A WOMAN CROSSES A LONDON STREET. It is just after 11am on a bright spring morning, and Diana Cowper is going into a funeral parlour to organise her own service. A mere six hours later she is dead, strangled with a crimson curtain cord in her own home. Did she know she was going to die? Did she recognise her killer? Are the two events even related? Because nobody arranges their own funeral, and then gets killed the same day – do they? Enter Daniel Hawthorne, a detective with a genius for solving crimes and an ability to hold his secrets very close. With him is his writing partner, Anthony Horowitz. Together they will set out to solve this most puzzling of mysteries. What neither of them know is that they are about to embark on a dark and dangerous journey where the twists and turns are as unexpected as they are bloody…

Death, deception, and a detective with quite a lot to hide stalk the pages of Anthony Horowitz’s brilliant murder mystery, the second in the bestselling series starring Private Investigator Daniel Hawthorne. “You shouldn’t be here. It’s too late . . ." These, heard over the phone, were the last recorded words of successful celebrity-divorce lawyer Richard Pryce, found bludgeoned to death in his bachelor pad with a bottle of wine—a 1982 Chateau Lafite worth £3,000, to be precise. Odd, considering he didn’t drink. Why this bottle? And why those words? And why was a three-digit number painted on the wall by the killer? And, most importantly, which of the man’s many, many enemies did the deed? Baffled, the police are forced to bring in Private Investigator Daniel Hawthorne and his sidekick, the author Anthony, who’s really getting rather good at this murder investigation business. But as Hawthorne takes on the case with characteristic relish, it becomes clear that he, too, has secrets to hide. As our reluctant narrator becomes ever more embroiled in the case, he realizes that these secrets must be exposed—even at the risk of death

The New York Times bestselling author of the brilliantly inventive The Word Is Murder and The Sentence Is Death returns with his third literary whodunit featuring intrepid detectives Hawthorne and Horowitz. When Ex-Detective Inspector Daniel Hawthorne and his sidekick, author Anthony Horowitz, are invited to an exclusive literary festival on Alderney, an idyllic island off the south coast of England, they don’t expect to find themselves in the middle of murder investigation—or to be trapped with a cold-blooded killer in a remote place with a murky, haunted past. Arriving on Alderney, Hawthorne and Horowitz soon meet the festival’s other guests—an eccentric gathering that includes a bestselling children’s author, a French poet, a TV chef turned cookbook author, a blind psychic, and a war historian—along with a group of ornery locals embroiled in an escalating feud over a disruptive power line. When a local grandee is found dead under mysterious circumstances, Hawthorne and Horowitz become embroiled in the case. The island is locked down, no one is allowed on or off, and it soon becomes horribly clear that a murderer lurks in their midst. But who? Both a brilliant satire on the world of books and writers and an immensely enjoyable locked-room mystery, A Line to Kill is a triumph—a riddle of a story full of brilliant misdirection, beautifully set-out clues, and diabolically clever denouements

Our deal is over.' That's what reluctant author Anthony Horowitz tells ex-detective Daniel Hawthorne in an awkward meeting. The truth is that Anthony has other things on his mind. His new play, Mindgame, is about to open in London's Vaudeville theatre. Not surprisingly Hawthorne declines a ticket. On opening night, Sunday Times critic Harriet Throsby gives the play a savage review, focusing particularly on the writing. The next morning she is found dead, stabbed in the heart with an ornamental dagger which, it turns out, belongs to Anthony and which has his finger prints all over it. Anthony is arrested, charged with Throsby's murder, thrown into prison and interrogated. Alone and increasingly desperate, he realises only one man can help him. But will Hawthorne take his call?

In New York Times–bestselling author Anthony Horowitz’s ingenious fifth literary whodunit in the Hawthorne and Horowitz series, Detective Hawthorne is once again called upon to solve an unsolvable case—a gruesome murder in an idyllic gated community in which suspects abound. Riverside Close is a picture-perfect community. The six exclusive and attractive houses are tucked far away from the noise and grime of city life, allowing the residents to enjoy beautiful gardens, pleasant birdsong and tranquility from behind the security of a locked gate. It is the perfect idyll until the Kentworthy family arrives, with their four giant, gas-guzzling cars, a gaggle of shrieking children and plans for a garish swimming pool in the backyard. Obvious outsiders, the Kentworthys do not belong in Riverside Close, and they quickly offend every last one of their neighbours. When Giles Kentworthy is found dead on his own doorstep, a crossbow bolt sticking out of his chest, Detective Hawthorne is the only investigator that can be called on to solve the case. Because how do you solve a murder when everyone is a suspect?