An ingenious psychological suspense novel. At the isolated Baikie's Cottage on the North Pennines, three very different women come together. Three women who each know the meaning of betrayal… For team leader Rachael the project is the perfect opportunity to rebuild her confidence after a double-betrayal by her lover and boss, Peter Kemp. Botanist Anne, on the other hand, sees it as a chance to indulge in a little deception of her own. And then there is Grace, a strange, uncommunicative young woman with plenty of her own secrets to hide… When Rachael arrives at the cottage, however, she is horrified to discover the body of her friend Bella Furness. Bella, it appears, has committed suicide – a verdict Rachael finds impossible to accept. Only when the next death occurs does a fourth woman enter the picture – the unconventional Detective Inspector Vera Stanhope…

The residents of an East Yorkshire village are revisited with eth nightmare of a murder that happened 10 years before. there was some doubt about the guilty verdict passed on Jeanie Long and now it would seem that the killer is still at large. Inspector Vera Stanhope builds up a picture of a community afraid of itself and of outsiders

A hot summer on the Northumberland coast, and Julie Armstrong arrives home from a night out to find her son murdered. Luke has been strangled, laid out in a bath of water, and covered with wild flowers. This stylized murder scene has Inspector Vera Stanhope and her team intrigued. But then a second bodythat of beautiful young teacher Lily Marshis discovered laid out in a rock pool, the water strewn with flowers. Now Vera must work quickly to find this dramatist, this killer who is making art out of death. Clues are slow to emerge from those who had known Luke and Lily, but Vera soon finds herself drawn towards the curious group of friends who discovered Lilys body. What unites these four men and one woman? Are they really the close-knit, trustworthy unit they claim to be? As local residents are forced to share their private lives and those of their loved ones, sinister secrets are slowly unearthed. And, all the while, the killer remains in their midst, waiting for an opportunity to prepare another beautiful, watery grave

When DI Vera Stanhope finds the body of a woman in the sauna room of her local gym, she wonders briefly if, for once in her life, she's uncovered a simple death from natural causes. But a closer inspection reveals ligature marks around the victim's throat – death is never that simple…Doing what she does best, Vera pulls her team together and sets them interviewing staff and those connected to the victim, while she and colleague, Sergeant Joe Ashworth, work to find a motive. While Joe struggles to reconcile his home life with the demands made on him by the job; Vera revels being back in charge of an investigation again. Death has never made her feel so alive…And when they discover that the victim had worked in social services, and had been involved in a shocking case involving a young child, then it appears obvious that the two are somehow connected. Though things are never as they seem…

DI Vera Stanhope is not one to make friends easily, but her hippy neighbours keep her well-supplied in homebrew and conversation so she has more tolerance for them than most. When one of them goes missing she feels duty-bound to find out what happened. But her path leads her to more than a missing friend… It's an easy job to track the young woman down to the Writer's House, a country retreat where aspiring authors gather to workshop and work through their novels. It gets complicated when a body is discovered and Vera's neighbour is found with a knife in her hand. Calling in the team, Vera knows that she should hand the case over to someone else. She's too close to the main suspect. But the investigation is too tempting and she's never been one to follow the rules. There seems to be no motive. No meaning to the crime. Then another body is found, and Vera suspects that someone is playing games with her. Somewhere there is a killer who has taken murder off the page and is making it real…

Harbour Street is the next spellbinding installment in Ann Cleeves' series of crime novels about Vera Stanhope, played in the TV detective drama VERA by Brenda Blethyn. As the snow falls thickly on Newcastle, the shouts and laughter of Christmas revelers break the muffled silence. Detective Joe Ashworth and his daughter Jessie are swept along in the jostling crowd onto the Metro. But when the train is stopped due to the bad weather, and the other passengers fade into the swirling snow, Jessie notices that one lady hasn't left the train: Margaret Krukowski has been fatally stabbed. Arriving at the scene, DI Vera Stanhope is relieved to have an excuse to escape the holiday festivities. As she stands on the silent, snow-covered station platform, Vera feels a familiar buzz of anticipation, sensing that this will be a complex and unusual case. Then, just days later, a second woman is murdered. Vera knows that to find the key to this new killing she needs to understand what had been troubling Margaret so deeply before she died – before another life is lost. She can feel in her bones that there's a link. Retracing Margaret's final steps, Vera finds herself searching deep into the hidden past of this seemingly innocent neighborhood, led by clues that keep revolving around one street… Why are the residents of Harbour Street so reluctant to speak? Told with piercing prose and a forensic eye, Ann Cleeves' gripping new novel explores what happens when a community closes ranks to protect their own-and at what point silent witnesses become complicit

Life seems perfect in the quiet community of Valley Farm. Then a shocking discovery shatters the silence. The owners of a big country house have employed a house sitter, a young ecologist, to look after the place while they're away. But his dead body is found by the side of the lane – a lonely place to die. When DI Vera Stanhope arrives on the scene, she finds the body of a second man. What the two victims seem to have in common is a fascination with studying moths – and with catching these beautiful, intriguing creatures. The others who live in Valley Farm have secrets, too: Lorraine's calm demeanor belies a more complex personality; Annie and Sam's daughter, Lizzie, is due to be released from prison; and Nigel watches silently, every day, from his window. As Vera is drawn into the claustrophobic world of this increasingly strange community, she realizes that there may be many deadly secrets trapped there