This is Axiom’s Executive branch. This is where your orders come from.”

A severed hand claws its way out of the pile and into the mouth of a leathery skull. The skull bites down and the hand writhes.

“It’s a single neuron in the lowest part of our brains, firing over and over, and it’s saying the same thing it’s been saying for billions of years. Take. Eat. Fight. Win. Fuck. Kill. Survive.”

He spits the words like the names of old friends who betrayed him.

“But there’s more to us than this, isn’t there? Haven’t we grown bigger brains? Bigger souls?”

“Brains,” B says. “Be. Buh. Beh.”

Someone elbows him but he keeps mumbling, sampling syllables on his thawing tongue.

“We have the vocabulary for bigger thoughts. Beautiful, intricate thoughts made of many words. Maybe some we’ve been thinking for a long time but have been too scared to say aloud.”

“Be…Beh…Ben.” His eyes widen. His chest swells with a deep breath. “Ben!” he shouts, and a few of his neighbors stare at him. “My name is Ben!”

Ben stands up so fast he knocks over his chair.

• • •

Gael ducks as the helicopters roar overhead. Gebre shields his face against the blast of dust and leaves. The wind obliterates the street market, scattering its food crates and clothes racks and invention demo tents, blowing away Portland’s experimental society like a puff of dandelion seeds. Gael wonders what wish they made, the children flying those helicopters and driving these trucks down Hawthorne Street.

“I knew it,” Gebre says, shaking his head. “I can’t believe it, but I knew it.”

“Sir,” says a soldier in a beige jacket, “I’m going to have to ask you to keep moving.” He jabs at them with his rifle. Gael and Gebre fall into the line of prisoners—though of course Axiom doesn’t use that term, preferring to avoid the uncomfortable association with the thing it actually is. Prisoners became “detainees” decades ago, and now they’ve graduated to “guests.”

Gael and Gebre shuffle into the community center to join the rest of the guests. Portland’s organizers gathered here at the first sign of attack, calling it an emergency strategy meeting, but there was no strategy to discuss. They’re not a militia; they’re farmers and builders and artists and scientists. Their only plan for a situation like this was for it to never happen. And so the strategy meeting transitioned into a prisoner camp without a shot fired. The invaders didn’t even speak. They just walked in with their guns and redefined the context.

“I wanted to be wrong,” Gebre mumbles as he and his husband take their place in the crowd. “I thought it could be different…”

“Stop it,” Gael says.

“…but it’s Catalonia and the Free Territories and Stalin all over again.”

“I’m serious, Geb. Don’t you dare say it.”

He shakes his head. “I won’t say it. But it rhymes with ‘blistery retreats.’”

“Why is the TV off?” shouts an officer with a gray tie hanging over his gray shirt. “You people don’t want Axiom’s exclusive offers and updates?”

He finds the remote and clicks on the big flatscreen that hangs above the help desk.

Something is different.

Instead of the montage of dissociative imagery that usually fills the screen, the TV shows what appears to be raw security footage. A tall, East African-looking woman is calling to the camera as she slowly backs away.

“…in about fourteen minutes, BABL’s gonna be gone. You’ll be able to change the channel.”

She is far away from the microphone and her voice is faint. The community center listens in total silence.

“But first we need to show you something. So, uh…stay tuned?”

She looks familiar, but before Gael can place her face, she turns and runs out of the frame. The scene cuts to a battle.

For a moment Gael thinks it’s a movie—it has all the wordless mayhem of an old-world blockbuster’s obligatory action climax—but there’s a distinct lack of drama in the spectacle. Just a long, steady shot of soldiers and trucks and a clattering swarm of human skeletons, all locked in a blur of combat so jumbled it’s not even clear who’s fighting whom.

The troops in the community center watch the footage in mute horror. Then it cuts from the battle to the roof of the stadium. It pans over to a bizarrely incongruous dome resting on the roof, then cuts to the interior of that dome, where a man is looking at the camera.

“My name…is R,” the man says, and as he continues to speak, the silence in the community center deepens. The soldiers begin to glance at each other. When the footage cuts to some kind of laboratory, the officer clicks the TV off.

“I think we’ve seen enough of whatever that was. I’m sure we’ll have the Feed back online in—”

A young man in a beige jacket walks up to the officer, looks him in the eyes, and snatches the remote out of his hand. While the officer gapes at him, the young man clicks the TV back on and looks up, ignoring his father-boss’s reddening face.

Gael can hear his own heartbeat as a parade of horrors marches across the screen. The hurricane that ejected him from New York suddenly seems like an act of providence.

When the tall man starts speaking again, Gael leans close to Gebre and whispers, “Don’t we know him from somewhere?”

Angry murmurs begin to rise from the troops as the camera zooms in on a metal box full of bones.

“What the fuck is this?” someone demands, but the officer offers no answer. His outrage is cooling into fear.

The man who called himself “R” walks away from the box. The camera follows him, revealing three more people: the brown woman from earlier in the feed, a bald, bearded giant, and a short, hard-looking girl with wild blond hair—Gael’s eyes go wide.

“Lynda’s Diner!” Gebre whispers to him. “The utopians!”

Gael remembers. He remembers the blond one diving into their debate with savage passion, her blue eyes sparking like an overloaded electrical socket about to catch fire. The man sitting next to her didn’t say a word the whole time. But now…

“We have the vocabulary for bigger thoughts. Beautiful, intricate thoughts made of many words. Maybe some we’ve been thinking for a long time but have been too scared to say aloud.”

His eyes are brown, but they flash with that same furious spark. And…are they brown? It’s probably just the bad video, but Gael could almost swear their color is fluctuating.

“We don’t need their world anymore. We have the materials to build a better one. All we need is the courage to start working.”

The camera pans a little farther, and Gael sees one more person hiding against the wall.

He stifles a joyful scream.

“Oh my God!” He manages to bring it down to a yelp, digging his fingers into Gebre’s shoulder. “Do you—”

“I see him,” Gebre says with a radiant grin.

The boy’s strange yellow eyes look into the camera as it pans past him. Gael wouldn’t be surprised if the boy can see him too.

“Kick their asses, Rover!” Gael blurts.

Gebre pumps his fist. “Woo!”

No one shoots them for their outburst. More and more soldiers are letting their guns wander off their targets. Without any signal or instruction, the crowd in the community center begins to tighten around the men in gray ties, the line between captor and captive rapidly blurring.

“I’m sure their troops are on their way right now,” R says with a quick glance toward the door, “so before they shut me up, I have one more thing to say…”

I

JULIE IS STARING AT ME wide-eyed like she’s witnessing a miracle, and maybe she is. I have said more in these three minutes than in my entire second life. No careful reserve, no self-conscious minimalism—I am cracked open. The words pour out of me without review or revision, rushing up from some deep, warm spring in my center.

“…all we need is the courage to start working,” I finish, and Julie’s mouth curves up into a silent laugh, half amusement—which I fully deserve for my shameless grandiloquence—and half genuine amazement.

She mouths Holy shit, and I can’t resist a grin.

Then I remember where I am and what I’m doing, and the fear sobers me up.

“I’m sure Axiom’s troops are on their way right now,” I tell the camera, the country, the world—no, keep it simple. Just a camera. Just Julie smiling behind the viewfinder, snapping Polaroids of me in an abandoned house. Just her and me.

“…so before they shut me up, I have one more thing to say. A word for the Dead.”

I take a deep breath.

“You don’t have to be what you are. Even the Dead can heal. I’m…I’m Living proof.”

Julie rolls her eyes, still smiling.

“And so is he.”

I point to M. He waves.

“And so is he.”

I point to Nora’s little brother and he presses his back against the wall as if uncomfortable with the attention.

“And so are the hundreds of former Dead who have been living in this stadium. Because nothing is absolute. ‘The way things are’ changes when we do.”

Out of the corner of my eye, I see one of the other cameras nodding vigorously. Remote applause from our friend in the basement? Or a signal to wrap it up? It occurs to me that Tomsen probably isn’t one to keep an eye on the clock. She might stay at the controls to the very end if I’m still talking when the bomb goes off. I could have done without this extra pressure for my first public speaking gig…

“Look at this,” I tell the camera, pulling my pant leg up, and the camera pans down to it. “This was my first infection.” The camera rises as I pull aside my shirt collar. “And this was my second.”

I can’t see the wound, but I’ve seen plenty others like it. I’m looking at one right now, that dark pit on Addis’s shoulder, raw flesh dried up but never healed. It’s a mirror image of mine.

“The first bite took my first life. This one tried to take the life I’m living now. I didn’t let it.”

I glance at Julie. She has stopped laughing.

“Some people think the plague came from outside, like a foreign invader. They think it can be stopped with walls and guns and quarantines.” My voice has begun to tremble again. “But I think it comes from inside, and everyone’s infected. I think we’re born with it and we die with it and we’re never truly cured.”

I turn away from the camera and look at Julie, starting to believe my fantasy that it’s just me and her. “But that doesn’t mean it has to kill us!” I feel a pang in my chest, like the pluck of a piano wire strung between my ribs. A euphoric laugh bubbles out of me and tears dampen my eyes. “We don’t have to let it win.” I feel the world growing softer and quieter as warmth spreads through me. The cavernous dome shrinks to an intimate place, a secret. “We can fight it and hold it off,” I whisper to Julie, and there are tears in her eyes too. “Maybe just long enough to live a good life.”

I hear her voice as if from far away, and something in it troubles me. Something in her face isn’t right; there are more tears than there should be. The warmth in my chest is hot now, burning, and I look down and see that my gray shirt has turned the same color as my tie.

I look up again. Julie’s eyes are an open sky, boundless, fathomless, terrifying, beautiful.

I fall asleep.

WE

THE STADIUM had other gathering places, like the community center and the square, but the Orchard was the only place that didn’t have a purpose. It hosted no meetings, it stored no supplies, it served no function except to nudge people together and invite them to feel good.

Within six days of the stadium’s new management, the Orchard was rebranded as an emergency shelter. Nearly a third of the stadium’s buildings are now emergency shelters, though there is nothing particularly safe about them. Just a sign on the door indicating this is where you should wait while forces bigger than you determine an outcome.

Naturally, the alcohol is gone. The bar is buried under supply crates, though a few visible graffiti carvings hint at a messy human history. The TVs, however, were allowed to stay, because from their perches in the corners they shower the shelter’s patrons with Axiom’s stream of consciousness.

Or they did until five minutes ago. Now a different show is on.

Team Manager Abbot bursts into the crowded room of frightened people. He sees the TVs and the rapt faces watching them: live footage of the battle outside, if one can even call that clusterfuck a battle.

“Turn that off!” Abbot shouts. When no one jumps to obey, he draws his revolver and shoots out the screens. A dramatic, wild-west gesture, but that’s the point. The crowd huddles as glass rains down on them.

Abram watches through the doorway from the balcony outside as Abbot shouts orders at the refugees. And then a flash diverts his attention. He instinctively looks up, but it’s not lightning—the roof is closed; they’re locked in a skyless box. He turns to the railing, scanning the patchwork cityscape below, and he sees it: a blue-white brilliance pulsing out from the entrance lobby.

Arc cutters.

He feels himself sinking as the pieces click together. The Goldman rebels will open the gates. They’re too few to fight Axiom directly, but if they can help God’s Jury reach its verdict, there won’t be much left to fight.

It’s a strategy Axiom would admire. Didn’t they use it themselves not so long ago? Circling above the global fray until America exhausted itself, then swooping in to pick the bones clean? The new America will need a new bird to represent the new patriotism. A vulture will do nicely.

“Roberts!” Abbot shouts at Abram’s back. “Snap to it, son!”

“They’re cutting the gates,” Abram says quietly.

“Let the wall crew handle the siege. We’ve got other orders.”

Abram turns around. “Are we going to shoot all the TVs in the stadium?”

Abbot’s eyes narrow. “Executive is prioritizing the pirate broadcast. We can’t get into the basement, but we have pitchmen on the roof waiting to do damage control once we clear the terrorists.”

Abram can’t hide the incredulity in his voice. “Sir…Goldman’s cutting the gate. If the Boneys get inside, they’ll gut this place in an hour.”

“It’s just one branch,” Abbot says. “We have dozens.” There’s a stiffness in his voice that Abram hasn’t heard before, a reduction in personality, like he’s fighting his own thoughts—Path Narrowing. “But if we don’t stop this broadcast, we might not have any.”

Abbot’s walkie crackles, receiving that very broadcast on Fed FM.

“My name…is R.”

Gentle and hesitant. Weak and uncertain. If that voice ever convinces anyone of anything, Abram will give up on understanding the world. So why does Abbot look so worried?

“I was an Atvist. My grandfather founded the Axiom Group.”

The voice is a little firmer now.

“His grandfather?” Abram says. “What’s he talking about?”

Abbot’s face is pale.

“Sir?”

“Move,” Abbot growls, and runs toward the tunnel into the walls.

• • •

“This is Axiom’s Executive branch,” R says as they race up the stairwell. “This is where your orders come from.”

What could “this” possibly refer to? Did he take the executives hostage? Abram glances through the doorways of each landing, searching for the glow of a screen, but the wall is a dark, dead place.

Abbot radios for backup. Four men join them on the fourth floor—or is it the fifth? Abram feels disoriented. He feels places and people overlapping like the pages of different books, wet and translucent and blending together.

“Their troops are probably on their way here right now,” R says, and the soldiers chuckle darkly, but Abram’s face is blank. A memory flickers in his head. Men in beige jackets pointing guns at his daughter outside the flaming wreckage of his old truck. Are these the very same men? Of course not. Those men are dead, like Jim Roberts, the man whose name Abram wears like an animal’s hide.

“You don’t have to be what you are,” R says. “Even the Dead can heal.”

Abram feels the balloon in his brain stretching again. But before it can burst and flood him with toxic bile, he hears that other voice, far closer and clearer than R’s staticky monologue.

You thought you had to do it, Abram. So did Kenrei.

He flinches at the sound of her name. He thought he’d never hear it again.

You did it because you loved her, and that’s how it’s written on her final page. So let her go. Let the rules change.

He feels the balloon shrink a little, as if someone has sucked out some poison.

Who are you? Abram demands, and it’s strange to hear a tremor in the voice of his own thoughts.

Do you really not know?

He grits his teeth. He tries to pull himself together as the other men push through a door and daylight floods the stairwell. He steps out onto the stadium roof and into a wind so fierce he wonders if it’s another hurricane. But the sky is blue. The wind is hot and dry. He’s never seen weather like this.

He has seen the dome, but only from the ground, and even from that distance it seemed a tacky pastiche. Up close it’s fully ludicrous, a giant plastic playhouse dumped crookedly on a roof that can barely support it. But he’s surprised that he’s surprised. Especially when he sees the three pitchmen waiting around the back, grinning in their colorful costumes. Did he ever really believe he was working for men of sanity?

The pitchmen don’t say a word. They gesture to the door. Even Abbot shrinks away from them as he slips inside.

The dome is unlit, but shafts of light pour through the little arch windows and leak through cracks in the fiberglass walls. Abram feels dizzy in the surreal structure. Walking in a space that was designed as a ceiling creates a sense of floating. It doesn’t help that the whole thing heaves with each gust of wind. He reaches out to steady himself on the freight container that inexplicably dominates the room, but when his hand touches the metal he feels something crawling up his arm. A vibration, or maybe an electric current, humming through his shoulder and into his neck. It creeps around his skull and starts to cohere into voices and he jerks his hand away.

“Roberts,” Abbot hisses, elbowing him in the ribs. “Focus.” He jabs two fingers at his eyes and then forward.

There they are.

The dome is thick with shadows, but Abram can see his former travel partners in the dusty shafts of daylight. He starts to catalogue them by features—the black girl, the big guy, the blond bitch, the lanky fucker—but his mind surprises him with names.

Nora. Marcus. Julie. R.

They look like they’ve been through Hell. Abram saw some of it on the screens. He saw Marcus take a knife in the ribs. He saw Julie take it in the leg while trying to protect Marcus. And now they’re all here, bloody and gaunt, knowing full well that Axiom is coming for them and apparently not caring.

It is hard to call this weakness.

“Some people think the plague came from outside, like a foreign invader,” R is saying to the camera. “They think it can be stopped with walls and guns and quarantines…”

“Drop your weapons!” Abbot shouts, rushing out from behind the container with the four soldiers at his back. Marcus and Nora start to raise their pistols but Abbot fires an inch over Nora’s head, sending a tuft of hair flying. “Don’t do it, dumb-fucks! Drop ’em!”

Nora and Marcus drop their weapons. Abbot nods to his men and they move forward to secure the prisoners.

But R…

R is still talking, like a man in a dream, unaware of anything around him. Like a little boy smiling at a girl on a playground, oblivious to the dark clouds on the horizon.

“I think we’re born with it and we die with it, and no one is ever cured. But that doesn’t mean it has to kill us!”

Abbot sighs. “You’re never gonna shut up, are you?”

He fires.

R lurches forward but doesn’t fall. He doesn’t even turn around to see who shot him. He laughs, and it’s a joyful sound, like he’s discovered something too beautiful to believe.

“We don’t have to let it win.” He turns away from the camera and takes an unsteady step toward Julie, whose blood-speckled face is frozen in shock. “We can fight it and hold it off.”

Julie is shaking her head, eyes filling with tears as R touches her cheek.

“Maybe just long enough to live a good life.”

His knees buckle. His eyes roll up. He collapses in a puddle of bright red blood.

Julie releases a scream that sounds like “no.” It rises until her voice breaks. She drops to her knees and grabs R by the shoulders.

Abram is staring at the blood. There’s blood everywhere. There always is, wherever he goes. It oozes from Julie’s leg and from Marcus’s side and from R’s chest. It gushes from his wife’s forehead, and from his brother’s and his father’s and his mother’s, however and wherever they died.

And it seeps from three claw marks on his daughter’s cheek as she stands in the doorway of the dome, staring at him with two horrified eyes, one brown, the other yellow, uncovered and blazing with its strange and terrible fire.

The other two children rush in behind her and slam the door like they’re being pursued, but Abram doesn’t see whatever’s pursuing them. He sees only his daughter’s eyes as they move from the dying man on the floor to the gun in Abram’s hand.

“Daddy?” she says, incredulous and dismayed, and he finishes her accusation in his mind. Is this what you meant by waiting for the right moment? Stalling, bargaining, compromising, conceding, standing back and keeping silent while brave fools take the bullets?

Abbot is signaling to the pitchmen, giving them the all-clear so they can retake the stage and address the world and undo whatever damage this fool might have done with his words. But as that grinning trio steps into the dome, Julie leaps to her feet, fists clenched at her sides, and stares into the camera with savage intensity.

“Come here,” she growls. “All of you.”

Abbot raises his gun, then hesitates, cocks his head, turns to Abram. “You do this one, Roberts.”

“I know you’re out there,” Julie says to the camera, trembling with rage. “I’ve seen you filling up the towns, watching your TVs like you’re waiting for something…”

“Roberts,” Abbot says. “You put a bullet in her head, and you’re off probation. You get a job, a home, a comfortable life for you and your daughter.”

Abram’s rifle becomes buoyant in his hands. It begins to rise.

“Well it’s happening now,” Julie tells the Dead. “The world is ready for you. We want you back.” Tears are streaming from her eyes. “Help us!”

“Roberts!” Abbot snarls. “Shoot that bitch, now!”

Abram points his rifle at Julie, but he’s not looking at her. His daughter’s eyes hold him like a vise.

“Dad,” she says, stepping toward him. She shakes her head with such gravity that he barely recognizes the little girl he raised. The toddler who begged for late-night stories to clear away her nightmares. The baby whose sun yellow eye seemed to burn right through him until he could no longer stand it. “No more,” she says, and he’s amazed at the authority in her tiny voice, not just a plea but a command. “No more.”

Abram looks away.

“The gate’s wide open for you,” Julie tells the Dead. “Come home!”

Abram fires.

Team Manager Abbot looks perplexed. He wears the expression of a man searching for answers. We can feel him reaching into our shelves, digging for older stories from better times, some sort of context for how he came to this moment. His eyes are wide with confusion, and one of them is a tunnel through his head. For an instant, sunlight shines through it. Then it fills with blood.

Abram is aware of a hulking form rushing toward him from the shadows, but he doesn’t turn. He kills the soldier guarding Nora. He kills the soldier guarding Marcus. He takes a few bullets from the remaining two soldiers, but he kills them too. Only then does he address the man in the black tie, turning just in time to feel his ribs shatter as the man crashes into him.

He hits the ground. Fists as unyielding as granite pummel his body, snapping bones, spattering blood. He raises his arms to shield his face, and his eyes lock with his assailant’s. What he sees makes his arms sag.

A vivid blue contact lens has slipped to the side of the man’s eye, and what’s underneath is not a gray iris but no iris at all. It’s a hole, like the hollow gaze of ancient statues, leading back into the cave of his skull.

Crouched over Abram like a rabid animal, the thing in the black tie bares its teeth and takes a greedy bite of his neck.

Numbness creeps from the wound, and understanding comes with it. This is what he spent his life working for. This and the heap of bones in that box, now spilling out onto the floor and rattling toward his face. A beast that can’t be bargained with, appeased, or avoided. A beast that has to be fought.

He searches for his daughter in the mess of running feet and dying bodies that litter the floor. He sees her; she’s screaming, crying, but she looks tall and powerful from down here. So does Julie as she raises Abbot’s revolver, and Abram thinks, Do it. I let them kill your lover. This is the paycheck I’ve earned.

But Julie doesn’t point it at him. She doesn’t take her deserved revenge or deliver her verdict on his life. She points it at the creature that’s eating him and blows its head into dusty fragments.

“We apologize for this disruption,” Blue Tie is telling the camera. “If you found any of the preceding content confusing or upsetting, please disregard those feelings at this time.”

“We invite you to feel calm,” Yellow Tie says with a comforting smile. “Normal programming will resume in a—”

Julie shoots her through the mouth. Yellow Tie’s bright grin becomes a dark hole. The contents of her skull burst out the back of it, brittle and bloodless like freeze-dried meat.

Blue Tie’s face bends into a frown, a man mildly inconvenienced. “Your behavior may be negatively affecting—”

Marcus rips his head off. He cracks it open on his knee and raises it to the camera, displaying the crystallized brain inside. Blue Tie’s face is peeling around the edges, just barely clinging to the skull, but still grinning. Marcus gives the camera a shrug as if to say Your call, folks, and tosses the head aside.

And it’s done. For a moment at least, they’re safe.

The wind finds its way through the arch windows and stirs the strange debris on the floor, the fragments of the pitchmen and the buzzing bones of their bosses. Julie’s eyes are wide and blank as she watches Nora tear open R’s shirt and begin to examine his wound. And then Julie turns her gaze to Abram. It’s a cursory glance, a quick assessment of his bites and bullet holes and the blood pouring from them, but it baffles him. In the midst of all this pain and terror, while her lover bleeds out in front of her, she spares a moment for the person who helped make all this happen, a person who’s a stranger at best, an enemy at worst.

Why?

“Sprout,” she says, emerging from her shock just enough to soften her voice. “Your dad’s going away.”

Sprout is kneeling next to him. She doesn’t recoil as his blood reaches her knees and soaks into her jeans. “I know.”

“If he ever really comes back…it’ll only be for a minute. He’s hurt too bad.”

“I know.”

Julie glances at R again. The dullness in her eyes is starting to melt. She holds the gun out to Sprout.

“He’s your father. I can’t tell you what’s right.”

Sprout nods, dislodging fresh tears. She takes the gun.

“Abram,” Julie mumbles, struggling to meet his eyes. “Thank you.”

And then she’s gone. But her words ring in Abram’s head like dissonant bells. Thank you? After all this—thank you? His mind spirals back to the first day he met these people, their bizarre gratitude as they fled the smoking ruins of the home he helped destroy. No hate, no spite, just an acknowledgement of a tiny kindness.

What secret do these people know? Is it too late for him to learn it?

“Dad?”

His vision is dimming. The room is filling with black clouds.

“Do it,” he croaks.

Sprout shakes her head.

“You have to. I’ll—” He cuts off in a fit of coughing, spattering her face with blood. “I’ll hurt you.”

“But you won’t, Dad.” There’s an odd steel beneath her sniffling. A confidence that Abram doesn’t understand, the sound of hidden knowledge. “We’re going to change it.”

Abram lets out a slow, ragged sigh. He doesn’t know or care what she means. He only cares that she’s with him, and that she will get through this. Someone will take the gun from her and do what has to be done, and eventually her tears will subside. She will move on. She will weather this loss like she has so many others, and despite all he’s done to them, these strange, good people will keep her safe. Or as safe as a kid can be while climbing trees and ladders.

He feels layers of darkness splitting open as he sinks deeper. He tries to open his mouth to say one last thing, to tell his daughter something he’s always felt but never known how to say, but his lips won’t move, his breath won’t come, he can’t—

Rest, Abram, says that calm, familiar voice. This isn’t the end.

But I have to tell her.

Rest with us, says his brother, his father, his mother, and all of us. We’ll help you find the words.

-

ADDIS STANDS against the wall and watches. He sees the man-shaped thing try to eat Sprout’s father and he sees Julie shoot it. He sees its head vanish in a dry explosion, bits and pieces but no blood. And he sees the bite in Abram’s neck, the black worms wriggling toward his brain while his daughter waits with the gun. “We’re going to change it,” she tells him as he fades, and then she glances back at Addis.

Addis swallows. His hands clench. Are we? Can we?

A concussive thump jolts the floor. Not a grenade or a rocket or any of the other noises from the war outside. A resonant boom from deep underground.

Below the plastic dome, below the stadium’s sagging roof, Huntress Tomsen dances in the street in the red glare of the fireball. She leaps and laughs as Julie’s metal house collapses. She whoops and waves her fists as it sinks into the earth, burying the smoldering remains of BABL. She dances like a demon, but every nerve is singing hymns. She can feel the fog of noise evaporating. She doesn’t need her radio to know the air is clear, but she pulls it out anyway, spins the dial away from Fed FM, and cranks the volume.

Soft static. Background radiation from the birth of the universe, and nothing more. And then a click. A breath. A voice.

Hello?

“Hi!” she screams into the radio, but that’s all she can manage before it falls from her shaky hands. She’s too overwhelmed to converse right now, too jittery. It’s enough to know that she can. That everyone can.

Her legs give out. She drops to the ashy pavement. “We did it, Dad,” she whispers, making no effort to wipe the tears from her eyes or the snot from her nose. “We can finally go home.”

Addis reads all this in our fluttering pages. It joins the swirl of other moments circling his head. He has been tallying them for a long time, counting up good and bad, weighing the balance on some imaginary scale of justice, but he is suddenly ashamed of this petty bean-counting. His grand calculations shrink to a human scale as they play out on the stage in front of him. He sees people trying. He sees compassion and love and selfless sacrifice. He sees blood willingly shed and tears that are more than grief and people continuing to fight long after their strength is gone.

He sees goodness. He sees a lot of it.

He sees enough.

Addis closes his eyes. He drifts into the dim expanse of the Library, surrounded by our whispering books.

Will you do it now? he asks us.

We don’t answer.

You’ve never been so full, and we’ve never been so thirsty. Will you pour yourself out? Will you do it?

We don’t answer.

He opens his eyes. Nora is examining the hole in R’s chest. Julie and Joan and Alex are kneeling by his side, all quietly pleading.

I said will you do it? Addis shouts into our vastness, sounding much older than seven or even fourteen. Answer me!

His conviction seizes our vacillating voices. He presses them into a decision.

We won’t do it, we tell him. You will.

And then he hears the hum.

For a moment he thinks it could be the wind. Just innocent air whistling through the windows, playing the dome like an ocarina. R has everyone’s attention except Sprout’s, who remains by her father’s side. The grownups give no sign that they hear anything, but as the noise rises from a hum to a howl, Sprout looks up. She turns her head and catches Addis’s gaze. The fear in her wet eyes confirms it—this is not the wind.

Addis approaches the door. No one notices, not even Joan and Alex, and this is good. They might want him to stop, and he can’t stop. He feels something filling him, inflating him, like he’s inhaling continuously with no need to breathe out, an exhilarating absence of limit.

He opens the door and steps out into the hazy sun, the hot wind, the hammering din of war.

They’re here. One hand, then another, sharp fingers digging into the edge of the roof and dragging skulls and spines behind them. Their hum fills Addis’s mind, louder than the gunfire. He lacks the vocabulary to describe what he’s hearing, but we have all the words ever spoken, and we know this sound even better than he does. We have been enduring it for billions of years as it churns up from the Library’s sub-basement: the dissonant drone of a tone-deaf choir, the raspy chant of a thousand geriatric monks. It’s a sour chord built on an atonal root and it never pauses to retune, it just drones and drones, forever faithful to a pitch established by accident in some dark jungle swamp long before the world had heard music.

Join, it tells him as the skeletons crawl up the roof. Follow. Eat.

No, Addis says.

The hum twists into even harsher discord, tones and overtones grinding against each other. There is nothing else. Only this.

Addis’s eyes blaze like molten sulfur. How well he knows these creatures. Whether or not any of this crowd ever crossed his path in the airport, he knows them, because they are defined by their sameness. They are the toxic byproduct of unity. Cult, regime, unquestioned custom, party line, canon, convention, taboo. For the past seven years, since the day they killed him, they have been dragging him through the stations of their parodic civilization, assigning him parents and shoving him into homes, drilling him on loathsome skills and meaningless mashups of tradition, and he has followed them because he had no one else.

Now he does.

Now he has all of us, and he sees these creatures clearly. They are empty. They are hollow. The wind whistles through them.

As they creep toward the dome like insects toward meat, eager to eat him and everyone he loves, Addis does something that doesn’t make sense. Instead of running away like all prey should, he steps forward. He advances on the predators.

They stop.

Addis stands in a clear circle surrounded by the swarm. He is waist-high to most of the skeletons, and those behind the first row can’t even see him, but skeletons don’t have eyes. They don’t see light bouncing off matter, the detail and nuance of reality. They perceive only broad concepts, vague shapes in the extrasensory fog that surrounds their shriveled brains. They see with notions and assumptions, predictions and preconceptions, so what they see now moving toward them is not a harmless little boy. Like Dobermans cowed by a Dachshund, what they see is the boldness of his challenge.

The skeletons step back.

You can’t, they say, a statement without a predicate, a meaningless noise of negation.

We’re bored of your game, Addis replies. Play it by yourself.

He feels his hands on the living ladder, the rungs of generations warm in his grip, and he climbs.

There is no up or down, they tell him in their detuned chorus, only here.

He climbs toward that bright ceiling, as distant as the sun, and he feels its warmth on his cold skin. He feels its gravity pulling him upward, easing his ascent, and he silently thanks us. The books around him are more beautiful with every shelf, thick tomes bound in oil paintings with pages of green leaves and yellow flowers and living human skin, books of glass and books of water with words in floating coils, spherical books with nested pages that he doesn’t know how to turn—experiences beyond his understanding. But he doesn’t need to turn every page to share in the wealth we’ve gathered. The words flutter out to meet him and he breathes them in, expanding ever larger, filling himself with the Higher in this endless inhalation.

There is nothing above us, the skeletons hiss from a thousand miles below. Never has been, never will be.

Addis inhales the breaths of every life that’s ever lived.

Addis exhales an answer.

I

I AM FLOATING DOWN A RIVER.

I am lying on my back, gazing at the stars. I take quick breaths, keeping my lungs filled; my arms and legs trail limply behind me. It feels good to fill my lungs. I fill them tight and feel a shuddering pleasure, like stretching my limbs after years in a cramped cell. The air is warm and sweet and it saturates my blood. I am buoyant. I can float forever.

I wonder where my friends are. Will they be waiting for me in the parking lot with their tubes already packed in the car, impatient with my leisurely pace? I must have lost my tube. It must have popped and sank. I must have been on this river all day, back-floating effortlessly as the sun went down and the sky turned pink and then purple and then this inky blue spattered with stars.

How far might I have drifted in all those hours? Far past my friends, certainly. Well on my way to wherever this river ends.

But now the river is a road.

I hover three feet off the pavement, gliding like a parade float through downtown Missoula. The town is empty. The buildings are charred. I hear the echoing taunts of children as I drift past the remains of my school—Rear End! Reject! and of course, Retard!—all the clever names they invented to replace my mother’s puzzling choice, and then silence.

I drift past my church and I hear my pastor’s operatic shouting, the congregation’s simian hooting, then silence. Past my house. My father’s snarled scriptures. My mother’s secret sobs. Then silence.

I drift through the doors of a prison.

Through the training yard, where I learned how to fight. Past my old cell, where I learned how to kill. Past the bones of forgotten prisoners, left to die and come back and die again.

“Wow, R,” Julie says. “Hard to imagine you in a place like this. You don’t exactly have that ‘hardened convict’ vibe.”

“Although if I were a judge,” Perry says, “I’d convict you of first-degree cheese for that speech you made out there.”

They walk on either side of me as I float, like pallbearers. I don’t like that comparison, so I send my mind elsewhere in search of a better scene.

I am dreaming.

But if every moment is shared on the shelves of the Library, how real might a dream be? If the thoughts that compose us exist outside us, beyond the sealed vault of our skulls, who’s to say it’s not really Julie—or some loose fragment of her—walking next to me? Who’s to say it’s not really Perry—though he’s long dead—strolling on my left?

The prison’s stained ceiling is gone, replaced by a blue sky. We are on the roof of the stadium, and Julie and Perry sit on a red blanket while I float a foot above it. I worry that the wind will blow me away, but Julie keeps a hand on my foot, anchoring me.

I feel a wet warmth in my chest. I hear a steady dripping beneath my back. Memory creeps in like an unwelcome guest.

“Did I say it?” I ask, staring at the sky.

“You said enough,” Julie says.

“Did they listen?”

“We’ll find out,” Perry says.

“Am I dying?”

They both look at each other.

“No,” Julie says, and I notice moisture in her eyes. “You’re not dying.”

“Everyone’s dying,” Perry says. “But especially you.”

“Shut up, Perry,” Julie says.

The sky looks different. Deeper, somehow, like a bottomless lake. “Will I come back?” My voice sounds smaller with every question. “Will I start over again?”

“Maybe you would have”—Perry slaps my thigh—“but those rules are about to change. I think we’re just about done with the whole zombie thing.”

“Can you wait?” I plead. “Just until I come back?”

He tilts his head, disappointed. “Come on, corpse, do you really want to repeat yourself? You’ve learned all you can in this halfway house. Either die or start living.”

“No moving back,” Julie says with a sad smile. “Move forward.”

I’m in a forest. The sky is hidden behind a canopy of trees, but the sun glows around the leaves, leaking through in sparkling flashes. My friends stand around me in a circle, their hair and clothes whipping in the wind. Has it already happened? Will I be lowered into the earth now? Will I watch their faces recede from me in that rectangle of daylight, smaller and smaller until the first shovelful covers my face?

Lawrence Rosso smiles down at me. He is dressed like a priest, but the book in his hands is no particular scripture. It flickers through sizes and shapes, from gilded leather tomes to yellowed pulp paperbacks.

“Is it good to die?” I ask him desperately. “Is there a better place?”

His smile turns bittersweet. “There are other places,” he says. “Other forms, other ways. They’re too big for the narrow valve of your brain, and when you experience them you’ll gasp and weep.” He shakes his head ruefully. “But there’s nothing like living. There’s nothing like being in the world. A ripe pear. A soft hand. The sun behind leaves.” He closes his eyes and sighs. “This is your home, R, for as long as you’re here. Never be eager to leave.”

I clench my teeth. I ball my fists. I squeeze my dreaming eyes shut to gather my will, and in that darkness within darkness, I overhear a conversation.

Can you see it?

He’s hurt bad.

A boy and a girl, speaking in simple pulses of thought.

How bad? Alex asks Joan.

Just a little hole, Joan says. But it’s bleeding a lot.

I don’t want him to die, Alex says.

A pause.

Maybe we can fix it, Joan says.

Like how we fixed the window?

Sure. It’s such a little hole, and if it’s not there he won’t die. It’s silly, isn’t it?

It’s stupid, Alex says. I hate it.

So maybe we can make the hole forget it’s there. Maybe we can decide it’s not. And then he won’t have to die.

I feel a stirring in my faraway body. I hear a rustling of pages and a scratching of pens, old words crossed out, new ones written.

You’re not going to die, my son tells me.

You’re not going to die, my daughter tells me.

I feel the sensation of pulling out earplugs. The world rushes in, real voices now with breath and spittle.

“What was that?” Nora says. “Did he just say something?”

I hear the swish of their clothing. The creak of their knees. I hear Julie’s breath as she leans close to me, distinctly hers even before she shapes it into words. “R?” Her voice is raw and cracked. “Can you hear me?”

I feel two fingers on my throat.

“I don’t get it,” Nora mumbles. “Pulse is still strong. Why is the bleeding…?”

I open my eyes. I expect to see their faces hovering over me, but instead I see the backs of their heads. I see myself, sprawled on the floor in a red puddle. A tall, pale man in a ragged shirt and tie, his sad face in need of a shave.

Look at him. Look at that strange assemblage. How did nature ever arrive at this shape? When did that mass of organs decide to sprout those bony stalks, to stand up and walk, to reach out and grasp? Eyes, ears, nose, mouth. Does the whole wide river of the world pour into me through those seven little holes in my head?

I turn away from my heap of flesh and begin to drift upward. The grotesque plastic dome is gone, replaced by a blue sky of incredible depth and volume, and although my eyes are already open…I open them again.

The sky splits and sweeps aside like a second set of lids, and behind it is another place.

I’m in the Library.

The walls of books curve around me in a column and I’m floating in its center, rising toward that unfathomably distant light. And I am dissolving. Tiny pieces of me fly away from my body and into the shelves around me. Some go up toward the glow, others fall straight down. Empty spaces appear in my hands, my arms; I’ll be gone before I reach the next floor.

We are weary of death.

I hear Perry’s voice in the chorus. Rosso’s too, but it’s not just people who’ve died. Julie is in there. Nora and Marcus, Sprout and Addis and my kids—everyone. Perhaps even my mother and father, their voices faint, their contributions small but still counted. Everything is counted, gathered, and pooled, and the best of it glows above me.

We have outgrown death’s game. Its rigid rules and miserly prizes. We want more.

A tremor shakes the shelves. Books fall out but not down; they hover in place, their pages rustling.

We are vast. We are the mind of the universe, each life a neuron, each love a synapse. But we have been thinking a long time. It is time for us to speak.

Above me, that immense glow pulses like a heart. The shelves shudder from top to bottom. The moldy volumes below stay in place but the ones above leap free, filling the distant brightness like morning fog.

And I see a boy in that brightness.

He is drawing it into himself like he’s filling his lungs for a shout, and though I can’t imagine how he’ll articulate that monumental breath, I want to shout it with him.

We are ready for a new world, says the chorus of everyone, and I hear a new voice among them:

Mine.

And why should this be a shock? Why should tears spring from my eyes at the sound of my voice harmonizing with humanity?

You deserve to be here, my own voice tells me, and for the first time I can remember, there’s love in it.

The Library shakes. The boy shouts. The chorus shouts with him, and I join it.

• • •

I open my eyes.

I know these ones are flesh because the lids are heavy; I heave them up like rusty garage doors. I see a brief glimpse of faces looking down at me, then I lurch upright and cough a lungful of blood onto the floor. I stagger to my feet. My vision swirls in and out of focus and black spots swarm around me. There’s a pain in my chest unlike any I’ve ever felt and my shirt is soaked with blood, but I’m no longer dripping, and after a long fit of sloppy coughs, I’m able to put air in my lungs. It feels exquisite. It’s mint tea and honey flooding through my chest. I take a few breaths and savor them, unaware of anything else.

Then I feel a hand on my arm. “R?” Julie whispers.

On my left and right, my kids are beaming. I see joy and a little pride in their grins, like they’ve pulled off a magic trick they’ve been practicing for years. But Julie hasn’t been privy to the backstage dealings in my head. Her wide, wet eyes are full of fear and questions. “Are you…?”

I cup her face in my hands and kiss her. “I’ll live,” I murmur. Then I smile awkwardly as I wipe my blood off her lips.

The laugh that bubbles out of her is a giddy overflow, every emotion at once.

My vision dims again and I stagger. My knees buckle and Julie catches my arm.

“Lie down,” Nora orders. “I don’t know what the hell’s going on here, but you’ve lost too much blood to be conscious, much less walking.”

She says it with all the authority of a hardened combat nurse, but I can’t comply. The air in this plastic prison is thick and sticky, reeking of blood and musty perversions of death. I see the pitchmen’s petrified remains scattered across the floor. I see Abram Kelvin lying in a pool of darkening blood, his daughter crying softly by his side. What happened while I was gone?

I can’t ask now. I can’t breathe in here. I need air drawn fresh from the well of the sky, scented with rain and sun.

I stumble toward the door.

“R, wait,” Julie says, still gripping my arm. “We heard Boneys outside, they’re—”

“They’re done,” I say, not quite knowing what I mean. “Addis answered them.”

Nora’s eyes snap wide at her brother’s name. “Oh shit—Addis!” She whirls left and right, searching the shadows where her brother had been waiting, small and silent, through all the chaos. “Addis!”

“He’s out here,” I tell her as I reach for the door. “He’s getting some air.”

I open the latch. The door flies open. Nora shouts, Julie tries to pull me back, but then they see what I see and they go quiet.

Nora’s little brother is standing just outside the door, surrounded by a dozen skeletons. But the skeletons are still. They are slumped over and limp, like classroom props hanging from their stands. No buzz, no hum. Their fingers twitch faintly and I hear their teeth grinding, but these creatures are broken. Overloaded and burnt out. As if something filled them beyond their capacity and burst their brittle brains.

Addis turns to face us. He looks exhausted, but he smiles.

“Addis?” Nora whispers, confused and afraid.

“Hi, Norwhale,” he says, and his smile turns shy.

The world dims again. Dark spots and muffled voices. I am aware of Nora lifting her brother off the ground in a crushing embrace, crying into his dusty hair, but everything is soft. I’m aware of Julie pulling on my arm, trying to stop me as I step out into the circle of dry bones, but I turn around and look into her eyes and tell her, “It’ll be okay,” with a confidence I can’t explain, and after a moment of wide-eyed uncertainty, she nods. We shove our way through the Boneys and walk to the edge of the roof.

“Tell me that again,” she says as we take in the scene below. “Tell me it’ll be okay.”

I must have been unconscious longer than I thought. The battle has escalated. Someone has cut through the stadium’s front gate—I see a rounded slab of steel lying flat on the pavement—and Axiom’s remaining troops have left their positions in the wall to fill the gap as the skeletons converge like a filthy river. Whatever force halted the group on the roof doesn’t seem to have reached the swarm on the ground; they press in on the Living with unwavering conviction, and Goldman’s rebels continue to snipe at Axiom even as the swarm surrounds them both.

I feel my confidence bleeding out. I feel dizzy and I turn away. Over my shoulder, I see M hauling Abram’s inert form out of the dome while Nora keeps a gun trained on the paralyzed Boneys. My friends are moving toward the ladder, trying to get the kids to safety, but where on Earth is that? Not at the bottom of that ladder. Citi Stadium is about to become the world’s largest tomb.

I feel surprise, but I don’t know why. What was I expecting to see when I looked down from this roof? A magic wave of peace flooding the land? The instant, compulsory end to all wars? There can be no such sweeping legislation. We all decide the shape of the world, the sum of all minds together. Change has to be chosen.

Where is it? I ask that glorious chorus. Where’s our new world?

My knees buckle and I start to sway. Julie grabs my shirt and pulls me back from the edge. I realize I haven’t given her the reassurance she begged for, but I can’t seem to find it. The wonders I experienced in that Library feel remote and abstract, even foolish in the gritty clangor of war. Did I dream the whole thing? Was it just the old near-death light and tunnel show, the desperate illusion of a blood-starved brain?

“R,” Julie says.

There’s an odd note in her voice, a sudden change of key, but I can barely hear it over the din of my thoughts. I watch men from this place killing men from that place and creatures from no place killing both, a war of all against all. And I see the Ardents through the windows of their armored trucks. They’re cheering.

“R! Do you hear—do you feel that?”

Her voice finally reaches me through the fog. What is that emotion I hear in it? Is it wonder? Is it awe? I tear myself away from the battle and look at her. Her eyes are wide. Her ear is cocked to the sky.

“Something’s different,” she whispers.

I strain to hear it. I strain to feel it. And then I stop straining and it’s simply there. It’s been there the whole time, since the moment I opened my eyes: a faint but clear chiming, like church bells on a distant hill. Now that I’m listening, I hear it through all the noise of war: a signal. A pronouncement.

A call.

My eyes drift across the city to the forest that surrounds it, thick and ancient and full of secrets.

“Julie,” I say, grabbing her hand and squeezing hard. “It’ll be okay.”

There are people walking out of the forest. Up and down the length of it, from one end of Post to the other, they emerge from highways, freeways, rural backroads, and from the trees themselves, pooling together into a crowd so vast my brain struggles to find a comparison. I flip through images of rallies, protests, festivals, and wars, but nothing comes close.

Thousands. Hundreds of thousands.

Millions.

Julie once told me the entire population of America amounted to maybe three million. But whoever took that census wasn’t counting the Dead.

“What…” Julie gasps, searching for words the way I’m searching for pictures. “What is…where are…oh my God.”

Even from my rooftop perch, I recognize my people. The tattered clothing. The swaying and stumbling. The crowd doesn’t march; it doesn’t form ranks and advance in lock-step. It moves with a swirling fluidity, like a natural phenomenon, each person on their own path, wandering away and then returning but steadily moving forward. I stop picturing armies and start picturing waves and sand. Wind and clouds. A fog of quantum particles condensing into a shape.

“Is this happening?” Julie says in a wild, breathless giggle. “Did my message…are they really…is this happening?”

She’s not the only one unraveled by the sight. As the armies around the stadium become aware of their surroundings, the battle grinds to a halt. First the Living soldiers freeze, the shock overwhelming their combat instincts, and then, to my amazement, the Boneys freeze with them. They don’t take advantage of the troops’ sudden vulnerability. They wait, poised to attack but not attacking, their own instincts derailed by the unexpected behavior of their prey. They have no category for this. No prepared response. They watch the men like cats watching stunned mice, waiting for the hunt to resume.

But it doesn’t. While the Boneys wait, fixated on their targets, the Dead sweep in around them, outnumbering them on a scale so large it’s comical. More images flutter through my head—a house sucked up by a tornado, a sand castle caught in the tide—but the one I like best is a virus. Jagged, alien things invading humanity’s bloodstream, only to be surrounded and absorbed by our antibodies.

It takes only a moment. There are several dozen Fleshies for each and every Boney, pinning them in on all sides, so it happens all at once. The Dead seize their future selves and simply dismantle them. They remove limbs and toss aside heads. It’s somehow nonviolent, not so much a battle as a decision. Thousands of skulls hiss and chatter on the ground, but they have no words to express their will and no hands with which to enforce it.

Slowly, the Living soldiers thaw from their shock. The Dead watch them placidly, waiting for them to decide their response, but even the most mind-numbed Axiom soldier can see there’s only one.

Guns clatter to the ground.

Those who can still recognize absurdity put their hands up with grim smiles. A funny thing, to surrender to people without weapons, an unarmed army asserting its will through sheer presence. A silent majority that’s finally making noise.

What will it say when it finds words?

“Hey!” Nora shouts over the rising wind. “We need to go!”

I follow her gaze to the source of her concern. The skeletons around the dome are waking up. Their hum sputters and chokes like a flooded wasp nest. Their bones rattle; their jaws snap; they begin to move toward us.

Then the wind rises, and they blow away.

Despite their savage strength, despite the primal forces that drive them, they are still just hollow bones, and all it takes is a strong gust to reveal their lack of substance. They topple over the edge of the roof, carried aloft like dead leaves, and their hideous hum disappears.

The wind subsides. The roof is silent.

I explode with laughter.

My friends stare at me. My wound screams in protest as my chest convulses, but I can’t stop. I don’t want to stop. I stand up and pace the roof, clutching my sides. Tears stream from my eyes, a different flavor than the ones I’m used to, not the bitterness of loss but something piquant and sweet. I hear those distant bells ringing, but it’s not quite a sound; it sits between the senses like this new texture in the wind, this new color in my voice—even the light smells different.

My laughter subsides when my eyes land on Abram’s broken body, but I don’t erase my smile. Because his daughter is smiling too. Sitting by his side with a hand on his upturned palm, small and soft on her father’s scarred leather, she grins through the tears and snot.

“See, Dad?” she says, squeezing his palm. “See what we did?”

M watches the body carefully, his gun at the ready, but Abram remains at peace. No twitching. No groaning. Just rest.

Every choice has a price. We all owe a debt to this world for the things we take from it, right or wrong, cruel or kind. But these laws are soft, these laws are alive, and sometimes a debt is forgiven.

I feel a gentle weariness. I sit with my friends on the edge of the roof and take in the incredible view.

Like New York, the city of Post has been flooded. But this ocean is human. It fills every street, park, and parking lot—enough people to fully repopulate Post and much of the surrounding region. And this ocean is sparkling in the sun. The Gleam passes over it in waves of tiny lights. I can’t see its effects from this distance, so I turn to Addis. His yellow eyes are as wide as his grin. Sprout is squinting her left eye shut like her right is a telescope, hidden so long for the comfort of the world around her, now free to roam whatever strange vistas it sees.

“What’s happening down there?” I ask them.

“This!” Joan giggles, and points to a sunken patch of rot on her arm. A flash of light, and it’s gone.

“Dad, look!” Alex says as his chest flashes with inner illumination. He takes a deep breath and lets it out with a ta-da smile.

Julie grabs my hand. Her face is glowing with a light of its own. “I thought you said we can’t cure the plague.”

A sting in my neck. A sharp, cold rush. I clap my hand to the spot and find that the flesh is smooth. The bite is gone. If the black worms are still there, they’re sealed between the strata of my lives, dried up and buried like fossils of an earlier age.

“We can’t cure it,” I tell Julie. “But we can fight it.”

I kiss her, this person I love, this person who loves me. The wind blows our hair across our faces, hiding us from the world, and though we’re surrounded by our friends, I can almost believe we’re alone in a sun-soaked grove of trees. I barely feel the rumble behind us. I hardly hear the wrenching metal. I don’t bother to look back as the plastic dome and its obsolete flags break through the roof and fall.

WE

THE CITY IS ALMOST QUIET AGAIN.

Gulls call from nearby shorelines. Honeybees drone in the wildflowers that fill the cabs of old convertibles. A few of the Nearly Living still roam the streets, lost on inner pathways, but most have disappeared into the buildings or moved on to the next town, eager to find places to live.

Birds chirp. Insects click. The wind has dropped to a whisper.

The loudest sound by far is the megaphone on the roof of an overturned armored truck, squawking with rising desperation.

The man in the truck shouts dark prophecy to the inhabitants of the stadium. He shouts orders from God to the Nearly Living. He shouts encouragement to his followers, unaware that they dispersed hours ago.

Only two remain. While the others fled into the woods, these two stayed with their pastor. They pried open his truck’s door and tried to help him escape, but he ignored them and continued his sermon. The Holy Fire. The Last Sunset. The inescapable end of everything. Now the youths stand at a distance, waiting for the man to emerge from his ruined vehicle. But he won’t leave his megaphone. He stays inside and keeps shouting.

The young woman squeezes the young man’s hand. They look at each other. Their eyes are filled with uncertainty, with terrifying doubt, but they nod. They turn and walk away.

The pastor is alone. He begins to sense it, but he doesn’t stop. While he shouts about Hell, he thinks about Heaven: a golden ghost town, its sole occupant wandering its silent streets, his bare feet cold and sore on the hard metal, roaming from mansion to mansion and finding them all empty.

He shouts and shouts, but no one is listening. He shouts until his megaphone loses power.

On the other side of the stadium wall, there is a smoldering hole in the earth. First the explosion from below, then the dome from above, crashing into the pit and disappearing in the smoke—even with all the miracles unfolding outside, this kind of action still draws a few onlookers, and a crowd has gathered around the pit.

Somewhere down in the dark, locked in a box and buried under tons of debris, another voice is shouting. This one needs no megaphone, it shouts in thoughts and ideas, but even so, no one is hearing it. The voice has never experienced this before, this shocking lack of an audience, this flat wall of disregard. It doesn’t understand what could have changed; it has always enjoyed a direct line to humanity’s lowest instincts. So it keeps shouting.

The voice shouts and shouts, but people have stopped listening. One by one, they lose interest in the pit. One by one, they walk away.

FOUR

the sky

I know of no philosopher who has been so bold as to say: this is the limit of what man can attain and beyond which he cannot go. We do not know what our nature permits us to be.

—Jean-Jacques Rousseau

WE

NORA PUSHES OPEN THE HATCH that says no roof access and climbs out onto the roof. She understands why it’s not recommended—there are no safety railings and the whole structure sways slightly like the deck of a ship—but she likes it up here. She likes stepping outside the grid of human traffic. She likes being close to the sky. She never feels more free than when she’s on a rooftop.

She also wants some privacy so she can smoke a joint. It’s been a long day in the foster home.

She sits cross-legged next to one of the huge metal eyelets on the corner of the roof and rests an elbow on the support cable that runs through it. She can feel the vibrations of a dozen other buildings in the cable. Footsteps. Music. Even voices. This might just be her imagination, but then again, her senses have seemed strangely acute lately. Yesterday, one of the kids who doesn’t talk gave her a hug, and his heartbeat felt like code. I’m a bad thing, it seemed to tell her. The world doesn’t want me.

“You’re a beautiful thing, L,” she told him, “and we want you to come back as soon as you’re ready.”

Immediately, L began to cry.

Nora lights the joint and inhales. She holds in the smoke, waiting to feel the relief. Living here was already hard when it was just a few dozen orphans with ordinary traumas—nothing more exotic than abuse or abandonment, nothing she hadn’t experienced herself. But since the repopulation, things have gotten more complicated. And all this on top of her actual job as a nurse. Stitching bodies by day, hearts by night…she needs a break.

She takes a long pull of the sweet, floral vapor. Her nerves begin to uncoil.

“Got you!”

Her brother’s head pops up from the hatch.

Nora smiles in spite of herself. She pats the spot next to her and Addis drops onto it, dangling his feet over the edge.

“One puff,” Nora says, handing him the joint. “And if you start rambling about ‘the Higher’ again, I’m cutting you off for good.”

He looks at her with that cryptic smile that unnerves her even as it fascinates her. He doesn’t talk about his days in the space between Living and Dead—it only slips out when he’s high, whether on sugar, coffee, or more potent substances—but he knows something. Sometimes, Nora feels like she knows it too, though she can’t quite put it into words.

“L remembered his name,” Addis says. He takes a quick puff and returns the joint. “It’s Levi.”

Nora nods. She watches the traffic in the narrow streets below, like blood flowing through a brain. “You’re good with them, Addy. You’re good for them.”

He shrugs.

“You know they look up to you, right?”

“But they’re all older than me,” he says. “They’re teenagers.”

Nora takes another puff and smiles. “Technically, so are you.”

A month ago, he would have gone cold at this. He struggled at first with his ambiguous identity. He couldn’t decide which group he belonged to, who he should play with, how he should talk and behave. He would bristle at any inquiry about his age—some older folks even questioned his race when his yellow eyes gleamed in the sun—but now he just smiles with sheepish amusement.

“I’m weird, aren’t I?”

Nora laughs. “Yes you are, Adderall. The weirdest.”

“Marcus is here.”

Nora pauses with the joint near her lips. “Here? Right now?”

“He’s at the front door.”

She looks at him sideways. “Can you…sense him or something?”

“He knocked earlier. I told him I’d go get you.”

“He’s been at the door this whole time?”

Addis grins.

“You little shit,” Nora chuckles and flicks the joint over the roof. She pauses at the hatch opening and turns around. “I’m glad you’re here, Addy.”

A brief hesitation, a cloud across his face, then: “Me too.”

“I love you. Even though you’re a little shit.”

His grin returns.

Nora descends the tower past floor after floor of other little shits. She pauses at the elementary level and peeks in the door for the day’s final check. She sees Gael and Gebre sipping coffee at the kitchen table, splitting their attention between the stack of essays in front of them and the dozen rambunctious kids around them. They look happy. All of them. The boy Nora knew as L is sitting in the corner, but he’s not alone. He’s playing a video game with a girl about his age. He’s laughing.

“Welcome back, Levi,” she whispers. Then she hurries down the stairs.

She resists the urge to check the hallway mirror, but her hand sneaks a quick hair primp before she opens the front door.

“Sorry about that,” she says with an apologetic eye-roll. “Addy’s into pranks lately.”

Marcus shrugs. “I did kind of kill him once. I’d say he has a lifetime pass to fuck with me.”

Nora smiles, then pauses to look him over. Still the baggy jeans, but he’s traded in the t-shirt for a button-up. He looks trimmer, his bulk a little more contained. Considering how many surgeries he’s been through lately, this probably doesn’t mean much, but still, it’s always intriguing to watch a person change.

“So we’re really doing this?” she says, eyeing him cautiously. “A date?”

He shrugs again, waves a hand over his stomach, his ribs, the scars of all the wounds Nora stitched. “You’ve already been inside me. What’s a couple drinks?”

“Jesus,” Nora groans, clapping a palm over her eyes. “Let’s go before you charm me to death.”

They don’t say much as they cross the town and ascend the winding maze to the Orchard. They take stools at the bar, elbows resting on the rough texture of a hundred tiny carvings—jokes, quotes, doodles, or sometimes just names, alone or joined with plus signs. They remain lost in private contemplation until the sound of whiskey filling their tumblers pulls them out.

Marcus raises his glass. “Do you toast?”

“Last time I did, it was R’s toast. He said ‘to life.’”

“R,” Marcus chuckles, shaking his head. “Love the guy, but what a cheeseball.”

Nora raises her glass and clears her throat. “To world peace!”

“World peace!”

They clink their glasses and sip their whiskey. Nora likes the way its warmth spreads over her cannabis-cooled nerves. She instinctively glances at the TV above the bar, but all four of the Orchard’s flatscreens have bullet holes in them. She’s curious to see what the world is up to now that it’s able to tell her, but she can watch the news some other time. Right now she’s on a date.

“It’s packed in here,” Marcus observes, glancing around the crowded room and almost shouting to be heard. “There’s really only one bar for the whole stadium?”

“One bar for the whole city, unless the Nearlies have started opening businesses.”

Marcus watches people drink. He watches friends laughing, couples cuddling, hips moving to the noisy rock on the speakers.

“Maybe I’ll open one,” he says, and begins to nod to himself. “Maybe I’ll open a bar.”

“You could be your own bouncer,” Nora offers.

“Nah,” he says, shaking his head. “Tired of all that.” He smiles at the ceiling with a distant twinkle in his eye, then turns toward Nora, inviting her in. “I’ll be the piano player.”

Nora hides her grin behind her whiskey. It occurs to her that the idea of world peace might no longer be such a punchline. Naive? Probably. Premature? Certainly. But laughable? These days, she’s not so sure.

• • •

“Put that one on the corner stack.”

“It’s too high. It’ll fall.”

“You hold that one and Alex, you hold that one, and I’ll put the curtain rod across. The weight will keep them up.”

“Like this?”

“Yeah, now I’ll just…there. Perfect!”

Sprout stands back to admire their progress and almost trips on the pile of architecture books scattered at her feet. She got them mostly for the pictures—from log cabins to government buildings, she soaks in the visual language and wonders what it means—but she has recently started skimming the text, too. She has no shortage of passion, but she’d like to buttress it with some solid theory.

Because this is no ordinary couch fort. In the history of sofa architecture, there has never been such ambition. Ten sectionals worth of cushions went into its construction, as well as nontraditional materials like road signs, car doors, and the awning of a liquor store. It fills the entire living room of this spacious suburban home, a house within a house. Sprout wonders if R and Julie will be mad when they get back, but she doubts it. The plywood wall patches, the bloodstained carpet…there are other houses they could have claimed if they wanted tidy lives.

“See how the curtain makes the south wall?” Sprout says, running her hand across the gauzy linen. “So you get privacy but still have natural light. You need lots of light when you’re working with small spaces.”

“Lots of light,” Alex says.

“Obviously,” Joan says.

Sprout is eyeing the last corner of unused square footage, thinking they could probably fit another closet in there, when she feels her stomach growl. “I need a snack,” she tells her friends. “But let’s start thinking about bathrooms.”

She drifts through the house, running her fingers along the walls, feeling the pebbled texture of the fresh paint, a bright yellow that will eventually strain their eyes and be covered with something softer, but for now…a statement.

The kitchen radio is on. So is the dining room radio and the living room radio and the bathroom radio, each playing a different broadcast. The effect is chaotic but exciting, like conversation noise at a party. The one in the kitchen is playing music, so she turns it up while she digs in the fridge. There’s something special about this music. It’s not an ancient recording of long-dead musicians—it’s live. It’s raw and messy, full of gleeful mistakes, and between songs the musicians are talking to each other.

She emerges from the fridge with an apple and some cheese from the neighbor’s sheep, tucks the portable radio under her arm, and takes her picnic to the back yard. Usually she’d invite her friends to join her, but she feels a need to be alone. Something about the music. The hue of the light outside. A faint whisper from somewhere in her head.

Silvery clouds roil above her, and the bristly yellow grass seems to reach toward them, begging for something to drink. The wet summer gave way to a dry autumn. The arid air makes her lips flaky, but it’s cool and crisp and electric.

“I love the new air,” she says to the air. “It’s like taking a bath in fizzy water. Can you feel it, Dad?”

She sets the radio in the grass and sits cross-legged in front of the marker.

“No one knows what’s different. They’re still trying to figure it out. But I bet you know, don’t you? I hope you can feel it too.”

No one knew Abram Kelvin well enough to guess what he’d want for his grave. What he would have wanted is no grave at all, believing he neither needed nor deserved a memorial. But as he often failed to realize while alive, the threads of his life were tied to many others, and they believed differently. So his daughter chose his marker: a small plank of lumber from the ruins of a nearby house, unpainted, unvarnished, soon to become earth. For his epitaph: just his name. The rest will be kept in the minds of the living, until they too become earth and surrender their stories to the Library.

“It’s like your drawings,” Sprout says, addressing her father’s grave though she knows he’s not in it, just a place to rest her eyes. “Remember when you showed me those drawings from when you were little? They were so ugly! You sucked at drawing, Dad!” She laughs and takes a bite of the apple, wild grown, unbelievably juicy and sweet. “But the ones from later were a little better ’cause you were more grown up. And if you didn’t quit, you probably would’ve gotten really good and drawn something really pretty. So it’s like that, you know?”

The clouds are shifting fast. Bright spots appear and sunlight bursts through, warming Sprout’s face with a golden glow. “Except the world’s not gonna quit,” she says, dribbling apple juice onto her chin. “’Cause we’re not gonna let it.”

She stuffs some cheese in with the apple. The combined flavor is strange, but she resists the impulse to spit it out, and as she continues to chew, her puckered lips ease into a smile of pleasure. Another discovery. Every day a new amazement. She opens her mouth to start talking about food, then closes it and cocks her head. She clicks off the radio and listens.

A distant whisper, like leaves rustling in a mile-high tree. She looks up. She listens. Her smile widens, revealing new teeth growing into the gaps.

“I know you did, Dad,” she says through a mouthful of apple and cheese. “And I know you still do.”

• • •

Ella Desconsado watches from upstairs as Sprout chats with her father. Ella is glad she undertook the trek from her bed to the window. She stumbled a few times, wracked by fits of coughing; she wasn’t sure she would make it, but knowing what she knew about this day, she felt a need to see what she saw. Now she turns around, takes a deep breath, and begins the return journey.

She wishes Julie were here to scold her for straining herself. When she woke up this morning filled with certainty, she almost asked the girl to stay. But Ella has never been one to make a scene over herself. She never liked big birthday parties. Her wedding was simple and intimate. Life is full of milestones and markers, transitions and rites of passage, so why should this one be any fussier than those?

She falls back into bed with a deep sigh and clicks on her radio. It takes some force to move the dial away from Fed FM, but once it’s free of the sediment, it glides easily. Most of the stations are still personal pleas, signal flares for lost loved ones—we’re alive, come find us, we’ll be waiting—but a few public programs have started to appear. Ella pauses on a man talking about agriculture. Then a woman describing a new town founded by Nearlies. Then a conversation in Spanish about blasting down the border wall. Finally she settles on her favorite show.

“Hello question-marked world, this is Huntress Tomsen with the Unknown Almanac, broadcasting today from South Cascadia, specifically Post, specifically the belly of Barbara, my studio on wheels. Before I serve delicious news and ripe updates I want to introduce you to the…to my friend, Julie. Julie Cabernet, one of Post’s new civic organizers, and also my friend.”

“Hi, Huntress. Hi, everyone.”

Ella smiles. Her lungs tighten and her breaths grows shallower. Spots appear in her vision. She allows her eyes to close and it feels like releasing a heavy weight. It’s comforting to realize she’ll never have to lift it again.

“What is a civic organizer?” Huntress asks. “What do you do? Your father was an Army general and the city’s commanding officer, are you his successor? Do you lead Security and govern the city? Radio isn’t supposed to have ‘dead air’ so please say things now.”

Julie laughs. “No, I’m not the general. It’s not like that anymore. What I do is…”

Ella feels the darkness behind her eyes deepening, from a dim field of colorful static to a softer, quieter black. She sees Julie the small child, tasting wine for the first time in that roach-infested Brooklyn apartment. She sees Julie the wounded girl without a mother, full of rage but unsure where to aim it, grasping blindly for answers. And she sees Julie the woman—this woman on the radio, this organizer, this leader, calmly explaining how a new world might work.

Ella is overwhelmed. She can’t comprehend the privilege she’s been given, to have seen the things she’s seen, known the people she’s known.

Do you see her, Lawrence? she says into that deepening darkness. Do you see our Julie?

She hears three tiny voices laughing downstairs.

Do you see all our kids?

The room fades. Her body fades. She can breathe freely now, and she takes thirsty gulps of that cool, soft nothing.

Did you ever imagine we’d have a family so big?

She sees light at the edges of the darkness. A warm orange glow like a reading lamp. She must be back in her home, because she’s surrounded by bookshelves. She must be sitting across from her husband with a mug of mint tea, both of them lost in their books yet still alert to each other’s presence. A firm awareness that they’re not alone.

“Lawrence?” Ella says without looking up.

“Yes, Ella,” part of us answers. “I’m here.”

Ella smiles.

I

I STILL ENJOY WALKING. I did a lot of it when I was Dead—back and forth, up and down, around in circles—and the habit stuck with me. When I was Dead, I walked just to make sure I could, to prove to myself I was still here despite all evidence to the contrary. Now I walk because it feels good. Because the scenery fills my head with daydreams. Because I can smell the dirt and the trees. Because I’m free and the world is large and it wants to be discovered.

So I’m walking from the suburbs to the city, where I’ll meet Julie when she gets off work. I hear her on my pocket radio, wrapping up her interview with the Unknown Almanac. She has a good voice for radio, low and smoky—much better than Tomsen’s mousy squeak, I’m afraid—but I can still hear a giddy tremble beneath her calm, and it makes me smile.

“Some people keep asking how we’re going to bring back civilization,” she says. “They want to know how we’ll have peace without an army, how we’ll have prosperity without an economy, who will build their cars and computers and who will mow their lawns. Well, I don’t have those answers.”

I reach the crest of the hill leading down into the city, and I pause to take a picture. I’ve been taking a lot of pictures lately. It’s an old film camera and I haven’t found the equipment to develop the roll, but I’ve heard rumors of someone running a lab in Portland. And even if I never develop them, I can see the shots in my head.

“If the question is what system will solve all our problems and still give us exactly what we had before, then I don’t know what to tell you. How do we make a better world without giving up a single piece of the old one? We don’t. We can’t. That’s a fucking stupid question.”

In the shadow of the stadium, at the bottom of a tall apartment building, steam wafts from a little shop window. I offer the woman a spoon I carved from a cedar branch and she shakes her head. I add a handful of batteries and she nods. I inhale the tangy steam while she works.

“So I guess what I’m saying is…bear with us. Work with us. These are crazy times and no one really knows what to expect, but we have a chance to build something wonderful here, and we’re going to need everyone. So…okay. That’s it from me. Thanks, Huntress. Thanks everyone. Cabernet, out.”

A trail of crushed bones leads up to the old Mercedes, squiggling drunkenly where Julie swerved to run over a few more skulls. There have been no cleanup efforts. The battle has built its own memorial, and it will remain until time sweeps it away. I take a picture of Mercey surrounded by bones—another memorial—and hop into the driver’s seat. I stuff my camera in my bag and pull out my notebook. I have scribbled a few pages when Julie climbs in next to me, slouching into the cracked leather seat with a deep sigh.

“Idiot or lunatic?” she says.

“What?”

“Which did I sound like? Please don’t say both.”

I slip the notepad into my bag, hoping she’s too flustered to notice her name on the page. “You sounded like a leader.”

“A leader!” she laughs. “I don’t even know if we’re going to have those. But thanks.” She pecks me on the cheek and tosses me the keys. “Now will you please get me out of here? I’ve done all the leading I can do for today.”

I start the car and take off like a getaway driver. The tires squeal and so does Julie. I am not the warmed-over corpse I used to be. I can breathe, run, climb, cry, and—finally—I can drive. The only signs that I was ever less than Living are the spots on my calf and shoulder, pale and faded like old, regrettable tattoos, a record of a life I’ll remember forever so that I’ll never go near it again.

I hurtle through town at unsafe speeds, taxing the limits of the old car’s engine, and I honk as we blow past our former neighbor’s new downtown apartment. B—Ben—waves to us from the front steps. It looks like he’s going for a walk.

I quit the stunt driving with a satisfied sigh as we cruise onto the freeway. I try not to notice the heavy clouds building overhead. Is the weather going to ruin my little plan? No. Post has been dry for months. I tell myself to stop worrying. Stop giving bad suggestions to the universe.

“Um, R?” Julie says when I drive past our exit. “Where are…”

“I’m taking you out.” I flash her what I hope is a charming grin. “Dinner date.”

She arches her eyebrows with an Oh really? smile and says no more.

Halfway to our destination, it happens. For the first time all autumn, rain falls on Post. The clouds burst like water balloons, dumping torrents into the convertible’s open cab. Julie stubbornly holds her smile, which becomes a parody as her hair droops over her eyes.

“Really need to fix that canopy…” I mumble.

“Yep,” Julie says, trying not to laugh.

She doesn’t ask any questions as I pull into Oran Airport. I’m sure our destination was no surprise, but I hope there are still a few details she hasn’t guessed.

I don’t go to the arrivals gate. There is nothing to see in the terminal. There are no pale crowds shuffling through its halls, waiting for some long-canceled flight. Those people have changed their itineraries and gone on to new destinations, and the airport is empty again.

I take a service road onto the airfield. The rain has turned months of dust into a slick layer of mud and I’m tempted to do some donuts as the first half of my surprise comes into view, but I don’t want to interrupt Julie’s reaction.

“The wings are on!” she says. “Are they…is it finished?”

“Almost. They’re saying one more week.”

Out on the runway, surrounded by scaffolds and tool carts, air compressors and solar panels, David Boeing is almost healed. The truck that hauled it here waits off to the side, its Axiom logo exed out with spray-paint, but the crew of technicians has gone home for the day. Julie and I have the place to ourselves.

Before I’ve quite finished parking she hops out and runs a circle around the plane, wiping rain out of her eyes so she can examine the repairs. Sheets of aluminum taken from other planes form a multi-colored patchwork on the fuselage, and the new engine doesn’t quite match the others.

“They said it’ll take some special care,” I tell Julie, “but it’ll fly. So if you want to start working on that pilot license…”

Julie grins at me through gaps in her wet hair. Then she whirls around and runs up the stairs to the entrance. Hoisting my bag over my shoulder, I follow her into the warm, dry shelter of the cabin.

I find her sitting in first class, waiting expectantly. I set my bag on a chair and begin to lay out our picnic. Two bottles of beer. Two paper takeout cartons. Two sets of chopsticks.

Julie sniffs. Her eyes widen. “Is that…?” She hops down onto the floor and rips open her carton. A little puff of steam rises from a pile of fresh pad thai. “Where?” she says, looking at me like I’ve performed a miracle.

“From a restaurant. We have restaurants now.”

She lunges forward and kisses me, not a peck this time but something deep and searching, and for a moment I think she might tear my clothes off right here and now. Then she pulls back and takes a deep breath. “Okay,” she says, giving me a wryly demure smile. “Shall we eat?”

The noodles are tangy and sweet. The tofu is dense and spicy. I savor the feeling of my face flushing, sweating, every cell in my body limber and alive.

We eat in silence. My record player is gone, but in lieu of music we have the cockpit radio scanning the long range bands. All static so far, but it’s a soft, pleasant static, like ocean waves.

Julie sucks down her last noodle and takes a sip of beer. “I see you taking a lot of pictures lately,” she says. “Think photography might be your job or whatever? Your ‘contribution’?”

I shrug.

“Tomsen’s starting a video feed for the Almanac. Maybe you could be, like…a photojournalist.”

“I like taking pictures,” I say, staring into the mouth of my beer, which I haven’t tasted yet, “but I don’t think that’s it.”

“Any other ideas?”

I hesitate a moment, then reach into my bag and toss her my notebook. I take a long pull off the beer as she flips through the pages. When she looks up, there’s a strange mixture of emotions on her face.

“Writing?” she says. “You want to be a writer?”

Another drink. “Maybe.”

“Is that because…” She pauses, as if unsure how to say it and also whether she should say it, but she says it. “Is that because Perry wanted to?”

I shake my head. “Perry taught me a lot. He let me borrow his past until I could find my own.” I nod toward the notebook. “But that’s all me.”

She searches my face for a moment. Then she flips back to the first page and starts to read.

My cheeks flush again, this time not from the spice, and I start talking just to fill the silence. “I’ve always been better at the world in my head but I think that’s okay because we need stories, right? Dreams are how we process reality, right? Even evolution, the ultimate pragmatist, thought we needed dreams for something, so I just think if—”

Julie holds up a hand, still looking at the notebook, and I finally shut up.

“‘I was dead, but it wasn’t so bad,’” she reads. “‘I’d learned to live with it.’”

I tip the bottle back again, but somehow it’s empty. Is there a leak?

“R,” she says, looking up from the page. “You’re writing a memoir?”

I shrug, tossing aside the bottle like it’s betrayed me.

A smile spreads across her face. “Am I in it?”

“You’re the main character.”

She looks down as if intending to read the whole thing right here. I snatch it out of her hands.

“Fine, fine,” she says. “I’ll wait till it’s finished. Although…” She cocks her head. “…when will that be? How do you finish your life story while it’s still in progress?”

“This is part one.” I tuck the notebook into my bag. “Give me a few more decades for the rest.”

The roar of the rain on the roof suddenly stops, leaving only the radio static. We both get up and peek through the windows. The world outside has been scrubbed clean. The mud is gone from the runways; dust and grime rolls off the plane’s wings in brown rivulets, leaving bright white behind. All throughout the airport, dry grass reaches through cracks in the concrete, and I imagine it drinking up the rain, waking its sleeping cells, beginning to flush with green.

Behind me, in the cockpit, a voice cuts through the static.

Halló? Þetta er Griðarstaðsborg, Ísland, með okkar árlega kall til Ameríku. Er einhver á lífi?

Julie stares at me. “Is that…?”

I’m not sure what it is, but I smile as she bolts for the cockpit.

“Hello?” she says into the receiver. “Hello—halló, um…Ensku? Tala ensku?”

I remain at the window, content to listen as Julie reaches across the globe and greets whoever lives there. The exhausted rainclouds are beginning to disperse, gliding aside like vast curtains, and I watch a single patch of light form near the horizon. I hear a melody in my mind, incredibly distant, like I’m hearing it through a wall between worlds.

The clouds are lifting…the window’s open…time to grow a pair of wings.

Where have I heard this song? Whose voice is that singing it to me? I close my eyes to remember, and my head floods with pictures. Pages. Lives that aren’t mine and lives that aren’t yet anyone’s—lives still waiting to be lived. I’ve spent a lot of time in the past, but I have rarely looked at the future. I look at it now. It towers above me, its ceiling so remote that I’m not sure it has one. Just a light that grows brighter the farther away it gets, shining from distant books too beautiful to understand.

Outside, the glossy wet runway glows gold in the sunset, but this is not the Last Sunset. There is no such final dusk. No death. No ending. No ceiling to stop our ascent. The ladder goes up forever, and we have just begun to climb.

Acknowledgments

After thanking the same people for three books in a row, this one will be a little different. This book was a wild leap. No publisher, no editor, no agent, just a ragged team of rogue professionals and brilliant volunteers. Top of the list has to be Joe Regal, who believed in my future enough to stick with me through my industry exile and bend Zola Books into something vaguely publisher-shaped. This series wouldn’t be what it is without his deep editorial work, and this book might not be in your hands without his byzantine efforts behind the scenes. Thanks, J.

A broader thanks to my family for supporting me during these recent hard years, particularly my brother Nathan for all the late-night strategy talks and tireless attempts to convince me I’m not a failure. Thanks, N.

And when I thank you, the readers, it means a lot more now than before. When the casual movie audience sloughed away, you held on until the end of the story. Some of you even became my publishing team. Mike Batie volunteered massive amounts of time and artistry to create an amazing ad campaign. Helgi Valur translated some crucial text. Carrie O’Brien jumped in for an eleventh-hour copyedit and caught a lot of my stupid mistakes so the rest of you don’t have to. And throughout it all, the fans—“R’s Rmy”—kept fighting. They kept spreading the word at home and abroad, and most importantly, they kept encouraging me not to quit. When I lost my publisher, my house, and even my cat, you guys kept propping me up and defibrillating my heart. You have no idea how much it’s meant to me to see that there are still people out there who care about what I’m doing and want me to keep doing it. If you will, I will!

Links

isaacmarion.com

facebook.com/isaacmarionauthor

facebook.com/warmbodies

tumblr.com/blog/isaacmarionsbigwords

Twitter @isaacinspace

Instagram @isaacmarion

THE WARM BODIES SERIES

Warm Bodies

The New Hunger

The Burning World

The Living

Copyright

This book is a work of fiction. Any references to historical events, real people, or real places are used fictitiously. Other names, characters, places, and events are products of the author’s imagination, and any resemblance to actual events or places or persons, Living or Dead, is entirely coincidental.

Copyright © 2018 by Isaac Marion

All rights reserved, including the right to reproduce this book or portions thereof in any form whatsoever. For information, contact the author at: isaac@isaacmarion.com

ISBN: 978-1-939126-38-2

Published by Zola Books

Zola Books, Inc.

143 West 29th Street

New York, NY 10001

Info@zolabooks.com

Excerpt from Gilgamesh: A Verse Narrative by Herbert Mason, copyright © 1998, Used by permission of Alfred A. Knopf, an imprint of the Knopf Doubleday Publishing Group, a division of Penguin Random House LLC. All rights reserved.

Lyrics quoted from “Livin’ Man” by Henri Lanoë, from the Twilight Zone episode “An Occurrence at Owl Creek Bridge.”

Interior illustrations adapted by Isaac Marion from sources in the public domain.

Jacket design by Jeff Miller at Faceout Studios

Author photograph by Juliann Itter

Content

Isaac Marion
THE LIVING

Author’s Note

WE

ONE the ladder

I

WE

I

-

WE

I

WE

I

TWO the attic

WE

I

WE

I

WE

I

WE

I

WE

I

WE

WE

I

-

-

WE

I

-

I

-

THREE the rooftop

WE

WE

I

WE

WE

I

WE

I

WE

I

-

WE

I

WE

I

WE

I

WE

-

I

WE

FOUR the sky

WE

I

Acknowledgments

Links

THE WARM BODIES SERIES

Copyright