RACHEL KUSHNER HAS WRITTEN AN ASTONISHINGLY wise, ambitious, and riveting novel set in the American community in Cuba during the years leading up to Castro's revolution a place that was a paradise for a time and for a few. The first Novel to tell the story of the Americans who were driven out in 1958, this is a masterful debut. Young Everly Lederer and K.C. Stites come of age in Oriente Province, where the Americans tend their own fiefdom three hundred thousand acres of United Fruit Company sugarcane that surround their gated enclave. If the rural tropics are a child's dream-world, Everly and K.C. nevertheless have keen eyes for the indulgences and betrayals of grown-ups around them the mordant drinking and illicit loves, the race hierarchies and violence. In Havana, a thousand kilometers and a world away from the American colony, a caberet dancer meets a French agitator named Christian de La Mazire, whose seductive demeanor can't mask his shameful past. Together they become enmeshed in the brewing political underground. When Fidel and Raul Castro lead a revolt from the mountains above the cane plantation, torching the sugar and kidnapping a boat full of "yanqui" revelers, K.C. and Everly begin to discover the brutality that keeps the colony humming. If their parents manage to remain blissfully untouched by the forces of history, the children hear the whispers of what is to come. At the time, urgent news was conveyed by telex. Kushner's first novel is a tour de force, haunting and compelling, with the urgency of a telex from a forgotten time and place

The year is 1975 and Reno — so-called because of the place of her birth — has come to New York intent on turning her fascination with motorcycles and speed into art. Her arrival coincides with an explosion of activity in the art world — artists have colonized a deserted and industrial SoHo, are staging actions in the East Village, and are blurring the line between life and art. Reno meets a group of dreamers and raconteurs who submit her to a sentimental education of sorts. Ardent, vulnerable, and bold, she begins an affair with an artist named Sandro Valera, the semi-estranged scion of an Italian tire and motorcycle empire. When they visit Sandro’s family home in Italy, Reno falls in with members of the radical movement that overtook Italy in the seventies. Betrayal sends her reeling into a clandestine undertow. The Flamethrowers is an intensely engaging exploration of the mystique of the feminine, the fake, the terrorist. At its center is Kushner’s brilliantly realized protagonist, a young woman on the verge. Thrilling and fearless, this is a major American novel from a writer of spectacular talent and imagination

From twice National Book Award–nominated Rachel Kushner, whose Flamethrowers was called “the best, most brazen, most interesting book of the year” (Kathryn Schulz, New York magazine), comes a spectacularly compelling, heart-stopping novel about a life gone off the rails in contemporary America. It’s 2003 and Romy Hall is at the start of two consecutive life sentences at Stanville Women’s Correctional Facility, deep in California’s Central Valley. Outside is the world from which she has been severed: the San Francisco of her youth and her young son, Jackson. Inside is a new reality: thousands of women hustling for the bare essentials needed to survive; the bluffing and pageantry and casual acts of violence by guards and prisoners alike; and the deadpan absurdities of institutional living, which Kushner evokes with great humor and precision. Stunning and unsentimental, The Mars Room demonstrates new levels of mastery and depth in Kushner’s work. It is audacious and tragic, propulsive and yet beautifully refined. As James Wood said in The New Yorker, her fiction “succeeds because it is so full of vibrantly different stories and histories, all of them particular, all of them brilliantly alive.”

Three early stories about myth, power, and sex by the acclaimed author of The Flamethrowers. An explorer’s unknown whereabouts keep a queen in anticipation; a faith healer’s illegal radio broadcasts give hope to an oppressed people; a president’s offer of ice cream surprises a prostitute expecting to turn a trick — the three short fictions gathered in The Strange Case of Rachel K build into a vision that is black-humored, brutal, and beautiful. Written prior to the publication of Kushner’s acclaimed debut novel Telex From Cuba, these stories, like Roberto Bolaño’s Antwerp, burst forth with the genesis of her fictional universe. From the mythical “Great Exception,” to the ominous “Debouchment”—originally published in her too-short-lived journal Soft Targets — to the sexy and noirish title story, Kushner saddles up for a journey into the wilds of modern fiction

Роми Холл – бывшая стриптизерша. Но это в прошлом. В будущем – два пожизненных срока в одной из тюрем Калифорнии. За забором остались маленький сын Джексон и Сан-Франциско ее молодости. Внутри тюрьмы ее ожидает новая реальность: тысячи женщин, пытающихся выжить, жестокость охраны и заключенных, абсурд жизни за решеткой, описанный с юмором и вниманием к деталям. «Комната на Марсе» – роман, шокирующий в своей откровенности и совсем не сентиментальный в описаниях быта женщин, чья жизнь превратилась в катастрофу. Книга содержит нецензурную брань