In the not-too-distant future, competing giant fast food factions rule the world. Leonard works for Neetsa Pizza, the Pythagorean pizza chain, in a lonely but highly surveilled home office, answering calls on his complaints hotline. It’s a boring job, but he likes it — there’s a set answer for every scenario, and he never has to leave the house. Except then he starts getting calls from Marco, who claims to be a thirteenth-century explorer just returned from Cathay. And what do you say to a caller like that? Plus, Neetsa Pizza doesn’t like it when you go off script. Meanwhile, Leonard’s sister keeps disappearing on secret missions with her “book club,” leaving him to take care of his nephew, which means Leonard has to go outside. And outside is where the trouble starts. A dazzling debut novel wherein medieval Kabbalists, rare book librarians, and Latter-Day Baconians skirmish for control over secret mystical knowledge, and one Neetsa Pizza employee discovers that you can’t save the world with pizza coupons

Is a new life possible? Because Shira Greene’s life hasn’t quite turned out as planned. She’s a single mom living with her daughter and her gay friend, Ahmad. Her PhD on Dante’s Vita Nuova hasn’t gotten her a job, and her career as a translator hasn’t exactly taken off either. But then she gets a call from a Nobel Prize-winning Italian poet who insists she’s the only one who can translate his newest book. Stunned, Shira realizes that — just like that— her life can change. She sees a new beginning beckoning: academic glory, demand for her translations, and even love (her good luck has made her feel more open to the entreaties of a neighborhood indie bookstore owner). There’s only one problem: It all hinges on the translation, and as Shira starts working on the exquisitely intricate passages of the poet’s book, she realizes that it may in fact be, well… impossible to translate. A deft, funny, and big-hearted novel about second chances, Good on Paper is a grand novel of family, friendship, and possibility

Захватывающий пересказ жизни сестер Бронте – Шарлотты, Эмили, Энн и брата Бренуэлла развеивает легенды, которые, как нам кажется, мы знаем об этой семье… Глава за главой роман объединяет дневники, письма, теле- и радиоинтервью, монологи на смертном одре и фрагменты обширного вымышленного мира детства сестер и брата Бронте. Рейчел Кантор создает сюрреалистическую, эксцентричную историю, в которой современность сочетается с архаикой. «Кантор как будто пишет на двух языках одновременно, и комедия помогает предотвратить переход серьезности в сентиментальность». – The San Francisco Chronicle Являетесь ли вы поклонником этой литературной семьи или нет, роман обязательно нужно прочитать всем, кто ищет по-настоящему нежный, современный и юмористический взгляд на творческий процесс, семью и жизнь вообще