Boone Adams met Jennifer Grayle when they were both eighteen and lost her when they were both twenty-two. His life from that point was a steady descent through the circles of American culture until he hit bottom in Los Angeles ten years later. Now he has nothing left but his love for Jennifer, a love that has remained unsullied and still, the eye at the center of his hurricane, his only stay against confusion. It saves him. Slowly, with agonizing effort, he comes back — across the country, across the years, across the despair that nearly destroyed him, sustained only by his determination to get Jennifer back. Love and Glory is a story of love and commitment and regeneration, told in the language of our time and set among the artifacts of recent American culture. In prose that often soars Love and Glory speaks not only of desolation but of possibility. It speaks not only of Boone and Jennifer but of America, and it hints, obliquely, that perhaps we are not merely “boats against the current, borne back ceaselessly into the past”