All Our Yesterdays opens amid the violence and tumult of 1920s Ireland with Conn Sheridan, a reckless young IRA captain. Conn’s forbidden affair with Hadley Winslow, a Boston tycoon’s wife, initiates a dangerous entanglement of desire and blackmail between two families that will span three generations. When a shattering betrayal forces Conn to flee Ireland, he begins a new life in America as a Boston cop. There the violence and obsessions of Conn’s past continue to haunt him as he marries and has a son, Gus. Gus Sheridan will follow his father into the police force, rising to head the city’s homicide division. He will also inherit his father’s daredevil toughness, dangerous obsessions — and a cool reserve softened only by his unspoken love for his own son, Chris. And it is Chris Sheridan, a young special prosecutor, who will close the circle of treachery and betrayal that began with his grandfather in Ireland. For Chris Sheridan will uncover, piece by piece, the shocking truth about his family’s past and even about Grace, the beautiful, sophisticated Boston woman he wants to marry. Grand in scope, All Our Yesterdays creates a living, breathing portrait of an era... and of two families who must come to terms with their heritage, and with the violence, the obsessions, and the deceit that both define and haunt them

A richly imagined novel of the Old West, as spare and vivid as a high plains sunset, from one of the world's most talented performers. It was a long time ago, now, and there were many gunfights to follow, but I remember as well as I remember anything the first time I saw Virgil Cole shoot. Time slowed down for him. Always steady, and never fast... When it comes to writing, Robert B. Parker knows no boundaries. From the iconic Spenser detective series and the novels featuring Sunny Randall and Jesse Stone, to the groundbreaking historical novel Double Play, Parker's imagination has taken readers from Boston to Brooklyn and back again. In Appaloosa, fans are taken on another trip, to the untamed territories of the West during the 1800s. When Virgil Cole and Everett Hitch arrive in Appaloosa, they find a small, dusty town suffering at the hands of renegade rancher Randall Bragg, a man who has so little regard for the law that he has taken supplies, horses, and women for his own and left the city marshal and one of his deputies for dead. Cole and Hitch, itinerant lawmen, are used to cleaning up after opportunistic thieves, but in Bragg they find an unusually wily adversary-one who raises the stakes by playing not with the rules, but with emotions. This is Robert B. Parker at his storytelling best

Appaloosa, the hometown of Territorial Marshals Virgil Cole and Everett Hitch, continues to prosper, but with prosperity comes a slew of new trouble: carpetbaggers, gamblers, migrants, peddlers, drifters, thieves, and whores, all boiling in a cauldron of excess and greed. And there’s a new menace in town: a wealthy, handsome easterner — and the owner of Appaloosa’s new casino — Boston Bill Black. Boston Bill is flashy and bigger than life. He’s a prankster and a notorious womanizer, and with eight notches on the handle of his Colt, he’s rumored quick on the draw. When he finds himself wanted for a series of murders, he quickly vanishes. Cole and Hitch locate and arrest him, but Boston Bill escapes once again. Another murder sets the duo on his trail, eventually taking them back to Appaloosa — where one woman in particular may — or may not — prove to be the apple of Boston Bill’s eye

The extraordinary new Western from the New York Times- bestselling author, featuring itinerant lawmen Virgil Cole and Everett Hitch. Law enforcement in Appaloosa had once been Virgil Cole and me. Now there was a chief of police and twelve policemen. Our third day back in town, the chief invited us to the office for a talk. The new chief is Amos Callico: a tall, fat man in a derby hat, wearing a star on his vest and a big pearl-handled Colt inside his coat. An ambitious man with his eye on the governorship-and perhaps the presidency-he wants Cole and Hitch on his side. But they can't be bought, which upsets him mightily. When Callico begins shaking down local merchants for protection money, those who don't want to play along seek the help of Cole and Hitch. But the guns for hire are thorns in the side of the power-hungry chief. When they are forced to fire on the trigger-happy son of a politically connected landowner, Callico sees his dream begin to crumble. There will be a showdown-but who'll be left standing?

New York Times-bestselling author Robert B. Parker takes aim at the Old West with this brilliantly crafted follow-up to Resolution and Appaloosa, again featuring guns-for-hire Virgil Cole and Everett Hitch. When we last saw Virgil Cole and Everett Hitch, they had just put things to right in the rough-and-tumble Old West town of Resolution. It's now a year later, and Virgil has only one thing on his mind: Allie French, the woman who stole his heart from their days in Appaloosa. Even though Allie ran off with another man, Virgil is determined to find her, his deputy and partner Everett Hitch at his side. Making their way across New Mexico and Texas, the pair finally discover Allie in a small-town brothel. Her spirit crushed, Allie joins Everett and Virgil as they head north to start over in Brimstone. But things are not the same between Virgil and Allie; too much has happened, and Virgil can't face what Allie did to survive the year they were apart. Vowing to change, Allie thinks she has found redemption through the local church and its sanctimonious leader, Brother Percival. Given their reputations as guns for hire, Everett and Virgil are able to secure positions as the town's deputies. But Brother Percival stirs up trouble at the local saloons, and as the violence escalates into murder, the two struggle to keep the peace. As sharp and clear as the air over the high desert, Brimstone proves once again that Robert B. Parker is 'a force of nature' (The Boston Globe)

Chief of Police Jesse Stone returns to investigate the murder of a troubled teenager in a seemingly bucolic New England town. The Paradise Men's Softball League has wrapped up another game, and Jesse Stone is lingering in the parking lot with his team-mates, drinking beer, swapping stories of double plays and beautiful women in the late summer twilight. But then a voice, scared, calls out to him from the edge of a nearby lake. He walks to the sound, where two men squat at the water's edge. In front of them, face down, is something that used to be a girl. The local cops haven't seen anything like this, but Jesse's LA past has made him all too familiar with floaters. This floating girl hadn't committed suicide, she hadn't been drowned: she'd been shot, and dumped, discarded like trash. Before long it becomes clear that the dead girl had a reputation and a taste for the wild life; and her own parents can't even be bothered to report her missing, or admit that she once was a child of theirs. All Jesse has to go on is a young man's school ring on a gold chain, and a hunch or two. At the same time, Jesse must battle two demons from his past: a renewed struggle with the bottle, and a continuing relationship with his ex-wife. Neither one will help him solve the case, and either one could jeopardize his career – and his life. Filled with magnetic characters and the muscular writing that are Parker's trademarks, Death in Paradise is a storytelling masterpiece

It is 1947, the year Jackie Robinson breaks major-league baseball’s color barrier by playing for the Brooklyn Dodgers — and changes the world. This is the story of that season, as told through the eyes of a difficult, brooding, and wounded man named Joseph Burke. Burke, a veteran of World War II and a survivor of Guadalcanal, is hired by Brooklyn Dodgers manager Branch Rickey to guard Robinson. While Burke shadows Robinson, a man of tremendous strength and character suddenly thrust into the media spotlight, the bodyguard must also face some hard truths of his own, in a world where the wrong associations can prove fatal

There is something evil in the air... Everything is new for Bobby Murphy. It is a new school year with a pretty new teacher, Miss Delaney. He and his buddies have just formed a new basketball team, the Edenville Owls. And then there are all these new feelings for his old friend Joanie. Suddenly, their friendship feels different. Times are changing, and as World War II has just come to an end, life in Edenville is no longer so simple — especially for Bobby. The Owls need a leader to take them to the state championships. Joanie has started dating his teammate Nick. And if things aren’t complicated enough, Bobby sees Miss Delaney arguing with a suspicious-looking man. Could he be responsible for the bruises on her face? Bobby senses that Miss Delaney is in real danger, but is there any way for a fourteen-year-old like him to help her? He will have to find it. It is time for Bobby to be strong. There is something evil in the air

Spenser has gone to London – and not to see the Queen. He's gone to track down a bunch of bombers who've blown away his client's wife and kids. His job is to catch them. Or kill them. His client isn't choosy. But there are nine killers to one Spenser – long odds. Hawk helps balance the equation. The rest depends on a wild plan. Spenser will get one of the terrorists to play Judas Goat – to lead him to others. Trouble is, he hasn't counted on her being very blond, very beautiful and very dangerous

A blazingly original new novel from the undisputed dean of American crime fiction, featuring a sharp, tough, sexy new P.I., Sunny Randall. Sunny Randall is a Boston P.I. and former cop, a college graduate, an aspiring painter, a divorcee, and the owner of a miniature bullterrier named Rosie. Hired by a wealthy family to locate their teenage daughter, Sunny is tested by the parents’ preconceived notion of what a detective should be. With the help of underworld contacts she tracks down the runaway Millicent, who has turned to prostitution, rescues her from her pimp, and finds herself, at thirty-four, the unlikely custodian of a difficult teenager when the girl refuses to return to her family. But Millicent’s problems are rooted in much larger crimes than running away, and Sunny, now playing the role of bodyguard, is caught in a shooting war with some very serious mobsters. She turns for help to her ex-husband, Richie, himself the son of a mob family, and to her dearest friend, Spike, a flamboyant and dangerous gay man. Heading this unlikely alliance, Sunny must solve at least one murder, resolve a criminal conspiracy that reaches to the top of state government, and bring Millicent back into functional young womanhood

Spenser is back again — as tough and resilient as he was in pursuit of the Godwulf Manuscript. This time the stakes are higher; he is searching for more than a manuscript. Fifteen-year-old Kevin Bartlett has disappeared from his home in the pleasant, affluent Boston suburb of Smithfield. His parents are convinced that he has been kidnaped. Spenser is not so sure. Pressed between the frantic parents demanding action and the irate police chief warning him to keep off the grass, Spenser goes his independent way. The note demanding ransom and the telephone message that follows it confirm his conviction that all is not what it seems. By biding his time and tracking down some rather eerie clues, he solves the mystery, but not before there has been death and a fight with Goliath. Through all these complications, Spenser must battle the Smithfield police as well as the criminals and fend off the amorous advances of the alcoholic Mrs. Bartlett. But the case offers certain compensations — notably, Susan, beautiful, intelligent, and as discriminating a gourmet as Spenser himself

Wyatt Earp, Billy the Kid, Doc Holliday, Tombstone, the O.K. Corral--the icons are so firmly embedded in American history that we might know nothing more about them than their names. But in this spare, moody riff on the events leading to the 1881 shootout at the O.K. Corral--the signature battle defining the violence of the Old West--Robert B. Parker shades the black-and-white starkness with shifting tones of gray. Parker moves beyond the Hollywood version of the shootout to explore the tangle of family loyalties, dirty politics, and passion that embroiled Wyatt Earp before and after his encounter with the Clanton gang. In Parker's version, the longstanding rivalry between the Earps and the cowboys may stem from cultural difference (the Clantons were ranchers who held Confederate sympathies during the Civil War; the Earps were townsfolk who had Union loyalties), and it may be exacerbated by alcohol, machismo, and fiery accusations from both sides. But the spark that leads to the final conflagration is simpler: Wyatt falls in love with Josie Marcus, Sheriff Johnny Behan's beautiful, self-assured companion. Parker's Wyatt Earp is, like his detective hero Spenser, by turns arrogant and humble, and Earp's firm-jawed struggles with honor, family, and love will feel familiar to fans of that long-running series. But the author has abandoned the series' relatively intricate plotting and its touches of goofy humor. The novel is a curious amalgamation of inexorably linear narrative and moments of static contemplation. It drifts like a tumbleweed through Tombstone, leaving two- and three-month gaps, pausing briefly to dip into moments of conflict and moments of peace. Gunman's Rhapsody is not a big, sprawling western. Hewing firmly to an understated minimalism, it seems at times to have sprung from a collaboration between Hemingway and a Quaker council. Who would have thought that such an unlikely combination could be so rewarding? --Kelly Flynn

The murder of a notorious public figure places Paradise, Massachusetts, police chief Jesse Stone in the harsh glare of the media spotlight. When the body of controversial talk-show host Walton Weeks is discovered hanging from a tree on the outskirts of Paradise, police chief Jesse Stone finds himself at the center of a highly public case, forcing him to deal with small-minded local officials and national media scrutiny. When another dead body — that of a young woman — is discovered just a few days later, the pressure becomes almost unbearable. Two victims in less than a week should provide a host of clues, but all Jesse runs into are dead ends. Yet what may be the most disturbing aspect of these murders is the fact that no one seems to care — not a single one of Weeks’s ex-wives, not the family of the girl. And when the medical examiner reveals a heartbreaking link between the two departed souls, the mystery only deepens. Despite Weeks’s reputation and the girl’s tender age, Jesse is hard-pressed to find legitimate suspects. Though the crimes are perhaps the most gruesome Jesse has ever witnessed, it is the malevolence behind them that makes them all the more frightening. Forced to delve into a world of stormy relationships, Jesse soon comes to realize that knowing whom he can trust is indeed a matter of life and death

April Kyle, the damsel in distress that Spenser rescued in two earlier books, Ceremony (1982) and Taming a Sea Horse (1986), again turns to the iconic Boston PI for help in the 34th entry in Parker's popular series. Cynical yet romantic, Spenser easily handles the immediate threat of some men trying to muscle in on the high-class Boston whorehouse April is running. Unfortunately, that isn't the real problem, and Spenser without much surprise finds that April, the thugs and everyone else involved is lying to him. Instead of walking away, Spenser continues to probe, following trails that lead to New York, a con artist, mob connections and other complications. This is vintage Parker, with Spenser exchanging witty dialogue with the faithful Hawk, sexy dialogue with his beloved Susan and smart-alecky dialogue with cops and villains. The old pros can make it look easy, and that goes for both the author and his hero as they deliver the goods smoothly and with inimitable style

For years, Virgil Cole and Everett Hitch have ridden roughshod over rabble-rousers and gun hands in troubled towns like Appaloosa, Resolution, and Brimstone. Now, newly appointed as Territorial Marshalls, they find themselves traveling by train through the Indian Territories. Their first marshaling duty starts out as a simple mission to escort Mexican prisoners to the border, but when the Governor of Texas, his wife and daughters climb aboard with their bodyguards and $500,000 in tow, their journey suddenly becomes a lot more complicated. The problem is Bloody Bob Brandice. He and Virgil have had it out before, an encounter that left Brandice face-down in the street with two .44 slugs lodged in him. Now, twelve years later on a night train struggling uphill in a thunderstorm, Brandice is back — and he’s not alone. Cole and Hitch find themselves in the midst of a heist with a horde of very bad men, two beautiful young hostages, and a man with a vendetta he’s determined to carry out

Boone Adams met Jennifer Grayle when they were both eighteen and lost her when they were both twenty-two. His life from that point was a steady descent through the circles of American culture until he hit bottom in Los Angeles ten years later. Now he has nothing left but his love for Jennifer, a love that has remained unsullied and still, the eye at the center of his hurricane, his only stay against confusion. It saves him. Slowly, with agonizing effort, he comes back — across the country, across the years, across the despair that nearly destroyed him, sustained only by his determination to get Jennifer back. Love and Glory is a story of love and commitment and regeneration, told in the language of our time and set among the artifacts of recent American culture. In prose that often soars Love and Glory speaks not only of desolation but of possibility. It speaks not only of Boone and Jennifer but of America, and it hints, obliquely, that perhaps we are not merely “boats against the current, borne back ceaselessly into the past”

Boston P.I. Sunny Randall — as conflicted as she is beautiful — helps a troubled young woman locate her birth parents, only to uncover some dark truths of her own. My ex-husband was getting married to a woman I wanted to kill. I didn’t actually know her, and killing her would only make matters worse. But I got as much pleasure out of the idea as I could before I had to let go of it. And so begins Melancholy Baby, the fourth novel in the bestselling series featuring Sunny Randall, who now faces the unthinkable: the marriage of her ex-husband, Richie, to someone else. Despite the formality of divorce, Sunny and Richie’s relationship continued, in its own headstrong way, until his desire for marriage overtook her need for freedom. Now Sunny must try to pull herself together and move on — or around — these emotional roadblocks. When college student Sarah Markham comes asking for help in finding her birth parents, Sunny realizes she must take the case, if only to distract herself from her personal life. Sarah has long felt something was not quite right about her family, and though her father was loving, her relationship with her mother has been chilly at best. Sunny’s initial inquiries have some alarming consequences. The P.I.’s life and work have a curious — and dangerous — way of intersecting: before the investigation has a chance to really take off, two key players are dead, and Sunny is back on a psychiatrist’s couch, probing her own past for clues. What she discovers has the potential to shatter Sarah Markham’s family and destroy her sense of self, while Sunny’s own beliefs are put to the ultimate test. Emotionally complex and rich with insight, Melancholy Baby is the Grand Master at his storytelling best

You’ve seen the headlines. On the court they brawl with opponents, fight with fans, and attack their own coach. Off the court they get drunk, grope women, and, sometimes, get tried for murder. Now these all-star bad boys from the ranks of today’s pro basketball provide easy layup material for the fictional imaginations of our finest contemporary mystery writers. Refereed by prizewinning editor Otto Penzler, this anthology collects fourteen dazzling, original tales of buzzer-beating suspense and postgame mayhem. In “Keller’s Double Dribble,” Lawrence Block tails a clueless hitman with courtside tickets to unplanned bloodshed… Jeffery Deaver’s power guard summons his formidable game instincts to thwart a pack of scammers in “Nothing but Net”… a flagrant foul and a cruel betrayal send a star player crashing in Mike Lupica’s “Mrs. Cash”… George Pelecanos’s “String Music” traces the dangerous escalation of a playground beef… and in “Galahad, Inc.,” by Joan H. Parker and Robert B. Parker, a college prodigy seeks unlikely defensive help against a sorority party sex rap. Other literary slam-dunk tales ask just how hard a former Olympic medalist will fight to get back his old glory… what hustle will win you the dunk-or-die prison matchup… and why the pride of the Knicks will never live to see the playoffs. You’ll find all the answers inside these pages from acclaimed storytellers Sue DeNymme, Brendan DuBois, Parnell Hall, Laurie R. King, Michael Malone, R. D. Rosen, S. J. Rozan, Justin Scott, and Stephen Solomita. There’s the whistle. Here’s the tip-off. Let these great clutch shot-makers put you in the zone

A former L.A. homicide cop with a drinking problem, a broken marriage, and some lost dreams, Stone has just been hired to be police chief of the small Massachusetts town of Paradise. The Paradise power brokers are sure surprised when Stone not only doesn’t look the other way at various goings-on but also starts looking into such matters as money laundering, militia activities, and murder

Called upon by the Hammond Museum and renowned art scholar Dr. Ashton Prince, Spenser accepts his latest case: to provide protection during a ransom exchange — money for a stolen painting. The case becomes personal when Spenser fails to protect his client and is unable to recover the valuable painting. Convinced that Ashton Prince played a bigger role than just ransom delivery boy, Spenser enters into a daring game of cat-and-mouse with the thieves. But this is a game he might not come out of alive... Completed the year before the author passed away, Painted Ladies is Spenser and Robert B. Parker at their electrifying best

A reporter who was prying into the cocaine trade in the central Massachusetts town of Wheaton has been murdered, and Spenser is called in to investigate. When he’s rebuffed by the police and threatened by a Colombian produce dealer who may be the cocaine kingpin, it’s apparent that Wheaton isn’t just another small town, but a major center for the cocaine trade in the Northeast. As Spenser digs deeper for evidence, he meets three women on whom the case seems to turn: Emmy Esteva, the wife of the reputed cocaine kingpin; Juanita Olmos, a young woman who’d been involved with the murdered reporter; and Caroline Rogers, the wife of the Wheaton Police Chief. After another murder is committed and an attempt is made on Spenser’s life, he turns for help to Hawk, whose special skills keep them all alive, and to Susan, whose psychological insights are more and more necessary as the chase moves away from cocaine and appears to hinge more on older and more basic problems — jealousy, passion, and hate. Pale Kings and Princes, the fourteenth Spenser novel, takes us into the cutthroat, multibillion-dollar cocaine business, where drugs are valued above all and human life is frighteningly dispensable

Now Robert B. Parker, author of the Spenser detective novels and foremost interpreter of the Chandler tradition, embarks once again into Chandler territory with an all-new sequel to the 1939 classic The Big Sleep. Set in the sun-drenched streets and on the lush hillsides of Los Angeles, Perchance to Dream takes private eye Philip Marlowe deeper than ever into labyrinths of crime, duplicity, and murder. After the death of General Guy Sternwood, his daughter Vivian sends her psychotic sister, Carmen, to a sanatorium. Carmen’s sudden disappearance from the hospital leads Vivian to turn in desperation to Eddie Mars, a shady underworld club owner. Concerned for what is happening to the family, the Sternwoods’ butler asks Marlowe to find Carmen and fend off Eddie Mars once again. Through it all, Marlowe presses for the truth, a tough, shop-soiled Galahad. In Perchance to Dream, Parker adds a major new work to the Philip Marlowe canon — a novel of high suspense, action, and pure entertainment

MARLOWE IS BACK – IN A CLASSIC THRILLER NO CHANDLER AFICIONADO WILL BE ABLE TO RESIST… When Raymond Chandler died in 1959, he left behind an unfinished Philip Marlowe novel. Now, thirty years later,has become a complete work, thanks to the inspired writing of Robert B Parker, the foremost contemporary exponent of the Chandler style. As the novel opens, Marlowe is married and bored. Naturally enough, he starts up a detective agency, and within hours he has alienated solid citizens, tangled with the cops and been hired by a local gangster to find a gambler who's skipped out on a debt. And this is only the beginning. Before Marlowe brings in his man, he discovers another side of- a dark and dangerous place, where desperation makes men and women lead secret lives – and, if that fails, the only alternative is murder…

The New York Times'"bestselling author's richly imagined work of historical fiction: a powerful tale of the Old West from the acknowledged master of crime fiction. I had an eight-gauge shotgun that I'd taken with me when I left Wells Fargo. It didn't take too long for things to develop. I sat in the tall lookout chair in the back of the saloon with the shotgun in my lap for two peaceful nights. On my third night it was different. I could almost smell trouble beginning to cook . . . .' After the bloody confrontation in Appaloosa, Everett Hitch heads into the afternoon sun and ends up in Resolution, an Old West town so new the dust has yet to settle. It's the kind of town that doesn't have much in the way of commerce, except for a handful of saloons and some houses of ill repute. Hitch takes a job as lookout at Amos Wolfson's Blackfoot Saloon and quickly establishes his position as protector of the ladies who work the backrooms - as well as a man unafraid to stand up to the enforcer sent down from the O'Malley copper mine. Though Hitch makes short work of hired gun Koy Wickman, tensions continue to mount, so that even the self-assured Hitch is relieved by the arrival in town of his friend Virgil Cole. When greedy mine owner Eamon O'Malley threatens the loose coalition of local ranchers and starts buying up Resolution's few businesses, Hitch and Cole find themselves in the middle of a makeshift war between O'Malley's men and the ranchers. In a place where law and order don't exist, Hitch and Cole must make their own, guided by their sense of duty, honor, and friendship

Territorial marshals Virgil Cole and Everett Hitch figured things had finally settled down in Appaloosa when Boston Bill Black’s murder charge was dropped. But all that changed when Augustus Noble Driggs was transferred to a stateside penitentiary just across the border from Mexico. Square-jawed, handsome, and built like a muscled thoroughbred stallion, Driggs manages to intimidate everyone inside the prison walls, including the upstart young warden. In a haunting twist of fate, Driggs and a pack of cold-blooded convicts are suddenly on the loose — and it’s up to any and all territorial lawmen, including Cole and Hitch, to capture the fugitives and rescue the woman kidnapped during their escape. But nothing is ever quite what it seems with the ever-elusive Driggs. Finally free, he’s quickly on his own furious hunt for a hidden cache of gold and jewels — and for the men who betrayed him and left him for dead. With an unlikely and unconventional Yankee detective by their side, Cole and Hitch set off on a massive manhunt. As horses’ hooves thunder and guns echo deadening reports, Driggs discovers one of the lawmen on his trail is none other than a fellow West Point graduate he’d just as soon see dead. Ruthless and willing to leave a bloody path of destruction in his wake, Driggs seeks vengeance at any cost

Robert B. Parker’s iconic and irresistible PI Sunny Randall is back, and the stakes are higher than ever as she races to protect her ex-husband — and his Mafia family — from the vengeful plan of a mysterious rival. Sunny Randall is “on” again with Richie, the ex-husband she never stopped loving and never seemed to be able to let go, despite her discomfort with his Mafia connections. When Richie is shot and nearly killed, Sunny is dragged into the thick of his family’s business as she searches for answers and tries to stave off a mob war. But as the bullets start flying in Boston’s mean streets, Sunny finds herself targeted by the deranged mastermind of the plot against the Burke family, whose motive may be far more personal than she could have anticipated

The woman on the bed was barely out of her teens. She hadn’t been exactly beautiful, but she’d tried to make the most of her looks. Now, defiled and alone in a seedy beachfront motel, she was dead. And Paradise police chief Jesse Stone doesn’t even know her name. Whoever she is, she didn’t deserve to die. State police captain Healy’s resources turn up nothing helpful, and Gino Fish, who knows his way around dark places, is characteristically uncooperative. Unwilling to take no for an answer, Jesse continues digging on his own, only to find himself caught in the crosshairs of a bitter turf war between two ruthless pimps, Thomas Walker and Fat Boy Nelly, a beautiful woman to whom they both lay claim. Jesse tries for a diplomatic solution, but before it’s over, more blood will spill

When two seemingly unconnected mysterious deaths occur on his watch, police chief Jesse Stone must pull out all the stops to unravel the truth and stop a killer from striking again. The small town of Paradise is devastated when a star high-school baseball player is found dead at the bottom of a bluff just a day after winning the team’s biggest game. For Jesse, the loss is doubly difficult — the teen was the nephew of his colleague, Suitcase Simpson, and Jesse had been coaching the young shortstop. As he searches for answers about how the boy died and why, he is stonewalled at every turn, and it seems that someone is determined to keep him from digging further. Jesse suddenly must divide his attention between two cases after the shocking murder of former Paradise police chief, Charlie Farrell. Before his death, Farrell had been looking into a series of scam calls that preyed upon the elderly. But how do these “ghost calls” connect to his murder? When threats — and gunshots — appear on Jesse’s own doorstep, the race to find answers is on. Both old and new enemies come into play, and in the end, Jesse and his team must discover the common factor between the two deaths in order to prevent a third

When a popular high school cheerleader dies of a suspected heroin overdose, it becomes clear that the opioid epidemic has spread even to the idyllic town of Paradise. It will be up to police chief Jesse Stone to unravel the supply chain and unmask the criminals behind it, and the investigation has a clear epicenter: Paradise High School. Home of the town’s best and brightest future leaders and its most vulnerable down-and-out teens, it’s a rich and bottomless market for dealers out of Boston looking to expand into the suburbs. But when it comes to drugs, the very people Jesse is trying to protect are often those with the most to lose. As he digs deeper into the case, he finds himself battling self-interested administrators, reluctant teachers, distrustful schoolkids, and overprotective parents... and at the end of the line are the true bad guys, the ones with a lucrative business they’d kill to protect

Jesse Stone, still reeling from the murder of his fiancée by crazed assassin, must keep his emotions in check long enough to get through the wedding day of his loyal protégé, Luther “Suitcase” Simpson. The morning of the wedding, Jesse learns that a gala seventy-fifth birthday party is to be held for folk singer Terry Jester, has spent the last forty years in seclusion after the mysterious disappearance of his magnum opus, The Hangman’s Sonnet. That same morning, an elderly Paradise woman dies while her house is being ransacked. What are the thieves looking for? And what’s the connection to Terry Jester and the missing tape? Jesse’s investigation is hampered by hostile politicians and a growing trail of blood and bodies, forcing him to solicit the help of mobster Vinnie Morris and a certain Boston area PI named Spenser. While the town fathers pressure him to avoid a PR nightmare, Jesse must connect the cases before the bodies pile up further

A hurricane hinders a kidnapping and Spenser goes on a search for the man responsible – the infamous Gray Man, who has both helped and hunted Spenser in the past. Heidi Bradshaw is wealthy, beautiful, and well connected – and she needs Spenser's help. In a most unlikely request, Heidi, a notorious gold digger recently separated from her latest husband, recruits the Boston P.I. to accompany her to her private island, Tashtego. The reason? To attend her daughter's wedding as a sort of stand-in husband and protector. Spenser consents, but only after it is established that his beloved Susan Silverman will also be in attendance. It should be a straightforward job for Spenser: show up for appearances, have some drinks, and spend some quality time with Susan. But when Spenser's old nemesis Rugar – the Gray Man – arrives, Spenser realizes that something is amiss. A storm, a kidnapping, and murder tear apart what should be a joyous occasion, and Rugar is seemingly at the center of it all. The only thing is that the sloppy kidnapping is not Rugar's style – as Spenser knows from past encounters. With six dead bodies and more questions than he can process, Spenser begins a search for answers – and the Gray Man. With its razor-sharp dialogue, crisply etched characters, and high-wire narrative tension, Rough Weather once again proves that 'Robert B. Parker is a force of nature

THE LAST SPENSER NOVEL COMPLETED BY ROBERT B. PARKER　 With Sixkill, the thirty-ninth novel in the venerable, bestselling Spenser series, the Boston P.I. meets Zebulon Sixkill, a young man whose lack of discipline is more than made up for by his quick way with a gun. Though this is the last Spenser novel Parker completed, readers will rejoice to find the tough-but-tender gumshoe at his roguish, crime-stopping best. On location in Boston, bad-boy actor Jumbo Nelson is accused of the rape and murder of a young woman. From the start the case seems fishy, so the Boston PD calls on Spenser to investigate. The situation doesn't look good for Jumbo, whose appetites for food, booze, and sex are as outsized as his name. He was the studio's biggest star, but he's become their biggest liability. In the course of the investigation, Spenser encounters Jumbo's bodyguard: a young, former football-playing Native American named Zebulon Sixkill. Sixkill acts tough, but Spenser sees something more within the young man. Despite the odd circumstances, the two forge an unlikely alliance, with Spenser serving as mentor for Sixkill. As the case grows darker and secrets about both Jumbo and the dead girl come to light, it's Spenser — with Sixkill at his side — who must put things right

Spenser dies — and lives to tell the tale — in Robert B. Parker’s stunning new bestseller. “Spenser proves himself once more a modern-day knight in shining armor,” cheered Publishers Weekly of Robert B. Parker’s most recent New York Times bestseller, Chance. And, said The New York Times Book Review, “Parker’s stouthearted hero proves that he is still as tough and manly as they come, and more principled than ever." With Small Vices, Parker adds another masterpiece to the private-eye canon, a novel that is both galvanizing action-suspense and a complex meditation on morality and mortality, as Spenser’s very future hangs in the balance. Ellis Alves is a bad kid from the ’hood with a long, long record, but did he really murder Melissa Henderson, a white coed from ritzy Pemberton College? Alves’s former lawyers think he was framed, and they hire Spenser to uncover the truth. As he and longtime associate Hawk race front the back streets of Boston to Manhattan’s most elegant avenues, Spenser gets a postgraduate course in the seamy side of life — an ethical no-man’s-land where twisted cops and spoiled rich kids with peculiar private proclivities are just the tip of the iceberg. The stakes abruptly shift from corruption to catastrophe when a master assassin’s bullets take Spenser down. He survives the attack — barely — but must play dead to the world, while recovering his strength hiding in secret. Only then can he see justice done — and let the shooter know that it’s payback time. Wonderfully wry and powerfully affecting, Small Vices is a splendid showcase for Robert B. Parker’s prodigious talents

Family ties prove deadly in the brilliant new Jesse Stone novel from New York Times-bestselling author Robert B. Parker. The body in the trunk was just the beginning. Turns out the stiff was a foot soldier for local tough guy Reggie Galen, now enjoying a comfortable "retirement" with his beautiful wife, Rebecca, in the nicest part of Paradise. Living next door are Knocko Moynihan and his wife, Robbie, who also happens to be Rebecca's twin. But what initially appears to be a low-level mob hit takes on new meaning when a high-ranking crime figure is found dead on Paradise Beach. Stressed by the case, his failed relationship with his ex-wife, and his ongoing battle with the bottle, Jesse needs something to keep him from spinning out of control. When private investigator Sunny Randall comes into town on a case, she asks for Jesse's help. As their professional and personal relationships become intertwined, both Jesse and Sunny realize that they have much in common with both their victims and their suspects-and with each other

Bestselling novelist James Ellroy introduces this year’s collection of the finest mystery writing. Many of the contributors herein are novelists themselves, displaying their talents in short story form: Michael Connelly tells a fatal tale of revenge in “Two-Bagger.” In Joe Gores’s “Inscrutable,” the Feds beat the Mafia at their own game. Stuart Kaminsky demonstrates how horribly wrong things go when a robber gets cocky in “Sometimes Something Goes Wrong.” And Robert B. Parker shows just how important Jackie Robinson’s fans can be in “Harlem Nocturne.” Also featured are veterans of the short story form and favorites of this series. Brendan DuBois’s “A Family Game” introduces a former Mafia family trying to lead a normal life in the Witness Protection Program. Joyce Carol Oates tells a chilling tale of a crush taken too far in “The High School Sweetheart.” A tenant sneaks into the murder crime scene next door in Michael Downs’s “Man Kills Wife, Two Dogs.” Readers will be captivated by all the stories herein, whether by famed novelists or masters of the short story

When a shy high school student's body is found washed up on the shore of a quiet New England beach town - an alleged suicide linked to steroids - fifteen-year-old boxer-in-training Terry Novak isn't quite sure what to think. Something just doesn't add up. Artsy and withdrawn, Jason wasn't exactly the type to be doing ’roids. So Terry, with the help of his friend, Abby decides to do some investigating of his own. It doesn't take long, though, before they learn that asking questions puts them in grave danger and that survival is going to be a fight. Fortunately, Terry has learned a thing or two about fighting. Robert B. Parker, New York Times bestselling author of the Spenser novels, packs a punch with this taut, empowering mystery for young readers

Territorial Marshals Virgil Cole and Everett Hitch are back in Appaloosa, where their work enforcing the law has been exceptionally quiet. All that is about to change. An ominous storm rolls in, and along with it a band of night riders with a devious scheme, who show up at the Rio Blanco camp, where a three-hundred-foot bridge is under construction. Appaloosa’s Sheriff Sledge Driskill and his deputies are the first to respond, but as the storm grows more threatening, news of troubles at the bridge escalate and the Sheriff and his deputies go missing. Virgil and Everett saddle up to sort things out but before they do the hard drinking, Beauregard Beauchamp arrives in Appaloosa with his Theatrical Extravaganza troupe and the promise of the best in lively entertainment west of the Mississippi. With the troupe comes a lovely and mysterious fortune-teller who is set on saving Everett from imminent but indefinable danger. The trouble at the bridge, the missing lawmen, the new arrivals, and Everett’s shoot-out in front of Hal’s Cafe aren’t the only things on Cole and Hitch’s plate as a gang of unsavory soldiers ease into town with a shady alibi, shadier intentions, and a soon-to-be-discovered wake of destruction. As clouds over Appaloosa continue to gather, things get much worse for Cole and Hitch

"Robert B. Parker has taken his place beside Dashiell Hammett, Raymond Chandler, and Ross MacDonald".-The Boston Globe. *** This is the first Spenser book. Spenser is hired by a local university to recover a rare stolen manuscript and along the way gets embroiled with campus politics and murder

This is the fifth of Parker’s novels about private-eye Spenser, whom the New York Times Book Review calls “the next best thing to Rex Stout’s Archie Goodwin,” and Parker fans will be glad to know it is definitely not the last. In this fast-paced tale Spenser is hired by a millionaire industrialist to get the terrorists, alive or dead, who bombed a London restaurant, killing his wife and daughters and crippling him. The chase starts in London where Spenser quickly realizes that he will need the help of his old friend Hawk, the engagingly cool black of doubtful reputation who was his adversary but savior in Promised Land. It is Spenser (and Parker)at his stylish best in a pursuit that leads to Copenhagen, Amsterdam, and eventually to the Olympic Games at Montreal and a violently satisfying climax. As with Parker’s earlier books, the crackling dialogue and careful characterization add a crucially important dimension to the genre

An anthology of stories The most venerated and bestselling authors in the mystery world reveal how they created their most beloved serial characters

A knock on Spenser's office door can only mean one thing: a new case. This time the visitor is a local lawyer with an interesting story. Elizabeth Shaw specializes in wills and trusts at the Boston law firm of Shaw Cartwright, and over the years she's developed a friendship with wives of very wealthy men. However, these rich wives have a mutual secret: they've all had an affair with a man named Gary Eisenhower – and now he's blackmailing them for money. Shaw hires Spenser to make Eisenhower 'cease and desist,' so to speak, but when women start turning up dead, Spenser's assignment goes from blackmail to murder. As matters become more complicated, Spenser's longtime love, Susan, begins offering some input by analyzing Eisenhower's behavior patterns in hopes of opening up a new avenue of investigation. It seems that not all of Gary's women are rich. So if he's not using them for blackmail, then what is his purpose? Spenser switches tactics to focus on the husbands, only to find that innocence and guilt may be two sides of the same coin. With its eloquently spare prose and some of the best supporting characters to grace the printed page, The Professional is further proof that '[t]here's hardly an author in the crime novel business like Parker' (Pittsburgh Post-Gazette)

Hired as security man for Alexander's election campaign, Spenser checks out blackmail concerning the politician's wife. Aided by sidekick Hawk, and surrogate son Paul Giacomin, he is sucked into political ambition, corruption, violence, and the truth about his relationship with Susan Silverman

This is a love story. It is true. It has a happy ending. It is a story about a man and a woman, about breast cancer and mastectomy and recovery. It is about courage and self control, about unity, about compassion, about Joan Parker and her husband and their sons. It is about family and triumph and pervading tenderness. It is about love. In Three Weeks in Spring, the Parkers tell us, with a novelist’s skill, the way it was in April when Joan got sick. The way the fear escalated, the way they had to control it, and keep it in, and fight it off. Was it cancer? Would it spread? Would she die? Three Weeks in Spring speaks of pain, and fear. But it speaks ultimately about strength and the power of love. It is a book filled with humor and with an unbreakable will to laugh. The good guys win in this book. And to follow the Parkers through fear and laughter and growing elation during three weeks in a recent spring is to share in the victory

Following on the heels of the bestselling Night Passage, Jesse Stone returns in a breathtaking novel of death and deception. Stiles Island is a wealthy and exclusive enclave separated by a bridge from the Massachusetts coast town of Paradise. James Macklin sees the island as the ultimate investment opportunity: all he needs to do is invade it, blow the bridge, and loot the island. To realize his scheme, Macklin, along with his devoted girlfriend, Faye, assembles a crew of fellow ex-cons — all experts in their fields — including Wilson Cromartie, a fearsome Apache. Macklin is a bad man, a very bad man. And Cromartie, known as Crow, is even worse. As Macklin plans his crime, Paradise police chief Jesse Stone has his hands full. He faces romantic entanglements in triplicate: his ex-wife, Jenn, is in the Paradise jail for assault, he’s begun a new relationship with a Stiles Island realtor named Marcy Campbell, and he’s still sorting out his feelings for attorney Abby Taylor. When Macklin’s attack on Stiles Island is set in motion, both Marcy and Abby are put in jeopardy. As the casualties mount, it’s up to Jesse to keep both women from harm

At 46, Aaron Newman was enjoying the good things in life – a good marriage, a good job – and he was in good shape himself. Then he saw the murder. A petty vicious killing that was to plunge him into an insane jungle of raw violence and fear, threatening and defiling the things he cared about

Жестоко убит журналист, собиравший материал о наркомафии. Частный детектив Спенсер отправляется в небольшой городишко Уитон, чтобы выяснить, кто убил журналиста и `большого любителя женщин` — наркоторговцы или ревнивый муж?

Не спускай глаз с толпы, ибо в ней может скрываться убийца. Телохранитель все время обязан быть начеку. Ведь один неверный шаг – и твой подзащитный мертв. И куда сложнее охранять человека, который совсем не желает твоей опеки

Той се казва Спенсър и е частен детектив в Бостън. Живее с дългогодишната си приятелка Сюзан и често разчита на помощта й в своите разследвания. Той е зрял, опитен и чаровен, тя е умна, забавна и красива. И се занимава с психоанализа. Когато Уолтър Клайв, собственик на ферма за расови коне, наема Спенсър да открие кой стреля по струващите милиони долари жребци, частното ченге с поизтънял портфейл заминава за Джорджия, без да подозира, че случаят ще вземе неочакван обрат. Трите дъщери на Клайв не са очаровани от присъствието на Спенсър, а шефът на охраната във фермата направо отказва да му съдейства. Местният шериф очаква пасивно следващия удар. Този път жертвата е самият Клайв. Но сякаш никой не желае Спенсър да разследва убийството

Казалось бы, что может быть проще, чем найти сбежавшую жену. Для частного детектива Спенсера — это мелкое заурядное дело. Даже он не мог предположить, что ситуация осложнится, поскольку в игре замешаны крупные деньги, высокопоставленные персоны и... кровь, пролитая на землю обетованную

Сильные мира сего сами себе творят законы и сами же их нарушают. Однако ничто не вечно, и существует определенная грань, за которую заходить нельзя. Ибо некоторых людей обижать крайне опасно

„В най-добрата си форма, Робърт Паркър звучи повече като Чандлър от самия Чандлър…“ — писаха рецензентите от „Ню Йорк Таймс“, отбелязвайки успеха на „Пудъл Спрингс“ — бестселъра на Реймънд Чандлър, завършен от Робърт Паркър. Паркър е роден през 1932 г. Той е доктор на философските науки в Бостънския университет. Професор е по английски език в Североизточния университет, Масачузетс, САЩ. Чете лекции по американска литература и е написал няколко учебника, един от които е „Личната отговорност към литературата“. Издал е множество романи с главен герой частния бостънски детектив Спенсър. Сред тях са най-продаваните трилъри: „Белият орел“, „Звезден прах“ и „Партньори в играта“. „Белият орел“ е бил девет седмици в листата на бестселърите на „Ню Йорк Таймс“. Робърт Паркър живее в Бостън с жена си Джоан

Когато сексапилната Ейприл Кайл изневиделица се появява в офиса на детектив Спенсър, той веднага разпознава в нея своя бивша клиентка. Красивата блондинка, която преди години е ползвала услугите на Спенсър, за да избяга от подземния свят на Бостън, вече е зряла жена и управлява процъфтяващ публичен дом. Тя е принудена отново да потърси помощта на чаровния бостънски детектив, когато разбира, че неизвестна групировка е на път да открадне бизнеса й. Самата Ейприл твърди, че не познава врага си, но опитният Спенсър скоро разбира, че в нейната история има нещо гнило. Като че ли Ейприл не е толкова невинна, колкото изглежда и може да навреди на себе си повече от всеки друг. Източник: http://book.store.bg/c/p-p/m-425/id-19455/momiche-za-sto-dolara-robyrt-parkyr.html

Опасная дичь, но и приманка тоже `кусается`. Частный детектив Спенсер берется, казалось бы, за невыполнимое задание — найти и обезвредить опаснейшую террористическую организацию. Которая не считается ни с кем и ни с чем. Но чтобы выманить хищника из логова, Спенсеру приходится предложить ему живца. То есть себя

Спенсър има клиент, който сериозно е загазил. Съпругата на Харви Шепърд е изчезнала. Но той е загубил и една хубава сума от четвърт милион долара, вложени в недвижим имот. Капанът е заложен. Кредитор изпраща за разправа с длъжника един от най-печените наемни биячи, известни в Бостън. Отседнал на плажа край Кейп Код, Спенсър открива липсващата съпруга, но тя се оказва замесена в убийство. В това време, хванатият в капан съпруг има срок от 24 часа — или да се разплати, или да си поръча ковчег… И Спенсър се оказва така дълбоко хлътнал в цялата тази история, че единственият изход от нея е да заложи на един план, който е толкова рискован, че смъртта изглежда неизбежна… Робърт Б. Паркър е роден през 1932 г. Той е професор по английски език в Североизточния университет в Масачузетс, САЩ, където води курсове по американска литература. Написал е редица научни книги, между които „Личната отговорност към литературата“. Първият роман за Спенсър от Робърт Б. Паркър, „Ръкописът на Годулф“, е отпечатан през 1974 г. Оттогава насам излизат още десетки други. „Обетована земя“ печели през 1976 г. наградата „Едгар Алън По“ за най-добра криминална литература в САЩ. Робърт Б. Паркър живее в Кембридж, Масачузетс, със своята жена Джоан. Той е страстен спортист. Влюбен е в тичането и кануто