A contemporary noir, Already Dead is the tangled story of Nelson Fairchild Jr., disenfranchised scion to a northern California land fortune. A relentless failure, Nelson has botched nearly every scheme he's attempted to pull off. Now his future lies in a potentially profitable marijuana patch hidden in the lush old-growth redwoods on the family land. Nelson has some serious problems. His marriage has fallen apart, and he may lose his land, cash and crop in the divorce. What's more, in need of some quick cash, he had foolishly agreed to smuggle $90,000 worth of cocaine through customs for Harry Lally, a major player in a drug syndicate. Chickening out just before bringing the drugs through, he flushed the powder. Now Lally wants him dead, and two goons are hot on his trail. Desperate, terrified and alone, for Nelson, there may be only one way out. This is Denis Johnson's biggest and most complex book to date, and it perfectly showcases his signature themes of fate, redemption and the unraveling of the fabric of today's society. Already Dead, with its masterful narrative of overlapping and entwined stories, will further fuel the acclaim that surrounds one of today's most fascinating writers

The most critically acclaimed, and first, of Denis Johnson's novels, Angels puts Jamie Mays — a runaway wife toting along two kids — and Bill Houston — ex-Navy man, ex-husband, ex-con — on a Greyhound Bus for a dark, wild ride cross country. Driven by restless souls, bad booze, and desperate needs, Jamie and Bill bounce from bus stations to cheap hotels as they ply the strange, fascinating, and dangerous fringe of American life. Their tickets may say Phoenix, but their inescapable destination is a last stop marked by stunning violence and mind-shattering surprise. Denis Johnson, known for his portraits of America's dispossessed, sets off literary pyrotechnics on this highway odyssey, lighting the trek with wit and a personal metaphysics that defiantly takes on the world

Hailed by the New York Times as "wildly ambitious" and "the sort of book that a young Herman Melville might have written had he lived today and studied such disparate works as the Bible, 'The Wasteland,' Fahrenheit 451, and Dog Soldiers, screened Star Wars and Apocalypse Now several times, dropped a lot of acid and listened to hours of Jimi Hendrix and the Rolling Stones," Fiskadoro is a stunning novel of an all-too-possible tomorrow. Deeply moving and provacative, Fiskadoro brilliantly presents the sweeping and heartbreaking tale of the survivors of a devastating nuclear war and their attempts to salvage remnants of the old world and rebuild their culture

Jesus' Son is a visionary chronicle of dreamers, addicts, and lost souls. These stories tell of spiraling grief and trancendence, of rock bottom and redemption, of getting lost and found and lost again. The raw beauty and careening energy of Denis Johnson's prose has earned this book a place among the classics of twentieth-century American literature

Ben Marcus, one of the most innovative and vital writers of this generation, delivers a stellar anthology of the best short fiction being written today in America. In New American Stories, the beautiful, the strange, the melancholy, and the sublime all comingle to show the vast range of the American short story. In this remarkable anthology, Ben Marcus has corralled a vital and artistically singular crowd of contemporary fiction writers. Collected here are practitioners of deep realism, mind-blowing experimentalism, and every hybrid in between. Luminaries and cult authors stand side by side with the most compelling new literary voices. Nothing less than the American short story renaissance distilled down to its most relevant, daring, and unforgettable works, New American Stories puts on wide display the true art of an American idiom

From the National Book Award — winning, bestselling author of Tree of Smoke comes a provocative thriller set in the American West. Nobody Move, which first appeared in the pages of Playboy, is the story of an assortment of lowlifes in Bakersfield, California, and their cat-and-mouse game over $2.3 million. Touched by echoes of Raymond Chandler and Dashiell Hammett, Nobody Move is at once an homage to and a variation on literary form. It salutes one of our most enduring and popular genres — the American crime novel — but with a grisly humor and outrageousness that are Denis Johnson’s own. Sexy, suspenseful, and above all entertaining, Nobody Move shows one of our greatest novelists at his versatile best

Denis Johnson’s The Laughing Monsters is a high-suspense tale of kaleidoscoping loyalties in the post-9/11 world that shows one of our great novelists at the top of his game. Roland Nair calls himself Scandinavian but travels on a U.S. passport. After ten years’ absence, he returns to Freetown, Sierra Leone, to reunite with his friend Michael Adriko. They once made a lot of money here during the country’s civil war, and, curious to see whether good luck will strike twice in the same place, Nair has allowed himself to be drawn back to a region he considers hopeless. Adriko is an African who styles himself a soldier of fortune and who claims to have served, at various times, the Ghanaian army, the Kuwaiti Emiri Guard, and the American Green Berets. He’s probably broke now, but he remains, at thirty-six, as stirred by his own doubtful schemes as he was a decade ago. Although Nair believes some kind of money-making plan lies at the back of it all, Adriko’s stated reason for inviting his friend to Freetown is for Nair to meet Adriko’s fiancée, a grad student from Colorado named Davidia. Together the three set out to visit Adriko’s clan in the Uganda-Congo borderland — but each of these travelers is keeping secrets from the others. Their journey through a land abandoned by the future leads Nair, Adriko, and Davidia to meet themselves not in a new light, but rather in a new darkness

The acclaimed author of Jesus' Son and Already Dead returns with a beautiful, haunting, and darkly comic novel. The Name of the World is a mesmerizing portrait of a professor at a Midwestern university who has been patient in his grief after an accident takes the lives of his wife and child and has permitted that grief to enlarge him. Michael Reed is living a posthumous life. In spite of outward appearances — he holds a respectable university teaching position; he is an articulate and attractive addition to local social life — he's a dead man walking. Nothing can touch Reed, nothing can move him, although he observes with a mordant clarity the lives whirling vigorously around him. Of his recent bereavement, nearly four years earlier, he observes, "I'm speaking as I'd speak of a change in the earth's climate, or the recent war." Facing the unwelcome end of his temporary stint at the university, Reed finds himself forced "to act like somebody who cares what happens to him. " Tentatively he begins to let himself make contact with a host of characters in this small academic town, souls who seem to have in common a tentativeness of their own. In this atmosphere characterized, as he says, "by cynicism, occasional brilliance, and small, polite terror," he manages, against all his expectations, to find people to light his way through his private labyrinth. Elegant and incisively observed, The Name of the World is Johnson at his best: poignant yet unsentimental, replete with the visionary imaginative detail for which his work is known. Here is a tour de force by one of the most astonishing writers at work today

"Denis Johnson is an artist. He writes with a natural authority, and there is real music in his prose." — Mona Simpson, The New York Times Book Review In the bleak of November, Lenny English drifts into the Cape Cod resort of Provincetown. Recovering from a recent suicide attempt, his soul suspended in its own off-season, he takes a job as a third-shift disk jockey, with a little private detective work on the side for his boss. As Lenny falls in love with a beautiful young local, a woman whose sexual orientation should preclude the affair, he soon begins his first assignment, a search for a missing painter whose personal history seems to mirror his own. In pursuit of the artist — and love, and redemption — Lenny will resort to great and desperate measures to revive himself, and his faith in the world

Set in Nicaragua in 1984, The Stars at Noon is a story of passion, fear, and betrayal told in the voice of an American woman whose mission in Central America is as shadowy as her surroundings. Is she a reporter for an American magazine as she sometimes claims, or a contact person for Eyes of Peace? And who is the rough English businessman with whom she becomes involved? As the two foreigners become entangled in increasingly sinister plots, Denis Johnson masterfully dramatizes a powerful vision of spiritual bereavement and corruption

A New York Times Notable Book An Esquire Best Book of 2011 A New Yorker Favorite Book of 2011 A Los Angeles Times Favorite Book of 2011 Denis Johnson’s Train Dreams is an epic in miniature, one of his most evocative and poignant fictions. It is the story of Robert Grainier, a day laborer in the American West at the start of the twentieth century--an ordinary man in extraordinary times. Buffeted by the loss of his family, Grainer struggles to make sense of this strange new world. As his story unfolds, we witness both his shocking personal defeats and the radical changes that transform America in his lifetime. Suffused with the history and landscapes of the American West, this novella by the National Book Award-winning author of Tree of Smoke captures the disappearance of a distinctly American way of life

Once upon a time there was a war. . and a young American who thought of himself as the Quiet American and the Ugly American, and who wished to be neither, who wanted instead to be the Wise American, or the Good American, but who eventually came to witness himself as the Real American and finally as simply the Fucking American. That’s me. This is the story of Skip Sands — spy-in-training, engaged in Psychological Operations against the Vietcong — and the disasters that befall him thanks to his famous uncle, a war hero known in intelligence circles simply as the Colonel. This is also the story of the Houston brothers, Bill and James, young men who drift out of the Arizona desert into a war in which the line between disinformation and delusion has blurred away. In its vision of human folly, and its gritty, sympathetic portraits of men and women desperate for an end to their loneliness, whether in sex or death or by the grace of God, this is a story like nothing in our literature.Tree of Smoke is Denis Johnson’s first full-length novel in nine years, and his most gripping, beautiful, and powerful work to date. Tree of Smoke is the 2007 National Book Award Winner for Fiction

Это история Шкипа Сэндса – шпиона, сотрудника Отдела психологических операций, действующего во Вьетнаме,– и всех тех несчастий, которые ждут его из-за знаменитого дяди Шкипа, ветерана войны, известного в кругах разведки просто как Полковник. А еще это история братьев Хьюстон, Билла и Джеймса, которых судьба занесла из аризонской пустыни на войну, где грань между дезинформацией и умопомешательством окончательно размылась и отделить правду от иллюзии практически невозможно. Это история тайных организаций, безумия джунглей и бесконечного одиночества, не похожая ни на что в современной американской литературе

Денис Джонсон начинал как поэт, опубликовал несколько сборников стихов, писал романы, получал премии, но по-настоящему прославился после этой книги рассказов. Главный герой «Иисусова сына» – алкоголик и наркоман, ненадежный, но предельно откровенный рассказчик. Он совершает сомнительные поступки и ждет от себя вещей похуже, путается и сбивается – но временами видит мир с ясностью прозрения

Соединяя в себе, подобно древнему псалму, печаль и свет, книга признанного классика современной американской литературы Дениса Джонсона (1949–2017) рассказывает историю Роберта Грэйньера, отшельника поневоле, жизнь которого, охватив почти две трети ХХ века, прошла среди холмов, рек и железнодорожных путей Северного Айдахо. Это повесть о мире, в который, несмотря на переполняющие его страдания, то и дело прорывается надмирная красота: постичь, запечатлеть, выразить ее словами не под силу главному герою – ее может свидетельствовать лишь кто-то, свободный от помыслов и воспоминаний, от тревог и надежд, от речи, от самого языка. Таким мог бы быть сон, привидевшийся поезду, – если бы поезда могли видеть сны