Journey to the West is a classic Chinese mythological novel. It was written during the Ming Dynasty based on traditional folktales. Consisting of 100 chapters, this fantasy relates the adventures of a Tang Dynasty (618-907) priest Sanzang and his three disciples, Monkey, Pig and Friar Sand, as they travel west in search of Buddhist Sutra. The first seven chapters recount the birth of the Monkey King and his rebellion against Heaven. Then in chapters eight to twelve, we learn how Sanzang was born and why he is searching for the scriptures, as well as his preparations for the journey. The rest of the story describes how they vanquish demons and monsters, tramp over the Fiery Mountain, cross the Milky Way, and after overcoming many dangers, finally arrive at their destination – the Thunder Monastery in the Western Heaven – and find the Sutra. *** 《西遊記》是中國明代長篇神話小說，古代白話写成。全書20卷100回。吳承恩根據歷代民間傳說，對傳統題 材加以改造。故事取材於唐朝玄奘法師赴西域取經的真實事件，借鑑了大量古代神話和民間傳說，加上作者的大膽創造和想像，塑造了孫悟空、豬八戒、唐僧、沙僧 等個性鮮明的人物形象。《西遊記》的故事曾多次被移植到後世的戲曲、電影、小說、电玩游戏中，在日本等其他亞洲國家也出現了以孫悟空為主角的各類作品。

Journey To the West was written by Wu Chen-en, and is considered to be one of the four great classic novels written during the Ming Dynasty (c. 1500-1582). Wu Chen-en was an elder statesman who witnessed a lot in his life, both good and bad, yet ultimately came away with great faith in human nature to face hardships and survive with good humor and compassion. The story has many layers of meaning and may be read on many different levels such as; a quest and an adventure, a fantasy, a personal search (on the Monkey’s part) for self-cultivation, or a political/social satire. The story is a pseudo-historical account of a monk (Xuanzang) who went to India in the 7th century to seek Buddhist scriptures to bring back to China. The principle story consists of eighty-one calamities suffered by (Monkey) and his guardians (Tripitaka and Sandy, who are monks, and Pigsy, a pig)

Journey To the West was written by Wu Chen-en, and is considered to be one of the four great classic novels written during the Ming Dynasty (c. 1500-1582). Wu Chen-en was an elder statesman who witnessed a lot in his life, both good and bad, yet ultimately came away with great faith in human nature to face hardships and survive with good humor and compassion. The story has many layers of meaning and may be read on many different levels such as; a quest and an adventure, a fantasy, a personal search (on the Monkey’s part) for self-cultivation, or a political/social satire. The story is a pseudo-historical account of a monk (Xuanzang) who went to India in the 7th century to seek Buddhist scriptures to bring back to China. The principle story consists of eighty-one calamities suffered by (Monkey) and his guardians (Tripitaka and Sandy, who are monks, and Pigsy, a pig)

Journey To the West was written by Wu Chen-en, and is considered to be one of the four great classic novels written during the Ming Dynasty (c. 1500-1582). Wu Chen-en was an elder statesman who witnessed a lot in his life, both good and bad, yet ultimately came away with great faith in human nature to face hardships and survive with good humor and compassion. The story has many layers of meaning and may be read on many different levels such as; a quest and an adventure, a fantasy, a personal search (on the Monkey’s part) for self-cultivation, or a political/social satire. The story is a pseudo-historical account of a monk (Xuanzang) who went to India in the 7th century to seek Buddhist scriptures to bring back to China. The principle story consists of eighty-one calamities suffered by (Monkey) and his guardians (Tripitaka and Sandy, who are monks, and Pigsy, a pig)

Three Kingdoms is a classic historical novel. It was also the first Chinese novel with each chapter headed by a couplet giving the gist of the content. It describes the power struggles among the kingdoms of Wei, Shu and Wu, headed by Cao Cao, Liu Bei and Sun Quan, respectively, in the period known to Chinese history as that of the Three Kingdoms (220 – 280). It highlights the sharp and complicated political and military conflicts of that time, and had a far-reaching influence on the political and military strategies of later ages. The novel vividly portrays the individuality of the historical characters, including Cao Cao, Liu Bei, Guan Yu and Zhang Fei. Besides being a work of epic grandeur, its literary merit has had a great impact on China 's literature and art, and social life as well. Three Kingdoms was first published in the period which saw the demise of the Yuan Dynasty and the rise of the Ming Dynasty. Many stories about the three kingdoms had circulated among the people before the appearance of the book. Many editions of Three Kingdoms have appeared, and the novel has been translated into foreign languages since the end of the 17th century. This English edition, by US sinologist Moss Roberts, is based on the Mao Zonggang edition published during the reign of Emperor Kangxi of the Qing Dynasty (1644 – 1911)

Three Kingdoms is a classic historical novel. It was also the first Chinese novel with each chapter headed by a couplet giving the gist of the content. It describes the power struggles among the kingdoms of Wei, Shu and Wu, headed by Cao Cao, Liu Bei and Sun Quan, respectively, in the period known to Chinese history as that of the Three Kingdoms (220 – 280). It highlights the sharp and complicated political and military conflicts of that time, and had a far-reaching influence on the political and military strategies of later ages. The novel vividly portrays the individuality of the historical characters, including Cao Cao, Liu Bei, Guan Yu and Zhang Fei. Besides being a work of epic grandeur, its literary merit has had a great impact on China 's literature and art, and social life as well. Three Kingdoms was first published in the period which saw the demise of the Yuan Dynasty and the rise of the Ming Dynasty. Many stories about the three kingdoms had circulated among the people before the appearance of the book. Many editions of Three Kingdoms have appeared, and the novel has been translated into foreign languages since the end of the 17th century. This English edition, by US sinologist Moss Roberts, is based on the Mao Zonggang edition published during the reign of Emperor Kangxi of the Qing Dynasty (1644 – 1911)