2013 may be the best year yet for Best European Fiction. The inimitable John Banville joins the list of distinguished preface writers for Aleksandar Hemon’s series, and A. S. Byatt represents England among a luminous cast of European contributors. Fans of the series will find everything they’ve grown to love, while new readers will discover what they’ve been missing!

"A brilliantly inventive writer… he understands the nature of storytelling and is at once terribly moving and wildy funny." — A.S. Byatt Obabakoak is a shimmering, mercurial collection about life in Obaba, a remote, exotic Basque village. A schoolboy’s miningengineer father tricks him into growing up, an unfortunate environmentalist rescues deceptively harmless lizards, and a rescue mission on a Swiss mountain-climbing expedition in Nepal turns into murder. Obaba is peopled with innocents and intellectuals, shepherds and schoolchildren, while everyone from a lovelorn schoolmistress to a cultured but self-hating dwarf wanders across the page. Hints of darker undercurrents mingle with moments of wry humor in this dazzling collage of stories, town gossip, diary excerpts, and literary theory, all held together by Bernardo Atxaga’s distinctive and tenderly ironic voice. An unforgettable work from an international literary giant, whom The Observer (London) listed among the top twenty-one writers of the twenty-first century

The year is 1903, and Captain Lalande Biran, overseeing a garrison on the banks of the Congo, has an ambition: to amass a fortune and return to the literary cafés of Paris. His glamorous wife Christine has a further ambition: to own seven houses in France, a house for every year he has been abroad. At the Captain's side are an ex-legionnaire womaniser, and a servile, treacherous man who dreams of running a brothel. At their hands the jungle is transformed into a wild circus of human ambition and absurdity. But everything changes with the arrival of a new officer and brilliant marksman: the enigmatic Chrysostome Liège

Irene is thirty-seven years old and just out of prison after a four-year sentence for terrorist involvement. On her first night of freedom, she wanders from bar to bar, picks up a stranger, and spends the night with him in a hotel. He treats her badly; she attacks him and escapes. She decides to return to her native Bilbao, and while waiting at the bus stop in Barcelona, she is approached by a man she believes to be a plainclothes policeman. By attaching herself to two nuns, she manages to board the bus without him, and her journey begins.Other passengers on the bus include another plainclothes policeman, who is joined by the first farther down the line. Conversations strike up, and there begins an intricate game of hide-and-seek between strangers as they open up a little, make advances and diversions, and sidestep nimbly. As the bus continues across Spain and the travelers come increasingly into focus, Atxaga builds up tensions that can be resolved only after their arrival in Bilbao

Бернардо Ачага (наст, имя – Хосеба Ирасу Гармендия) – это самый сильный голос современной баскской литературы. Его роман «Сын аккордеониста» был встречен с огромным вниманием, причем не только на родине писателя, – за три года он был переведен на 18 языков. Здесь вновь, как и в его рассказах и в книге Ачаги «Жители страны Обаба» (1988), звучит тема исчезающего мира. Подобно легендарному Макондо из «Ста лет одиночества» Гарсиа Маркеса, для юноши, главного героя романа, деревня Обаба – это малая родина, средоточие всего светлого и романтичного. Но, как всякий рай, этот для него потерян. Он больше никогда не увидит порхающих бабочек с нежными баскскими названиями. Случайно найденный список казненных, дневник времен гражданской войны и генерала Франко, предательский поступок отца – и обычной жизни приходит конец. Музыку, лекции, свидания сменяют листовки и взрывы. Юноша становится на сторону тех, кто ратует за баскскую автономию, будущих участников ЭТА