From Kirkus Reviews Second tense, tightly wound tangle of a case for Hieronymous Bosch (The Black Echo, 1991). This time out, the LAPD homicide cop, who's been exiled to Hollywood Division for his bumptious behavior, sniffs out the bloody trail of the designer drug ``black ice.'' Connelly (who covers crime for the Los Angeles Times) again flexes his knowledge of cop ways-and of cop-novel clich‚s. Cast from the hoary mold of the maverick cop, Bosch pushes his way onto the story's core case-the apparent suicide of a narc-despite warnings by top brass to lay off. Meanwhile, Bosch's boss, a prototypical pencil-pushing bureaucrat hoping to close out a majority of Hollywood 's murder cases by New Year's Day, a week hence, assigns the detective a pile of open cases belonging to a useless drunk, Lou Porter. One of the cases, the slaying of an unidentified Hispanic, seems to tie in to the death of the narc, which Bosch begins to read as murder stemming from the narc's dirty involvement in black ice. When Porter is murdered shortly after Bosch speaks to him, and then the detective's love affair with an ambitious pathologist crashes, Bosch decides to head for Mexico, where clues to all three murders point. There, the well-oiled, ten- gear narrative really picks up speed as Bosch duels with corrupt cops; attends the bullfights; breaks into a fly-breeding lab that's the distribution center for Mexico's black-ice kingpin; and takes part in a raid on the kingpin's ranch that concludes with Bosch waving his jacket like a matador's cape at a killer bull on the rampage. But the kingpin escapes, leading to a not wholly unexpected twist-and to a touching assignation with the dead narc's widow. Expertly told, and involving enough-but lacking the sheer artistry and heart-clutching thrills of, say, David Lindsay's comparable Stuart Haydon series (Body of Evidence, etc.)

The corpse in the hotel room appears to be that of a missing LAPD narcotics officer. Rumours abound that he had crossed selling a new drug called Black Ice from Mexico and the LAPD brass are quick to declare his death aside. But Harry Bosch isn't so sure; prompted by odd, inexplicable details from the crime scene, and attraction to the widow, he begins his own investigation. An investigation that takes him over the border to Mexico and into a dangerous labyrinth of shifting identities and deadly corruption

When maverick LAPD Harry Bosch shot and killed Norman Church, the police were convinced it marked the end of the search for the Dollmaker, one of the city's most bizarre serial killers. But now, Church's widow is accusing Bosch of killing the wrong man, and to make things worse, Bosch has just received a taunting message apparently from the Dollmaker

Harry's life is a mess. His new house has been condemned because of earthquake damage. His girlfriend has left him. He's drinking too much. And he's even had to turn in his badge: he attacked his commanding officer and is suspended indefinitely pending a psychiatric evaluation. At first Bosch resists the LAPD shrink, but finally he recognizes that something is troubling him, a force that may have shaped his entire life. In 1961, when Harry was twelve, his mother was brutally murdered. No one was ever even accused of the crime. Harry opens up the decades-old file on the case and is irresistibly drawn into a past he has always avoided. It's clear that the case was fumbled. His mother was a prostitute, and even thirty years later the smell of a coverup is unmistakable. Someone powerful was able to keep the investigating officers away from key suspects. Even as he confronts his own shame about his mother, Harry relentlessly follows up the old evidence, seeking justice or at least understanding. Out of the broken pieces of the case he discerns a trail that leads upward, toward prominent people who lead public lives high in the Hollywood hills. And as he nears his answer, Harry finds that ancient passions don't die. They cause new murders even today. The Last Coyote is that rarest of novels, a moral thriller, a breakneck-paced tale that opens up the heart's most secret wounds. No one who reads it will remain unchanged or forget the passion of Harry Bosch. Before he can get back on the beat, Harry has to convince the LAPD psychiatrist-and more importantly, himself-that he's emotionally up to it

A corpse from a Mafia hit left in the boot of his own car – commonly known as 'trunk music'. Detective Hieronymous Bosch investigates – his first case since returning to homicide Division. Tony Aliso (deceased) was a minor film producer churning out straight-to-video soft porn and making more money than he should out of it. Harry suspects that one of the Mob realised how much Tony was skimming off the top in the laundering service he provided. The investigation takes Hieronymous (AKA Harry) to Las Vegas and face-to-face with an ex-lover

Detective Hieryonymus 'Harry' Bosch finds himself yet again in charge of a case that no one else will touch. This time his job is to nail the killer of hot shot black lawyer Howard Elias. Elias has been found murdered on the eve of going to court on behalf of Michael Harris: a man the LAPD believes guilty of the rape and murder of a 12 year old girl. Elias had let it be known that the aim of his civil case was not only to reveal the real kiler but to target and bring down the racist cops who beat up his client during a violent interrogation. Bosch is going to have to take a long hard look at some of his colleagues in a post Rodney King Los Angeles Police Department that is rife with suspicion and racial hatred

Terry McCaleb's enforced quiet lifestyle on the island of Catalina is a far cry from the hectic excitement of his former role as homicide detective in L.A. However, when a small time criminal is found dead McCaleb is persuaded to profile the killer. Six years ago the victim had been arrested by Harry Bosch for murder but was later released uncharged. In doing what he does best, reviewing the crime scene tapes and investigative records, McCaleb picks up a clue the sheriffs missed, and discovers that the killer left a message at the crime scene – a message that seems to implicate Detective Harry Bosch… 'A brilliant piece of writing that wrings every bit of emotion from the contrast between the two detectives' Daily Telegraph

Death and nostalgia. Isn’t that what the holidays mean to you?

When the bones of a 12-year-old boy are found scattered in the Hollywood Hills, Harry Bosch is drawn into a case that brings up the darkest memories from his own haunted past. The bones have been buried for years, but the cold case doesn't deter Bosch. Unearthing hidden stories, he finds the child's identity and reconstructs his fractured life, determined that he not be forgotten. At the same time, a new love affair with a female cop begins to blossom for Bosch-until a stunningly blown mission leaves Bosch in more personal and professional trouble than ever before in his turbulent career. The investigation races to a shocking conclusion, leaving Bosch on the brink of an unimaginable decision-one that will leave readers breathless and hungry for Michael Connelly's next masterpiece

Reviewers and readers agree that Michael Connelly is writing at the top of his game, giving us crime fiction of the dark side of Los Angeles and reinventing the form with every book he writes. At the end of CITY OF BONES Bosch quit the LAPD, but he's back in a new role, one that will give him more freedom to pursue the cases that compel him. When he left the LAPD Bosch took a file with him the case of a film production assistant murdered four years earlier during a USD 2 million robbery on a movie set. The LAPD now operating under post 9/11 rules think the stolen money was used to finance a terrorist training camp. Thoughts of the original murder victim are lost in the federal zeal, and when it seems the killer will be set free to aid the feds' terrorist hunt, Bosch quickly runs afoul of both his old colleagues and the FBI

From Publishers Weekly There's a gravitas to the mystery/thrillers of Michael Connelly, a bedrock commitment to the value of human life and the need for law enforcement pros to defend that value, that sets his work apart and above that of many of his contemporaries. That gravitas is in full force in Connelly's newest, and as nearly always in the work of this talented writer, it supports a dynamite plot, fully flowered characters and a meticulous attention to the details of investigative procedure.There are also some nifty hooks to this new Connelly: it features his most popular series character, retired L.A. homicide cop Harry Bosch, but it's also a sequel to his first stand-alone, The Poet (1996), and is only his second novel (along with The Poet) to be written in both first and third person. The first-person sections are narrated by Bosch, who agrees as a favor to the widow to investigate the death of Bosch's erstwhile colleague and friend Terry McCaleb (of Blood Work and A Darkness More Than Night). Bosch's digging brings him into contact with Rachel Walling, the FBI agent heroine of The Poet, and the third-person narrative concerns mostly her. Though generally presumed dead, the Poet-the serial killer who was a highly placed Fed and Walling's mentor-is alive and killing anew, with, we soon learn, McCaleb among his victims and his sights now set on Walling. The story shuttles between Bosch's California and the Nevada desert, where the Poet has buried his victims to lure Walling. The suspense is steady throughout but, until a breathtaking climactic chase, arises more from Bosch and Walling's patient and inspired following of clues and dealing with bureaucratic obstacles than from slash-and-dash: an unusually intelligent approach to generating thrills. Connelly is a master and this novel is yet another of his masterpieces

The Closers puts Harry Bosch back in the Los Angelese Police Department, where he was meant to be, and sets him to solving old cases, which is what he always did best, alongside Kiz Rider, who was always the best of the partners fate, and Connolly, gave him. They are working on the death of a bi-racial teenager back in the 1980s, abducted from her bedroom and shot dead. The racial tensions of the time are clearly a factor – the DNA of a known racist is trapped in blood on the gun – but in a Michael Connolly novel, things are never as simple as they seem. And Bosch finds, not to his especial surprise, that he has been asked back into the LAPD as someone's weapon in the dance of departmental politics. The death of Backy Verloren was a tragedy – the investigation of her murder was a series of mistakes that left her father an alcoholic mess and her mother an obsessive trapped in the past, and someone profited by their misery. Connolly is always at his best when Harry is caught up in the problems of other people, rather than his own, and this excellent, twisty police procedural is a snappy return to form

Detective Harry Bosch reopens one of his own unsolved cases and comes face to face with a psychotic killer he has been seeking for years. A thrilling new novel by the author of the #1 bestseller The Lincoln Lawyer. In 1995 Marie Gesto disappeared after walking out of a supermarket. Harry Bosch worked the case but couldn't crack it, and the 22-year-old woman was never found. Now Bosch is in the Open-Unsolved Unit, where he still keeps the Gesto file on his desk, when the DA calls. A man accused of two heinous killings is willing to come clean about several others, including the murder of Marie Gesto. Bosch must now take the confession of the man he has sought-and hated-for eleven years. But when Bosch learns that he and his partner missed a clue back in 1995 that could have led them to Gesto's killer-and stopped nine murders that followed-his whole being as a cop begins to crack. Michael Connelly's enthralling new novel pits the detective People magazine calls "one of the most complex crime fighters around" against one of the most sadistic killers he has ever confronted. It confirms that Michael Connelly "is the best writer of suspense fiction working today"

In his first case since he left the LAPD’s Open Unsolved Unit for the prestigious Homicide Special squad, Harry Bosch is called out to investigate a murder that may have chilling consequences for national security. A doctor with access to a dangerous radioactive substance is found murdered in the trunk of his car. Retracing his steps, Harry learns that a large quantity of radioactive cesium was stolen shortly before the doctor’s death. With the cesium in unknown hands, Harry fears the murder could be part of a terrorist plot to poison a major American city. Soon, Bosch is in a race against time, not only against the culprits, but also against the Department of Homeland Security and the FBI (in the form of Harry’s one-time lover Rachel Walling), who are convinced that this case is too important for the likes of the LAPD. It is Bosch’s job to prove all of them wrong

Harry Bosch is assigned a homicide call in South L.A. that takes him to Fortune Liquors, where the Chinese owner has been shot to death behind the counter in an apparent robbery. Joined by members of the department's Asian Crime Unit, Bosch relentlessly investigates the killing and soon identifies a suspect, a Los Angeles member of a Hong Kong triad. But before Harry can close in, he gets the word that his young daughter Maddie, who lives in Hong Kong with her mother, is missing. Bosch drops everything to journey across the Pacific to find his daughter. Could her disappearance and the case be connected? With the stakes of the investigation so high and so personal, Bosch is up against the clock in a new city, where nothing is at it seems

Three Harry Bosch Short Stories In CHRISTMAS EVEN, the case of a burglar killed in mid-heist leads Bosch to retrace a link to his past. In FATHER'S DAY, Bosch investigates a young boy's seemingly accidental death and confronts his own fears as a father. In ANGLE OF INVESTIGATION, Bosch delves into one of the first homicides he ever worked back as a uniformed rookie patrolman, a case that was left unsolved for decades. Together, these gripping stories span Bosch's controversial career at the LAPD and show the evolution of the haunted, legendary investigator he would become

Two women have gone missing, and LAPD Detective Harry Bosch has a strong suspicion that an avid fisherman named Denninger is the culprit. Bosch needs something stronger than a suspicion to bring Denninger in, but all he has are a handful of photos — prior mug shots and pictures of Denninger posing with his prize fish. It’s not much to go on, and Bosch is running out of time, which is why he calls in FBI agent Rachel Walling. What she sees in these photos could blow his case wide open. The story was first published in the 2010 anthology Hook, Line & Sinister

LAPD Detective Harry Bosch as we've never seen him before, in three never-before-collected stories. In "Suicide Run," the apparent suicide of a beautiful young starlet turns out to be much more sinister than it seems. In "Cielo Azul," Bosch is haunted by a long-ago closed case – the murder of a teenage girl who was never identified. As her killer sits on death row, Bosch tries one last time to get the answers he has sought for years. In "One Dollar Jackpot," Bosch works the murder of a professional poker player whose skills have made her more than one enemy. Whether investigating a cold case or fresh blood, Bosch relentlessly pursues his quarry, always on the lookout for the "tell." In this first collection of Harry Bosch stories, Michael Connelly once again demonstrates that he is the master of "fast-paced, brilliantly plotted crime fiction… Harry Bosch is back on the case, and not a moment too soon" (Chicago Sun Times)

Harry Bosch has been given three years before he must retire from the LAPD, and he wants cases more fiercely than ever. In one morning, he gets two. DNA from a 1989 rape and murder matches a 29-year-old convicted rapist. Was he an eight-year-old killer or has something gone terribly wrong in the new Regional Crime Lab? The latter possibility could compromise all of the lab's DNA cases currently in court. Then Bosch and his partner are called to a death scene fraught with internal politics. Councilman Irvin Irving's son jumped or was pushed from a window at the Chateau Marmont. Irving, Bosch's longtime nemesis, has demanded that Harry handle the investigation. Relentlessly pursuing both cases, Bosch makes two chilling discoveries: a killer operating unknown in the city for as many as three decades, and a political conspiracy that goes back into the dark history of the police department

Can Harry Bosch defend a man accused of murder without betraying everything he believes in? Six months ago, Harry Bosch left the LAPD before they could fire him, and then hired maverick Defense Attorney Mickey Haller to sue the department for forcing him out. Although it wasn’t the way he wanted to go, Harry has to admit that being out of the game has its benefits. Until Mickey asks him to help on one of his cases, and suddenly Harry is back where he belongs, right in the centre of a particularly puzzling murder mystery. The difference is, this time Harry is working for the defense, aiming to prevent the accused, Da’Quan Foster, from being convicted. And not only does the prosecution seem to have a cast-iron case, but having crossed over to ‘the dark side’ as his former colleagues would put it, Harry is in danger of betraying the very principles he’s lived by his whole career

Harry Bosch is working as a part-time detective in the town of San Fernando outside of Los Angeles, when he gets the invitation to meet with the ageing aviation billionaire Whitney Vance. When he was eighteen Vance had a relationship with a Mexican girl called Vibiana Duarte, but soon after becoming pregnant she disappeared. Now, as he reaches the end of his life, Vance wants to know what happened to Vibiana and whether there is an heir to his vast fortune. And Bosch is the only person he trusts to undertake the assignment. Harry’s aware that with such sums of money involved, this could be a dangerous undertaking — not just for himself, but for the person he’s looking for — but as he begins to uncover Vibiana’s tragic story, and finds uncanny links to his own past, he knows he cannot rest until he finds the truth

Harry Bosch is back as a volunteer working cold cases for the San Fernando Police Department and is called out to a local drug store where a young pharmacist has been murdered. Bosch and the town’s 3-person detective squad sift through the clues, which lead into the dangerous, big business world of pill mills and prescription drug abuse. Meanwhile, an old case from Bosch’s LAPD days comes back to haunt him when a long-imprisoned killer claims Harry framed him, and seems to have new evidence to prove it. Bosch left the LAPD on bad terms, so his former colleagues aren’t keen to protect his reputation. He must fend for himself in clearing his name and keeping a clever killer in prison. The two unrelated cases wind around each other like strands of barbed wire. Along the way Bosch discovers that there are two kinds of truth: the kind that sets you free and the kind that leaves you buried in darkness

Detective Renée Ballard is working the night beat — known in LAPD slang as “the late show” — and returns to Hollywood Station in the early hours to find a stranger rifling through old file cabinets. The intruder is retired detective Harry Bosch, working a cold case that has gotten under his skin. Ballard can’t let him go through department records, but when he leaves, she looks into the case herself and feels a deep tug of empathy and anger. She has never been the kind of cop who leaves the job behind at the end of her shift — and she wants in. The murder, unsolved, was of fifteen-year-old Daisy Clayton, a runaway on the streets of Hollywood who was brutally killed, her body left in a dumpster like so much trash. Now Ballard joins forces with Bosch to find out what happened to Daisy, and to finally bring her killer to justice. Along the way, the two detectives forge a fragile trust, but this new partnership is put to the test when the case takes an unexpected and dangerous turn

A judge murdered in a city park. Mickey Haller, the Lincoln Lawyer, defends the man accused. A homeless person burned alive. Detective Renee Ballard catches the case on the LAPD’s notorious graveyard shift. An unsolved homicide from a lifetime ago. Harry Bosch is left a missing case file by his mentor who passed away. He was the man who taught Bosch that everybody counts, or nobody counts. Why did he keep the case all these years? To find the truth — or bury it? iIn LA, crime never sleeps. But in Ballard, Bosch and Haller: the fire always burns. Will it light the way — or leave their lives in ashes?

There’s chaos in Hollywood at the end of the New Year’s Eve countdown. Working her graveyard shift, LAPD detective Renée Ballard waits out the traditional rain of lead as hundreds of revelers shoot their guns into the air. Only minutes after midnight, Ballard is called to a scene where a hardworking auto shop owner has been fatally hit by a bullet in the middle of a crowded street party. Ballard quickly concludes that the deadly bullet could not have fallen from the sky and that it is linked to another unsolved murder — a case at one time worked by Detective Harry Bosch. At the same time, Ballard hunts a fiendish pair of serial rapists, the Midnight Men, who have been terrorizing women and leaving no trace. Determined to solve both cases, Ballard feels like she is constantly running uphill in a police department indelibly changed by the pandemic and recent social unrest. It is a department so hampered by inertia and low morale that Ballard must go outside to the one detective she can count on: Harry Bosch. But as the two inexorable detectives work together to find out where old and new cases intersect, they must constantly look over their shoulders. The brutal predators they are tracking are ready to kill to keep their secrets hidden

LAPD detective Renée Ballard and Harry Bosch team up to hunt the brutal killer who is Bosch’s “white whale” — a man responsible for the murder of an entire family. A year has passed since LAPD detective Renée Ballard quit the force in the face of misogyny, demoralization, and endless red tape. But after the chief of police himself tells her she can write her own ticket within the department, Ballard takes back her badge, leaving “the Late Show” to rebuild and lead the cold case unit at the elite Robbery-Homicide Division. For years, Harry Bosch has been working a case that haunts him — the murder of an entire family by a psychopath who still walks free. Ballard makes Bosch an offer: come volunteer as an investigator in her new Open-Unsolved Unit, and he can pursue his “white whale” with the resources of the LAPD behind him. First priority for Ballard is to clear the unsolved rape and murder of a sixteen-year-old girl. The decades-old case is essential to the councilman who supported re-forming the unit, and who could shutter it again — the victim was his sister. When Ballard gets a “cold hit” connecting the killing to a similar crime, proving that a serial predator has been at work in the city for years, the political pressure has never been higher. To keep momentum going, she has to pull Bosch off his own investigation, the case that is the consummation of his lifelong mission

LAPD Detective Renée Ballard tracks a serial rapist whose trail has gone cold and enlists a new volunteer to the Open-Unsolved Unit: Patrol Officer Maddie Bosch, Harry’s daughter. Renée Ballard and the LAPD’s Open-Unsolved Unit get a hot shot DNA connection between a recently arrested man and a serial rapist and murderer who went quiet two decades ago. The arrested man is only twenty-four, so the genetic link must be familial: His father was the Pillowcase Rapist, responsible for a five-year reign of terror in the City of Angels. But when Ballard and her team move in on their suspect, they encounter a baffling web of secrets and legal hurdles. Meanwhile, Ballard’s badge, gun, and ID are stolen — a theft she can’t report without giving her enemies in the department ammunition to end her career as a detective. She works the burglary alone, but her mission draws her into unexpected danger. With no choice but to go outside the department for help, she knocks on the door of Harry Bosch. At the same time, Ballard takes on a new volunteer in the cold case unit: Bosch’s daughter, Maddie, now a patrol officer. But Maddie has an ulterior motive for getting access to the city’s library of lost souls — a case that may be the most iconic in the city’s history. Complex, satisfying, and full of dexterous twists, The Waiting demonstrates once more that “you can’t do better than Michael Connelly” (Forbes)