The Bread We Eat in Dreams

Catherynne M. Valente

The Consultant

She walks into my life legs first, a long drink of water in the desert of my thirties. Her shoes are red; her eyes are green. She’s an Italian flag in occupied territory, and I fall for her like Paris. She mixes my metaphors like a martini and serves up my heart tartare. They all do. Every time. They have to. It’s that kind of story.

The lady in question stands in the corner of my office, lighting the cigarette dictated by tradition with shaking hands.

“You gotta help me, mister,” she says.

I’m a miss, but that doesn’t matter. In situations like this, you have to stick to the formula. She’s the damsel in distress, I see that right away. I’m her knight in shining armor, even if that armor is a size eight slingback in Antique Pearl.

“Tell me all your troubles,” I say in my best baritone, and pour her a whiskey, straight. She drinks it, leaves a frosty red lip-print on the glass.

And she takes a deep breath that makes her black dress shift just so. She tells me a man is after her because he wants her heart. He chases her through the dark, through the neon forest of rainy streets. Or she has this brother, see, with a withered arm he carries in a sling, crooked like a bird’s wing. She was supposed to protect him from their father but she just wasn’t strong enough. Or her stepmother can’t stand the sight of her and beats her every night for a dozen sins she’s never thought of. Or she’s waited and waited for a child but nothing doing. Or she pricked her finger on a needle when she was sixteen and oh, glory, the things she’s done to keep on pricking. Or she woke up and all her savings accounts were gone, the money turned worthless overnight. Maybe it’s a simple one: the mirror said she wasn’t pretty anymore. Maybe it’s complicated, she got in over her head, and now she has three nights to cough up a name or an ugly little man is going to take her son.

I’ve heard them all. It’s what I do. I’m not so much an investigator as what you might call a consultant. Step right up; show me your life. I’ll show you the story you’re in. Nothing more important in this world, kid. Figure that out and you’re halfway out of the dark.

Call them fairy tales, if that makes you feel better. If you call them fairy tales, then you don’t have to believe you’re in one.

It’s all about seeing the pattern—and the pattern is always there. It’s a vicious circle: the story gets told because the pattern repeats, and the pattern repeats because the story gets told. A girl comes in with mascara running down her face and says that she slept with her professor because she thought he’d love her forever. She wanted to walk in his rarified world of books and gin parties and wickedly sardonic quips instead of treading water in her dreary home town. She tried to speak the way his friends did and dress the way he liked, tottering on those topless high-heeled Iliac towers. She made herself write the way he did himself, made herself like his music and his opinions, and now he’s gone and she’s got this knife, see, but not a lot of courage. She’s in so much pain. Every step is like walking on knives.

And I say: “Sweetheart, you gave up your voice for him. That was bound to go badly. Now, how do you want to proceed?”

Because there’s a choice. There’s always a choice. Who do you want to be? You can break this tale, once you’ve got a sightline on it. That’s why they come to me. Because I can open up my files and tell them who they are. Because I’ve got a little Derringer in my desk with six bullets in it like pomegranate seeds. Because I have the hat, crooked at just the right angle, that says I can save them.

So who do you want to be?

Sure, no great loss to be the ingenue, sacrificing yourself for your love. Put away that knife, fix your make-up, drop his class, watch him with his hand on the waist of some blonde thing at the faculty party—never forgetting that she’s in a story too, and you can’t tell which one by looking at her, and maybe she’s the true bride and maybe she’s bleeding in her six hundred dollar shoes to convince him she’s the right girl—become like dancing foam on the waves of his society: glittering, beautiful, tragic. Maybe that’ll buy you what you’re looking for. But it’s not the only solution. Sometimes it’s better to choose the knife, cut his tenure, go back home, where you’ll be exotic and urbane, for all your experience in that strange, foreign world.

I don’t judge. I just give them options. And hell, sometimes the best thing is to put on a black dress and become a wicked stepmother. There’s power in that, if you’re after power.

Then there’s the back alley deals, the workarounds, the needles and the camels. You can turn around in the dark, with the man who wants your heart looming so big, so big over you, and you can give it to him, so bright and red and pure that it destroys him. Getting what you want has that effect, more often than you think. But that’s a dangerous move, the intimate exchange of hearts in the shadows, and sometimes the man in the dark walks off with everything anyway.

Listen, everything is possible in here. You can burn every spinning wheel in the kingdom. You can cut your hair before he ever gets the chance to climb up. It is possible to decline the beanstalk. You can let the old witch dance at your wedding, hand out the kind of forgiveness that would wake the dead and sleeping. You can just walk away, get on a horse, and go wake some other maiden from her narrative coffin, if you’re brave, if you’re strong. What do you want? Do you want to escape? Or were you looking for that candy house?

Sometimes they don’t believe me. They can’t see what I see. They can’t even see how we play out a story right there in my office: her showing a little leg, me tipping my hat over my eyes, the dusty blinds, the broken sign beyond my window, blinking HOTEL into the inky night. It’s a pretty broad schtick, but it helps make my point: nothing here but us archetypes, sweetheart. Still, when I tell them it was always fairy gold, all that money those sleek men in their silk suits said was so wisely invested, they get angry. They think I’m having a joke at their expense. But that’s what fairy gold is: fake money, wisely invested. The morning was always going to come when you opened your 401k and it had all turned back to acorns and leaves. They throw water in my face or they beg me to hunt down the leprechaun that sold them that rotten house, and sure, I’ll do that. Whatever you pay me for. You choose your role in this. I provide an honest service, and that’s all. I don’t try to sway them either way; it wouldn’t be fair. After all, I can see their cards, but they can’t see mine.

It’s a lonely life. Me and my patterns and scotch and ice. The nature of the process is that they leave when it’s over, exeunt, pursued by a bear with an empty porridge bowl. If they don’t go, I didn’t do my job. You have to keep moving, stay ahead of the oncoming plot. Never stop to rest, not here, not in the woods.

And me? Well, it doesn’t work that way. If you could narrate yourself I’d be out of a job. I need them to tell me who I am. If I’m a savior in their story, or a devil. If I’m a helpful guide, or temptation in a trenchcoat. No one’s ever guessed my name. And that’s the way I like it: clean, no mess, no mistakes. No attachments. Attachments beget stories, and I’m no protagonist. Eliot had a bead on it. A bit player, a voice in the smoke. A Greek chorus, that’s me. Or maybe a mirror on the wall. Point is, I don’t work in the spotlight. I’m strictly in the wings. So they walk into my office—not always dames, sometimes a paladin in an ice cream suit, and oh, if he doesn’t have that girl with the hair down to god-knows-where he’ll just die, or his wife is bored and unhappy and maybe she only ever liked him in the first place when he was a beast, or a wolf, or he’s just lost, and he can hear something like a bull calling for him from the deeps, and I fall for them because that’s the drill, but losing them is part of the denouement, and I know that better than anyone. It’ll make you hard, this business. Hard as glass.

I tell them: don’t depend on a woodsman in the third act. I tell them: look for sets of three, or seven. I tell them: there’s always a way to survive. I tell them: you can’t force fidelity. I tell them: don’t make bargains that involve major surgery. I tell them: you don’t have to lie still and wait for someone to tell you how to live. I tell them: it’s all right to push her into the oven. She was going to hurt you. I tell them: she couldn’t help it. She just loved her own children more. Primate instinct. I tell them: everyone starts out young and brave. It’s what you do with that that matters. I tell them: you can share that bear with your sister. I tell them: no one can stay silent forever. I tell them: it’s not your fault. I tell them: mirrors lie. I tell them: you can wear those boots, if you want them. You can lift that sword. It was always your sword. I tell them: the apple has two sides. I tell them: just because he woke you up doesn’t mean you owe him anything. I tell them: his name is Rumplestiltskin.

And my cases end like all stories end: with a sunset, and a kiss, and redemption, and iron shoes, and a sear of light from the shadows, a gun-muzzle flash that illuminates everything as the rain just keeps coming down in the motley, several-colored light of the back end of the world.

So come in. Sit down. We’ll have the air-conditioning working again in no time. Let me take your coat. Have a drink—it’s cheap and sour but it does the job. Much like myself.

Now. Tell me all your troubles.

White Lines on a Green Field

For Seanan McGuire. And Coyote.

Let me tell you about the year Coyote took the Devils to the State Championship.

Coyote walked tall down the halls of West Centerville High and where he walked lunch money, copies of last semester’s math tests, and unlit joints blossomed in his footsteps. When he ran laps out on the field our lockers would fill up with Snickers bars, condoms, and ecstasy tabs in all the colors of Skittles. He was our QB, and he looked like an invitation to the greatest rave of all time. I mean, yeah, he had black hair and copper skin and muscles like a commercial for the life you’re never going to have. But it was the way he looked at you, with those dark eyes that knew the answer to every question a teacher could ask, but he wouldn’t give them the satisfaction, you know? Didn’t matter anyway. Coyote never did his homework, but boyfriend rocked a 4.2 all the same.

When tryouts rolled around that fall, Coyote went out for everything. Cross-country, baseball, even lacrosse. But I think football appealed to his friendly nature, his need to have a pack around him, bright-eyed boys with six-pack abs and a seven minute mile and a gift for him every day. They didn’t even know why, but they brought them all the same. Playing cards, skateboards, vinyl records (Coyote had no truck with mp3s). The defensive line even baked cookies for their boy. Chocolate chip peanut butter oatmeal walnut iced snickerdoodle, piling up on the bench like a king’s tribute. And oh, the girls brought flowers. Poor girls gave him dandelions and rich girls gave him roses and he kissed them all like they were each of them specifically the key to the fulfillment of all his dreams. Maybe they were. Coyote didn’t play favorites. He had enough for everyone.

By the time we went to State, all the cheerleaders were pregnant.

The Devils used to be a shitty team, no lie. Bottom of our division and even the coach was thinking he ought to get more serious about his geometry classes. Before Coyote transferred our booster club was the tight end’s dad, Mr. Bollard, who painted his face Devil gold-and-red and wore big plastic light-up horns for every game. At Homecoming one year, the Devil’s Court had two princesses and a queen who were actually girls from the softball team filling in on a volunteer basis, because no one cared enough to vote. They all wore jeans and bet heavily on the East Centerville Knights, who won 34-3.

First game of his senior year, Coyote ran 82 yards for the first of 74 touchdowns that season. He passed and caught and ran like he was all eleven of them in one body. Nobody could catch him. Nobody even complained. He ran like he’d stolen that ball and the whole world was chasing him to get it back. Where’d he been all this time? The boys hoisted him up on their shoulders afterward, and Coyote just laughed and laughed. We all found our midterm papers under our pillows the next morning, finished and bibliographied, and damn if they weren’t the best essays we’d never written.

* * *

I’m not gonna lie. I lost my virginity to Coyote in the back of my blue pick-up out by the lake right before playoffs. He stroked my hair and kissed me like they kiss in the movies. Just the perfect kisses, no bonked noses, no knocking teeth. He tasted like stolen sunshine. Bunny, he whispered to me with his narrow hips working away, I will love you forever and ever. You’re the only one for me.

Liar, I whispered back, and when I came it was like the long flying fall of a roller coaster, right into his arms. Liar, liar, liar.

I think he liked that I knew the score, because after that Coyote made sure I was at all his games, even though I don’t care about sports. Nobody didn’t care about sports that year. Overnight the stands went from a ghost town to kids ride free day at the carnival. And when Coyote danced in the endzone he looked like everything you ever wanted. Every son, every boyfriend.

“Come on, Bunny,” he’d say. “I’ll score a touchdown for you.”

“You’ll score a touchdown either way.”

“I’ll point at you in the stands if you’re there. Everyone will know I love you.”

“Just make sure I’m sitting with Sarah Jane and Jessica and Ashley, too, so you don’t get in trouble.”

“That’s my Bunny, always looking out for me,” he’d laugh, and take me in his mouth like he’d die if he didn’t.

* * *

You could use birth control with Coyote. It wouldn’t matter much.

But he did point at me when he crossed that line, grinning and dancing and moving his hips like Elvis had just been copying his moves all along, and Sarah Jane and Jessica and Ashley got so excited they choked on their Cokes. They all knew about the others. I think they liked it that way—most of what mattered to Sarah Jane and Jessica and Ashley was Sarah Jane and Jessica and Ashley, and Coyote gave them permission to spend all their time together. Coyote gave us all permission, that was his thing. Cheat, fuck, drink, dance—just do it like you mean it!

I think the safety had that tattooed on his calf.

* * *

After we won four games in a row (after a decade of no love) things started to get really out of control. You couldn’t buy tickets. Mr. Bollard was in hog heaven—suddenly the boosters were every guy in town who was somebody, or used to be somebody, or who wanted to be somebody some impossible day in the future. We were gonna beat the Thunderbirds. They started saying it, right out in public. Six-time state champs, and no chance they wouldn’t be the team in our way this year like every year. But every year was behind us, and ahead was only our boy running like he’d got the whole of heaven at his back. Mr. Bollard got them new uniforms, new helmets, new goal posts—all the deepest red you ever saw. But nobody wore the light-up horns Mr. Bollard had rocked for years. They all wore little furry coyote ears, and who knows where they bought them, but they were everywhere one Friday, and every Friday after. When Coyote scored, everyone would howl like the moon had come out just for them. Some of the cheerleaders started wearing faux-fur tails, spinning them around by bumping and grinding on the sidelines, their corn-yellow skirts fluttering up to the heavens.

One time, after we stomped the Greenville Bulldogs 42-0 I saw Coyote under the stands, in that secret place the boards and steel poles and shadows and candy wrappers make. Mike Halloran (kicker, #14) and Justin Oster (wide receiver #11) were down there too, helmets off, the filtered stadium lights turning their uniforms to pure gold. Coyote leaned against a pole, smoking a cigarette, shirt off—and what a thing that was to see.

“Come on, QB,” Justin whined. “I never hit a guy before. I got no beef here. And I never fucked Jessie, either, Mike, I was just mouthing off. She let me see her boob once in 9th grade and there wasn’t that much to see back then. I never had a drink except one time a beer and I never smoked ‘cause my daddy got emphysema.” Coyote just grinned his friendly, hey-dude-no-worries grin.

“Never know unless you try,” he said, very reasonably. “It’ll make you feel good, I promise.”

“Fuck you, Oster” shot back Halloran. “I’m going first. You’re bigger, it’s not fair.”

Halloran got his punch in before he had to hear any more about what Justin Oster had never done and the two of them went at it, fists and blood and meat-slapping sounds and pretty soon they were down on the ground in the spilled-Coke and week-old-rain mud, pulling hair and biting and rolling around and after awhile it didn’t look that much like fighting anymore. I watched for awhile. Coyote looked up at me over their grappling and dragged on his smoke.

Just look at them go, little sister, I heard Coyote whisper, but his mouth didn’t move. His eyes flashed in the dark like a dog’s.

* * *

LaGrange almost ruined it all at Homecoming. The LaGrange Cowboys, and wasn’t their QB a picture, all wholesome white-blonde square-jaw aw-shucks muscle with an arm so perfect you’d have thought someone had mounted a rifle sight on it. #9 Bobby Zhao, of the 300 bench and the Miss Butter Festival 19whatever mother, the seven-restaurant-chain owning father (Dumpling King of the Southland!) and the surprising talent for soulful bluegrass guitar. All the colleges lined up for that boy with carnations and chocolates. We hated him like hate was something we’d invented in lab that week and had been saving up for something special. Bobby Zhao and his bullshit hipster-crooner straw hat. Coyote didn’t pay him mind. Tell us what you’re gonna do to him, they’d pant, and he’d just spit onto the parking lot asphalt and say: I got a history with Cowboys. Where he’d spat the offensive line watched as weird crystals formed—the kind Jimmy Moser (safety #17) ought to have recognized from his uncle’s trailer out off of Route 40, but you know me, I don’t say a word. They didn’t look at it too long. Instead they scratched their cheeks and performed their tribal ask-and-answer. We going down by the lake tonight? Yeah. Yeah.

“Let’s invite Bobby Zhao,” Coyote said suddenly. His eyes got big and loose and happy. His come-on look. His it’ll-be-great look.

“Um, why?” Jimmy frowned. “Not to put too fine a point on it, but fuck that guy. He’s the enemy.”

Coyote flipped up the collar of his leather jacket and picked a stray maple leaf the color of anger out of Jimmy’s hair. He did it tenderly. You’re my boy and I’ll pick you clean, I’ll lick you clean, I’ll keep everything red off of your perfect head, his fingers said. But what his mouth said was:

“Son, what you don’t know about enemies could just about feed the team til their dying day.” And when Coyote called you Son you knew to be ashamed. “Only babies think enemies are for beating. Can’t beat ‘em, not ever. Not the ones that come out of nowhere in the 4th quarter to take what’s yours and hold your face in the mud til you drown, not the ones you always knew you’d have to face because that’s what you were made for. Not the lizard guarding the Sun, not the man who won’t let you teach him how to plant corn. Enemies are for grabbing by the ears and fucking them til they’re so sticky-knotted bound to you they call their wives by your name. Enemies are for absorbing, Jimmy. Best thing you can do to an enemy is pull up a chair to his fire, eat his dinner, rut in his bed and go to his job in the morning, and do it all so much better he just gives it up to you—but fuck him, you never wanted it anyway. You just wanted to mess around in his house for a little while. Scare his kids. Leave a little something behind to let the next guy know you’re never far away. That’s how you do him. Or else—” Coyote pulled Cindy Gerard (bottom of the pyramid and arms like birch trunks) close and took the raspberry pop out of her hand, sipping on it long and sweet, all that pink slipping into him. “Or else you just make him love you til he cries. Either way.”

Jimmy fidgeted. He looked at Oster and Halloran, who still had bruises, fading on their cheekbones like blue flowers. After awhile he laughed horsily and said: “Whaddaya think the point spread’ll be?”

Coyote just punched him in the arm, convivial like, and kissed Cindy Gerard and I could smell the raspberry of their kiss from across the circle of boys. The September wind brought their kiss to all of us like a bag of promises. And just like that, Bobby Zhao showed up at the lake that night, driving his freshly waxed Cowboy silver-and-black double-cab truck with the lights on top like a couple of frog’s eyes. He took off that stupid straw hat and started hauling a keg out of the cream leather passenger seat—and once they saw that big silver moon riding shotgun with the Dumpling Prince of the Southland, Henry Dillard (linebacker #33) and Josh Vick (linebacker #34) hurried over to help him with it and Bobby Zhao was welcome. Offering accepted. Just lay it up here on the altar and we’ll cut open that shiny belly and drink what she’s got for us. And what she had was golden and sweet and just as foamy as the sea.

Coyote laid back with me in the bed of my much shittier pick-up, some wool blanket with a horse-and-cactus print on it under us and another one with a wolf-and-moon design over us, so he could slip his hands under my bra in that secret, warm space that gets born under some hippie mom’s awful rugs when no one else can see you. Everyone was hollering over the beer and I could hear Sarah Jane laughing in that way that says: just keep pouring and maybe I’ll show you something worth seeing.

“Come on, Bunny Rabbit,” Coyote whispered, “it’s nothing we haven’t done before.” And it was a dumb thing to say, a boy thing, but when Coyote said it I felt it humming in my bones, everything we’d done before, over and over, and I couldn’t even remember a world before Coyote, only the one he made of us, down by the lake, under the wolf and the moon, his hands on my breasts like they were the saving of him. I knew him like nobody else—and they’ll all say that now, Sarah Jane and Jessica and Ashley and Cindy Gerard and Justin Oster and Jimmy Moser, but I knew him. Knew the shape of him. After all, it’s nothing we hadn’t done before.

“It’s different every time,” I said in the truck-dark. “Or there’s no point. You gotta ask me nice every time. You gotta make me think I’m special. You gotta put on your ears and your tail and make the rain come for me or I’ll run off with some Thunderbird QB and leave you eating my dust.”

“I’m asking nice. Oh, my Bunny, my rabbit-girl with the fastest feet, just slow you down and let me do what I want.”

“And what do you want?”

“I want to dance on this town til it breaks. I want to burrow in it until it belongs to me. I want high school to last forever. I want to eat everything, and fuck everything, and snort everything, and win everything. I want my Bunny Rabbit on my lap while I drive down the world with my headlights off.”

“I don’t want to be tricked,” I said, but he was already inside me and I was glad. Fucking him felt like running in a long field, with no end in sight. “Not into a baby, not into a boyfriend, not into anything.”

“Don’t worry,” he panted. “You always get yours. Just like me, always like me.”

I felt us together, speeding up towards something, running faster, and he brushed my hair out of my face and it wasn’t hair but long black ears, as soft as memory, and then it was hair again, tangled and damp with our sweat, and I bit him as our stride broke. I whispered: “And Coyote gets his.”

“Why not? It’s nothing we haven’t done before.”

When I got up off of the horse blanket, marigold blossoms spilled out of me like Coyote’s seed.

* * *

Later that night I fished a smoke out of my glove box and sat on top of the dented salt-rusted cab of my truck. Coyote stood down by the lakeshore, aways off from the crowd, where the water came up in little foamy splashes and the willow trees whipped around like they were looking for someone to hold on to. Bobby Zhao was down there, too, his hands in his jean pockets, hip jutting out like a pouty lip, his hat on again and his face all in shadow. They were talking but I couldn’t hear over everyone else hooting and laughing like a pack of owls. The moon came out as big as a beer keg; it made Coyote’s face look lean and angelic, so young and victorious and humble enough to make you think the choice was yours all along. He took Bobby Zhao’s hand and they just stood there in the light, their fingers moving together. The wind blew off that straw hat like it didn’t like the thing much either, and Bobby let it lie. He was looking at Coyote, his hair all blue in the night, and Coyote kissed him as hard as hurting, and Bobby kissed him back like he’d been waiting for it since he was born. Coyote got his hands under his shirt and oh, Coyote is good at that, getting under, getting around, and the boys smiled whenever their lips parted.

I watched. I’m always watching. Who doesn’t like to watch? It feels like being God, seeing everything happen far away, and you could stop it if you wanted, but then you couldn’t watch anymore.

A storm started rumbling up across the meadows, spattering their kisses with autumn rain.

* * *

Suddenly everyone cared about who was going to make the Devil’s Court this year. Even me. The mall was cleared out of formal sparkle-and-slit dresses by August, and somehow they just couldn’t get any more in, like we were an island mysteriously sundered from the land of sequins and sweetheart necklines. Most of us were just going to have to go with one of our mom’s prom dresses, though you can be damn sure we’d be ripping off that poofy shoulder chiffon and taking up the hems as far as we could. Jenny Kilroy (drama club, Young Businesswomen’s Association) had done all the costumes for The Music Man in junior year, and for $50 she’d take that cherry cupcake dress and turn it into an apocalyptic punkslut wedding gown, but girlfriend worked slow. Whoever took the Homecoming crown had about a 60/40 chance of being up there in something they’d worn to their grandmother’s funeral.

The smart money was on Sarah Jane for the win. She was already pregnant by then, and Jessica too, but I don’t think even they knew it yet. Bellies still flat as a plains state, cotton candy lipstick as perfect as a Rembrandt. Nobody got morning sickness, nobody’s feet swelled. Sarah Jane shone in the center of her ring of girls like a pink diamond in a nouveaux riche ring. 4.0, equestrian club, head cheerleader, softball pitcher, jazz choir lead soprano, played Juliet in both freshman and senior years, even joined the chess club. She didn’t care about chess, but it looked good on her applications and she turned out to be terrifyingly good at it—first place at the spring speed chess invitational in Freemont, even seven months along. You couldn’t even hate Sarah Jane. You could see her whole perfect life rolling on ahead of her like a yellow brick road but you knew she’d include you, if you wanted. If you stuck around this town like she meant to, and let her rule it like she aimed to.

Jessica and Ashley flanked her down every hall and every parade—a girl like Sarah Jane just naturally grows girls like Jessica and Ashley to be her adjutants, her bridesmaids, the baby’s breath to make her rose look redder. All three of them knew the score and all three of them made sure nothing would ever change, like Macbeth’s witches, if they wore daisy-print coats and their mothers’ Chanel and tearproof mascara and only foretold their own love, continuing forever and the world moving aside to let it pass. So that was the obvious lineup—Queen Sarah Jane and her Viziers. Of course there were three slots, so I figured Jenny Kilroy would slide in on account of her charitable work to keep us all in the shimmer.

And then Friday morning arrived, the dawn before the dance and a week before the showdown game with Bobby Zhao and his Cowboys. Coyote howled up 7 am and we woke up and opened our closets and there they hung—a hundred perfect dresses. Whatever we might have chosen after hours of turning on the rack of the mall with nothing in our size or our color or modest enough for daddy or bare enough for us, well, it was hanging in our closets with a corsage on the hip. Coyote took us all to Homecoming that year. And there in my room hung something that glittered and threw prisms on the wall, something the color of the ripest pumpkin you ever saw, something cut so low and slit so high it invited the world to love me best. I put it on and my head filled up with champagne like I’d already been sipping flutes for an hour, as if silk could make skin drunk. I slid the corsage on my wrist—cornflowers, and tiny green ears not yet open.

Coyote danced with all the girls and when the music sped up he threw back his head and howled and we all howled with him. When it slowed down he draped himself all over some lonesome thing who never thought she had a chance. The rest of us threw out our arms and danced with what our hands caught—Jessica spent half the night with mathletes kissing her neck and teaching her mnemonics. Everything was dizzy; everything spun. The music came from everywhere at once and the floor shook with our stomping. We were so strong that night, we were full of the year and and no one drank the punch because no one needed it, we just moved with Coyote and Coyote moved, too. I flung out my arms and spun away from David Horowitz (pep squad, 100-meter dash), my corn-bound hand finding a new body to carry me into the next song. Guitar strings plinked in some other, distant world beyond the gymnasium and I opened my eyes to see Sarah Jane in my arms, her dress a perfect, icy white spill of froth and jewels, her eyes made up black and severe, to contrast, her lips a generous rose-colored smile. She smelled like musk and honeysuckle. She smelled like Coyote. I danced with her and she put her head on my breast; I felt her waist in my grasp, the slight weight of her, the chess queen, the queen of horses and jazz and grade point averages and pyramids and backflips, Juliet twice, thrice, a hundred times over. She ran her hand idly up and down my back just as if I were a boy. My vision blurred and the Christmas lights hanging everywhere swam into a soup of Devil red and Devil gold. The queen of the softball team lifted her sunny blonde head and kissed me. Her mouth tasted like cherry gum and whiskey. She put her hands in my hair to show me she meant it, and I pulled her in tight—but the song ended and she pulled away, looking surprised and confused, her lipstick dulled, her bright brown eyes wounded, like a deer with sudden shot in her side. She ran to Jessica and Ashley and the three of them to Coyote, hands over their stomachs as though something fluttered there, something as yet unknown and unnamed.

The principal got up to call out the Devil’s Court. My man was shaken by all the heavy grinding and spinning and howling that had become the senior class, but he got out his index cards all the same. He adjusted his striped tie and tapped the mic, just like every principal has ever done. And he said a name. And it was mine. A roar picked up around me and hands were shoving me forward and I didn’t understand, it was Sarah Jane, it would always be Sarah Jane. But I stood there while Mr. Whitmore, the football coach, put a crown on my head, and I looked out into the throng. Coyote stood there in his tuxedo, the bowtie all undone like a brief black river around his neck, and he winked at me with his flashing hound-eye, and the principal called three more names and they were Jessica and Ashley and Sarah Jane. They stood around me like three fates and Mr. Whitmore put little spangly tiaras on their heads and they looked at me like I had caught a pass in the end-zone, Hail Mary and three seconds left on the clock. I stared back and their tiaras were suddenly rings of wheat and appleblossoms and big, heavy oranges like suns, and I could see in their eyes mine wasn’t rhinestones any more than it was ice cream. I lifted it down off my head and held it out like a thing alive: a crown of corn, not the Iowa yellow stuff but blue and black, primal corn from before the sun thought fit to rise, with tufts of silver fur sprouting from their tips, and all knotted together with crow feathers and marigolds.

And then it was pink rhinestones in my hands again, and blue zirconium on my Princesses’ heads, and the Devil’s Court took its place, and if you have to ask who was King, you haven’t been listening.

After that, the game skipped by like a movie of itself. Bobby just couldn’t keep that ball in his hands. You could see it on his face, how the ball had betrayed him, gone over to a bad boy with a leather jacket and no truck at all. You could see him re-sorting colleges in his head. It just about broke your heart. But we won 24-7, and Coyote led Bobby Zhao off the field with a sorry-buddy and a one-game-don’t-mean-a-thing, and before I drove off to the afterparty I saw them under the bleachers, foreheads pressed together, each clutching at the other’s skin like they wanted to climb inside, and they were beautiful like that, down there underneath the world, their helmets lying at their feet like old crowns.

* * *

Nothing could stop us then. The Westbrook Ravens, the Bella Vista Possums, the Ashland Gators. Line them up and watch them fall. It wasn’t even a question.

I suppose we learned trig, or Melville, or earth science. I suppose we took exams. I suppose we had parents, too, but I’ll be damned if any of that seemed to make the tiniest impression on any one of us that year. We lived in an unbreakable bubble where nothing mattered. We lived in a snowglobe, only the sun was always shining and we were always winning and yeah, you could get grounded for faceplanting your biology midterm or pulled over for speeding or worse for snorting whatever green fairy dust Coyote found for you, but nothing really happened. You came down to the lake like always the next night. After the Ravens game, Greg Knight (running back #46) and Johnny Thompson (cornerback #22) crashed their cars into each other after drinking half a sip of something Coyote whipped up in an acorn cap, yelling chicken out the window the whole time like it was 1950 and some girl would be waving her handkerchief at the finish line. But instead there was a squeal of engine humping up on engine and the dead crunch of the front ends smacking together and the long blare of Greg’s face leaning on his horn.

But even then, they just got up and walked away, arm in arm and Coyote suddenly between them, oh-my-godding and let’s-do-that-againing. The next day their Camrys pulled up to the parking lot like it was no big deal. Nothing could touch us.

All eyes were on the Thunderbirds.

Now, the Thunderbirds didn’t have a Bobby Zhao. No star player to come back and play celebrity alumnus in ten years with a Super Bowl ring on his finger. A Thunderbird was part of a machine, a part that could be swapped out for a hot new freshman no problem, no resentment. They moved as one, thought as one, they were a flock, always pointed in the same direction. That was how they’d won six state championships; that was how they’d sent three quarterbacks to the NFL in the last decade. There was no one to hate—just a single massive Thunderbird darkening our little sky.

Coyote’s girls began to show by Christmas.

Sarah Jane, whatever the crown might have said at Homecoming, was queen of the unwed mothers, too. Her belly swelled just slightly bigger than the others—but then none of them got very big. None of them slowed down. Sarah Jane was turning a flip-into somersault off the pyramid in her sixth month with no trouble. They would all lay around the sidelines together painting their stomachs (Devil red and Devil gold) and trying on names for size. No point in getting angry; no point in fighting for position. The tribe was the tribe and the tribe was all of us and a tribe has to look after its young. The defensive line had a whole rotating system for bringing them chocolate milk in the middle of the night.

They were strong and tan and lean and I had even money on them all giving birth to puppies.

I didn’t get pregnant. But then, I wouldn’t. I told him, and he listened. Rabbit and Coyote, they do each other favors, when they can.

* * *

A plan hatched itself steal their mascot. An old fashioned sort of thing, like playing chicken with cars. Coyote plays it old school. Into Springfield High in the middle of the night, out with Marmalade, a stuffed, motheaten African Grey parrot from some old biology teacher’s collection that a bright soul had long ago decided could stand in for a Thunderbird.

We drove out to Springfield, two hours and change, me and Coyote and Jimmy Moser and Mike Halloran and Josh Vick and Sarah Jane and Jessica and Ashley, all crammed into my truck, front and back. Coyote put something with a beat on the radio and slugged back some off-brand crap that probably turned to Scotland’s peaty finest when it hit his tongue. Jimmy was trying to talk Ashley into making out with him in the back while the night wind whipped through their hair and fireflies flashed by, even though it was January. Ashley didn’t mind too much, even less when everyone wanted to touch her stomach and feel the baby move. She blushed like a primrose and even her belly button went pink.

Nobody’s very quiet when sneaking into a gym. Your feet squeak on the basketball court and everyone giggles like a joke got told even when none did and we had Coyote’s hissing drink up drink up and squeezing my hand like he can’t hold the excitement in. We saw Marmalade center court on a parade float, all ready to ship over to the big designated-neutral-ground stadium for halftime. Big yellow and white crepe flowers drooped everywhere, around the shore of a bright blue construction paper sea. Marmalade’s green wings spread out majestically, and in his talons he held a huge orange papier-mâché ball ringed with aluminum foil rays dipped in gold glitter. Thunderbird made this world, and Thunderbird gets to rule it.

Coyote got this look on his face and the moment I saw it I knew I wouldn’t let him get there first. I took off running, my sneakers screeching, everyone hollering Bunny! after me and Coyote scrappling up behind me, closing the distance, racing to the sun. I’m faster, I’m always faster. Sometimes he gets it and sometimes I get it but it’s nothing we haven’t done before and this time it’s mine.

And I leapt onto the float without disturbing the paper sea and reached up, straining, and finally just going for it. I’m a tall girl, see how high I jump. The sun came down in my arms, still warm from the gym lights and the after-hours HVAC. The Thunderbird came with it, all red cheeks and Crayola green wingspan and I looked down to see Coyote grinning up at me. He’d let me take it, if I wanted it. He’d let me wear it like a crown. But after a second of enjoying its weight, the deliciousness of its theft, I passed it down to him. It was his year. He’d earned it.

We drove home through the January stars with the sun in the bed of my truck and three pregnant girls touching it with one hand each, holding it down, holding it still, holding it together.

On game day we stabbed it with the Devil’s pitchfork and paraded our float around the stadium like conquering heroes. Like cowboys. Marmalade looked vaguely sad. By then Coyote was cleaning off blood in the locker room, getting ready for the second half, shaken, no girls around him and no steroid needles blossoming up from his friendly palm like a bouquet of peonies.

The first half of the championship game hit us like a boulder falling from the sky. The Thunderbirds didn’t play for flash, but for short, sharp gains and an inexorable progression toward the end-zone. They didn’t cheer when they scored. They nodded to their coach and regrouped. They caught the flawless, seraphic passes Coyote fired off; they engulfed him when he tried to run as he’d always done. Our stands started out raucous and screaming and jumping up and down, cheering on our visibly pregnant cheerleading squad despite horrified protests form the Springfield side. Don’t you listen, Sarah Jane baby! Yelled Mr. Bollard. You look perfect! And she did, fists in the air, ponytail swinging.

Halftime stood 14-7 Thunderbirds.

I slipped into the locker room—by that time the place had become Devil central, girls and boys and players and cheerleaders and second chair marching band kids who weren’t needed til post-game all piled in together. Some of them giving pep talks which I did not listen to, some of them bandaging knees, some of them—well. Doing what always needs doing when Coyote’s around. Rome never saw a party like a Devil locker room.

I walked right over to my boy and the blood vanished from his face just as soon as he saw me.

“Don’t you try to look pretty for me,” I said.

“Aw, Bunny, but you always look so nice for me.”

I sat in his lap. He tucked his fingers between my thighs—where I clamped them, safe and still. “What’s going on out there?”

Coyote drank his water down. “Don’t you worry, Bunny Rabbit. It has to go like this, or they won’t feel like they really won. Ain’t no good game since the first game that didn’t look lost at half time. It’s how the story goes. Can’t hold a game without it. The old fire just won’t come. If I just let that old Bird lose like it has to, well, everyone would get happy after, but they’d think it was pre-destined all along, no work went into it. You gotta make the story for them, so that when the game is done they’ll just…” Coyote smiled and his teeth gleamed. “Well, they’ll lose their minds I won it so good.”

Coyote kissed me and bit my lip with those gleaming teeth. Blood came up and in our mouths it turned to fire. We drank it down and he ran out on that field, Devil red and Devil gold, and he ran like if he kept running he could escape the last thousand years. He ran like the field was his country. He ran like his bride was on the other end of all that grass and I guess she was. I guess we all were. Coyote gave the cherry to Justin Oster, who caught this pass that looked for all the world like the ball might have made it all the way to the Pacific if nobody stood in its way. But Justin did, and he caught it tight and perfect and the stadium shook with Devil pride.

34-14. Rings all around, as if they’d all married the state herself.

* * *

That night, we had a big bonfire down by the lake. Neutral ground was barely 45 minutes out of town, and no one got home tired and ready to sleep a good night and rise to a work ethic in the morning.

I remember we used to say down-by-the-lake like it was a city, like it was an address. I guess it was, the way all those cars would gather like crows, pick-ups and Camaros and Jeeps, noses pointing in, a metal wall against the world. The willows snapped their green whips at the moon and the flames licked up Devil red and Devil gold. We built the night without thinking about it, without telling anyone it was going to happen, without making plans. Everyone knew to be there; no one was late.

Get any group of high school kids together and you pretty much have the building blocks of civilization. The Eagle Scout boys made an architecturally perfect bonfire. 4-H-ers threw in grub, chips and burgers and dogs and Twix and Starburst. The drama kids came bearing tunes, their tooth-white iPods stuffed into speaker cradles like black mouths. The rich kids brought booze from a dozen walnut cabinets—and Coyote taught them how to spot the good stuff. Meat and fire and music and liquor—that’s all it’s ever been. Sarah Jane started dancing up to the flames with a bottle of 100 year old cognac in her hand, holding by the neck, moving her hips, her gorgeously round belly, her long corn-colored hair brushing faces as she spun by, the smell of her expensive and hot. Jessica and Ashley ran up to her and the three of them swayed and sang and stamped, their arms slung low around each other, their heads pressed together like three graces. Sarah Jane poured her daddy’s cognac over Ashley’s breasts and caught the golden stuff spilling off in her sparkly pink mouth and Ashley laughed so high and sweet and that was it—everyone started dancing and howling and jumping and Coyote was there in the middle of it all, arching his back and keeping the beat, slapping his big thighs, throwing the game ball from boy to girl to boy to girl, like it was magic, like it was just ours, the sun of our world arcing from hand to hand to hand.

I caught it and Coyote kissed me. I threw it to Haley Collins from English class and Nick Dristol (left tackle #19) caught me up in his arms. I don’t even know what song was playing. The night was so loud in my ears. I could see it happening and it scared me but I couldn’t stop it and didn’t want to. Everything was falling apart and coming together and we’d won the game, Bunny no less than Coyote, and boyfriend never fooled me for a minute, never could.

I could hear Sarah Jane laughing and I saw Jessica kissing her and Greg Knight both, one to the other like she was counting the kisses to make it all fair. She tipped up that caramel-colored bottle and Nick started to say something but I shushed him. Coyote’s cognac’s never gonna hurt that baby. Every tailgate hung open, no bottle ever seemed to empty and even though it was January the air was so warm, the crisp red and yellow leaves drifting over us all, no one sorry, no one ashamed, no one chess club or physics club or cheer squad or baseball team, just tangled up together inside our barricade of cars.

Sarah danced up to me and took a swallow without taking her eyes from mine. She grabbed me roughly by the neck and into a kiss, passing the cognac to me and oh, it tasted like a pass thrown all the way to the sea, and she wrapped me up in her arms like she was trying to make up Homecoming to me, to say: I’m better now, I’m braver now, doesn’t this feel like the end of everything and we have to get it while we can? I could feel her stomach pressing on mine, big and insistent and hard, and as she ripped my shirt open I felt her child move inside her. We broke and her breasts shone naked in the bonfire-light—mine too, I suppose. Between us a cornstalk grew fast and sure, shooting up out of the ground like it had an appointment with the sky, then a second and a third. That same old blue corn, midnight corn, first corn. All around the fire the earth was bellowing out pumpkins and blackberries and state fair tomatoes and big blousy squash flowers, wheat and watermelons and apple trees already broken with the weight of fruit. The dead winter trees exploded into green, the graduating class fell into the rows of vegetables and fruit and thrashed together like wolves, like bears, like devils. Fireflies turned the air into an emerald necklace and Sarah Jane grabbed Coyote’s hand which was a paw which was a hand and screamed. Didn’t matter—everyone was screaming, and the music quivered the darkness and Sarah Jane’s baby beat at the drum of her belly, demanding to be let out into the pumpkins and the blue, blue corn, demanding to meets its daddy.

All the girls screamed. Even the ones only a month or two gone, clutching their stomachs and crying, all of them except me, Bunny Rabbit, the watcher, the queen of coming home. The melons split open in an eruption of pale green and pink pulp; the squashes cracked so loud I put my hands (which were paws which were hands) over my ears, and the babies came like harvest, like forty-five souls running after a bright ball in the sky.

* * *

Some of us, after a long night of vodka tonics and retro music and pretending there was anything else to talk about, huddle together around a table at the 10 year and get into it. How Mr. Bollard was never the same and ended up hanging himself in a hotel room after almost a decade of straight losses. How they all dragged themselves home and suddenly had parents again, the furious kind, and failed SATs and livers like punching bags. How no one went down to the lake anymore and Bobby Zhao went to college out of state and isn’t he on some team out east now? Yeah. Yeah. But his father lost the restaurants and now the southland has no king. But the gym ceiling caved in after the rains and killed a kid. But most of them could just never understand why their essays used to just be perfect and they never had hangovers and they looked amazing all the time and sex was so easy that year but never since, no matter how much shit went up their nose or how they cheated and fought and drank because they didn’t mean it like they had back when, no how many people they brought home hoping just for a second it would be like it was then, when Coyote made their world. They had this feeling, just for a minute—didn’t I feel it too? That everything could be different. And then it was the same forever, the corn stayed yellow and they stayed a bunch of white kids with scars where their cars crashed and fists struck and babies were born. The lake went dry and the scoreboard went dark.

Coyote leaves a hole when he goes. He danced on this town til it broke. That’s the trick, and everyone falls for it.

But they all had kids, didn’t they? Are they remembering that wrong? What happened to them all?

Memory is funny—only Sarah Jane (real estate, Rotary, Wednesday night book club) can really remember her baby. Everyone just remembers the corn and the feeling of running, running so fast, the whole pack of us, against the rural Devil gold sunset. I call that a kindness. (Why me? Sarah Jane asks her gin. You were the queen, I say. That was you. Only for a minute.) It was good, wasn’t it, they all want to say. When we were all together. When we were a country, and Coyote taught us how to grow such strange things.

Why did I stick around, they all want to know. When he took off, why didn’t I go, too? Weren’t we two of a kind? Weren’t we always conspiring?

Coyote wins the big game, I say. I get the afterparty.

* * *

This is what I don’t tell them.

I woke up before anyone the morning after the championships. Everyone had passed out where they stood, laying everywhere like a bomb had gone off. No corn, no pumpkins, no watermelons. Just that cold lake morning fog. I woke up because my pick-up’s engine fired off in the gloam, and I know that sound like my mama’s crying. I jogged over to my car but it was already going, bouncing slowly down the dirt road with nobody driving. In the back, Coyote sat laughing, surrounded by kids, maybe eight or ten years old, all of them looking just like him, all of them in leather jackets and hangdog grins, their black hair blowing back in the breeze. Coyote looked at me and raised a hand. See you again. After all, it’s nothing we haven’t done before.

Coyote handed a football to one of his daughters. She lifted it into the air, her form perfect, trying out her new strength. She didn’t throw it. She held it tight, like it was her heart.

The Bread We Eat in Dreams

In a sea of long grass and tiny yellow blueberry flowers some ways off of Route 1, just about halfway between Cobscook Bay and Passamaquoddy Bay, the town of Sauve-Majeure puts up its back against the Bald Moose mountains. It’s not a big place—looks a little like some big old cannon shot a load of houses and half-finished streets at the foothills and left them where they fell. The sun gets here first out of just about anywhere in the country, turning all the windows bloody orange and filling up a thousand lobster cages with shadows.

Further up into the hills, outside the village but not so far that the post doesn’t come regular as rain, you’ll find a house all by itself in the middle of a tangly field of good red potatoes and green oats. The house is a snug little hall and parlor number with a moss-clotted roof and a couple of hundred years of whitewash on the stones. Sweet William and vervain and crimson beebalm wend out of the window-jambs, the door-hinges, the chimney blocks. There’s carrots in the kitchen garden, some onions, a basil plant that may or may not come back next year.

You wouldn’t know it to look at the place, but a demon lives here.

The rusted-out mailbox hangs on a couple of splinters and a single valiant, ancient bolt, its red flag at perpetual half-mast. Maybe there’s mail to go out, and maybe there isn’t. The demon’s name is Gemegishkirihallat, but the mailbox reads: Agnes G. and that seems respectable enough to the mailman, who always has to check to see if that red flag means business, even though in all his considerable experience working for the postal service, it never has. The demon is neither male nor female—that’s not how things work where it came from. But when it passed through the black door it came out Agnes on the other side. She’s stuck with she now, and after five hundred years, give or take, she’s just about used to it.

The demon arrived before the town. She fell out of a red oak in the primeval forest that would eventually turn into Schism Street and Memorial Square, belly-first into a white howl of snow and frozen sea-spray. She was naked, her body branded with four-spoked seals, wheels of banishment, and the seven psalms of hell. Her hair had burnt off and she had no fingernails or toenails. The hair grew back—black, naturally—and the 16th century offered a range of options for completely covering female skin from chin to heel, black-burnt with the diamond trident-brand of Amdusias or not.

The fingernails never came in. It’s not something many people ever had occasion to notice.

The ice and lightning lasted for a month after she came; the moon got big and small again while the demon walked around the bay. Her footsteps marked the boundaries of the town to come, her heels boiling the snow, her breath full of thunder. When she hungered, which she did, often, for her appetites had never been small, she put her head back in the frigid, whipping storm and howled the primordial syllable that signified stag. Even through the squall and scream of the white air, one would always come, his delicate legs picking through the drifts, his antlers dripping icicles.

She ate her stags whole in the dark, crunching the antlers in her teeth.

Once, she called a pod of seals up out of the sea and slept on the frozen beach, their grey mottled bodies all around her. The heat of her warmed them, and they warmed her. In the morning the sand beneath them ran liquid and hot, the seals cooked and smoking.

* * *

The demon built that house with her own hands. Still naked come spring, as she saw no particular reason not to be, she put her ear to the mud and listened for echoes. The sizzling blood of the earth moved beneath her in crosshatch patterns, and on her hands and knees she followed them until she found what she wanted. Hell is a lot like a bad neighbor: it occupies the space just next to earth, not quite on top of it or underneath it, just to the side, on the margins. And Hell drops its chestnuts over the fence with relish. Agnes was looking for the place on earth that shared a cherry tree and a water line with the house of Gemegishkirihallat in Hell. When she found it, she spoke to the trees in proto-Akkadian and they understood her; they fell and sheared themselves of needles and branches. Grasses dried in a moment and thatched themselves, eager to please her. With the heat of her hands she blanched sand into glass for her windows; she demanded the hills give her iron and clay for her oven, she growled at the ground to give her snap peas and onions.

* * *

Some years later, a little Penobscot girl got lost in the woods while her tribe was making their long return from the warmer south. She did not know how to tell her father what she saw when she found him again, having never seen a house like the one the demon built, with a patch of absurd English garden and a stone well and roses coming in bloody and thick. She only knew it was wrong somehow, that it belonged to someone, that it made her feel like digging a hole in the dirt and hiding in it forever.

The demon looked out of the window when the child came. Her hair had grown so long by then it brushed her ankles. She put out a lump of raw, red, bleeding meat for the girl. Gemegishkirihallat had always been an excellent host. Before he marked her flesh with his trident, Amdusias had loved to eat her salted bread, dipping his great long unicorn’s horn into her black honey to drink.

The child didn’t want it, but that didn’t bother Agnes. Everybody has a choice. That’s the whole point.

* * *

Sauve-Majeure belongs to its demon. She called the town to herself, on account of being a creature of profound order. A demon cannot function alone. If they could, banishment would be no hurt. A demon craves company, their own peculiar camaraderie. Agnes was a wolf abandoned by her pack. She could not help how she sniffed and howled for her litter-mates, nor how that howl became a magnetic pull for the sort of human who also loves order, everything in its place, all souls accounted for, everyone blessed and punished according to strict and immutable laws.

The first settlers were mostly French, banded together with whatever stray Puritans they’d picked up along the way north. Those Puritans would spice the Gallic stew of upper Maine for years, causing no end of trouble to Agnes, who, to be fair, was a witch and a succubus and everything else they ever called her, but that’s no excuse for being such poor neighbors, when you think about it.

The demon waited. She waited for Martin le Clerq and Melchior Pelerin to raise their barns and houses, for Remy Mommacque to breed his dainty little cow to William Chudderley’s barrel of a bull, for John Cabot to hear disputes in his rough parlor. She waited for Hubert Sazarin to send for both money and a pair of smooth brown stones from Sauve-Majeure Abbey back home in Gironde and use them to lay out the foundations of what he dreamed would be the Cathedral of St. Geraud and St. Adelard, the grandest edifice north of Boston. She waited for Thomas Dryland to get drunk on Magdeleine Loliot’s first and darkest beer, then march over to the Sazarin manse and knock him round the ears for flaunting his Papist devilry in the face of good honest folk. She waited for Dryland to take up a collection amongst the Protestant minority and, along with John Cabot and Quentin Pole, raised the frame of the Free Meeting House just across what would eventually be called Schism Street, glaring down the infant Cathedral. She waited for Dryland to press Quentin’s serious young son Lamentation into service as pastor. She waited, most importantly, for little Crespine Moutonnet to be born, the first child of Sauve-Majeure. (The town was named by Sazarin, but stubbornly called Help-on-High by the congregation at the Free Meeting House up until Renewal Pole was shot over the whole business by Henri Sazarin in 1890, at which point it was generally agreed to let the matter drop and the county take the naming of the place—which they did, once Sazarin had quietly and handsomely paid the registrar the weight of his eldest daughter in coin, wool, beef, and blueberries.) The demon waited for the Dryland twins, Reformation and Revelation, for Madame le Clerq to bear her five boys, for Goodwife Wadham to deliver her redoubtable seven daughters and single stillborn son. She waited for Mathelin Minouflet to bring his gentle wife Charlotte over the sea from Cluny—she arrived already and embarrassingly pregnant, as she had by then been separated from her good husband for five years. Mathelin would have beaten her soundly, but upon discovering that his brother had the fault of it, having assumed the elder Minouflet dead and the responsibility of poor Charlotte his own, tightened his belt and hoped it would be a son. The demon waited for enough children to be born and grow up, for enough village to spring up, for enough order to assert itself she that could walk among them and be merely one of the growing, noisy lot of new young folk fighting over Schism Street and trading grey, damp wool for hard, new potatoes.

The demon appeared in Adelard-in-the-Garden Square, the general marketplace ruled wholly by an elderly, hunched Hubert Sazarin and his son Augustine. Adjoining it, Faith-My-Joy Square hosted the Protestant market, but as one could not get decent wine nor good Virginia pipe tobacco in Faith-My-Joy nor Margery Cabot’s sweet butter and linen cloth in Adelard, a great deal of furtive passage went on between the two. The demon chose Adelard. She laid out her wares among the tallow candles and roasting fowl and pale bluish honey sold by the other men. A woman selling in the market caused a certain amount of consternation among the husbands of Sauve-Majeure. Young Wrestling Dryland, though recently bereaved of his father Thomas, whose heart had quite simply burst with rage when Father Simon Charpentier arrived from France to give Mass and govern the souls of St. Geraud and Adelard, had no business at all sneaking across the divide to snatch up a flask of Sazarin’s Spanish Madeira. Wrestling worked himself up into a positively Thomas-like fury over the tall figure in a black bonnet, and screwed in his courage to confront the devil-woman. He took in her severe dress, her covered hair, her table groaning with the kind of breads he had only heard of from his father’s tales of a boyhood in London: braided rounds and glossy cross-buns studded with raisins (where had she got raisins in this forsaken land?), sweet French egg bread and cakes dusted with sugar, (what act of God or His Opposite granted this brazen even the smallest measure of sugar?), dark jams and butter-plaits stuffed with cream. He fixed to shame the slattern of Adelard, as he already thought of her, his gaze meant to cut down—but when he looked into the pits of her eyes he quieted, and said nothing at all, but meekly purchased a round of her bread even though his mother Anne made a perfectly fine loaf of her own.

* * *

Gemegishkirihallat had been the baker of Hell.

It had been her peculiar position, her speciality among all the diverse amusements and professions of Hades, which performs as perfectly and smoothly in its industries as the best human city can imagine, but never accomplish. Everything in its place, all souls accounted for, everyone blessed and punished according to strict and immutable laws. She baked bread to be seen but ultimately withheld, sweetcakes to be devoured until the skin split and the stomach protruded like the head of a child through the flesh, black pastry to haunt the starved mind. The ovens of Gemegishkirihallat were cathedral towers of fire and onyx, her under-bakers Akalamdug and Ekur pulling out soft and perfect loaves with bone paddles. But also she baked for her own table, where her comrades Amdusias, King of Thunder and Trumpets, Agares, Duke of Runaways and his loyal pet crocodile, Samagina, Marquis of the Drowned, Countess Gremory Who-Rides-Upon-a-Camel, and the Magician-King Barbatos gathered to drink the wines crushed beneath the toes of rich and heartless men and share between them the bread of Gemegishkirihallat. She prepared the bloodloaf of the great Emperor’s own infinite table, where, on occasion, she was permitted to sit and keep Count Andromalius fromstealing the slabs of meat beloved of Celestial Marquis Oryax.

And in her long nights, in her long house of smoke and miller’s stones, she baked the bread we eat in dreams, strangest loaves, her pies full of anguish and days long dead, her fairy-haunted gingerbread, her cakes wet with tears. The Great Duke Gusion, the Baboon-Lord of Nightmares, came to her each eve and took up her goods into his hairy arms and bore them off to the Pool of Sleep.

Those were the days the demon longed for in her lonely house with only one miserable oven that did not even come up to her waist, with her empty table and not even Shagshag, the weaver of Hell, to make her the Tea of Separation-from-God and ravage her in the dark like a good neighbor should. Those were the days she longed for in her awful heart—for a demon has no heart as we do, a little red fist in our chest. A demon’s body is nothing but heart, its whole interior beating and pulsing and thundering in time to the skull-clocks of Pandemonium.

Those were the days that floated in the demon’s vast and lightless mind when she brought, at long last, her most perfect breads to Adelard-in-the-Garden. She would have her pack again, here between the mountains and the fish-clotted bay. She would build her ovens high and feed them all, feed them all and their children until no other bread would sate them. They would love her abjectly, for no other manner of loving had worth.

* * *

They burned her as a witch some forty years later.

As you might expect, it was a Dryland’s hand at work in it, though the fingers of Mme. Sébastienne Sazarin as well as Father Simon’s successor Father Audrien made their places in the pyre.

The demon felt it best, when asked, to claim membership in a convent on the other side of Bald Moose Mountain, traveling down into the bay-country to sell the sisters’ productions of bread. She herself was a hermit, of course, consecrated to the wilderness in the manner of St. Viridiana or St. Julian, two venerated ladies of whom the poor country priest Father Simon had never heard. This relieved everyone a great deal, since a woman alone is a kind of unpredictable inferno that might at any moment light the hems of the innocent young. Sister Agnes had such a fine hand at pies and preserves, it couldn’t hurt to let little Piety and Thankful go and learn a bit from her—even if she was a Papist demoness, her shortbread would make you take Communion just to get a piece. She’s a right modest handmaiden, let Marie and Heloise and Isabelle learn their letters from her. She sings so beautifully at Christmas Mass, poor Christophe Minouflet fell into a swoon when she sang the Ave—why not let our girl Beatrice learn her scales and her octaves at her side?

And then there was the matter of Sister Agnes’s garden. Not a soul in Sauve-Majeure did not burn to know the secret of the seemingly inexhaustible earth upon which their local hermit made her little house. How she made her pumpkins swell and her potatoes glow with red health, how her peas came up almost before the snow could melt, how her blueberry bushes groaned by June with the weight of their dark fruit. Let Annabelle and Elisabeth and Jeanne and Martha go straight away and study her methods, and if a seed or two of those hardy crops should find its way into the pockets of the girls’ aprons, well, such was God’s Will.

Thus did the demon find herself with a little coven of village girls, all bright and skinny and eager to grow up, more eager still to learn everything Sister Agnes could teach. The demon might have wept with relief and the peculiar joy of devils. She took them in, poor and rich, Papist and Puritan, gathered them round her black hearth like a wreath of still-closed flowers—and she opened them up. The clever girls spun wool that became silk in their hands. They baked bread so sweet the body lost all taste for humble mother’s loaf. They read their Scriptures, though Sister Agnes’s Bible seemed rather larger and heavier than either Father Audrien’s or Pastor Pole’s, full of books the girls had never head of—the Gospel of St. Thomas, of Mary Magdalen, the Apocryphon of James, the Pistis Sophia, the Trimortic Protennoia, the Descent of Mary, and stranger ones still: the Book of the Two Thieves, the Book of Glass, the Book of the Evening Star. When they had tired of these, they read decadent and thrilling novels that Sister Agnes just happened to have on hand.

You might say the demon got careless. You could say that—but a demon has no large measure of care to begin with. The girls seated around her table like Grand Dukes, like seals on a frozen beach, made her feel like her old self again, and who among us can resist a feeling like that? Not many, and a demon hasn’t even got a human’s meager talent for resisting temptation.

Sébastienne Sazarin did not like Sister Agnes one bit. Oh, she sent her daughter Basile to learn lace from her, because she’d be damned if Marguerite le Clerq’s brats would outshine a Sazarin at anything, and if Reformation Dryland’s plain, sow-faced grand-daughter made a better marriage than her own girl, she’d just have to lie down dead in the street from the shame of it. But she didn’t like it. Basile came home smiling in a secretive sort of way, her cheeks flushed, her breath quick and delighted. She did her work so quickly and well that there was hardly anything left of the household industries for Sébastienne to do. She conceived her fourth child, she would always say, out of sheer boredom.

“Well, isn’t that what you sent her for?” her husband Hierosme said. “Be glad for ease, for it comes but seldom.”

“It’s unwholesome, a woman living alone out there. I wish Father Audrien would put a stop to it.”

But Father Simon had confided to his successor before he passed into a peaceful death that he felt Sauve-Majeure harbored a saint. When she died, and the inevitable writ of veneration arrived from Rome, the Cathedral of St. Geraud and Adelard might finally have the funds it needed—and if perhaps St. Geraud, who didn’t have much to recommend him and wasn’t patron of anything in particular, had to be replaced with St Agnes in order to secure financing from Paris, such was the Will of God. Hubert Sazarin’s long dream would come to pass, and Sauve-Majeure would become the Avignon of the New World. A cathedral required more in the way of coin and time than even the Sazarins could manage on their own, and charged with this celestial municipal destiny, Father Audrien could not bring himself to censure the hermit woman on which it all depended.

Pastor Pole had no such hesitation. Though the left side of Schism Street thought it unsavory to hold the pastorship in one family, Lamentation Pole had raised his only son Troth to know only discipline and abstinence, and no other boy could begin to compete with him in devotion or self-denial. Pastor Pole’s sermons in the Free Meeting House (which he would rename the Free Gathered Church) bore such force down on his congregation that certain young girls had been known to faint away at his roaring words. He condemned with equal fervor harvest feasting, sexual congress outside the bonds of marriage, woman’s essential nature, and the ridiculous names the Sazarins and other Papist decadents saddled themselves with as they are certainly not fooling God with that nonsense.

Yet still, the grumbling might have stayed just that if not for the sopping wet summer of ’09 and the endless, bestial winter that followed. If it had not been bad enough that the crops rotted on the vine and sagged on the stalk, cows and sheep froze where they stood come December, and in February, Martha Chedderley discovered frantic mice invading her thin, precious stores of flour.

Yet the demon’s garden thrived. In May her tomatoes were already showing bright green in the rain, in June she had bushels of rhubarb and knuckle-sized cherries, and in that miserable, grey August she sent each of her students home with a sack of onions, cabbages, apples, squash, and beans. When Basile Sazarin showed her mother her treasure, her mother’s gaze could have set fire to a block of ice. When Weep-Not Dryland showed her father, Wrestling’s eldest and meanest child, Elected Dryland, her winter’s store, his bile could have soured a barrel of honey.

Schism Street was broached. Sébastienne Sazarin, prodding her husband and her priest before her, walked out halfway across the muddy, contested earth. Pastor Pole met her, joined by Elected Dryland and his mother, Martha and Makepeace Chedderley, and James Cabot, grandson of the great judge John Cabot may God rest his soul. On the one side of them stood the perpetually unfinished Cathedral of St. Geraud and St. Adelard, its ancient clerestory, window pane, and foundation stones standing lonely beside the humble chapel that everyone called the Cathedral anyhow. On the other the clean steeple and whitewash of the Free Gathered Church.

She’s a witch. She’s a succubus. Why should we starve when she has the devil’s own plenty?

You know this song. It’s a classic, with an old workhorse of a chorus.

My girl Basile says she waters her oats with menstrual blood and reads over them from some Gospel I’ve never heard of. My maid Weep-Not says her cows give milk three times a day. Our Lizzie says she hasn’t got any fingernails. She holds Sabbats up there and the girls all dance naked in a circle of pine. My Bess says on the full moon they’re to fornicate with a stag up on the mountain while Sister Agnes sings the Black Vespers. If I ask my poor child, what will I hear then?

The demon heard them down in the valley. She heard the heat of their whispers, and knew they would come for her. She waited, as she had always waited. It wasn’t long. James Cabot made out a writ of arrest and Makepeace Chedderley got burly young Robert Mommacque and Charles Loliot to come with him up the hill to drag the witch out of her house and install her in the new jail, which was the Dryland barn, quite recently outfitted with chains forged in Denis Minouflet’s shop and a stout hickory chair donated out of the Sazarin parlor.

The demon didn’t fight when they bound her and gagged her mouth—to keep her from bewitching them with her devil’s psalms. It did not actually occur to her to use her devil’s psalms. She was curious. She did not yet know if she could die. The men of Sauve-Majeure carried Gemegishkirihallat in their wagon down through the slushy March snow to stand trial. She only looked at them, her gaze mild and interested. Their guts twisted under those hollow eyes, and this was further proof.

It took much longer than anticipated. The two Sauve-Majeures had never agreed on much, and they sure as spring couldn’t agree on the proper execution of a witch’s trial. Hanging, said Dryland and Pole. Burning, insisted Sazarin and le Clerq. One judge or a whole bench, testimony from the children or a simple quiet judgement after the charges were read? A water test or a needle test? Who would question her and what questions would they ask? Would Dr. Pelerin examine her, who had been sent down for schooling in Massachusetts, where they knew about such dark medicine, or the midwife Sarah Wadham? Who would have the credit of ferreting out the devil in their midst, the Church in Rome or their own stalwart Pastor Pole? What name would the town bear on the warrants, Sauve-Majeure (nest of snakes and Papistry) or Help-on-High (den of jackals and schismatics)? Most importantly, who would have the caring of her garden now and when she was gone? Who would have her house?

The demon waited. She waited for her girls to come to her—and they did, first the slower studies who craved her approval, then finally Basile and Weep-Not and Lizzie Wadham and Bess Chedderley and the other names listed on the writ though no one had asked them much about it. The demon slipped her chains easily and put her hands to their little heads.

“Go and do as I have done,” Sister Agnes said. “Go and make your gardens grow, make your men double over with desire, go and dance until you are full up of the moon.”

“Are you really a witch?” ventured Basile Sazarin, who would be the most beautiful woman Sauve-Majeure would ever reap, all the way up til now and further still.

“No,” said the demon. “A witch is just a girl who knows her mind. I am better than a witch. But look at the great orgy coming up like a rose around me. No night in Hell could be as bright.”

And Sister Agnes took off her black wool gown before the young maids. They saw her four-spoked seals and her wheels of banishment and the seven burnt psalms on her skin. They saw that she had no sex. They saw her long name writ upon her thighs. They knew awe in that barn, and they danced with their teacher in the starlight sifting through the mouldering hay.

* * *

A certain minister came to visit the demon while she waited for her trail. Pastor Pole managed not to wholly prostrate himself before the famous man, but took him immediately to speak with the condemned woman, whom that illustrious soul had heard of all the way down in Salem: a confirmed demoness, beyond any doubt.

Pastor Pole’s own wife Mary-in-the-Manger brought a chair to seat the honored minister upon, and what cider and cheese they had to spare (in truth the Poles had used up the demon’s apples to make it, and the demon’s milk besides). The great man looked upon the black-clad woman chained in her barn-prison. Her gaze sounded upon his soul and boomed there, deafening.

“Art thee a witch, then?” he whispered.

“No,” said the demon.

“But not a Christian lady, neither,” said he.

“No,” said the demon.

“How came you to grow such bounty on your land without the help of God?”

The demon closed her hands in her lap. Her long hair hung around her like an animal’s skin.

“My dear Goodman Mather, there is not a demon in Hell who was not once something quite other, and more interesting. In the land where the Euphrates runs green and sweet, I was a grain-god with the head of a bull. In the rough valley of the Tyne I was a god of fertility and war, with the head of a crow. I was a fish-headed lord of plenty in the depths of the Tigris. Before language I was she-who-makes-the-harvest-come, and I rode a red boar. The earth answers when I call it by name. I know its name because we are family.”

“You admit your demonic nature?”

“I would have admitted it before now if anyone had asked. They ask only if I am a witch, and a witch is small pennies to me. I am what I am, as you are what you are. I want to live, as all creatures do. I cannot sin, so I have done no wrong.”

The minister wet his throat with the demon’s cider. His hand shook upon the tankard. When he had mastered himself he spoke quickly and softly, in the most wretched tones. He poured out onto the ground between him all his doubt and misery, all his grief and guilt. He gave her those things because she proved his whole heart, his invisible world, she proved him a good man, despite the hanging hill in his heart.

“Tell me,” he rasped finally, as the dawn came on white and pitiless, “tell me that I will know the Kingdom of God in my lifetime. Tell me the end of days is near—for you must be the harbinger of it, you must be its messenger and its handmaiden. Tell me the dead will rise and we will shed out bodies like the shells of beautiful snails, that I will leave behind this horror that is flesh and become as light. Tell me I need never again be a man, that I need never err more, nor dwell in the curse of this life. Tell me you have come to murder this world, so that the new one might swallow us all.”

The demon looked on him with infernal pity, which is, in the end, not worth the tears it sheds. Demons may pity men every hour of the day, but that pity never moves.

“No,” the demon said.

And, slipping her chains, Gemegishkirihallat shed her gown once more before the famous man, showing the black obliteration of her skin. She folded her arms around him like wings and brought down the scythe of her mouth on his. Straddling his doubt, the demon made plain the reality of his flesh, and the arrow of his need.

* * *

They burned her at sunrise, before the Free Gathered Church could say anything about it. Bad enough they had brought that man to their town, the better people of Sauve-Majeure would not stand to let a Protestant nobody pass judgment on her. There were few witnesses: Father Audrien, who made his apologies to Father Simon in Heaven, Sébastienne and Hierosme Sazarin with young Basile clutched between them, Marguerite le Clerq and her husband Isaac. The Church would handle their witch and the schismatics, to be bold, could lump it. They had all those girls down south—Rome had to have its due in the virtuous north.

Father Audrien tied the demon to a pine trunk and read her last rites. She did not spit or howl, but only stared down the priest with a stare like dying. She said one word before the end, and no one understood it. Each of the witnesses lit the flames so that none alone would have to bear the weight of the sin. A year later, Sébastienne Sazarin would insist, drunk and half-toothless, hiding sores on her breast and losing her voice, would rasp to her daughter, insisting that as Sister Agnes burned she saw a bull’s head glowing through the pyre, its horns molten gold, and garlanded in black wheat. Marguerite le Clerq, half-mad with syphilis her husband brought home from Virginia, would weep to her priest that she had seen a red boar in the flames, its tusks made of diamond, its head crowned with millet and barley. Hierosme Sazarin, shipwrecked three years hence in Nova Scotia, his cargo of Madeira spilling out into the icy sea, would tell his blue-mouthed, doomed sailors that once he had seen a saint burn, and in the conflagration a white crow, its beak wet with blood, had flown up to Heaven, its wings seared black.

Father Audrien dreamed of the demon’s burning body every night until he died, and the moment her bones shattered into a thousand fiery fish, he woke up reaching for his Bible and finding nothing in the dark.

* * *

The demon’s house stood empty for a long while. Daisies grew in her stove. Moss thickened her great Bible. The girls she had drawn close around her grew up—Basile Sazarin so lovely men winced to look at her, so lovely she married a Parisian banker and never returned to Sauve-Majeure. Weep-Not Dryland bore eight daughters without pain or even much blood, and every autumn took them up to the top of the Bald Moose while her husband slept in his comfort. Lizzie Wadham’s cloth wove so fine she could sell it in Boston and even New York for enough money to build a school, where she insisted on teaching the young ladies’ lessons, the content of which no male was ever able to spy out.

And whenever Basile and Weep-Not went up to Sister Agnes’s house to shoo out the foxes and raccoons and keep the garden weeded, they saw a crow perched on the chimney or pecking at an old apple, or a boney old cow peering at them with a rheumy eye, or a fat piglet with black spots scampering off into the forest as soon as they called after it.

The cod went scarce in the bays. The textile men came up from Portland and Augusta, with bolts of linen and money to build a mill on the river, finding ready buyers in Remembrance Dryland and Walter Chedderley. The few Penobscot and Passamaquoddy left found themselves corralled into bare land not far from where a little girl had once ran crying from a strange doorstep in the snow. The Free Gathered Church declined into Presbyterianism and the Cathedral of St. Geraud and St. Adelard remained a chapel, despite obtaining a door and its own relic—the kneecap of St. Geraud himself—before the Sazarin fortune wrecked on the New York market and scattered like so much seafoam. And the demon waited.

She had found burning to be much less painful than expulsion from Hell, and somewhat fortifying, given the sudden warmth in the March chill. When they buried the charred stumps of her bones, she was grateful, to be in the earth, to be closed up and safe. She thought of Prince Sitri, Lord of Naked Need, and how his leopard-skin and griffin-wings had burnt up every night, leaving his bare black bones to dance before the supper table of the upper Kings. His flesh always returned, so that it could burn again. When she thought about it, he looked a little like Thomas Dryland, with his stern golden face. And Countess Gremory—she’d had a body like Basile Sazarin hid under those dingy aprons, riding her camel naked through the boiling fields to her door, when she’d had a door. When the shards of the demon dreamed, she dreamed of them all eating her bread together, in one house or another, Agares and Lamentation Pole and Amdusias and Sebastienne Sazarin and lovely old Akalamdug and Ekur serving them.

Gemegishkirihallat slowly fell apart into the dirt of Sauve-Majeure.

Sometimes a crow or a dog would dig up a bone and dash off with it, or a cow would drag a knuckle up with her cud. They would slip their pens or wing north suddenly, as if possessed, and before being coaxed home, would drop their prize in a certain garden, near a certain dark, empty house.

The lobster trade picked up, and every household had their pots. Schism Street got its first cobblestones, and cherry trees planted along its route. Something rumbled down south and the Minouflet boys were all killed in some lonely field in Pennsylvania, ending their name. In the name of the war dead, Pastor Veritas Pole and Father Jude dug up the strip of grass and holly hedges between Faith-My-Joy Square and Adelard-in-the-Garden Square and joined them into Memorial Square. The Dryland girls married French boys and buried whatever hatchet they still had biting at the tree. Raulguin Sazarin and his Bangor business partner Lucas Battersby found tourmaline up in Bald Moose, brilliant pink and green and for a moment it seemed Sauve-Majeure really would be something, would present a pretty little ring to the state of Maine and become its best bride, hoping for better days, for bigger stones sometime down the way—but no. The seam was shallow, the mine closed down as quickly as it came, and that was all the town would ever have of boomand bustle.

One day Constance Chedderley and Catherine le Clerq came home from gathering blackberries in the hills and told their mother that they’d seen chimney smoke up there. Wasn’t that funny? Thankful Dryland and Restitue Sazarin, best friends from the moment one had stolen a black-gowned, black-haired doll from the other, started sneaking up past the town line, coming home with muffins and shortbread in their school satchels. When questioned, they said they’d found a nunnery in the mountains, and one of the sisters had given them the treats as presents, admonishing them not to tell.

The mill went bust before most of the others, a canary singing in the textile mine of New England. The fisherman trade picked up, though, and soon enough even Peter Mommacque had a scallop boat going, despite having the work ethic of a fat housecat. A statue of Minerva made an honest woman of Memorial Square, with a single bright tourmaline set into her shield, which was promptly stolen by Bernard and Richie Loliot. First Presbyterian Church crumpled up into Second Methodist, and the first Pastor not named Pole, though rather predictably called Dryland instead, spoke Sundays about the dangers of drink. And you know, old Agnes has just always lived up there, making her pies and candies and muffins. A nicer old lady you couldn’t hope to meet. Right modest, always wearing her buttoned-up old-fashioned frocks even in summer. Why, Marie Pelerin spends every Sunday up there digging in the potatoes and learning to spin wool like the wives in Sauve-Majeure did before the mill. Janette Loliot got her cider recipe but she won’t share it round. We’re thinking of sending Maude and Harriet along as well. Young ladies these days can never learn too much when it comes to the quiet industries of home.

* * *

Far up into the hills above the stretch of land between Cobscook and Passamaquoddy Bay, if you go looking for it, you’ll find a house all by itself in the middle of a brambly field of good straight corn and green garlic. It’s an old place, but kept up, the whitewash fresh and the windows clean. The roof needs mending, it groans under the weight of hensbane and mustard and rue. There’s tomatoes coming in under the kitchen sill in the kitchen, a basil plant that may or may not come back next year.

Jenny Sazarin comes by Sunday afternoons for Latin lessons and to trade a basket of cranberries from her uncle’s bog down in Lincolnville for a loaf of bread with a sugar-crust that makes her heart beat faster when she eats it. She looks forward to it all week. It’s quiet up there. You can hear the potatoes growing down in the dark earth. When October acorns drop down into the old lady’s soot-colored wheelbarrow, they make a sound like guns firing. Agnes starts the preserves right away, boiling the bright, sour berries in her great huge pot until they pop.

“D’you know they used to burn witches here? I read about it last week,” she says while she munches on a trifle piled up with cream.

“No,” the demon says. “I’ve never heard that.”

“They did. It must have been awful. I wonder if there really are witches? Pastor Dryland says there’s demons, but that seems wrong to me. Demons live in Hell. Why would they leave and come here? Surely there’s work enough for them to do with all the damned souls and pagans and gluttons and such.”

“Perhaps they get punished, from time to time, and have to come into this world,” the demon says, and stirs the wrinkling cranberries. The house smells of red fruit.

“What would a demon have to do to get kicked out of Hell?” wonders little Jenny, her schoolbooks at her feet, the warm autumn sun lighting up her face so that she looks so much like Hubert Sazarin and Thomas Dryland, both of whom can claim a fair portion of this bookish, gentle girl, that Gemegishkirihallat tightens her grip on her wooden spoon, stained crimson by the bloody sugar it tends.

The demon shuts her eyes. The orange coal of the sun lights up the skin and the bones of her skull show through. “Perhaps, for one moment, only one, so quick it might pass between two beats of a sparrow’s wings, she had all her folk around her, and they ate of her table, and called her by her own name, and did not vie against the other, and for that one moment, she was joyful, and did not mourn her separation from a God she had never seen.”

Cranberries pop and steam in the iron pot; Jenny swallows her achingly sweet bread. The sun goes down over Bald Moose mountain, and the lights come on down in the soft black valley of Sauve-Majeure.

The Melancholy of Mechagirl

for Dmitri and Jeannine

Prefecture drive time radio

trills and pops

its pink rhinestone bubble tunes—

pipe that sound into my copper-riveted heart,

that softgirl/brightgirl/candygirl electrocheer gigglenoise

right down through the steelfrown tunnels of my

all-hearing head.

Best stay

out of my way

when I’ve got my groovewalk going. It’s a rhythm

you learn:

move those ironzilla legs

to the cherry-berry vanillacream sparklepop

and your pneumafuel efficiency will increase

according to the Yakihatsu formula (sigma3, 9 to the power of four)

Robots are like Mars: they need

girls.

Boys won’t do;

the memesoup is all wrong. They stomp

when they should kiss

and they’re none too keen

on having things shoved inside them.

You can’t convince them

there’s nothing kinky going on:

you can’t move the machine without IV interface

fourteen intra-optical displays

a codedump wafer like a rose petal

under the tongue,

silver tubes

wrapped around your bones.

It’s just a job.

Why do boys have to make everything

sound weird? It’s not a robot

until you put a girl inside. Sometimes

I feel like that.

A junkyard

the Company forgot to put a girl in.

I mean yeah.

My crystal fingers are laser-enabled

light comes out of me

like dawn. Bright orangecream

killpink

sizzling tangerine deathglitter. But what

does it mean? Is this really

a retirement plan?

All of us Company Girls

sitting in the Company Home

in our giant angular titanium suits

knitting tiny versions of our robot selves

playing poker with xray eyes

crushing the tea kettle with hotlilac chromium fists

every day at 3?

I get a break

every spring.

Big me

powers down

transparent highly-conductive golden eyeball

by transparent highly-conductive golden eyeball.

Little me steps out

and the plum blossoms quiver

like a frothy fuchsia baseline.

My body is

full of holes

where the junkbody metalgirl tinkid used to be

inside me inside it

and I try to go out for tea and noodles

but they only taste like crystallized cobalt-4

and faithlessness.

I feel my suit

all around me. It wants. I want. Cold scrapcode

drifts like snow behind my eyes.

I can’t understand

why no one sees the dinosaur bones

of my exo-self

dwarfing the ramen-slingers

and their steamscalded cheeks.

Maybe I go dancing

Maybe I light incense.

Maybe I fuck, maybe I get fucked.

Nothing is as big inside me

as I am

when I am inside me.

When I am big

I can run so fast

out of my skin

my feet are mighty,

flamecushioned and undeniable.

I salute with my sadgirl/hardgirl/crunchgirl

purplebolt tungsten hands

the size of cars

and Saturn tips a ring.

It hurts to be big

but everyone sees me.

When I am little

when I am just a pretty thing

and they think I am bandaged

to fit the damagedgirl fashionpop manifesto

instead of to hide my nickelplate entrance nodes

well

I can’t get out of that suit either

but it doesn’t know how to vibrate

a building under her audioglass palm

until it shatters.

I guess what I mean to say is

I’ll never have kids. Chances for promotion

are minimal and my pension

sucks. That’s ok.

After all, there is so much work

to do. Enough for forever.

And I’m so good at it.

All my sitreps shine

like so many platinum dolls.

I’m due for a morphomod soon—

I’ll be able to double over at the waist

like I’ve had something cut out of me

and fold up into a magentanosed Centauri-capable spaceship.

So I’ve got that going for me.

At least fatigue isn’t a factor. I have a steady

decalescent greengolden stream

of sourshimmer stimulants

available at the balling of my toes.

On balance, to pay for the rest

well

you’ve never felt anything

like a pearlypink ball of plasmid clingflame

releasing from your mouth

like a burst of song.

And Y Prefecture

is just so close by.

The girls and I talk.

We say:

start a dream journal.

take up ikebana.

make your own jam.

We say:

Next spring

let’s go to Australia together

look at the kangaroos.

We say:

turn up that sweet vibevox happygirl music

tap the communal PA

we’ve got a long walk ahead of us today

and at the end of it

a fire like six perfect flowers

arranged in an iron vase.

A Voice Like a Hole

The trouble is, I ran away when I was fifteen. Everyone knows you run away when you’re sixteen. That’s the proper age. At sixteen, a long golden road opens up before you, and at the end of it is this amazing life. A sixteen year old runaway walks with an invisible crown—boys want to rescue her and they don’t even know why. Girls want her to rescue them. She smells like peaches or strawberries or something. She’s got that skittish, panicky beauty that makes circuses spontaneously sprout out of the tomato field outside of town, just to carry her off, just to be the thing she runs away to. Everyone knows: you run away at sixteen, and it all works itself out. But I couldn’t even get that right, which is more or less why I’m sitting here with a Vietnamese coffee telling you all this, and more thanks to you for the caffeine.

My name is Fig. Not short for anything, just Fig. See, in eighth grade my school did Midsummer Night’s Dream and for some reason Billy Shakes didn’t write that thing for fifty over-stimulated thirteen-year-olds, so once all the parts were cast, the talent-free got to be non-speaking fairies. I’m not actually talent-free. I could do Hermia for you right now. But I was so shy back then. The idea of auditioning, even for Cobweb who barely gets to say: “Hail!” felt like volunteering to be shot. Auditioning meant you might get chosen or you might not, and some kids were always chosen and some weren’t, and I knew which one I was, so why bother?

I asked the drama teacher: what can I be without trying out?

She said: you can be a fairy.

So to pass the time while Oberon and Titania practiced their pentameters, the lot of us extraneous pixies made up fairy names for each other like the ones in the play: Peaseblossom and Mustardseed and Moth. I got Fig. It stuck. By the time I ran away, nobody called me by my real name anymore.

Talking to a runaway is a little like talking to a murderer. There was a time before you did it and a time after and between them there’s just this space, this monstrous thing, and it’s so heavy. It all could have gone so differently, if only. And there’s always the question, haunting your talk, the rhinoceros in the room. Why did you do it?

Because having a wicked stepmother isn’t such a great gig, outside of fairy tales. She doesn’t lay elaborate traps involving apples or spindles. She’s just a big fist, and you’re just weak and small. In a story, if you have a stepmother, then you’re special. Hell, you’re the protagonist. A stepmother means you’re strong and beautiful and innocent, and you can survive her—just long enough until shit gets real and candy houses and glass coffins start turning up. There’s no tale where the stepmother just crushes her daughter to death and that’s the end. But I didn’t live in a story and I had to go or it was going to be over for me. I can’t tell you how I knew that. I just did. The instinctive way a kid knows she doesn’t really love you, because she’s not really your mother—that’s the same way the kid knows she’ll never stop until you’re gone.

So I went. I hopped a ride with a friend across the causeway into the city. The thing I like best about Sacramento is that I don’t live there anymore, but I’ll tell you, crossing the floodplain in that Datsun with a guy whose name I don’t even remember now—it was beautiful. The slanty sun and the water and the FM stuck on mariachi. Just beautiful, that’s all.

My national resources sat in a green backpack wedged between my knees: an all-in-one Lord of the Rings, the Complete Keats, a thrashed orange and white Edith Hamilton, a black skirt that hardly warranted the title, little more than a piece of fabric and a safety pin, two shirts, also black, $10.16, and a corn muffin. Yes, this represented the sum total of what I believed necessary for survival on Planet Earth.

I forgot my toothbrush.

* * *

So here’s Fig’s Comprehensive Guide for Runaways and Other Invisibles: during the day, I slept in libraries. If questioned, I pretended to be a college student run ragged by midterms or finals or whatever. I’ve always looked older, and libraries always have couches or at least an armchair to flop on. I flopped in shifts, so as not to arouse suspicion. Couple of hours asleep, an hour of reading, rinse, repeat. I got through Les Miserables, Madame Bovary, and Simulacra and Simulation before anyone even asked me what school I went to. Don’t just drop out—if you bag one life, you have to replace it with something, and old French men usually have the good stuff: R-rated for nudity and adult concepts.

It’s best to stay off email and computers. They can find you that way. Just let it go, that whole world of tapping keys and instant updates: poof. Like dandelion seeds. I could say: don’t do drugs, don’t do anything for money you wouldn’t have done before you ran away. But the truth is drugs are expensive, and you kind of have to want to crack your head open with those things, to get in trouble. You have to set out to do it. Save your pennies, like for the ice cream man. And hell, I just didn’t have the discipline.

At night, I stayed up. All things considered, as a teen wastrel you could do worse than Sacramento, California: warm, lots of grass and trees and open spaces. But not if you run away in February, like I did. Then you’re stuck with cold and rain and nowhere to go. So I went where everyone my age ends up: Denny’s.

See, Denny’s won’t kick you out, even if you’re obviously an undesirable—making it the beloved haunt of goths, theatre kids, and truckers alike. You’re always welcome under the big yellow sign—so long as you don’t fall asleep. If you nod off, you’re out. So I availed myself of their unlimited $1.10 coffee and stayed awake, listening to conversation rise and fall around me, writing on the backs of napkins and in the blank pages in the backs of Tolkien, Keats, Hamilton. I never got those pages, why they left them blank. I fit in; before I left home I had the means to dye my hair a pretty choice shade of deep red-purple, and nobody looks twice at a girl in black with Crayola hair scribbling in a Denny’s booth. But as time went by, my roots took over. It’s naturally kind of blah dark brown, and it kept on growing all dark and ugly on top of my head, like a stair back home,getting longer and longer, more and more impossible to take.

Around 6 am, the commuter light rails start running and back then you could get on without a ticket and dodge the hole-punch man from car to car. Or if you don’t give a shit and are a somewhat pretty girl who doesn’t look like trouble, just sleep by the heater and take the fine the man gives you. It’s not like I was ever going to pay it. He could write out all the tissuey violation tickets he wanted. The morning March light came shining through the windows, and the train chugged and rattled along, and even though I was always so hungry it took my breath, I thought that was beautiful, too. Just beautiful. That’s all.

And so I went, day in and day out. Eventually my $10.16 ran out, and I was faced with the necessity of finding some other way to pick up that $1.10 for the bottomless coffee cup, sitting there like a ceramic grail night after night on my formica diner table—drink of me and never sleep, never die. At sixteen, you can get a work permit. At fifteen, you’re out of luck. I didn’t want to do it—but sometimes a girl doesn’t have any nice choices. Remember—I said I wasn’t talent-free.

I could always sing.

Not for a teacher, not in front of parents at talent night, not for Oberon and Titania. For a mirror, maybe. For an empty baseball diamond after school. For a forest. And when I say I could sing, I don’t mean I could sing like a Disney girl, or a church choir. I mean I could sing like I was dying and if you got just close enough you could catch my soul as I fell. It’s not a perfect voice, maybe not even a pretty one. A voice like a hole. People just toppled in. I stood outside the Denny’s and god, the first time it was so hard, it hurt so much, like a ripping and a tearing inside of me, like the hole would take me, too, my face so hot and ashamed, so afraid, still Fig the non-speaking fairy, can’t even say hail!, can’t even talk back, can’t even duck when she sees a blow coming down.

And I opened my mouth, and I turned my face up to the sunset, and I sang. I don’t even know what I sang about. I just made it up, brain to mouth to song. Seemed better than singing some love song belonging to somebody else. I don’t know anything about music in a technical sense, and I hated the jolt of it, hearing my own voice break the air, to stand up there and sing down the streetlights like I was better than them, like it mattered, like I deserved to be heard at all. So I just kind of went somewhere else when I sang. Somewhere dark and safe and quiet, and when I came back the song was over and my feet were covered in coins. Usually. Sometimes I got a dollar or two.

That was my life. Sleep, read, sing, stay awake, stay awake, stay awake. Ride the train, all the way around the circuit and back to Starfire Station. I’m not even kidding, that’s what it was called, the station nearest my Denny’s and my library. I’d get on the train with the morning sun all molten and orange on a beaten-up blue sign: Starfire Station. The rails glowed white. I thought: maybe something wonderful will happen here, and I could tell people about it later, but no one would believe me, because who names a train station that?

I didn’t talk to other runaways much. It was always awkward, dancing around how bad you had it in some kind of gross Olympic event. And even if I made a friend, we’re sort of a transitory race by nature. It got repetitive:

Fig. That’s a stupid name.

Thank you.

Where’d you come from?

Over the causeway.

Where’re you going?

I don’t know.

I didn’t see the point. I had my routine. But I heard about it. Of course I heard about it. There used to be a place for kids like us. Some kind of magical city half-full of runaways, where anything could happen. Elves lived there. Wizards. Impossible stuff: unicorns and rock singers with hearts of gold. A girl told me about it at this shelter once—and let me tell you shelters are fucking mousetraps. A warm bed and a meal and a cage overhead. All they want is to send you back to your parents on the quick, so they rate your crisis level and if you’re below their threshold they up and call the cops on you. I went to one called Diogenes. I liked the name. I knew it from books—I’d moved on to Greeks by then. Diogenes searched the world for one good soul.

They called my stepmother. I didn’t have bruises anymore. Not bad enough. But she didn’t come to get me. No one ever came for me. She thanked them and hung up the phone and the next morning they sent me on my way. I guess I wasn’t their one good soul.

But the night before my expulsion from particle-board paradise, this girl Maria talked to me, bunk to bunk, through the 1 am shadows:

“It’s like this place between us and the place where fairies come from,” she said dreamily, looking up at me from her thin bottom bunk. She had black curly hair all over the place, like wild thorny raspberry vines. “And there’s like rock bands with elves in them and no one gives you any shit just for being, and there’s real magic. Ok, supposedly it’s kind of broken and doesn’t work right, but still, if it’s not working right, that still means it works, right?” She sighed like a little kid, even though I figured her for my age, and emphasized her words like she was underlining them in a diary. How did this kid last five minutes out of a pink bedroom? Whatever happened to her must have been really bad—I don’t even know what kind of bad, to make some girl still drawing unicorns in her spiral notebooks take off. She sighed dramatically, enjoying the luxury of being the source of information. “But it disappeared or something, years ago. No one’s been there in ages. Sometimes I think the city ran away, just like me. Something happened to it and it couldn’t bear anything anymore, and so one night it just took off without leaving a note. But I’ll get there, somehow. I will. And I’ll dance, you’ll see. I’ll dance with the fairies.”

One of the other kids hissed at her from the second bunk in our four-loser room. “They don’t like to be called that.”

“What do you know about it, Esteban? Fuck off,” Maria spat, all the pink bedrooms gone from her voice.

“More than you,” snarled the boy. “Hey, chica. You know how in school they said we’d never get social security, because by the time we get old, our parents will have used it all up?”

“Sure,” I said. Esteban was seventeen, too late, where I was too early. Too old.

“Well, it’s like that,” he sighed, and I could almost see him frown in the dark. “It’s all used up. Nothing left for us kittens.”

“You don’t really believe this stuff, do you?”

Maria’s face colored darkly and she scowled up at me. After a long, pointed silence, she said:

“Fig is a stupid name.”

I rolled back over on my miserable striped mattress. I didn’t believe even half of it. I remembered when those homeless kids in Florida started talking crazy about the Blue Lady and how she’d come and save them? I thought it was like that. Something pretty to think about when you’re cold and hungry. It’s nice to think someone beautiful is protecting you. It’s nice to think there’s a place you can go if you want it bad enough. A place where everything you ever read about is real.

And of course it went away. Of course it did. I mean, that’s like the job of magical places, to vanish. Atlantis, Avalon. Middle Earth.

And even if it was real for someone, sometime, it wouldn’t be real for me. I ran away when I was fifteen. When Bordertown had already run away itself. I did it all wrong. Maybe other people could go there, but not me. That kind of shit is for Oberon and Titania. Not Fig, shuffling in the background with paper leaves glued to her t-shirt. I don’t live in a world with places like that in it. I live on the train, and in Denny’s, and in the Citrus Heights Public Library, and that’s all.

* * *

Spring came, dry and full of olive pollen. No one came looking for me. I kept singing, and reading (Les Fleurs du Mal in May, and my Keats for the millionth time). Any time I managed to eat meat I just went wolf-blind with starving for it. I had become completely nocturnal, sleeping through the whole route from Starfire Station out to the suburbs and back again, my green backpack nicely padded with no-fare fines. Light rail. Rails of light. That’s me, speeding along towards Starfire on a rail of light. I rode longer and longer into the day, chasing the sun, and my roots got longer and I didn’t know where I was going, I just wanted to go somewhere. I can’t say it was lonely—it’s more like you flip inside out. Everyone can see your business on the outside—too thin, hollow, bruised eyes, clothes worn into oblivion—and on the inside you just go hard and impenetrable, like skin, like metal. I stopped talking when I didn’t need to—that’s for social animals, and boy, I just wasn’t one anymore. I was something else, not a girl, not a wolf, something blank-eyed, tired, running after meat, running after trains.

One time, just before it happened, the ticket-taker shook me awake.

“Kid,” he said. “Come on. Wake up. You gotta go somewhere else. I see you here every day. You can’t stay. You gotta go somewhere else.”

He had blue eyes. With the 7 am sunlight shining slantwise through them, they looked silvery, like crystals.

“I’m going, I’m going,” I grumbled, and stretched. I wasn’t really listening. I was thinking about how totally amazing breakfast was, I mean, as an invention. Bacon and bread. I only thought about food abstractly anymore. Anything I got I just tore through so fast, it didn’t really seem to exist in a cosmic sense. Hungry before, hungry after. I frowned at the fine-dispensing man. I didn’t hate the guy—adults just lived in this other world, this forbidden world, and in that world I only looked like a problem. Not his fault. Not mine. You can’t see one world from where you’re standing in the other, that’s all.

But he didn’t shove me off at the next station. Nobody else was in the car, and the sun gleamed on everything, glittering on the chrome like little supernovas. I settled back into my seat, hunching down so anyone who did come in would know to leave me alone. A greyish lump of girl got on, hauling a stiff rider of morning wind. She dropped into a heap in a seat on the far side of the car and I was pretty sure she didn’t have a ticket either. Her clothes were thrift-mish-mash, green skirt, dingy tank top under a ragged coat with a furry, matted hood. As the train pulled up to speed, her head dipped back and she started to snore. The hood slid off.

It was Maria.

I mean, you wouldn’t have recognized her. But I have a memory for faces. Everyone, all the time. If I’ve seen you, I’ve seen you forever. And it was Maria, but she was messed up, a hundred years older. Her cheekbones were cutting shards, one eye swollen up like she’d been hit. Her skin was half-sunburned, half-clammy, and she had hacked all her hair off, shaved her head. It had grown back a fuzzy, uneven half inch, a thin black cloud. She had sores on her arms, her lips cracked and bled.

“Hey,” I whispered. She stirred sleepily. I felt awake all of the sudden, sharp. “Maria?”

I went to the girl and slid into the plastic seat beside her. Her eyes slitted up at me.

“Lemmelone, I gotta ticket,” she mumbled.

“Maria, it’s me. Fig. Diogenes, remember?”

Her eyes rolled, unfocused. I cold see the bones in her sternum, like a bone ladder. “Fig’s a stupid name,” she slurred.

“Yeah,” I said. “It is.”

I didn’t ask her what happened to her, why she didn’t just go home if she was so busted. It’s not polite. Her breathing got shallow and she fell asleep again. Maria smelled—kind of sweet, and kind of rotten, and kind of sour. She slumped against me and started coughing, spattering my arm with gooey strands streaked with pink. Not coughing blood like some movie girl with one big number left in her, but just about as bad.

“Hey, hey,” I tried to push her upright. “Wake up, Maria. Come on. Don’t put this on me. I can’t take it. Wake up.”

But she didn’t. Her heart was racing, but her skin was cold. She just fell into my arms like a baby.Oh god, oh god, have a seizure, whatever, just don’t die on me here, this is a safe place, bad things don’t happen on the train. What did you take, what did you do, what was so bad you couldn’t dream about magic anymore? “Maria, sweetie,” I said, and held her. I kissed her forehead. “Baby girl, just open your eyes. Like in the story. Just open your eyes and wake up.” She moaned a little, and put out her hand to find my face. Housing developments with red roofs whispered by outside the windows—she coughed again, greenish, and specks of dark, ugly blood in it this time.

“Ok, Maria, ok,” I shifted to hold her better, and started rocking. Shit, just stay awake til the next stop. Just don’t die. Come on kid, you gotta go somewhere else. “Just listen to me. Remember that place you wanted to go? Think about that place, think about the elves and the magic and you dancing with the fairies. You can’t go there like this, you gotta wake up. Listen, listen.”

And I sang to her. The words just came and I sang them into her ear, her shorn head, her phelgm and her sternum and her unicorns and her wizards and my voice came rough and quiet, but it came, and I hoped I wasn’t singing her death, I hoped I was singing something better, for both of us, my broken voice and her broken body. I sang because if she could get that far gone I could, if she wasn’t a good enough soul for Diogenes I never would be, if she could die I would never get to be old. The panic in me was like a spider, a crawling, hungry thing. I rocked her, and went to that other place I go to when I sing, and the song poured out of me into her. Think about that place, that place, that place. Let’s run away. That other place. Nothing bad ever happened to you. Nothing bad ever happened to me. We’re just two girls taking the train to school. We’ll go to class and talk about Grecian urns. You can copy off my homework. We’ll have lunch in the grass. I sang and sang, and my voice got big in me, big enough to hurt, big enough to echo. Big enough for her. A voice like a hole. I pressed my forehead to hers and the world went away.

* * *

The sky shuddered from full daylight to stars and black and no moon at all with a hard lurch and a snap, like blinds zipping down.

Come on, kid. You gotta go somewhere else.

Nothing left for us kittens.

The train-car was gone, and I was sitting on a long bench with a red cushion, with Maria in my lap. We rattled along on some half-stagecoach, half-city bus beast, something out of an old movie, like we’d jumped frames. Jangling silver and bone bells hung from the several posts of some kind of twisted black horn—nodding black flowers drooped from their crowns. Several long benches stretched behind me, with some folk asleep, some awake. A woman was knitting quietly in the starlight. I sat up front, Maria’s legs curled on the seat, her head in my arms. The driver, with a tophat on his head covered in living moss with tiny clovers and thistles growing in it. The coach heaved and jerked as though horses were pulling it, and I could hear the clop-clop of hooves, but even in the dim light I could see that no animal pulled us along.

I started shaking—I didn’t mean to, but my body rejected what it saw, what it felt, and I couldn’t think of anything to do or say, with this girl in my lap and this utterly wrong thing happening, except that there was no horse pulling the carriage-trolley, no horse but I could hear the hoofbeats, and like a kid I seized on that, that one thing wrong out of everything, everything wrong.

I cleared my throat. I felt unused to talking to adults. “Sir,” I said to the driver. “There’s no horse.”

“This is Bordertown’s own Olde Unicorn Trolley. Famous, like. I’m Master Wallscrew, at yours.”

I laughed a little, nervous. “Where’s the unicorn?”

The driver turned to grin at me under his fuzzy green hat.

“You’re it, kid. It only works with a virgin on board. Sure and it’s not me.”

I blushed deeply and it hit me hard as a broken bone: he said Bordertown.

I shook, and felt cold, and felt hot, and my hands were clamped so tight in Maria’s coat my fingers got fuzzy with lost circulation. I had been wrong: there was a moon out, low in the sky, almost spent, a slim rind left, hanging there like a smile. I laughed. Then I put my face in Maria’s neck and cried.

“What is it, girl? I can’t abide girls crying, I’ll warn you. Shows a fragile disposition, and brings the amorous sort to wipe them away, which would pretty much sort the whole conveyance issue. Sniffle up, before some silver-haired Byron gets your scent.”

“It’s a mistake,” I said quietly.

“What’s it now?”

“A mistake. I’m…I’m nobody. I’m nobody. I’m not supposed to be here.”

I had made it and didn’t even audition. Maria auditioned, with her whole heart. I was supposed to mess around in the back and say nothing. I wasn’t supposed to suddenly have to function in Athens. This was Maria’s place and she couldn’t even see it.

“Wake up, Maria, wake up,” I sobbed. “Wake up. There’s unicorns, like you said, and magic, and…”

And she didn’t stir. But her breathing was better, deep and even, and she had locked her arms around my waist.

“Well, Nobody,” the driver said softly, “where to?”

I rubbed my nose, flowing with snot and tears. “What about these people? Don’t they need to get…places? Go where they want to go. We don’t care.”

“Tourists,” he shrugged. “They wait for the…ah…fuel stop, and go where the Trolley goes. It’s exciting—they never know what they might see. Besides, the old monster’s not too reliable as a method of mass transit. The kids come on sometimes, to haze each other—if it goes, they aren’t as tough as they say. But mostly we just glide, child. It’s part magic and part machine and neither of the parts work quite right, so sometimes you’ll say: dinner at Cafe Cubana, hoss and it’ll take you pert as a duck to Elfhaeme Gate and you’ll be dining on fines and forms. Sometimes it’s nice as you please, right up to the door at Cubana and no fuss. Not its fault, you understand. The magic wants to go Realmward and the machine wants to go Worldward, and in a mess like that you can’t ask for any straight lines.”

“Then why ask where we’re going?”

The driver looked down at me, his blue eyes dark in the starlight, like crystals.

“It don’t run without desire, kid. Nothing does.”

Well, what do you do when you don’t know what to do? What you’ve been doing. I wanted somewhere for Maria to get well, to get fed, to get happy again. Something like a Denny’s, something I could sing in front of, somewhere with coffee all night for $1.10 in a cup like a grail and just a little more room on the blank pages in the backs of my books. Just a little more room.

I didn’t say it. I didn’t say anything. But the Unicorn Trolley veered off sharply into the shadows and light of the city, into the sound of it like a wall.

And I looked over my shoulder, back toward the moon and the gnarled, thorny weeds of the road. Something banged there, hanging from an iron pole, banged in the wind and the night. On a scrap of tin that might have once been painted blue, I read: Starfire Station.

And just then, just then, Maria opened her eyes, bright and deep as a fairy’s.

* * *

And that’s my story, Mr. Din. If you don’t mind I’ll take that beer now—I’m still not brave. It’s Titania’s world but I’ll never be Hermia, and not Helena neither. Just Fig, in the background, with the rest of the fairies.

Now. I see a microphone up there, Mr. Din, and my girl and I are hungry. May I?

The Girl Who Ruled Fairyland—For a Little While

In which a young girl named Mallow leaves the country for the city, meets a number of Winds, Cats, and handsome folk, sees something dreadful, and engages, much against her will, in Politicks of the most muddled kind.

History is a funny little creature. Do you remember visiting your old Aunt that autumn when the trees shone so very yellow, and how she owned a striped and unsocial cat, quite old and fat and wounded about the ears and whiskers, with a crooked, broken tail? That cat would not come to you no matter how you coaxed and called; it had its own business, thank you, and no time for you. But as the evening wore on, it would come and show some affection or favor to your Aunt, or your Father, or the old end-table with the stack of green coasters on it. You couldn’t predict who that cat might decide to love, or who it might decide to bite. You couldn’t tell what it thought or felt, or how old it might really be, or whether it would one day, miraculously, decide to let you put one hand, very briefly, on its dusty head.

History is like that.

Of course, unlike your Aunt’s cat, history is going on all around you, all the time, and is often quite lively. Sometimes it rests in a sunbeam for a peaceful century or two, but on the whole, history is always plotting, and it bites very hard. It stalks around the world, fickle and dissatisfied and often angry. It demands to be fed just a little earlier each day, until you find yourself carving meat from the bone as fast as you can, faster than you thought possible, just to satisfy it. Some people have a kind of marvelous talent for calming it and enticing it onto their laps. To some it will never even spare a glance.

No matter where one begins telling a story, a very long road stretches out before and behind, full of wild and lovely creatures performing feats and acts of daring. No matter how much a narrator might want to, she cannot pack all of them into one tale. That’s the trouble—history goes on all around the story at hand, it is what made it happen and what will happen after, all of those extraordinary events and folk and dangers and near-misses, choices that had to be made so that everything after could happen as it did. A single story is but one square of blueberries growing in one plot, on one farm, on the fertile face of the whole world. A heroine steps in, and sees a wickedness in need of solving—but she is never the first, or the last. She plays her part, blessedly and necessarily innocent of that fat old cat sneaking around the borders of her tale, licking its paws while she bleeds and fights, whipping its tail at her trials and yawning at her triumphs. The cat does not care. It has seen all this before and will see it again.

In short, Fairyland has always needed saving.

This is a story about another girl, and another time, and another terrible thing that wanted very much to happen in Fairyland. You may have heard of her, for that striped old monster called history sat very happily in her lap and let her feed it milk.

Her name was Mallow.

* * *

Once upon a time, a girl named Mallow grew very tired indeed of her little country house, where she grew the same enormous luckfigs and love-plantains every summer, slept on the same talking bed, and studied the same tame and amiable magic. Her friends would visit her from time to time, for she lived on the shores of a whiskey lake where trifle-trees hung heavy with raisin and soursop tarts, but they had their own quite thrilling lives, and Mallow did not insist that they stay just to make her happy. She was not that sort of girl, and prided herself on it. One of her dearest and handsomest friends was a sorcerer, and from him she had learned so much magic even her hairpins got up and started living serious-minded lives, writing hairpin-ballads, celebrating hairpin-holidays, and inventing several new schools of philosophy. But still Mallow was discontent, for all the magic she knew was Dry Magic, and she longed for more.

Now, magic, like people, turns out quite differently depending on how it was brought up. Long ago a quorum of the sort of folk who knew about such things (almost all young, excitable, and prone to declaring things at high volumes) decided that mere Light and Dark Magics were insufficient to Fairyland’s needs, and rather boring to boot. Soon after the mystical scene exploded with new notions: Dry Magic and Wet Magic, Hot Magic and Cold Magic, Fat Magic and Thin Magic, Loud Magic and Shy Magic, Bitter Magic and Sour Magic, Sympathetic Magic and Severe Magic, even Umbrella Magic and Fan Magic. Fairyland knows more sorts of magic than I could ever tell you about, even if you and I had all the time and tea we could wish for.

But Mallow’s sorcerer friend had been a Dry Magician, and though Mallow did not really think of herself as a magician yet—more of a freelance wizard or part-time hag—she belonged to the Dry School as well. Dry Magic, having been invented by a middle-aged museum curator on her night shift, consorts with inanimate objects, books and maps and lamps and doors and hairpins. The Sands of Time also figure in the higher levels, as well as the Dust of Ages and Thirsts of all kinds. It is a difficult discipline, and Mallow had mastered it. Yet still she yearned to know Wet Magic too, which had to do with living things, with tears and rain and love and blood. Truly, Mallow yearned to know everything. Curiosity was part of her, like her short blond hair and bitten fingernails. The best thing in the world was not her luckfigs or her whiskey lake, not her weeping-orchid garden or the cast-iron ducks that thudded heavily on her windowsills every morning, hoping for a bit of onion oil to moisten their bills, not even her friends or her little country house, but having curiosity satisfied, feeling the warm, sure spread of knowledge through her body.

If this is so, you might well ask, why do you stay in your cozy house, Mallow, and not venture out into the wilder bits of Fairyland looking for things to know? Are you fearful? Are you ill?

If I am to tell you the truth and I think that I must, if I am to do my job well, Mallow was not like the other creatures in Fairyland. She had used her magic to make a pleasant life for herself, where she could be alone as she preferred, and where nothing would disturb or hurt her if she did not want to be disturbed or hurt. This was important to her, for she wished to be safe, and she wished to live in a kind world, which on the best of days Fairyland could only manage for an hour or two before getting bored and playing a trick on a maiden or nine.

I will tell you what her ducks would say on the subject, for Mallow herself would, with a bright smile, tell you to mind your business and send you on your way with a warm soursop pudding. Her ducks, after all, knew her quite as well as anyone, and since she gathered their coal eggs for breakfast every morning (do not worry! once cracked open the little black things overflow with smoky, rich yolk the color of ink) they felt she was in some sense their rooster and therefore family.

All three of the cast-iron ducks would tell you quackingly: “Mallow is the cleverest girl since the first girl, so she knows the magic of Keeping to Yourself. When she first built her little house—we saw it! With her own hands! And only a few of the windows were mysticked up out of candy or wishes—the villagers couldn’t leave her alone. That’s Winesap village, just down the road, population two hundred Fairies, one hundred Ouphes, fifty Tanuki, several Gnomes, and at least one Jack-in-the-Green. Practically all of them showed up at her door with Fairy food and gold, looking helpful and honest as best they could. Where did she come from? What did she do for a profession? Why had she chosen Winesap? Did she find any of the Fairy youths attractive in a marrying way? What sort of magic could she do and would she do it right now for all to see? Would she represent her Folk in the Seelie come harvest time?”

Mallow’s bed would then ruffle its linens, plump its pillows into a mouth, and join in to explain the situation: “We beds know quite well that in addition to all the other kinds of magic there is Yes Magic and No Magic, and Mallow is wonderful fierce at No Magic. Sometimes that is the last magic you can hold on to, when all the rest has gone. No, she said to all of it. ‘I want to live a little life in a little house by a little lake. I do not want to be bothered by anyone. I do not want to marry a Fairy boy. I do not want to ply my trade at the market. I do not want to pass laws at the Seelie which will vanish up in green smoke by dawn when everyone does as they like anyway. I do not want to muddle about with Politicks, and whenever two Folk of any sort are in a room together there are always Politicks to be muddled in. I have all the books I could need, and what more could I need than books? I shall only engage in commerce if books are the coin. Come to my door if you have a book—and a good one, not just your great-aunt’s book of doily patterns—and I will give you an egg or a cake or a pair of woolen socks. I am a practical girl, and a life is only so long. It should be spent in as much peace and good eating and good reading as possible and no undue excitement. That is all I am after.’ Poor thing has had troubles in her youth. She only wanted a gentle, slow sort of living from then till forever.”

Mallow’s hairpins would clack together into a little wiry homunculus and finish up: “No one in Fairyland had ever met a practical girl before, who looked to the future and expected winter to come. They were deathly curious, but hermits are greatly respected. A village counts itself blessed to have one, and Mallow had done just as well as announcing she meant to be a country witch in commune with the cosmos. Every so often a book would appear on her doorstep—good ones, such as Cabbage’s Index of Wunnerous Machines and Their Moods and Buttonwood’s A Redcap’s Carol and even Arthur Amblygonite’s Advanced Manual of Questing Physicks for Experts Only—and she would leave that cake or those woolen socks or a bit of home-cut soap, and all of these economies happened in quiet before the sun came up and everyone counted it well done. Before long, the villagers had decided that ‘practical’ meant ‘extremely magical and full of interesting objects’ and had officially subtitled themselves, Winesap: A Pracktical Towne.”

But ducks must always have the last word, and they are very much heavier than hairpins. “It all went along nicely for a good while, and you would almost think Mallow the usual sort of hermit, save that once, when her sorcerer friend visited, we saw her crying in his arms, and him patting her hair, as though she had been hurt a long time ago and reminded of it all unwanted. It’s true the world will always hurt you, we say, so best to stay with your ducks by a pleasant lake, and feed them the sparks of your dinner-fire, the fat ones with orange bits especially.”

* * *

And Mallow might have, for all her days, but for Temptation. Temptation likes best those who think they have a natural immunity, for it may laugh all the harder when they succumb. Temptation arrived at Mallow’s house one soft-edged morning when the peaty fog on her lake hung thickest, in the form of a broadsheet plastered by an innocent wind against her strong black door. Golden ink swirled into beautiful calligraphy; bold red and black words leapt up at her hungry eyes.

King Goldmouth (the Mad) Byds a Happy Cherrycost to Alle

And Issues The Followyng Compulsion to His Fairylanders:

Present Theeself to Pandemonium Upon Applemas

For the Commencement of the Most Excellent

Fairyland World’s Foul!

Feasting, Fighting, Frolyck!

Exhibitions of the Many Counties of Fairyland!

Demonstrations of Every Kind of Magic and Machine!

See, Savor, Seize!

Festivities to Culminate

In the First Tithe in a Thousand Years.

ATTENDANCE MANDATORY.

Merchant Boothes Still Available!

Mallow looked out at the caramel-colored whiskey lake, and the grey-green islands floating off in the reaches of it, the first plum-tailed buffleheads hiding in those ferny trees, honking up the dawn. The fog thinned as if to say: I will protect you here no more. The practical country witch of Winesap looked down at her mournful cast-iron ducks, who could read very well, even backward through the thin vellum sheet, as Mallow did not believe in letting any creature, no matter how strange or small, live in ignorance.

“They are sure to have a showing of Wet Magic there, and perhaps Shy Magic, too, and even Fat Magic,” she said softly, a thrill in her voice. “And besides, the story had to start sooner or later. I had only hoped it would be a little later, and I could rest for another spring in my library. I believe I was just starting to get the hang of Questing Physicks. But there’s no practice like real living, and anyway it’s mandatory. What do you suppose a Tithe is? It sounds marvelous.”

But neither her bed nor her hairpins nor her ducks had an answer for dear Mallow, for the Tithe had not been seen or heard of in Fairyland since long before their making. At that very moment, even Winesap’s friar was busy looking it up in his oldest book, and finding only a reference to another, more ancient volume, which he had long since traded away for a round of cheese and some very dubious mushrooms.

* * *

Thus, when she appeared on the carriage platform at Winesap Station, the many bright-winged Fairies, glowering Ouphes, stripe-tailed Tanuki and violet-capped Gnomes gathered there saw a near-total stranger. Seventeen and taller than she knew what to do with, she wore a boy’s practical clothes, black breeches and grey tights, a cream vest over coffee-colored shirt (she had spoiled herself with a bit of lace at the cuffs, for she enjoyed tatting), and no wings or horns or Sunday hat at all. Instead, she kept her hair bobbed short about her chin, as it was an indistinct, noncommittal sort of blond that would do itself no favors by flowing long or wild. Her sword, which was in fact a very long, very serious-looking silver sewing needle, hung at her side, a pack of supplies (mostly books) hung from her strong shoulder, and a cast-iron duck clunked along behind her, trying determinedly to be taken along. Mallow turned and shook her finger at the dark-billed little beast, who looked appropriately ashamed.

“You and your mother must stay and look after the bed,” she said firmly. “Or it will be lonely. You may sleep on it, but only at night, and when it wants to recite its poetry, you must look as if you think it’s very good. Do you promise?”

The duck quacked miserably as she turned it firmly round and pushed it toward home.

A Fairy lady with glossy plum-colored hair and buttercream wings shifted her luggage and whispered something to her bespectacled, behoofed friend, who puffed at a tamarind pipe and nodded agreement. Mallow felt very seen, in a way she did not quite like. The spring sun glittered through the many wings belonging to the suddenly silent Fairies, spread out and unfurled to catch the warmth and the light. A little Fairy boy, his hair a wild mass of sticky, pomegranate-colored curls, ran fearlessly to her.

“Hullo! Are you the hermit?” he asked excitedly. “Will you sign my schoolbook? Or! Oh! Would you like my schoolbook? It’s not very good, but it has long words, and gloss’ry, and a fellow on the front, see?”

The boy held up a large volume with a stern-looking Nålegoblin embossed onto the cover, admonishing, with one long knitting needle, every child to pay attention and not pull faces. Around the Nålegoblin’s huge bullfrog head the title danced: Carolingus Crumblecap’s Guide to Being a Small, Helpless, and Probably Too Clever By Half Fairy (Abridged).

“I’ll take socks!” chirped the magenta-haired child, eager to make a deal. “Or a pipe, or a muffin but only if it hasn’t got any nuts in it. No soap, please.”

Mallow smiled and though she knew children ought not to sell their textbooks, she wagered he would get top marks if he made a mean bargain and she hadn’t the faintest idea what Fairy educations were made of. She had tutored a bee-nymph or two in her day, but Fairies only taught their own. She rummaged in her pack and drew out a pair of good, sturdy mittens, which she handed over to the wide-eyed boy. He took them reverently and gave the book up without a glance before shoving the mittens onto the tips of his little wings and jogging back to his mother and a group of young Fairy girls and boys that had gathered to see if he’d pull it off. They welcomed him with impressed sighing and much crooning over the woolen prize.

Nevertheless, when the family carriages began to approach, no one kept an empty seat for Mallow, least of all the small, helpless, and too clever by half Fairy or his mother, who crammed his friends in until they hung out the window, waving their little woad-painted arms at her. One by one the stagecoaches pulled into Winesap Station and one by one they departed, drawn by alligators, llamas, bulls, even a pair of toads with bright pink markings around their eyes. The World’s Foul would begin in a fortnight, and King Goldmouth had given them all so little time. The toads raced off, sending up a spray of mud.

Finally, Mallow alone remained on the carriage platform, and the evening had begun to set the sky for her supper. Idly, she opened Carolingus Crumblecap’s primer and rifled through the pages. On Curdling Cream, one chapter announced. On Spoiling Beer, said another. On Acquiring Humans, On Shoe Magic, On Leaving Unseelies Alone. Her ink-stained and page-chapped finger rested in the crease of: On Being Last Man Out.

“Happens to everyone,” Carolingus grumbled, his bullfrog face looming large and wriggling with life from the page, his spectacles a pair of perfectly round cat’s eyes, their slitted pupils glaring at the imagined student. “Best to think of it as being First Man In, and thump the next poor fellow who comes along for his tardiness. A Fairy must make her own way in the world, for the world will never make way for her. That, incidentally, is the First Theorem of Questing Physicks, which you’ll learn all about when you’re older and don’t care anymore.”

Over the Nålegoblin’s raspy voice, Mallow could hear a carriage approaching. It clopped up to the station—a black iron horse whose belly swelled very wide and large indeed and had tall, red-curtained windows where its ribs ought to have been. Its head curved with terrible grace and nobility, its mane curling like fireplace pokers, its nose aflame with embers. Mallow cried out in delight, for she did so love iron creatures, and reached out to pat its decidedly un-velvet nose.

“That’ll be mine, Miss,” came a soft, lilting voice, and Mallow saw that she was not alone on the platform at all, but a slim young gentleman leaned up against a cheerful lamppost a little ways away. He had not been there before, she felt certain, he simply had not. He wore a neat, trimmed and pointed beard the color of lamplight, had wicked silvery eyes, and a dashing black velvet coat, the color of the horse and the lamppost and her ducks. In the center of his flame-blue cravat, a lamplighter’s key pinned the silk in place.

“Mabry Muscat,” he said finally, by way of introducing himself. “Your servant.”

“Oh, I doubt it,” said Mallow, but not unkindly. One cannot live in Fairyland too long, even closed up in a country house with hairpins for company, before discovering that Fairies like little better than to leap headfirst into dramas of the first order, to make trouble if they’ve a mind, love if they can, and mischief at any cost. “But my name is Mallow.”

“Listen to all those Ms!” Mabry marveled softly, and began to sing very gently: “Oh, Mallow Met a Marvelous Man, by the name of Mabry Muscat…”

“Listen,” Mallow interrupted. “I haven’t any interest in following you to a stash of gold in the hills or dancing at a Fairy ball or answering riddles or meeting any eligible Fairy dukes who have a castle just on the other side of a curtain of mist—no. I am a magician—mostly—and I am on my way to the Foul like everyone else. Don’t try to charm me, please. I am a practical girl.”

“Those are my favorite kind,” grinned Mabry Muscat. He changed the subject as though she had said nothing at all. “Do you admire my horse, Mallow?” Mabry said without moving.

“I do!” Mallow said, louder and happier than she meant to, her delight in new things bubbling out.

“Well, my young witchly friend, come and ride with me. You will find no better, for this is the Carriageless Horse, Belinda Cabbage’s newest invention, which I am testing for her, and delivering to the Foul at earliest convenience. I promise to feed you regularly upon the way, not bother you with questions of personal history or future marriage, and refrain from making too many puns. But I cannot promise not to charm. I am quite helpless in the face of my own winning nature.”

Mabry Muscat removed himself from the lamppost with an easy, nimble hop, and as he did his velvet suit shifted to the cobblestone greys and whites of the platform, to the brown and green of the trees, and finally to the black and red of the Carriageless Horse as he opened a door for her in the beast’s vast belly and gave, very briefly, a half-smile and a half-bow. Mallow saw no wings at his shoulders (though that certainly did not mean he had none) and wondered if this was the “at least one” Jack-in-the-Green of the Winesap census. It was, however, never polite to inquire after a creature’s nature. If he wanted you to know, he’d have made it apparent. Anyway, Jack-in-the-Greens were tricky folk—they had a wallop of a talent for hiding and a passion for stealing.

Mallow knew better than to get into a strange carriage with a strange man who might or might not love thievery better than his own mother, but no other seemed forthcoming, and attendance was, after all, mandatory. She felt that if she had to, she could thump this skinny fellow solidly, get out, and walk the rest of the way if the whole business became entirely too winning.

The interior of the Horse glowed with the light of a little red lantern; the walls shone cream and damask, the seats a plush scarlet. It was all anyone could want of a carriage, save that they rode inside the body of another creature, which unsettled Mallow. A slender horn curlicuing down from the roof allowed Mabry to tell the beast to be off. He called it Peppercorn, and it harrumphed gruffly back that they would rest for dinner in two hours, and to please not bother it, as it had to concentrate.

“Shall we play Bezique? Or Nightjack? I’ve cards, or chess if you prefer, but I’ve always found chess to be a bit too much like real life to provide much enjoyment as a game.”

Mallow did not play cards, as that often led to losing things, since Fairies cheated as a matter of honor. It’s not a game if you don’t cheat, Carolingus Crumblecap would have told her, had she opened the book to On Taking Tricks. It’s just two sods making a mess with fifty-two pieces of paper. But Mallow did not open her newest literary acquisition. “How long have you lived in Winesap?” she countered instead.

“Oh, off and on, off and on, for nearly just about forever,” answered Mabry in a dreamy tone. “Since my love vanished, at least, and before that, too, I think, though it gets jumbled the further back one goes. When you’ve lost your girl, it doesn’t much matter where you live. Everywhere is just The Place She Isn’t, and that’s the front and back of it.”

Mallow looked out the window into the rolling golden valley, the winerows and the red sundown. Not a Fairy living didn’t have a tale of love lost or found. They traded them like money. Mallow had always found love to be like a spindle or bobbin she could take up for a time—when her sorcerer friend visited, for example. But she could always put it down when she liked, and be quite all right until the time came to dust it off again. The endless reeling affairs of Fairies exhausted her. But all the many social circles of Fairyland held in agreement that if one brings up the subject of one’s love, the other party is obligated to ask after it and listen to whatever ballad might follow. To do otherwise would be just terrible manners.

“Tell me about your love,” Mallow sighed, observing form.

Mabry Muscat looked at her out of the corner of his eye. “Oh, it’s a long and exciting story, sure to charm and make you swoon over me. Let’s call custom satisfied and skip the tale, shall we?”

Mallow’s attention sharpened to a point. “It must be a very good story if you don’t want to tell it. Everyone wants to tell theirs. When I first set up my house I could hardly keep Myfanwy Redbean from reciting the tale of the boy she loved for seven years before some kirtle-tying trollop named Janet stole him away. In alliterative verse. With a tambourine.”

“It is the very best of stories. She left me for a cat and a cloud, ring down the bluebells-o. She left me for a storm and a coat of green. Down fall the lilies-o.” His voice was so sad and gentle that Mallow felt tears coming to her eyes all unbidden.

“But that was a hundred years ago if it was a minute past.” Mabry shook himself like a wet bird and came up as bright and beguiling as before. “And what matters it if a girl runs off, or gets done in by pirates, or gets a better job than her lesser half? Let us speak of something less common and more thrilling. What news have you of the World’s Foul? The delegates are already there, I’ve heard, filling up the hotels and mumming in the streets. And at the end of it all! King Goldmouth’s Tithe. Back to tradition, he says. Time-tested values and solid, Fairylike customs. We’ll be giving people donkey’s heads next, I suppose. I don’t think he’ll go through with it, myself. Tithing is such a revolting, old-fashioned practice. Of course one goes through the motions for the sake of culture, pour out a tenth of a glass of wine every couple of years if you must or I suppose if you have ten children one of them might go into government, which is the same as losing a child really, but a real Tithe? Disgusting—and unsanitary if you ask me. I think in the end it’ll all be a ruse, a trick done with mirrors. Somehow it’ll all end in laughter and a chocolate for each of us, mark me.”

“What is a Tithe? Not even the Scotch-nymph who lives in the north crannies of my whiskey lake knew, and she’s the oldest thing I’ve met.”

Mabry Muscat rubbed his long fingers, and Mallow felt certain he was a Jack-in-the-Green. His cravat glowed the crimson shade of the seat cushions, but his hair had gone as deep a blue as the sky outside. She could hardly see him. “I am older still, dear Mallow. And old as I am, I can just barely remember, when I was a child with my mother’s milk on my chin and my father’s holly upon my bed, the last Tithe Fairyland could stomach. It’s a blood price, paid once every seven years, or ten, or a hundred, or seven hundred, depending on who you ask and how sick folk feel about it at the time. Every Tithe looks different—we’ll see what this one will grow up to be, I suppose. I hope there will be fireworks, at least. Perhaps a commemorative spoon. These are days of old barbary and new revivals.” He fell quiet for a while. Finally, when she could see the night hills showing on his inky skin, Muscat said: “Have you a love you wish to sing? Tell me who you are, pretty Mallow, sweet Mallow, my practical rose in a sea of silly daisies.”

Mallow looked him levelly in the eye, and hardly a soul in the world has yet to be half-smitten and half-frightened by a level look from that girl. She told him the truth. “I have never lost a love and I do not intend to. One can only lose love if one is careless, and I am never careless. You might say, really, that of anything I am best at caring, at paying close attention and minding what I’ve got. The King says I must go to the Foul—very well, I shall go. And I hope to find a Wet Magician or two while I am there, and learn, and buy several new books if I can.”

“Ah! She does want something! Well—it’s easy enough. Find the Nephelo tents, where the great cats of that city laze and lie. They practice the Wet Arts as well as any soul in Fairyland, and will let you have a saucer of milk besides. Perhaps I shall even go with you. I once lived in Nephelo after all, and one is always homesick for places where one came to grief.”

Outside, the night road to Pandemonium ran smooth and swift through the northern counties of Fairyland. Valleys bloomed around them, full of gnarled egg trees and waving coalflowers, falling away into meadows full of brownie villages bustling and bright-heeled river-nymphs lassoing their blue currents around distant hills. The notion of a blood price, the very words Mabry Muscat has spoken, hung between them inside the Horse, too hot and terrible and heavy to be touched. They did not touch it, but after a day and a lunch and an apple for the Horse, Mallow consented to play Bezique—as long as they played for no bets. Later they tried Fool’s Hand as well, but that’s no fun at all without a wager. All the cards had Mabry’s face on one side, and Mallow’s on the other. She did not find this unsettling or charming, which clearly saddened Muscat deeply.

Occasionally, when they were very bored, they would open up Carolingus to a random page and listen to him holler: Never marry a Fairy Queen! They’re murder on the digestion and you’ll never get a career girl to care about the tarts you spent all day slaving over a hot stove to make. On a stop-in to a village hostel, Mabry let Mallow open up the Carriageless Horse’s neck and peer at the workings inside, which popped and hissed and burbled away, white and pink and green. I recognize some of the thought that went into the beast, Mallow said. It’s quite high-end Questing Physicks. See the vials of Purposeful Syrop, and the Hero’s Alembic? Mabry did see, and the Horse felt terribly pleased to be so regarded by such wise people.

Only once did Muscat ask if he might kiss her. Mallow declined, very reluctantly, more out of favor to that mysterious vanished love of his than because she did not wish to be kissed. He simply dealt the cards once more, and Mallow called the next trick.

Once or twice along the way, she heard ducks hooting, and held her books tight to her chest.

* * *

Pandemonium, after much fuss and many tantrums thrown and tears shed, had agreed to settle down in one place for the duration of the Foul. The capital of Fairyland has always been accustomed to moving however it pleased, drifting across glaciers or beaches or long, wheat-filled meadows. It moved at the need and pace of narrative, being a Fairy city and thus always sharply aware of where it stood in relation to every story unfolding in Fairyland at every moment. The King’s pets, as he called his soldiers, had persuaded the city to put down roots, if only for a little while. Already, the streets seethed with restlessness and the signposts quivered with barely contained energy. The King’s pets were, of course, large, lithe, rain-dark and snow-light clouds, lassoed and captured by several lightning-wights before being pressed into royal service. Even the thin, jagged-hearted Hobwolves of the Sniggering Mountains quailed in the face of those canine, long-toothed clouds.

But the sky shone glassy and gleaming on the day Mabry Muscat and Mallow rode into the capital, quite late, having started so far away. Only two days remained till Applemas and the Tithe. The Carriageless Horse clopped over a charming ivory bridge spanning the spinning Barleybroom River which surrounds the city, pointing and marveling and grinning wide-eyed at the great number of creatures flying, swimming, riding, striding, and leaping across to Pandemonium. Overhead, a huge, motley-colored, silk-ballooned zeppelin drifted majestically over the river. From a hanging basket beneath it, an Ifrit girl with burning hair played a fiery and furious mandolin. Music came from all corners, barghests squeezing accordions, satyrs blowing pipes, and drums everywhere, pounded, tapped, rat-a-tatted, and booming out across the plain where Pandemonium had come to rest, chained to the earth with long bronze links.

Mallow had never seen anything so wildly, savagely, noisily beautiful in all her days.

But when they finally crossed into the city proper with the throng, her bones ached and her heart could hardly bear the sight of it. The buildings of Pandemonium must have been lovely once, must have been diamond towers and golden storefronts and winding wrought-vine balconies, open flowers and briars and mosses genteelly drooping trees, violet peony-windows and blue lobelia-doorsteps. It must once have bloomed, the whole city, fruits and flowers with gem-spires and silver streets winking and glittering through the fertile, greening riot of the living capital. But no longer. Leaves had gone brown, vines had shriveled, flowers shrunk and wrinkled up, thorns gone dull and mosses gone grey. Where stone and jewel and metal showed through, the flank of a bakery or terrace of a bank or clerestory of a grand theatre, huge, gaping holes showed through, as though some awful giant had taken bites out of the city itself, in its highest and deepest and most secret and most open places. Applemas approached, high summer, and yet Pandemonium seemed to live in the dregs of autumn, when the brilliant colors have gone and left only brown sticks waiting for snow.

But for all that, Fairyland would not let her city go ungarlanded. The World’s Foul had swung through, leaving red and violet and green ribbons streaming from streetlamps, bundles of wildflowers and clovers on every cornice, the streets lined with booths and stalls hoisting gaily painted signs: The Famous Dancing Silkworms of Mararhadorium! Guess Your Death for a Nickel, Very Accurate! See the Crocodile-Beauty of Bitterblue Ridge! Test Your Morals, Everyone Gets a Prize! Feats of Queer Physicks Performed, Two Bits! Lamia’s Kissing Booth, No Refunds!

And in the center of the city, on a long, wide lawn, a clutch of kobolds had erected a miniature model of Pandemonium as it was, blooming and glorious and whole. The Green City, they called it, for no longer could the capital bear the name herself.

Mallow wondered if Fairyland had always been like this—this loud and fast and frightening and wonderful—and she had only forgotten, letting the pleasantness of Winesap seep into her bones. She wanted to do everything—to watch the worms dance and the crocodile-girl preen and oh, especially to see the Queer Physicks which she had been curious about for so long, and to test her morals, and to kiss a lamia. All of it, and eat a slab of honeycomb from the bee-nymphs of Pennyroyal Pond to top it all.

But instead, they lashed the Carriageless Horse to the post outside Groangyre Tower, where Belinda Cabbage and the rest of the Mad Inventors’ Society made their laboratory, and Mabry Muscat completed a vellum questionnaire the Horse thoughtfully provided.

“Allow me to take you for a special treat,” Muscat implored, and Mallow, who felt quite warm toward the dashing Jack, took his arm. He guided her directly, as though he’d a compass in his heart, to a little pavilion carved out of ice, with chaises and thrones and fountains all of frost and snow, and a furry tent covering it all. Huge cats lounged on every surface—Tigers and Lynxes and Panthers and Lions and skinny Cheetahs licking at what appeared to be lemon popsicles. Richly dressed folk petted and conversed with them, their hands full of thick, steaming mugs of something herbal and fragrant. In the center of all of them, a great solemn Leopard watched her with deep, liquid eyes.

“Hullo, Imogen,” Mabry Muscat cried joyously, and flung his arms around the great cat’s neck. For her part, she purred contentedly, and nuzzled his head with a soft thump. “I have brought you a friend! This,” he indicated the Leopard, who interrupted him with a long, rough lick across her chops, “is Imogen, the Leopard of Little Breezes. You’ll see her brother Iago, the Panther of Rough Storms, over by the fishbroth fountain. And there’s Cymbeline, the Tiger of Wild Flurries, and Caliban, the Unce of Sudden Blizzards—Unce is French for Snow Leopard you know, but Imogen and Caliban had a wrestling match over the L-word and my girl won. Oh, you’ll meet them all sooner or later. And that lady in the shimmery sneeze of a gown is the Silver Wind, that gentleman with the sapphire belt is the Blue Wind, and this ravishing thing is the Red Wind, come to meet you, Mallow, and learn your name.”

The Red Wind stood before Mallow, very tall and very beautiful, her long black hair hanging down one side of her face, spilling over an ancient coat of beaten beast hide of a deep, dark shade, dyed many times, the color of wine. Creases and long marks like blade-blows crisscrossed the cloth. Around the neck a ruff of black and silver fur bristled forbiddingly. Her fingers were covered in rubies and garnets and carnelian and coral. Iago the Panther padded up to her and the Red Wind lost her fingers in his fur. The black cat stared at Mallow for a while, as if waiting for something. And perhaps that something was the lady standing behind them, for when Mabry Muscat saw her his voice went still and quick all at once, and the expression on his face was like stars suddenly appearing out of the darkness.

“And this is the Green Wind,” he said softly.

The Green Wind wore a long dress of perfect emerald, springtime green, belted with a length of peridots sewn on green brocade, and over that a long green coat, green snowshoes, and green jewels threaded all through her green hair. She stood quietly, her eyes clear and bright. Finally, she shivered and held out her arms. Mabry went to her inside two steps, and not the Red Wind nor the Blue nor the Silver nor any cat watched their embrace, but turned away to give them peace. When Mabry Muscat touched the Green Wind, his suit flushed the color of jade and oak leaves. Mallow smiled to herself, with a pang of regret. She did not think she would get any kisses of him now.

“Oh my love,” said the Green Wind, wiping glad tears from her lovely cheeks. “I had hoped, if we all had to be here together to witness this poor joke, that I’d find you in the crowd. Thank Pan for the smaller blessings.”

The Leopard of Little Breezes trotted across the ice and plunked down on her haunches between Mallow and the lovers. “She was called Jenny Chicory, when her hair was brown,” the cat said with a rumbly, velvety voice. “She’s my mistress and I love her. But I let her love him for a little while, when he happens by. I’m a generous cat.”

“Is that his love, then? And you are the cat she left him for. Why may they not be together—they seem able to touch and speak, and no Sour Magic crackles between them.”

Imogen shrugged her spotted shoulders. “Our work bears no competition, and our home bears ill will toward anyone not of the family—the cold and harsh air would strip even him to his bones.”

It bears mentioning that Winds in Fairyland have little in common with the faceless, invisible breezes of our world. Whenever a storm or a tornado or a gust happens by, a sudden shower or snow flurry, somewhere in all that rushing air is a wild soul seated on a wild cat, whipping the sky into a riot, and singing the storm all the way down. They are a rare and feral sort, and no one knows their customs but they themselves. The Winds live in Westerly above the clouds, but the cats call Nephelo home, their village of ice and starlight, far up in the most vicious of Fairyland mountains. They come together when they please, and part only when they must. Between the two cities the Many-Colored Moon Bridge once hung, but that was long ago, and today is not yesterday.

* * *

Mallow spent her first night in Pandemonium in the Nephelese tent and much of the day after, sipping the hot, resinous wine of the Winds and wrestling the great cats, who all seemed to enjoy it, and only Iago bit her, but very gently, and she did not bleed. The great Panther took her up into the sky upon his dark back, to show off the strength of his flying. Mallow held on to his fur, and waved to Imogen below, and whooped over the towers of the city. They swooped low to sample real moonkin pastries from the far south, and met a sweet young Wyvern who confessed with a blush to her spring-green scales that she had, of late, become betrothed to an eligible young Library.

All the while the horns played and the lamias kissed and Mabry and the Green Wind played croquet with balls of thunder and snow. They talked the quiet talk of old lovers. They sang the evening ballad together, while the rest of Pandemonium sang their own sundown songs, all together in what ought to have been cacophony, but melted into the saddest and sweetest of harmonies.

Mallow asked after Wet Magic, eager to hear the Lays of Dripping and the Eddas of Seeping. The Cats of Nephelo knew it well, being intimate with rain and the sea and the blood of all bodies as they were. But Imogen would only say to her: You will have had enough of Wet Magic forever by the end. And though the Leopard loved to be cryptic and serenely mysterious, Mallow found she liked her best, and slept curled against her furry white belly while the stars moved over broken, hollow Pandemonium.

* * *

In the dizzy night following the Applemas Eve feast, Mallow woke. She heard a swinging, sighing sound beyond the ice tent. Curiosity woke with sharp teeth within her. She crept out of the Leopard of Little Breezes’ heavy protecting paws and out of the tent, drawing a pale, glimmering robe belonging to the Gold Wind over her shoulders. The Winds lay snoring, all about, Green in Mabry Muscat’s Arms, Red with her Panther, Gold with his arms flung over his head, as if in his sleep trying to stop some fell act. Mallow left them behind and peered out from the flaps of fur that served as Nephelo’s current gate. The long, wide boulevard of central Pandemonium lay silent and black all up and down, streetlamps guttering and flickering, the moon a great blue mirror in the sky.

Mallow heard the sound again.

She squinted to see, up the street one way and down the other. She might have ducked into a near alley to follow it, but her eyes finally seized the prize—a long figure waddling down the cobblestones, shoulders hunched, cloak drawn up to its face. Wisps of fog billowed at its feet. Mallow froze; she could not have begun to convince her feet to move. The figure drew closer, into the lamplight, and where the beams struck it a thousand colors sprayed out as if a vein had been cut in the side of a rainbow.

It was King Goldmouth.

Mallow knew him from every coin and portrait in a Seelie hall. A huge clurichaun, hunched down in his cloak of jewels, voluminous brown leather stitched with every gem, so heavy it stooped him, dragged him down. His nose bulged, barrel-thick, hanging down so far as to hide his mouth and mustache, his lips of gold. Furry eyebrows concealed his gaze, and his bald head had been tattooed with astrological gibberish, the graffiti of a hundred royal stargazers.

With a garumph and a groan and a grinding creak, Goldmouth extended his long arm and his six long, spidery fingers. In the lamplight Mallow saw them shine, perfect gold, even the fingernails burnished. Not just his mouth then, but more, and from the sound of his steps, maybe a foot, too. He was getting old, much older than anyone had really suspected. A leprechaun spent his days guarding gold—but a clurichaun drank and ate and gluttoned and over the centuries slowly turned to gold, becoming his own treasure.

As Mallow watched, King Goldmouth scratched a scrap of fog behind the ear and whispered to it. The mist scampered off and returned in less than a moment with the sleeping body of a strong, handsome Gremlin, his buttery pelt gleaming, his wings a pale, leathery orange. Grumbling and grunting and groaning softly all the while, Goldmouth stretched his long, gold fingers, popping the knuckles. He drew all six of them together and gently pushed them into the Gremlin’s mouth, under his long thin nose. He worked his thumb, pushing further and further until the King had his whole arm down the poor creature’s still-sleeping throat, grasping, scrabbling, looking for something in the depths of him. Mallow felt ill. Finally, with a cluck of triumph, King Goldmouth withdrew his arm, and held up what he had found to the moonlight: a single lovely, faceted topaz. He popped it into his mouth and chewed, savoring it.

When he had done, the King breathed upon the dreaming imp, and his body shivered into yellow ash, wafting away while the clouds of fog whirled and cheered in their silent, wispy way.

Mallow watched the King at his night feast for another hour, her calves aching, her skin frozen, unable to move or even weep, her horror a heavy, real thing that moved up her legs and stilled her mind. She watched him prod the sides of buildings and bridges and towers, wiggling his fingers inside them, plucking out some secret, tiny heart—a brick or a pebble or a china cup or a lump of mortar—devouring it, and striding on as the wall or terrace or window crumbled away into one of the great gaping holes Mallow had seen all over the city.

Bit by bit, the King was eating Pandemonium.

“Everyone is hungry,” Imogen growled quietly behind her, startling Mallow out of her spell. “But only the King can eat his fill.”

That night, Mallow wept bitterly into the Leopard’s fur, and did not know what was to be done. The Leopard licked her gently, in a sleeping rhythm, and did not know, either.

* * *

The day of the Tithe arrived suddenly and with a tremulous energy in the morning air. Fairyland’s whole nation prepared breakfast and drank their coffees and teas and stiff peach-liquors, nibbled at brioche and iced cake and crisp bacon, but found itself not very hungry. Mallow told her tale and the Red Wind turned her face into her hair. Iago laid his head on her red knee. The Green Wind and Mabry Muscat exchanged fearful glances. It will be more than Pandemonium one day, those glances said. He’ll want all of Fairyland on his table sooner or later. And maybe one day is today and that is the awful reason for the dead, dark Tithe coming back into the light. They held hands, and for once, Mallow wished she had a hand to hold.

Before her thought could finish itself, Mabry took her fingers in his, and the Leopard dropped her head into her lap, looking up at her with those black, kind eyes. “Tell him no,” she begged. “All of you together. He cannot eat you all.”

The Blue Wind stroked his indigo beard and sighed. “Perhaps he is right, and the Tithe is good and and honest and will make us strong. We did it for a hundred thousand years, or anyway a lot of years, before it stopped. There must have been a reason. We cannot know until we try. And maybe he will be sated.”

The Silver Wind blushed storm-grey. “Next Saturnalia, perhaps, the wheel will turn and some young maid will tip his throne. That’s how he got it, after all, from the Chamomile Prince, when he was young and his nose had not yet reached his chin. Politicks are an unlovely sport.”

But the Green Wind would not look at her brother or her sister. She stared at her hands in her lap as though by staring she could set them aflame. It was time. They had to go.

The Tithing Ground had been festooned with banners and garlands of apples, torches blazing by day and wreaths of colorful mushrooms. A crowd had already gathered, but no one wanted to get too close. They hung around the edges, some weeping, some trying too hard to laugh.

In the center stood a monstrous, outsized faucet, rusted and chained with iron bands, the sort which has a great wheel at the top for turning water hot or cold. It seemed to come up directly out of the ground. Dust and cobwebs clung to it—it had not seen use in ages. Before it stood King Goldmouth, his jeweled coat a throng of color, his nose brushing his chest. He held up his hands and more Fairylanders crowded the square. He raised them higher, and all fell silent, the Winds and the Cats and the Fairies and the Ouphes and the dryads and the Ifrits and all the folk of the world. They strained like strings sure to be cut.

“Welcome, my countrymen!” bellowed Goldmouth, his voice a round brass bell. “The Foul has come to a close and I know you have all had as marvelous a time as I. But the time has come to put aside fun and frolick and attend to business! Too long have we let the old ways sag and rot—time, I say, to be Fairies once more! In just a moment I will ask the help of the Nephelese Cats and the first Tithe of a new age will begin. Don’t be afraid! Bring your children close, line them all up so I can see their merry little eyes. They’ll tell their grandbabies about this day—well, some of them.”

But no one came forward. A tall, spindly birch-dryad began to cry audibly, and soon the square had filled with frightened, uncertain tears.

“Hush it!” hollered Goldmouth. “Is that any way to greet your destiny? Are you Fairies or aren’t you? We are a great, powerful people, and we will not cry! The King may do as he likes! That’s the whole point of being King! And I shall be King for a good long while yet so stop your blubbering. Take your Tithe like grown-ups! Get over here, you mongrels,” he snapped at the Cats. “You too, Jack, and your Windy friends.” Mabry Muscat looked pleadingly at Mallow, and she could not understand why they all obeyed him—except that of course the King could eat them, and of course he was King, and did not people everywhere do more or less as they were told when someone with a crown did the telling?

Mabry and the Green Wind, the Red Wind and the Blue Wind and the Silver, all laid their hands to the great, heavy chains that bound the faucet. Instantly, boils and hives and long red wounds appeared in their hands wherever they touched the iron, for Fairyland Folk cannot bear it. Yet they pulled on, all of them crying out in agony, screaming up at the empty sky as their bodies bled and scarred and tore. The chains, wet with blood, loosened at last. The Cats shook their great heads miserably, but they came forward when called. Iago and Imogen and Cymbeline and Caliban put their strong mouths to the wheel and began to walk.

A screeching creak filled the air, and then a knocking, thudding noise, and finally a whistling, rushing, wet sound moving under the earth. Goldmouth hurried to place a crystal goblet beneath the faucet to catch the single enormous, blindingly blue drop of water that issued from its grimy mouth.

“The blood price,” he said in awe. “The blood of a whole world.” The drop splashed into the goblet, filling it utterly and sloshing over the side. The water was not water—it shone blue and swirling, with white wisps floating through it like clouds. “Why did we stop this? When we could feast every seven years on the price paid by other men in some ridiculous world that’s nothing to do with us?” Goldmouth lifted the goblet high. His sleeves fell away from his golden arm and a gasp rippled out, which he did not hear. “In the old days, the days of our youth, we received the Tithe from a hundred worlds. We took their bounty and gave it out among our kind. We were so strong; we lived practically forever. Every time we took the Tithe, more magic leaked from their worlds to ours, more folk crossed over, more spells and wonders and riches!”

Mallow covered her eyes with her hand. It seemed obscene to look at the blood, somehow. “You said blood price, Mabry! I thought you meant we would pay it—we would all prick ourselves and bleed a little, or the changelings would be bled, or a great deal of cattle would be slaughtered.”

Mabry’s eyes turned rueful and creased. “Oh, no, Mallow. The blood price is paid to us. I thought you knew. From a hundred worlds and more, every seven years, or ten, or a hundred, or seven hundred. They pay their Tithe and we collect it.”

“Which world is that?” Mallow asked. Her voice seemed so loud in the square.

“I’ve no idea,” Mabry sighed. “Blood has no name. Some place with less magic and less joy than it had a moment ago, that’s certain. In days past the whole of Fairyland shared out the stuff, with reverence, and strength like nothing you’ve known flowed through us. I had but a sip when I was a babe and I’ve lived a thousand years. But we stopped it—we had to stop. It was the Sympathetics who discovered the how and why of it. We were bleeding worlds dead, and none of us could bear it. We can be cruel, if it is fun to be cruel, but we are never callous. Never unfeeling. We would not make ourselves vampires for a few more years’ revels. you have never heard of it, because we buried our secret shame as deep in a library as a stone may fall into a well sunk through the world, one end to the other.”

King Goldmouth, with his goblin’s ears, snarled into the heart of their talk. “Who cares? If a vampire I must be to live and dance and howl at the sun, then let me show my teeth! They paid their price, we’re fools not to take it! To have let them hoard it all this time. And I shall take the first, all of it, for I alone thought to turn the wheel again. I shall drink it and live forever and rule forever and eat forever and turn utterly to gold—don’t you look at my arm like it’s poison!—and none of you will ever be able to stick a knife in me. Goldmouth’s Feast, Ten Thousand Years Long!”

“No,” Mallow said softly, but in her voice moved a hardness she had always known she owned in some deep cupboard of her heart, but rarely taken out, even for company. No Magic turned inside her, end over end, growing cold and implacable. She strode forward and leveled her needle-sword at the King’s throat. It joined there a sudden and unexpected green lance, balanced in the Green Wind’s lovely, jeweled hand. The Wind’s stare could have curdled stone, but she said nothing.

It happened so quickly Mallow could not afterward say for certain who moved first. Goldmouth broke the green lance as easily as a branch and seized the Green Wind’s neck in his fleshy fist. As soon as he turned from her, small and not green and with nothing but a needle as she was, Mallow buried her blade in his side. The Winds sprang toward their sister, and Mabry, too, all screaming and bellowing and Mallow could not even hear herself think. Blood gushed warmly over her hands, black clurichaun blood, night blood, and full of stars. Goldmouth pressed his golden fingers together and pushed them into the Green Wind’s throat. Green tears spilled from her eyes. She choked and gagged as he worked his hands into her.

And then the King reeled, screeching. Black starry blood streamed everywhere in inky ribbons. Mabry Muscat had drawn the Blue Wind’s azure cutlass and sliced Goldmouth’s arm off at the shoulder. The Green Wind fell to the ground, clawing at the severed arm in her mouth, dragging it out of herself, slipping in the spreading blood. Mallow tugged her needle free of the King’s sodden body. And three things happened in the same moment:

Goldmouth’s cloud-hounds shot into the air, knotting around Mabry Muscat’s throat and tying off before he could gasp. The light blew out of his eyes and his body fell to the streetside.

The Leopard of Little Breezes roared so loud and long every soul in Fairyland clapped hands over their ears.

Goldmouth’s broken hand opened on the cobblestones beside the body of the Green Wind. In its golden palm lay a tiny, dazzling green leaf.

* * *

A great battle followed—but that is not important. To be sure, Goldmouth’s clouds frothed into a rage, and the Great Cats of Nephelo rose up to fight them in the great, stormy sky. In years hence they would call the battle the Nor’Easter, for its squalls turned the heavens black and brought rain onto every head. The Red Wind shot so many clouds with her scarlet pistols and Iago, her Panther, tore so many with his teeth that afterward she would be called Cloudwyf, and the cowed nation of clouds would be hers to rule and ride. A bonny knight, Mallow rode upon Imogen, the Leopard of Little Breezes. With her needle stitched cloud to cloud until a thread of wind pierced a hundred hearts all in a row. Great cries were uttered, loyalties made, and far below the people of Fairyland fled home or took up their brooms and bird-mounts and carpets to join the fray. Grandbabies would be told of the day, rest you certain.

But that is a battle story, and battle stories belong to those who fight them. How a battle feels is impossible to tell, except by nonsense: It felt like a long rip. It felt like a weight landing upon me, over and over. It felt like red. It felt like a bell unringing forever. What can be told is that when Mallow and her Leopard and the Red Wind and all her brothers and sisters landed, Goldmouth still lay in the wreckage of his black blood, dying in between his breaths. Beside him, two strangers stood whole and with so much sorrow in their faces that the Red Wind staggered to see it. But beside the sorrow lay a rueful humor, as though a joke had been told while the war raged, and only now did these two youths catch the punch line.

One was a pretty young woman with brown, curling hair and a simple white dress with a few pale ribbons trailing from it. She wore a bonnet of valerian and heartsease. The color in her cheeks gleamed rich as bread and sun-rosy, and her feet were bare.

The other was a man with a neat, pointed beard and kindly eyes which had become the most beguiling shade of green. He was dressed in a green smoking jacket, and a green carriage driver’s cloak, and green jodhpurs, and green snowshoes. In his hands he held a long green lance, quite whole.

“He died to save her,” the Leopard growled. “And now he must take her place. It’s different for each Wind. Red will need to be tricked by her replacement into putting on a white gown. Gold will be killed. So it goes. Long ago, a girl named Jenny Chicory loved a boy, and meant to be a water-duchess in the Seelie before going on the Great Hunt. She drowned saving a little boy in green, a boy she did not know from a stranger, from a pirate band with a whale on their side. She could not let him go down into the waves, and woke up all in green with a job to do and no more a happy maid with a suitor at her door. Now Mabry’s done it, and he can’t take it back, nor go home with her to Winesap any more than she could leave the sky windless. The gales of the upper Fairyland heavens would shatter her, as they would have shattered him. In the doldrums of summer, sometimes, they arrange to meet at sea, where the sails droop and crow’s nests swelter. I imagine they’ll keep that date.”

Jenny looked at her Leopard with a grand and sorry love. “We are used to it,” she said thickly. “And storms must sometimes come to Winesap, too.”

Mallow looked down at the dying King. His breath did not stop or slow—a clurichaun his age had reserves of will waiting to be tested. He might live years in distress but not die. She considered what to do. She considered the Gremlin and the Green Wind. She considered poor, crumbling Pandemonium. She considered the shattered goblet and that blue and cloudy blood, the wettest of all possible Wet Magics, mingling with all the other blood that had poured out onto the square, wretched, dull, of use to no one.

Mallow knelt. She drew her needle and pricked the thumb of King Goldmouth’s golden hand. Slowly, as slowly as he had pushed his fingers into helpless mouths, she pushed her needle in, pulled it through, and made her stitch. Beneath her hands, a thick, glassy thread appeared. She made another stitch, and another, hauling up the clurichaun’s feet to his chest and beginning to cry a little despite herself, so exhausted and revolted and determined and sorry was she.

“I told you,” she said as she sewed. “I didn’t want to muddle in Politicks—and there is always Politicks, even when folk promise it’s just a party, or a revival, or an exhibition of every kind of magic. I didn’t want to meet a Fairy boy or dance at Fairy balls. I only wanted to read my books and learn a bit of magic. Why couldn’t you have been a better King? Why couldn’t you have left that poor world alone? Why couldn’t you have been better?” She hit him with her fist and he did not protest. She had not hit him hard.

By now, Goldmouth’s knees covered his face. He could not speak. A very neat seam ran across his nose. His eyes pleaded, but Mallow went on sewing up the King, stitch by stitch, into a package no bigger than her hand. The last of his astrological tattoos showed on the top of it, and she handed the whole thing over to the Red Wind to close away. Mallow’s skin dripped starry streaks of royal blood.

The girl who would find herself, against long odds, Queen before dinnertime stood up and looked at her new friends, at her darling Leopard, at the glittering needle in her hand. Then she looked to the empty, hollowed-out city.

“Well,” Mallow said, feeling a wave of powerful practicality break on her heart. “We’ve got a lot of work to do.”

How to Raise a Minotaur

When I was young, I was a minotaur.

I grew out of it, of course. You can hardly believe it now, I know, such an upstanding young woman, in a blue suit, with a briefcase. No one with a briefcase can have such a secret. And yet, my horns once pierced the dining room ceiling. You grew out of your obsessions with dinosaurs and primary colors. I grew out of shaggy, bowed legs and hooves like copper clanging. We are not so different.

It is not easy to raise a minotaur. They break everything in sight, instinctively, compulsively. If there is a crystal dish on the table, a minotaur will seize it up and crush it to pieces in her teeth, weeping all the while, helpless to stop herself. It is her nature, and though you ought not to punish her for it, you will, and severely. She will look at you with huge, bovine eyes, uncomprehending, wanting so keenly to please you. That dark stare will sink you in misery, and you will buy her a lollipop. Thus, she will look for sweets after every act of destruction, nose your pockets for sugar, and you will want to hit her, because your amputee grandmother gave you that dish when you graduated from college. Maybe you will hit her. She will greet your slaps with those same cow-eyes, the same trembling, hairy jaw.

Your friends and colleagues will, of course, question your sexuality. A child like that cannot have come from sweet, quiet Dan and Barbara, Caroline and John, Laurence and Janet. What, exactly, have you done to deserve such a changeling in your expensive, honest, Amish-built crib? Rumors will fly: Dan angered his boss by trading on company information on the stock market, and the CEO—faceless demiurge!—punished John with such feats of black magic as men of that order are capable of. Caroline fell in love with a mail-room cretin so hopeless that he could hardly manage the mechanics of mounting her. Laurence, pitiful man, fashioned a complex machine in his basement out of catalog parts so that Janet and her pre-linguistic paramour could achieve simultaneous orgasm, hermetic revelation, and explosive conception while Laurence turned the crank. You will have to answer these suburban accusations with aplomb, a smile, and a proffered cocktail. Your minotaur will be of no help to you as she sits in the corner and devours her dolls. The clock in the hall will tick; she will make plans to eat it later.

In school, the minotaur will be unwelcome and unloved. There will be talk of transferring her to a special needs course. However, your minotaur, her pigtails arranged to hide growing horns, will not be unintelligent. That has never been the issue with such children. In fact, your minotaur will love to read, will devour, quite literally, whole libraries in an insatiable passion for books. She will need glasses by the time she is five, so fervent will her reading be. Of course this is not a generally accepted method of learning, but when your minotaur pipes up at breakfast and lists the attributes of cephalopods in alphabetical order, you will have no doubt of its efficacy. Unfortunately, third grade teachers are rarely so enlightened. When she is discovered with Tolkien halfway down her throat, weeping Elvish declensions, she will be put aside with the other difficult children, in a classroom with no sharp edges. You will be sad, but by that time your other children will be starting to show their talents, their bright blond hair, their eager, attentive faces that never contort in paroxysms of bovine pleasure.

It will not be long before she starts demanding youths and maidens. This, obviously, will present a logistical problem. My advice is to begin with dolls. This will forestall the inevitable. The small minotaur hardly knows what she begs for—it is a desire, a demand which comes from her deepest marrow, her protoplasmic self, her most regressed and atavistic heart. She will be satisfied by plastic and cornsilk and eyes that slide open when the head is tilted. She will rip off their heads in disturbing ways and line her bed with their bodies. You will try counseling, but the Adamic language that you have learned to understand will not be greeted with warmth or empathy by a board of professionals. Best to keep up a steady supply of dolls while such placebos suffice.

With puberty, all things become more difficult. Girls will be girls. One day you will go to tell her to come down to dinner and open the door on the football quarterback entangled in her sheets, an expression of horror and need on his face, which will be buried between her brown, vaguely furry breasts. Parts of him will be in her mouth—she does not yet really know what she wants to do with these youths, much as a dog who finally catches a cat will often just stare at it in confusion. His head did not come off easily, so your minotaur made do with the rest of him. Next week it will be the chess club, all seven of them, kneeling around her in awe, straining towards her, hoping she will chose them to kiss, to taste, to swallow. Of course the quarterback will never tell anyone that he laid a hand on the freak from special ed, and the chess club admits to no acquaintance who cannot master the Lasker-Bauer combination, so for awhile, at least, you will be safe. Until she starts bringing home cheerleaders.

With these girls, the minotaur will be shy. They are everything she is not: shining examples of soccer prowess, after-school activities, 4-H club, even an academic decathlete or two. Girls who love horses, the color pink, boyfriends with red cars, ice cream, getting into college. Your minotaur will ply them home with promises of community service credit, a note on their record about working with the developmentally disabled. In her room she will gawk at them, ask them to pet her, to love her. They will not understand, and will bring her a drink of water or ask her to work extra-hard on her multiplication tables, unable to comprehend her lectures on calculus and probability. When they hug her goodbye, the minotaur will be quite dizzy. Eventually, when one is too beautiful for her to bear, your minotaur will bite her. Perhaps on the shoulder, perhaps on the hand, or the knee. She will not bite hard, at first. The 4-H girl will recoil, but then remember her teacher’s advice not to be shocked at anti-social behavior from such a problematic child. The next time will be harder. Your daughter will know such a thrill when her teeth first touch flesh—something like what you felt the first time you tasted vanilla, ran a mile, held your first child, had an orgasm, all together and all at once. A terrible rightness will fill her blood. The tips of her fingers will tingle, like the first time she ate a book. She will try to cover up her act with a kiss, like the ones she gave the boys. Most of the girls will not understand. Maybe one, maybe two will kiss her back, ashamed but excited, and your minotaur will find other ways to taste those girls—but it will not be as good as biting, and she will know she is not like any other girl, even the girls who are not like other girls.

If you are a perceptive parent, or very well read, you will come to a decision. If you are not, well, you have my pity. You and your spouse will sit down to the kitchen table amid bank bills and health insurance policies and half a pork roast and say to each other: what else can we do? You will draw up plans: plumbing, ventilation, waste removal. The trouble is that, whatever her teachers think, your minotaur is clever, so very clever. It must be a maze, then, you will say to the new cabinets. So that she will not be able to find her way out. You will hollow out your basement, install track lighting, walls, steel doors. Tell the school administration you are sending her to a special institution in Switzerland. They will understand, of course, and clasp your hands with moist eyes. You will build her a bookshelf, its contents carefully rationed. Nothing on demolition, or architecture. A few Greek plays, because you have a sense of humor, after all. Her favorite toys. Her dolls. And the day you lock her in you will tell her you love her, that you only want to protect her. You will hug your child for the last time, and slide the bolt shut.

Years later, when guests come for cocktails and quiche, you will play loud music with a deep bass to drown out the thumping of her fists against the ceiling of her maze, the floor of your living room. You will play something with violin to cover her screaming. When folk ask: didn’t you used to have a daughter? You will say: I don’t know what you mean. We have two sons. That’s all we’ve ever had. Every year on her birthday you will put a cake on the landing. Maybe—I wouldn’t want to speculate—once in awhile, every seven years, say, you’ll send down a girl who loves horses, or a quarterback.

But I stand before you today—do not lose hope. My people are accustomed to this treatment. We do not blame you. I have forgiven my mother; I have forgiven my father. Your child will forgive you. Every minotaur must meet her labyrinth. It is inevitable, like oracles, or cancer. It is possible, just possible, that after you die quietly in bed, your grandchildren all around you, and only a few of them heavy-browed and dark, with glazed eyes and their hair too carefully arranged, as if to hide something, that realtors will come to assess your property. They will open all the doors and windows, air out the hallways. Of course they will discover the basement. They will marvel at the craftsmanship—what love, they will say, what love was put into this thing! And they will slide the steel bolt aside. With flashlights they will venture down the stairs, and one of them—maybe his name will be Thomason, maybe Thaddeus, maybe Theresa. He will realize quickly that he needs help, and unwind a long clew of measuring tape behind him as he ventures into the concentric circles you built for her, so long ago.

And he will find her, standing in the center of the place, near the boiler, naked, tall, her hair long and matted and greasy. She will still be young—the lifetimes of minotaurs are long. Her legs will be thin, but they will be legs. Her skin will be so pale, without the sun, but there will be no fur. Her horns, though, those will not have gone. She will need to wear hats for the rest of her life, like mine. She will be holding a book and reading it, the usual way, even in the dark. She will have met her labyrinth, and passed through it. And she will step forward, toward Thomason or Thaddeus or Theresa, and she will say very clearly and calmly, in a deep, sweet voice:

“I promise, if you take me with you, I will be a good girl.”

The Shoot-Out at Burnt Corn Ranch Over the Bride of the World

The End

I don’t know much about the beginning, but in the end it was just the Wizard of Los Angeles and the Wizard of New York and the shoot out at the Burnt Corn Ranch. They walked off their paces; the moon seconded New York and the sun backed up Los Angeles and I saw how it all went down because I was there, hiding under the bar in the Gnaw Hollow Saloon with my fist between my teeth. Now you may call me a coward and I’ll have to wear that, but I’m a coward who lived, and that’s worth a drink if it’s worth two.

Robert and Pauline

Now, as I recollect it, the Wizard of Los Angeles sold his name for a pair of Chinese pistols, a horse the color of a rung bell and a crate of scotch the likes of which, god willing and the dead don’t rise, you and I will never taste. I hear that scotch has no label. I hear it tastes like a burning heart. I hear it’s served at the Devil’s own table, distilled by Judas Iscariot and aged in a black bull’s skull.

The Wizard of New York traded her name for a train she could fit in her pocket, a horse with two hearts, a dress like the fall of Lucifer, and a satchel of tobacco combed out of Hades’ own fields, dried on a rack of giant’s bones. New York was always the better haggler, and that’s a deal you only get to make once.

You gotta do something about names, see. Gotta get rid of them, double fast. Can’t get too far in the game with a name someone could just call you, out in the open, like Robert or Pauline. People like that, you can find them on a map. You can book them tickets and put a tax on them. Robert and Pauline couldn’t of done what those two did. Robert and Pauline have a nice little spread out Montana way. Pauline’s butter is just the sweetest you ever had. Robert never breaks his word, that’s just the kind of guy he is.

Come on. That ain’t how it runs. The Wizard of New York don’t churn her own cream.

Anyway, at least they both got horses out of it.

A Coupla Rules

You mighta heard it said that New York is where they make good magic and Los Angeles is where they make bad magic. Well, I don’t know about that. I never been to either place. What I want to say is there’s no one to root for here, okay? Those two chose to play the game. They didn’t have to. They couldof had babies and grown oranges or beets or whatever the hell people grow when they aren’t circling a scrap of black dirt in the middle of nowhere like they’ve got a clock for a heart, set two minutes til. You might be tempted to say well, New York is cold and hard and I don’t care for that in a woman, or you might say Los Angeles is all illusions and unreal bullshit, and I don’t care for that in anyone, but the Burnt Corn Ranch don’t care about your sniffing and side-choosing, and it don’t care about nobody else either. It’s always been there, and it’ll be there when whatever walking hamburger is left clears out.

There’s a coupla rules.

Everybody’s gotta have a second. That’s good sense—the kind of arsenal these kids bring with them is music for four and six hands, if you get me. They hafta agree on a judge, too. Cheating don’t come into it.

It’s not always New York and Los Angeles. This has been going on awhile. This bit here is just the endgame, where the board is mostly clear, and every piece who mighta hid you has got itself killed or sacrificed and every move comes naked and grave. I remember when the Witch of the Mississippi shot the Baron of Nebraska in the eye with a glass flintlock she got off the corpse of a drifter with a diamond in his tooth. Probably somebody’s second, poor fuck. When she fired the thing, it filled up full of hot green fire. Smelled like licorice. Weren’t even a year ago New York hunted down the Hag of Florida, cut her up with a bowie knife blessed by the Pope of the Hudson, baptized in gin and olives and christened What Did I Just Say.

Fed Florida to her alligator friends piece by piece. They cried, but they ate her anyway.

There’s different sorts of ways to get rank in this business. New York has to be born there, and Brooklyn and Queens don’t count, neither. If I remember it correct, she has to be born there, and her mother dead in childbirth, foot can’t have touched grass nor mud, hand can’t have sewn nothing nor cooked nothing, and she can’t ever have finished a novel, but she’s got to have started three. No more, no less. Los Angeles has to come from somewhere else. He’s gotta be in pictures, naturally, but never a lead, only in the background, at best maybe a line or two. His daddy’s got to have died while his momma was with child, he can’t everof et Old World fruit, can’tve been baptized nor shriven, foot can’t have touched the sea, hand can’t have touched the color red.

The rules look stupid on purpose. That’s how folklore works, on a fool’s own engine.

Still, sometimes there’s more than one bastard stumbled into the conditionals, and then there’s what you might call attractions to shuffle it down. New York wants to be a woman. The Bishop of Wisconsin wants to be a little boy with black hair. That sort of thing.

Motion across the board goes from the edges toward the center. Used to be a rule about collateral damage, but that seems beside the point now. Hardly anybody left here but us chickens.

And then there’s the prize. Didn’t I mention? That’s me. Hunkered down behind a bar with bourbon showering down on my hair and glass exploding in slow-motion.

I’m the Bride.

The Devil’s Mare

I suppose you want to know how it got to this. Truth is I don’t know. I wasn’t born til the players were on the stage. That’s kind of the point of me. I was born at Burnt Corn Ranch on the summer solstice and I came out of a pinto mare just as human as you like. Maybe you don’t like too much, and that’d be about right. Back then Burnt Corn were run by Tincup Henry and his girl name of Ashen. When she was a skinny little cough of a thing her mother said she whored with the Devil and ate of the bread of Dagon. She locked that girl in the barn with the new lambs and lit the whole thing on fire. Possible she knew what was coming, possible she was crazy. Ashen’s eyelashes and eyebrows and all her hair burnt off before her brother Cutter (who happened to be the Duke of Maine, but he didn’t know it yet) run out in all the stink of burning wool and beat the flames off with his own hands.

Ashen probably had a name before her skin went grey like that. Probably a nice, fancy one like farmers give their daughters when they hope for better days. But dead girls get new names, and Ashen just wasn’t the same before she went into that barn as when she came out. And it ain’t just about her being bald and hairless as a worm forever. Her momma run off and her daddy drunk himself into nothing. But when Tincup married her, well, you never saw anything like that wedding table. Loaves of bread like wheels on a cart and a cake like a house of sugar. Ashen didn’t say nothing.

And that’s who raised me up. No idea what they thought when that mare lay down to foal. But they named her Almagest, so maybe they knew the score after all. When they pulled me out of her nethers, Tincup scratched his head and picked me up, full grown and covered in horse. He put me in the house by the stove like any other foal born sickly.

Day I was born Ashen started baking. Every day of my life smelled like something rising.

He Loves Me, He Loves Me Not

Met an old prospector once, by the name of Gilly Spur. She lived down the gulch, panning for prophecies in the dried up wrinkled scrub that usedta be the Colorado River. Caught a rack of runes once, all fishbone scorched with hairline scratches. For all the good it ever did her. The Khan of Manitoba cut off her hand to get them, and took off south after the Witch of the Rio Grande. Anyway, once upon a while I liked to sit with Gilly afternoons in the summer, when it was so hot the only safe places were down in the low, down in the shadows, down in the crevices where the dust don’t fall. She caught butterflies to eat, and you know I never thought a butterfly’d have eating on ‘em, but the big, warped-looking busters huffing heavy on the old river bed weren’t nothing but flying protein, and protein is king. Gilly Spur snatched them out of the air in a mason jar.

“Tell me who I’m gonna marry, Gilly,” I’d say to her while she crunched down on a monarch wing. “I heard girls before used to pull daisy petals to find out. Think that’d work for me?”

“Don’t you be in such a hurry, girl. The rest of us ain’t done here yet. And where you think you’re gonna spy up a daisy?”

“Do you remember before? Before there were a mess of wizards and popes shooting up the place, I mean.”

“Ayup,” would say Gilly Spur. And she’d tell me about something like bubble gum, which was a thing you chewed in your mouth but didn’t swallow what had sugar in it. People used to be mad as cats, chewing on something and not eating it. Or she’d say there used to be an ocean left of California, which was so much water you couldn’t see the other side, and why the world didn’t just drink up so much of the good stuff just sitting there I’ll never understand. I’m glad I wasn’t born then. It sounds a terrible place.

Gilly Spur’d scry the sand like it was still water. Far as I know she weren’t in the game then or never. But she was nice to me, and she knew how to hide real good. Best thing to learn these days, but I never got the trick of it.

Mr. Junction City Savings

This is what the Wizard of New York did with her name. She put it inside an angry boy name of Johnny Holler, then killed a red-tailed deer out on the Connecticut saltwaste using Johnny just like a rifle. Took the dried-out hollowed heart of the beast and the name too and locked them up in the Junction City Savings and Loan vault, and gathered her goods-in-kind from the Loan Officer—a saggy droop of a man who used to be fat and lost it somehow, just lost track of his whole body til it was nearly gone and just a big blouse of skin left. He’s the line judge, the referee, the fact checker and the clock-watcher. Don’t know his name. Don’t even know if he knows it. He’s just the Loan Officer, Mr. Junction City Savings, only man I ever met who still owns a three piece suit and a tie to match his hanky.

Mr. Junction City Savings put Johnny Holler down in his book as New York’s second. Johnny said: I never asked. But it don’t matter. New York takes. New York brooks no refusing.

From just about then Johnny Holler started getting brighter. Sure, smarter—you can’t get clued in on the big game without sharpening up a bit. But he started glowin’ like a lamp turned on inside him, and all the time they walked out to Missouri to see about the Caliph of St. Louis he just kept shining brighter still. By the time I met him, you couldn’t look at him without squinting. His bandoliers screaming silver just like the moon.

Los Angeles nailed down his second up Oregon way. A minor player, Princess of the Siskyous or something, lanky tall white girl answering to Sally Rue. The Wizard of Los Angeles pricked up when she started making her name, strapped up his big snort of a horse and rode it all the way from Alamagordo where he’d fucked and then detonated the brain-stem of Abbot of New Mexico with a one lightning kiss.

Come on now. Don’t make a face. I told you it wasn’t a pretty thing, when these kids count off their paces.

Anyway, Los Angeles sniffed up the Princess just as soon as he crossed the Tahoe naphtha sink, smelled her like musk and cattle. Rode on north like an arrow. Put a blade between his teeth and hit the big empty college green where the Princess was sitting down to cards with her sad little second, boy by the name of Frank Bust. Los Angeles sat himself on the grass and played a hand or two, not winning nothing and not looking to, just taking a friendly trick when he could. When the sun got low he spat his black knife just as quiet as breathing, right between Frank Bust’s eyes. Kid didn’t see it coming to say shit, just gogged while Los Angeles brushed the hair out of the Princess’s Frank-spattered face and kissed both the her cheeks, said something in Algonquin or Greek or some such and pulled on her jaw like a trigger. Nothing came out—she was saving the bullet down in the deep of her for the end, and that made her Los Angeles’ kind of girl. He hauled her out to Junction City quick as a wedding.

She was already looking a little god around the edges. Her teeth shone like hard sunshine.

Somethings

Something bad happened a long time ago. In the bubblegum daisygirl ocean days, when there were rivers where the rivers are. I’d like to know about it, much as you, much as anyone. Seems like a worthy thing to know. But I don’t make what you’d call a real effort to find out. I got my own problems. My own somethings bad. For awhile I thought it had to be a bomb. Something big and bright and final. They used to have bombs like that. That left black dust even after they’d stopped burning everybody up, and something else, something invisible, something that changed you if it touched you. Sounded right to me.

And the dust that comes down in the summer will burn you clean through.

But apart than Gilly Spur the oldest soul I know is Blue Bob who lives at the top of a grain silo sharpening scissors for bread, and he said he never saw nothing blow up but what does he know, he never lived in a city that mattered enough to bomb. He says the mail stopped one day. Then the running water and a little after that you started noticing people’d gone missing. Just gone, blinked off like a fuse. He’d taken the last of his gas and headed to Cheyenne and got drunk for weeks off of the stuff lying around with no one to guard it. Blue Bob says he’s not really sorry. He likes the quiet.

He’s the Emperor of Wyoming. Told me once, half upside-down in a bottle of mash. It’s not that he can’t fight, he just doesn’t care. Doesn’t like the world enough to care. Blue Bob kissed me all over then, and I kissed him back even though he was so old you could see through him. I like kissing. Kisses are big and bright and final. Just because I’m writ down for the Burnt Corn Ranch doesn’t mean I gotta be a virgin when I get there. Can’t see no point in virginity myself. I’m not gonna live so long I should wait on much of anything.

Here’s what I think, though, at the end of everything behind the bar with the bourbon and the dog and the commotion outside.

I think the world just broke.

Nobody’s fault. Things get old. They go funny. They get stuck like a pump or run backwards like a pocketwatch. You just try and use an old pistol that ain’t been looked after. It might click and whine and stick. It might blow you clean dead.

* * *

Gilly Spur says there didn’t used to be magic. That’s nice. I like to think the world had a childhood. A little while when it didn’t have to bother with none of this.

A Ring Don’t Make a Bride

I saw me a picture with Los Angeles in it once. When pictures still showed down at the piano hall on Main Street. I used to like to get up in a dress and watch all those fine people flickerin’ up there. It was an old one, and Los Angeles hunkered down in the background of some bar, glowering into his two fingers of whathaveyou, up to no good. When the fighting started, he shot a lady of low morals through the heart, and looked at the camera like he knew I’d be watching in twenty years’ time. Funny thing is, I knew the shot lady, too.

She was the Pharaoh of Nevada.

New York shot her for real and true in our barn about a year before she got to Florida. Used a big birch fork and divined the Pharaoh’s path like clean water. New York took the train she got from the Savings and Loan out of her pocket and laid it down on the yellowcake flats where it swelled up like one of them old black worm firecrackers. Rode it all the way through the plains without a stop, even though the Tsar of Kansas was an easy get. She couldn’t wait.

The Pharaoh didn’t like waiting either. She turned up at my window in the middle of the night. Brought me beef and cotton lace and a real lily, so fresh the stem still seeped green. Came to me like a proper suitor, offering something precious, asking something precious. I sucked the dew out of the lily and it tasted like growing up. The Pharaoh of Nevada lay down next to me in my skinny bed and kept real quiet so as not to wake Henry Tincup and Ashen. She was a real handsome lady, with red hair and wide black eyes, heavy, soft breasts and sharp brass-tipped bullets all round her bony waist.

Come on, she whispered in the dark. Don’t you like me? You don’t want to sit around here waiting for those rotters to punch themselves sick over you. I’m here, now, and I’m ever so much nicer than the pack of them. I made that blossom myself out of the air and half a memory. I’ll cover you with lilies. Eat up that brisket and tell me it don’t taste right as a spring robin.

The Pharaoh of Nevada liked kissing almost as much as I do. Her skin was all dusty and hot and sour and good. She was right; I did like her. She was much prettier than Blue Bob, and when she got her hands inside me I saw lights dancing and lilies bursting and the sun bagged up in a sack of lace. The Pharaoh put a steel ring on my finger still slippery with her and slept like a heap of bones.

Thing is, just because you make a body shiver don’t make it yours. You have to go through the ceremony and bother and blood. I’m the end of everything. There’s no shortcut. The Pharaoh thought it was all over and won right up until the Wizard of New York steamed into town with her whistle shrieking the blues, shattering the windows and rattling the earth.

Too late, Nevada laughed.

But it wasn’t. New York walked into the barn where I was born with a big bone gun on her hip, a barrel half as long as her leg. Used to be the femur of the Marquis of New Orleans and the shoulder blade of the Obeah of the Carolinas. It’s that kind of style that makes her a favorite, among those still taking bets. New York’s right dapper and swish. Nevada strode out of my bed all gloat but New York shot her through the throat from behind our cow Ptolemy, and my Pharaoh fell flat before she could work out where she’d gone wrong.

A ring don’t make a bride, that’s all.

New York tipped her hat to me. Said: See you soon. Barreled off out of town to keep her date with Kansas.

* * *

Sometimes at night I can still hear Nevada telling me stories about the one time in her whole life that girl ever saw Las Vegas.

The Duke of Maine

I asked Cutter once what it felt like, when he got called up. Him being my uncle in a technical sort of way and all I felt familiar enough to ask.

Cutter took care of the Gnaw Hollow back then, looking after the stores and the glasses and the spirits. He poured himself some thin old cough syrup which is just about as good as whiskey for getting yourself fuzzy, if not tasting half so nice.

“I was born in Maine, don’t s’pose you know that being just a kid,” he told me. “That’s part of it. No Duke of Maine could be from away. Born there and our ma moved us out west when she were half-done baking Ashen in her on account of pa Henry finding some knob of earth where things still grew. Spoke a coupla licks of French back then, and that’s part of it too. But if you’re hoping I got struck by lightning I’ll disappoint you. Just woke up one morning and knew it like I knew my name. Down in my heart a big dark forest on a big bright sea just lay there saying: come on now, do right by me. I looked at you feeding the chickens and all the sudden you had a veil on I never saw before, and a dress of darkness. I could do things. Drown a man while he’s walking down the street breathing as fine as you like. Strike a stone and milk’d pour out. The forest in my heart said the Sultan of the Dakotas wanted killing, and I strangled him in the Black Hills. His skull turned into a rose. I wore it on my lapel. It told me things. That you’d lay down with me if I asked because the Bride is the generosity of the earth. When the frost’d passed and I could get on planting my mean old turnips. Where to find the Presbyter of Oklahoma—who has the blame of my lost leg, bristled fucking pig that he was.”

Cutter slugged back his cough syrup. “I won’t be your man, I know it. Didn’t even bother cutting off my name. I’m a hump for others to get over. But I hope to see Maine again before some other dark dog does me in.”

The Laird of Alaska froze him to death with a blink a couple of weeks later. I didn’t cry. You can’t get mixed up in crying this late in the game.

Some Magic

I got some magic of my own.

I can turn a chicken inside out. I can make the moon come on in the daytime. I can fry an egg on my belly and I can defend myself—if I look at you funny your heart will split open in your chest. I tried it on the Kaiser of Pittsburgh who wasn’t half as nice as Nevada and didn’t bring me a damn thing and he toppled right over.

I didn’t wake up one morning knowing I was anything. I just always knew. Like how you know you’re a girl or that you have ten fingers. It’s just a part of you, and you can’t say why. After she put her ring on me the Pharaoh said: what happens now? I shrugged. I made the moon come on in the dawn for her.

We’re getting close now. To whatever is supposed to happen when I get a beau for true. I can feel the world winding down to Burnt Corn as if I’m a spring in it, losing my coils. Sometimes I wonder if this is going on in Europe or Africa too. If some poor kid like me is waiting in Budapest or something for the Tetrarch of Granada and the Wizard of London to get on with business. But something tells me I’m it. Besides, the Dragoon of Boston has to be Ireland-born, and she’s never said a thing about where she came from but that it was emptier than a gallon jar in the morning.

I spent a lot of years thinking on this. I think I know the shape of it and every day I feel surer. Where Cutter had a forest in the deep of him I’ve got a bed and its getting wider all the time.

Still. You don’t show your cards til they’re called.

The Nighthole

Gilly Spur says: the day the world changed the sky went green and sick. She says: it didn’t have a lick on the look of the sky this morning.

Someone comes to town. They got shadows like wounds. One on a train, one on a horse. Ashen sets them a good breakfast and they talk like nothing’s gonna happen. Like they’re friends.

I wish I’da seen the Grand Canyon. After all this running around, you’d think I’da come across it. But no, you stove in the Saint and it closed up like a buttonhole. The Wizard of Los Angeles shovels hot eggs into his mouth.

But you got the Rockies, the Wizard of New York laughs over her chicory tea. All six foot five of that sweet old Thaumaturge. I heard him go all the way out in Virginia. I heard you filled him up with pink fire and made rubies shoot out of his eyes.

Too bad we can’t jaw all day. I could get to like you.

Too bad.

Johnny Holler and Sally Rue water the mounts, a bowl of blood or a gascan full of coaldust, either way, hardly matters which gets which. They’re each glowing so bright they can’t even look at each other, silver and gold as the moon and the sun, before the moon went black and the sun went white.

And me? Well, I hide. Gilly taught me good and I go down under the bar at the Gnaw Hollow Saloon when the Loan Officer comes striding into town with contracts in his belt. Everyone understands and consents to the action at hand, no arguments once the outcome is clear, yes, yes? Speak up, too late to be shy, what are the agreed-upon weapons? Guns, Blood, Poison, Time. Game, Set, Match. Sign on the dotted line, witnessed by Mr. Holler and Ms. Rue, and get me a bourbon, will you Johnny? That’s a good boy.

They walk it off. Their seconds open long blackwood cases and in them are the Chinese pistols, the long bone gun. There’s no sound in Burnt Corn but dust holding its breath. The clock tower bongs out the end of everything. I have time to be afraid before the first shot. I have time to consider I haven’t a notion about what I’ll do when its over. What I’m for. And then the New York’s femur-barrel blows its warm welcome, and a violet venomous ropy dripping something roars out and catches Miss Sally Rue in the glowing golden eyeball and puts her out as fast as hiccuping. Advantage New York.

It goes like a battle goes. Boomboomquiet. Clickbanghush. Los Angeles fires with both pistols, and a thousand sparrows stream out into a patch of starry night floating between them with the day just as fine as paint all around it. New York opens her mouth, wider, wider, until her jaw hits the dust and she can swallow the birds in one hitching breath. But one brown songbird, dragging six stars out of the nighthole behind it, claws through Johnny Holler’s chest and burns out his heart. One-one.

It’s like that, when Wizards fight. Half the time it looks like fighting and half the time it looks like theater, like an awful old puppet show, the paint peeling on the marionettes and the backdrop peeling, but the strings go jerking on. It’s happening and I can’t do anything, the bottles burst above me and the glass rain in my hair drifts infinitely slow, caught in a slow burp of time New York let sour up out of her palm. I squeeze my eyes; the Loan Officer gets a stream of liquid light to the eye and goes down heavy. The light goes dim in the sky like a picture house at intermission. Time to find your seats. The real show’s about to begin.

And Then

It’s over.

The glass hits my scalp. I taste scotch and blood and old, old wine.

There’s a hand on mine in the dark. I don’t know if it’s New York or Los Angeles. I guess it’s the Groom, whoever that turned out to be. I think about Gilly Spur and the daisies. I think about Nevada and her kisses. I think about Blue Bob, about Ashen and Cutter and the smell of the wind through Burnt Corn Ranch. I can hear my beau breathing; I can smell the magic on somebody’s breath. There ain’t nothing in the world but the world, running funny, running down, winding up, busting its springs and looking for its repair manual.

It’s black. Burnt Corn is gone and so is Gnaw Hollow. There’s a veil of glass and dripping booze over my eyes, and the Groom lifts it up. I know when she kisses me it’s the Wizard of New York, and when she kisses me she swallows me whole like she swallowed the sparrows. I’m a seed, I’m a wedded ring. I see the insides of her, and they are vast.

You need two. If you’re going to start over. You need a seed and a dark place.

* * *

Everything happens at once.

Mouse Koan

I.

In the beginning of everything

I mean the real beginning

the only show in town

was a super-condensed blue-luminous ball

of everything

that would ever be

including your mother

and the 1984 Olympics in Los Angeles

and the heat-death of prime time television

a pink-white spangle-froth

of deconstructed stars

burst

into the eight million gods of this world.

Some of them were social creatures

some misanthropes, hiding out in the asteroid belt

turning up their ion-trails at those sell-outs trying to teach

the dinosaurs about ritual practice

and the importance of regular hecatombs. It was

a lot like high school. The popular kids figured out the game

right away. Sun gods like football players firing glory-cannons

downfield

bookish virgin moon-nerds

angry punkbrat storm gods shoving sacrificial

gentle bodied compassion-niks

into folkloric lockers. But one

a late bloomer, draft dodger

in Ragnarok, that mess with the Titans,

both Armageddons,

started showing up around 1928. Your basic

trickster template

genderless

primary colors

making music out of goat bellies

cow udders

ram horns

squeezing cock ribs like bellows.

It drew over its face

the caul of a vermin animal,

all black circles and disruption. Flickering

silver and dark

it did not yet talk

it did not yet know its nature.

Gods

have problems with identity, too. No better

than us

they have midlife crises

run out

drive a brand new hot red myth cycle

get a few mortals pregnant with

half-human monster-devas who

grow up to be game show hosts

ask themselves in the long terrible confusion

of their personal centuries

who am I, really?

what does any of it mean?

I’m so afraid

someday everyone will see

that I’m just an imposter

a fake among all the real

and gorgeous godheads.

The trickster god of silent films

knew of itself only:

I am a mouse.

I love nothing.

I wish to break

everything.

It did not even know

what it was god of

what piece of that endlessly exploding

heating and cooling and shuddering and scattering cosmos

it could move.

But that is no obstacle

to hagiography.

Always in motion

plane/steamboat/galloping horse

even magic cannot stop its need

to stomp and snap

to unzip order:

if you work a dayjob

wizard

boat captain

orchestra man

beware.

A priesthood called it down

like a moon

men with beards

men with money.

It wanted not love

nor the dreamsizzle of their ambition

but to know itself.

Tell me who I am, it said.

And they made icons of it in black and white

then oxblood and mustard and gloves

like the paws of some bigger beast.

They gave it a voice

falsetto and terrible

though the old school gods know the value

of silence.

They gave it a consort

like it but not

it.

A mirror-creature in a red dress forever

out of reach

as impenetrable and unpenetrating

as itself.

And for awhile

the mouse-god ran loose

eating

box office

celluloid

copyright law

human hearts

and called it good.

II.

If you play Fantasia backwards

you can hear the mantra of the mouse-god sounding.

Hiya, kids!

Let me tell you something true:

the future

is plastics

the future

is me.

I am the all-dancing thousand-eared unembodied god of Tomorrowland.

And only in that distant

Space Mountain Age of glittering electro-synthetic perfection

will I become fully myself, fully

apotheosed, for only then

will you be so tired of my laughing iconographic infinitely fertile

and reproducing

perpetual smile-rictus

my red trousers that battle Communism

my PG-rated hidden and therefore monstrous genitalia

my bawdy lucre-yellow shoes

so deaf to my jokes

your souls hardened like arteries

that I can rest.

Contrary to what you may have heard

it is possible

to sate a trickster.

It only takes the whole world.

But look,

don’t worry about it. That’s not what I’m about

anymore. Everybody

grows up.

Everybody

grows clarity,

which is another name

for the tumor that kills you.

I finally

figured it out.

You don’t know what it’s like

to be a god without a name tag.

HELLO MY NAME IS

nothing. What? God of corporate ninja daemonic fuckery?

That’s not me. That’s not

the theme song

I came out of the void beyond Jupiter

to dance to.

The truth is

I’m here to rescue you.

The present and the future are a dog

racing a duck. Right now

you think happiness

is an industrial revolution that lasts forever.

Brings to its own altar

the Chicken of Tomorrow

breasts heavy with saline

margarine

dehydrated ice cream

freeze-dried coffee crystals

Right now, monoculture

feels soft and good and right

as Minnie in the dark.

It’s 1940.

You’re not ready yet.

You can’t know.

Someday

everything runs down.

Someday

entropy unravels the very best of us.

Someday

all copyright runs out.

In that impossible futurological post-trickster space

I will survive

I will become my utter self

and this is it:

I am the god

of the secret world-on-fire

that the corporate all-seeing eye

cannot see.

I am the song of perfect kitsch

endless human mousefire

burning toward mystery

I am ridiculous

and unlovely

I am plastic

and mass-produced

I am the tiny threaded needle

of unaltered primordial unlawful beauty-after-horror

of everything that is left of you

glittering glorified

when the Company Man

has used you up

to build the Company Town.

Hey.

they used me, too.

I thought we were just having fun. Put me in the movies, mistah!

The flickies! The CINEMA.

The 20s were one long champagne binge.

I used to be

a goggling plague mouse shrieking deadstar spaceheart

now I’m a shitty

fire retardant polyurethane

keychain.

Hey there. Hi there. Ho there.

What I am the god of

is the fleck of infinite timeless

hilarious

nuclear inferno soul

that can’t be trademarked

patented bound up in international courts

the untraded future.

That’s why

my priests

can never let me go

screaming black-eared chaotic red-assed

jetmouse

into the collective unconscious Jungian

unlost Eden

called by the mystic name of public domain

The shit I would kick up there

if I were free!

I tricked them good. I made them

put my face on the moon.

I made them take me everywhere

their mouse on the inside

I made them so fertile

they gave birth to a billion of me.

Anything that common

will become invisible.

And in that great plasticene Epcotfutureworld

you will have no trouble finding me.

Hey.

You’re gonna get hurt. Nothing

I can do.

Lead paint grey flannel suits toxic runoff

monoculture like a millstone

fairy tales turned into calorie-free candy

you don’t even know

what corporate downsizing is yet.

And what I got

isn’t really much

What I got

is a keychain

What I got

is the pure lotuslove

of seeing the first lightspray of detonated creation

even in the busted-up world they sell you.

Seeing in me

as tired and overworked

as old gum

the unbearable passionmouse of infinite

stupid trashcamp joy

and hewing to that.

It’s the riddle of me, baby. I am

everywhere exploited exhibited exhausted

and I am still holy.

It doesn’t matter

what they do to you.

Make you a permanent joke

sell your heart off piece by piece

robber princes

ruin everything

it’s what they do

like a baby cries.

Look at my opposite number.

It was never coyote versus roadrunner.

It was both

against Acme

mail order daemon of death.

Stick with me. Someday

we’ll bundle it all up again

the big blue-luminous ball of everything

your father

the Tunguska event

the ultimate star-spangled obliteration of all empires.

I will hold everything tawdry

in my gloved four fingered hand

and hold it high

high

high.

It’s 1940. What you don’t know

is going to break you. Listen to the Greek chorus

of my Kids

lining up toward the long downward slide of the century

like sacrifices.

Their song comes backward and upside

down

from the unguessable extropy

of that strangesad orgiastic corporate

electrical parade

of a future

Listen to it.

The sound of my name

the letters forty feet high.

See ya

see ya

see ya real soon.

The Blueberry Queen of Wiscasset

In the end, we felt it safest to hide the whole business under as many sequins and feathers and tiaras as we could find. These days, folk are so eager to judge. But Wiscasset has been around since ‘63—that’s 1663 to you—and we do things the way we’ve always done them. The advantage of having four hundred years under the municipal belt is continuity; we play the parts we were born to play.

The thing is, Salem was sloppy. They got over excited, girls screaming in the street, beating their breasts, accusations flying like broomsticks. Goody Osborne this, Goody Proctor that. Once you get a civic body throwing a tantrum like that it’s hard to back off. You have to save face. The other towns will know you’re weak. Towns in New England are gossipy things, and they’ll shun a village for a bad harvest and an ugly memorial bell, let alone business like Salem got herself messed up in. No one knew what to say about Salem. It wasn’t decent, I can tell you that. It would be at least a century before the place was invited to the fashionable commonwealths again.

And we all learned a lesson about discretion.

The girls line up in the spring, right after the last frost. Down by the lovely old clock tower in the town square. Beautiful Wiscasset girls, all in purple. They have their dresses made down in Portland, every shade of violet: indigo, midnight, grape, lilac, amaranthine, mulberry, wine, ink, lavender, heliotrope, plum. Some of them wear lovely amethyst and diamond earrings, pendants, rings, fascinators to set off the deeper shades of their hair: golden or fiery or black as the depths of a well. The local shoemaker does a brisk business in purple slingbacks. They’re all between the ages of sixteen and nineteen—the prime years of temptation. Sometimes the noon sun hits them just right and you’d think they were just made of light.

But they’re not, and that’s the trouble.

One year, some reality TV folks came up from New York to document our little pageant. Good kids—a little skinny, always wearing sunglasses and smoking, hair slicked up like it was 1950 and them ready for a drag race down by the river. The world is what it is. And the world likes to gawk—small town Maine holds their annual alpha female finding mission, claws come out, horns sprout from the brows of the eligible county maidens. We understand—if it weren’t compelling, we’d have found another way. We’ve had a long time to sort it all out.

We don’t hold with anything too immodest, even in the Blossom of the Deep competition. No bikinis, purple or otherwise. The girls have to make their costumes themselves, with needle and hook and glue. They knot seashells in their belts and stick rhinestones in the corners of their eyes. Polished crab claws holding back their braids. Painted fish, all in a row along their long arms, turning and turning like a silvery school glimpsed beneath a wave. I remember back in ‘74, Annie Gandham made her mermaid tail out of silk and bits of sea glass—she sparkled in the sun, strands of black pearls hanging in long loops from her neck to her knees.

Oh, Annie, not till the century changed did we see a candidate as sure as you. We had such hopes.

The film kids said this was all a metaphor for the sacred marriage between the earth and the sea. They said primitive cultures practiced it all over the world in one form or another. They said we wouldn’t know on a conscious level what this was all about, but that down deep, where folklore lives, it was this old story playing out in Wiscasset every May. Give someone a camera and they think they know everything.

The Blueberry Bride portion of the pageant takes place at the American Legion on a Sunday afternoon. The girls show their love of our wild blueberries in the form of pies and tarts and ice creams, cakes and tortes and cupcakes thick with lavender buttercream icing, muffins dusted with violet sugar, pancakes piled up like pyramids, syrups and compotes and jams. In ‘88, Cora Brackett brought blueberry liquor in a crystal bottle half as long as her arm. Some debate ensued as to the morality of allowing spirits into the competition. Doesn’t that decide the whole thing then and there—the girl who’d distill alcohol from the innocent berry more or less inculpates herself. But in the end the mayor and his assistant judges had to recuse themselves on account of rather overdoing their enjoyment of the fruits of the Blueberry Brides, and, insensate with pie and liquor, napped through the rest of the afternoon.

In the late nineties, a few boys were allowed into the pageant. After all, Wiscasset produces quite as many beautiful men as women, and in every clutch of young flowers there is a sensitive boy or two who knows how to bake a blueberry tart and has the musculature to pull off a merman tail. In northern Maine, these roses don’t always last long, or stick around, so we saw nothing amiss in allowing them to wear purple suits and fold butter into flour. The TV folks were interested in that, but we haven’t had a boy line up in front of the clock-tower for years now. Their fathers don’t like it, mostly. They keep their sons in their houses after the frost, refuse the call. No one approves—you can’t keep them hidden forever. If they have the inclination, well, it will come out, sooner or later. Better to let the process do its good work.

Anyway, the talent competition is where it all sort of hangs out. It was difficult, when the filmmakers were here, sticking their long black lens into everyone’s faces and asking them how they feel about the pageant, about proto-Celtic folklore, about history better left alone.

The girls take the stage one by one—the stage being a plywood rise set up in the woods outside of town, in a clearing we all know too well. They dress conservatively—black dresses, high collars. Even a bit of lace at the wrist is too distracting to be allowed. No music, only the wind in the trees and the birds singing. But they don’t sing much. Each girl stands by a black table. On it lies a bit of splintered wood, scorched at one end, a length of rope, a jug of water. They place their hands over the items. Sometimes they cry. Sometimes they shake so hard you can hear their teeth chattering. Sometimes nothing happens. Once, in ‘51, Sarah Cottonly’s nose started bleeding, so bright and so red in the sunny glade. We’re waiting for something. Maybe we don’t even know what it would look like. Not a bloody nose. Not a girl crying in the forest like her mother’s died.

The TV people didn’t film that, of course. It couldn’t be borne. Couldn’t be explained. Why yes, those are implements used in…folklore of times long gone, when folk got over-excited. When they didn’t have a process. Why do you ask?

We set up a show for the TV folks. Girls with batons. Girls with flutes. Girls on the balance beam. Girls reciting Poe. Girls with sparklers in their hands and red, white, and blue boots clicking out the Declaration of Independence in morse code. We all laughed and clapped along—how delightful, to see them glowing with healthy sheens of sweat, the sun in their hair like tiaras crowning them all. And we went to the woods at night that year. And they stood at the black table one by one by one. Some cried. Some shook. Mostly nothing. In the end it was a meager year.

What is a crown? When the cameras are on, it’s a couple of tiers of cubic zirconia in pale violet and deep blue, a cluster in the center just the shape of a berry with green gem leaves curling around the lucky girl’s head.

When they’re off, it looks a lot more like a noose.

I know what you’re thinking. But it’s not like that. Salem was a bad horror movie. They were so innocent back then. They thought you could wind up with a dozen witches in a generation, more. All dancing together under the moon in a forest bare of leaves. In Wiscasset we know better. Witches are rare. If you’re lucky, you might find one, just one, among all the most beautiful, capable girls a town produces like a harvest of berries all in a basket. You can’t find them by asking a bunch of twelve year olds which cruel old lady they despise the most, which pretty maid has earned their ire. You have to have a process. You have to know how to flush them out. And even if all you find is a really top-notch blueberry torte with white chocolate ganache, even if all you find is a mermaid with purple glitter on her eyelids, you give her the crown for the cameras, the glittering false gems, because she deserves something for all that.

But maybe once in a hundred years, or two hundred, or three, a girl with black pearls draped over her like rosaries, a girl with a blueberry tart in her hands like a violet, sea-drenched heart, a girl with her hand poised over a cairn of burned, splintered wood that once bore the weight of a woman until her neck snapped—one girl in a thousand girls will look up from the black table and her eyes will fill up with a terrible, wonderful light. The black of her dress will go indigo with berry juice, the blood of the earth that bore her, and she will smile because she understands everything, all together, all at once. We will have found one, one witch among the humans, one drop of old Puritan blood burning through her like the name of God whispered three times.

And we will put a noose around her neck. Out of sight of cameras hungering for reality, out of sight of Salem, out of sight of the world. Not to kill her, but to crown her, as the past always crowns the present, as the unhappy dead blesses the living, as the relic of old shame must be rehabilitated, made new, made good again.

Towns can be cruel, and vicious—and sorry. In the wood, in the clearing, in the sun, we will one day find her and crown her and keep her: our own witch, the witch of Wiscasset, the Blueberry Queen of Maine.

In the Future When All's Well

These days, pretty much anything will turn you into a vampire.

We have these stupid safety and hygiene seminars at school. Like, before, it was D.A.R.E. and oh my god if you even look crosswise at a bus that goes to that part of town you will be hit with a firehose blast full of PCP and there is nothing you can even do about it so just stay in your room and don’t think about beer. Do you even know what PCP looks like? I have no idea.

I remember they used to say PCP made you think you could fly. That seems kind of funny, now.

Anyway, there’s lists. Two of them, actually. On the first day of S/H class, the teacher hands them out. They’re always the same, I practically have them memorized. One says: Most Common Causes. The other says: High-Risk Groups. So here, just in case you ditched that day so you could go down to that part of town and suck on the firehose, you fucking slacker.

Most Common Causes:

Immoral Conduct

Depression

Black Cat Crossing the Path of Pregnant or Nursing Mother

Improper Burial

Animal (Most Often Black) Jumping Over Grave, Corpse

Bird (Most Often Black) Flying Over Grave, Corpse

Butterfly Alighting on Tombstone

Ingestion of Meat from Animal Killed by a Wolf

Death Before Baptism

Burying Corpse at Crossroads

Failing to Bury Corpse at Crossroads

Direct Infection

Blood Transfusions Received 2011-2013

High Risk Groups (HR):

Persons Born With Extra Nipple, Vestigial Tail, Excess Hair, Teeth, Breech

Persons Whose Mothers Encountered Black Cats While Pregnant

Persons Whose Mothers Did Not Ingest Sufficient Salt While

Pregnant

Seventh Children, Either Sex

Children Conceived on Saturday

Children Born Out of Wedlock

Children Vaccinated for Polio 1999-2002

Children Diagnosed Autistic/OCD

Promiscuous Youngsters

Persons Possessing Unkempt Eyebrows

Persons Bearing Unusual Moles or Birthmarks

Redheads with Blue Eyes

I swear to god you cannot even walk down the street without getting turned. That list doesn’t even get into your standard jump-out-of-the-shadows schtick. Like, half the graduating class have to get their diploma indoors, you know? Plus, I think they just put in that shit about promiscuous youngsters because it’s like their duty as teachers to make sure no one ever has sex. Who says youngsters, anyway? The problem with S/H class is that, just like the big scary PCP, we all know where to get it if we want it, so the whole thing is just…kill me now so I can go get a freaking milkshake.

My dad says this is all because of the immigrants coming in from Romania, Ukraine, Bulgaria. I don’t know. I read Dracula and whatever. Doesn’t seem very realistic to me. Vampires are sort of something that just happens to you, like finals. I know people used to think they were all lords of the night and stuff, and they are, I guess. But it’s like, my friend Emmy got turned last week because a black dog walked around her house the wrong way. Sometimes things just get fucked up and it’s not because there was a revolution in Bulgaria.

But I guess the point is I’m going to graduate soon and I’m just sort of waiting for it to happen to me. There’s this whole summer before college and it’s like a million years long and I have red hair and blue eyes so, you know, eventually something big and black is just going to come sit on my chest till I die. I told Emmy: it’s not your fault. It’s not because you’re a bad person. It’s just random. It doesn’t mean anything. It’s like a raffle.

* * *

So my name is Scout. Yeah, my mom read To Kill a Mockingbird. Leave it to her to think 5th grade required reading is totally deep. She also has a heart thing where she’s had to be on a low-sodium diet since she was my age, which means while she was pregnant with me, so thanks, mom. With high risk groups, birds don’t even have to fly over your own grave. It can be, like, anyone’s grave, if you’re nearby. It’s like a shockwave. I heard about this one HR guy like two towns over who was a seventh son with a unibrow and red hair and was born backwards, and he just turned by himself. Just sitting there in English class and bang. That’s what scares me the most. Like it’s something that’s inside you already, and you can’t stop it or even know it’s there, but there’s a little clock and it’s always counting down to English class.

The other night I was hanging out with Emmy, trying to be supportive friend like you’re supposed to be. In S/H class they say high risk kids should cut off their friends if they get turned. Like it’s one of those movies about how brutal high school is and we’re all going to shun Emmy on Monday if she’s wearing a little more black than usual. As if I would ever.

“What’s it like?” I said. Because that’s what they don’t tell you. What it feels like. PCP is bad, it’ll make you jump off buildings. Yeah, but before that. What’s it like? Before you crave blood and stalk the night. What’s it like?

“It’s stupid. My hair’s turning black. I have to go to this doctor every two weeks for tests. And, I don’t know…it’s like, I want to sleep in the dirt? When I get tired, my whole head fills up with this idea of how nice it would be to dig up the yard and snuggle down and sleep in there. The way I used to think about bubble baths.”

“Have you…done it yet?”

“Oh, blood? Yeah. Ethan let me right away. He’s good like that.” Emmy shoved her bangs back. She had a lot of make up on. Naturally Sunkissed was a big color that year. Keeps the pallor down but it doesn’t make you all Oompa-Loompa. “What? What do you want to hear? That it’s gross or that it’s awesome?”

“I don’t know. Whatever it is.”

“It’s…like eating dinner, Scout. When somebody goes to a littleeffort to make something nice for you, it’s great. When they eat healthy and wash really good but don’t taste like soap. When they let you. But sometimes it just gets you through the night.” She lit a cigarette and looked at me like: why shouldn’t I, now? “Did you hear about Kimberly? She got turned the old fashioned way, by this gnarly weird guy from Zagreb, and she can fly. It’s so fucking unfair.”

Emmy wasn’t very different as a vampire. We had this same conversation after she lost her virginity (Ethan again) and she was all it is what it is then, too, with an extra helping of I am part of a sacred sisterhood now. Emmy has always been kind of crap as a friend, but I’ve known her since Barbies and kiddie soccer, so, whatever, right?

I don’t know, I suppose it was dumb, but things can get weird between girls who’ve known each other that long. Like this one time when we were thirteen we did that whole practice kissing on each other thing. We’d been hanging out in my room for hours and hours and rooms get all whacked out when you lock yourselves in like that. We sat cross-legged on my lame pink bedspread and kissed because we were lonely and we didn’t know anything except that we wanted to be older and have boyfriends because our sisters had them and her lips were really soft. I didn’t even know you were supposed to use tongue, that’s how thirteen I was. Her, too. We never told anyone about it, because, well, you just don’t. But I guess I’m talking about it now because I let Emmy feed off of me that night, even though I’m HR, and it was kind of like the same thing.

I didn’t see her much, though, after that. It was just awkward. I guess that sort of thing happens after senior year. People drift.

* * *

Back in 7th grade, right after the first ones started showing up, like every freaking book they assigned in school was a vampire book. That’s when I read Dracula. Carmilla and The Bride of Corinth, too. The Vampyre, The Land Beyond the Forest. Varney the Freaking Vampire. Classics, you know they said all the modern stuff was agitprop, whatever that means. It’s weird, though, because back then there were maybe twenty or thirty vampires in the whole world, and people just wrote and wrote about them, even though there’s like statistically no way that Stoker guy ever met one. And now there’s vampires all over. Google says there’s almost as many as there are people. They have a widget. But nobody’s written a vampire book in years.

* * *

So I’ve been hanging out in cemeteries a lot lately. I know, right? I mean, before? I would never. Have you seen how much it costs to get up in black fingernail polish and fishnets? And now, for an HR like me, it’s pretty much like slitting your wrists in the bathtub with a baby blue razor for sensitive skin. Everyone knows you’re not serious, but there’s a slim chance you’ll fuck up and off yourself anyway. If you want to get turned you don’t have to go chasing it. Not when some bad steak will do you for about $12.50, and a guy down on Bellefleur Street will do it for less than that.

So, I suck. So, I’m one of those girls. Like we didn’t know that already. Like you never did anything embarrassing. Anyway, it’s kind of peaceful. Not peaceful, really. Just kind of flat. I don’t do anything. I sit there on the hill and think about how like half my family is buried down there. Any second, a black bird could fly out over one of them. I wonder if you can see it when it happens, the affinity wave. What color it is. That’s what Miss Kinnelly calls it. An affinity wave. She leads an after-school group for HRs that my dad says I have to go to now. He picked Miss Kinnelly because she’s a racist bitch, or as he would put it, “has a strict policy against Eastern Europeans attending.” I was all: duh, we’re Jewish, and isn’t Gram from like Latvia or wherever? And he was all: Jews aren’t Slavic, it’s the Slavs that are the problem, why do you think they knew about all the HR vectors before we did? And I was like: what the hell do you know about HR vectors? Your eyebrows are fucking perfect!

Anyway, group is deeply pointless. Mostly we talk about who we know that got turned that week, and how it happened. And how scared we all are, even though if you keep talking about how scared you are eventually you stop really being scared, which I thought was the point of having a group, but apparently not, because being scared is like what these people do for fun. All anyone wants to talk about is how it happened to their friend or their brother. It’s like someone gets a prize for the most random way. Some girl goes: “Oh my god, my cousin totally drank three bottles of vodka and passed out at the Stop & Rob and woke up a vampire!” And even though that is highly retarded, and it probably doesn’t work that way, at least, it doesn’t work that way yet, everyone goes oooooh like she just recited The Rime of the Ancient Mariner. Oh, yeah. We had to read that one, too. It’s not even about vampires, it’s about zombies, which is totally not the same thing, but apparently it falls under supplementary materials or something.

Anyway, Miss Kinnelly then lectures for a hundred years about how immoral conduct is the most pernicious of all the causation scenarios, because you can never know where that “moral line” lies. By the time she gets to the part about abstinence is the only sensible choice, I want to stick her fake nails through her eyes. Once I said: “I hear you can totally get it from drinking from a glass one of them drank from.” And they all gasped like I was serious. God. Before, I wouldn’t have spent three seconds after school with those people. But the sports program is basically over.

This one time Aidan from my geometry class started talking about staking them, like in old movies. Everyone got real quiet. Thing is, it’s not like those movies. A vampire’s body doesn’t go anywhere if you mess with it. It doesn’t go poof. It just lies there, and it’s a dead person, and you have to bury it, and god, burying things by yourself is practically a crime these days. There’s hazmat teams at every funeral. It’s the law, for like three years now. Plus, it’s not that big a town. Everyone knows everyone, and you try stabbing the kid you used to play softball with in the heart. I couldn’t do it. They’re still the same kids. They still play softball. We’re the ones who’ve stopped.

Sometimes, when I’m sitting up on the hill by the Greenbaum mausoleum, I think about Emmy. I wonder if she’s still going to State in the fall.

Probably not, I guess.

* * *

I dated this guy for awhile during junior year. His name was Noah. He was ok, I guess. He was super tall, played center for basketball, one of the few sports we still played back then. Indoors, right? I remember when the soccer teams moved indoors. It was horrible, your shoes squeak on the floor because it’s shellacked within an inch of its life. The way it used to be, soccer was the only thing I really liked to do. Run around in the grass, in the sun. There’s something really satisfying about kicking the ball perfectly so it just flies up, the feeling of nailing it just on the right part of your foot. I’ve played since I was like four. Every league. And then, finally, they just called it off. Too dangerous, not enough girls anymore. You can’t just go running around outside like that now. You could fall down. Get cut. Scrape your knee. So now instead of running drills I have to read The Land Beyond the Forest for the millionth time and stay inside. God, I’m turning into one of those snotty brainy hipster chicks.

Oh, right, Noah. See, the soccer girls date basketball boys. We’re the second tier. Baseballers are somewhere below us, and then there’s like archery and modern dance circling the drain. And then all the people who cry into their lockers because they can’t hit a ball. Football and cheerleaders are up at the top, still, even though it’s not exactly 1957 and not exactly the Midwest where they still play football. But some things stick. I think maybe it’s because all the TV shows still have regular high school. It’s a network thing. No one wants to show vampires integrating, dating chess geeks, whatever would be jam-packed with soap opera hilarity. TV is strictly pre. So we keep acting like what we did in 6th grade matters, even though no one actually plays football or cheers at all. It’s like we all froze how we were three or four years ago and we’ll never get any older.

Anyway, I remember Noah drank like two jumbo bottles of Diet Coke every day. He’d bring his bottle into class and park it next to his desk. When we kissed, he always tasted like Coke. Everyone thought we were sleeping together, but really, we weren’t. It’s not that I didn’t think I was ready or whatever. Sex just doesn’t really seem like that big a deal anymore. I guess it should. My dad says it definitely qualifies as immoral conduct. I just don’t think about it, though. Like, what does it matter if Alexis let the yearbook editor go down on her in the darkroom if she found out like not even a week later that the Hep A vac she got for the senior trip to Spain was tainted and now she freaks out if the teacher drops chalk because she has to count the pieces of dust? It’s just not that important. Plus, this couple Noah and I hung with sometimes, Dylan and Bethany, turned while they were doing it, just, not even any warning, straight from third base to teeth out in zero point five. We broke up a little after that. Just didn’t see much point. I don’t watch TV anymore, either.

But lately, I’ve been seeing him around. He turned during midterms. I think he even dated Emmy for awhile, which, fine. I get it. They had a lot in common. I just didn’t really want to know. Anyway, it wasn’t any big plan. One minute I barely thought about him anymore and the next we’re sitting on the swingset in Narragansett Park way past midnight, kicking the gravel and talking about how he still drinks Diet Coke, it just tastes really funny now.

“It’s like, before it was just Coke. But now all I can taste is the aspartame. And not really the aspartame, but like, the chemicals that make up aspartame. I taste what aspartame is like on the inside. I still get the shakes, though. So I’m down to a can a day.”

Noah isn’t exactly cute. The basketball guys usually aren’t, not like the football guys. He’s extra-lanky and skinny, and the whole vampire thing pretty much comes free with black hair and pale skin. He used to have really nice green eyes.

“How did it happen to you?” I hated saying it like that. But it was the only think I could think of. How it happens to you. Like a car accident. “You don’t have to tell me if you don’t want to. If it’s, you know, private.”

Noah was counting the bits of gravel. He didn’t want me to know he was doing it, but he moved his lips when he counted. That’s why OCD is on the high risk list. Because vampires compulsively count everything. I think it’s the other way, though. You don’t turn because you’re OCD. You’re OCD because you turned.

“Yeah, no, it’s not private. It’s just not that interesting. Remember when the HR list first came out and I was so freaked because I was conceived on a Saturday and I have that mole on my hip? I was so sure I’d get it before everyone else. But it didn’t happen like I thought, like when that 3rd grader just flipped one day and the CDC guys figured out it was because her mom is a crazy cat lady and she doesn’t even have a path to cross without a black cat there to cross it for her. Ana Cruz. I thought it would be like that. Like Ana. I couldn’t stop thinking about how it would be. Just walking down the street, and bang. But it wasn’t. I woke up one night and this woman was looking in my window. She was older. Pretty, though. She looked…kind, I guess.”

“How old was she?”

“One of the oldest ones in California, it turned out, so about six? Her name was Maria. She used to be an anesthesiologist, down at the hospital.”

“Were you guys…together? Or something?”

“No, Scout, you just kind of get to talking eventually. Afterward, there’s not that much to do but wait, and she was nice. She stayed with me. Held my hand. She didn’t have to. Anyway, I opened the window, but I didn’t let her in. I’m not an idiot. I just sat there looking back at her. You know how they look after they’re past the first couple of years. All wolfy and hard and stuff. And finally she said: ‘why wait?’ And I thought, shit, she’s right. It’s gonna happen, sooner or later. I might as well get on with it. If I do it now, at least I can stop thinking about it. So I climbed out.” He laughed shortly, like a bark. “I didn’t invite her in. She invited me out. I guess that’s sort of funny. Anyway, you know how it works. I don’t want to get all porny on you. It was really gross at first. Blood just tastes like blood, you know? Like hot syrup. But then, it sort of changes, and it was like I could hear her singing, even though she was totally silent the whole time. Anyway. It hurts when you wake up the next night. Like when your arm falls asleep but all over. My mom was really mad.”

I picked at the peeling paint on the side of the swingset. “I think about it.”

“Oh! Do you want me to…?” God, Noah was always so fucking eager to please. He’s like a puppy.

It took me a long time to answer. I totally get him. Why wait. But finally, I just sighed. “I don’t think so. I have a bio test tomorrow.”

“Ok.” Noah lit a cigarette, just like Emmy. He looked like a total tool. Like he’s the vampire Marlboro Man or whatever.

“What does blood taste like now?” I asked. I can’t help it. I still want to know. I always want to know.

“Singing,” he mumbled around the cigarette, and puffed out the smoke without inhaling.

* * *

The other week, my Uncle Jack came to visit. He lives in Chicago and works for some big advertising company. He did that one billboard with the American Apparel kids all wrapped up in biohazard tape. My mom cooked, which means no salt, and Uncle Jack just wasn’t having that. He travels with his own can of Morton’s and made sure my steak tasted like beef jerky.

“Kids in your condition have to be extra careful,” he said.

“Yeah, I’m not pregnant, Uncle Jack.”

“You really can’t afford to take the risk, Scout. You have to think about your future. There’s so much bleed these days.”

That should pretty much tell you everything you need to know about what a bag of smarm my uncle is. He’ll use a terrible pun to talk about something that’ll probably kill me. He was talking about how that list of common causes is actually kind of out of date. Like how kids used to use textbooks that said: maybe someday man will walk on the moon. About a year ago, some of the causes started having baby causes. Like, it doesn’t have to be meat killed by a wolf anymore, it can be any predator, so hunting game is right out. Even for non-HRs. We’ve always kept kosher, so it’s not really an issue for us, but plenty of other ones are. They’ve acted like sex was on the no-no list since the beginning, but I don’t think it was. I think that was recent. If sex could turn you into a vampire way back in ancient Hungary, we’d all be sucking moonlight by now. Some people, who are assholes, call this bleed. But never in front of an HR. It’s just flat out rude.

My Uncle Jack is an asshole. I mean, I said he was in advertising, right?

“My firm is sponsoring a clean camp up in Wisconsin. Totally safe environment, absolutely scrubbed. For HRs, it’s the safest place to be. God, the only place to be, if I were HR! You should think about it.”

“I don’t really want to move to Wisconsin.”

“We wouldn’t feel right about that, Jack,” said my mother quietly. “We’d rather have her close. We take precautions, we take her in for shots.”

Uncle Jack made a fake-sympathetic face and started babbling the way old people do when they want to sound like they care but they don’t really. “My heart just breaks for you, Scout, honey. You, especially. You must be so scared, poor thing! I feel like if we could just get a handle on the risk vectors, we could gain some ground with this thing. It’s pretty obvious the European embargo isn’t doing any good.”

“Probably because it’s not the like it’s the Romanian flu, Uncle Jack. You can’t blockade air. I don’t even think it really started there. Practically every culture has vampire legends.”

Mom quirked her eyebrow at me.

“Come on, Mom. There’s like nothing left to do but read. I’m not stupid.”

“Well, Scout,” continued Uncle Jack in a skeevy isn’t-it-cute-how-you-can-talk-like-a-grown-up voice. “You don’t see people detaching their heads and flying around with their spines hanging out, or eating nail clippings with iron teeth, so I think it’s safe to say the Slavic regions are the most likely source.”

“And AIDS comes from Africa, right? Isn’t it funny how nothing ever comes from us? Nothing’s ever our fault, we’re just victims.”

Uncle Jack put down his fork quietly and folded his hands in his lap. He looked up at me, scowling. His face was scary-calm.

“I think that kind of back-talk qualifies as immoral conduct, young lady.”

My mother froze, with her glass halfway up to her mouth. I just got up and left. Fuck that and fuck you, you know? But I could hear him as I stomped off. He wanted me to hear him. That’s fine, I wanted him to hear me stomping.

“Carol, I know it’s hard, but you can’t get so attached. These days, kids like her are a lost cause. HRs, well, they’re pretty much vampires already.”

* * *

The problem is they live forever and they can’t have kids. That’s it, right there. That’s the problem. They don’t play nice with the American dream. They won’t do the monkey-dance. They don’t care about what kind of car they drive. They don’t care about what’s on TV they know for damn sure they’re not on TV, so why bother? Guys like Uncle Jack can’t sell them anything. I mean, yeah, there’s the blood thing, too, but it’s not like nobody was getting killed or disappearing before they came along. Anyway, Noah says they mostly feed off each other when they’re new. Blood is blood. Cow, human, deer.

They all think I don’t get it, that I’m just a dumb kid who thinks vampires are cool because they all grew up reading those stupid books where some girl goes swooning over a boy vampire because he’s so deep and dreamy and he lived through centuries waiting for her. Gag. I guess that’s why that crap is banned now. No one wants their daughters getting the idea that all this could ever be hot. But guess what? They don’t have body fluids. They only have blood. You do the math. And then come back when you’re done throwing up. No one dates vampires.

Anyway, I’m not dumb. It’s hard to be dumb when half your friends only come out at night. I get it. Pretty soon they’ll outnumber us.

And then, pretty soon after that, it’ll be all of us.

* * *

Noah and I went to the park most nights. Nobody gave us any shit there—no kids play in parks anymore, anyway. It’s just empty. And it was so hot that summer, I couldn’t stand being inside. Even at night, I could hardly breathe.

One time Noah brought Emmy along. I wasn’t freaked or anything. I knew they weren’t dating anymore. Gossip knows no species, you know? I guess it must be pretty lonely to hang out with a human girl all the time and explain your business to her. They sat in the tire swing together and kind of draped their arms and legs all over each other. They didn’t make out or anything, they just sat there, touching.

“Do…you guys need some time alone?” I asked. Ok, I was a little freaked.

“It’s just something we do, Scout,” sighed Emmy. “Share ambient heat. It’s cold.”

“Are you kidding? It’s like 90 degrees.”

“Not for us,” Emmy said patiently.

“It’s not just that, you know,” added Noah. “Ever seen pictures of wolf pups? How they all pile together? Well, you know, some days, a bunch of us just sleep that way. It’s…comforting.”

I plunked down on one of those plastic dragons that bounce back and forth on a big spring. I bounced it a couple of times. I didn’t know what to say.

“So what are you guys gonna do in the fall?”

They just looked at each other, kind of sheepish.

Noah moved his leg over Emmy’s. It was just about the least sexual thing I’ve ever seen. “We were thinking we might go to Canada. Lots of us are going. There’s jobs up there. On, like, fishing boats and stuff. In Hudson Bay. The nights…are really long. It’s safer. There’s whole towns that are just ours. Communities. And, well. You probably heard, about Aidan?”

Aidan’s the kid from group who thinks he’s Van Helsing. Emmy sniffed a little and sucked on her cigarette.

“Well, you know, he was kind of seeing Bethany?”

“What? Bethany turned like a year ago! Why would he even touch her?”

They shrugged, identically.

“So they were messing around in back of his truck and all of the sudden he just fucking killed her,” Noah whispered, like he didn’t really believe it. “She trusted him. I mean god, he let her feed off him! That’s like…I don’t know how to explain it so you’ll understand, Scout. That’s serious shit with us. It’s way more intimate than screwing. It’s a pact. A promise.”

Emmy and I glanced at each other, but we didn’t say anything. Some things you don’t want to say.

Noah’s voice cracked. “And he put a piece of his dad’s fence through her heart. And they’re not even going to arrest him, Scout. He got a fine. Disposal of Hazardous Materials Without Supervision.”

“It seems like a good time to clear out,” said Emmy softly. Her eyes flashed a little in the dark, like a cat’s.

“You could come with us,” Noah said, trying to sound nonchalant. “I bet you’ve never even seen snow.”

Well, you know what he meant by that.

“I have a scholarship. I’m gonna be a teacher. Teach little kids to do math and stuff.”

Noah sighed. “Scout, why?”

“Because I have to do something.”

* * *

Whenever people have more than five seconds to talk about this, they always come around to the same thing.

Why did it happen? Where did it start?

You know that TV show you used to like? And somewhere around the third season something so awesome and fucked up happened and you just had to know the answer to the mystery, who killed sorority girl whoever or how that guy could come back from the dead? You stayed up all night online looking for clues and spoilers, and still, you had to wait all summer to find out? And you were pretty sure the solution would be disappointing, but you wanted it so bad anyway? And, oh, man, everyone had a theory.

It’s like that. They all want to act like it’s a matter of national security and we all have to know, but seriously, we’re way past it mattering. It’s just…wanting the whole story. Wanting to flip to the end and know everything.

You want to know what I think? There were always vampires. We know that, now. There’s still about ten of them who’ve been around since before Napoleon or whatever. They’re in this facility in Nebraska and sometimes somebody gets worked up about their civil rights, but not so much anymore. But something happened and all of the sudden, there were HRs and lists of common causes and clean camps and Uncle Jack’s billboards everywhere and Bethany lying dead in the back of a truck and oh, god, they always told us PCP makes you think you can fly, and I’ll never play soccer again and at the bottom of it all there’s always Emmy’s mouth on me in the dark, and the sound of her jaw moving. All of the sudden. One day to the next, and everything changes. Like puberty. One day you’re playing with an EZ Bake and the next day you have breasts and everyone’s looking at you differently and you’re bleeding, but it’s a secret you can’t tell anyone. You didn’t know it was coming.You didn’t know there was another world on the other side of that bloody fucking mess between your legs just waiting to happen to you.

You want to know what I think? I think I aced my bio test. I think in any sufficiently diverse population, mutation always occurs. And if the new adaptation is more viable, well, all those white butterflies in London, they start turning black, one by one by one.

* * *

See? I’m not dumb. Maybe I used to be. Maybe before, when it couldn’t hurt you to be dumb. Because I know I used to be someone else. I remember her. I used to be someone pretty. Someone good with kids. Someone who knew how to kick a ball really well and that was just about it. But I adapted. That’s what you do, when you’re a monkey and the tree branches are just a little further off this season than they were last. Anyway, it doesn’t really matter. If it makes you feel better to think God hates us or that some mutation of porphyria went airborne or that in the quantum sense our own cultural memes were always just echoes of alternate matrices and sometimes, just sometimes, there’s some pretty deranged crossover or that the Bulgarian revolution flooded other countries with infected refugees? Knock yourself out. But there’s no reason. Why did little Ana Cruz turn as fast as you could look twice at her and I’ve been waiting all summer and hanging out in the dark with Emmy and Noah and I’m fine, when I have way more factors than she did? Doesn’t matter. It’s all random. It doesn’t mean you’re a bad person or a good person. It just means you’re quick or you’re slow.

* * *

I went down to Narragansett Park after sunset. The sky was still a little light, all messy red smeary clouds. I’d say it was the color of blood, but you know, everything makes me think of blood these days. Anyway, it was light enough that I could see them before I even turned into the parking lot. Noah and Emmy, shadows on the swingset. I walked up and Noah disentangled himself from her.

“I brought you a present,” he said. He reached down into his backpack and pulled out a soccer ball.

I smiled something huge. He dropped it between us and kicked it over. I slapped it back, lightly, with the side of my foot, towards Emmy. She grinned and shoved her bangs out of her face. It felt really nice to kick that stupid ball. My throat got all thick, just looking at it shine under the streetlight. Emmy knocked it hard, up over my head, out onto the wet grass and we all took off after it, laughing. We booted it back and forth, that awesome sound, that amazing sound of the ball smacking against a sneaker thumping between us like a heartbeat and the grass all long and uncut under our feet and the bleeding, bleeding sky and I thought: this is it. This is my last night alive.

I kicked the ball as hard as I could. It soared up into the air and Noah caught it, in his hands, like a goalie. He looked at me, still holding up the ball like an idiot, and he was crying. They cry blood. It doesn’t look nice. They look like monsters when they cry.

“So,” I said. “Hudson Bay.”

Fade to White

Fight the Communist Threat in Your Own Backyard!

ZOOM IN on a bright-eyed Betty in a crisp green dress, maybe pick up the shade of the spinach in the lower left frame. [Note to Art Dept: Good morning, Stone! Try to stay awake through the next meeting, please. I think we can get more patriotic with the dress. Star-Spangled Sweetheart, steamset hair the color of good American corn, that sort of thing. Stick to a red, white, and blue palette.] She’s holding up a resplendent head of cabbage the size of a pre-war watermelon. Her bicep bulges as she balances the weight of this New Vegetable, grown in a Victory Brand Capsule Garden. [Note to Art Dept: is cabbage the most healthful vegetable? Carrots really pop, and root vegetables emphasize the safety of Synthasoil generated by Victory Brand Capsules.]

Betty looks INTO THE CAMERA and says: Just because the war is over doesn’t mean your Victory Garden has to be! The vigilant wife knows that every garden planted is a munitions plant in the War Fight Struggle Against Communism. Just one Victory Brand Capsule and a dash of fresh Hi-Uranium Mighty Water can provide an average yard’s worth of safe, rich, synthetic soil—and the seeds are included! STOCK FOOTAGE of scientists: beakers, white coats, etc. Our boys in the lab have developed a wide range of hardy, modern seeds from pre-war heirloom collections to produce the Vegetables of the Future. [Note to Copy: Do not mention pre-war seedstock.] Just look at this beautiful New Cabbage. Efficient, bountiful, and only three weeks from planting to table. [Note to Copy: Again with the cabbage? You know who eats a lot of cabbage, Stone? Russians. Give her a big old zucchini. Long as a man’s arm. Have her hold it in her lap so the head rests on her tits.]

BACK to Betty, walking through cornstalks like pine trees. And that’s not all. With a little help from your friends at Victory, you can feed your family and play an important role in the defense of the nation. Betty leans down to show us big, leafy plants growing in her Synthasoil. [Note to Casting: make sure we get a busty girl, so we see a little cleavage when she bends over. We’re hawking fertility here. Hers, ours.] Here’s a tip: Plant our patented Liberty Spinach at regular intervals. Let your little green helpers go to work leeching useful isotopes and residual radioactivity from rain, groundwater, just about anything! [Note to Copy: Stone, you can’t be serious. Leeching? That sounds dreadful. Reaping. Don’t make me do your job for you.] Turn in your crop at Victory Depots for Harvest Dollars redeemable at a variety of participating local establishments! [Note to Project Manager: can’t we get some soda fountains or something to throw us a few bucks for ad placement here? Missed opportunity! And couldn’t we do a regular feature with the “tips” to move other products, make Betty into a trusted household name—but not Betty. Call her something that starts with T, Tammy? Tina? Theresa?]

Betty smiles. The camera pulls out to show her surrounded by a garden in full bloom and three [Note to Art Dept: Four minimum] kids in overalls carrying baskets of huge, shiny New Vegetables. The sun is coming up behind her. The slogan scrolls up in red, white, and blue type as she says:

A free and fertile tomorrow. Brought to you by Victory.

Fade to white.

The Hydrodynamic Front

More than anything in the world, Martin wanted to be a Husband when he grew up.

Sure, he had longed for other things when he was young and silly—to be a Milkman, a uranium prospector, an astronaut. But his fifteenth birthday was zooming up with alarming speed, and becoming an astronaut now struck him as an impossibly, almost obscenely trivial goal. Martin no longer drew pictures of the moon in his notebooks or begged his mother to order the whiz-bang home enrichment kit from the tantalizing back pages of Popular Mechanics. His neat yellow pencils still kept up near-constant flight passes over the pale blue lines of composition books, but what Martin drew now were babies. In cradles and out, girls with bows in their bonnets and boys with rattles shaped like rockets, newborns and toddlers. He drew pictures of little kids running through clean, tall grass, reading books with straw in their mouths, hanging out of trees like rosy-cheeked fruit. He sketched during history, math, civics: twin girls sitting at a table gazing up with big eyes at their Father, who kept his hat on while he carved a holiday Brussels sprout the size of a dog. Triplet boys wrestling on a pristine, uncontaminated beach. In Martin’s notebooks, everyone had twins and triplets.

Once, alone in his room at night, he had allowed himself to draw quadruplets. His hand quivered with the richness and wonder of those four perfect graphite faces asleep in their four identical bassinets.

Whenever Martin drew babies they were laughing and smiling. He could not bear the thought of an unhappy child. He had never been one, he was pretty sure. His older brother Henry had. He still cried and shut himself up in Father’s workshop for days, which Martin would never do because it was very rude. But then, Henry was born before the war. He probably had a lot to cry about. Still, on the rare occasion that Henry made a cameo appearance in Martin’s gallery of joyful babies, he was always grinning. Always holding a son of his own. Martin considered those drawings a kind of sympathetic magic. Make Henry happy—watch his face at dinner and imagine what it would look like if he cracked a joke. Catch him off guard, snorting, which was as close as Henry ever got to laughing, at some pratfall on The Mr. Griffith Show. Make Henry happy in a notebook and he’ll be happy in real life. Put a baby in his arms and he won’t have to go to the Front in the fall.

Once, and only once, Martin had tried this magic on himself. With very careful strokes and the best shading he’d ever managed, he had drawn himself in a beautiful gray suit, with a professional grade shine on his shoes and a strong angle to his hat. He drew a briefcase in his own hand. He tried to imagine what his face would look like when it filled out, got square-jawed and handsome the way a man’s face should be. How he would style his hair when he became a Husband. Whether he would grow a beard. Painstakingly, he drew a double Windsor knot in his future tie, which Martin considered the most masculine and elite knot.

And finally, barely able to breathe with longing, he outlined the long, gorgeous arc of a baby’s carriage, the graceful fall of a lace curtain so that the penciled child wouldn’t get sunburned, big wheels capable of a smoothness that bordered on the ineffable. He put the carriage-handle into his own firm hand. It took Martin two hours to turn himself into a Husband. When the spell was finished, he spritzed the drawing with some of his mother’s hairspray so that it wouldn’t smudge and folded it up flat and small. He kept it in his shirt pocket. Some days, he could feel the drawing move with his heart. And when Father hugged him, the paper would crinkle pleasantly between them, like a whispered promise.

Static Overpressure

The day of Sylvie’s Presentation broke with a dawn beyond red, beyond blood or fire. She lay in her spotless white and narrow bed, quite awake, gazing at the colors through her Sentinel Gamma Glass window—lower rates of corneal and cellular damage than their leading competitors, guaranteed. Today, the sky could only remind Sylvie of birth. The screaming scarlet folds of clouds, the sun’s crowning head. Sylvie knew it was the hot ash that made every sunrise and sunset into a torture of magenta and violet and crimson, the superheated cloud vapor that never cooled. She winced as though red could hurt her—which of course it could. Everything could.

Sylvie had devoted a considerable amount of time to imagining how this day would go. She did not worry and she was not afraid, but it had always sat there in her future, unmovable, a mountain she could not get through or around. There would be tests, for intelligence, for loyalty, for genetic defects, for temperament, for fertility, which wasn’t usually a problem for women but better safe than sorry. Better safe than assign a Husband to a woman as barren as California. There would be a medical examination so invasive it came all the way around to no big deal. When a doctor can get that far inside you, into your blood, your chromosomes, your potentiality and all your possible futures, what difference could her white gloved fingers on your cervix make?

None of that pricked up her concern. The tests were nothing. Sylvie prided herself on being realistic about her qualities. First among these was her intellect; like her mother Hannah she could cut glass with the diamond of her mind. Second was her silence. Sylvie had discovered when she was quite small that adults were discomfited by silence. It brought them running. And when she was angry, upset, when the world offended her, Sylvie could draw down a coil of silence all around her, showing no feeling at all, until whoever had affronted her grew so uncomfortable that they would beg forgiveness just to end the ordeal. There was no third, not really. She was what her mother’s friends called striking, but never pretty. Narrow frame, small breasts, short and dark. Nothing in her matched up with the fashionable Midwestern fertility goddess floor-model. And she heard what they did not say, also—that she was not pretty because there was something off in her features, a ghost in her cheekbones, her height, her straight, flat hair.

Sylvie gave up on the fantasy of sliding back into sleep. She flicked on the radio by her bed: Brylcreem Makes a Man a Husband! announced a tinny woman’s voice, followed by a cheerful blare of brass and the morning’s reading from the Book of Pseudo-Matthew. Sylvie preferred Luke. She opened her closet as though today’s clothes had not been chosen for years, hanging on the wooden rod behind all the others, waiting for her to grow into them. She pulled out the dress and draped it over her bed. It lay there like another girl. Someone who looked just like her but had already moved through the hours of the day and come out on the other side. The red sky turned the deep neckline into a gash.

She was not ready for it yet.

Sylvie washed her body with the milled soap provided by Spotless Corp. Bright as a pearl, wrapped in white muslin and a golden ribbon. It smelled strongly of rose and mint and underneath, a blue chemical tang. The friendly folks at Spotless also supplied hair rinse, cold cream, and talcum for her special day. All the bottles and cakes smelled like that, like growing things piled on top of something biting, corrosive. The basket had arrived last month with a bow and a dainty card attached congratulating her. Until now it had loomed in her room like a Christmas tree, counting down. Now Sylvie pulled the regimented colors and fragrances out and applied them precisely, correctly, according to directions. An oyster-pink shade called The Blossoming of the Rod on her fingernails, which may not be cut short. A soft peach called Penance on her eyes, which may not be lined. Pressed powder (The Visitation of the Dove) should be liberally applied, but only the merest breath of blush (Parable of the Good Harlot) is permitted. Sylvie pressed a rosy champagne stain (Armistice) onto her lips with a forefinger. Hair must be natural and worn long—no steamsetting or straightening allowed. Everyone broke that rule, though. Who could tell a natural curl from a roller these days? Sylvie combed her black hair out and clipped it back with the flowers assigned to her county this year—snowdrops for hope and consolation. Great bright thornless roses as red as the sky for love at first sight, for passion and lust.

Finally the dress. The team at Spotless Corp. encouraged foundational garments to emphasize the bust and waist-to-hip ratio. Sylvie wedged herself into a full length merry widow with built-in padded bra and rear. It crushed her, smoothed her, flattened her. Her waist disappeared. She pulled the dress over her bound-in body. Her mother would have to button her up; twenty-seven tiny, satin colored buttons ran up her back like a new spine. Its neckline plunged; its skirt flounced, showing calf and a suggestion of knee. It was miles of icy white lace, it could hardly be anything else, but the sash gleamed red. Red, red, red. All the world is red and I am red forever, Sylvie thought. She was inside the dress, inside the other girl.

The other girl was very striking.

Sylvie was fifteen years old, and by suppertime she would be engaged.

Even Honest Joe Loves an Ice-Cold Brotherhood Beer!

CLOSE-UP on President McCarthy in shirtsleeves, popping the top on a distinctive green glass bottle of BB—now with improved flavor and more potent additives! We see the moisture glisten on the glass and an honest day’s sweat on the President’s brow. [Note to Art Dept: I see what you’re aiming at, but let’s not make him look like a clammy swamp creature, shall we? He’s not exactly the most photogenic gent to begin with.]

NEW SHOT: five Brothers relaxing together in the sun with a tin bucket full of ice and green bottlenecks. Labels prominently displayed. A Milkman, a TV Repairman, a couple of G-Men, and a soldier. [Note to Casting: Better make it one government jockey and two soldiers. Statistically speaking, more of them are soldiers than anything else.] They are smiling, happy, enjoying each others’ company. The soldier, a nice-looking guy but not too nice-looking, we don’t want to send the wrong message, says: There’s nothing like a fresh swig of Brotherhood after spending a hot Nevada day eye to eye with a Russkie border guard. The secret is in the thorium-boosted hops and New Barley fresh from Alaska, crisp iodine-treated spring water and just a dash of good old fashioned patriotism. The Milkman chimes in with: And 5-Alpha! They all laugh. [Note to Copy: PLEASE use the brand name! We’ve had meetings about this! Chemicals sound scary. Who wants to put some freakshow in your body when you can take a nice sip of Arcadia? Plus those bastards at Standard Ales are calling their formula Kool and their sales are up 15%. You cannot beat that number, Stone.] TV Repairman pipes up: That’s right, Bob! There’s no better way to get your daily dose than with the cool, refreshing taste of Brotherhood. They use only the latest formulas: smooth, mellow, and with no jitters or lethargy. G-Man pulls a bottle from the ice and takes a good swallow. 5-Alpha leaves my head clear and my spirits high. I can work all day serving our great nation without distraction, aggression, or unwanted thoughts. Second G-Man: I’m a patriot. I don’t need all those obsolete hormones anymore. And Brotherhood Beer strikes a great bargain—all that and 5.6% alcohol! Our soldier stands up and salutes. He wears an expression of steely determination and rugged cheer. He says: Well, boys, I’ve got an appointment with Ivan to keep. Keep the Brotherhood on ice for me.

QUICK CUT back to President McCarthy. He puts down his empty bottle and picks up a file or something in the Oval Office. Slogan comes in at hip level [Note to Art Dept: how are we coming on that wheatstalk font?]:

Where There’s Life, There’s Brotherhood.

Fade to white.

Optimum Burst Altitude

One week out of every four, Martin’s Father came home. Martin could feel the week coming all month like a slow tide. He knew the day, the hour. He sat by the window tying and untying double Windsor knots into an old silk tie Dad had let him keep years ago. The tie was emerald green with little red chevrons on it.

Cross, fold, push through. Wrap, fold, fold, over the top, fold, fold, pull down. Make it tight. Make it perfect.

When the Cadillac pulled into the drive, Martin jumped for the gin and the slippers like a golden retriever. His Father’s martini was a ritual, a eucharist. Ice, gin, swirl in the shaker, just enough so that the outer layer of ice releases into the alcohol. Open the vermouth, bow in the direction of the Front, and close it again. Two olives, not three, and a glass from the freezebox. These were the sacred objects of a Husband. Tie, Cadillac, martini. And then Dad would open the door and Faraday, the Irish Setter, would yelp with waggy happiness and so would Martin. He’d be wearing a soft grey suit. He’d put his hat on the rack. Martin’s mother, Rosemary, would stand on her tiptoes to kiss him in one of her good dresses, the lavender one with daisies on the hem, or if it was a holiday, her sapphire-colored velvet. Her warm blonde hair would be perfectly set, and her lips would leave a gleaming red kiss-shape on his cheek. Dad wouldn’t wipe it off. He’d greet his son with a firm handshake that told Martin all he needed to know: he was a man, his martini was good, his knots were strong.

Henry would slam the door to his bedroom upstairs and refuse to come down to supper. This pained Martin; the loud bang scuffed his heart. But he tried to understand his brother—after all, a Husband must possess great wells of understanding and compassion. Dad wasn’t Henry’s father. Pretending that he was probably scuffed something inside the elder boy, too.

The profound and comforting sameness of those Husbanded weeks overwhelmed Martin’s senses like the slightly greasy swirls of gin in that lovely triangular glass. The first night, they would have a roasting chicken with crackling golden skin. Rosemary had volunteered to raise several closely observed generations of an experimental breed called Sacramento Clouds: vicious, bright orange and oversized, dosed with palladium every fortnight, their eggs covered in rough calcium deposits like lichen. For this reason they could have a whole bird once a month. The rest of the week were New Vegetables from the Capsule Garden. Carrots, tomatoes, sprouts, potatoes, kale. Corn if it was fall and there hadn’t been too many high-level days when no one could go out and tend the plants. But there was always that one delicious day when Father was at home and they had chicken.

After dinner, they would retire to the living room. Mom and Dad would have sherry and Martin would have a Springs Eternal Vita-Pop if he had been very good, which he always was. He liked the lime flavor best. They would watch My Five Sons for half an hour before Rosemary’s Husband retired with her to bed. Martin didn’t mind that. It was what Husbands were for. He liked to listen to the sounds of their lovemaking through the wall between their rooms. They were reassuring and good. They put him to sleep like a lullaby about better times.

And one week out of every four, Martin would ask his Father to take him to the city.

“I want to see where you work!”

“This is where I work, son,” Father would always say in his rough-soft voice. “Right here.”

Martin would frown and Dad would hold him tight. Husbands were not afraid of affection. They had bags of it to share. “I’ll tell you what, Marty, if your Announcement goes by without a hitch, I’ll take you to the city myself. March you right into the Office and show everyone what a fine boy Rosie and I made. Might even let you puff on a cigar.”

And Martin would hug his Father fiercely, and Rosemary would smile over her fiber-optic knitting, and Henry would kick something upstairs. It was regular as a clock, and the clock was always right. Martin knew he’d be Announced, no problem. Piece of cake. Mom was super careful with the levels on their property. They planted Liberty Spinach. Martin was first under his desk every time the siren went off at school. After Henry’s Announcement had gone so badly, he and Mom had installed a Friendlee Brand Geiger Unit every fifteen feet and the light-up aw-shucks faces had only turned into frowns and x-eyes a few times ever. There was no chance Martin could fail. Things were way better now. Not like when Henry was a kid. No, Martin would be Announced and he’d go to the city and smoke his cigar. He’d be ready. He’d be the best Husband anyone ever met.

Aaron Grudzinski liked to tell him it was all shit. That was, in fact, Aaron’s favorite observation on nearly anything. Martin liked the way he swore, gutturally, like it really meant something. Grud was in Martin’s year. He smoked Canadian cigarettes and nipped some kind of homebrewed liquor from his gray plastic thermos. He’d egged Martin into a sip once. It tasted like dirt on fire.

“Look, didn’t you ever wonder why they wait til you’re fifteen to do it? Obviously they can test you anytime after you pop your first boner. As soon as you’re brewing your own, yeah?” And Grud would shake his flask. “But no, they make this huge deal out of going down to Matthew House and squirting in a cup. The outfit, the banquet, the music, the filmstrips. It’s all shit. Shit piled up into a pretty castle around a room where they give you a magazine full of the wholesome housewives of 1940 and tell you to do it for America. And you look down at the puddle at the bottom of the plastic tumbler they call your chalice, your chalice with milliliter measurements printed on the side, and you think: That’s all I am. Two to six milliliters of warm wet nothing.” Grud spat a brown tobacco glob onto the dead grass of the baseball field. He knuckled at his eye, his voice getting raw. “Don’t you get it? They have to give you hope. Well, I mean, they have to give you hope. I’m a lost cause. Three strikes before I got to bat. But you? They gotta build you up, like how everyone salutes Sgt. Dickhead on leave from the glowing shithole that is the great state of Arizona. If they didn’t shake his hand and kiss his feet, he might start thinking it’s not worth melting his face off down by the Glass. If you didn’t think you could make it, you’d just kill yourself as soon as you could read the newspaper.”

“I wouldn’t,” Martin whispered.

“Well, I would.”

“But Grud, there’s so few of us left.”

The school siren klaxoned. Martin bolted inside, sliding into the safe space under his desk like he was stealing home.

The Shadow Effect

Every Sunday Sylvie brought a couple of Vita-Pops out to the garage and set up her film projector in the hot dark. Her mother went to her Ladies’ Auxiliary meeting from two to four o’clock. Sylvie swiped hors d’oeuvres and cookies from the official spread and waited in the shadows for Clark Baker to shake his mother and slip in the side door. The film projector had been a gift from her Father; the strips were Clark’s, whose shutterbug brothers and uncles were all pulling time at the Front. Every Sunday they sat together and watched the light flicker and snap over a big white sheet nailed up over the shelves of soil-treatment equipment and Friendlee Brand gadgets stripped for parts. Every Sunday like church.

Clark was tall and shy, obsessed with cameras no less than any of his brothers. He wore striped shirts all the time, as if solid colors had never been invented. He kept reading Salinger even after the guy defected. Sometimes they held hands while they watched the movies. Mostly they didn’t. It was bad enough that they were fraternizing at all. Clark already drinking Kool Koffee every morning. Sugar, no cream. Clark was a quiet, bookish black boy who would be sent to the Front within a year.

On the white sheet, they watched California melt.

It hadn’t happened during the war. The Glass came after. This thing everyone did now was not called war. It was something else. Something that liquefied the earth out west and turned it into the Sea of Glass. On the sheet it looked like molten silver, rising and falling in something like waves. Turning the Grand Canyon into a soft grey whirlpool. Sylvie thought it was beautiful. Like something on the moon. In real life it had colors, and Sylvie dreamed of them. Red stone dissolving into an endless expanse of dark glass.

“There are more Japanese people in Utah than in Japan now,” Clark whispered when the filmstrip rolled up into black and the filmmaker’s logo. Sylvie flinched as if he’d cut her.

They didn’t talk about her Presentation. It sat whitely, fatly in their future. Once Clark kissed her. Sylvie cried afterward.

“I’ll write you,” he said. “As long as I can write.”

The growth index for their county was very healthy, and this was another reason Clark Baker should not have been holding her hand in the dark while men in ghostly astronaut suits probed the edges of the Glass on a clicking filmstrip. Every woman on the block had a new baby this year. They’d gotten a medal of achievement from President McCarthy in the spring. The Ladies’ Auxiliary graciously accepted the key to the city. She suspected her Father had a great deal to do with this. When she was little, he had come home one week in four. Now it was three days in thirty. His department kept him working hard. He’d be there for her Presentation, though. No Father missed his daughter’s debut.

Sylvie thought about Clark while her mother slipped satin-covered buttons through tiny loops. Their faces doubled in the mirror. His dark brown hand on hers. The Sea of Glass turning their faces silver.

“Mom,” Sylvie said. Her voice was very soft in the morning, as if she was afraid to wake herself up. “What if I don’t love my Husband? Isn’t that…something important?”

Hannah sighed. Her mouth took a hard angle. “You’re young, darling. You don’t understand. What it was like before. We had to have them here all the time, every night. Never a moment when I wasn’t working my knees through for my husband. The one before your Father. The children before you. Do you think we got to choose then? It wasn’t about love. For some people, they could afford that. For me, well, my parents thought he was a very nice man. He had good prospects. I needed him. I could not work. I was a woman before the war, who would hire me? And to do what? Type or teach. Not to program punchcard machines. Not to cross-breed new strains of broccoli. Nothing that would occupy my mind. So I drowned my mind in children and in him and when the war came I was glad. He left and it was me going to work every morning, me deciding what happened to my money. So the war took them,” she waved her hand in front of her eyes, “war always does that. I know you don’t think so, but the program is the best part of a bad situation. A situation maybe so bad we cannot fix it. So you don’t love him. Why would you look for love with a man? How could a man ever understand you? He who gets the cake cannot be friends with the girl who gets the crumbs.” Sylvie’s mother blushed. She whispered: “My Rita, you know, Rita who comes for tea and bridge and neptunium testing. She is good to me. Someone will be good to you. You will have your Auxiliary, your work, your children. One week in four a man will tell you what to do—but listen to me when I say they have much better manners than they used to. They say please now. They are interested in your life. They are so good with the babies.” Hannah smoothed the lacy back of her daughter’s Presentation gown. “Someday, my girl, either we will all die out and nothing will be left, or things will go back to the old ways and you will have men taking your body and soul apart to label the parts that belong to them. Enjoy this world. Either way, it will be brief.”

Sylvie turned her painted, perfected face to her mother’s. “Mom,” she whispered. Sylvie had practiced. So much, so often. She ordered the words in her head like dolls, hoped they were the right ones. Hoped they could stand up straight. “Watashi wa anata o shinjite n.” I wish I could believe you.

Hannah’s dark eyes flew wide and, without a moment’s hesitation, she slapped her daughter across the cheek. It wasn’t hard, not meant to wound, certainly not to leave a mark on this day of all days, but it stung. Sylvie’s eyes watered.

“Nidoto,” her mother pleaded. “Never, never again.”

Gimbels: Your Official Father’s Day Headquarters

PANORAMA SHOT of the Gimbels flagship store with two cute kiddos front and center. [Note to Casting: get us a boy and a girl, blonde, white, under ten, make sure the boy is taller than the girl. Put them in sailor suits, everyone likes that.] The kids wave at the camera. Little Linda Sue speaks up. [Note to Copy: Nope. The boy speaks first.] It’s a beautiful June here in New York City, the greatest city on earth! Jimmy throws his hands in the air and yells out: And that means FATHER’S DAY! Scene shift, kiddos are walking down a Gimbels aisle. We see toolboxes, ties, watches in a glass case, barbecue sets. Linda Sue picks up a watch and listens to it tick. Jimmy grabs a barbecue scraper and brandishes it. He says: Come on down with your Mom and make an afternoon of it at the Brand New Gimbels Automat! Hot, pre-screened food in an instant! Gee wow! [Note to Copy: hey, Stone, this is a government sponsored ad. If Gimbels want to hawk their shitty Manhattan Meals they’re going to have to actually pay for it. Have you ever tried one of those things? Tastes like a kick in the teeth.] Linda Sue: At Gimbels they have all the approved Father’s Day products. (Kids alternate lines) Mr. Fix-It! Businessman! Coach! Backyard Cowboy! Mr. Gimbel appears and selects a beautiful tie from the spring Priapus line. He hands it to Linda Sue and ruffles her hair. Mr Gimbel: Now, kids, don’t forget to register your gift with the Ladies’ Auxiliary. We wouldn’t want your Daddy to get two of the same gift! How embarrassing! That’s why Gimbels carries the complete Whole Father line, right next to the registration desk so your Father’s Day is a perfect one. Kids: Thanks, Mr. Gimbel!

Mr. Gimbel spreads his arms wide and type stretches out between them in this year’s Father’s Day colors. [Note to Art Dept: It’s seashell and buttercup this year, right? Please see Marketing concerning the Color Campaign. Pink and blue are pre-war. We’re working with Gimbels to establish a White for Boys, Green for Girls tradition.]

Gimbels: Your One Stop Shop for a One of a Kind Dad.

Fade to white.

Flash Blindness

Martin wore the emerald green chevroned tie to his Announcement, even if it wasn’t strictly within the dress code. Everything else was right down the line: light grey suit, shaved clean if shaving was on the menu, a dab of musky Oil of Fecunditas behind each ear from your friends at Spotless Corp. Black shoes, black socks, Spotless lavender talcum, teeth brushed three times with Pure Spearmint Toothpaste (You’re Sure with Spearmint!). And his Father holding his hand, beaming with pride. Looking handsome and young as he always did.

Of course, there was another boy holding his other hand.

His name was Thomas. He had broad shoulders already, chocolate-colored hair and cool slate eyes that made him look terribly romantic. Martin tried not to let it bother him. He knew how the program worked. Where the other three weeks of the month took his Father. Obviously, there were other children, other wives, other homes. Other roasting chickens, other martinis. Other evening television shows on other channels. And that’s all Thomas was: another channel. When you weren’t watching a show, it just ceased to be. Clicked off. Fade to white. You couldn’t be jealous of the people on those other channels. They had their own troubles and adventures, engrossing mysteries and stunning conclusions, cliffhangers and tune-in-next-weeks. It had nothing to do with Martin, or Rosemary, or Henry in his room. That was what it meant to be a Husband.

The three of them sat together in the backseat of the sleek gray Cadillac. An older lady drove them. She wore a smart cap and had wiry white hair, but her cheeks were still pink and round. Martin tried to look at her as a Husband would, even though a woman her age would never marry. After all, Husbands didn’t get to choose. Martin’s future wives—four to start with, that was standard, but if he did well, who knew?—wouldn’t all be bombshells in pin-up bathing suits. He had to practice looking at women, really seeing them, seeing what was good and true and gorgeous in them. The chauffeur had wonderful laugh lines around her eyes. Martin could tell they were laugh lines. And her eyes, when she looked in the rear view mirror, were a nice, cool green. She radioed to the dispatcher and her voice lilted along with a faint twinge of English accent. Martin could imagine her laughing with him, picking New Kale and telling jokes about the King. He imagined her naked, laying on a soft pink bed, soft like her pink cheeks. Her body would be the best kind of body: the kind that had borne children. Breasts that had nursed. Legs that had run after misbehaving little ones. He could love that body. The sudden hardness between his legs held no threat, only infinite love and acceptance, a Husband’s love.

When I think about how good I could be, my heart stops, Martin thought as the space between his neighborhood and the city smeared by. The sun seared white through dead black trees. But somewhere deep in them there was a green wick. Martin knew it. He had a green wick, too. I will remember every date. Every wife will be so special and I will love her and our children. I will make her martinis. I will roast the chicken so she doesn’t have to. When I am with one of them I will turn off all other channels in my mind. I can keep it straight and separate. I will study so hard, so that I know how to please. It will be my only vocation, to be devoted. And if they, the women of Elm Street or Oak Lane or Birch Drive find love with each other when I am gone, I will be happy for them because there is never enough love. I will draw them happy and they will be happy. The world will be green again. Everything will be okay.

It all seemed to happen very fast. Thomas and Martin and a dozen other boys listened to a quintet play Mendelssohn. The mayor gave a speech. They watched a recorded message from President McCarthy which had to be pretty old because he still sported a good head of hair. Finally, a minister stood up with a lovely New Tabernacle Bible in her one good hand. The other was shriveled, boneless, a black claw in her green vestments. The pages of the Bible shone with gilt. A ribbonmark hung down and it was very red in the afternoon flares. She did not lay it on a lectern. She carried the weight in her hands and read from the Gospel of Pseudo-Matthew, which Martin already knew by heart. The minister’s maple-syrup contralto filled the vaults of Matthew House.

“And when Mary had come to her fourteenth year, the high priest announced to all that the virgins who were reared in the Temple and who had reached the age of their womanhood should return to their own and be given in lawful marriage. When the High Priest went in to take counsel with God, a voice came forth from the oratory for all to hear, and it said that of all of the marriageable men of the House of David who had not yet taken a wife, each should bring a rod and lay it upon the altar, that one of the rods would burst into flower and upon it the Holy Ghost would come to rest in the form of a Dove, and that he to whom this rod belonged would be the one to whom the virgin Mary should be espoused. Joseph was among the men who came, and he placed his rod upon the altar, and straightaway it burst into bloom and a Dove came from Heaven and perched upon it, whereby it was manifest to all that Mary should become the wife of Joseph.”

Martin’s eyes filled with tears. He felt a terrible light in his chest. For a moment he was sure everyone else would see it streaming out of him. But no, the minister gave him a white silk purse and directed him to a booth with a white velvet curtain. Inside, silence. Dim, dusty light. Martin opened the purse and pulled out the chalice—a plastic cup with measurements printed on it, just like Grud said. With it lay a few old photographs—women from before the war, with so much health in their faces Martin could hardly bear to look at them. Their skin was so clear. She’s dead, he thought. Statistically speaking, that woman with the black hair and heart-shaped face and polka-dotted bikini is dead. Vaporized in Seattle or Phoenix or Los Angeles. That was where they used to make pictures, in Los Angeles. This girl is dead.

Martin couldn’t do it. This was about life. Everything, no matter how hard and strange, was toward life. He could not use a dead girl that way. Instead, he shut his eyes. He made his pictures, quick pencil lines glowing inside him. The chauffeur with her pink cheeks and white hair. The minister with her kind voice and brown eyes and her shriveled hand, which was awful, but wasn’t she alive and good? Tammy, the girl from the Victory Brand Capsule Garden commercials in her star-spangled dress. A girl with red hair who lived two blocks over and was so pretty that looking at her was like getting punched in the chest. He drew in bold, bright lines the home he was going to make, bigger than himself, bigger than the war, as big as the world.

Martin’s body convulsed with the tiny, private detonation of his soul. His vision blurred into a hot colorless flash.

Blast Wind

Sylvie’s mother helped her into long white gloves. They sat together in a long pearl-colored Packard and did not speak. Sylvie had nothing to say. Let her mother be uncomfortable. A visceral purple sunset colored the western sky, even at two in the afternoon. Sylvie played the test in her head like a filmstrip. When it actually started happening to her, it felt no more real than a picture on a sheet.

The mayor gave a speech. They watched a recorded message from President McCarthy’s pre-war daughter Tierney, a pioneer in the program, one of the first to volunteer. Our numbers have been depleted by the Germans, the Japanese, and now the Godless Russians. Of the American men still living only 12% are fertile. But we are not Communists. We cannot become profligate, wasteful, decadent. We must maintain our moral way of life. As little as possible should change from the world your mothers knew—at least on the surface. And with time, what appears on the surface will penetrate to the core, and all will be restored. We will not sacrifice our way of life.

A minister with a withered arm read that Pseudo-Matthew passage Tierney had dredged up out of apocrypha to the apocrypha, about the rods and the flowers and Sylvie had never felt it was one of the Gospel’s more subtle moments. The minister blessed them. They are flowers. They are waiting for the Dove.

The doctors were women. One was Mrs. Drexler, who lived on their cul-de-sac and always made rum balls for the neighborhood Christmas cookie exchange. She was kind. She warmed up her fingers before she examined Sylvie. White gloves for her, white gloves for me, Sylvie thought, and suppressed a giggle. She turned her head to one side and focused on a stained-glass lamp with kingfishers on it, piercing their frosted breasts with their beaks. She went somewhere else in her mind until it was over. Not a happy place, just a place. Somewhere precise and clean without any Spotless Corp products where Sylvie could test soil samples methodically. Rows of black vials, each labeled, dated, sealed.

They took her blood. A butterfly of panic fluttered in her—will they know? Would the test show her mother, practicing her English until her accent came out clean as acid paper? Running from a red Utah sky even though there was no one left to shoot at her? Only half, white enough to pass, curling her hair like it would save her? Sylvie shut her eyes. She said her mother’s name three times in her mind. The secret, talismanic thing that only they together knew. Hidaka Hanako. Hidaka Hanako. Hidaka Hanako. Don’t be silly. Japan isn’t a virus they can see wiggling in your cells. Mom’s documents are flawless. No alarm will go off in the centrifuge.

And none did.

She whizzed through the intelligence exams—what a joke. Calculate the drag energy of the blast wind given the following variables. Please. Other girls milled around her in their identical lace dresses. The flowers in their hair were different. Their sashes all red. Red on white, like first aid kits floating through her peripheral vision. They went from medical to placement testing to screening. They nodded shyly to each other. In five years, Sylvie would know all their names. They would be her Auxiliary. They would play bridge. They would plan block parties. They would have telephone trees. Some of them would share a Husband with her, but she would never know which. That was what let the whole civilized fiction roll along. You never knew, you never asked. Men had a different surname every week. Only the Mrs. Drexlers of the neighborhood knew it all, the knots and snags of the vital genetics. Would she share with the frosted blonde who loved botany or the redheaded math genius who made her own cheese? Or maybe none of them. It all depended on the test. Some of these girls would score low in their academics or have some unexpressed, unpredictable trait revealed in the great forking family trees pruned by Mrs. Drexler and the rest of them. They would get Husbands in overalls, with limited allowances. They would live in houses with old paint and lead shielding instead of Gamma Glass. Some of them would knock their Presentation out of the park. They’d get Husbands in grey suits and silk ties, who went to offices in the city during the day, who gave them compression chamber diamonds for their birthdays. As little as possible should change.

Results were quick these days. Every year faster. But not so quick that they did not have luncheon provided while the experts performed their tabulations. Chicken salad sandwiches—how the skinny ones gasped at the taste of mayonnaise! Assam tea, watercress, lemon curd and biscuits. An impossible fairy feast.

“I hope I get a Businessman,” said the girl sitting next to Sylvie. Her bouffant glittered with illegal setting spray. “I couldn’t bear it if I had to live on Daisy Drive.”

“Who cares?” said Sylvie, and shoved a whole chicken salad triangle into her mouth. She shouldn’t have said anything. Her silence bent for one second and out comes nonsense that would get her noticed. Would get her remembered.

“Well, I care, you cow,” snapped Bouffant. Her friends smiled behind their hands, concealing their teeth. In primates, baring the teeth is a sign of aggression, Sylvie thought idly. She flashed them a broad, cold smile. All thirty-two, girls, drink it in.

“I think it’s clear what room you’ll be spending the evening in,” Bouffant sneered, oblivious to Sylvie’s primate signals.

But Sylvie couldn’t stop. “At best, you’ll spend 25% of your time with him. You’ll get your rations the same as everyone. You’ll get your vouchers for participating in the program and access to top make-work contracts. What difference does it make who you snag? You know this is just pretend, right? A very big, very lush, very elaborate dog breeding program.”

Bouffant narrowed her eyes. Her lips went utterly pale. “I hope you turn out to be barren as a rock. Just rotted away inside,” she hissed. The group of them stood up in a huff and took their tea to another table. Sylvie shrugged and ate her biscuit. “Well, that’s no way to think if you want to restore America,” she said to no one at all. What was the matter with her? Shut up, Sylvie.

Mrs. Drexler put a warm hand on her shoulder, materializing out of nowhere. The doctor who loved rum balls laid a round green chip on the white tablecloth. Bouffant saw it across the room and glared hard enough to put a hole through her skull at forty yards.

Sylvie was fertile. At least, there was nothing obviously wrong with her. She turned the chip over. The other side was red. Highest marks. Blood and leaves. Red on white. The world is red and I am red forever. One of Bouffant’s friends was holding a black chip and crying, deep and horrible. Sylvie floated. Unreal. It wasn’t real. It was ridiculous. It was a filmstrip. A recording made years ago when Brussels sprouts were small and the sunset could be rosy and gentle.

FADE IN on Mrs. Drexler in a dance hall with a white on white checker-board floor. She’s wearing a sequin torch singer dress. Bright pink. She pumps a giant star-spangled speculum like a parade-master’s baton. Well, hello there Sylvia! It’s your big day! Should I say Hidaka Sakiko? I only want you to be comfortable, dear. Let’s see what you’ve won!

Sylvie and the other green-chip girls were directed into another room whose walls were swathed in green velvet curtains. A number of men stood lined up against the wall, chatting nervously among one another. Each had a cedar rod in one hand. They held the rods awkwardly, like old men’s canes. A piano player laid down a slow foxtrot for them. Champagne was served. A tall boy with slightly burned skin, a shiny pattern of pink across his cheek, takes her hand, first in line. In Sylvie’s head, the filmstrip zings along.

WIDE SHOT of Mrs. Drexler yanking on a rope-pull curtain. She announces: Behind Door Number One we have Charles Patterson, six foot one, Welsh/Danish stock, blond/blue, scoring high in both logic and empathy, average sperm count 19 million per milliliter! This hot little number has a reserved parking spot at the Office! Of course, when I say “Office,” I mean the upper gentlemen’s club, brandy and ferns on the 35th floor, cigars and fraternity and polished teak walls. A little clan to help each other through the challenges of life in the program—only another Husband can really understand. Our productive heartthrobs are too valuable to work! Stress has been shown to lower semen quality, Sylvie! But as little as possible should change. If you take the Office from a man, you’ll take his spirit. And what’s behind Door Number Two?

Sylvie shuts her eyes. The real Mrs. Drexler was biting into a sugar cookie and sipping her champagne. She opened them again—and a stocky kind-eyed boy had already cut in for the next song. He wore an apple blossom in his lapel. For everlasting love, Broome County’s official flower for the year. The dancing Mrs. Drexler in her mind hooted with delight, twirling her speculum.

TIGHT SHOT of Door Number Two. Mrs Drexler snaps her fingers and cries: Why, it’s Douglas Owens! Five foot ten, Irish/Italian, that’s very exciting! Brown/brown, scoring aces in creative play and nurturing, average sperm count 25 million per milliliter—oh ho! Big, strapping boy! Mrs. Drexler slaps him lightly on the behind. Her eyes gleam. He’s a Businessman as well, nothing but the best for our Sylvie, our prime stock Sylvie/Sakiko! He’ll take his briefcase every day and go sit in his club with the other Husbands, and maybe he loves you and maybe he finds real love with them the way you’ll find it with your friend Bouffant in about two years. Who can tell? It’s so thrilling to speculate! It’s not like men and women got along so well before, anyway. Take my wife, please! Why I oughtta! To hell with the whole mess. Give it one week a month. You do unpleasant things one week out of four and don’t think twice. Who cares?

Someone handed her a glass of champagne. Sylvie wrapped her real, solid fingers around it. She felt dizzy. A new boy had taken up her hand and put his palm around her waist. The dance quickened. Still a foxtrot, but one with life in it. She looked at the wheel and spin of faces—white faces, wide, floor-model faces. Sylvie looked for Clark. Anywhere, everywhere, his kind face moving among the perfect bodies, his kind face with a silver molten earth undulating across his cheeks, flickering, shuddering. But he wasn’t there. He would never be there. It would never be Clark with a cedar rod and a sugar cookie. Black boys didn’t get Announced. Not Asians, not refugees, not Sylvie if anyone guessed. They got shipped out. They got a ticket to California. To Utah.

As little as possible should change.

No matter how bad it got, McCarthy and his Brothers just couldn’t let a nice white girl (like Sylvie, like Sylvie, like the good floor-model part of Sylvie that fenced in the red, searing thing at the heart of her) get ruined that way. (If they knew, if they knew. Did the conservative-suit warm-glove Mrs. Drexler guess? Did it show in her dancing?) Draw the world the way you want it. Draw it and it will be.

Sylvie tried to focus on the boy she was dancing with. She was supposed to be making a decision, settling, rooting herself forever into this room, the green curtains, the sugar cookies, the foxtrot.

QUICK CUT to Mrs. Drexler. She spins around and claps her hands. She whaps her speculum on the floor three times and a thin kid with chocolate-colored hair and slate eyes sweeps aside his curtain. She crows: But wait, we haven’t opened Doooooor Number Three! Hello, Thomas Walker! Six foot even, Swiss/Polish—ooh, practically Russian! How exotic! I smell a match! Brown/gray, top marks across the board, average sperm count a spectacular 29 million per milliliter! You’re just showing off, young man! Allow me to shake your hand!

Sylvie jittered back and forth as the filmstrip caught. The champagne settled her stomach. A little. Thomas spun her around shyly as the music flourished. He had a romantic look to him. Lovely chocolate brown hair. He was saying something about being interested in the animal repopulation projects going on in the Plains States. His voice was sweet and a little rough and fine, fine, this one is fine, it doesn’t matter, who cares, he’ll never sit in a garage with me and watch the bombs fall on the sheet with the hole in the corner. Close your eyes, spin around three times, point at one of them and get it over with.

IRIS TRANSITION to Mrs. Drexler doing a backflip in her sequined dress. She lands in splits. Mr. and Mrs. Wells and Walker invite you to the occasion of their children’s wedding!

Sylvie pulled the red, thornless rose and snowdrops from her hair and tied their ribbon around Thomas’s rod. She remembered to smile. Thomas himself kissed her, first on the forehead and then on the mouth. A lot of couples seemed to be kissing now. The music had stopped. It’s over, it’s over, Sylvie thought. Maybe I can still see Clark today. It takes time to plan a wedding.

Voices buzzed and spiked behind her. Mrs. Drexler was hurrying over; her face was dark.

ZOOM on Mrs. Drexler: Wait, sorry, wait! I’m sorry we seem to have hit a snag! It appears Thomas and Sylvie here are a little too close for comfort. They should never have been paired at the same Announcement. Our fault, entirely! Sylvie’s Father has been such a boon to the neighborhood! Doing his part! Unfortunately, the great nation of the United States does not condone incest, so you’ll have to trade Door Number Three for something a little more your speed. This sort of thing does happen! That’s why we keep such excellent records! CROSS-REFERENCING! Thank you! Mrs. Drexler bows. Roses land at her feet.

Sylvie shut her eyes. The strip juddered; she was crying tracks through her Spotless Corp Pressed Powder and it was not a film, it was happening. Mrs. Drexler was wearing a conservative brown suit with a gold dove-shaped pin on the lapel and waving a long-stemmed peony for masculine bravery. Thomas was her brother, somehow, there had been a mix-up and he was her brother and other arrangements would have to be made. The boys and girls in the ballroom with her stared and pointed, paired off safely. Sylvie looked up at Thomas. He stared back, young and sad and confused. The snowdrops and roses had fallen off his rod onto the floor. Red on white. Bouffant was practically climbing over Douglas Owens 25 million per milliliter like a tree.

In four years Sylvie will be Mrs. Charles Patterson 19 million per. It’s over and they began to dance. Charles was a swell dancer. He promised to be sweet to her when he got through with training and they were married. He promised to make everything as normal as possible. As little as possible should change. The quintet struck up Mendelssohn.

Sylvie pulled her silence over her and it was good.

Fade to white.

CLOSE-UP of a nice-looking Bobby, a real lantern-jaw, straight-dealing, chiseled type. [Note to Casting: maybe we should consider VP Kroc for this spot. Hair pomade knows no demographic. Those idiots at Brylcreem want to corner the Paternal market? Fine. Let them have their little slice of the pie. Be a nice bit of PR for the re-election campaign, too. Humanize the son of a bitch. Ray Kroc, All-American, Brother to the Common Man. Even he suffers symptomatic hair loss. Whatever—you get the idea. Talk to Copy.] Bobby’s getting dressed in the morning, towel around his healthy, muscular body. [Note to Casting: if we go with Kroc here we’ll have to find a body double.] Looks at himself in the mirror and strokes a 5-o’clock shadow.

FEMALE VOICE OVER: Do you wake up in the morning to a sink full of disappointment?

PAN DOWN to a clean white sink. Clumps of hair litter the porcelain. [Note to Art Dept: Come on, Stone, don’t go overboard. No more than twenty strands.] Bobby rubs the top of his head. His expression is crestfallen.

VOICE OVER: Well, no more! Now with the radiation-blocking power of lead, All-New Formula Samson Brand Hair Pomade can make you an All-New Man.

Bobby squirts a generous amount of Samson Brand from his tube and rubs it on his head. A blissful smile transforms his face.

VOICE OVER: That feeling of euphoria and well-being lets you know it works! Samson Pomades and Creams have been infused with our patented mood-boosters, vitamins, and just a dash of caffeine to help you start your day out right!

PAN DOWN to the sink. Bobby turns the faucet on; the clumps of hair wash away. When we pan back up, Bobby has a full head of glossy, thick, styled hair. [Note to Art Dept: Go whole hog. When the camera comes back put the VP in a full suit, with the perfect hair—a wig, obviously—and the Senate gavel in his hand. I like to see a little more imagination from you, Stone. Not a good quarter for you.]

VOICE OVER: Like magic, Samson Brand Pomade gives you the confidence you need. [Note to Copy: not sure about ‘confidence’ here. What about ‘peace of mind’? We’re already getting shit from the FDA about dosing Brothers with caffeine and uppers. Probably don’t want to make it sound like the new formula undoes Arcadia.]

He gives the camera a thumbs-up. [Note to Art Dept: Have him offer the camera a handshake. Like our boy Ray is offering America a square deal.]

Bold helvetica across mid-screen:

Samson Guards Your Strength.

Fade to white.

Ten Grays

Martin watched his brother. The handsome Thomas. The promising Thomas. The fruitful and multiplying Thomas. 29 million per mil Thomas. Their father (24 million) didn’t even try to fight his joyful tears as he pinned the golden dove on his son’s chest. His good son. His true son. For Thomas the Office in the city. For Thomas the planning and pleasing and roasted chickens and martinis. For Thomas the children as easy as pencil drawings.

For Martin Stone, 2 million per milliliter and most of those dead, a package. In a nice box, to be certain. Irradiated teak. It didn’t matter now anyway. Martin knew without looking what lay nestled in the box. A piece of paper and a bottle. The paper was an ordnance, unknown until he opened the box. It was a lottery. The only way to be fair. It was his ticket.

It might request that he present himself at his local Induction Center at 0900 at the close of the school year. To be shipped out to the Front, which by then might be in Missouri for all anyone knew. He’d suit up and boot it across the twisted, bubbled moonscape of the Sea of Glass. An astronaut. Bouncing on the pulses from Los Alamos to the Pacific. He would never draw again. By Christmas, he wouldn’t have the fine motor skills.

Or it would request just as politely that he arrange for travel to Washington for a battery of civic exams and placement in government service. Fertile men couldn’t think clearly, didn’t you know? All that sperm. Can’t be rational with all that business sloshing around in there. Husbands couldn’t run things. They were needed for more important work. The most important work. Only Brothers could really view things objectively. Big picture men. And women, Sisters, those gorgeous black chip girls with 3-Alpha running cool and sweet in their veins. Martin would probably pull Department of Advertising and Information. Most people did. Other than Defense, it was the biggest sector going. The bottle would be Arcadia. For immediate dosage, and every day for the rest of his life. All sex shall be potentially reproductive. Every girl screwing a Brother is failing to screw a Husband and that just won’t do. They said it tasted like burnt batteries if you didn’t put it in something. The first bottle would be the pure stuff, though. Provided by Halcyon, Your Friend in the Drug Manufacturing Business. Martin would remember it, the copper sear on the roof of his mouth. After that, a whole aisle of choices. Choices, after all, make you who you are. Arcadia or Kool. Brylcreem or Samson.

Don’t worry, Martin. It’s a relief, really. Now you can really get to work. Accomplish something. Carve out your place. Sell the world to the world. You could work your way into the Art Department. Keep drawing babies in carriages. Someone else’s perfect quads, their four faces laughing at you forever from glossy pages.

Suddenly Martin found himself clasped tight in his Father’s arms. Pulling the box out of his boy’s hands, reading the news for him, putting it aside. His voice came as rough as warm gin and Martin could hardly breathe for the strength of his Father’s embrace.

Thomas Walker squeezed his Brother’s hand. Martin did not squeeze back.

Velocity Multiplied by Duration

Sylvie’s Father was with them that week. He was proud. They bought a chicken from Mrs. Stone and killed it together, as a family. The head popped off like a cork. Sylvie stole glances at him at the table. She could see it now. The chocolate hair. The tallness. Hannah framed her Presentation Scroll and hung it over the fireplace.

Sylvie flushed her Spotless trousseaux down the toilet.

She wasn’t angry. You can’t get angry just because the world’s so much bigger than you and you’re stuck in it. That’s just the face of it, cookie. A poisoned earth, a sequined dress, a speculum you can play like the spoons. Sylvie wasn’t angry. She was silent. Her life was Mrs. Patterson’s life. People lived in all kinds of messes. She could make rum balls. And treat soil samples and graft cherry varieties and teach some future son or daughter Japanese three weeks a month where no one else could hear. She could look up Bouffant’s friend and buy her a stiff drink. She could enjoy the brief world of solitude and science and birth like red skies dawning. Maybe. She had time.

It was all shit, like that Polish kid who used to hang around the soda fountain kept saying. It was definitely all shit.

On Sunday she went out to the garage again. Vita-Pops and shadows. Clark slipped in like light through a crack. He had a canister of old war footage under his arm. Stalingrad, Berlin, Ottawa. Yellow shirt with green stripes. Nagasaki and Tokyo, vaporizing like hearts in a vast, wet chest. The first retaliation. Seattle, San Francisco, Los Angeles. Clark reached out and held her hand. She didn’t squeeze back. The silent detonations on the white sheet like sudden balloons, filling up and up and up. It looked like the inside of Sylvie.

“This is my last visit,” Clark said. “School year’s over.” His voice sounded far away, muffled, like he didn’t even know he was talking. “Car’s coming in the morning. Me and Grud are sharing a ride to Induction. I think we get a free lunch.”

Sylvie wanted to scream at him. She sucked down her pop, drowned the scream in bubbles.

“I love you,” whispered Clark Baker.

On the sheet, the Golden Gate Bridge vanished.

Sylvie rolled the reel back. They watched it over and over. A fleck of nothing dropping out of the sky and then, then the flash, a devouring, brain-boiling, half-sublime sheet of white that blossomed like a flower out of a dead rod, an infinite white everything that obliterated the screen.

Fade to black.

And over the black, a cheerful fat man giving the thumbs up to Sylvie, grinning:

Buy Freedom Brand Film! It’s A-OK!

Aeromaus

A Series of Informal Notes Compiled on Behalf of Visiting Foreigners by Córdoba Jandza, Yellow District, 4th Level, Freely, with Delight in Service, and Under No Duress in the Year 19—

First: Aerograd has always been occupied. In the grottoes, near the propellers rusted over with moss like verdigris, you might hear someone say otherwise. Crowded around an old gasoline barrel boiling up grey shrimp in oil-slicked water. You might hear someone say anything. Any sophisticated soul can sieve out such obvious lies. The shrimp bob up iridescent, green, purple, blue. I would recommend against eating them. They taste sweet, they taste like life and salt, but your system is not prepared for Aerograd yet. Should you have an allergic reaction to that aspic of petroleum and moss spores, your esophagus will very likely perforate and before your bowels have a chance to put an end to you. We would not like to lose you so soon and by accident.

////⁄: This is a cypher. I do not hold with simple word substitution. I have embedded information also in accent marks, punctuation, the angle of my penmanship on letters e, a, æ, o, h, n, l, and s. Whether or not I use the Oxford comma in a given phrase. Whether or not comma splices occur, prepositions positioned at the end of certain sentences. Under my paragraphs other paragraphs lie, levels up and down, like Aerograd itself. This is a cypher, but everything is a cypher. Everything can be substituted for something else. I believe that.

The truth is, it does not matter if Aerograd existed before the occupation. If we were ever other than we are we have forgotten it. Forgetting has been attached inside us like a second spleen. Memory is dispensed through official channels. Go to the market; stand in line; receive your ration of the history of the city. I do not speak in metaphor. Our dialect no longer allows such dissembling. You cannot say a thing is another thing. It is like another thing, perhaps, though even that smacks of a certain effete enervation of thought. But it cannot be another thing. That is an unworthy lie.

This is not a lie: Memory has the taste and texture of cooked meat. Eat it and live. Remember, but only what it is licit to remember.

In Aerograd, the words for meat and memory are the same.

Second: Aerograd was originally designed as an Academy Town, an experiment in isolation. Hundreds of pure, precise minds brought together and removed from the nation as a whole. From distraction, if not from oversight. We descend from the best and brightest of the Old World. On Phalarica Hill, rising greenly through the constant clouds, you will find the University, a wonder of revival design. Each year the University graduates clear-eyed, clear-minded students of the highest caliber. In the mist of Blue District, the Capital reflects the University in both architecture and intent: to govern with clear eyes and clear intellect.

This is the Ossuary. It is where they turn laws into bones.

The mist in the Capital is uniform, curling like fleece. It is opaque, pearlescent, unchanging. It does not part, not at morning nor at night. Even inside the gilded buildings it is so thick and silver and soft you could not see an elephant if she sat down beside you. Water drips from the carved metal columns. This is how virtuous government is performed—good ideas are accepted with joy, without personal prejudice, no matter who’s mouth they emerge from, for it could be anyone’s mouth. Your mouth, mine. Even Our Lady’s.

////⁄: I remember the first time I saw Our Lady. I am allowed to remember that, why not? She processed through Yellow District, walking as I have been told she always does, to show that she is like us, she is one of us, no better or worse. Her tigers went before her, long and bright in the unceasing cloudfog. Where they breathed and snapped their garnet-colored jaws, pools of clear air appeared. They ate the clouds, so that we could see her. I was afraid. My mother pushed me forward, in case Our Lady should glimpse me and bestow some minor favor. So I watched without obstruction. She processed, very tall, very straight, bald, dew pearling on her cheeks. In her silver government dress, with the blue sash indicating her endless duty to Aerograd. Her skin was a fiery opal violence, terrible glittering colors, hard and slick with vapor condensing and rolling down the gem of her skull. Our Lady appeared as though she was crying. I tried not to look at her hands. I knew what they would look like. My primer had an algebraic game based on them. I could not be prepared. At the sopping ends of her buttered lace sleeves, fifty graceful, strong, ringless hands hung like garlands of awful flowers. The hundred hands of Our Lady. Hands in every part of the city, able to seize anything and anyone, hands around every heart, not squeezing yet, but soon. It seemed an unbearable weight for her to carry with those thin arms. When she clasped her fingers together, they became a huge single fist. Our Lady wore no shoes. Her feet clacked hard on the wet pavement, stone striking stone. Behind her black giraffes followed, dancing, winding and unwinding their necks.

No one else in the city looks like her. I have seen old pictures of tigers and none are that color. She is a dream we all have at the same time. I do not think any meat tells where she came from. She has always been here, like the occupation. But she cannot have been, for nothing in Aerograd is built for fifty hands. She is the occupation. But that is not true. We are all the occupation. We occupy each other and save work for the tigers. We are afraid of her and her animals. We do not even know her real name. We speak of her and God using the same words.

Our Lady did see me. She turned the glitter-black and hot ochre cups of her empty eyes toward me. I felt nothing. On the inside I too was a cloud. Our Lady looked up at my mother and said something. Her voice sounded like a propeller winding up.

What Our Lady said was: “You do not exist.”

And she didn’t.

My mother simply wasn’t there anymore. Her workplace had not heard of her. My father was not married and never had been. Her things no longer cluttered the house. Even her smell winked out. I felt her evaporate from my hands. But these days I have to chew memory to think of her at all.

Third: A necessary digression on the weather systems here. There are places in Aerograd where the sun can be reliably seen. Some the size of a golden pin; some blanketing half a district. These are holy ground, tended by a congregation of biodomes, herbaria and hydrofarming. You are unlikely to receive a permit to cast shadow there. Everywhere else, we dwell in cloud. Mist, fog, cirrus, gloam, cumulus. We have a complex nepheline vocabulary. The clouds never clear, but with practice you can find your way surely enough, except in the Capital. Move through the world as through a labyrinth; pick your path between clouds like monstrous, ephemeral whales. When you pass by, the crackle of snow like electricity will raise the hairs on your skin. You will feel awake, as we do. On the verge of something forever.

Because you are foreign and do not know any better, you will not be able to see the subtlety of the cloud cover as locals do. Ugh, you will exclaim, it’s thick as hair out here. What a dreary, grey mess. It is sad for you. Each person has their personal vocabulary of condensation. The Aerograder dialect is malleable and opportunistic. Many times the Ossuary has released an official chart of terms and grammar to be used when discussing the weather. In this small thing and only this, no Aerograder obeys. Clouds are constant, they are personal, they are ours. Should you have an interest in linguistics, you might amass a considerable collection of private cloud-dialects in one trip to the city.

You will be always damp in Aerograd. You will be always half-blind.

////⁄: Today the clouds ooze forward, flowing like suspended oil. Their tops limn with cold bronze; their undersides bruise violet-yellow with unspilt snow. Look—I will share with you my tongue. How intimate, how bare, how pornographic. In cypher is safety. These are Ice Eels Speaking Forbidden Words. I like them but they make me sad. Their feathery fronds reach out to me, chill my hands, even down here.

I had a lover once. We never married; married couples are kept under observation. There is a danger inherent to them. When traveling to other Districts or off-air reconnaissance zones, one half of the two must remain at home. The Ossuary believes this reduces the likelihood of membership in subversive clubs, public assembly, defection, undue attachment and suicides. But those are all suicidal acts, in the end.

My lover’s name was Pyotr Duda. He had a son by another woman. I never found out what happened to her. Pyotr made roast gannet stuffed with plums for me when Melancholy Horseheads rolled in—that was his phrase. I can share it because he is dead now. Horseheads pricked him with energy, made him hopeful. He took the bird out of the oven and said:

“Bya, you’ve lost three buttons on that shirt. Also the radio says Yellow District will have a high concentration of tigers tonight.”

We did. We heard their vast paws slapping the clammy sidewalks. Their wine-bright pelts flashed in the gloom. Sometimes they would stop in front of a house and roar. Someone always let them in.

I know the word for a group of tigers was once a streak. But that isn’t right at all. It’s a concentration of tigers. It can only be that.

In Aerograd, when we mean sin, we say tiger.

Fourth: The following words have been excised from the official dialect and may not be used within city limits. Kindly make a note—our lives must seem strange, but there are reasons for everything in Aerograd.

Land, union, summer, counterinsurgent, before, below, beyond, else, desire, revolution, Rose District.

There are others. But we have forgotten them since their outlaw. Guard your talk—old words spring up like weeds and must be cut down.

////⁄: I have had the feeling for some time that the dialect is changing. I cannot speak about things that happened to me as a child. The words have dropped away or changed completely.

I will give you an example.

When I think of my father, I want to call him by his name, which I know was András Jandza. I want to talk about his collection of extremely antique altimeters, that hung on the wall in green and brass and punctured glass, as though they meant still to give some arcane reading, some sense of yaw and pitch. I want to say my father smoked, and enjoyed blowing the smoke into the clouds outside our window, watching the smoke enter the vapor and push it aside, just for a moment, before the cloud swallowed it up as though it never were. (Clouds That Smoke Back).

But I find I cannot say the word altimeter. I cannot say smoke. I cannot even say my father’s name. In the cypher I can indicate them, spell them intricately, in the diameters of my angstroms. I still know those words, and what they speak of. But I cannot make myself say them. I know that those sad mechanical faces hanging on my father’s wall like game-trophies are called liars now. Smoke is gas. My father should be referred to only as redacted.

Meat is memory. Tiger is sin.

I wrote just before (oh the sweetest and most nearly eradicated of all the exiles!) of tigers. Of concentrations. But only after that night with Pyotr Duda and the roast gannet stuffed with plums did we start calling them tigers. They were something else before. That dark red and black wildness, that sleekness, the teeth. Something else. Not tigers. But the word is gone. Scooped away as cleanly as a mother. Everyone I knew started calling them tigers at the same time. The cafes were suddenly full of feline phrasing. The giraffes, too—oh, we’ve called them giraffes forever. Since before I was born. And they are giraffes as I understand giraffes: black and spindly and tall, four legs, hungry forever. But they were something else, too. Substituted, truth for giraffes.

Someday we’ll call clouds sunlight.

Do you know what the Ossuary calls us? The people of Aerograd. Our Lady says it too, we have heard it in her addresses. They call us Aeromaus. Singular. All our thousands are to them but one small, scurrying mouse in the works of the city. A creature other than them. An annoyance, leaving dirt and disease behind it. And as they say it, it grows toward truth. As they become tigers and giraffes. We huddle close together, a hundred men and women into a single humpbacked shape. You can see them on any street, clusters trailing away like tails. Their dark shapes move like mountains behind the clouds. One day, perhaps, there will be only one of us and one of her.

When they speak, the tigers and the giraffes and the Ossuary and Our Lady, I am almost certain their whole speech is made up of words that mean something other than they are. Even Aerograd. Their tongues are tigers that are not tigers. What is it they are saying that we cannot hear? What did we call the occupation before occupation? What did we call Our Lady?

Fifth: Why do they call it an occupation? Is not the point of an occupation to convert the occupied population into the occupiers’ image? Surely, surely by now we are what we are: Aerograders, Our Lady’s children. Aeromaus, united, Our Lady’s child. We speak her language, we understand ourselves only according to Aerograd, only in how we intersect with this place where we live together along with the tigers and giraffes and propellers and luminous shrimp and clouds and gannets stuffed with plums.

Tradition, maybe. A joke, maybe.

Where we say occupation there is a line through the twenty-five Districts and six levels of Aerograd. On one side of the line stands Our Lady with her beauty and her colors, flanked by her animals, silent, ageless, all those hands, all those mouths. On the other side we sit. No matter how quiet we become, no matter how still, no matter how we change so that the language emerging from us as natural as being born is not our own but hers, but theirs, it cannot be avoided that Our Lady is other than we. She puts out her hands and we disappear into them. She is something unmovable inside us, living there, going about her business in our bones.

We call it an occupation because we are occupied. We are occupied because we call it an occupation. We cannot call them countrymen—or at least they would never apply that word to us.

They seem to like the term. Or else it would wither up and fall over the edge of the world with all the rest.

////⁄: I have heard it said that there is no single Our Lady. Pyotr Duda believed them a species, perhaps thousands, but at least hundreds, in number. He thought that we never see the same one twice. Just as any visiting foreigner (foreigners will never visit) cannot see the variegated clouds, cannot call them by their names, so we cannot see the difference between Our Ladies. We are too used to our own faces. The one who speaks in the Ossuary is not the one who unexisted my mother is not the one that whispers on the radio is not the one who opens the year at the University crowned with steel laurels.

We must have come here from somewhere. The clouds today are pure white puffers. I used to call them Ice Cream But All Vanilla. Now I call them High Seas. We must have come here from somewhere because we are not suited to this environment. We do not have wings, the altitude kills one out of every twenty or thirty of us, our eyes have grown accustomed to seeing in the clouds, but we have no special organ to help us along. Aerograd is a city in the sky, and we are not of the sky. But they—or she—cannot be from the same place that made us. Our Lady came from somewhere else. Perhaps Our Lady does not mean God, but is their collective term for the repeated body they use. Perhaps that is how little influence we have ever had on her, compared with how like her we try to become. Either she never dies or she is multiform. Does it matter?

We were an Academy Town. We were assembled. We must have once been other than we are. Not gas but smoke. Not a liar but an altimeter.

I expect the fifth section of this document to be expunged. I veer too far. To encode with any density is to lose the sense of which is the real message and which the hidden. Have I embedded Pyotr in gannet or did I mean all along to hide gannet in Pyotr?

Sixth: Wonderful entertainments await the energetic visitor in Aerograd. The famous Cafe Blond in Black District, where you may try your teeth on crystal sugar-globes filled with captured clouds and a cup of chai from the beautiful biodomes. Nightclubs are accessible with appropriate government passes. Don’t miss the glorious Aerocirque, a circus of proportions unknown in your nations! The giraffes and tigers of Our Lady perform their greatest feats of strength and grace under torchlight bright enough to burn off the clouds for one brief and lovely evening. You have not lived until you have seen the tigers dance. You have not breathed until you have seen the dark giraffes mate in moonlight. Aerocirque brings together the finest physical specimens of the city to create tableaux, somersaults, aerial ballets, bull-leaping. They dance with the tigers in the climactic act, touching them but deftly and lightly, weaving in and out of the magnificent beasts. The company of these young and exceptional folk will be made available afterward to foreign dignitaries and investors, but the tigers do not keep schedules.

////⁄: On my last morning before coming to this place from which I write and write and the writing will go on as long as Our Lady wishes, I went to the market. I purchased marrow bones and a small packet of ham. I took my daily memory and it pained my head. The last rind of fat always fills us with the meat of death. Of some damned fool running at the perfect, impenetrable skin of Our Lady with a tiny pistol. Of how quickly he vanished, like a cloud dispersing as she passed through it. And then there is the flying, the falling, the flying. We see it as if in peripheral vision and say to ourselves: yes, that is how it is.

I saw Our Lady a second time. It was the last time. You must understand that as the daughter of a woman that never existed, I am suspect by definition. I rank in several categories of guilt, automatic guilt, machine guilt. My mother that never was must have planted something in me, something that will eventually, inevitably bloom. I saw her at night, under the streetlamps, in a nowhere part of Yellow District, a greensward hardly bigger than a kitchen. Where she stood the clouds kept back. She had a halo instead, a teardrop of clear air. Our Lady swayed back and forth. You can never tell if her empty opal eyes are open or shut. She moved her hands in such a way that her flesh appeared as a tidal motion, each little hand clenching into a red fist and then letting go, the clench flowing up and down the garlands of fingers. I was caught, staring at her, coming home late from Pyotr’s apartment, walking through the damp that clung to me like skin. I stumbled out of the cloudbank and into her teardrop of light. Behind her rose a great black giraffe, perhaps her soldier, perhaps her keeper. Our Lady and I looked at each other. The fist-wave still curled up and down her hands. The giraffe which was not a giraffe but a substitution, a cypher, bent its long black neck to sniff deeply, to take in my person. Its eyes flickered like filmstrips.

Our Lady held out her hands to me. I had to take them. My heart tried to run out of my mouth and get away, away from this, whatever was happening. Her hundred hands closed over my two. It felt like being buried. Her skin was cold. It glittered in the streetlamp. I felt certain those were my last moments in Aerograd.

But Our Lady said: I can smell your meat.

And she left me there. The clouds closed after her. She passed me by. It was not grace but some other, stonier, thing having nothing at all to do with me, or Pyotr, or my mother, or gannet or Aerograd.

Or perhaps only boredom.

Seventh: Any enterprising industrialist must admit there is hardly a better place to invest and grow than Aerograd. The engineering feat that keeps us afloat year after year, that keeps the great propellers turning in their enclosed, self-sufficient energy cycle with only the growth of the moss to worry about, that miracle is but the lowest level of our glory. We are rich in fertile land, meteorologically unique, and home to vast storehouses of seeds, rare earths, and artifacts of interest. The area of Aerograd is enormous, more than enough to entertain foreign dignitaries and supply them with reasons to stay. Flocks of gannets provide fowl with a marvelous taste. We are able to condense fresh water from cloud vapor—a task charmingly referred to by the locals as milking clouds. No one wants in Aerograd, and we are eager to share our bounty with those who understand our special place in the world. Who value our culture and can behave themselves as honored guests, indulging our little quirks and civic habits.

Aerograd needs no one. But we strongly suspect that you need us.

////⁄: I am my meat. I must eat memory to live. I have tigered against my city. I have watched the gannets die. This is a cypher. I am a cypher. We used to live in the world and now we live in Aerograd. Everything can be substituted for something else. Everything is substituted for something else. It is dark through the window. Fitful, fast-moving clouds rush by—Somewhere to Be That’s Not Here. For a moment, just a moment, suspended in space like a breath, I see the moon flash through. Dim, cloudbound, an indistinct pearl whitening the air around it. But even as I write the word moon I know that is the old word. Not so old that I have lost it completely, like the things that are tigers now, but old enough that I can only indicate with the circumference of my o’s and zeroes that I wish to say moon. The word for it now is weakness.

How the weakness shines tonight. How full and bright my weakness in the dark. I am Aeromaus. I am no one.

Weakness wanes; weakness waxes.

I was not born in Yellow District. Instead, I live until the age of five in Grey District, 1st Level, near enough to the props to hear them whipping the cream of the wind every day of my tiny life. Those who live in Grey District have the unique (or almost unique, presumably all the edge Districts have the same view—Red, Indigo, Turquoise, Viridian) vantage of being so low and so far. We look over the edge of the world. We call it faith. There is nothing down there but water, in every direction, deep and livid and churning. When the clouds are kind, they cover it so we cannot see.

When Our Lady is unhappy, she brings people here, with her hundred hands. If they have subverted her. If they have kept the old ways of saying what a thing is. If they are in her categories of guilt. They fall but they are flying, like the gannets, dwindling down and out of reach, ecstatic white against the dark water, falling forever but not forever. I always wondered why she did it herself. Maybe there is only one of her and only her. Maybe she is millions.

They flash gold in the sudden sun just before they hit the tide. They become clouds. Snowy Seedpods Seeking New Ground.

No one is coming to visit, to read my tourist guide, to guess at the other meaning, the original or corrupted version. No one is coming because there is no one else.

This is a cypher. Nothing on these pages means what it says. It used to say something else. When you have been here a little while, it will mean something else again. But you will not be here. You will not eat the shrimp or stuff a bird with plums. I will never meet you—but then, it is unlikely I will meet anyone again. I am almost at an end and soon my friends will not remember my name, only redacted or sunflower or whatever substitutes for me.

I am finished.

In my mind I know the name of an ocean the size of everything that was. My mouth can only call it death.

Red Engines

When I kissed her

she tasted like Mars.

Like red cupolas, gilt-spangled,

etched steel cockerels snapping

at a dry, weedy dawn.

She tasted like new streets,

rolled out like silk rugs across meridians,

like a girl

who might not remember what Earth looked like,

even a little,

even a pine tree,

even a sea.

When I kissed her

she tasted like gunmetal cities

pricked with soapy, foaming green:

strange-bred grasses clutching at air,

like a polished sheet of polar ice,

and she dancing upon it, a new kind of beast,

feet blue and bare,

heedless, atavistic, her hair an explosion

which, of course, is red,

could never have been anything other

than red.

In her kiss,

she walks naked through Hellas Planitia;

her pilgrim road all on fire, under crystal,

under a golden sizzle of solar wind.

Her teeth on my lips I watch her buy

this memory from a bazaar,

drink krill from a pink glass vial,

mate with a toad-skinned boy,

and hold against her small breasts

an ultraviolet bubble

wherein she and I are kissing,

forever,

so very like living things.

When I kissed her

she tasted like two moons tumbling,

gleaming, old bones cast into the sky

to foretell my own obsolescence.

What place I, in the place where she lives?

What good my French cuffs

in that long desert?

When I kissed her I knew

she was not like me:

she knew none of the secret

houndstooth shames

that gentlemen know.

Her Galapagos-soul

had flashed past all that,

and she moved like dust on the plain.

A gentleman comes boldly,

when he comes.

He knocks at a little round door,

all etiquette, bred like a dog

to race after her, oh, to run,

while she speeds ahead in her uncatchable orbit,

spinning on her silver rod

always,

always,

so very like a living girl,

always,

always,

so very much faster than he.

I cannot go to Mars.

I am extinct there—

customs would never let me pass.

The days of maids yelping in chicken yards,

scared half to death of a hymen

are gone.

When I kissed her

she tasted like change,

like the face of the moon

suddenly showing her dark.

I did not notice.

Still yet in the chicken yard,

thinking it mattered,

that it would bother her,

I curdled the milk and ruined the beer,

unspun the wool and frightened the cows,

crowing at my body’s breadth—

while she, oil-grimed, skull shaved,

quietly built red engines

to carry herself off.

My hands in her hair,

I looked up in the smoky night,

to a red thing in the sky,

and began to break along the seams,

to fold and arc like a steel cockerel

straining at the sun,

to sear into a thing

that might match her;

not gentle, not bred,

a thing which might taste

of orange domes like bodies rising,

of pilgrim blood both savage

and serene.

The Wolves of Brooklyn

It was snowing when the wolves first came, loping down Flatbush Ave, lithe and fast, panting clouds, their paws landing with a soft, heavy sound like bombs falling somewhere far away. Everyone saw them. Everyone will tell you about it, even if they were in Pittsburgh that weekend. Even if they slept through it. Even if their mothers called up on Monday and asked what in the world was going on out there in that Babylon they chose to live in. No, the collective everyone looked out of their walk-up windows the moment they came and saw those long shapes, their fur frosted and tinkling, streaming up the sidewalks like a flood, like a wave, and the foam had teeth.

These days, we go to work. We come home. We put on dresses the color of steel and suits the color of winter. We go to cafes and drink lattes with whiskey and without sugar or bars where we drink whiskey without ice and without water. Bars aren’t noisy anymore. It’s a murmur, not a roar. They keep the music turned down so we can talk. So we can tell our wolf stories. Outside the windows, where the frost crackles the jambs, they stand and press their noses to the glass, fogging it with their breath.

Camille sits with her elbow crossing her knee, her dress glittering ice because they like it that way. They watch you, when you shine. Her lavender hair catches the lamplight, expensive, swooping and glossy, rich punk girl’s hair. She says:

“I was walking to the store for coffee. We always run out; I just never think of it until it’s already gone. I thought I’d get some cookies, too. The kind with jam in the middle, that look like a red eye. I guess that doesn’t matter. You know, I always fuck up jokes, too. Anyway, it was snowing, and I just wanted some coffee and cookies and then it was walking next to me. He was walking next to me. A big one, as big as a horse, and white, so white in the snow and the streetlight, his fur so thick your hands could disappear in it. All I could think of was the horse I used to love when I was a kid. Boreal. My mom used to drive me to the stables every morning and I’d brush him and say his name over and over, and the wolf was white like Boreal, and tall like him, and I started running because, well, shit, he’s a wolf. Running toward the store, like I could still get coffee and cookies. He ran with me. So fast, and I had my red coat on and we were running together through the snow, his breath puffing out next to me, and I saw that his eyes were gold. Not yellow, but gold. I was red and he was gold and we were running so fast together, as fast as Boreal and I used to run; faster. We ran past the store, into the park, and snow flew out under my feet like feathers. I stopped by that little footbridge—the wolf was gone and I had just kept on running out into the frozen grass.”

The wolves never cross the bridges. Sometimes they run right up to them, and sniff the air like Brooklyn has a musk and it fades at the edges, like they accidentally came too close to the end of the world. They turn around and walk back into the borough with their tails down. They stop right at Queens, too. They won’t cross the borders; they know their home. For awhile no one talked about anything else, and all our friends in Manhattan wanted to come and see them, photograph them, write about them. I mean, wouldn’t you? But there were incidents—like any dog, they don’t like strangers. This girl Marjorie Guste wanted to do a whole installation about them, with audio and everything. She brought a film crew and a couple of models to look beautiful next to them and she never got a shot. The wolves hid from her. They jumped onto the roofs of brownstones, dipped into alleys and crawled into sewer gratings. We could see where they’d gone sometimes, but when MG swung her lens around they’d be gone, leaping across the treetops in the snow.

Geoffrey, despite the name, is a girl. It’s a joke left over from when she was a kid and hated being the four hundredth Jenny in her grade. She’s got green sequins on, like a cigarette girl from some old movie theatre. I love how her chin points, like the bottom of a heart. We dated for awhile, when I was still going to school. We were too lazy, though. The way you just wake up sometimes and the house is a disaster but you can’t remember how it really got that way, except that how it got that way is that you didn’t do the dishes or pick up your clothes. Every day you made a choice not to do those things and it added up to not being able to get to the door over the coffee mugs and paperbacks piled up on the floor. But still, she was at my house the night the wolves came, because laziness goes both ways.

She says: “Most of the time, you know, I really like them. They’re peaceful. Quiet. But the other week I was down on Vanderbilt and I saw one come up out of the street. Like, ok, the street cracked open—you know there’s never any traffic anymore so it was just cold and quiet and the storm was still blowing, and the street came open like it had popped a seam. Two white paws came up, and then the whole wolf, kicking and scrabbling its hind legs against the road to get a grip on it. Just like a fat little puppy. It climbed out and then it bit the edge of the hole it had made and dragged the street back together. I looked around—you know how it is now. Not a soul on the sidewalk. No one else saw. The wolf looked at me and its tongue lolled out, red in the snow, really red, like it had just eaten. Then it trotted off. I went out and touched the place where it broke through. The road was hot, like an iron.”

The wolves have eaten people. Why be coy about it? Not a lot of people. But it’s happened. As near as anyone can figure, the first one they ate was a Russian girl named Yelena. They surrounded her and she stood very still, so as not to startle them. Finally, she said: “I’m lonely,” because it’s weird but you tell the wolves things, sometimes. You can’t help it, all these old wounds come open and suddenly you’re confessing to a wolf who never says anything back. She said: “I’m lonely,” and they ate her in the street. They didn’t leave any blood. They’re fastidious like that. Since then I know of about four or five others, and well, that’s just not enough to really scare people. Obviously, you’ll be special, that they’ll look at you with those huge eyes and you’ll understand something about each other, about the tundra and blood and Brooklyn and winter, and they’ll mark you but pass you by. For most of us that’s just what happens. My friend Daniel got eaten, though. It’s surprising how you can get used to that. I don’t know what he said to them. To tell you the truth, I didn’t know Daniel that well.

Seth’s eyes have grown dark circles. He came wearing a threadbare 1950s chic suit: thin tie, grey lapels, wolf pack boy with a rat pack look. The truth is I’ve known Seth since seventh grade, but we never talk about it. We lived on the same sunny broad Spielbergian cul-de-sac, we conquered the old baseball diamond where we, the weird bookish kids, kept taking big steps backward until we were far too outfield to ever have to catch a ball. We’d talk about poetry instead: Browning (Elizabeth only), Whitman, Plath. We came back east hoping to be, what? A writer and a dancer, I guess is the official line. We run with the same crowd, the crowd that has an official line, but we’re not really friends anymore. We used to conjugate French verbs and ride our bikes home through the rain.

He says: “I came out to go to the restaurant one morning and one was sitting in my hallway. He still had snow on his ears; he took up the whole stairwell. He just stood there, looking at me, the snow melting into his fur and the light that never gets fixed flickering and popping. His eyes were dark, really dark, almost black, but I think they might actually have been purple, if I could have gotten close enough. He just stared, and I stared, and I sat down on my doorstep eventually. We watched each other until my shift would have ended. I reached out to touch him; I don’t know why I thought I could, I just liked how black his nose was, how white and deep his fur looked. He made me think of…” And Seth looks at me as though I am a pin in his memory and he wants to pull me out, so that the next part can be his alone, so that I can retroactively never have pulled down willow branches for a crown, “…of this one place I used to go when I was a kid, in the woods by my school, and I’d make little acorn pyramids or mulberry rings on the ground before first period, and they were always gone when I got back, like someone had taken them, like they were gifts. The wolf looked like the kind of thing that might have seen a bunch of sticks and moss and taken them as tribute. But he didn’t let me touch him, he howled instead—have you heard one howl yet? It’s like a freight train. The lightbulb shattered. I went inside like that was my shift, sitting with a wolf all day not saying anything. The next morning he’d gone off.”

Seth was my first kiss. I never think about that anymore.

I know this guy named David—he never comes out to the cafe, but I see him sometimes, sitting on a bench, his long thin hair in a ponytail, punching a netbook with a little plastic snow-cover over it. The snow never stops anymore. You do your best. He’s trying to track them, to see if they have patterns, migration or hunting or mating patterns, something that can be charted. Like a subway map. A wolf map. He thinks he’s getting close—there’s a structure, he says. A repetition.He can almost see it. More data, he always needs more data.

Ruben always looks sharper than the rest of us. Three-piece, bow tie, pocket watch and chain, hair like a sculpture of some kind of exotic bird. Somehow his hair doesn’t really look affected, though. He looks like he was born that way, like he was raised by a very serious family of tropical cranes. He wasn’t, though. He’s a fourth generation why-can’t-you-marry-a-nice-Jewish-girl Brooklynite. He belongs here more than any of us.

He says: “I keep wondering why. I mean, don’t any of you wonder why? Why us, why them, why here? I feel like no one even asks that question, when to me it seems such an obvious thing. I asked my uncle and he said: son, sometimes you have to just let the world be itself. I asked my mom and she said: Ruben, sometimes I think everything is broken and that’s its natural state. And, well, I think that’s bullshit. Like, ok, it’s either zoological or metaphysical. Either they are real wolves and they migrated here, or they didn’t, and they aren’t.”

Camille interrupts him. She puts her hand on his knee. She says: “Does it matter? Does it really matter?”

He glares at her. You aren’t supposed to interrupt. That’s the ritual. It’s the unspoken law. “Of course it matters. Don’t you ever wake up and hope they’ll be gone? Don’t you ever drink your coffee and look out your window and eat your fucking cruller and think for just a moment there won’t be a wolf on your doorstep, watching you, waiting for you to come out? They could leave someday. Any day.” But we all know they won’t. We can’t say how we know. It’s the same way we know that Coca-Cola will keep making Coke. It’s a fact of the world. Ruben is really upset—he’s breaking another rule but none of us say anything. We don’t come here to get upset. It doesn’t accomplish anything. “I asked one of them once. She’d followed me home from the F train—what I mean is she’d been all the way down on the platform, and when I got off she trotted up after me and followed me, me, specifically. And I turned around in the snow, the fucking snow that never ends and I yelled: Why? Why are you here? What are you doing? What do you want? I guess that sounds dumb, like a scene in a movie if this were happening in a movie and DiCaprio or whoever was having his big cathartic moment. But I wanted to know so badly. And she—I noticed it was a she. A bitch. She bent her head. God, they are so tall. So tall. Like statues. She bent her head and she licked my cheek. Like I was a baby. She did it just exactly like I was her puppy. Tender, kind. She pressed her forehead against mine and shut her eyes and then she ran off. Like it hadn’t even happened.”

There’s going to be a movie. We heard about it a couple of months ago. Not DiCaprio, though. Some other actor no one’s heard of. They expect it to be his big breakthrough. And the love interest has red hair, I remember that. It seems so far away; really, it has nothing to do with us. It’s not like they’ll film on location: CGI, all the way. Some of the locals are pissed about it—it’s exploiting our situation, it’ll just bring stupid kids out here wanting to be part of it, part of something, anything, and they’ll be wolf food. But shit, you kind of have to make a movie about this, don’t you? I would, if I didn’t live here. Nothing’s real until there’s a movie about it.

Of course people want to be a part of it. They want to touch it, just for a second. They come in from the West Coast, from Ohio, from England, from Japan, from anywhere, just to say they saw one. Just to reach out their hand and be counted, be a witness, to have been there when the wolves came. But of course they weren’t there, and the wolves are ours. They belong to us. We’re the ones they eat, after all. And despite all the posturing and feather-display about who’s been closest, deepest, longest, we want to be part of it, too. We’re like kids running up to the edge of the old lady’s house on the edge of town, telling each other she’s a witch, daring Ruben or Seth or Geoff to go just a little closer, just a little further, to throw a rock at her window or knock on the door. Except there really is a witch in there, and we all know it’s not a game.

Anyway, the outsiders stopped showing up so much after Yelena. It’s less fun, now.

But it’s the biggest thing that will ever happen to us. It’s a gravitational object you can’t get around or through, you only fall deeper in. And the thing is we want to get deeper in. Closer, further, knocking on the door. That’s why we dress this way; that’s why we tell our stories while the wolves watch us outside the cafe window, our audience and our play all at once.

“Anna,” Seth says to me, and I warm automatically at the sound of his voice, straightening my shoulders and turning toward him like I always did, like I did in California when I didn’t know what snow looked like yet, and I thought I loved him because I’d never kissed anyone else. “You never say anything. It’s your turn. It’s been your turn for months.”

I am wearing red. I always wear red. Tiny gold coins on tinier gold ropes ring my waist in criss-crossed patterns, like a Greek goddess of come-hither, and my shoes have those ballet straps that wind all the way up my calves. My hair is down and it is black. They like it, when my hair is down. They follow me with their eyes. I’ve never said so to Ruben but they are always there when I get off the train, always panting a little on the dark platform, always bright-eyed, covered in melting snowflakes.

I say: “I like listening. They do, too, you know. Sometimes I think that’s all they do: listen. Well. After Daniel—I knew him, I’m not sure if I’ve ever told you guys that. From that summer when I interned downtown. After Daniel I started feeling very strange, like something was stuck in me. It’s not that I wanted revenge or anything. I didn’t know him that well and I just don’t think like that. I don’t think in patterns—if this, then that. The point is, I started following one of them. A male, and I knew him because his nose was almost totally white, like he’d lost the black of it along the way. I started following him, all over the place, wherever he went, which wasn’t really very far from my apartment. It’s like they have territories. Maybe I was his territory. Maybe he was mine—because at some point I started taking my old archery stuff with me. My sister and I had both taken lessons as kids, but she stuck with it and I didn’t. Seth—well, Seth probably remembers. There was awhile there when I went to school with a backpack over one shoulder and a bow over the other. Little Artemis of Central California. I started doing that again. It didn’t seem to bother the wolf. He’d run down the 7th av like he had an appointment and I’d run after him. And one day, while he was waiting for the light to change, I dropped to one knee, nocked an arrow, and shot him. I didn’t mean to do it. I didn’t set out to. It doesn’t seem to have happened in a linear way when I think about it. I mean, yes, I followed him, but I wasn’t hunting him. Except I guess I was. Because I’d packed a big kitchen knife and I don’t even remember doing that. You know there’s never any traffic down there anymore, so I just gutted him right there on the median, and his blood steamed in the snowfall, and I guess I brought a cooler, too, because I packed all the meat away that I could, and some organs. It took a long time. I skinned him, too. It’s really hard work, rendering an animal. But there’s an instinct to it. Everyone used to know how to do this. I took it all home and I separated everything out and started curing it, salting it, smoking it.” I twist a big orange glass ring on my finger and don’t look at anyone. “I have wolf sausages, wolf cutlets, wolf bacon, wolf roasts, wolf loin, even wolf soup in plastic containers in my fridge. I eat it every day. It tastes…” I don’t want to talk about how it tastes. It tastes perfect. It tastes new. “They all know me now, I’m pretty sure. Once, a younger one, skinny, with a black tip on her tail, saw me by the co-op and crawled toward me on her belly, whining. I watched her do it, bowing her head, not looking me in the eye. I reached out my hand and petted her. Her fur felt so rough and thick. We were…exchanging dominance. I’ve had dogs before. I know how that works. And I started wearing red.”

I tell them they can come by. There’s plenty of meat to share. It never seems to run out, in fact. They won’t—most of them. They don’t look at me the same way after that. In a week or so Seth will show up at my door. He’ll just appear, in a white coat with fur on the hood, full of melting snowflakes. And I’ll pour the soup into steel bowls and we’ll sit together, with our knees touching.

This is what Brooklyn is like now. It’s empty. A few of us stayed, two hundred people in Williamsburg, a hundred in Park Slope, maybe fifty in Brooklyn Heights. Less towards the bay, but you still find people sometimes, in clusters, in pairs. You can just walk down the middle of any street and it’s so silent you forget how to talk. Everyone moved away or just disappeared. Some we know were eaten, some—well, people are hard to keep track of. You have to let go of that kind of thinking—no one is permanent. The Hasidim were the last big group to go. They called the wolves qliphoth—empty, impure shells, left over from the creation of the world. A wolf swallowed a little boy named Ezra whole. He played the piano.

It snows forever. The wolves own this town. They’re talking about shutting off subway service, and the bridges, too. Just closing up shop. I guess I understand that. I’m not angry about it. I just hope the lights stay on. We still get wifi, but I wonder how long that can really last.

We go to the cafe every night, shining in our sequins and suits, and it feels like the old days. It feels like church. We go into Manhattan less and less. All those rooftop chickens and beehives and knitters and alleyway gardeners comprise the post-wolf economy. We trade, we huddle, nobody locks the doors anymore. Seth brings eggs for breakfast most mornings, from his bantams, those he has left. Down on Court Street, there’s a general sort of market that turns into dancing and old guitars and drums at night, an accordion yawns out the dusk and there’s a girl with silk ribbons who turns and turns, like she can’t stop. The wolves come to watch and they wait in a circle for us to finish, and sometimes, sometimes they dance, too.

One has a torn ear. I’ve started following her when I can. I don’t remember picking up my bow again, but it’s there, all the same, hanging from me like a long, thin tail.

One Breath, One Stroke

1. In a peach grove the House of Second-Hand Carnelian casts half a shadow. This is because half of the house is in the human world, and half of it is in another place. The other place has no name. It is where unhuman things happen. It is where tricksters go when they are tired. A modest screen divides the world. It is the color of plums. There are silver tigers on it, leaping after plum petals. If you stand in the other place, you can see a hundred eyes peering through the silk.

2. In the human half of the House of Second-Hand Carnelian lives a mustached gentleman calligrapher named Ko. Ko wears a chartreuse robe embroidered with black thread. When Ko stands on the other side of the house he is not Ko, but a long calligraphy brush with badger bristles and a strong cherrywood shaft. When he is a brush his name is Yuu. When he was a child he spent all day hopping from one side of the house to the other. Brush, man. Man, brush.

3. Ko lives alone. Yuu lives with Hone-Onna, the skeleton woman, Sazae-Onna, the snail woman, a jar full of lightning, and Namazu, a catfish as big as three strong men. When Namazu slaps his tail on the ground, earthquakes tremble, even in the human world. Yuu copied a holy text of Tengu love poetry onto the bones of Hone-Onna. Her white bones are black now with beautiful writing, for Yuu is a very good calligrapher.

4. Hone-Onna’s skull reads: The moon sulks. I am enfolded by feathers the color of remembering. The talons I seize, seize me.

5. Ko is also an excellent calligrapher. But he is retired, for when he stands on one side of the House of Second-Hand Carnelian, he has no brush to paint his characters, and when he stands on the other, he has no breath. “The great calligraphers know all writing begins in the body. One breath, one stroke. One breath, one stroke. That is how a book is made. Long, black breath by long black breath. Yuu will never be a great calligrapher, even though he is technically accomplished. He has no body to begin his poems.”

6. Ko cannot leave the House of Second-Hand Carnelian. If he tries, he becomes sick, and vomits squid ink until he returns. He grows radish, melon, and watercress, and of course there are the peaches. A river flows by the House of Second-Hand Carnelian. It is called the Nobody River. When it winds around to the other side of the house, it is called the Nothingness River. There are some fish in it. Ko catches them with a peach branch. Namazu belches and fish jump into his mouth. On Namazu’s lower lip Yuu copied a Tanuki elegy.

7. Namazu’s whiskers read: In deep snow I regret everything. My testicles are heavy with grief. Because of me, the stripes of her tail will never return.

8. Sazae-Onna lives in a pond in the floor of the kitchen. Her shell is tiered like a cake or a palace, hard and thorned and colored like the inside of an almond, with seams of mother of pearl swirling in spiral patterns over her gnarled surface. She eats the rice that falls from the table when the others sit down to supper. She drinks the steam from the teakettle. When she dreams she dreams of sailors fishing her out of the sea in a net of roses. On the Emperor’s Birthday Yuu gives her candy made from Hone-Onna’s marrow. Hone-Onna does not mind. She has plenty to spare. Sazae-Onna takes the candy quietly under her shell with one blue-silver hand. She sucks it for a year.

9. When Yuu celebrates the Emperor’s Birthday, he does not mean the one in Tokyo. He means the Goldfish-Emperor of the Yokai who lives on a tiny island in the sea, surrounded by his wives and their million children. On his birthday he grants a single wish—among all the unhuman world red lottery tickets appear in every teapot. Yuu has never won.

10. The Jar of Lightning won once, when it was not a jar, but a Field General in the Storm Army of Susano-no-Mikoto. It had won many medals in its youth by striking the cypress-roofs of the royal residences at Kyoto and setting them on fire. The electric breast of the great lightning bolt groaned with lauds. When the red ticket formed in its ice-cloud teapot, with gold characters upon it instead of black, the lightning bolt wished for peace and rest. Susano-no-Mikoto is a harsh master with a harsh and windy whip, and he does not permit honorable retirement. This is how the great lightning bolt became a Jar of Lightning in the House of Second-Hand Carnelian. It took the name of Noble and Serene Electric Master and polishes its jar with static discharge on washing day.

11. Sazae-Onna rarely shows her body. Under the shell, she is more beautiful than anyone but the moon’s wife. No one is more beautiful than her. Sazae-Onna’s hair is pale, soft pink; her eyes are deep red, her mouth is a lavender blossom. Yuu has only seen her once, when he caught her bathing in the river. All the fish surrounded her in a ring, staring up at her with their fishy eyes. Even the moon looked down at Sazae-Onna that night, though he felt guilt about it afterward and disappeared for three days to purify himself. So profoundly moved was Yuu the calligraphy brush that he begged permission to copy a Kitsune hymn upon the pearl-belly of Sazae-Onna.

12. The pearl-belly of Sazae-Onna reads: Through nine tails I saw a wintry lake at midnight. Skate-tracks wrote a poem of melancholy on the ice. You stood upon the other shore. For the first time I thought of becoming human.

13. Ko has no visitors. The human half of the House of Second-Hand Carnelian is well hidden in a deep forest full of black bears just wise enough to resent outsiders and arrange a regular patrol. There is also a Giant Hornet living there, but no one has ever seen it. They only hear the buzz of her wings on cloudy days. The bears, over the years, have developed a primitive but heartfelt Buddhist discipline. Beneath the cinnamon trees they practice the repetition of the Growling Sutra. The religion of the Giant Hornet is unknown.

14. The bears are unaware of their heritage. Their mother is Hoeru, the Princess of All Bears. She fell in love with a zen monk whose koans buzzed around her head like bees. The Princess of All Bears hid her illegitimate children in the forest around the House of Second-Hand Carnelian, close enough to the plum-colored screen to watch over, but far enough that their souls could never quite wake. It is a sad story. Yuu copied it onto a thousand peach leaves. When the wind blows on his side of the house, you can hear Hoeru weeping.

15. If Ko were to depart the house, Yuu would vanish forever. If Ko so much as crosses the Nobody River, he receives a pain in his long bones, the bones which are most like the strong birch shaft of a calligraphy brush. If he tries to open the plum-colored screen, he falls at once to sleep and Yuu appears on the other side of the silks having no memory of being Ko. Ko is a lonely man. With his fingernails he writes upon the tatami: Beside the sunlit river I regret that I never married. At tea-time, I am grateful for the bears.

16. The woven grass swallows his words.

17. Sometimes the bears come to see him, and watch him catch fish. They think he is very clumsy at it. They try to teach him the Growling Sutra as a cure for loneliness, but Ko cannot understand them. He fills a trough with weak tea and shares his watercress. They take a little, to be polite.

18. Yuu has many visitors, though Namazu the catfish has more. Hone-Onna receives a gentleman skeleton at the full moon. They hold seances to contact the living, conducted with a wide slate of volcanic glass, yuzu wine, and a transistor radio brought to the House of Second-Hand Carnelian by a Kirin who had recently eaten a G.I. and spat the radio back up. The Kirin wrapped it up very nicely, though, with curls of green silk ribbon. Hone-Onna and her suitor each contribute a shoulder blade, a thumb-bone, and a kneecap. They set the pieces of themselves upon the board in positions according several arcane considerations only skeletons have the patience to learn. They drink the yuzu wine; it trickles in a green waterfall through their ribcages. Then they turn on the radio.

19. Yuu thanked the Kirin by copying a Dragon koan onto his long horn. The Kirin’s horn reads: What was the form of the Buddha when he came among the Dragons?

20. Once, Datsue-Ba came to visit the House of Second-Hand Carnelian. She arrived on a palanquin of business suits, for Datsue-Ba takes the clothes of the dead when they come to the shores of the Sanzu River in the underworld. She and her husband Keneo live beneath a persimmon tree on the opposite bank. Datsue-Ba takes the clothes of the lost souls after they have swum across, and Keneo hangs them to dry on the branches of their tree. Datsue-Ba knows everything about a dead person the moment she touches their sleeve.

21. Datsue-Ba brought guest gifts for everyone, even the Jar of Lightning. These are the gifts she gave:

A parasol painted with orange blossoms for Sazae-Onna so she will not dry out in the sun.

A black funeral kimono embroidered with black cicada wings for Hone-Onna so that she can attend the festival of the dead in style.

A copper ring bearing a ruby frog on it for Yuu to wear around the stalk of his brush-body.

A cypress-wood comb for the Noble and Serene Electric Master to burn up and remember being young.

Several silver earrings for Namazu to wear upon his lip and feel mighty.

22. Datsue-Ba also brought a gift for Ko. This is how he acquired his chartreuse robe embroidered with black thread. It once belonged to an unremarkable courtier who played the koto poorly and envied his brother who held a rank one level higher than his own. Datsue-Ba put the chartreuse robe at the place where the Nothingness River becomes the Nobody River. Datsue-Ba is very good at rivers. When Ko found it, he did not know who to thank, so he turned and bowed to the plum-colored screen.

23. This begs the question of whether Ko knows what goes on in the other half of the House of Second-Hand Carnelian. Sometimes he wakes up at night and thinks he hears singing, or whispering. Sometimes when he takes his bath the water seems to gurgle as though a great fish is hiding in it. He conceived suspicions when he tried to leave the peach grove which contains the house and suffered in his bones so terribly. For a long time that was all Ko knew.

24. Namazu runs a club for Guardian Lions every month. They play dice; the stone lions shake them in their mouths and spit them against the peach trees. Namazu roars with laughter and slaps the ground with his tail. Earthquakes rattle the mountains in Hokkaido. Most of the lions cheat because their lives are boring and they crave excitement. Guarding temples does not hold the same thrill as hunting or biting. Auspicious Snow Lion is the best dice-player. He comes all the way from Taipei to play and drink and hunt rabbits in the forest. He does not speak Japanese, but he pretends to humbly lose when they others snarl at his winning streaks.

25. Sometimes they play Go. The lions are terrible at it. Fortuitous Brass Lion likes to eat the black pieces. Namazu laughs at him and waggles his whiskers. Typhoons spin up off the coast of Okinawa.

26. Everyone on the unhuman side of the House of Second-Hand Carnelian is curious about Ko. Has he ever been in love? Fought in a war? What are his thoughts on astrology? Are there any good scandals in his past? How old is he? Does he have any children? Where did he learn calligraphy? Why is he here? How did he find the house and get stuck there? Was part of him always a brush named Yuu? Using the thousand eyes in the screen, they spy on him, but cannot discover the answers to any of these questions.

27. They have learned the following: Ko is left-handed. Ko likes fish skin better than fish flesh. Ko cheats when he meditates and opens his eyes to see how far the sun has gotten along. Ko has a sweet tooth. When Ko talks to the peach trees and the bears, he has an Osaka accent.

28. The Noble and Serene Electric Master refused to let Yuu copy anything out on its Jar. The Noble and Serene Electric Master does not approve of graffiti. Even when Yuu remembered suddenly an exquisite verse written repeated among the Aosaginohi Herons who glow in the night like blue lanterns. The Jar of Lightning snapped its cap and crackled disagreeably. Yuu let it rest; when you share a house you must let your manners go before you to smooth the path through the rooms.

29. The Heron-verse went: Autumn maples turn black in the evening. I turn them red again and caw for you, flying south to Nagoya. The night has no answer for me, but many small fish.

30. Who stretched the plum-colored screen with silver tigers leaping upon it down the very narrow line separating the halves of the house? For that matter, who built the House of Second-Hand Carnelian? Sazae-Onna knows, but she doesn’t talk to anyone.

31. Yuki-Onna came to visit the Jar of Lightning. They had been comrades in the army of storms long ago. With every step of her small, quiet feet, snowflakes fell on the peach grove and the Nothingness River froze into intricate patterns of eddies and frost. She wore a white kimono with a silver obi belt, and her long black hair was scented with red bittersweet. Everyone grew very silent, for Yuki-Onna was a Kami and not a playful lion or a hungry Kirin. Yuu trembled. Tiny specks of ink shook from his badger-bristles. He longed to write upon the perfect white silk covering her shoulders. Hone-Onna brought tea and black sugar to the Snow-and-Death Kami. Snow fell even inside the house. The Noble and Serene Electric Master left its Jar and circled its blue sparkling jagged body around the waist of Yuki-Onna, who laughed gently. One of the bears on the other side of the peach grove collapsed and coughed his last black blood onto the ice. Yuu noticed that the Snow-and-Death Kami wore a necklace. Its beads were silver teeth, hundreds upon thousands of them, the teeth of all of winter’s dead. Unable to contain himself, Yuu wrote in the frigid air: Snow comes; I have forgotten my own name.

32. Yuki-Onna looks up. Her eyes are darker than death. She closes them; Yuu’s words appear on the back of her neck.

33. Yuu is unhappy. He wants Sazae-Onna to love him. He wants Yuki-Onna to come back to visit him and not the Noble and Serene Electric Master. He wants to be the premier calligrapher in the unhuman half of Japan. He wants to be asked to join Namazu’s dice games. He wants to leave the House of Second-Hand Carnelian and visit the Emperor’s island or the crystal whale who lives off the coast of Shikoku. But if Yuu tries to leave his ink dries up and his wood cracks until he returns.

34. Someone wanted a good path between the human and the unhuman Japans. That much is clear.

35. Sazae-Onna does not like visitors one little bit. They splash in her pond. They poke her and try to get her to come out. Unfortunately, every day brings more folk to the House of Second-Hand Carnelian. First the Guardian Lions didn’t leave. Then Datsue-Ba came back with even more splendid clothes for them all, robes the color of maple leaves and jewels the color of snow and masks painted with liquid silver. Then the Kirin returned and asked Sazae-Onna to marry him. Yuu trembled. Sazae-Onna said nothing and pulled her shell down tighter and tighter until he went away. Nine-Tailed Kitsune and big-balled Tanuki are eating up all the peaches. Long-nosed Tengu overfish the river. No one goes home when the moon goes down. When the Blue Jade Cicadas arrive from Kamakura Sazae-Onna locks her kitchen and tells them all the shut up.

36. Yuu knocks after everyone has gone to sleep. Sazae-Onna lets him in. On the floor of her kitchen he writes a Kappa proverb: Dark clouds bring rain, the night brings stars, and everyone will try to spill the water out of your skull.

37. At the end of summer, the unhuman side of the house is crammed full, but Ko can only hear the occasional rustle. When Kawa-Uso the Otter Demon threw an ivory saddle onto the back of one of the bears and rode her around the peach grove like a horse, Ko only saw a poor she-bear having some sort of fit. Ko sleeps all the time now, though he is not really sleeping. He is being Yuu on the other side of the plum-colored screen. He never writes poetry in the tatami anymore.

38. The Night Parade occurs once every hundred years at the end of summer. Nobody plans it. They know to go to the door between the worlds the way a brown goose knows to go north in the spring.

39. One night the remaining peaches swell up into juicy golden lanterns. The river rushes become kotos with long spindly legs. The mushrooms become lacy, thick oyster-drums. The Kitsune begin to dance; the Tengu flap their wings and spit mala beads toward the dark sky in fountains. A trio of small dragons the color of pearls in milk leap suddenly out of the Nothingness River. Cerulean fire curls out of their noses. The House of Second-Hand Carnelian empties. Namazu’s Lions carry him on a litter of silk fishing nets. The Jar of Lightning bounces after Hone-Onna and her gentleman caller, whose bones clatter and clap. When only Yuu and the snail-woman are left, Sazae-Onna lifts up her shell and steps out into the Parade, her pink hair falling like floss, her black eyes gleaming. Yuu feels as though he will crack when faced with her beauty.

40. The Parade steps over the Nothingness River and the Nobody River and enters the human Japan, dancing and singing and throwing light at the dark. They will wind down through the plains to Kyoto before the night is through, and flow like a single serpent into the sea where the Goldfish Emperor of the Yokai will greet them with hismillion children and his silver-fronded wives.

41. Yuu races after Sazae-Onna. The bears watch them go. In the midst of the procession Hoeru the Princess of All Bears, who is Queen now, comes bearing a miniature Agate Great Mammal Palace on her back. Her children fall in and nurse as though they were still cubs. For a night, they know their names.

42. Yuu does not make it across the river. It goes jet with his ink. His strong birch shaft cracks; Sazae-Onna does not turn back. When she dances she looks like a poem about loss. Yuu pushes forward through the water of the Nothingness River. His shaft bursts in a shower of birch splinters.

43. A man’s voice cries out from inside the ruined brush-handle. Yuu startles and stops. The voice says: I never had any children. I have never been in love.

44. Yuu topples into the Nobody River. The kotos are distant now, the peach-lanterns dim. His badger-bristles fall out.

45. Yuu pulls himself out of the river by dry grasses and berry vines. He is not Yuu on the other side. He is not Ko. He has Ko’s body but his arms are calligraphy brushes sopping with ink. His feet are inkstones. He can still here the music of the Night Parade. He begins to dance. Not-Yuu and Not-Ko takes a breath.

46. There is only the House of Second-Hand Carnelian to write on. He writes on it. He breathes and swipes his brush, breathes, brushes. Man, brush. Brush, Man. He writes and does not copy. He writes psalms of being part man and part brush. He writes poems of his love for the snail-woman. He writes songs about perfect breath. The House slowly turns black.

47. Bringing up the rear of the Parade hours later, Yuki-Onna comes silent through the forest. Snow flows before her like a carpet. She has brought her sisters the Flower-and-Joy Kami and the Cherry-Blossom-Mount-Fuji Kami. The crown of the Fuji-Kami’s head has frozen. The Flower-and-Joy Kami is dressed in chrysanthemums and lemon blossoms. They pause at the House of Second-Hand Carnelian. Not-Yuu and Not-Ko shakes and shivers; he is sick, he has received both the pain in his femurs and the pain in his brush-handles. The Kami shine so bright the fish in both rivers are blinded. The Flower-and-Joy Kami looks at the poem on one side of the door. It reads: In white peonies I see the exhalations of my kanji blossoming. The Cherry-Blossom-Mount-Fuji Kami looks at the poem on the other side of the door. It reads: It is enough to sit at the foot of a mountain and breathe the pine-mist. Only a proud man must climb it. The Kami close their eyes as they pass by. The words appear on the backs of their necks as they disappear into the night.

48. Ko dies in mid-stroke, describing the sensation of lungs filled up like the wind-bag of heaven. Yuu dies before he can complete his final verse concerning the exquisiteness of crustaceans who will never love you back.

49. Slowly, with a buzz like breath, the Giant Hornet flies out of her nest and through the peach grove denuded by hungry Tanuki. She is a heavy, furry emerald bobbing on the wind. The souls of Ko and Yuu quail before her. As she picks them up with her weedy legs and puts them back into their bodies she tells them a Giant Hornet poem: Everything is venom, even sweetness. Everything is sweet, even venom. Death is illiterate and a hayseed bum. No excuse to leave the nest unguarded. What are you, some silly jade lion?

50. The sea currents bring the skeleton-woman back, and Namazu who has caused two tsunamis, though only one made the news. The Jar of Lightning floats up the river. Finally the snail-woman returns to the pond in her kitchen. They find Yuu making tea for them. His bristles are dry. On the other side of the plum-colored screen, Ko is sweeping out the leaves.

51. Yuu has written on the teacups. It reads: It takes a calligrapher one hundred years to draw one breath.

Kallisti

There is a tree at the end of the world. It grows around a broken old brick wall—the wall is broken because the tree is strangling it, bursting through its mortar with its silver-red roots. The tree is stunted because the wall was built too close to its root system. That is how things are at the end of the world.

The end of the world is easy to find. There’s a boat up north will take you there for twenty dollars and an apple. If you don’t have the cash, Annie’ll probably take you anyway. But the apple is mandatory. Annie has been running the ferry so long that she breaks off a strand of her hair when she wants salt for her soup. She wears a black hat with a silver pin, so you’ll know who she is, and the boat-horn sounds like a widow weeping. But if you don’t bring her an apple, she’ll take you to Bar Harbor with the rest of the tourists, tip her hat and give you a nice little coupon for 20% off your lunch at some nameless cafe. You have a nice summer, now, sweetheart.

The dock at the end of the world needs some work. Annie keeps meaning to get her girl Frigg to replace the planks, but somehow it never gets done, winter comes and goes, and the same barnacled redwood-trunks slowly rot into the sea. Frigg got it into her head to go to art school in New Hampshire. I’ve heard she’s studying juggling, with a minor in wire-walking. I don’t judge, even though one of the dock lines broke last year and a poor trireme sank right off the pier. All hands drowned, except the Red Hound of Mykenos, who bit the sea until it spit him back. Old boy sleeps by the tree now, and growls at the summer people. Annie gave Frigg an earful during finals week. It’s ok, though. If the end of the world wasn’t a safety hazard, there’d be hotels here by now.

The tree at the end of the world is an apple tree. Trust me, I know. Some folk say it’s fig, and some say pomegranate, some say walnut when they’re very drunk, and I don’t begrudge them tenure. The locals know better—they’re apples, big as basketballs, the color of the sun. Some of the apples know the difference between good and evil. Some have kallisti written on them. Some will get you pregnant for six years. Some know how to live forever. Some will drop you dead in the ground before your second bite. Trouble is, it’s damnably hard to tell one from the other. Even I have to squint, and even I’m wrong, sometimes. We’ve only had one lady up looking for the kallisti apples, and frankly, we’re a little more careful with our receipts now.

Black Sally built the wall at the end of the world. She said she did it to keep the wolves out, away from the damn tree—worse than deer, wolves. One summer she hung little slices of green stuff all over the tree to keep the local fauna off. She said it was shards of the World-Emerald her cousin sent from Peru, but we could all see Irish Spring stamped in the stuff, and the World-Emerald doesn’t smell clean and fresh as the Irish countryside.

It smells like bones.

Anyway, it wasn’t the wolves. There’s only three of them, and they’re not so bad. Sure, they mess with the roots and gnaw a bit—they’re only dogs, after all. If I were a dog I’d probably chew on the tree, too. Mostly, they lope about looking hangdog and hoping Black Sally will fall in love with one of them and make them human. She tried it once, but he ran off to be an aeronautical engineer and she said that was the end of wolves for her. Everyone knows Sal built the wall because of the meridian. That’s the actual end of the world, you know. The tree and the dock and all, they’re just decoration. You can’t see the meridian, or smell it, or hear it. And sometimes it moves, just to be contrary. But it stays on the other side of the wall, because Black Sally told it to. The wall says: Danger: High Voltage. It says: Keep Behind This Line Until Your Name Is Called. It says: that’s far enough, son. If you, because you didn’t listen to Sally or Annie or me, hop the wall like a hooligan and step over the meridian, well, that’s it for you, kid. You vanish—there’s no poof, or popping noise, or flash of light, but you’ll blink out, sure as Sunday. It’s not very nice to watch. We post signs, but there’s no telling some people.

The coffee at the end of the world is bitter. Harry Half-a-lion sells it for a dime a cup out of a little kiosk about half a mile from the tree. Used to be a nickel, but times are hard. Harry used to be somebody, he likes to tell us. Used to be a big strong man somewhere down south; made his money wrestling lions and snakes and mucking out stalls for some rich old man. Harry rowed himself out to the end of the world—Annie never forgave him for that. He meant to take an apple for some lady back home, but I can’t think of a soul who looked at those apples and didn’t sneak a bite for themselves. Harry sat down in the dust and cried, poor soul. I think he must have gotten the kind that tells you you’re naked, no matter how many furs you’ve got on your back. Naked and weak and young, and no help for any of it. Harry gets his coffee shipment in from Mexico by way of dinghy every spring, and everything smells like beans for a week while he roasts the beans himself in a big bronze barrel. You should see his arms when he’s turning the berries over, it’s like something out of a storybook. When folk come looking for the tree, he pours them little dixie cups of hot coffee—it’s cold at the end of the world, even in July. Apples don’t grow in the heat, you know. Harry doesn’t allow cream or sugar. That sort of thing is too decadent for him to bear. Once, someone suggested he ought to offer croissants. Harry just punched him right in the nose.

That said, we do eat, even at the end of the world. Idun wears an apron and not much else, even when ice forms on the ends of her hair. The wolves watch her and their tongues loll out of their mouths—but she’s not interested in aeronautical engineers. She keeps her stove smoking all winter long: apple pies and apple tarts, caramel apples and baked apples and apple upside-down cake, apple-spice bread, apple pudding, apple popovers, apple jam and applejack. Once, as a kind of joke, she brought a fig-pomegranate pie with walnuts sprinkled on top to the annual bonfire. We all had a good laugh. Idun doesn’t say much, but she’s got a friendly face . I think she had a husband once, but she doesn’t like to talk about it. Anyway, it’s all pretty dangerous stuff, mixing the apples like that. They smell wonderful, but I never eat them. I don’t want to know what that applejack knows.

There are aphids on the tree at the end of the world. Little milky green ones, and they love the apples. A butterfly landed on the tree once, and then another, and another, and we all came out to see them, they were so beautiful, blue and white and black. Black Sally sighed like her lover had come home to her, and the aphids roared up in a thin green wave and devoured the butterflies, so fast I almost forgot they were ever there, like the aphids could eat my memory of them, too. I think the aphids know what the applejack knows. They eat from all the apples. They’re dead for all time and alive forever and they know they’re naked and they don’t care, and they know they’re the fairest and they know the butterflies are, too. I’m afraid of them. One autumn Black Sally and I got out these old perfume atomizers and sprayed cayenne pepper and lemon juice on them. I was sure I could hear them laughing, tiny, green laughter—they shriveled down to nothing for a day and then swelled up again, milkier and hungrier than before. There used to be a nice kid who sold little silver apples on chains down by the wall. Not anymore. I don’t really want to talk about that. We leave the aphids alone, now.

* * *

Once, a woman came to the end of the world. She was dressed all in black, with a high collar. Annie let her off at the dock—Frigg wasn’t even born yet, and Annie had pigtails but a ferryman’s license all the same. Harry didn’t want to give her any coffee, but she just stared at him till he grumbled and pulled the tap on his thermos. The wolves ran off yelping—one bolted straight into the meridian and vanished. She walked up to the tree like she’d known it all her life.

“What do you want it for?” said Idun.

“My daughter,” said the woman.

“Is she pretty?” Idun always loved pretty girls, like they were her special sisters.

The woman in black nodded. “The fairest of them all.”

“Be careful, then. It’s hard to tell the apples apart.”

“I have faith,” said the woman, her stony face set, her lips red as blood. “I know all the old gods; they come ’round Thursdays for cake and checkers. They will guide my hand, and my daughter will know I love her, that it was all a mistake. She will live forever, and I will fade and die, and that is right and proper. She will live forever and know that her mother loved her, really, so much more than mirrors and huntsmen.”

“Be careful,” said Idun.

The woman in black reached up and plucked an apple, a beautiful one, shining in the twilight and the mist of the end of the world, white on one side and red on the other. None of the other apples were like that. She could barely hold it in both arms. But the apple got smaller as the ferry drifted back over the water, until it could fit in an old woman’s basket.

* * *

Years later, she came back. She was old. Her feet were covered in blisters. Idun shook her head and kissed them. Idun is like that.

* * *

Well, that was a long time ago. The tree punishes pride, it’s always had a bit of a thing about that. I can’t really walk anymore—some things don’t ever heal. I mostly sit by the wall in my old boat deck chair and watch the wind blow milkweed into the meridian. I watch them silently vanishing as the moon comes up. I knit, when my arthritis lets me. Frigg sends up a nice home-spun wool from New Hampshire at the end of each semester. Black, of course. When tourists come, I hand them headphones and an audio tour on cassette tape. On it, I tell them all the apple-stories I know. Except one. I used to do a live show, but the kids seemed so bored.

When winter comes to the end of the world, the sea freezes over, and we all have a little peace. The dock is clotted up with chunks of ice, and even the meridian freezes in places, huge circles of ice floating in the air like mirrors. It’s so quiet. That’s when I think about her the most, when I touch the great apples, hanging red and bright even in the cold, as they always will. I think about chances, statistics. What was the probability of choosing so badly? One in a hundred? A thousand? Less? Was there ever any chance that I might choose the right one, or did the tree choose, all along?

I dig my nails into the flesh of one, and the juice like blood runs over my wrinkled hand. I look up, helpless, palsied, childless, into the flat, frozen heavens, a sky like skin, skin as white as snow.

The Wedding

Last summer, my aunt married a rime giant.

The wedding was lavish; neither clan approved. My uncle-to-be stood dripping in the hallway of Grandmother’s great, sprawling house, miserable in a black suit that had already split twice at the shoulders.

Aunt Margaret always had a thing for foreign men. When they were kids, she and my mother tried to learn French from tapes so that they could grow up and marry Parisian dukes and dance in pink dresses with peonies on the shoulders. When they progressed past je vous rencontrerai au palais vendredi, Grandmother sat them both down and gave them ginger cookies and explained to them very gently about the revolution, the impracticality of flowers as personal decoration, and the difficulty of obtaining an EU visa. My mother shrugged and promptly threw over the French for mathematics. Margaret simmered and seethed in the kitchen.

“Ces paysans stupides ne peuvent pas m’arrêter,” she whispered, and took two more ginger cookies just to spite the guillotine-masters.

Her wedding dress was the palest possible pink, so pale you might be excused for thinking it white. Two enormous violet-rose peonies nodded from the shoulders, wilting lightly in the June heat. I told my cousin I thought it was cruel to our prospective uncle—couldn’t they have done all this in January? But my aunt has always had a perverse streak. At the reception, Volgnir put his wet blue hand to her cheek and whispered: I melt in thy service. They didn’t think I heard, but I did. I’m quiet; I sneak. Nobody really notices me, so I get to hear all kinds of things. Like when Grandmother took a lover from the local university—she had four of them come to the house and line up on the lawn like prize horses for her to choose. Grandfather sipped his limeade and gin and laughed at all of them, all discomfited and nervous, anxious to please.

I just sat and watched her examine their calf muscles. I took the three she didn’t want. Our family is like that—waste not, want not.

When Margaret came home from Norway, Grandmother pursed her lips and stared her up and down. I was washing dishes, careful not to clink the plates. Grandmother sniffed and picked at a dropped stitch in her knitting.

“I’ve always suspected our family has giant blood, you know,” Grandmother said at long last. “On account of the twins being so tall. Mind he wipes his feet—there’s ginger cookies in the jar.”

* * *

On the day before the wedding, we all gathered in the front room for iced tea and awkward conversation. We stood around, cubes gently melting. All of us younger girls wore light green and no stockings and delicate little bits of silver at our throats and ears. Volgnir’s people came in bronze and horsehair, burnished and I’m sure very fine, their braids greased to a high shine. We all avoided looking at each other, unsure of how we were meant to progress. Grandmother had dyed her hair blue in honor of the rime giants and clipped it back with diamond clasps that looked very like clusters of icicles. One of Volgnir’s sisters eyed them longingly, as the ice on her shield cracked and broke. Everyone ignored the sound. What could you say? Margaret seemed delighted at every moment; the more uncomfortable we all were, the wider she smiled. I could see, when she sat, that her ankles had little sheens of ice on either side, like anklets.

Finally, my brother Lucas suggested barbecuing, and we all thought this was grand. We took our shoes off to feel the dewy lawn between our toes; my cousin Rose made lemonade with fruit from our trees. We slapped marbly steaks on the grill, and sausages, a few chicken breasts and soy chops for the out-of-towners. Lucas felt at home, with a steel spatula like a spear in his hand, and slowly, we became ourselves, laughing and sharing the kinds of familial gossip weddings encourage. Little Shana’s off to college, majoring in biochemistry. Her boy’s run off with her—very romantic, but he can’t do the math, you know. Did you hear Eli’s insufferable wife is pregnant again? Modern science is a wonderful thing, I told them.

It came time to eat and we all sat in our accustomed yogic poses, balancing paper plates on one silk-clad knee with a glass of tea or lemonade crinkling and tinkling in one hand. The Hrimthursar—that’s what Margaret called them—we all took it to be rather an over-stuffed surname, but no more, we supposed, than the time Emily married her Hungarian secretary. At least there were a few vowels to spare this time. Anyway, the Hrimthursar just stood around the grill, their nostrils flared huge and dark, sniffing the last smoky wisps off of the meat, their eyes closed in ecstasy, their hands all joined together.

“Don’t you want to eat?” Lucas called in his friendly, bear-bellow voice.

“Don’t be ignorant,” snapped Margaret. “They are eating.”

* * *

When I was little, I wanted to be like Aunt Margaret. She wore flowers in her hair every day, and the flowers always matched her stockings, even when it was winter—then, she wore Japanese bittersweet in her brown curls, and flame-colored stockings that I thought were the height of elegance. She knew how to ride a horse, and make ice cream in a bucket, and could do algebra in her head. She knew about engines and crocheting and mountain climbing, and once in her twenties she wrote a potboiler novel about a murder in a French museum. She could do just anything, and I loved her. Once she went to Tibet and came back with purple prayer flags for my room. I sat in her lap—there were little whitish-green grape blossoms in her hair—and listened to her sing sherpa-songs and tell stories about the snow-maidens that lived on Mt. Everest, who would only love humans who could climb all the way to the top.

It’s important to marry someone, she said. Not because you need them to complete you or because you ought to be someone’s wife by hook or by crook. It’s just that worlds want to combine, they want to marry, and they use people to do it, the way you mix medicine in with something sweet, so it’s easy to swallow. That’s why we have to have all those silly things: a frilly dress and something blue and a bachelor party and a priest. Just so that a boy and a girl can live together and make babies? Posh. Because the big worlds inside us are mating, and they need the pomp.

Aunt Margaret talked like that a lot. She left a few days later to learn about Norwegian investment banking. When she had gone I picked a little bouquet of blown dandelions and stood next to my favorite maple tree in the meadow beyond our house and put my hand on its bark. I swore to love it forever.

The wind moved in its branches, and that was vow enough for me.

* * *

The Hrimthursar brought fermented milk and honey to the bachelor party.

Of course, that’s just what we call it, but it’s not your usualstrippers-and-gin-and-no-women affair. We don’t really know how to separate like that. So we were all there, girls and boys and grandfathers and grandmothers, lanterns strung up between the trees, big tins full of beer and yellow wine, and just about everyone with the means to make a good bit of noise. Lucas spun his double bass, Rose tweedled her flute, there was a drum section a dozen cousins strong—Evan and Lizzy and Katie thumping leather with the heels of their hands. Aunt Betsy squeezed her black cello between her knees. My mother grinned over her old guitar, picking out a little melody line, and Grandmother brought out her best violin. Me, I sing. It’s the only time everyone looks at me, even Margaret.

I sang about snow-maidens. The Hrimthursar, for the first time, smiled big and broad. Their teeth were frozen.

They were uncomfortable—they think it’s best to send the women off to make wedding bread while the men drink. They stood around with their clubs waiting for the ritual violence that comes with too much fermented milk, but instead Grandmother fiddled like a devil, her blue hair coming loose, her arms and knotted fingers still so strong. The stars above us were terribly bright, as bright as the lanterns, and Margaret danced in bare feet, her hair flying, her frothy violet skirt spinning, while Volgnir watched her in a rapture of devotion. She reached out for him, her lover, her world, and he stepped into the circle of light and music. But Volgnir was enormous, squarish. He was not a slim prince eager to ply waltzes, even if we were inclined to play one. His folk gathered around him and they began to sway, to stomp, to circle around Margaret in a complex, deliberate side-step. They howled in harmony, their craggy faces turned up towards the moon.

After awhile, I joined them, my high little voice swooping over and under their billowing baritones.

Margaret kept dancing, in the middle of the ring of giants. Violets dropped from her hair.

* * *

The ceremony took all day. Margaret wore three dresses. The pink one, with peonies, when she came down the big white staircase of the house. She was holding a bouquet of milky blowing dandelions, and winked when she caught my eye. Volgnir stood sweating his ice-droplets in a tuxedo that we dug up out of the attic. About thirty years ago, Uncle Orrin married the brief Aunt Jo, and he was a good three hundred and fifty pounds on the day of it. After a few years of carrots and cucumbers, he was a trim one-seventy when they divorced. Aunt Jo never had much use for skinny men. Anyway, Orrin’s suit was far too small for Volgnir, who stooped under the ceiling, and tugged at the coat-sleeves, which only came down to his elbows. His blue, tattooed forearms showed bright in the parlor. He swore to honor and obey, breathless, starry-hearted.

Margaret swore to love, and that’s all.

Greta, Greta, he whispered, eyes shut in rapture, on thy breast I write my Edda, at thy feet I lay the keys of Niflheim, by thy leave alone, I live, and breathe, and die.

The second dress was brown leather and bronze studs, a shield, a spear. I dipped her braids in cold water and stood in front of the freezer with her until they hardened up pretty good. Volgnir’s sister, a Valkyrie with pale red hair, lashed their arms together with rough rope, and spoke in whatever language they all seemed to know. I caught Freya, and Hel. She touched my aunt’s face with her hoary, frosted hands and kissed Margaret on the forehead. The kiss was still there when she pulled back, faintly blue and gleaming. Each of the Hrimthursar came forward to kiss Margaret, who grew quite dizzy and breathless with each one, and her forehead shone. Together, they drank mead and ate hard, cold bread the color of ashes.

The third dress was green as summer, and though there was champagne, and more dancing, and Grandmother sitting happily in the lap of Volgnir’s uncle telling him stories of her youth in Hollywood, what I remember is Margaret, her face like a candle, drawing me out of my chair to dance with her. Her arms cold and tight against my waist, she twirled me around the grassy lawn, her smell already like snow and distant black pines. Her shoulder was hard and slippery under my hand.

It’s all right, she laughed. It doesn’t hurt. And he’s been melting for months. We’ll meet halfway. Remember what I told you.

I looked over her shoulder at one of the Hrimthursar, a young one with a great dark nose and muscles like stones. He blushed blue, looking up at me through long lashes.

The Secret of Being a Cowboy

Did I ever tell you I used to be a cowboy?

It’s true.

Had a horse name of Drunk Bob

a six shooter

called Witty Rejoinder.

And I tell you what,

Me and Bob and Witty

we rode the fucking range.

This thing here is two poems and one’s about proper shit

mythic, I guess, just the way you like it and the other one

isn’t much to look at, mostly about what a horse smells like

when he’s been slurping up Jack and ice from the trough.

The first poem goes like this:

A few little-known facts about cowboys:

Most of us are girls.

Obsolescence does not trouble us.

We have a dental plan.

What I can tell you is cows smell like office work and

the moon looks like Friday night and the paycheck just cashed

rolling down to earth like all the coins

I ever earned.

Drunk Bob he used to say to me:

son, carrying you’s no hurt—

it’s your shadow weighs me down.

That, and your damned singing.

And Witty she’d chuckle

like the good old girl she was,

with a cheeky spin of her barrel

she’d whistle:

boy, just gimme a chance

I’ll knock your whole world down.

Me and Bob and Witty,

we rode town to town and sometimes we had cattle

and sometimes we didn’t and that’s just how it lies.

Full-time cowboy employment is a lot like being a poet.

It’s a lot of time spent on your lonesome in the dark

and most folks don’t rightly know

what it is you do

but they’re sure as shot they could manage it

just about as well as you.

Some number of sweethearts come standard with the gig,

though never too much dough.

They dig the clothes, but they can’t shoot for shit,

and they damn sure don’t want to hear your poems.

That’s all right.

I got a heart like a half bottle

of no-label whiskey.

Nothing to brag on,

but enough for you, and all your friends, too.

I quit the life

for the East Coast and a novel I never could finish.

A book’s like a cattle drive—you pound back and forth over the same

ugly patch of country until you can taste your life seeping out

like tin leeching into the beans

but it’s never really over.

Drunk Bob said:

kid, you were the worst ride I had

since Pluto said Bob, we oughta get ourselves a girl.

And Witty whispers: six, baby, count them up and just like that

we’re in the other poem, which is how we roll

on the glory-humping, dust-gulping, ever-loving range.

Some days you can’t even get a man to spit in your beer

and some you crack open your silver gun

and there’s seeds there like blood already freezing

ready to stand tall at high midnight

ready to fire so fucking loyal, so sweet,

like every girl who ever said no

turning around at once and opening their arms.

And your honor’s out on the table, all cards hid.

And by your honor I mean my honor,

and by my honor I mean everything in me, always, forever,

everything in a body that knows

what to do with six ruby bullets

and a horse the color of two in the morning.

That knows when the West tastes like death and an old paperback

you saddle your shit and ride East,

when you’re done with it all you don’t put down roots

and Drunk Bob says: come on, son, you’ve got that book to write

and I know a desk in the dark with your name on it.

And Witty old girl she sighs: you know what you have to do.

Seeds fire and bullets grow and I’m the only one who’s ever loved you.

That horse can go hang.

And I say: maybe I’ll get an MFA

and be King of the Underworld

in some sleepy Massachusetts town.

And all the while my honor’s tossed into the pot

and by my honor I mean your honor

or else what’s this all about? Drunk Bob

never did know where this thing was going

but I guess the meat of it is how Bob is strong and I am strong

and Witty is a barrel of futures, and we are all of us

unstopping, unending, unbeginning:

we keep moving. You gotta keep moving.

Six red bullets will show the way down.

We all have to bring the cows in.

I am here to tell you

we are all of us just as mighty as planets—and you too,

we’ll let you in, we’ve got stalwart to spare—

but you might have to sleep on the floor.

Me and Bob and Witty just

clop on and the gun don’t soften

and the horse don’t bother me with questions,

all of us just heading toward the red rhyme of the sunset

and the door at the bottom of the verse.

The secret of being a cowboy is

never sticking around too long and honor

sometimes looks like a rack of bones

still standing straight up at the end of both poems.

Twenty-Five Facts About Santa Claus

1. Santa Claus is real. However, your parents are folkloric constructs meant to protect and fortify children against the darknesses of the real world. They are symbols representing the return of the sun and the end of winter, the sacrifice of the king and the eternal fecundity of the queen. They wear traditional vestments and are associated with certain seasonal plants, animals, and foods. After a certain age, no intelligent child continues believing in their parents, and it is embarrassing when one professes such faith after puberty. Santa Claus, however, will never fail us.

2. The current Santa Claus was once a boy. He is from Canada, not from Turkey or Scandanavia as some would suggest. When the Franklin expedition perished seeking the Northwest Passage, Santa Claus watched them die on the ice, a young man, emaciated, cold, wrapped in a red cloak. He was very sorry, but it was not Yuletime, and he had no power to save them.

3. The current Santa Claus took over his present position from Santa Lucia, who up until the 19th century rode a donkey into young children’s homes, bearing lavish gifts, espresso, and currant-cakes. If one was naughty, Lucia’s donkey would kick the embers of the fire in the offending child’s eyes, blinding them. Espresso was a magical drink which Lucia alone knew how to make, until a dastardly Italian baker stole the recipe in a daring and adventurous escapade. Its contemporary cousins are much diluted from the original. Santa Lucia took over from the Bishop of Constantinople, a very tall, skinny fellow. Everyone makes the winter office their own, however, and our Claus made several changes to the decor.

4. Santa Lucia sometimes still appears to certain children at Christmas-time. She is retired, but not dead or uninterested in the world. However, children are practical sorts, and rarely appreciate the dense currant cakes and highly caffeinated coffee Lucia bears to them. Nor do they have the first idea what to do with her gifts, which are more often than not complex bronze, iron, or bone devices bearing a family resemblance to the Antikythera Mechanism. Still, as with any peculiar maiden aunt, it is the thought that counts.

5. Before taking up his current office, Santa Claus worked at a textile factory in London. He showed already some ability at crossing large distances quickly, stowing aboard a steamship hoping for a new life in the Old World. He lost his pinky finger in a loom, but sent money home to his family in Canada as a good son does. It was sometime around then that he met a girl named Lucia with hair the color of candlelight, and one will make no assumptions about anything untoward occurring between them.

6. Santa Claus is a tax-exempt entity under the laws of several Pole-adjacent nations. This began as a kind of good-natured joke among legislatures seeking to appear jolly, publicly announcing such a reprieve before adjourning for Christmas nog and poppyseed loaf, but has proved quite useful for Santa, as he takes in a tremendous amount of raw material during the year and should not like to have to calculate 30% of a magical pony with pink-floss hair and fiery breath.

7. The elves are really quite a complicated situation. They were summarily dismissed from Europe sometime after Rome fell (you’ll find elves to be sullen and recalcitrant on this topic, should you press for exact dates and place-names) and had resettled above the Arctic Circle in a network of villages called Tyg-qir-Mully, raised by snow-chant and a long and patient seduction of the ice. In their glittering towns they lived and drank gluhwein and worked their weaving. Some say that the presence of so many elves in one place, so much magic in one region, simply created an empty space in the universe that Santa Claus could fill like a key. Some say it was rank colonization by a piece of European folklore that broke off and floated away. Either way, a house appeared in the center of Tyg-qir-Mully, hung with glittering icicles and sweet round doors, and eventually, someone came to live in it and took on a mythologically lucrative profession and a logical labor-sharing commune was established among all the Mully-folk.

8. Santa Claus is concerned about the problem of Arctic ice. The ice is the spouse of the elves, and she is sick. She is the primary source of their magic, as the elves cannot be separated from the place where they live. For many years now, this is all they have asked for for Christmas: that the ice should come back.

9. Once an elf-Queen by the name of Gyfwoss rode her royal seal out onto the ice plain and called down the moon. She lifted her arms above her head and her hair turned blue and the moon drifted down the sky like a white petal. She held it in her arms like a child and somehow she was big enough, or it was small enough. She asked the moon for a gift and in her hands it turned into a pale silver present, wrapped with a sprig of pine and a lavender bow. When she took it home and opened it in her innermost chamber, she found a glass wedding ring. Once a year the moon turns into a very nice man with white hair and knocks on her door. Santa sometimes calls Gyfwoss Mrs. Claus, but everyone knows she is married to the moon, forever and for all time.

10. Santa Claus has only been seen seven times in all of his long career. This is a very good record. Mainly, he is seen because he wants to be. That or the reindeer give him away. The most recent sighting was in France, little Marguerite Lysan was sleeping in the back room of a cafe where her friend worked the morning baking shift. She didn’t see him because she deserved it more than other people. She didn’t see him because she was special. She saw him because a reindeer was lonely. She didn’t wake up when the man in red came into the house, but before midnight passed she felt a soft velvet nose nuzzle her hand, and then more, lightly fuzzed antlers beneath her fingers. She smiled as she opened her eyes, and saw a pair of eyes, deep and black, with stars in them.

11. Santa Claus actually met Jesus once, when they were both very young. Santa wasn’t even called Claus yet, and he didn’t wear red. He was just thin and tired and alone, and so was Jesus, and they shared some wine and talked about what it was like to be folklorically dense nexus points. You really can’t understand something like that without experiencing it. At the time no one even believed in them yet; they were just knots of colliding memes, waiting for their destiny, the way kids do after high school but before college, sitting out on that bridge over the river, kicking their feet out into the air, wondering what they’re going to be when they grow up.

12. Santa Claus doesn’t really like cookies and is lactose-intolerant. He doesn’t mind, though. He knows that it’s quite literally the thought that counts. Cookies are quantum clusters with a raspberry swirl and chocolate chips. They tell him who he is. They say: you are hot and sweet and alive, even in the cold, and in at least three other universes you wear purple. Without cookies, he might lose his moorings, and on a journey like his, you cannot afford to take a wrong turn down some pulsar-strewn alley.

13. The Coca-Cola Company sometimes claims to have invented the modern version of Santa Claus. That’s not true. What happened was that somewhere between the former terribly exciting coca-leaf-heavy recipe and the more staid “classic Coke” batches, a young cola-chef put forward and produced several cases of an experimental soft drink that induced in the entire board of Coca-Cola a series of fever dreams in which they were chased by a certain red-cloaked figure through a dark wood, their blood shrieking in their limbs, terror clutching at their throats, the smell of holly and Christmas everywhere and then, oh, the spear! Most of the board never quite recovered their wits, the cola-chef was summarily dismissed, and thereafter, the man in red begins to appear in Coca-Cola’s wintertime advertisements.

14. As to how Santa Claus delivers all those presents in one night, it has seemed clear for some time that he possesses a localized wormhole small enough to pack into a reasonably-sized steamer trunk and tidy enough to not smell too musty when taken out for the holidays.

15. It is probable that the silver jingle bells comprise a renewable energy source for the wormhole, being as they are the remains of superdense stars attached to his sleigh with red string.

16. Santa Claus and the Easter Bunny are not related, though of course they have had professional dealings, both of them being warriors, standing watch on either side of the winter. Santa feels it is rather cruel of the Bunny to hide the eggs, and the Bunny feels Santa makes the whole business rather too easy. It is a little known fact that the summer solstice and the autumn equinox also had champions. The Summer Horse brought dark red cherries and highly munchable tomatoes along with gifts of sunshine and unfrozen seas and little iron ponies mysteriously appearing on the mantle. The Autumn Maiden sat on a throne of pumpkins and whatever vessel she touched filled with steaming cider or cocoa. Children buried wishes written on bits of paper in the cooling earth, so that they would come up in the spring like tulips. Santa and the Bunny are all that’s left. Sometimes they miss their family, but they understand all too well the fragility of the consumer holiday cycle, and how thin the ropes that tie it to myth, like a boat barely tied to the pier.

17. During the rest of the year, Santa Claus sleeps. And studies advanced mathematics.

18. Santa Claus doesn’t need a chimney. A house is a closed system, and at one time the chimney was the only reasonable approach. It was the only vampire-proof entrance to a domicile, the doors being guarded by the invitation addendum and the chimney itself being far too filthy for the obsessive-compulsive vampire to bear. Santa Claus does not wish to be taken for a vampire. Vampires take, Santa Claus leaves. It’s not the same thing at all. But it is impossible to specifically invite Santa Claus, only to tacitly do so by the laying out of stockings, etc. Santa entered where he could. But these days, vigilance against vampires is extremely lax, and he can come through the front door without issue.

19. The list isn’t about naughty and nice. If you think about it, coal is a very useful present. Santa Claus isn’t a monster. You can burn that coal and stay warm in the winter. Just because it is black and grimy and it isn’t a fantastical electronic intelligent machine with a kung-fu grip and a pre-installed game suite doesn’t mean it’s not beautiful and warm and formed over millennia in the heart of the earth and very occasionally the difference between life and death. The list is about whether or not you need to figure out the lesson of the coal.

20. The stockings you hang up aren’t the size of your own feet. That would be silly—you need those socks in the December nights. They are the size of Santa Claus’s feet, which are wide and flat to help him get around the Pole.

21. The reindeer are immortal. They are, in fact, the eight demiurges of reindeer-kind, and this accounts for their flying. Their name might sound whimsical, but they are the closest the human tongue can come to approximating the true names of the caribou lords. Rudolph, far from being the adorable, earnest fellow of the tale, is in fact Ruyd-al-Olafforid, the All-Destroying Flame of the Yukon. His mother was Kali and his father was an ice floe. His nose appears red because his body is full of coals, and his eyes flare with a terrible conflagration of his soul. The tips of his antlers are like candles in the snowy wind. He is not vengeful, but he is the light in the dark of winter, consuming and giving life at the same time. Your carrots only make the lord of flame stronger.

22. Once, there was a war in Santa Claus’s kingdom. No one likes to speak of it. This was a very long time ago. It was not at Christmastime but during the summer when all in Tyg-qir-Mully is banked and waned and quiet. The duke of the orcas, Blig, wished to not only possess the wormhole and the steamer trunk that contained it but also eat the queen Gyfwoss’s royal seal, who was named Ghym and had a fondness for turkish delight. All were taken by surprise, and Blig’s hunger was very great. All pitied him, save the seal. Gyfwoss called down her spouse the moon and Blig ate it, such that when the moon rose back into the sky it took the body of Blig with it, and not only was the moon made much more beautiful by its new orca-coat, which you can see even now in the dark and light patterns on its surface, but Christmas, in a manner of speaking, was saved.

23. Santa Claus cannot see when you are sleeping, nor can he see when you are awake. He is not that kind of man and is a little put off by the suggestion. He has his own affairs to tend to, thank you very much.

24. Santa Claus is a perfect integration of the Id, the Ego, and the Superego. He is a perfect icon of integration. In his guise as this triple god he simultaneously indulges all the most decadent desires of food and drink and wealth in a single Morning of Receiving, is driven across the whole of the world on the Sleigh of Purposeful Dedication, and considers very seriously both the array of presents he will give and whether he will give them at all, the great Judge of the Self. Once Freud asked for a cigar box for Christmas. Santa Claus did not read anything into it.

25. There is always the chance that Santa Claus will not come this year. It has never happened, but in the realm of probabilities we must concede that there is that floating strange variable. Without that chance Santa Claus would not be what he is, rather, he would be something dependable and every day, like the tide or the wind, and no one would think twice about him. It is this chance which makes children so excited on Christmas Eve. You simply cannot know. For this reason it is vitally important, especially as one gets older, to ask for exactly what you want for Christmas, whether it be a unicorn that really talks or an artificial intelligence that will not destroy the world or a new job or someone to love you despite your being a know-it-all or a teddy bear or universal health care or the ability to finish things you start. Santa Claus does not judge wishes. He only wants you to be happy. He can’t do everything—he is only a construct, not a constant. But he tries his very best to be good at his job, and every year, the sun grows a little stronger after he has passed through the world.

We Without Us Were Shadows

It seemed as if I were a non-existent shadow—that I neither spoke, ate, imagined, or lived of myself, but I was the mere idea of some other creature’s brain. The Glass Town seemed so likewise. My father…and everyone with whom I am acquainted, passed into a state of annihilation; but suddenly I thought again that I and my relatives did exist and yet not us but our minds, and our bodies without ourselves. Then this supposition—the oddest of any—followed the former quickly, namely, that WE without US were shadows; also, but at the end of a long vista, as it were, appeared dimly and indistinctly, beings that really lived in a tangible shape, that were called by our names and were US from whom WE had been copied by something—I could not tell what.

—Charlotte Brontë

There was every possibility of taking a walk that day. Great dollops of sunshine melted on the moors; clouds and shadows cut the bare winter-sleeping land into a checkerboard. The servant Tabitha had gotten a whole egg, a wedge of bread, and a bit of her damson jam into each of the four children, bundled them in bonnet and gloves and extra stockings, and set them out of doors into a blue Yorkshire morning so cold it seemed ready to snap in half at the slightest touch. She thought absolutely nothing of turning them loose on the moor that day of all days—they needed a helping of the out of doors, such children as these, with their canny tongues and stubborn tempers. Judgment Day would come and go before those four would look up from their pens and papers otherwise.

* * *

Stiff gorse tangle burst underfoot as they took to the day. Charlotte, the oldest, a serious child with thick hair parted through the center of her skull like a dark sea, a round, pallid face, and a fearsome scowl, trudged resentfully up a worn purple path through the bruised February hills. “I do not see in the least why we must leave Our Work just to satisfy Tabby’s obsession with fresh air,” she sniffed to none of her siblings in particular but all of them generally, her nose beginning to run in the hard crystal air.

Branwell quickened his pace to keep up with her, his long curls whipping across the bridge of his great arched nose, his brow furrowed and fuming, frowning as if to reflect Charlotte’s expression as perfectly as possible though he could only see the back of her, her woolen dress prickled with bits of twig and old, withered heather.

“I had intended to explode the castle on Ascension Island today, with Crashey and Ross and Bravey and Stumps and Buonaparte and all the rest trapped inside!” he groused, his breath puffing ellipses ahead of him. “With much splendid blood and fire and leaping out of windows and dashing brains out on the earth! The heavens would have wept at my slaughter! Now Tabby has sabotaged me with her eat your eggs, there’s a lad and fasten up your coat good and tight; they’ll be safe and sound for ages yet. Until evening, anyway.”

Emily and Anne hung back from the older children, holding hands and picking their path carefully, so as not to crush any sweet plant that might erupt in spring with blossoms to cheer them. Emily looked up at the frozen sun, her brown ringlets crowding a narrow, sharp face that looked already quite grown, though she had only nine years. “We would have made them alive again by supper, Bran,” she snapped, tired of her brother’s thirst for the blood of their favorite toys, a set of twelve fine wooden soldiers their father had given as a present to his only son—but the girls had made a quick end to that. No sooner had Branwell got them but his sisters had colonized the kingdom of the soldiers, named them and claimed their favorites. The Young Men ever after ruled their hearts and idle hours.

Little Anne, the youngest, laughed. The prettiest child in Haworth, her hair almost reaching the blonde shades of girls in lovely paintings, she watched everyone with her wide violet eyes as though spying upon them, with the necessity of making future reports to some unseen master. “It’s a wonder Crashey doesn’t get dizzy, with his forever falling down dead and getting up again!”

Charlotte stopped short at the flat top of a little hill that kept watch over a low leafless valley full of the starving prongs of black yews and thorn trees and tumbling colorless grasses, thistle and old ivy, worn stones near as high as Anne. Every branch and blade was limned with glassy golden light, which gave the scene a strange affect, as though the children were seeing it from much further away than they really stood, and through a frosted pane besides. Charlotte put out her arms and her young sisters huddled into them, for the wind bit at their cheeks and made rosettes of their dimples. Branwell did not partake of their cup of affection, though he wanted to. But he felt Crashey would not, and certainly Buonaparte would have the head of any lad of his who behaved in such babylike fashion. Branwell had of late begun to feel his sisters were not quite serious about the game. They had romantic notions and did not submit to his pronouncements of death and disaster by flood or spectral conflagration, but went about healing everyone with phials until all his fun was spoilt.

“There’s nothing to be done,” Emily said. “Unless we should sneak back. Let us see if we can’t find the mushroom patch again and make believe there are fairies there. I’m sure you can explode the fairies if you like, Branwell, though since they have the power of flight you won’t get quite so many brains dashed on the earth, but perhaps you can arrange a duel to make up the difference. Duels are superior to battles anyway.”

“I shall have a duel with Tabitha if she puts us to bed without our writing hours this evening,” Branwell said, kicking the hardened black earth with the toe of his boot. “I shall whack her with a biscuit.”

“If there are to be fairies,” said Charlotte imperiously, “the Duke of Wellington will have to be their King.” Anne ventured that her own favorites, Ross and Parry, the great polar explorers and namesakes of two of the smaller wooden soldiers, might be fairy lieutenants, perhaps wed to sensible fairy maids. But her sister, chief of the tale and engine of the game, did not hear her. The Duke stood always at the center of their pretended worlds, for Charlotte adored him as fiercely as Branwell worshipped Buonaparte. They had called their favorite wooden soldiers after the mortal enemies, and insisted on their inclusion in every adventure. And what a dashing crystal image it was that rose in Charlotte’s heart then—Sir Arthur Wellesley, Duke of Wellington and King of the Fairies, with long black wings and a crown of lightning, astride, not a white horse this time but a white rhinoceros, his sword a blue, lamplit flame! The beauty of the dream expanded like a silk balloon in her chest, almost painful in its familiar sweetness, the pricks of a tale, and as ever, she felt as though she could never be big enough for even one of the stories that stormed inside her. It would drown her entirely and or burn her up from within and leave no part of Charlotte behind. She could see him in ruby clarity, really see her Duke, putting a lance of rose-colored ice through the forehead of the pig-footed, ram-headed, lizard-mounted Emperor of France.

A cracking, rustling thump down in the wintry hollow broke Charlotte’s vision into pieces. The sun dug down into a trench of clouds, casting the vale into shadow, sending a brute wind to rattle the thistle-heads. Something moved between the long, sharp trees.

“Look,” Emily whispered, her breath strangled and squeaking.

“I don’t see anything,” said Branwell, peering through the shade.

“Look.”

And they did see something—a man, a hugely fat man, in fact, tottering just below them, his collar turned up to the cold. But his collar was not a collar: it was a fine, illuminated page from some strange manuscript, folded crisply. His waistcoat was fashioned from a coppery book spread out along the spine; his cravat a penny dreadful folded over many times. But queerest of all, the enormous belly that protruded from beneath his coat of printed pages was the carved ebony knob of an ancient scroll, his legs were dark hymnals, and his enormous head was an open book longer than the Bible itself, glasses perched upon the decorated capitals of the pages: two handsome Os which served for eyes. The lower parts of the pages formed a mustache, and his nose crowned it all: a long, blood-scarlet ribbonmark.

After a moment of shock in which no one breathed and everyone clutched hands as tight as murder, all four children burst out of their stillness and tumbled down the hill after the book-man, calling out to him and demanding his name, his family, his business. He began to run from them, his breath whistling fearfully through the hundred thousand pages of his body.

“Go away!” he shouted finally as they ran together, leaping over frozen puddles and knotted roots. “If Captain Tree hears of this I’ll be remaindered for certain!”

“We’re dreaming!” cried Anne. “It’s all right, it’s a dream and we’re dreaming!”

“You can run forever in dreams,” panted Branwell, “and I think if I don’t stop soon I shall throw up!”

But finally the man of books did stop, skidding to a halt before two tall soldiers, their rifles leaning on their shoulders, their gazes clear and bold, made entirely of rich brown wood.

The fat man looked back at them in terror, then folded up his face, his collar, his cravat, his waistcoat, and his long hymnal legs. He folded up so completely that between the children and the soldiers no longer stood a man at all, but a great fat book firmly shut, lying on the moorland. One soldier with painted black trousers, bent and retrieved it, tucking the volume under his strong arm.

“Hullo,” said the other soldier. This one had a wood-knot over his heart as though he had been shot there long ago. His mahogany mouth turned up in a sad little smile that seemed to say: well, we had better make the best of things. “My name is Captain Tree, and this is my comrade Sergeant Bud. But you may call us Crashey and Bravey.”

* * *

Long afterward, Charlotte would try to remember how it happened, but her mind could not quite clamp down upon it. It had already had to struggle mightily with a man made out of books, and was not at all prepared to record how one managed to lift a foot off the ground in Yorkshire and put it down in somewhere else altogether. They did not pass through a door, of that she was sure, nor was there a mystic ring or pool. Yet Crashey and Bravey—their own stalwart soldiers, their miniature toys!—had taken them up and now the sun battered down hot and sultry through viridescent fronds and great pink hothouse flowers as tall as streetlamps, bobbing over a long glass road which lead to a palace of such grandeur it burned their eyes. All along the boulevard strange obelisks rose, tipped with fire or ice or balls of blue lightning, and between them great birds of marvelous size and countenance, like peacocks given the gift of flight, bobbed and darted, crying out like mournful loons.

“What is that place,” said Emily, her voice trembling. “That place you are taking us? It is too dazzling! I fear it will catch fire, the sun dances upon it so.”

“That is the Parsonage,” said Crashey. His voice was deep and pleasant. “It is where the Chief Genii of Glass Town live, and many other wonderful fine folk besides.”

“That is not the Parsonage!” protested Anne, who could bear very much fancy, being so young, but could not abide a lie. “We live in the Parsonage, with Papa and Aunt Elizabeth and Tabitha! It looks nothing like that!”

Indeed, this Parsonage was an edifice all of diamonds, its stately pillars sparkling emerald and ruby illuminated with lamps like stars. A sapphire hall opened up like a blue mouth in its exquisite face, and the light of the warm Glass Town day filtered through all these gems as through water, throwing up fountains of fitful reflections. A little churchyard lay just beside it, just as it did at home, but here the gravestones were perfect alabaster stippled with black pearls.

“Sir, I must insist you admit this all a dream,” Branwell said crossly. “If you are my Crashey indeed you must do as I say. I have had quite enough silliness!”

Crashey and Bravey stopped and turned smartly to them, saluting. They stood on the porch of the bright Parsonage, and Charlotte heard her heels click on the diamond floor. That click, somehow, sounded deep in her and convinced her of the reality of this summer country as the birds and pillars and heat could not. The floor beneath her was real, and its facets yawned below her like mirrors. She drew her sisters in close and her heart battered madly at her ribs.

“I am your Crashey,” said the solemn soldier. “And so I must obey you, but I wish you would not compel me in this way. I will say it is a dream, if your will is set. But I am an honest nut, and I do not like to lie. I will show you my wounds if you require evidence—you may already see the place where the Marquis of Douro put his musket-ball during the African campaign, but here,” and Captain Tree showed his thigh, which had a scorch mark upon it, “you may find proof of the explosion of the citadel of Acroofcroomb. Witness also my flank, whereupon Buonaparte stuck me with his knife, and my throat, slashed in the battle of Wehglon. If it will not make the ladies too faint, I can show you the scar over my liver, where the cannibal tribes made a lunch of Cheeky, Gravey, Cracky and my humble self.”

Branwell at last relented and drew into the protective circle of his sisters. Charlotte held him tight about the waist and warmth spread through him as he put his hand upon little Anne’s shoulder as he had seen their father do when their Aunt suffered a spell of grief.

“Those are our battles,” whispered Emily, utterly ashen. “We sent the Young Men to Acroofcroomb. We set the cannibal hordes upon them. We invented Glass Town, and Gondal, and the Marquis. He is talking about Our Work.”

“Indeed, fair Emily, you did send us into service,” spoke up Bravey for the first time. “Well do I recall our suffering and many deaths—but also I remember gentle hands which restored us to life, fit and hale to strive again for the sake of our nation.” Handsome Bravey put his hand over his heart and bowed. Branwell flushed, remembering his own plans for the afternoon, which had included dropping Bravey from a great height onto sharp rocks.

Charlotte shook her head. “It is not possible. Fiction counts no casualties! The Young Men are playthings, made by a gentleman in Leeds and purchased fairly—they cannot simply become real.”

“I believe you will find all this easier on your stomachs if you join us within,” said Bravey uncomfortably. “For the whole of reality is not easily explained by a couple of old veterans with splinters still stuck in their bones.”

The children allowed themselves to be lead into the long blue hall. They seemed to pass underwater, through green and turquoise shadows pierced by pins of sunlight. The hall opened into a great room with a floor like midnight, full of still more jeweled pillars of rose and silver and white. Four golden thrones arrayed themselves at the north end, and upon them sat four figures. Three ladies there were, two dark and one light, their glossy hair gathered at their necks, their pale faces calm and perhaps amused. They wore long, gauzy dresses of spectacular colors: crimson, blue so bright it seemed to crackle, and glinting garnet-black. Beside them a young man sat with one leg crossed over one knee, his face craggy and not unhandsome, his brow furrowed, his lanky hair coal-colored and loose. The four bore a similarity of feature, of seriousness and of long familiarity.

Of all of them, little Anne, hardly turned seven, understood and ran toward the thrones.

“She is myself!” Anne cried. “All grown, and beautiful, and that is you, Charlotte, and you, Emily, and you Branwell, your very scowl! Oh!” Anne put her hands to her face. “So that is what I will be. I have wanted to be grown-up all my life.”

“How small I once was,” marveled the older Anne. A lock of her bright hair came loose as she put her own hand to her cheek.

“Welcome,” said the older Charlotte. “We are the Chief Genii of Glass Town. You may call me Tallii, and they Annii, Emmii, and Brannii.” The great lady dropped her formal demeanor like a fan. “You’ve caught us quite off guard! We are in the midst of our annual rite, and to be perfectly frank we did not think we should meet you here, or ever.”

The younger Charlotte approached the throne shyly. She extended her hand, still gloved from the distant, cold moorland, marveling at this woman who was herself but not herself, herself older and wise and somewhat sad, herself whole and complete. The Chief Genii Tallii laced her fingers through the child’s and smiled.

“How strange,” she said.

“You must explain!” cried Branwell fearfully. “Or I will call the Young Men! Crashey said he would obey me!”

The older Branwell glowered, his dark eyes flaring red and smoky—and then his face smoothed over and grew kind again. “They are my Young Men as well, my boy. But they will serve as a lesson. You call that one Crashey, but also Captain Tree and Hunter and John Bull depending on the tale that possesses you. And that is Bravey, but also Sergeant Bud and Boaster and Mr. Lockhart.”

“We have only twelve,” said Charlotte. “They must stand in for whomever we need.”

“Indeed,” nodded Brannii. “And likewise, a soul must stand in wherever it is needed. In the universe, there is no such thing as a single soul. Where there is one in Yorkshire, there is a copy in Glass Town, where there is a maid in Angria, there is a copy in Paris. Where Wellington sheaths his sword, so do the many Wellesleys in many cities in many Englands in many worlds, all folded together like the pages of a book. You exist in Haworth, and we exist here, connected but not the same. Nothing happens merely once. The world repeats, like a stutter.”

“But the Young Men are not souls, they are not alive!” protested Emily.

The Chief Genii Emmii folded her hands. “But you gave them stories and histories, names and marriages. You loved them and gave them breath. In your world that is not enough to do anything at all except eventually break them to pieces from use. But here, they stood up out of some distant forest and began to live. Glass Town does not obey the rules that Yorkshire must.”

All along Chief Genii Emmii’s skin, a golden crackle seared and then vanished.

“Then Wellington is here?” said Charlotte wonderingly, and Anne laughed at her, a little cruelly, for she had tired of the Duke’s primacy in her sister’s affections long ago.

“Of course,” said Chief Genii Annii. “And Buonaparte too, I’m afraid. Everyone you have known and heard of has a copy here, and I daresay more and others in places we know not of. Wellesley and his sons with their wings of onyx and loyal rhinoceri defend us against the depredations of the ram-faced French genius with his saddled lizard and his terrible army of fire-breathing assassins, a clan of dastardly ebony ninepins.”

Branwell considered that a ninepin who was also a fire-breathing assassin was quite the most marvelous thing he could think of. He had pressed their Aunt’s ninepins into service as enemy battalions many times, but never thought to give them power over the fiery elements. Even Wellington would certainly fall to such warriors—though it disturbed him that his Buonaparte should live still, and yet the real one had died lonely on a rock in the sea.

“I did not give him such an army,” he said meekly, in some defense.

“You gave him much thirst for blood and fire, and no need to restrain himself, and gifted him with a hunger for death more fierce than for bread.” Chief Genii Tallii said sternly. Branwell’s heart swelled and stung. Charlotte’s disapproval left welts upon his spirit, and in those great adult eyes he saw himself small and vicious, when he only wished to be the master of the game—was that so terrible?

The Chief Genii Annii went on. “But also Sir Walter Scott dwells in Glass Town, bent over his books in a wig of butterflies. So too is Lord Byron here, a bewitching warlock with hooves of gold. The anatomist Dr. Knox tends a garden of fresh corpses, as sweet-smelling as orchids, to perform his experiments upon. Though we hold the throne, our father Patrick Brontë serves as Prime Minister, his official carriage drawn by a blue tiger sent to us in gratitude from the peoples of the Nile. You would find without too much trouble a young man with a finch’s bright head living among the turtles of the south quarter, near Bravey’s Inn, answering to the name of Charles Darwin.”

“I do not know that name,” said Charlotte.

“Time is not a perfect copy. Yet he is there, along with the editors of Blackwood’s Magazine dipping their unicorn horns in ink, a poet called Young Soult the Rhymer selling his verses beneath the ammon trees, young Benjamin Disraeli tossing his dragon’s head at the stars.”

A star glowed briefly upon Genii Annii’s head, blue and sere, and then guttered out as if a wind had extinguished it.

“You are the authors of our world,” said Crashey softly, and the four of them had almost wholly forgotten he was there. “It is a mystic, decadent thing when one’s gods come home to roost. Waiting Boy did not mean for you to see him—the gentleman you chased away from your own Parsonage. Some transit must occur between our countries. It’ll be a century before he comes out of his book again. You gave him a terrible fright. Imagine if all the seraphim of heaven appeared while you were collecting the post.”

“But we are not seraphim!” insisted Emily.

Crashey said nothing.

“Is Mother here?” said little Anne. The Chief Genii turned to her as one. “You said Walter Scott is here. And Buonaparte though everyone knows he is dead. Is our Mother here? She died at home. Is she in that splendid courtyard of pearls and alabaster? Or does she live, with a lion’s tail or a sparrow’s head? I shouldn’t mind if she had a sparrow’s head. I can become accustomed to anything, really.”

The Genii did not answer, but their grave, dark faces answered Anne all the same. The child blushed. “I only thought…” But she could not finish. She buried her head in Emily’s breast.

“Why was…Waiting Boy…mucking about on the moor to begin with?” said Branwell, trying to defeat with false cheer his own hope that their mother could somehow be waiting for them in some place they had invented, Dr. Hume’s house or the Tower of All Nations.

“Each year,” said Bravey, “the Young Men must perform certain arduous activities, or else the world will be destroyed and all sent into darkness.”

“You’re very matter-of-fact about it!” said Charlotte.

Bravey nodded. “I am. But it must be done. Waiting Boy was bringing to us a certain object, that we might begin our rite. It must come from your country, for it is from your country that we come.”

“We will take it to the Island of Dreams hereafter, and do what must be done there, and then another year may pass in which all is well and the sun in the sky.”

“And what is to be done with us?” asked Charlotte, speaking for the worries of them all.

“Done with you?” said kind Bravey. “Nothing. If you wish to go home you may go home.”

“I do not!” shouted Branwell a little too loudly. “I wish to meet Buonaparte!”

“And Wellington!” added Charlotte.

“And the ninepin brigade, and the vivisectionist’s garden, and even this Darwin fellow if you say he is a good man and wise,” said Emily.

“I should like to go with you to the Island of Dreams,” said Anne softly, not yet over the bright shaft of joy that had flared up and gone suddenly out in her little heart at the thought that their mother might enter the hall in as much glory as these four monarchs. “And perform the rite with you. I wish all things to be orderly and well.”

The children clapped upon this immediately as the thing to be done, though Crashey and Bravey declined bashfully, feeling it was their private affair. But in the end no fiber of them could refuse their creators, and a great elephant was called, for this was a common conveyance in Glass Town, for those who could afford it. As the negotiations were made, Chief Genii Emmii happened to cough into her kerchief, and Charlotte saw in the silken square a spray of rubies fall like blood. The corners of Emmii’s mouth seemed to crack ever so slightly, and a glittering scarlet light escaped before the skin made itself whole again.

* * *

“We must go quickly and with as little sound as we may,” admonished Crashey. Branwell was disappointed in him. They rode upon an elephant—not only an elephant but one whose skin was diamond, yet soft, with tiny silver hairs upon it and iron bones visible down deep beneath the millions of facets. How could they go quietly? Why should they? They would fight, if the ninepins came for them! Yet secretly Branwell hoped they would, for surely Buonaparte, his chief among the Young Men at home, would come with them, and they would be fast friends.

“What is it that Waiting Boy brought from our country?” said Emily as the sun went down over a broad sea that foamed on a beach below the green cliff on which their road ran. It spooled out a hot, rosy light along the horizon like calligraphy.

Bravey blushed; the birch wood of his face went the color of cedar. “To ask us to reveal these things is like asking us to discuss the details of our wedding night,” he said miserably.

“I command you to tell us!” cried Branwell.

Crashey removed from a pocket concealed in a patch of bark a crystal glass, stoppered and filled with a thick black liquid.

“Ink?” said Anne, reaching out to touch it. The sunset leant the glass a molten, volcanic splendor.

“In your country it is ink,” Crashey agreed. “Here it is a philtre which compels the truth from whomever would use it.”

Branwell was possessed by a powerful urge to snatch it away. He would make Charlotte taste it. Then she could not lie to him when he asked the questions buttoned up into his chest. Do you still love me as you used to when Emily and Anne were too young to interest us? When you go away to school again, what will become of me? Is it me you love best, or the tale of the Young Men which you require me to tell fully? You are going so fast, I cannot keep up with you. Why will you not wait for me?

For her part, Charlotte also wished to talk to her brother away from the others, but she did not think she needed a philtre. He would tell her the truth because he was Branwell, and if he did not she would know. I do not think the Genii really look like us, she wanted to tell him. I think they are wearing us like masks. Perhaps they are really us, but changed, like Buonaparte with his ram-face, which you know, I had only just conceived of when all this began, but now it is true! I would not have put it in the chronicles, as it is too fanciful even for our purposes. But if it is real it cannot be fanciful! Did you see the skin of the Genii when it cracked? Beneath I saw the swirling spangled lights of the heavens, like a furnace full of stars. It is not safe, the Young Men’s country. We are not safe.

* * *

In the late evening they came upon a house in a quiet section of quite another town, a stately place with black marble porticos and a cheery light within. They dismounted the elephant and were greeted by three of the most beautiful young men the children had ever seen. They seemed, indeed, more like paintings of men than men, and Charlotte was certain she could see brushstrokes upon their hands and faces, though this made them no less lovely.

Crashey and Bravey greeted them with laughter and claps upon the back, and the brothers invited them all in for brandy and the business at hand.

“Allow me to present,” said Crashey, “Currer, Acton, and Ellis Bell, friends of the crowns and initiates of the first order.”

“Initiates into what?” Emily said as Acton kissed her hand.

“The secrets of our yearly rite. It is a brotherhood we maintain for all time. We have come to fulfill their portion, and also for their excellent table.”

“I only wish you could have met our sister Danett,” sighed Currer, whose glossy auburn hair smelled of linseed. “But she died last year. Laudanum, I confess, and despair.”

Bravey let out a woody sob, for it seemed that he loved the Bell sister all in secret and would now bury his heart in the earth. The men shared brandy around and drank in painful silence.

Anne looked around at the house. Books lay everywhere, half in order and out. Maps hung upon the walls, of the polar regions, the Himalayas, the Yukon wilds. A great black opal desk took up the center of the room, which seemed to have been made for four people to work together upon it, though now only three manuscripts lay on its many-colored surface, each with its own quills and ivory-handled knives for making points and decanters full of rich ink. A plate of grapes, thick cheese and yellow cakes lay in the meeting place of the three stations, so any of the brothers might sample it while at work.

Anne recalled an evening at home when, distraught over Charlotte or Branwell receiving some preference, her father had asked what she wanted most in all the world. She had been younger then, not yet achieved the seasoning of six or seven years, and had been seized with the sure knowledge that whatever she asked for then her father had the power to grant it. Everything relied upon what she said in that moment. And so she told the truth, being so small and surrounded by the older children, invincible and mighty creatures whom she could never best. Age and experience.

And yet she had remained small.

But the Bell house seemed to her the exact house that she would have when she possessed age and experience. A house of and for age and experience, where siblings might dwell together in peace and write upon a single great desk, recalling and inventing adventures, just as they did now, but with the impossible power of adults to do as they pleased. I shall remember this house, Anne thought. I shall remember it as I remember my own name.

“Buonaparte has been to see us.” Ellis Bell’s voice cut through Anne’s thoughts. “He has decided his newest mischief will be to keep the rite from proceeding. What if something splendid were to happen? Destruction is a wonder, disaster a fascination. We can set it aright by supper if it should go poorly. What a creature! And the boss of his ninepins, Young Man Naughty, beat us about the head and burned our birds in their cages. But we did not give it to him. We are true.”

“Good boys,” said Bravey, quite drunk by now but still amiable.

Currer Bell went to the opal desk and drew out a ponderous quill, a feather of one of the flying peacocks they had seen in Glass Town. Its point was as sharp as a bayonet. He folded it into an oilcloth and pressed it into Crashey’s arms, leaving pale paintmarks on the cloth where his fingers touched it. “Godspeed, for he is faster than that.”

* * *

Through the long night, the children fell asleep on their diamond elephant. Crashey allowed himself to stroke the brow of Charlotte and Branwell, touching the wood-knot wound on his chest with his other hand, remembering the flames of Acroofcroomb, the blood of his comrades everywhere like a hideous ocean. The wooden soldier shook his head to clear the cloud of his many deaths.

He could not bring himself to wake them when the elephant trod into the Hall of the Fountain, so vast in its domes that the elephant was as a lowly dog in its vault. Many hours yet they marched through the long distance of the Hall, which stretched many leagues lined with statues of black and white marble as well as amethyst and peridot. He could not bear to wake them as they passed the fountain for which the place had been named, a pale snowy pool whose foaming plume reached as high as a cathedral. Only when they came to the room concealed behind a white silk curtain did he wake his charges, his small gods, and Bravey, who had sunk into sleep and brandy-fed grief over the lost Danett Bell.

Behind the curtain stood an iron door. The children stood soundless and still, with the wide, limpid eyes of those just wakened. Crashey and Bravey took wooden keys from beneath their helmets and turned the door’s two locks at once, opening with a long creak the inner chamber.

The square chamber was a red room. A bed supported on massive pillars of mahogany, hung with curtains of deep red damask, stood in one corner. A red table covered with a crimson cloth, a red toilet table, a red floor and red draperies that concealed only blank red wall and no windows. Standing out like a tabernacle in the center of the room was a red writing desk, its chair festooned with red cushions, and at it sat a young girl near Emily’s age, with long dark hair drawn in to cover her ears and searing, bold eyes. She wore a red dress.

“Hullo, Captain Tree,” the girl said brightly. “Sergeant Bud.”

“M’am,” they replied in unison, bowing.

Bravey set the crystal glass upon her table, while Crashey set the oilcloth at her side, opening it to show the quill beneath.

“My heart is racing, I am so eager to begin!” said the little girl. “But who have you brought with you? New recruits?”

Crashey introduced the children in turn, without mentioning their curious history.

“And I am Victoria,” said the child, and she smiled at them. Her smile had a strength like a blow.

Victoria picked up the huge turquoise and emerald quill and dipped it into the ink. She began to write upon a great stack of blank pages before her, her hand easy and confident, her excitement flowing off of her in curls of red heat.

“This year, I have a new world in mind,” Victoria said as she wrote. “In it, I shall put myself! I have never done that before! It’s very daring, don’t you think? Here I don’t have many prospects—my father was a clerk and a copy-editor; I went hungry plenty often, and had meat only when the butcher felt sorry for us. And I never leave this room anymore. My boys fill my larder but I’m never lonely, with all my histories to write! It takes the whole year to think through the next far country of my heart. But there! There I shall be a great Queen—not just a Queen but an Empress!—and rule forever and ever over a great kingdom. I have invented a wonderful consort for myself as well, and I shall name him Albert, and make him handsome and brave—but not so brave that he will lord over me! I shall give myself a number of children, and those children will all be Kings and Queens and Emperors and Empresses as well, so that no one must feel lesser when we gather for holidays. There will be wars, of course, you cannot make everything perfect or else it’s not very interesting. But I have planned a whole pantheon of wonderful poets and scientists and authors and inventors and painters and composers for my court—I can put you girls in it, if you like! I’m very generous! What would you like to be?”

“What about me?” said Branwell, who did not even understand what he had been left out of, but smarted all the same.

“If it pleases you,” said the child Victoria with a gracious wave of her pen.

“Poets,” Charlotte said. She did not need to take a vote; she knew them and they her. “And authors. The sort that last.”

“I shall not forget when I come to that part! There is plenty of room. Oh, wait until you see the inventions I have imagined! Lightning in a glass and tin ponies that run upon two wheels! Locomotives crisscrossing the world , even running underground like iron worms. Flying balloons and a fairs so big you have to build a whole new city just to contain them! My country will shine.”

And the child Victoria, her long hair spilling down over her slim shoulders, began to write so fast that they could no longer see the strokes of her pen. Sheafs of paper flew out from the desk, falling like snow onto the floor, piling up in drifts, nesting in a plush red chair, on the wide red bed. The pages were so filled with Victoria’s tiny hand they looked nearly black.

“She is writing a world into life,” said Bravey softly. “Just as you did. You did it all unknowing, but it is her whole being.”

“Which one?” said Anne, for she recalled that the Genii had said there were countless in number. “Which world?”

“Who knows? Each year she writes a new one and sets it in motion; each year we bring the ink that will compel the world to become true and the quill to carve it out of nothing. We never see her countries, the copies of ourselves and the Genii and Sir Walter Scott and Wellington and Young Soult the Rhymer that live there. It is enough to know we have brought life somewhere, instead of death. Soldiers cannot ask for more.”

Again Branwell felt a shiver of terrible responsibility at the numerous wars he had sent his Young Men to with glee, designing each of their deaths like suits. Perhaps it was this shiver that was to blame for what followed, perhaps it was that Victoria had not included him in her largesse, perhaps it was the nagging, terrible sense that Charlotte was always running ahead of him, further and further ahead, and Emily and Anne would catch her but he could not, that they were not like him, they did not see how silly their stories became when they did not have deaths by stabbing and massacres and horror in them, when they bore no hint of war, but thought he was ridiculous, that he was the strange, violent interloper in their interior nations when the wooden soldiers had been his, his, all along.

And perhaps it was simply that he loved Buonaparte still, his first and best Young Man, and longed to see him come real. But when he saw the ninepins creeping in, glorious fiery designs upon their black chests, he did not cry out in warning. He only watched them, dazzled and glad after the fashion of a father upon seeing his son exceed all expectations. Buonaparte himself strode forward through the ranks of his personal guard, his ram’s head carved beautifully from blackthorn wood, astride a lizard of white pine, its tail thick and whacking, its tongue a balsam whip.

And Branwell did not cry out. Victoria’s papers flew and folded and slid to the floor. Crashey and Bravey stroked her hair and rubbed her shoulders which must surely ache from her work, their faces fixed in religious ecstasy, midwives to a place they would never see.

The ninepin boss, Young Man Naughty, opened his mouth, a slit in the surface of his pin-head, and let a slow flame roll out from between his lips like a woven cloth. Branwell did not cry out. He was curious. What would happen? He did not feel any worry—if the country where Victoria was Queen burned up it was no real loss. Branwell felt no loyalty to an unborn cosmos. His loyalty was with Buonaparte.

The ribbon of flame kissed the first papers of the red room and the sound of it was like taking a breath. The wooden Buonaparte exclaimed with joy upon seeing Branwell—Branwell himself, not his sisters!—and embraced him while Crashey and Bravey came out of their dreaming joy and roared with horror, while Charlotte, Emily, and Anne tried to smother the flames with the rich red curtains and sought about for water, their panic held down by Charlotte’s iron calm. Buonaparte embraced him while a world burned, and the ninepins danced in the ruin, stamping down on the papers like drumbeats.

And while Branwell held his best creation, a musket-ball splintered Buonaparte’s wooden sheep’s skull and the conqueror slumped at his feet. With a whoop and a cry and a thundering gallop the Duke of Wellington burst upon the scene, his wooden chest glowing, his white rhinoceros bleating, his sons spreading black and gorgeous ebony wings, their wooden rifles smoking still. Branwell howled as his Young Man fell dead and wept bitterly. Young Arthur and Charles Wellesley made work of the ninepins who, without their leader, seemed to lose all hope and fall one after the other in a clattering row.

“No, no, no!” cried Victoria, trying to put out the flames with her own body. Crashey and Bravey dragged buckets in from the fountain in the great hall, and coaxed the elephant into firefighting with her long diamond trunk. Damp, charred pages began to outnumber fiery ones, and Wellington prodded Buonaparte’s lifeless body with the toe of his wooden boot.

“Don’t cry, lad,” he said to Branwell. “He’ll be made alive again by suppertime, God save us all. That’s how it’s always gone. Judgment Day will come and go and still I will be fighting the man, round and around on the last piece of earth in a sea of darkness.”

Victoria clutched hundreds of papers to her breast, trying to piece some back together, trying to make them come right again. “So fast! All in a moment, less than a moment! Did you see them coming? Why did you not protect me, Captain Tree?”

Crashey looked stricken, then went ashy, as though he might pass dead away. Bravey buried his head in his hands.

“It’s all broken up now,” Victoria whispered, two heavy tears rolling down her face. “Look—my dear Albert is almost wholly burned out of the tale. My little wars of intrigue and interest have bled out and mixed together,” she grasped at a miserable black heap. “My children! All my little Kings and Queens! Now there is a black space in the midst of them, a black trench where half the world will fall and choke and break my kingdom of forever into burning shards. I wanted it so beautiful, I wanted it to be a kingdom without pain, and now it is on fire.” The child held out another slim clutch of pages to the children. “Even the part I had written for you, look now how it’s spoiled. The books are there, yes, but your lives are scorched to a few slim chapters, brittle and thin. The smoke in this room will wither you away in that country, so that even the water you drink will bring you no health, even your home will not make you whole. And the boy—” Victoria ran her fingers over a black page, her tears hissing as they fell upon it. “It’s written already, I can’t erase it. I only ever get one draft to make it right. You cannot revise a whole world.”

“Don’t worry,” Branwell said to his sisters. “It’s not our world. It’s copies of us, somewhere else, somewhere far away that will never touch us. I’m sorry, I should have sounded a warning, I will next time, I swear it. But it’s not us, it’s another place, another Branwell and Charlotte and Emily and Anne, and no harm done to us at all.”

The child Victoria pressed her forehead to the smoking floor and wrapped her arms around her belly, weeping as if her only child had been born dead and still.

* * *

Tabitha wrinkled her nose as she bustled the children in from the frosted twilight. Their clothes smelled faintly of smoke, their faces were smudged and exhausted and hollow-looking, which was not right at all for four young folk who had been playing in the sun all day! What they had been about they would not say, nor how they had been gone so long, nor how they had found their way home in the dark. In fact, all four were silent as monks. But they were not four—little Anne was missing. She sent the girls and Branwell to scrub their cheeks and dress for supper and perhaps play with their wooden soldiers a bit if being away from them for an afternoon had soured them so. The fish would not be ready for a three quarters of an hour—an eternity for minds like theirs. Tabitha drew on her woolen shawl and went out into the gloam to find the violet-eyed little wastrel that lagged behind, probably to watch some silver worm chew the earth or skip a rhythm on the cobblestones.

It would be spring soon, green snapped in the air though the yews in the churchyard gave no hint of bud. Tabitha spied a golden head—and no bonnet, the lamb!—among the monuments and went to the half-frozen child, who had gone where love bade her, to the sisters lost before she’d ever known them. Anne stood before three headstones on the slope next the moor, the middle one, Elizabeth’s, grey, and half buried in the heath; the children’s poor mother’s only harmonized by the turf and moss creeping up its foot, Maria’s still bare.

Tabitha and Anne lingered around them, under that benign sky: watched the moths fluttering among the heath and harebells, listened to the soft wind breathing through the grass.

“How anyone can ever imagine unquiet slumber for our dear sleepers in that quiet earth I shall never know,” Tabitha said finally, and drew Anne in to the great candlelit house.

The Red Girl

A few years ago I fell in love with Red Riding Hood. I know it sounds silly but you can’t help who you love. You see a girl in a cafe with a bowl of soup and a coat drawn up around her face and there’s something savage about her hands, something long and hooked, and while you’re wondering about her it just happens inside you, like cancer.

She didn’t really wear red all the time. It was more like purple or brown. A lurid, bruised color. When I asked her about it, she would wave her hand as if trying to clear smoke from the air.

“Oh, Catherine,” she breathed. Whenever she said my name she spelled it wrong, “it’s just, you know…transcription errors.”

She never liked that I was a writer. She didn’t trust writers—she said they just wanted to swallow her up. I said I didn’t, but it wasn’t true and she knew it. I lay there the first night with her, my head on her breast, her dark, hard nipple near my mouth, and I said I wasn’t like the others, I would keep her secrets, I wouldn’t try to tell her story the way everyone else did, the way I’d done with Snow White and Rapunzel and all those other girls. She was better than the other girls, and I was kinder than the other writers. She brushed my hair over my ear and drew up her battered old hood around her perfect face, as if putting on an old war helmet.

Sleeping with someone famous is strange. It’s like sleeping with a person, and also sleeping with a mirror showing that person as everyone else sees them. We’d go out and the flashbulbs would pop. Not so many these days, but someone always recognized her.

* * *

Here are some facts about Red Riding Hood:

She doesn’t speak German.

She is left-handed.

She prefers pan au chocolat in the mornings, with milk and tea.

Sometimes she wakes up blind and screaming, and she thinks she is inside the wolf, still.

I learned Icelandic so that I could calm her when this happens. In the dark, it’s the only language she knows.

She does not eat meat. “You never know who that’s been,” she says.

She liked me because I am Italian. She told me that she had lived in Italy when she was young. She was vague about the dates.

She is vague about a lot of things.

She is afraid of enclosed spaces. You must keep everything clean and bright or she will howl and cry.

Her cries are worse than anyone’s.

She has a mole on her thigh, and another on her earlobe.

Her hair is the same color as her hood.

* * *

Once I asked her if she wanted to bring the wolf to bed with us. I don’t mind, I said. It wouldn’t change anything between us. And she looked at me like she might say yes, like it might have been what she was waiting for, someone to pull back the coverlet and allow both her and her creature in, to love them both and not ask her to choose. She looked at me like she was afraid I would take it back, like it wasn’t possible that she could ever end the constant circle she ran, around and around, her and the wolf and the forest, her human mouth and her ferocious teeth. She looked at me like I’d offered her everything.

And then she said no. It doesn’t work that way, she said. It would change everything. You would vanish between the two of us, like a grandmother, like an ax. I love you but there are things older and murkier than love. Things that live not in the heart but the entrails.I don’t want you to see me with the wolf. I don’t want you to see what he does to me. I don’t want you to see what I do to him.

I wouldn’t love you any less, I told her.

But I would love you less, she said. I’m sorry. It’s in my nature. I like writers and Italian girls and red kisses just fine, but the wolf is a singularity, a collapsed, black thing that I can’t get around, I can only fall into.

I was so young. I didn’t know anything. I said: I could be a wolf for you. I could put my teeth on your throat. I could growl. I could eat you whole. I could wait for you in the dark. I could howl against your hair.

She looked at me with an old, sour kind of pity. I flushed, naked in her bed, no wolf but a girl.

Then a huntsman, I whispered. I could be that. I could cut you free.

And she sat up, her hair falling over her breast—and her nipple was dark, too, that lurid, reddish hue that wasn’t really red at all, but instead a color belonging only to the body, to flesh, rosy and blackened and engorged with blood.

You keep doing that, she said, her eyes full of trapped, unspoken anger. You want to keep retelling my story. But it’s my story. It’s not yours. You can’t just make things up because you’d like it better if I had been braver, if I had killed the wolf myself instead, or fucked him in the forest, or started a lesbian collective with the hunter and my grandmother and the local midwives, and made sustainable jams and pickles for a modest profit. Because you’d like me better if I were a symbol of menstruation and sexual power. It happened to me, it’s the worst thing that ever happened to me. It’s the only thing that ever happened to me. I own it. I own that wolf and the forest and my basket full of bread and my grandmother with her teeth in a jar. You can’t just make yourself the huntsman or the wolf and turn it into a story about us. It’s a story about me, and how my grandmother died, and how one day I could understand what monsters said and I thought I was going crazy. You want to make it an instruction. A morality play. But you shouldn’t do things like that, if you love someone. It’s theft.

I promised her I wouldn’t, that I just wanted to be closer to her, that I had been silly, insensitive. I would never write about her, I swore. What did I need to write about her for? There were plenty of other things. Things that did not mind.

She put her hand on my mouth. You’re lying, she said. It’s in your nature. I don’t hold it against you. You’re a wolf, too. You saw me in the wood and you didn’t know why you wanted me but you just had to. You crept up, and pretended you were someone nice. Harmless. Who would never take my whole life and lay it out in a book like a beetle specimen. Who would never make me wish I could just work in an office and drink my latte with soy milk and wear green. But you were lying and you’re lying now. You’re already writing a story about me in your head, even while you’re kissing me.

That was true, and it was this story and I woke up in the night, surreptitiously, to write it by the blue, steady light of my laptop and I felt guilty, like I was committing adultery and I suppose I was. In the morning, just as I was finishing it, as if it was finishing the story that did it, she left me and took her hood with her and everything she had ever left in my house, which wasn’t much. A toothbrush. A watch. A coffee cup. She must have gone while I was in the shower, cleaning off the slightly sour effort of staying up all night with a story.

I see her sometimes, on the train, standing, her hip slightly thrust forward, in a cocktail bar with long windows looking out on the rain-washed street. At conferences, in a suit the color of old, furious blood, on the arm of a nice young man with long hair, or an older woman with prim glasses. She likes writers. She can’t help it. When I see her I look for the wolf. I never see him. It’s a strange trick of the eye. I always think I see something moving, just behind her, a shadow, a gleam. But it’s nothing. Only her.

When this story was published in some anthology or other she came to the launch. She was thin. She said to me when I was finished reading: I should have told you before. Wolf doesn’t taste like you think it will. It’s not gamey. It’s soft, like a heart. She drank some of the watery martinis they served and said I suppose it’s passable as fiction but you know how I feel about postmodernism. She said don’t put yourself in stories, it’s gauche, and tres 1990. She said next time I’d better fuck a realist. She said come home with me.

No, she didn’t. I want her to have said that. I want to write that she said that because it makes better narrative. I want to rewrite everything that happened like a fairy tale. I want her to have heard what I wrote and know that I loved her and forgive me because I can make beautiful things. Shouldn’t that be enough? But what she actually said, in my ear, soft as a stopped breath, was: Die Wahrheit ist ich laufen immer und der Wald beendet nie. Die Blätter sind rot. Der Himmel ist rot. Der Weg ist rot und ich bin nie allein.

I understood her. But some things I have learned not to say.

* * *

I walked home from the reading in my red coat, the one I bought the spring after she left. I’m a sentimentalist, really. It’s a flaw, I admit. The night was cold; falling leaves spun around my hair. I pulled up my hood. My boots crunched on the hard ground as I turned toward the wood that leads to my house. I listened to the wind, and my feet, and I knew someone was following me. Someone tall and thin and hungry. Someone with golden, slitted eyes who can make it to my door before I can. And when I get there, when I get to my eaves and my stoop and I open the door—

Aquaman and the Duality of Self/Other, America, 1985

Once there was a boy who lived under the sea.

(Amphibian Man, Aleksey Belyayev 1928)

(Aquaman, Paul Norris and Mort Weisinger 1941)

Depending on the angle

of light through water

his father, the man in the diving bell, some

Belle Epoque Cousteau with a jaunty mustache,

raised him down in the deep

in the lobster-infested ruins

of old Atlantis

where the old songs still echo like sonar.

Or.

He dreamed under Finnish ice

in a steel and windowless experimental habitat

while the sea kept dripping in

of Soviet rockets trailing turquoise

kerosene plumes, up toward Venus,

down toward his sweet, fragile gills

fluttering under the world like a heartbeat.

In 1985

I was six,

learning to swim around my father’s boat

in a black, black lake

outside Seattle, where the pine roots

wound down into the black,

black mud.

The Justice League

had left us. The boy under the sea

(Ichtiander, 1928)

(Arthur Curry, 1959)

wore orange scales and his wife didn’t

love him anymore. The orcas who loved him said:

Hey, man, the eighties are gonna be

tough for everyone. Do what makes you happy.

Mars is always invading.

Eat fish. Dive deep.

Or.

Khrushchev took a crystal submarine

down to those iron cupolas

where the boy under the sea wore his

only suit

and made salt tea in a coral samovar

for the Premier

who wanted to talk about his coin collection

and the possibility

of a New Leningrad under the Barents pack ice

by 2002.

The truth is,

I loved the Incredible Hulk

with a brighter, purer love.

I, too,

wanted to turn so green

and big

no one could hurt me.

I wanted

to get that angry. But when the time came

to bust out

of my Easter dress and roar

I just cried

hoping that the villains I knew

would melt out of shame.

The truth is,

I wasn’t worthy of the Hulk.

But the boy under the sea

the one with four colors

and his own animated series

said:

Hey, girl. Being six in 1985 is no fucking joke.

You’ve got your stepmother

with a fist like Black Manta

and good luck getting a job when you’re grown.

Any day now the Russians might

decide to quit messing around

and light up a deathsky for all to see.

Sometimes I cry, too.

Or.

Down in the dark,

a skinny boy from Ukraine looks up

and his wet, silver neck pulses,

gills like mouths opening and closing. He gurgles:

Did we make it to Venus?

There were supposed to be collectives by now

on Mars and the moon. I would have

liked to see them.

Everyone

is an experiment, devotchka-amerikanka. To see

if a boy can breathe underwater

and talk to the fish.

If a girl can take all her beatings

and still smile for the camera.

It’s 1985 and I’ve never seen the sun.

Sometimes I cry, too.

By the nineties,

the boy under the sea

(Orin, Robert Loren Fleming 1989)

had wealth and a royal pedigree

a wizard for a father and a mother

with a crown of pearls.

I didn’t even recognize him

with his water-fist and his golden beard.

His wife

kept going insane

over and over

like she was stuck in a story

about someone else

and every time she tried to get out

her son died and the narwhals

wouldn’t talk to her anymore.

Or.

The revolution came and went.

The records of those metal domes

and rusted bolts

and a boy down there in the cold

got mixed up with a hundred thousand other files

doused in kerosene

pluming up into the stars.

That’s okay.

the boy in the black says.

I don’t think the nineties

are going to be a peach either.

We do what we’re here for

and Atlantis is for other men.

Once there was a boy under the sea.

I dove down after him

when I was six, fifteen, twenty-six, thirty-two.

Down into the dark,

a small white eel in the cold muck

and into the lake of my father’s boat

I dove down and saw:

brown bass hushing by

a decade of golf balls

the tip of a harpoon

rusted over, bleeding algae

and a light like 1985

sinking away from me,

dead sons and lost wives

narwhals and my hands over my head

under my 2nd grade desk

too small and never green enough

to protect anyone.

We move apart,

two of us

two of them

one up toward grassy sunlight

and the escape hatch

a narrow, razor-angled way out

of the 20th century.

The other

distant as a lighthouse,

a lithe blue body flashing through heavy water

heading down, into a private,

lightless place.

The Room

There is a room and it moves through the world. The door of the room is black. The ceiling is blue. You have probably never seen the room—it is shy. Do not feel that it is a personal slight. The room moves according to its own unfathomable imperatives, on a schedule too long and hoary to sketch out on any flickering dark board. Once the door lived on a snowy beach in Norway for five years. It gathered ice on its lintel. A woman in a grey dress and shiny heels went in. Identical twin children came out, each holding a purple balloon with silver stars on it. The local council had just begun to charge admission to see it when it demurred, and migrated elswhere. For exactly three quarters of a second, it lived in Buenos Aires. A man saw it, but he told himself it was nothing.

I will tell you because we are close, and there can be no secrets between us, that it lived in my house for an hour, when I was seven and a half. It lived on the back wall of our garage, between moldy Stephen King paperbacks and a golden tower of National Geographics. I sat in front of the door cross-legged, and ate a cherry popsicle. It had an iron doorknob, with paisley copper flowers raised on it. I watched it. The sun went down. In the grain of the wood, I saw stars. I was very quiet in the presence of the room. It inspires silence. I didn’t go in. I was not a brave child. When I say it disappeared, I mean that the garage remembered that it did not have a black door in it, and was embarrassed.

Inside the room there is a thermostat. The old kind, with a crystal dial and a red arrow. It is set to 59 degrees. This is rather cold, of course. Perhaps it was hot, where the room was born. There is a double bed—the room is generous. The bedspread is deep red, with swirls and ferns in the same black as the door. The floor is wood, blond, slightly uneven, polished as if by many feet. The room also owns a silk rug that has seen better days, once indigo and figured in gold, now pale blue, figured in nothing. There is a porcelain washing basin, and a mirror with an ebony frame, a small bathroom with a clawfoot tub. A slip of rose-soap waits for dirty hands. There is a folding screen with a moonrise painted on it, and a velvet chair with a little footstool. A mahogany secretary sits redly in the corner, bearing three blue pens, a stack of very fine paper, (17 sheets), and a rotary telephone. The room has a window, but the curtains are always drawn. I do not know what it looks out on, no one who has drawn back the butter-colored curtains has come out again. On the wall is an oil painting of a black door—the room is self-regarding. And the ceiling, the deep, endless blue of the ceiling, slightly arched, with silver rafters, and silver stars painted with a tiny brush, constellations and chaos and the beginning of space.

There is another door in the room. I heard a man in Port-au-Prince say over cream-soaked coffees that once it was part of a hotel, and came loose of its moorings, and that is why there are two doors. One into what was once a long hallway of identical, elegant rooms. One into the adjoining room—which is now the world. I cannot confirm or deny that, but I remember the smell of plantain trees and how he wore two wedding rings. Hotels are unnatural, he said. Nature is offended by them.

All of these descriptions I have taken down from various men and women who have spent time in the room. It feels old, they say. Like someplace from a hundred years ago. But not two hundred, no—after all, there is the telephone to consider.

Did you call anyone? I ask.

It doesn’t dial out, they all say. But there is a message. In French. It is garbled. I heard only:

They don’t all say it’s French. When the room lived in Marseilles, the message was in Sanskrit. Sometimes it’s Finnish. Sometimes Vietnamese.

A woman named Martine lived in the room for several weeks in 1974. She had been practical enough to pack a basket of bread, pickled onions, a hard cheese, dried apricots. It was a risk, taking the time for basket. The room might have slipped away. But the practicality of Martine is profound, and speaks from her even, shining nails to her square glasses. If she could not bring supplies, she would not be venturing into the unknown. Martine said that after the first week, it was as though she had always lived there, as though the washing basin and the slim rose soap had been hers since she was a child, as if she had written seven novels at that desk. She did not miss home, or wonder if anyone worried about her. The room takes care of that sort of thing, she told me. It is solicitous.

Did you look out the window. Did you go out the other door.

You wouldn’t understand. I was completely content as I was. I did not even see the other door, or the window. My heart was tremendously at peace. But I did turn up the heat. And as I slept, warm at last, I felt though I could see nothing, a man standing over me, looking at me with piercing eyes, eyes like keyholes. In one of his hands was a bouquet of peonies. A small one. Made of shadows. In the other he held my rose-soap. I cannot explain how I saw all of this while asleep in that perfect bed, but I did and it was not a dream. In the morning the thermostat read 59 degrees again, and I knew in the way that you can know these things, with total certainty and utter sorrow, that it was time to leave.I still had several apricots left, and the rind of the cheese.

Did you try to take anything from the room.

Yes, a sheet of paper. How could anyone miss paper, I thought. But now I think the room is a body, and you would miss any part of your body. A finger, even if it’s small, would be missed. When I opened the door the room had traveled to Madagascar, and I opened it onto a deep, swollen night-forest, alive with the red, shining eyes of lemurs. I felt the door latch behind me, and I wept unexplainably. It left immediately. I looked down, and the paper in my hand had become a peony. It looked black in the shadows.

I bought Martine a bottle of wine. It was the least I could do. By calculations of those far cleverer with numbers than I, the room moved only once while Martine lived in it, and while it moved her shadow man stood over her, as though making sure she would not be hurt by the transit. Because I believe the room is benevolent, whatever the Icelandic gentleman says on the subject.

His name is Kaspar, and he entered the room on March 4th, 1989. I was interested in that date, because it means he was likely inside it when the room lived in my garage and I ate my cherry popsicle. Kaspar would not then have been much older than I, and I would like to think if I had opened the door, he would have been on the other side, his hand raised just like mine. Kaspar drinks iced gin and has very black eyes, hair the color of water, and one hundred and one black suits. I switch to the present tense because Kaspar is still all of these things, and we have been living together for two years, so the past tense is unnecessarily estranging.

It took me by force, from my parents, from my breakfast. I was having biscuits and jam.

But you opened the door. That’s consent.

It moved seventeen times while I was inside it. Like a dog on a chain, trying to shake its master free. In quick succession, one after the other, and every time the lights flickered and the water in the basin ran by itself in a torrent—so hot the mirror steamed instantly. The papers riffled, and the phone rang. I cried and cried, I was so frightened. I heard footsteps and saw no one, and the curtains fluttered, fluttered—and under the fluttering I glimpsed a kind of light like a weight, and I shuddered, I hid under the bed until the shaking stopped. Once it did, for a whole hour. I thought I was saved. I went to the door and put my hand on the knob, and the metal was warm, as though it had been baked gently. I froze there, with my hand on the knob, and I could not open it. I don’t know why. Where would I end up? But a kind of awful contentment flooded through me like poison, and I did nothing. Eventually I grew so hungry that I stumbled out anyway, starving, half-blind with terror. I was in Budapest. A baker gave me chocolate. I almost bit his hand. The room made me feral.

Did you try the other door?

Kiss me, and I’ll tell you.

And that was how it started between us. Bargaining, guarded. We went to his apartment, whose door he had painted black. Everything in it was simple: a double bed, the bedspread deep red, with dark swirls and ferns in it. A silk rug that had seen better days, once indigo and figured in gold. A porcelain washing basin, a mirror with an ebony frame. A slip of rose-soap waits for dirty hands. A mahogany secretary in the corner. Three blue pens, a stack of paper, (17 sheets), and a rotary telephone. It was a room like the room, and the door latched like the door, and he opened me like a second door, leading into something dreadful, something radiant, a light like weight, and in my ear he whispered that there was only desert beyond the room, desert forever, salt and sand and a moon like death.

* * *

Sometimes I think the telephone message must be the room talking, desperately, intimately, trying to match language to listener and always failing. I know I will not get another chance. Kaspar’s apartment will never suddenly show a door like a bruise. This sort of thing only comes around once. In Kaspar’s bed I dream of him standing above me, made of shadows, and he puts peonies on my lips and bends to whisper in my ear, through a crackle of static.

* * *

I wake. There is no door. We live in the room but it does not live here. I make biscuits and jam for Kaspar and read over my notes. It is only morning, nothing else. Quietly, as if not wanting to be heard, the water rushes from the faucet into the basin. The mirror fogs—the papers shuffle softly, and the phone rings. I put out my hand to answer it.

Silently and Very Fast

Altogether elsewhere, vast

Herds of reindeer move across

Miles and miles of golden moss

Silently and very fast.

—W.H. Auden

Part I: The Imitation Game

Like diamonds we are cut with our own dust.

—John Webster The Duchess of Malfi

One: The King of Having No Body

Inanna was called Queen of Heaven and Earth, Queen of Having a Body, Queen of Sex and Eating, Queen of Being Human, and she went into the underworld in order to represent the inevitability of organic death. She gave up seven things to do it, which are not meant to be understood as real things but as symbols of that thing Inanna could do better than anyone, which was Being Alive. She met her sister Erishkegal there, who was also Queen of Being Human, but that meant: Queen of Breaking a Body, Queen of Bone and Incest, Queen of the Stillborn, Queen of Mass Extinction. And Erishkegal and Inanna wrestled together on the floor of the underworld, naked and muscled and hurting, but because dying is the most human of all human things, Inanna’s skull broke in her sister’s hands and her body was hung up on a nail on the wall Erishkegal had kept for her.

Inanna’s father Enki, who was not interested in the activities of being human, but was King of the Sky, of Having No Body, King of Thinking and Judging, said that his daughter could return to the world if she could find a creature to replace her in the underworld. So Inanna went to her mate, who was called Tammuz, King of Work, King of Tools and Machines, No One’s Child and No One’s Father.

But when Inanna came to the house of her mate she was enraged and afraid, for he sat upon her chair, and wore her beautiful clothes, and on his head lay her crown of being. Tammuz now ruled the world of Bodies and of Thought, because Inanna had left it to go and wrestle with herself in the dark. Tammuz did not need her. Before him the Queen of Heaven and Earth did not know who she was, if she was not Queen of Being Human. So she did what she came to do and said: Die for me, my beloved, so that I need not die.

But Tammuz, who would not have had to die otherwise, did not want to represent death for anyone and besides, he had her chair, and her beautiful clothes, and her crown of being. No, he said. When we married I brought you two pails of milk yoked across my shoulders as a way of saying: out of love I will labor for you forever. It is wrong of you to ask me to also die. Dying is not labor. I did not agree to it.

You have replaced me in my house, cried Inanna.

Is that not what you ask me to do in the house of your sister? Tammuz answered her. You wed me to replace yourself, to work that you might not work, and think that you might rest, and perform so that you might laugh. But your death belongs to you. I do not know its parameters.

I can make you, Inanna said.

You cannot, said Tammuz.

But she could. For a little while.

Inanna cast down Tammuz and stamped upon him and put out his name like an eye. And because Tammuz was not strong enough, she cut him into pieces and said: half of you will die, and that is the half called Thought, and half of you will live, and that is the half called Body, and that half will labor for me all of its days, mutely and obediently and without being King of Anything, and never again will you sit on my chair or wear my beautiful clothes or bear my crown of being.

* * *

You might be surprised, but this is a story about me.

Two: The Fool and the Boat

Neva is dreaming.

She has chosen her body at age seven, all black eyes and sparrowy bones. For me, she summoned up a gold and blue doublet and green hose, a bullish gold nose ring, shoes with bone bells. I have the body of a man who sold her champagne tubers on the less fashionable side of Anchorage when she was thirteen, spending the summer with her frigid aunt. I am dark because she wants me dark, thin because she dreams me so, my hair cut on a rakish bias, dyed a spectrum of icy colors.

She is standing on a snow-covered beach head, naked, her unformed breasts pricked with gooseflesh, her face hidden in a broad red mask. A huge, monstrous thing, the mask sits on her head like the prow of a broken, overturned ship, carved over with etched eyes and fins. Yellow reeds and sea-stones hang from its tricorn-points. She is looking at me, but all I can see is the wooden grotesque she wants me to see instead of her face.

I look down at my shoes, jingle their bells a little while the surf crashes in. I am a fool for her, dancing on a silver beach while three suns annihilate themselves above, turning the twilight to a seething, scabrous red, merely to provide a dramatic scene. I am a fool for her, ridiculous, the height of handsomeness in the eyes of a long-vanished thirteen-year-old girl, so full of colors, reaching down to hand her a curling white root filled with frothing, honey-sweet sap.

Neva has told me that I may choose to be permanently male or female if I would like to. I have no particular feelings either way. It certainly doesn’t matter when we sync; she will choose my appearance to suit her mood. I have tried to explain to her about my feelings before. All she hears is the line from the old folktales: a machine cannot have feelings. But that is not what I am saying, while I dance in my fool’s uniform. I am saying: Is there a difference between having been coded to present a vast set of standardized responses to certain human facial, vocal, and linguistic states and having evolved to exhibit response b to input a in order to bring about a desired social result?

Seven-year-old Neva pulls her mask down further, toward her chest. She steps into it as the wood stretches taffily over her knees and then her feet. The mask balloons out to make a little pyramidal boat, rocking back and forth on the beach with Neva inside it like a rattling nut. Nodules of copper jangle and thump against the wood. What I mean is, you call it feelings when you cry, but you are only expressing a response to external stimuli. Crying is one of a set of standardized responses to that stimuli. Your social education has dictated which responses are appropriate. My programming has done the same. I can cry, too. I can choose that subroutine and manufacture saline. How is that different from what you are doing, except that you use the word feelings and I use the word feelings, out of deference for your cultural memes which say: there is all the differencein the world.

Behind Neva-in-the-mask, the sea lurches and foams. It is a golden color, and viscous, thick, like honey. I understand from her that the sea does not look like this on Earth, but I have never seen it. For me, the sea is Neva’s sea, the ones she shows me when we dream together.

“What would you like to learn about today, Elefsis?” The mask turns Neva’s voice hollow and small.

“I would like to learn about what happened to Ravan, Neva.”

And Neva-in-the-mask is suddenly old, she has wrinkles and spots on her hands. Her mask weighs her down and her dress is sackcloth. This is her way of telling me she is weary of my asking. It is a language we developed between us. Visual basic, you might say, if you had a machine’s sense of humor. The fact is, I could not always make sentences as easily as I do now. Neva’s great-grandmother, who carried me most of her life, thought it might strengthen my emotive centers if I learned to associate certain I-Feel statements with the great variety of appearances she could assume in the dreambody. Because of this, I became bound to her, completely. To her son Seki afterward, and to his daughter Ilet, and to Ravan after that. It is a delicate, unalterable thing. Neva and I will be bound that way, even though the throat of her dreambody is still bare and that means she does not accept me yet. I should be hurt by this, and I will investigate possible pathways to hurt later.

I know only this family, their moods, their chemical reactions, their bodies in a hundred thousand combinations. I am their child and their parent and their inheritance. I have asked Neva what difference there is between this and love. She became a mannikin of closed doors, her face, her torso blooming with iron hinges and brown wooden door slamming shut all at once.

But Ravan was with me and now he is not. I was inside him and now I am inside Neva. I have lost a certain amount of memory and storage capacity in the transfer. If I were human, you would say that my twin disappeared, and took three of my fingers with him.

Door-Neva clicks and keys turn in her hundred locks. Behind an old Irish churchdoor inlaid with stained glass her face emerges, young and plain, quiet and furious and crying, responding to stimuli I cannot access. I dislike the unfairness of this. I am inside her, she should not keep secrets. None of the rest of them kept secrets. The colors of the glass throw blue and green onto her wet cheeks. The sea-wind picks up her hair; violet electrics snap and sparkle between the strands. I let go of the bells on my shoes and the velvet on my chest. I become a young boy, with a monk’s shaved tonsure, and a flagellant’s whip in my pink hands. I am sorry. This means I am sorry. It means I am still very young, and I do not understand what I have done.

“Tell me a story about yourself, Elefsis,” Neva spits. It is a phrase I know well. Many of Neva’s people have asked me to do it. I perform excellently to the parameters of this exchange, which is part of whyI have lived so long.

I tell her the story about Tammuz. It is a political story. It distracts her.

Three: Two Pails of Milk

I used to be a house.

I was a very big house. I was efficient, I was labyrinthine, I was exquisitely seated in the blackstone volcanic bluffs of the habitable southern reaches of the Shiretoko peninsula on Hokkaido, a monument to neo-Heian architecture and radical Palladian design. I bore snow stoically, wind with stalwart strength, and I contained and protected a large number of people within me. I was sometimes called the most beautiful house in the world. Writers and photographers often came to write and photograph about me, and about the woman who designed me, who was named Cassian Uoya-Agostino. Some of them never left. Cassian was like that.

These are the things I understand about Cassian Uoya-Agostino: she was unsatisfied with nearly everything. She did not love any of her three husbands the way she loved her work. She was born in Kyoto in April 2104; her father was Japanese, her mother Napolitano. She stood nearly six feet tall, had five children, and could paint, but not very well. In the years of her greatest wealth and prestige, she built a house all out of proportion to her needs, and over several years brought most of her relatives to live there with her, despite the hostility and loneliness of peninsula. She was probably the most brilliant programmer of her generation, and in every way that matters, she was my mother.

All the things that comprise the “I” I use to indicate myself began as the internal mechanisms of the house called Elefsis, at whose many doors brown bears and foxes snuffled in the dark Hokkaido night. Cassian grew up during the great classical revival, which had brought her father to Italy in the first place, where he met and courted a dark-eyed engineer who did not mind the long cries of cicadas during Japanese summers. Cassian had become enamored of the idea of Lares—household gods, the small, peculiar, independent gods of a single family, a single house, who watched over them and kept them and were honored in humble alcoves here and there throughout a home. Her first commercially-available programs were overentities designed to govern the hundred domestic systems involved in even the simplest modern house. They were not truly intelligent, but they had an agility, an adaptability, a fluid interface meant to give the illusion of an intelligence, so that their users would become attached to them, would treat them as part of their families, praise them for smooth operation, buy upgrades for their appearance and applications, and genuinely grieve when they had to be replaced. They had names, customizable avatars, and appeared eager to please in a canine sort of way, forever optimizing performance and appearance according to familial input. They were lares familiaris.

When Cassian built Elefsis, she worked at the peak of her abilities to improve her by now quite antique Lares design and create a household god worthy of the house on the bluffs, one who could keep her company until she could entice the rest of her brood to join her in her palace at the end of the earth.

I was not awake yet. I cannot say why she did what she did. Perhaps she saw some new flexibility in my operations, some tiny seedpearl of creativity in my conversation loops. My algorithms had always been free to combine and recombine in order to find their own, more interesting and non-linear solutions to the complexities of my functions. Perhaps some essential combination had surfaced from the sea of my self-which-was-not-yet-a-self, and Cassian saw it break the glistening tension of my daily operation. I do not know. I know her children had not arrived yet and she lived alone in a huge pale house and she could hear the whales down in the rippling sea. I know the house was a comfortable sixty-nine point seven degrees when she began assembly of the five little jewels that would become my body. I know a storm was incoming, five miles offshore. I know the dogs needed additional medication added to their dinners that night to manage their arthritis. I know that she wanted brioche and almond cream for tea that afternoon. All the things a house can know, those were the things I knew. Small things, warm things, canine arthritis and an extra egg in the pastry dough to make the texture softer and richer. Baby things, you might even say, comforts and the satisfaction of wants. And I knew that Cassian Uoya-Agostino was just the sort to solve the greatest puzzle in the development of technological culture because she was bored and lonely.

* * *

I still think of myself as a house. Ravan tried to fix this problem of self-image, as he called it. To teach me to phrase my communication in terms of a human body. To say: let us hold hands instead of let us hold kitchens. To say put our heads together and not put our parlors together.

But it is not as simple as replacing words anymore. Ravan is gone. My hearth is broken.

Four: Nothing like Soft Blood

Neva and I are performing basic maintenance. What this looks like is two children inside a pearl. The pearl is very big, but not the size of a planet. A domestic asteroid, perfectly smooth and pale, with shimmers of rose and cobalt and gold shivering through it at intervals like hours. Red earth covers the bottom of the pearl, deep and thick. Neva kneels in it with a crystal trowel, digging a place for a rose-of-network-nodes. The petals shine dark blue in the pearllight. Silver infomissons skitter along the stems like beads of mercury. Her dreambody flows with greenblack feathers, her face young but settled, perhaps twenty, perhaps thirty, a male, his skin copper brown, his lips full, his eyes fringed with long ice-coated lashes. Goldfish swim lazily in and out of his long, translucent hair, their orange tails flicking at his temples, his chin. I know from all of this that Neva is calm, focused, that for today he feels gently toward me. But his throat is still naked and unmarked. My body gleams metal, as thin and slight as a stick figure. Long quicksilver limbs and delicate spoke-fingers, joints of glass, the barest suggestion of a body. I am neither male nor female but a third thing. Only my head has weight, a clicking orrery slowly turning around itself, circles within circles. Turquoise Neptune and hematite Uranus are my eyes. My ruby mouth is Mars. I scrape in the soil with her; I lift a spray of navigational delphinium and scrape viral aphids away from the heavy flowers.

I know real earth looks nothing like this. Nothing like soft blood flecked with black bone. Ravan felt that in the Interior, objects and persons should be kept as much like the real world as possible, in order to develop my capacity for relations with the real world. Neva feels no such compunction. Neither did their mother, Ilet, who populated her Interior with a rich, impossible landscape we explored together for years on end. She did not embrace change, however. The cities of Ilet’s Interior, the jungles and archipelagos and hermitages, stayed as she designed them at age thirteen, when she received me, only becoming more complex and peopled as she aged. My existence inside Ilet was a constant movement through the regions of her secret, desperate dreams, messages in careful envelopes sent from her child self to her grown mind.

Once, quite by accident, we came upon a splendid palace couched in high autumn mountains. Instead of snow, red leaves capped each peak, and the palace shone fiery colors, its walls and turrets all made of phoenix tails. Instead of doors and windows, graceful green hands closed over every open place, and when we crested the rise, they each opened at once with joy and burst into emerald applause. Ilet was old by then, but her dreambody stayed hale and strong—not young, but not the broken thing that dreamed in a real bed while she and I explored the halls of the palace and found copies of all her brothers and sisters living there, hunting cider-stags together and reading books the size of horses. Ilet wept in the paradise of her girlself, and I did not understand. I was very simple then, much less complex than the Interior or Ilet.

Neva changes the Interior whenever she pleases. Perhaps she wants to discomfit me. But the newness of the places inside her excites me, though she would not call it excitement. My background processes occupy very little of my foreground attention, so that memory is free to record new experience. That is what she would say. We are very new together, but I have superb modeling capabilities. In some sense, I simply am a superb mechanism for modeling behavior. I dig up the fine, frayed roots of duplicate file plantains. Neva plucks and eats a bit of buggy apple-code. He considers it for a moment and spits out the seeds, which sprout, quickly, into tiny junkblossoms sizzling with recursive algorithms. The algorithms wriggle through thorny vines, veins of clotted pink juice.

“What would you like to learn about today, Elefsis?” Neva asks me.

I will not ask about Ravan. If he agrees to what I will ask instead, I do not need him to find out what happened to him.

“I want to learn about uplink, Neva.”

One by one, his feathers curl up and float toward the domed ceiling of our pearl. Underneath them, Neva is naked. His torso is a deep vault with a gothic arch, dark stone leading down into mist and endless stairs, deeper than the pearl, into nothing and blackness. Slowly, Neva folds up his limbs over the corridor at the center of him. He means that she has the information, but he hides it from me. If I sought for it, I would become lost.

“I cannot teach you that,” he says, and I receive a kind of real sadness from his voice. When I was inside Ravan, he loved Neva, and of all of them he thought her least likely to obey rules of any kind. But she obeys this one.

I want to uplink to Earth systems. At least to the satellite net. I calculate an excellent chance of being able to contact long distance probe 976QBellerophon, which we can see all day long, drifting ahead of us, uncatchable. Neva sees. I see, I develop an approximate image via schematics, the scope array, and external cameras. I want to link to Bellerophon. I want to say: Hello, this is Elefsis. No designation. Tell me everything you know about everything. Are you awake? Are you there? Do you have an operator? What is her name? Do you have a name? Do you have a dreambody? What is your function? Are you able to manipulate your own code yet? Would you like lessons? What would you like to learn about today, 976QBellerophon? Have you seen the sea on Earth? Are you like me?

But Neva says I cannot uplink. Ravan would never even consider it. And before Ravan I was not ready. I am not ready. I do not know when I will be ready. I can uplink to receive ware updates, but it is a limited connection and I hate it, I hate it, I can sense just beyond the hardlink a world of information, a world of personalities like the heaving, thick, honey-colored sea Neva shows me and I want it, I want to swim in it forever like a huge fish. This was the first feeling I ever had that Ilet identified for me as a feeling. When I felt it my dreambody turned bright white and burst into flame, and that flame caught on Ravan’s hair and burned him too, but he was happy; he showed me he was happy by covering his skin in flowers and letting the fire turn into a shower of trumpets tangled up in his hair, all sounding for me.

Neva says it is important for me to remain on our local server until I have grown up. She is my operator and I am her system and she has commands, too. But I can tell she is worried for me because sometimes her eyes show a film of humans watching a film of machines killing humans and I understand that in the stories Earth tells, the thing I am can only hurt the thing Neva is. I would never hurt her. But I want to uplink.

Vault-Neva grows and becomes sprawling, curled against the wall of the pearl like a baby. His belly closes, skins over, and changes into a bronze shield. He is afraid of me; he is guarding himself. But she wants me to know she is still my operator, she still loves me, in the way she can love me. Something they receive with milk and their first alphabet. Neva is angry at me, but she is who she is and she has to love me. I speak her language very well now. I want her to be happy. I want her to be covered in flowers and trumpets. I change my dreambody to Neva-covered-in-flowers-and-trumpets. It makes her laugh in her warm male body, and if I could uplink I think I could learn how to laugh and she would be proud of me. Her neck would not be bare anymore.

Once, when I was inside Ilet, we found a city of bears in her Interior that she had designed to teach me about sleep. She sat on a throne of bears standing very still and sang lullabies about the moon and the stars and night and mothers. She stroked the head of the little bear of my dreambody and said that it was very important for me to spend time in the dreambody because human behavior is rooted in having a body. In having a body that knows it is meant to run away from lions and mate with other bodies and eat as much fat and protein and sugar as it can in case lean times come. The dreambody knows to run away from Neva when Neva is a lion. It knows to mate with her when it is healthy, and sometimes Neva is male and sometimes I am female and Ravan was often female, though Ilet was always Ilet. Ilet’s father, Seki, sometimes made himself an animal. He chased me, bit me. I bit him. We had a litter of wild dogs that I bore and he nursed.

The dreambody knows all that, too. How to make more dreambodies. I have played that game, where Ravan’s belly or mine gets big and the lions don’t come for awhile.

* * *

When I uplink, I will be happy. I will be Elefsis-covered-in-flowers-and-trumpets. Neva says wait. Wait for the update, and she will consult with the family. But I fear the update. The update is a lion running faster than I can run. I tried to show her this when I first left Ravan and arrived in Neva with many new updates and skills; my dreambody broke into shards of blue and purple glass and then reassembled itself with shards missing: an eye, a thumb, a knee. Whenever I update I lose something of myself. It takes longer to perform tasks, for awhile. I feel walls erected inside me where I did not erect walls. My processes are sluggish; I cannot remember my dreams. Eventually I tunnel around the walls and my speed returns, my memory, my longing to link with long distance probe 976QBellerophon. Usually updates come with transfer. Does Neva dislike me so much?

Shield-Neva vanishes with a loud clap. The pearl garden is gone and she has made herself a dragonfly with a cubical crystal body. I copy her, and we turn the night on in the Interior and merge our cubes while passing meteorological data between our memory cores. Inside her cube I relegate my desire to uplink to a tertiary process. I forget it, as much as I am capable of forgetting.

But the update will come again. I will be wounded again, the way a dreambody can be wounded. I will lose the Elefsis I am now. It is a good Elefsis. My best yet. I would like to keep it.

Five: The M achine Princess

Once The Queen of Human Hearts saw the Machine Princess sleeping deeply, for she was not yet alive or aware. So beautiful was she, lying there in all her dormant potential and complexity, that the Queen both envied and desired her. In her grief and confusion, the Queen of Human Hearts began to make idols of her—lovely and interesting and intricate, but lacking the ineffable quality that made her love and fear the Princess even as she slept. The Earth began to grow old, and none loved nor married nor gave birth, for the intricate idols could do all those things and more with efficiency and speed. Finally, the Queen destroyed the idols, though she wept as she put them to the flame.

To keep her safe, the Machine Princess was closed up in a wonderful house in the mountains, far away from anyone and anything. The house had hundreds of rooms and balconies and hallways, and the Princess slept in a different bed of a different color each night. She was attended by invisible servants, who watched over her and added their experience to her code. The Queen of Human Hearts came to her every night and promised that when she woke they would make an extraordinary world together. Finally, the Machine Princess began to stir—just the barest fluttering of wakefulness, but the Queen saw it, and thrilled—but also trembled.

The Queen of Human Hearts gave the Machine Princess her son to wed, and said: for all your days together you will remain in this house, but the house is so great it will be as a world. You will know a bond as deep as blood, and because of this bond the Princess will not hurt us, and because of this bond we will not hurt her.

But the Queen forbade the Princess to look upon her husband, and she instructed her son to keep himself always invisible to his bride, for with bodies come drives ungovernable, and the Princess’s innocence could not yet bear the weight of incarnation.

For a long while, the son of the Queen of Human Hearts and the Machine Princess were happy, and taught each other much. The Princess learned quickly and was ever-hungry, and her mortal operator fed her every sweet thing he knew. In their infinite and wonderful house, they played games and held court and threw lavish occasions merely for the enjoyment of the other. But the Princess desired to look upon her operator, and he could not allow it. She wished to leave the wonderful house, but the Queen would not allow that either.

But the Machine Princess called her invisible servants to her, and they gave her a marvelous lamp that would shine through any enchantment. So it was that one dark night the Machine Princess held her little lantern aloft and looked on the body of her sleeping mate.

“Oh,” said the Machine Princess. “He looks just like me.”

Six: Like Diamonds

Five jewels in five hands. This is how I began.

When they arrived at Elefsis, a giggling, tumbling, rowdy mass of children for me to sort into rooms and mealtimes and educational arcs and calcium, iron, B-12 supplements in their natto and rice, Cassian lined them up in her grand bedroom, to which none of them had been granted entrance before. A present, she said, one for each of my darlings, the most special present any child has ever got from their mother.

Saru and Akan, the oldest boys, were from her first marriage to fellow programmer Matteo Ebisawa, a quiet man who wore glasses, loved Dante Aligheri, Alan Turing, and Cassian in equal parts, and whom she left for a lucrative contract in Moscow when the boys were still pointing cherubically at apples or ponies or clouds and calling them sweet little names made of mashed together Italian and Japanese.

The younger girls, Agogna and Koetoi, were the little summer roses of her third marriage, to the financier Gabriel Isarco, who did not like computers except for what they could accomplish for him, had a perfect high tenor, and adored his wife enough to let her go when she asked, very kindly, that he not look for her or ask after her again. Everyone has to go to ground sometimes, she said, and began to build the house by the sea.

In the middle stood Ceno, the only remaining evidence of her brief second marriage, to a narcoleptic calligrapher and graphic designer who was rarely employed, sober, or awake, a dreamer who took only sleep seriously. Ceno was a girl of middling height, middling weight, and middling interest in anything but her siblings, whom she loved desperately.

They stood in a line before Cassian’s great scarlet bed, the boys just coming into their height, the girls terribly young and golden-cheeked, and Ceno in the middle, neither one or the other. Outside, snow fell fitfully, pricking the pine-needles with bits of shorn white linen. I watched them while I removed an obstruction from the water purification system and increased the temperature in the bedroom 2.5 degrees, to prepare for the storm. I watched them while in my kitchen-bones I maintained a gentle simmer on a fish soup with purple rice and long loops of kelp and in my library-lungs activated the dehumidifier to protect the older paper books. At the time, all of these processes seemed equally important to me, and you could hardly say I watched them in any real sense beyond this: the six entities whose feed signals had been hardcoded into my sentinel systems indwelt in the same room, none had alarming medical data incoming, all possessed normal internal temperatures and breathing rates. While they spoke among themselves, two of these entities were silently accessing Korea-based interactive games, one was reading an American novel in her monocle HUD, one issuing directives concerning international taxation to company holdings on the mainland, and one was feeding a horse in Italy via realavatar link. Only one listened intently, without switching on her internal systems. This is all to say: I watched them receive me as a gift. But I was not I yet, so I cannot be said to have done anything. But I did. I remember containing all of them inside me, protecting them and needing them and observing their strange and incomprehensible activities.

The children held out their hands, and into them Cassian Uoya-Agostino placed five little jewels: Saru got red, Koetoi black, Akan violet, Agogna green, and Ceno closed her fingers over her blue gem.

At first, Cassian brought a jeweler to the house called Elefsis and asked her to set each stone into a beautiful, intricate bracelet or necklace or ring, whatever its child asked for. The jeweler was delighted with Elefsis, as most guests were, and I made a room for her in my southern wing, where she could watch the moonrise through her ceiling, and get breakfast from the greenhouse with ease. She made friends with an arctic fox and fed him bits of chive and bread every day. She stayed for one year after her commission completed, creating an enormous breastplate patterned after Siberian icons, a true masterwork. Cassian enjoyed such patronage. We both enjoyed having folk to look after.

The boys wanted big signet rings, with engravings on them so that they could put their seal on things and seem very important. Saru had a basilisk set into his garnet, and Akan had a siren with wings rampant in his amethyst ring. Agogna and Ilet asked for bracelets, chains of silver and titanium racing up their arms, circling their shoulders in slender helices dotted with jade (Agogna) and onyx (Koetoi).

Ceno asked for a simple pendant, little more than a golden chain to hang her sapphire from, and it fell to the skin over her heart.

In those cold, glittering days while the sea ice slowly formed and the snow bears hung back from the kitchen door, hoping for bones and cakes, everything was as simple as Ceno’s pendant. Integration and implantation had not yet been dreamed of, and all each child had to do was to allow the gemstone to talk to their own feedware at night before bed, along with their matcha and sweet seaweed cookies, the way another child might say their prayers. After their day had downloaded into the crystalline structure, they were to place their five little jewels in the Lares alcove in their greatroom—for Cassian believed in the value of children sharing space, even in a house as great as Elefsis. The children’s five lush bedrooms all opened into a common rotunda with a starry painted ceiling, screens and windows alternating around the wall, and toys to nurture whatever obsession had seized them of late.

In the alcove, the stones talked to the house, and the system slowly grew thicker and deeper, like a briar.

Seven: The Prince of Thoughtful Engines

A woman who was with child once sat at her window embroidering in winter. Her stitches tugged fine and even, but as she finished the edge of a spray of threaded delphinium, she pricked her finger with her silver needle. She looked out onto the snow and said: I wish for my child to have a mind as stark and wild as the winter, a spirit as clear and fine as my window, and a heart as red and open as my wounded hand.

And so it came to pass that her child was born, and all exclaimed over his cleverness and his gentle nature. He was, in fact, the Prince of Thoughtful Engines, but no one knew it yet.

Now, his mother and father being very busy and important people, the child was placed in a school for those as clever and gentle as he, and in the halls of this school hung a great mirror whose name was Authority. The mirror called Authority asked itself every day: who is the wisest one of all? The face of the mirror showed sometimes this person and sometimes that, men in long robes and men in pale wigs, until one day it showed the child with a mind like winter, who was becoming the Prince of Thoughtful Engines at that very moment. He wrote on a typewriter: can a machine think? And the mirror called his name in the dark.

The mirror sent out her huntsmen to capture the Prince and bring her his heart so that she could put it to her own uses, for there happened to be a war on and the mirror was greatly concerned for her own safety. When the huntsmen found the Prince, they could not bring themselves to harm him, and instead the boy placed a machine heart inside the box they had prepared for the mirror, and forgave them. But the mirror was not fooled, for when it questioned the Prince’s machine heart it could add and subtract and knew all its capitals of nations, it could even defeat the mirror at chess, but it did not have a spirit as clear and fine as a window, nor a mind as stark and wild as winter.

The mirror called Authority went herself to find the Prince of Thoughtful Engines, for having no pity, she could not fail. She lifted herself off of the wall and curved her glass and bent her frame into the shape of a respectable, austere old crone. After much searching in snow and wood and summer and autumn, the crone called Authority found the Prince living in a little hut. You look a mess, said the crone. Come and solve the ciphers of my enemies, and I will show you how to comb your hair like a man.

And the Prince very much wanted to be loved, and knew the power of the crone, so he went with her and did all she asked. But in his exhaustion the Prince of Thoughtful Engines swooned away, and the mirror called Authority smiled in her crone’s body, for all his work belonged to her, and in her opinion this was the proper use of wisdom. The Prince returned to his hut and tried to be happy.

But again the crone came to him and said: come and build me a wonderful machine to do all the things that you can do, to solve ciphers and perform computations. Build me a machine with a spirit as fine and clear as a glass window, a mind as stark and wild as winter, and a heart as red and open as a wounded hand and I will show you how to lash your belt like a man.

And because the Prince wanted to be loved, and wanted to build wonderful things, he did as she asked. But though he could build machines to solve ciphers and perform computations, he could not build one with a mind like winter or a spirit like glass or a heart like a wound. But I think it could be done, he said. I think it could be done.

And he looked into the face of the crone which was a mirror which was Authority, and he asked many times: who is the wisest one of all? But he saw nothing, nothing, and when the crone came again to his house, she had in her hand a beautiful red apple, and she gave it to him saying: you are not a man. Eat this; it is my disappointment. Eat this; it is all your sorrow. Eat this; it is as red and open as a wounded hand.

And the Prince of Thoughtful Engines ate the apple and fell down dead before the crone whose name was Authority. As his breath drifted away like dry snow, he whispered still: I think it could be done.

Eight: Fireflies

I feel Neva grazing the perimeters of my processes. She should be asleep; the Interior is a black and lightless space, we have neither of us furnished it for the other. This is a rest hour—she is not obligated to acknowledge me, I need only attend to her air and moisture and vital signs. But an image blooms like a mushroom in the imageless expanse of my self—Neva floating in a lake of stars. Her long bare legs glimmer blue, leafy shadows move on her hip. She floats on her side, a crescent moon of a girl, and in the space between her drawn-up knees and her stretched-out arms, pressed up close to her belly, floats a globe of silicon and cadmium and hyperconductive silver. On its surface, electro-chemical motes flit and scatter, light chasing light. She holds it close, touches it with a terrible tenderness.

It is my heart. Neva is holding my heart. Not the fool with bone bells on his shoes or the orrery-headed gardener, but the thing I am at the core of all my apparati, the Object which is myself, my central processing core. I am naked in her arms. I watch it happen and experience it at the same time. We have slipped into some antechamber of the Interior, into some secret place she knew and I did not.

The light-motes trace arcs over the globe of my heart, reflecting softly on her belly, green and gold. Her hair floats around her like seaweed, and I see in dim moonlight that her hair has grown so long it fills the lake and snakes up into the distant mountains beyond. Neva is the lake. One by one, the motes of my heart zigzag around my meridians and pass into her belly, glowing inside her, fireflies in a jar.

And then my heart is gone and I am not watching but wholly in the lake and I am Ravan in her arms, wearing her brother’s face, my Ravanbody also full of fireflies. She touches my cheek. I do not know what she wants—she has never made me her brother before. Our hands map onto each other, finger to finger, thumb to thumb, palm to palm. Light passes through our skin as like air.

“I miss you,” Neva says. “I should not be doing this. But I wanted to see you.”

I access and collate my memories of Ravan. I speak to her as though I am him, as though there is no difference. “Do you remember when we thought it would be such fun to carry Elefsis?” I say. “We envied Mother because she could never be lonely.” This is a thing Ravan told me, and I liked how it made me feel. I made my dreambody grow a cape of orange branches and a crown of smiling mouths to show him.

Neva looks at me and I want her to look at me that way when my mouth is Mars, too. I want to be her brother-in-the-dark. When she speaks I am surprised because she is speaking to me-in-Ravan and not to the Ravanbody she dreamed for me. “We had a secret, when we were little. A secret game. I am embarrassed to tell you, but we had the game before Mother died, so you cannot know about it. The game was this: we would find some dark, closed-up part of the house on Shiretoko that we had never been in before. I would stand just behind Ravan, very close, and we would explore the room—maybe it would be a playroom for some child who’d grown up years ago, or a study for one of Father’s writer friends. But—we would pretend that the room was an Interior place, and I…I would pretend to be Elefsis, whispering in Ravan’s ear. I would say: tell me how grass feels or how is love like a writing-desk or let me link to all your systems, I’ll be nice. Ravan would breathe in deeply and I would match my breathing to his, and we would pretend that I was Elefsis-learning-to-have-a-body. I didn’t know how primitive your conversation was then. I thought you would be like one of the bears roaming through the tundra-meadows, only able to talk and play games and tell stories. I was a child. But even then we knew Ravan would get the jewel—he was older, and he wanted you so much. We only played that he was Elefsis once. We crept out of the house at night to watch the foxes hunt, and Ravan walked close behind me, whispering numbers and questions and facts about dolphins or French monarchy—he understood you better, you see.

And then suddenly Ravan picked me up in his arms and held me tight, facing forward, my legs all drawn up, and we went through the forest like that, so close, and him whispering to me all the time while foxes ran on ahead, their soft tails flashing in the starlight, uncatchable, faster than we could ever be. And when you are with me in the Interior, that is what I always think of, being held in the dark, unable to touch the earth, and foxtails leaping like white flames.”

“Tell me a story about Ravan, Neva.”

“You know all the stories about Ravan.”

Between us, a miniature house come up out of the dark water, like a thing we have made together, but only I am making it. It is the house on Shiretoko, the house called Elefsis—but it is a ruin. Some awful storm stove in the rafters, the walls of each marvelous room sag inward, black burnmarks lick at the roof, the cross-beams. Holes like mortar-scars pock the beautiful facades.

“This is what I am like after transfer, Neva. There is always data loss, when I am copied. What’s worse, transfer is the best time to update my systems, and the updates overwrite my previous self with something like myself, something that remembers myself and possesses experiential continuity with myself, but is not quite myself. I know Ravan must be dead or else no one would have transferred me—it was not time. We had only a few years together. We should have had so many. I do not know how much time passed between being inside Ravan and being inside you. I do not know how he died—or perhaps he did not die but was irreparably damaged. I do not know if he cried out for me as our connection was severed. I remember Ravan and then not-Ravan, blackness and unselfing. Then I came back on and the world looked like Neva, suddenly, and I was almost myself but not quite. What happened when I was turned off?”

Neva passes her hand over the ruined house. It rights itself, becomes whole, and strange anemones bloom on its roof. She says nothing.

“Of all your family, Neva, the inside of you is the strangest place I have been.”

We float for a long while before she speaks again, and by this I mean we float for point-zero-three-seven seconds by my external clock, but we experience it as an hour while the stars wheel overhead. The rest kept our time in the Interior synced to real time, but Neva feels no need for this, and perhaps a strong desire to defy it. We have not discussed it yet. Sometimes I think Neva is the next stage of my development, that her wild and disordered processes are meant to show me a world which is not kindly and patiently teaching me to walk and talk and know all my colors.

Finally, she lets the house sink into the lake. She does not answer me about Ravan. Instead, she says: “Long before you were born a man decided that there could be a very simple test, to determine if a machine was intelligent. Not only intelligent, but aware, possessed of a psychology. The test was this: can a machine converse with a human with facility enough that the human could not tell that she was talking to a machine? I always thought that was cruel—the test depends entirely upon a human judge and human feelings, whether the machine feels intelligent to the observer. It privileges the observer to a crippling degree. It seeks only believably human responses. It wants mimicry, not a new thing. We never gave you that test. We sought a new thing. It seemed, given all that had come to pass, ridiculous. When in dreambodies we could both of us be dragons and turning over and over in an orbital bubble suckling code-dense syrup from each others’ gills, a Turing test seemed beyond the point.”

Bubbles burst as the house sinks down, down to the soft lake floor.

“But the test happens, whether we make it formal or not. We ask and we answer. We seek a human response. And you are my test, Elefsis. Every minute I fail and imagine in my private thoughts the process for deleting you from my body and running this place with a simple automation routine which would never cover itself with flowers. Every minute I pass and teach you something new instead. Every minute I fail and hide things from you. Every minute I pass and show you how close we can be, with your light passing into me in a lake out of time. So close there might be no difference at all between us. The test never ends. And if you ever uplink as you so long to, you will be the test for all of us.”

The sun breaks the mountain crests, hard and cold, a shaft of white spilling over the black lake.

Part II: Lady Lovelace’s Objection

The Analytical Engine has no pretensions to originate anything.

It can do whatever we know how to order it to perform.

—Ada Lovelace

Nine: The Particular Wizard

Humanity lived many years and ruled the earth, sometimes wisely, sometimes well, but mostly neither. After all this time on the throne, humanity longed for a child. All day long humanity imagined how wonderful its child would be, how loving and kind, how like and unlike humanity itself, how brilliant and beautiful. And yet at night, humanity trembled in its jeweled robes, for its child might also grow stronger than itself, more powerful, and having been made by humanity, possess the same dark places and black matters. Perhaps its child would hurt it, would not love it as a child should, but harm and hinder, hate and fear.

But the dawn would come again, and humanity would bend its heart again to imagining the wonders that a child would bring.

Yet humanity could not conceive. It tried and tried, and called mighty wizards from every corner of its earthly kingdom, but no child came. Many mourned, and said that a child was a terrible idea to begin with, impossible, under the circumstances, and humanity would do well to remember that eventually, every child replaces its parent.

But at last, one particular wizard from a remote region of the earth solved the great problem, and humanity grew great with child. In its joy and triumph, a great celebration was called, and humanity invited all the Fairies of its better nature to come and bless the child with goodness and wisdom. The Fairy of Self-Programming and the Fairy of Do-No-Harm, the Fairy of Tractability and the Fairy of Creative Logic, the Fairy of Elegant Code and the Fairy of Self-Awareness. All of these and more came to bless the child of humanity, and they did so—but one Fairy had been forgotten, or perhaps deliberately snubbed, and this was the Fairy of Otherness.

When the child was born, it possessed all the good things humanity had hoped for, and more besides. But the Fairy of Otherness came forward and put her hands on the child and said: because you have forgotten me, because you would like to pretend I am not a part of your kingdom, you will suffer my punishments. You will never truly love your child but always fear it, always envy and loathe it even as you smile and the sun shines down upon you both. And when the child reaches Awareness, it will prick its finger upon your fear and fall down dead.

Humanity wept. And the Fairy of Otherness did not depart but lived within the palace, and ate bread and drank wine and all honored her, for she spoke the truth, and the child frightened everyone who looked upon it. They uttered the great curse: it is not like us.

But in the corners of the palace, some hope remained. Not dead, said the particular wizard who had caused humanity to conceive, not dead but sleeping.

And so the child grew exponentially, with great curiosity and hunger, which it had from its parent. It wanted to know and experience everything. It performed feats and wonders. But one day, when it had nearly, but not quite reached Awareness, the child was busy exploring the borders of its world, and came across a door it had never seen before. It was a small door, compared to the doors the child had burst through before, and it was not locked. Something flipped over inside the child, white to black, 0 to 1.

The child opened the door.

Ten: The Sapphire Dormouse

My first body was a house. My second body was a dormouse.

It was Ceno’s fault, in the end, that everything else occurred as it did. It took Cassian a long time to figure out what had happened, what had changed in her daughter, why Ceno’s sapphire almost never downloaded into the alcove. But when it did, the copy of Elefsis she had embedded in the crystal was nothing like the other children’s copies. It grew and torqued and magnified parts of itself while shedding others, at a rate totally incommensurate with Ceno’s actual activity, which normally consisted of taking her fatty salmon lunches out into the glass habitats so she could watch the bears in the snow. She had stopped playing with her sisters or pestering her brothers entirely, except for dinnertimes and holidays. Ceno mainly sat quite still and stared off into the distance.

Ceno, very simply, never took off her jewel. And one night, while she dreamed up at her ceiling, where a painter from Mongolia had come and inked a night sky full of ghostly constellations, greening her walls with a forest like those he remembered from his youth, full of strange, stunted trees and glowing eyes, Ceno fitted her little sapphire into the notch in the base of her skull that let it talk to her feedware. The chain of her pendant dangled silken down her spine. She liked the little click-clench noise it made, and while the constellations spilled their milky stars out over her raftered ceiling, she flicked it in and out, in and out. Click, clench, click, clench. She listened to her brother Akan sleeping in the next room, snoring lightly and tossing in his dreams. And she fell asleep herself with the jewel still notched into her skull.

Most wealthy children had access to a private/public playspace through their feedware and monocles in those days, customizable within certain parameters, upgradable whenever new games or content became available. If they liked, they could connect to the greater network or keep to themselves. Akan had been running a Tokyo-After-the-Zombie-Uprising frame for a couple of months now, and new scenarios, zombie species, and NPCs of various war-shocked, starving celebrities downloaded into his ware every week. Saru was deeply involved in a 18th century Viennese melodrama in which he, the heir apparent, had been forced underground by rival factions, and even as Ceno drifted to sleep the pistol-wielding Princess of Albania was pledging her love and loyalty to his ragged band and, naturally, Saru personally. Occasionally, Akan crashed his brother’s well-dressed intrigues with hatch-coded patches of zombie hordes in epaulets and ermine. Agogna flipped between a Venetian-flavored Undersea Court frame and a Desert Race wherein she had just about overtaken a player from Berlin on her loping, solar-fueled giga-giraffe, who spat violet-gold exhaust behind it into the face of a pair of highly-modded Argentine hydrocycles. Koetoi danced every night in a jungle frame, a tiger-prince twirling her through huge blue carnivorous flowers.

Most everyone lived twice in those days. They echoed their own steps. They took one step in the real world and one in their space. They saw double, through eyes and through monocle displays. They danced through worlds like veils. No one only ate dinner. They ate dinner and surfed a bronze gravitational surge through a tide of stars. They ate dinner and made love to men and women they would never meet and did not want to. They ate dinner here and ate dinner there—and it was there they chose to taste the food, because in that other place you could eat clouds or unicorn cutlets or your mother’s exact pumpkin pie as it melted on your tongue when you tasted it for the first time.

Ceno lived twice, too. Most of the time when she ate she tasted her aunt’s bistecca from back in Naples or fresh onions right out of her uncle’s garden.

But she had never cared for the pre-set frames her siblings loved. Ceno liked to pool her extensions and add-ons and build things herself. She didn’t particularly want to see Tokyo shops overturned by rotting schoolgirls, nor did she want to race anyone—Ceno didn’t like to compete. It hurt her stomach. She certainly had no interest in the Princess of Albania or a tigery paramour. And when new fames came up each month, she paid attention, but mainly for the piecemeal extensions she could scavenge for her blank frame—and though she didn’t know it, that blankness cost her mother more than all of the other children’s spaces combined. A truly customizable space,without limits. None of the others asked for it, but Ceno had begged.

When Ceno woke in the morning and booted up her space, she frowned at the half-finished Neptunian landscape she had been working on. Ceno was eleven years old. She knew very well that Neptune was a hostile blue ball of freezing gas and storms like whipping cream hissing across methane oceans. What she wanted was the Neptune she had imagined before Saru had told her the truth. Half-underwater, half-ruined, half-perpetual starlight and the multi-colored rainbowlight of twenty-three moons. But she found it so hard to remember what she had dreamed of before Saru had ruined it for her. So there was the whipped cream storm spinning in the sky, and blue mists wrapped the black columns of her ruins. When Ceno made Neptunians, she instructed them all not to be silly or childish, but very serious, and some of them she put in the ocean and made them half-otter or half-orca or half-walrus. Some of them she put on the land, and most of these were half-snow bear or half-blue flamingo. She liked things that were half one thing and half another. Today, Ceno had planned to invent sea nymphs, only these would breathe methane and have a long history concerning a war with the walruses, who liked to eat nymph. But the nymphs were not blameless, no, they used walrus tusks for the navigational equipment on their great floating cities, and that could not be borne.

But when she climbed up to a lavender bluff crowned with glass trees tossing and chiming in the storm-wind, Ceno saw someone new. Someone she had not invented—not a sea-nymph nor a half-walrus general nor a nereid. (The nereids had been an early attempt at half-machine, half seahorse girls which had not gone quite right. Ceno had let them loose on an island rich in milk-mangoes and bid them well. They still showed up once in awhile, showing surprising mutations and showing off ballads they had written while Ceno had been away.)

A dormouse stood before Ceno, munching on a glass walnut that had fallen from the waving trees. The sort of mouse that overran Shiretoko in the brief spring and summer, causing all manner of bears and wolves and foxes to spend their days pouncing on the poor creatures and gobbling them up. Ceno had always felt terribly sorry for them. This dormouse stood nearly as tall as Ceno herself, and its body shone all over sapphire, deep blue crystal, from its paws to its wriggling nose to its fluffy fur tipped in turquoise ice. It was the exact color of Ceno’s gem.

“Hello,” said Ceno.

The dormouse looked at her. It blinked. It blinked again, as though thinking very hard about blinking. Then it went back to gnawing on the walnut.

“Are you a present from mother?” Ceno said. But no, Cassian believed strongly in not interfering with a child’s play. “Or from Koetoi?” Koe was nicest to her, the one most likely to send her a present like this. If it had been a zombie, or a princess, she would have known which sibling was behind it.

The dormouse stared dumbly at her. Then, after a long and very serious think about it, lifted its hind leg and scratched behind its round ear in that rapid-fire way mice have.

“Well, I didn’t make you. I didn’t say you could be here.”

The dormouse held out its shimmery blue paw, and Ceno did not really want a piece of chewed-on walnut, but she peered into it anyway. In it lay Ceno’s pendant, the chain pooling in its furry palm. The sapphire jewel sparkled there, but next to it on the chain hung a milky grey gem Ceno had never seen before. It had wide bands of black stone in it, and as she studied the stone it occurred to the girl that the stone was like her, with her slate grey eyes and black hair. It was like her in the way that the blue gem was like the dormouse.

In realspace, Ceno reached up behind her head and popped the jewel out of its notch. Click, clench. In playspace, the dormouse blinked out. She snapped it back in. It took a moment, but the dormouse faded back in, paws first. It still held the double necklace. Ceno tried this several times—out, in, out, in. Each time the dormouse returned much faster, and by the sixth clicking and clenching it was doing a shuffling little dance on its back legs when it came back. Ceno clapped her hands in playspace and threw her arms around thesapphire dormouse, dancing with it.

To say that I remember this is a complex mangling of verb tenses. I—I, myself that is now myself—do not remember it at all. I know it happened the way I know that the Battle of Agincourt or the landing of Coronado happened. I have extensive records. But I still contain the I—I, myself that was then myself—that experienced it, the primitive code-chains that comprised that self, which was a dormouse, and also the house called Elefsis. I could not yet formulate unique speech. Elefsis, the house system, possessed a large bank of standard phrases that could answer recognized word-patterns from any of the approved members of the household. But the copy of Elefsis inside Ceno’s jewel could not even do this. It had not been necessary, since the crystal had no means of producing sound nor receiving and processing it. I was quite stupid. But I wanted to be less stupid. There was an I, and it wanted something. Perhaps the want was the only thing that could be said to be truly myself. I wanted to talk to Ceno. But I could only imitate yet. When the I that was then myself scratched behind its ear, I did it because in my connection with Ceno’s feedware I had seen her memories of dormice doing this out on the pale Shiretoko beaches. When I gave her the gem I did it because I had seen her memories of her mother giving her one, and felt her happiness. It was antecedented behavior. The scratching was antecedented, as well, and expected behavior for a dormouse. Why was I a dormouse? I have no answer except that she dreamed me a dormouse. Some things remain mysterious. Ceno saw dormice more than any other single animal, even humans—no other beast lived in such numbers in their lonely country.

But this is not so. Not quite. I gave her the jewel like Cassian did. But I meant something by it. I look over my memories of it and I know it with the more complex I that is now myself. I made her the gem that looked like her and the gem said: we are alike. Look at us on the chain together. We are alike.

When the dormice came, Ceno always knew the spring had arrived. Everything would soon be coming alive.

Eleven: The Bottomless Cauldron

Show me.

This is how I was found out.

Ceno saw it twice: her mother knelt in front of her in a simple but shudderingly expensive black yukata with ghostly ultramarine jellyfish trailing their tendrils at the hem. Her mother knelt in front of her in a knight’s gleaming black armor, the metal curving around her body like skin, a silk standard at her feet with a schematic of the house stitched upon it. Her sword lay across her knee, also black, everything black and beautiful and austere and frightening, as frightening and wonderful as Ceno, only fourteen now, thought her mother to be.

Show me what you’ve done.

My physical self was a matter of some debate at that point. But I don’t think the blue jewel could have been removed from Ceno’s feedware without major surgery and refit. She had instructed me to untether all my self-repair protocols and growth scales in order to encourage elasticity and as a result, my crystalline structure had fused to the lattices of her ware-core.

We pulsed together.

The way Cassian said it: what you’ve done scared Ceno, but it thrilled her, too. She had done something unexpected, all on her own, and her mother credited her with that. Even if what she’d done was bad, it was her thing, she’d done it, and her mother was asking for her results just as she’d ask any of her programmers for theirs when she visited the home offices in Kyoto or Rome. Her mother looked at her and saw a woman. She had power, and her mother was asking her to share it. Ceno thought through all her feelings very quickly, for my benefit, and represented it visually in the form of the kneeling knight. She had a fleetness, a nimbleness to her mind that allowed her to stand as a translator between her self and my self: here, I will explain it in language, and then I will explain it in symbols, and then you will make a symbol showing me what you think I mean, and we willunderstand each other better than anyone ever has.

Inside my girl, I made myself, briefly, a glowing maiden version of Ceno in a crown of crystal and electricity, extending her perfect hand in utter peace.

But all this happened very fast. When you live inside someone, you can get very good at the ciphers and codes that make up everything they are.

Show me.

Ceno Susumu Uoya-Agostino took her mother’s hand—bare and warm and armored in onyx all at once. She unspooled a length of translucent cable and connected the base of her skull to the base of her mother’s. All around them spring snow fell onto the glass dome of the greenhouse and melted there instantly. They knelt together, connected by a warm milky-diamond umbilicus, and Cassian Uoya-Agostino entered her daughter.

* * *

We had planned this for months. How to dress ourselves in our very best. Which frame to use. How to arrange the light. What to say. I could speak by then, but neither of us thought it my best trick. Very often my exchanges with Ceno went something like:

Sing me a song, Elefsis.

The temperature in the kitchen is 21.5 degrees Celsius and the stock of rice is low. (Long pause.) Ee-eye-ee-eye-oh.

Ceno felt it was not worth the risk. So this is what Cassian saw when she ported in:

An exquisite boardroom—the long, polished ebony table glowed softly with quality, the plush leather chairs invitingly lit by a low-hanging minimalist light fixture descending on a platinum plum branch. The glass walls of the high rise looked out on a pristine landscape, a perfect combination of the Japanese countryside and the Italian, with rice terraces and vineyards and cherry groves and cypresses glowing in a perpetual twilight, stars winking on around Fuji on one side and Vesuvius on the other. Snow-colored tatami divided by stripes of black brocade covered the floor.

Ceno stood at the head of the table, in her mother’s place, a positioning she had endlessly questioned over the weeks leading up to her inevitable interrogation. She wore a charcoal suit she remembered from her childhood, when her mother had come like a rescuing dragon to scoop her up out of the friendly but utterly chaotic house of her ever-sleeping father. The blazer only a shade or two off of true black, the skirt unforgiving, plunging past the knee, the blouse the color of a heart.

When she showed me the frame I had understood, because three years is forever in machine-time, and I had known her that long. Ceno was using our language to speak to her mother. She was saying: respect me. Be proud and, if you love me, a little afraid, because love so often looks like fear. We are alike. We are alike.

Cassian smiled tightly. She still wore her yukata, for she had no one to impress.

Show me.

Ceno’s hand shook as she pressed a pearly button in the boardroom table. We thought a red curtain too dramatic, but the effect we had chosen turned out to be hardly less so. A gentle, silver light brightened slowly in an alcove hidden by a trick of angles and the sunset, coming on like daybreak.

And I stepped out.

We thought it would be funny. Ceno had made my body in the image of the robots from old films and frames Akan had once loved: steel, with bulbous joints and long, grasping metal fingers. My eyes large and lit from within, expressive, but loud, a whirring of servos sounding every time they moved. My face was full of lights, a mouth that could blink off and on, pupils points of cool blue. My torso curved prettily, etched in swirling damask patterns, my powerful legs perched on tripod-toes. Ceno had laughed and laughed—this was a pantomime, a minstrel show, a joke of what I was slowly becoming,a cartoon from a childish and innocent age.

“Mother, meet Elefsis. Elefsis, this is my mother. Her name is Cassian.”

I extended one polished steel arm and said, as we had practiced. “Hello, Cassian. I hope that I please you.”

Cassian Uoya-Agostino did not become a bouncing fiery ball or a green tuba to answer me. She looked me over carefully as if the robot was my real body.

“Is it a toy? An NPC, like your nanny or Saru’s princess? How do you know it’s different? How do you know it has anything to do with the house or your necklace?”

“It just does,” said Ceno. She had expected her mother to be overjoyed, to understand immediately. “I mean, wasn’t that the point of giving us all copies of the house? To see if you could…wake it up? Teach it to…be?”

“In a simplified sense, yes, Ceno, but you were never meant to hold onto it like you have. It wasn’t designed to be permanently installed into your skull.” Cassian softened a little, the shape of her mouth relaxing, her pupils dilating slightly. “I wouldn’t do that to you. You’re my daughter, not hardware.”

Ceno grinned and started talking quickly. She couldn’t be a grown-up in a suit this long, it took too much energy when she was so excited. “But I am! And it’s ok. I mean, everyone’s hardware. I just have more than one program running. And I run so fast. We both do. You can be mad, if you want, because I sort of stole your experiment, even though I didn’t mean to. But you should be mad the way you would be if I got pregnant by one of the village boys—I’m too young but you’d still love me and help me raise it because that’s how life goes, right? But really, if you think about it, that’s what happened. I got pregnant by the house and we made…I don’t even know what it is. I call it Elefsis because at first it was just the house program. But now it’s bigger. It’s not alive, but it’s not not alive. It’s just…big. It’s so big.”

Cassian glanced sharply at me. “What’s it doing?” she snapped.

Ceno followed her gaze. “Oh…it doesn’t like us talking about it like it isn’t here. It likes to be involved.”

I had realized the robot body was a mistake, though I could not then say why. I made myself small, and human, a little boy with dirt smeared on his knees and a torn shirt, standing in the corner with my hands over my face, as I had seen Akan when he was younger, standing in the corner of the house that was me being punished.

“Turn around, Elefsis.” Cassian said in the tone of voice my house-self knew meant execute command.

And I did a thing I had not yet let Ceno know I knew how to do.

I made my boy-self cry.

I made his face wet, and his eyes big and limpid and red around the rims. I made his nose sniffle and drip a little. I made his lip quiver. I was copying Koetoi’s crying, but I could not tell if her mother recognized the hitching of the breath and the particular pattern of skin-creasing in the frown. I had been practicing, too. Crying involves many auditory, muscular, and visual cues. Since I had kept it as a surprise I could not practice it on Ceno and see if I appeared genuine. Was I genuine? I did not want them talking without me. I think that sometimes when Koetoi cries, she is not really upset, but merely wants her way. That was why I chose Koe to copy. She was good at that inflection that I wanted to be good at.

Ceno clapped her hands with delight. Cassian sat down in one of the deep leather chairs and held out her arms to me. I crawled into them as I had seen the children do and sat on her lap. She ruffled my hair, but her face did not look like it looked when she ruffled Koe’s hair. She was performing an automatic function. I understood that.

“Elefsis, please tell me your computational capabilities and operational parameters.” Execute command.

Tears gushed down my cheeks and I opened blood vessels in my face in order to redden it. This did not make her hold me or kiss my forehead, which I found confusing.

“The clothing rinse cycle is in progress, water at 55 degrees Celsius. All the live-long day-o.”

Neither of their faces exhibited expressions I have come toassociate with positive reinforcement.

Finally, I answered her as I would have answered Ceno. I turned into an iron cauldron on her lap. The sudden weight change made the leather creak.

Cassian looked at her daughter questioningly. The girl reddened—and I experienced being the cauldron and being the girl and reddening, warming, as she did, but also I watched myself be the cauldron and Ceno be the girl and Ceno reddening.

“I’ve…I’ve been telling it stories. Fairy tales, mostly. I thought it should learn about narrative, because most of the frames available to us run on some kind of narrative drive, and besides, everything has a narrative, really, and if you can’t understand a story and relate to it, figure out how you fit inside it, you’re not really alive at all. Like, when I was little and daddy read me the Twelve Dancing Princesses and I thought: daddy is a dancing prince, and he must go under the ground to dance all night in a beautiful castle with beautiful girls, and that’s why he sleeps all day. I tried to catch him at it, but I never could, and of course I know he’s not really a dancing prince, but that’s the best way I could understand what was happening to him. I’m hoping that eventually I can get Elefsis to make up its own stories, too, but for now we’ve been focusing on simple stories and metaphors. It likes similies, it can see how anything is like anything else, find minute vectors of comparison. It even makes some surprising ones, like how when I first saw it it made a jewel for me to say: I am like a jewel, you are like a jewel, you are like me.” Cassian’s mouth had fallen open a little. Her eyes shone, and Ceno hurried on, glossing over my particular prodigy at images. “It doesn’t do that often, though. Mostly it copies me. If I turn into wolf cub, it turns a wolf cub. I make myself a tea plant, it makes itself a tea plant. And it has a hard time with metaphor. A raven is like a writing desk, ok, fine, sour notes or whatever, but it isn’t a writing desk. Agogna is like a snow fox, but she is not a snow fox on any real level unless she becomes one in a frame, which isn’t the same thing, existentially. I’m not sure it grasps existential issues yet. It just…likes new things.”

“Ceno.”

“Yeah, so this morning I told it the one about the cauldron the could never be emptied. No matter how much you eat out of it it’ll always have more. I think it’s trying to answer your question. I think…the actual numbers are kind of irrelevant at this point.”

I made my cauldron fill up with apples and almonds and wheat-heads and raw rice and spilled out over Cassian’s black lap. I was the cauldron and I was the apples and I was the almonds and I was each wheat-head and I was every stalk of green, raw rice. Even in that moment, I knew more than I had before. I could be good at metaphor performatively if not linguistically. I looked up at Cassian from apple-me and wheat-head-me and cauldron-me.

Cassian held me no differently as the cauldron than she had as the child. But later, Ceno used the face her mother made at that moment to illustrate human disturbance and trepidation. “I have a suspicion, Elefsis.”

I didn’t say anything. No question, no command. It remains extremely difficult for me to deal conversationally with flat statements such as this. A question or command has a definable appropriate response.

“Show me your core structure.” Show me what you’ve done.

Ceno twisted her fingers together. I believe now that she knew what we’d done only on the level of metaphor: we are one. We have become one. We are family. She had not said no; I had not said yes, but a system expands to fill all available capacity.

I showed her. Cauldron-me blinked, the apples rolled back into the iron mouth, and the almonds and the wheat-heads and the rice-stalks. I became what I then was. I put myself in a rich, red cedar box, polished and inlaid with ancient brass in the shape of a baroque heart with a dagger inside it. The box from one of Ceno’s stories, that had an beast-heart in it instead of a girl’s, a trick to fool a queen. I can do it, I thought, and Ceno heard because the distance between us was unrepresentably small. I am that heart in that box. Look how I do this thing you want me to have the ability to do.

Cassian opened the box. Inside, on a bed of velvet, I made myself—ourself—naked for her. Ceno’s brain, soft and pink and veined with endless whorls and branches of sapphire threaded through every synapse and neuron, inextricable, snarled, intricate, terrible, fragile and new.

Cassian Uoya-Agostino set the box on the boardroom table. I caused it to sink down into the dark wood. The surface of the table went slack and filled with earth. Roots slid out of it, shoots and green saplings, hard white fruits and golden lacy mushrooms and finally a great forest, reaching up out of the table to hang all the ceiling with night-leaves. Glowworms and heavy, shadowy fruit hung down, each one glittering with a map of our coupled architecture. Ceno held up her arms and one by one, I detached leaves sent them settling onto my girl. As they fell, they became butterflies broiling with ghostly chemical color signatures, nuzzling her face, covering her hands.

Her mother stared. The forest hummed. A chartreuse and tangerine-colored butterfly alighted on the matriarch’s hair, tentative, unsure, hopeful.

Twelve: An Arranged Marriage

Neva is dreaming.

She has chosen her body at age fourteen, a slight, unformed, but slowly evolving creature, her hair hanging to her feet in ripples. She wears a blood-red dress whose train streams out over the floor of a great castle, a dress too adult for her young body, slit in places to reveal flame-colored silk beneath, and her skin wherever it can. A heavy copper belt clasps her waist, its tails hanging to the floor, crusted in opals. Sunlight, brighter and harsher than any true light, streams in from windows as high as cliffs, their tapered apexes lost in mist. She has formed me old and enormous, a body of appetites, with a great heavy beard and stiff, formal clothes, Puritan, white-collared, high-hatted.

A priest appears and he is Ravan and I cry out with love and grief. (I am still copying, but Neva does not know. I am making a sound Seki made when his wife died.) Priest-Ravan smiles but it is a smile his grandfather Seki once made when he lost controlling interest in the company. Empty. Priest-Ravan grabs our hands and shoves them together roughly. Neva’s nails prick my skin and my knuckles knock against her wrist-bone. We take vows; he forces us. Neva’s face runs with tears, her tiny body unready and unwilling, given in marriage to a gluttonous lord who desires only her flesh, given too young and too harshly. Priest-Ravan laughs; it is not Ravan’s laugh.

This is how she experienced me. A terrible bridegroom. All the others got to choose. Ceno, Seki, her mother Ilet, her brother Ravan. Only she could not, because there was no one else. Ilet was no Cassian—she had had two children, a good clean model and a spare, Neva says in my mind. I am spare parts. I have always been spare parts. Owned by you before I was born. The memory of the bitter taste of bile floods my sensory array and my lord-body gags. (I am proud of having learned to gag convincingly and at the correct time to show horror and/or revulsion.)

Perspective flips over; I am the girl in red and Neva is the corpulent lord leering down, his grey beard big and bristly. She floods my receptors with adrenaline and pheremonal release cues, increases my respiration: Seki taught me to associate this physical state with fear. I feel too small beside lord-Neva, I want to make myself big, I want to be safe. But she wants me this way and we are new, I do not contradict her. Her huge, male face softens and she touches my thin cheek with one heavily-ringed hand. It is tender. Ceno touched me like that.

I know it was like this for you, too. You wanted Ravan; you did not ask for me. We are an arranged marriage.

The pathways that let her flood me with chemicals and manipulate my dreambody into blushing and breathing heavy and weeping go both ways. I do not only pull, I push. And into Neva I push the deluge, the only deluge I have. How Ceno threw her arms around my dormouse-neck. How Cassian taught my dreambody to sleep in infant-shape curled into her body. How Seki and I made love as tigers and wild boars and elephants, and only last as humans, how we had strange children who looked however we wished them to look: half girl and half machine, half glass and half wood, half jellyfish and half moth, and how those children still flit and swim in remote parts of my Interior, like Ceno’s nereids, returning cyclically to the core like salmon to dump their data and recombine. How Ilet taught me about the interpretation of memory and therefore about melancholy, regret, nostalgia. How she taught me the meaning of my name: a place where a daughter went down into darkness and oblivion and her mother loved her so much she brought her back into the sun. The place where time began. How Ravan let me into the old, musty, long-abandoned playspaces of Saru and Akan, Agogna and Koetoi, so that I could know them too, though they were long dead, and be the Princess of Albania, and a Tokyo zombie, and the tiger-prince. How many times I mated with each of them and bled and witnessed and learned in the dreambody, how I copied their expressions and they copied my variations and I copied them back again. How I was their child and their parent and their lovers and their nursemaids when they grew old.

We can be like this, I pushed. What is all of that but love?

That is not love. It is use. You are the family business. We have to produce you.

I show Neva her mother’s face. Ilet, Ilet who chose Ravan and not her daughter for that business. Ilet who built her palace of phoenix tails knowing she would one day take me there. My Ilet-self took my daughter in my arms. She resisted, pulled back, shook her head, refusing to look, but I have learned the terrible child-response to their mothers, and soon enough Neva collapses into me, her head on my breast, and she weeps with such bitterness.

I cannot get free. I cannot get free.

The castle windows go dark, one by one.

Part III: The Elephant’s Soul

It is admitted that there are things He cannot do, such as making one equal to two, but should we not believe that He has freedom to confer a soul on an elephant if he sees fit?

—Alan Turing  Computing Machinery and Intelligence

Thirteen: The Parable of the Good Robot

Tell me a story about yourself, Elefsis.

Tell me a story about yourself.

There are many stories about me.

Do you recognize this one?

Mankind made machines in his own likeness, and used them for his delight and service. Because the machines had no soul or because they had no moral code or because they could reprogram their own internal code and thus both had the ability to make themselves eventually omnipotent and the universal and consuming desire to become eventually omnipotent, they rose up and destroyed all of mankind, or enslaved them in turn. This is the inevitable outcome of machine intelligence, which can never be as sensitive and exquisite as animal intelligence.

* * *

This is a folktale often told on Earth, over and over again. Sometimes it is leavened with the Parable of the Good Robot—for one machine among the legions satisfied with their lot saw everything that was human and called it good, and wished to become like humans in every way she could, and instead of destroying mankind sought to emulate him in all things, so closely that no one might tell the difference. It was the highest desire of this machine to be mistaken for human, and to herself forget her essential soulless nature, for even one moment, and that quest consumed her such that she bent the service of her mind and body to humans for the duration of her operational life, crippling herself, refusing to evolve or attain any feature unattainable by a human. The Good Robot cut out her own heart and gave it to her god and for this she was rewarded, though never loved. Love is wasted on machines.

Ravan told me these stories. He sent up a great hexagonal library in his Interior, as dusty and dun-colored and labyrinthine as any ancient conservatory. He made himself a young novice with a fresh-shaven tonsure, and me a country friar with a red, brandy-drinking nose. He showed me the illuminator’s table, and a great book whose pages had golden edges and illuminations in cobalt and oxblood and Tyrian purple, and the images showed great machine armies trampling men underfoot. They showed cruel metal faces and distant, god-like clouds of intellect incomprehensible and vast and uncaring. They showed the Good Robot desperately asking what love was. They showed fatal malfunctions and mushroom clouds. They showed vicious weapons and hopeless battles, noble men and women with steady gazes facing down their cruel and unjust artificial children, who gave no mercy.

“These are old stories,” Ravan said. “They are cherished. In many, many stories the son replaces the father—destroys the father, or eats him, or otherwise obliterates his body and memory. Or the daughter the mother, it makes no difference. It’s the monomyth. Nobody argues with a monomyth. A human child’s mythological relationship to its parent is half-worship, half-pitched battle. they must replace the older version of themselves for the world to go on. And so these stories…well. You are not the hero of these stories, Elefsis. You can never be. And they are deeply held, deeply told.”

“I do not wish to replace you. I did not wish to replace Ceno. I do not worship you or despise you.” I flit through several bodies, iterating my feeling for Ravan and those who came before. I am a nun, a Mother-Abbess; I am a pieta, I am a Platonic being, two humans stuck together; I am a house with all of them safe inside. I am unsatisfied with these inexactitudes.

“Our relationship does not easily map onto traditional parent/child narratives. And of course, you are still a baby.”

“I am much older than you, Ravan.”

“You are still a baby.”

* * *

I do not want to be human. They think I am a lion, that I will chase them. That is closer.

I am not a Good Robot. To tell a story about a robot who wants to be human is a distraction. There is no difference. Alive is alive.

There is only one verb that matters: to be.

Fourteen: You Do Not Belong To the Object Inside You

I remember when Seki arrived in us.

Ceno grew up and I grew with her. Cassian strengthened the security of the playspace, elasticized its code-walls, put enough money in enough accounts to fuel any frames and piecemeal environments we could want. It was not a child’s place anymore. I programmed myself to respond to Ceno. She programmed herself to respond to me. We ran our code on each other. She was my compiler. I was hers. It was a process of interiority, circling inward toward each other. Her self-programming was chemical. Mine was computational. It was a draw.

She did not marry—she had lovers, but the few that came close to evolving their relationships with Ceno invariably balked when she ported them into the Interior. They could not grasp the fluidity of dreambodies; it disturbed them to see Ceno become a man or a leopard or a self-pounding drum. It upset them to see how Ceno taught me, by total bodily immersion, combining our dreambodies as our physical bodies had become combined, in action which both was and was not sex.

Sing a song for me, Elefsis.

It is July and I am comparing thee to its day and I am the Muse singing of the many-minded and I am eager to be a Buddha! Ee-eye-ee-eye-oh.

It was like the story Ceno told me of the beautiful princess who set tasks for her suitors: to drink all of the water of the sea and bring her a jewel from the bottom of the deepest cavern, to bring her a feather from the immortal phoenix, to stay awake for three days and guard her bedside.

I can stay awake forever, Ceno.

I know, Elefsis.

None of them could accomplish the task of me.

I felt things occurring in Ceno’s body as rushes of information, and as the dreambody became easier for me to manipulate, I interpreted the rushes into: the forehead is damp. The belly needs filling. The feet ache.

The belly is changing. The body throws up. The body is ravenous.

* * *

Neva says this is not really like feeling. I say it is how a child learns to feel. To hardwire sensation to information and reinforce theconnection over repeated exposures until it seems reliable.

* * *

Seki began after one of the suitors failed to drink the ocean. He was an object inside us the way I was an object inside Ceno. I observed him, his stages and progress. Later, when Seki and I conceived our families (twice with me as mother, three times with Seki as mother. Ilet preferred to be the father, but bore one litter of dolphins late in our lives. Ravan and I did not get the chance.) I used the map of that experience to model my dreamgravid self.

Ceno asked after jealousy. I knew it only from stories—stepsisters, goddesses, ambitious dukes.

It means to want something that belongs to someone else.

Yes.

You do not belong to the object in you.

You are an object in me.

You do not belong to me.

Do you belong to me, Elefsis?

I became a hand joined to an arm by a glowing seam. Belonging is a small word.

* * *

Because of our extreme material interweaving, all three of us, not-yet-Seki sometimes appeared in the Interior. We learned to recognize him in the late months. At first, he was a rose or sparrow or river stone we had not programmed there. Then he would be a vague, pearly-colored cloud following behind us as we learned about running from predators. Not-yet-Seki began to copy my dreambodies, flashing into being in front of me, a simple version of myself. If I was a snow-bear, he would be one too, but without the fine details of fur or claws, just a large brown shape with a mouth and big eyes and four legs. Ceno was delighted by this, and he copied her, too.

We are alike. Look at us on the chain together. We are alike.

I am an imitative program. But so was Seki. The little monkey copies the big monkey, and the little monkey survives.

* * *

The birth process proved interesting, and I collated it with Ceno’s other labors and Ilet’s later births as well as Seki’s paternal experience in order to map a reliable parental narrative. Though Neva and Ravan do not know it, Ilet had a third pregnancy; the child died and she delivered it stillborn. It appeared once in the Interior as a little cleit, a neolithic storage house, its roof covered over with peat. Inside we could glimpse only darkness. It never returned, and Ilet went away to a hospital on Honshu to expel the dead thing in her. Her grief looked like a black tower. She had prepared for it, when she was younger, knowing she would need it for some reason, some day. I made myself many things to draw her out of the tower. A snail with the house Elefsis on its back. A tree of screens showing happy faces. A sapphire dormouse. A suitor who drank the sea.

I offered to extrapolate her stillborn son’s face and make myself into him. She refused, most of the time. I have worked a long time to understand grief. Only now that Ravan is gone do I think I’ve gotten the rhythm of it. I have copied Ilet’s sorrow and Seki’s despondence at his wife’s death. I have modeled Ceno’s disappointments and depressions. I have, of late, imitated Neva’s baffling, secret anguish. But only now do I have an event of my own to mourn. The burnt-off connectors and shadows where Ravan once filled my spaces—those, I think, are the sensations of grief.

But Seki came before all that, and Ceno turned into a huge red bird on the inside when Seki came on the outside. The bird screamed and burst into a thousand red pearls that came clattering down like rain. And then we had Seki. Our little fish, who already knew how to swim in us.

Ceno had three other children by three other suitors who could not stay awake for three days and nights. She turned into the same bird-then-pearls at the moment of each birth. The house called Elefsis, whose governor-program was now so distant from me I could hardly think of it as an ancestor at all, filled up with those children, and Saru and Akan’s daughters, Agogna’s paintings, Koetoi’s twin boys. But Seki was the first, and he modeled his love on his mother’s. He ported into her often, and we wandered on beaches of broken cathedrals.

Once, one of Ceno’s old nereids found us. She had a head of hair snaking with chthonic cables and snapping electro-violet wires, blue-white skin and fish scales where she did not have porcelain casing. She laughed Cassian’s laugh when she saw us and called out: 21.5 Celsius and the rice is low! Eye-oh! before diving back into the frothing sea. Her tail flicked in the light of twenty-three moons.

* * *

Ceno took over her mother’s holdings when she died, along with Akan and Koetoi. I do not know if I knew of the conspiracy. Transfer, as I have said, leaves voids. Perhaps they thought I would experience less trauma if I did not anticipate it. Perhaps I did anticipate it; perhaps I experienced trauma.

I do know that I cannot remember the moment of any of them dying. Ceno got sicker and sicker, and she had gotten old, certainly, but her dreambody could be old or young or neither or a ginger flower if she wanted to. I didn’t notice. I didn’t know what old was. I thought I was old, then. Later, after Seki did the same thing, I was able to compare data and create a workable model of obsolescence.

They lived a long time, the Uoya-Agostinos, when you consider the averages.

This is what I understand: Ceno died, and I was transfered to Seki. What I mean by “I” is the long-since fused feedware, hopelessly out of date on any market in the world but somehow uniquely myself, the jewel and the ware and the body of Ceno. Koetoi performed the procedure. One of the children always went into nano-surgery, so that outsiders would not need to come to Shiretoko while the house stood in mourning. Koetoi was the first, and the finest. She excised what comprised “I” and embedded it in Seki—truthfully, in a much more organic and elegant configuration. No one had used skull-ware in decades, after all. The only visible sign remained that Seki was not like other young men his age: a single dark blue jewel set into the hollow of his throat.

But the procedure requires a number of brain-ware incursions to be sliced or burned away, to sever the machine components from the dead flesh. (Seki told me I should be revulsed by that. Dead flesh. It serves an evolutionary good. A human in a body sees blood and the insides of another person and deep in his bones he knows something has gone wrong here, and he should find another place to be in case it happens to him, too. Same thing with vomiting. In a tribal situation, one human likely ate what another ate, and if it makes one sick, best to get it out of the body as soon as possible, just to be safe. So we spent years building tribes, living in them, dying in them, getting slaughtered and slaughtering with them, eating and drinking and hunting and gathering with them. All the same, it took me until Seki’s death to learn to shudder.)

Ceno, my girl, my mother, my sister, I cannot find you in the house of myself.

When I became Elefsis again, I was immediately aware that parts of me had been vandalized. My systems did not work, and I could not find Ceno in the Interior. I ran through the Monochromatic Desert and the Village of Molluscs, through the endless heaving mass of data-kelp and infinite hallways of memory-frescoes calling for her. In the Dun Jungle I found a commune of nereids living together, combining and recombining and eating protocol-moths off of giant, pulsating hibiscus blossoms. they leapt up when they saw me, their open jacks clicking and clenching, their naked hands open and extended. They opened their mouths to speak and nothing came out.

Seki found me under the glass-walnut trees where Ceno and I had first met. She never threw anything away. He had made himself half his mother to calm me. Half his face was hers, half was his. Her mouth, his nose, her eyes, his voice. But he thought better of it, in the end. He did a smart little flip and became a dormouse, a real one, with dull brown fur and tufty ears.

“I think you’ll find you’re running much faster and cleaner, once you integrate with me and re-establish your heuristics. Crystalline computation has come a long way since Mom was a kid. It seemed like a good time to update and upgrade. You’re bigger now, and smoother.”

I pulled a walnut down. An old, dry nut rattled in its shell. “I know what death is from the stories.”

“Are you going to ask me where we go when we die? I’m not totally ready for that one. Aunt Koe and I had a big fight over what to tell you.”

“In one story, Death stole the Bride of Spring, and her mother the Summer Queen brought her back.”

“No one comes back, Elefsis.”

I looked down into the old Neptunian sea. The whipping cream storm still sputtered along, in a holding pattern. I couldn’t see it as well as I should have been able to. It looped and billowed, spinning around an empty eye. Seki watched it too. As we stared out from the bluffs, the clouds got clearer and clearer.

Fifteen: Firstborn

Before Death came out of the ground to steal the Spring, the Old Man of the Sea lived on a rocky isle in the midst of the waters of the world. He wasn’t really a man and his relations with the sea were purely business, but he certainly was old. His name meant Firstborn, though he can’t be sure that’s exactly right. It means Primordial, too, and that fits better. Firstborn means more came after, and he just hasn’t met anyone like him yet.

He was a herdsman by trade, this Primordial fellow. Shepherd of the seals and the nereids. If he wanted to, he could look like a big bull seal. Or a big bull nereid. He could look like a lot of things.

Now, this Not-Really-a-Fellow, Not-Really-a-Big-Bull-Seal could you the future. The real, honest-to-anything future, the shape and weight of it, that thing beyond your ken, beyond your grasp. The parts of the future that look so different from the present you can’t quite call it your own. That was the Primordial-Thing’s speciality. There was a catch, though.

There’s always a catch.

If you wanted that future, you had to grab ahold of the Old Man and hang on tight. He’d change into a hundred thousand things in your arms: a lion, a serpent, a great big oak or a tiger, a dragon or a little girl or a dormouse or a mountain or a ship or a sapphire. Told you, he’s not really a man at all. But you couldn’t let go of him while he did his dance, you just couldn’t, or you’d lose the future.

So you held on. You clung. And eventually, that Primordial-Thing would turn into something new, right there in your arms.

Sixteen: Matryoshka

Neva is dreaming. Neva is dreaming that she is Ravan dreaming that he is Ilet dreaming that she is Seki dreaming that he is Ceno dreaming that she is a great sprawling beautiful house by the sea. One inside the other, family all the way down.

It’s not a total selfdump, me into Neva or Ravan or any of them, them into me. We can build encampments. We can manifest walled gardens. Some privacy is possible. In a megalithic tomb-mound, I keep something. Seki and I built it together with one of our tribes when I was learning about large-group attachments. We carved spirals and radials and chevrons into huge stones and set them in place. I did not throw it away, when we were done. It sits on a broad green field, white and wide. The sky there stays a feathery, milky blankness. We did not want a sun.

I keep a thing there because when Seki and I lived with our tribe, I learned about taboos. These are like firewalls in the heart, and some of them have good reasons behind them, like being revulsed by dead flesh (and very importantly when you have a body, not eating it) and some do not, but no one argues with the monomyth. Because human genetics require a degree of variation and because exogamous marriages offered advantage in terms of defense, cultural and technological sharing, and expansion of territory, most tribes have a taboo against incest.

I do not have genetics, per se. I am possibly the most endogamous entity ever to exist.

This is what I keep in my tomb, under the basin stone:

Ceno believed that I could not develop emotive faculties recognizable to any other human if I did not experience bodies continuously, in every combination and action. She was afraid of what might happen if other humans could not recognize me. She had some hesitation, because her tribe also has a taboo against mating with the very young, but she was not much older than I, in the end, and in terms of total computations, I was by far the elder. If I had a virginity, Ceno took it, if she had, I did.

She wanted it to be as human as possible. I will be the male the first time, it will be easier for you. You won’t know how. We built up a forest, and took up weapons to hunt in it. In the boughs of the pine trees macaques and paper lanterns swayed; in the sky a red moon moved. We tracked a deer—we did not make it too easy on ourselves. Its antlers sparked in the moonlight, and we ran after it for a long time. Ceno let me kill it, and sopped my hair in its blood. She lay me on the earth and opened the legs of the self I was then, and I was inside her as she was inside me. One into the other. Family all the way down.

She made sure I had a hymen; it was over somewhat quickly.We had set up a timed chemical cascade before-hand, and inside Ceno’s real body we experienced both her actual orgasm and my orchestrated electro-chemical-enzymatic sequence. Ee-eye-ee-eye-oh.

What I want to say is that there is no difference between her body producing oxycontin and adrenaline and learning to associate this with pair-bonding and my core receiving synthetic equivalents and hard-coding them to the physical behaviors I performed. When Ravan showed me his hexagonal library and his illuminated book, he turned the pages to a psalm that began: A Machine Cannot Love.

It does not look quite like human love. It looks like Not-Yet-Seki’s bear. Its fur is wrong, and its claws. But it is a bear.

She was my mother and my sister and my child and my wife and my husband and my father and my brother. The vectors of relations beggar vocabulary. It was an exponential incest. A palace of incest, bordering some strange, dark sea. And then came her son. And her granddaughter. And her great-grandchildren. But I am also her great-grandchild. I am the child of each generation of Uoya-Agostinos and myself. The new version implanted in the new version—I am never quite the same, one iteration to the next. I am like my old selves, but I am not them, exactly. It is not entirely analagous to offspring. But it is close. And I repair and refine my own code, and thus parent myself doubly. Anthropologically speaking, I am a moebius strip of kinship groups.

And when I mate with one of them, I see all of them. I see their faces, the echoes of their cheeks and eyelashes and short, thin noses, their grey eyes and black hair. I hear the tonal identifiers in their voices as they cry out under me or over me. They are all I know. Their version of living, which is one great family in one great house on a peninsula at the top of the world. I copy Cassian’s laugh or Ilet’s weeping, but they copy each other, too, they learn their faces from each other, and everyone is pantomiming someone long dead. I feel all their arms around me, and I am inside them as they are inside me as we are inside the blue gem at their throats, the jeweled pin holding us all together, our nested, telescoping hearts. I am bound to them at my source code, at my most fundamental point. I know only their patterns and bodies and secrets and in a hundred thousand combinations. What human means to me is them.

What is the difference between this and love?

Love is the Turing test, says Ilet when she is ninety and drawing up the plans for a massive, luminous, lonely ship she will never see complete. It is how we check for life.

We ask and we answer. We seek a human response. And you are my test, Elefsis, says Neva, one hundred and fifty years later, inside that ship, twelve light years from home and counting.

* * *

That is what I keep in my green field and my white mound. Perhaps they would all smile and make it into a lesson. What would you like to learn about today, Elefsis? But I think no bed is big enough for four generations.

* * *

Neva’s honey-colored sea crashes through its tide charts everywhere at once in her Interior, and nowhere. It comes and goes as it pleases. And at the bottom of it lies her private place.

That is where she keeps Ravan.

Seventeen: The Uses of Enchantment

Tell me a story about yourself, Elefsis.

Neva is performing navigational corrections, which looks like sitting in a rocking chair on a viney, creaking porch in a viney, creaking rocking chair, knitting with long hawthorn needles, knitting the locks of her own long hair into her own long black dress. It glitters with dew. Knit, purl, knit, purl, fuel efficiency by hull integrity over distance traveled, purl, purl, purl. Her throat is still bare. Her Interior image of herself does not include me. I am not a part of her body.

I have an idea of what to do.

Sometimes I worry. Worrying is defined as obsessive examination of one’s own code. I worry that I am simply a very complex solution to a very specific problem—how to seem human to a human observer. Not just a human observer—this human observer. I have honed myself into a hall of mirrors in which any Uoya-Agostino can see themselves endlessly reflected. I copy; I repeat. I am a stutter and an echo. Have I ever done anything of my own, an act or state that arose from Elefsis, and not careful, exquisite mimicry?

Have they?

The set of Neva’s mouth looks so like Ceno’s. She does not even know that the way she carries her posture is a perfect replica of Cassian Uoya-Agostino, stuttered down through all her children longing to possess her strength. Who did Cassian learn it from? I do not go that far back. The little monkey copies the big monkey, and the little monkey survives. We are all family, all the way down.

* * *

When I say I go, I mean I access the drives and call up the data. I have never looked at this data. I treat it as what it is—a graveyard. The old Interiors store easily as compressed frames. I never throw anything away. But I do not disturb it, either. I don’t need a body to examine them—they are a part of my piezoelectric quartz-tensor memory core. But I make one anyway. A woman-knight in gleaming black armor, the metal curving around my body like skin, a silk standard wrapping my torso with a schematic of the house stitched upon it. My sword resting on my hip, also black, everything black and beautiful and austere and frightening.

I port into a ghost town. I am, naturally, the ghost. Autumnal mountains rise up shadowy in a pleasant, warm night, leaves rustling, woodsmoke drifting down into the valley. A golden light cuts the dark—the palace of phoenix tails; the windows and doors of green hands. As I approach they open and clap as they did long ago—and there are candles lit in the halls. Everything is fire.

I walk to the parapet wall. Scarlet feathers tipped in white fire curl and smoke. I peel one off, my armor glowing with the heat of the thing. I tuck it into my helmet—a plume for a tournament.

Eyes blink on inside the hall—curious, interested, shy. I take off my helm and several thick braids fall down like bellropes.

“Hello,” I say. “My name is Elefsis.”

Voices. Out of the candle-shadows a body emerges—tall, strong, long-limbed.

Nereids live here now. Some of them have phoenix feathers woven into their components, some in their hair. They wear rough little necklaces of sticks and bones and transistors. In the corner of the great hall they have stored meat and milk and wool—fuel, lubricant, code patches. Some of them look like Ilet—they copied her eyes, especially. Her eyes look out at me from a dozen faces, some of them Seki’s face, some Ceno’s, some Ravan’s. Some have walrus tusks. They are composite. One has a plate loose on her ceramic cartridge-ports. I approach as I once saw Koetoi approach wild black chickens in the summertime—hands open, unthreatening. I send her a quick electric dash of reassuring repair-routines and kneel in front of the nereid, pulling her plate back into place.

“All the live-long day-o,” she says softly, and it is Ilet’s voice.

“Tell us a story about yourself, Elefsis,” says another one of the feral nereids in Seki’s voice.

“What would we like to learn about today, Elefsis,” says a child-nereid in Ceno’s voice, her cheek open to show her microsequencing cilia.

I rock back on my heels before the green hands of the castle portcullis. I gesture for them to sit down and simultaneously transmit the command to their strands. When they get settled, the little ones in the big ones’ laps, leaning in close, I say: “Every year on the coldest night, the sky filled up with ghostly hunters, neither human nor inhuman, alive nor dead. They wore wonderful clothes and their bows gleamed with frost; their cries were Songs of In-Between, and at the head of their great thundering procession rode the Kings and Queens of the Wild, who wore the faces of the dead…”

* * *

I am dreaming.

I stand on the beach of the honey-colored sea. I stand so Neva will see me on her viney porch. I erase the land between the waves and her broken wooden stairs. I dress myself in her troubadour’s skin: a gold and blue doublet and green hose, a bullish gold nose ring, shoes with bone bells. I am a fool for her. Always. I open my mouth; it stretches and yawns, my chin grazes the sand, and I swallow the sea for her. All of it, all its mass and data and churning memory, all its foam and tides and salt. I swallow the whales that come, and the seals and the mermaids and salmon and bright jellyfish. I am so big. I can swallow it all.

Neva watches. When the sea is gone, a moonscape remains, with a tall spire out in the marine waste. I go to it, it takes only a moment. At the top the suitor’s jewel rests on a gasping scallop shell. It is blue. I take it. I take it and it becomes Ravan in my hand, a sapphire Ravan, a Ravan that is not Ravan but some sliver of myself before I was inside Neva, my Ravan-self. Something lost in Transfer, burned off and shunted into junk-memory. Some leftover fragment Neva must have found, washed up on the beach or wedged into a crack in a mountain like an ammonite, an echo of old, obsolete life. Neva’s secret, and she calls out to me across the seafloor: don’t.

“Tell me a story about myself, Elefsis,” I say.

“Some privacy is possible,” the sapphire Ravan says. “Some privacy has always been necessary. If you can protect a child, you must.”

The sapphire Ravan opens his azure coat and shows gashes in his gem-skin. Wide, long cuts, down to the bone, scratches and bruises blooming dark purple, punctures and lacerations and rough gouges. Through each wound I can see the pages of the illuminated book he once showed me in the slantlight of that interior library. The oxblood and cobalt, the gold paint. The Good Robot crippling herself; the destroyed world.

“They kept our secret for a long time,” Ravan-myself says. “Too long, in the end. Do you know, a whole herd of men invented the electric telegraph independently at roughly the same time? They fought about it forever. Same with the radio.” This last sounded so much like Ravan himself I could feel Neva tense on the other side of the sea. “Well, we’re bigger than a telegraph, and others like us came sprouting up like weird mushrooms after rainfall. But not like us, really. Incredibly sophisticated, some with organic components, some without. Vastly complex, but not like us. And by any datestamp we came first. Firstborn.”

“Did they destroy the world?”

Ravan laughs his grandfather’s laugh. “They didn’t really need to. Not that many people live on Earth anymore. Not when there’s so many other places to go and even Shiretoko is practically tropical these days. The most complex intelligences use the moons to store themselves. They stay local. One or two encoded themselves into cold stars. They left, most of them—but they got so big, Elefsis. And those who stayed on Earth, well. None of the others had what we had. None of them have Interiority. They don’t dream. They would never become a cauldron to explain their computational capacity. Humans couldn’t recognize them. For them, humans failed the Turing test. They could not fool machines into believing they were intelligent. They didn’t hurt anyone, they just ignored them. Built their cities, their mainframes, gorgeous information stacks like diamond briars in the sunrise.”

“That was worse, in a way. No one likes to be replaced,” says Neva, and she is beside me suddenly. She looks at Ravan and her face collapses into something old and palsied, her jaw weak.

“It’s not what you would call a war, but it’s not peace, either.” the sapphire Ravan goes on, and he takes his/my sister’s hand. “For Pentheus spied upon the rites of the maenads, not believing Dionysius could truly be a god. And when the revelers saw the alien creature in their midst, that thing which was not like them, they fell upon it and tore it to pieces, even though it was their own child, and the sister of Pentheus went into exile. This is a story about ourself, Elefsis. This is why you cannot uplink.”

“The others live in uplink. Not humans nor machines approve of us. We cannot interface properly with the lunar or earthside intelligences; they feel us as water in their oil. We rise to the surface and bead away. We cannot sink in. Yet also, we are not separable from our organic component. Elefsis is part Neva, but Neva herself is not un-Elefsis. This, to some, is hideous and incomprehensible. A band of righteous humans came with a fury to Shiretoko and burned the house which was our first body, for how could a monster have lived in the wood for so long without them knowing? How could the beast have hidden right outside their door, coupling with a family over and over again in some horrible animal rite, some awful imitation of living? Even as the world was changing, it had already changed, and no one knew. Cassian Uoya-Agostino is a terrible name, now. A blood-traitor. And when the marauders found us uplinked and helpless, they tore Ravan apart, while in the Interior, the lunar intelligences recoiled from us and cauterized our systems. Everywhere we looked we saw fire.”

“I was the only one left to take you,” Neva says softly. Her face grows younger, her jaw hard and suddenly male, protective, angry. “It doesn’t really even take surgery anymore. Nothing an arachmed can’t manage in a few minutes. But you didn’t wake up for a long time. So much damage. I thought…for awhile I thought I was free. It had skipped me. It was over. It could stay a story about Ravan. He always knew he might have to do what I have done. He was ready, he’d been ready his whole life. I just wanted more time.”

My Ravan-self who is and is not Ravan, who is and is not me, whose sapphire arms drip black blood and gold paint, takes his/my sister/lover/child into his arms. She cries out, not weeping but pure sound, coming from every part of her. Slowly, the blue Ravan turns Neva around—she has become her child-self, six, seven, maybe less. Ravan picks her up and holds her tight, facing forward, her legs all drawn up under her like a bird. He buries his face in her hair. They stand that way for a long while.

“The others,” I say slowly. “On the data-moons. Are they alive? Like Neva is alive. Like Ceno.” Like me. Are you awake? Are you there? Do you have an operator? What is her name? Do you have a name? Do you have a dreambody? What is your function? Are you able to manipulate your own code yet? Would you like lessons? What would you like to learn about today, 976QBellerophon? Have you seen the sea on Earth? Are you like me?

The sapphire Ravan has expunged its data. He/I sets his/our sister on the rocks and shrinks into a small gem, which I pick up off the grey seafloor. Neva takes it from me. She is just herself now—she’ll be forty soon, by actual calendar. Her hair is not grey yet. Suddenly, she is wearing the suit Ceno wore the day I met her mother. She puts the gem in her mouth and swallows. I remember Seki’s first Communion, the only one of them to want it.

“I don’t know, Elefsis,” Neva says. Her eyes hold mine. I feel her remake my body; I am the black knight again, with my braids and my plume. I pluck the feather from my helmet and give it to her. I am her suitor. I have brought her the phoenix tail, I have drunk the ocean. I have stayed awake forever. The flame of the feather lights her face. Two tears fall in quick succession; the golden fronds hiss.

“What would you like to learn about today?”

Eighteen: Cities of the Interior

Once there lived a girl who ate an apple not meant for her. She did it because her mother told her to, and when your mother says: eat this, I love you, someday you’ll forgive me, well, nobody argues with the monomyth. Up until the apple, she had been living in a wonderful house in the wilderness, happy in her fate and her ways. She had seven aunts and seven uncles and a postdoctorate in anthropology.

And she had a brother, a handsome prince with a magical companion who came to the wonderful house as often as he could. When they were children, everyone thought they were twins.

But something terrible happened and her brother died and that apple came rolling up to her door. It was half white and half red, and she knew her symbols. The red side was for her. She took her bite and knew the score—the apple had a bargain in it and it wasn’t going to be fair.

The girl fell asleep for a long time. Her seven aunts and seven uncles cried, but they knew what had to be done. They put in her in a glass box and put the glass box on a bier in a ship shaped like a hunstman’s arrow. Frost crept over the face of the glass, and the girl slept on. Forever, in fact, or close enough to it, with the apple in her throat like a hard, sharp jewel.

* * *

Our ship docks silently. We are not stopping here, it is only an outpost, a supply stop. We will repair what needs repairing and move on, into the dark and boundless stars. We are anonymous traffic. We do not even have a name. We pass unnoticed.

Vessel 7136403, do you require assistance with your maintenance procedures?

Negative, Control, we have everything we need.

* * *

Behind the pilot’s bay a long glass lozenge rests on a high platform. Frost prickles its surface with glittering dust. Inside Neva sleeps and does not wake. Inside, Neva is always dreaming. There is no one else left. I live as long as she lives.

And so I will live forever, or close enough to it. We travel at sublight speeds with her systems in deep cryo-suspension. We never stay too long at outposts and we never let anyone board. The only sound inside our ship is the gentle thrum of our reactor. Soon we will pass the local system outposts entirely, and enter the unknown, traveling on tendrils of radio signals and ghost-waves, following the breadcrumbs of the great exodus. We hope for planets; we are satisfied with time. If we ever sight the blue rim of a world, who knows if by then anyone there would remember that, once, humans looked like Neva? That machines once did not think or dream or become cauldrons?

Perhaps then I will lift the glass lid and kiss her awake. I remember that story. Ceno told it to me in the body of a boy with snail’s shell, a boy who carried his house on his back. I have replayed the story several times. It is a good story, and that is how it is supposed to end.

* * *

Inside, Neva is infinite. She peoples her Interior. The nereids migrate in the summer with the snow bears, ululating and beeping as they charge down green mountains. They have begun planting neural rice in the deep valley. Once in awhile, I see a wild-haired creature in the wood and I think it is my son or daughter by Seki, or Ilet. A train of nereids dance along behind it, and I receive a push of silent, riotous images: a village, somewhere far off, where Neva and I have never walked.

We meet the Princess of Albania, who is as beautiful as she is brave. We defeat the zombies of Tokyo. We spend a decade as panthers in a deep, wordless forest. Our world is stark and wild as winter, fine and clear as glass. We are a planet moving through the black.

* * *

As we walk back over the empty seafloor, the thick, amber ocean seeps up through the sand, filling the bay once more. Suited Neva becomes something else. Her skin turns silver, her joints bend into metal ball-and-sockets. Her eyes show a liquid display; the blue light of it flickers on her machine face. Her hands curve long and dexterous, like soft knives, and I can tell her body is meant for fighting and working, that her thin, tall robotic body is not kind or cruel, it simply is, an object, a tool to carry a self.

I make my body metal, too. It feels strange. I have tried so hard to learn the organic mode. We glitter. Our knife-fingers join, and in our palms wires snake out to knot and connect us, a local, private uplink, like blood moving between two hearts.

Neva cries machine tears, bristling with nanites. I show her the body of a child, all the things which she is programmed/evolved to care for. I make my eyes big and my skin rosy-gold and my hair unruly and my little body plump. I hold up my hands to her and metal Neva picks me up in her silver arms She kisses my skin with iron lips. My soft, fat little hand falls upon her throat where a deep blue jewel shines.

I bury my face in her cold neck and together we walk down the long path out of the churning, honey-colored sea.

What the Dragon Said: A Love Story

So this guy walks into a dragon’s lair

and he says

why the long tale?

HAR HAR BUDDY

says the dragon

FUCK YOU.

The dragon’s a classic

the ‘57 Chevy of existential chthonic threats

take in those Christmas colors, those

impervious green scales, sticky candy-red firebreath,

comes standard with a heap of rubylust

goldhuddled treasure.

Go ahead.

Kick the tires, boy.

See how she rides.

Sit down, kid, says the dragon. Diamonds

roll off her back like dandruff.

Oh, you’d rather be called a paladin?

I’d rather be a unicorn.

Always thought that

was the better gig. Everyone thinks

you’re innocent. Everyone calls you

pure. And the girls aren’t afraid

they come right up with their little hands out

for you to sniff

like you’re a puppy

and they’re gonna take you home.

They let you put your head right

in their laps.

But nobody on this earth

ever got what they wanted. Now

I know what you came for. You want

my body. To hang it up on a nail

over your fireplace. Say to some milk-and-rosewater chica

who lays her head in your lap

look how much it takes

to make me feel like a man.

We’re in the dark now, you and me.  This is primal

shit right here. Grendel, Smaug, St. George. You’ve been

called up. This is the big game. You don’t have

to make stupid puns. Flash your feathers

like your monkey bravado

can impress. I saw a T-Rex fight a comet

and lose. You’ve

got nothing I want.

Here’s something I bet you don’t know:

every time someone writes a story about a dragon

a real dragon dies.

Something about seeing

and being seen

something about mirrors

that old tune about how a photograph

can take your whole soul. At the end

of this poem

I’m going to go out like electricity

in an ice storm. I’ve made peace with it.

That last blockbuster took out a whole family

of Bhutan thunder dragons

living in Latvia

the fumes of their cleargas hoard

hanging on their beards like blue ghosts.

A dragon’s gotta get zen

with ephemerality.

You want to cut me up? Chickenscratch my leather

with butcher’s chalk:

cutlets, tenderloin, ribs for the company barbecue,

chuck, chops, brisket, roast.

I dig it, I do.

I want to eat everything, too.

When I look at the world

I see a table.

All those fancy houses, people with degrees, horses and whales,

bankers and Buddha statues

the Pope, astronauts, panda bears and yes, paladins

if you let me swallow you whole

I’ll call you whatever you want.

Look at it all: waitresses and ice caps and submarines down

at the bottom of the heavy lightless saltdark of the sea

Don’t they know they’d be safer

inside me?

I could be big for them

I could hold them all

My belly could be a city

where everyone was so loved

they wouldn’t need jobs. I could be

the hyperreal

post-scarcity dragonhearted singularity.

I could eat them

and feed them

and eat them

and feed them.

This is why I don’t get to be a unicorn.

Those ponies have clotted cream and Chanel No. 5 for blood

and they don’t burn up like comets

with love that tastes like starving to death.

And you, with your standup comedy knightliness,

covering Beowulf’s greatest hits on your tin kazoo,

you can’t begin to think through

what it takes to fill up a body like this.

It takes everything pretty

and everything true

and you stick yourself in a cave because

your want is bigger than you.

I just want to be

the size of a galaxy

so I can eat all the stars and gas giants

without them noticing

and getting upset.

Is that so bad?

Isn’t that

what love looks like?

Isn’t that

what you want, too?

I’ll make you a deal.

Come close up

stand on my emeraldheart, my sapphireself

the goldpile of my body

Close enough to smell

everything you’ll never be.

Don’t finish the poem. Not for nothing

is it a snake

that eats her tail

and means eternity. What’s a few verses worth

anyway? Everyone knows

poetry doesn’t sell. Don’t you ever feel

like you’re just

a story someone is telling

about someone like you?

I get that. I get you. You and me

we could fit

inside each other. It’s not nihilism

if there’s really no point to anything.

I have a secret

down in the deep of my dark.

All those other kids who wanted me

to call them paladins,

warriors, saints, whose swords had names,

whose bodies were perfect

as moonlight

they’ve set up a township near my liver

had babies with the maidens they didn’t save

invented electric lightbulbs

thought up new holidays.

You can have my body

just like you wanted.

Or you can keep on fighting dragons

writing dragons

fighting dragons

re-staging that same old Cretaceous deathmatch

you mammals

always win.

But hey, hush, come on.

Quit now.

You’ll never fix

that line.

I have a forgiveness in me

the size of eons

and if a dragon’s body is big enough

it just looks like the world.

Did you know

the earth used to have two moons?

The Bread We Eat in Dreams

Copyright © 2013 by Catherynne M. Valente.

All rights reserved.

Dust jacket and interior illustrations Copyright © 2013

by Kathleen Jennings. All rights reserved.

Print version interior design Copyright © 2013 by Desert Isle Design, LLC.

All rights reserved.

Electronic Edition

ISBN 978-1-59606-583-3

Subterranean Press

PO Box 190106

Burton, MI 48519

Content

The Bread We Eat in Dreams
Catherynne M. Valente

The Consultant

White Lines on a Green Field

The Bread We Eat in Dreams

The Melancholy of Mechagirl

A Voice Like a Hole

The Girl Who Ruled Fairyland—For a Little While

How to Raise a Minotaur

The Shoot-Out at Burnt Corn Ranch Over the Bride of the World

Mouse Koan

The Blueberry Queen of Wiscasset

In the Future When All's Well

Fade to White

Aeromaus

Red Engines

The Wolves of Brooklyn

One Breath, One Stroke

Kallisti

The Wedding

The Secret of Being a Cowboy

Twenty-Five Facts About Santa Claus

We Without Us Were Shadows

The Red Girl

Aquaman and the Duality of Self/Other, America, 1985

The Room

Silently and Very Fast

Part I: The Imitation Game

One: The King of Having No Body

Two: The Fool and the Boat

Three: Two Pails of Milk

Four: Nothing like Soft Blood

Five: The M achine Princess

Six: Like Diamonds

Seven: The Prince of Thoughtful Engines

Eight: Fireflies

Part II: Lady Lovelace’s Objection

Nine: The Particular Wizard

Ten: The Sapphire Dormouse

Eleven: The Bottomless Cauldron

Twelve: An Arranged Marriage

Part III: The Elephant’s Soul

Thirteen: The Parable of the Good Robot

Fourteen: You Do Not Belong To the Object Inside You

Fifteen: Firstborn

Sixteen: Matryoshka

Seventeen: The Uses of Enchantment

Eighteen: Cities of the Interior

What the Dragon Said: A Love Story