Also published as “Jar City”. When a lone septuagenarian is murdered in his apartment in the Nordurmyri district of Reykjavik, detective inspector Erlendur Sveinsson is called in, along with partner Sigurdur Oli and female colleague Elínborg. Everyone is related to everyone else in Iceland and refer to one another by first name, even formally. Erlendur is about 50, long divorced, with two kids in varying degrees of drug addiction. The victim, a man called Holberg, turns out to have been a nasty piece of work, and Erlendur is disgusted by the series of rapes Holberg apparently committed. The rapes and the deaths of a number of young women may be connected, and the search brings Erlendur to the forensic lab, whose old “jar city,” since disbanded, held research organs. Meanwhile, Erlendur’s daughter, Eva Lind, is pregnant and still using; she flits in and out of his life angrily, but may be crying out for help. Reykjavik’s physicality, and the fact that crimes are relatively rare in Iceland, gives things a defamiliarizing cast. Won Glass Key award in 2002 (Nordic crime fiction award). Caution — British spelling

A human bone is discovered at a construction site near Reykjavik. Inspector Erlendur Sveinnson is on the case, but the trail, which leads back to World War II, has gone very cold indeed. Erlendur (Icelanders use first names) has a very personal reason for his abiding interest in missing persons, and that — combined with the fact that his drug-abusing daughter is in the hospital in a coma — opens the door for plenty of backstory regarding the detective’s troubled history. With a narrative that jumps between the 1940s and the present — without giving away whodunit — the novel generates a sort of emotional claustrophobia, its characters trapped in a world where the pain of the past, though often submerged, is always with us. The novel won Glass Key award (a Nordic crime fiction award) in 2003, and Gold Dagger award (an award of British Crime Writers’ Association) in 2005. Nominated for Barry Award (an American crime novel award) in 2006. Caution — British spelling

At a grand Reykjavik hotel the doorman has been repeatedly stabbed in the dingy basement room he called home. It is only a few days before Christmas and he was preparing to appear as Santa Claus at a children’s party. The manager tries to keep the murder under wraps. A glum detective taking up residence in his hotel and an intrusive murder investigation are not what he needs. As Erlendur quietly surveys the cast of grotesques who populate the hotel, the web of malice, greed and corruption that lies beneath its surface reveals itself. Everyone has something to hide. But most shocking is the childhood secret of the dead man who, many years before, was the most famous child singer in the country: it turns out to be a brush with stardom which would ultimately cost him everything. As Christmas Day approaches Erlendur must delve deeply into the past to find the man’s killer

Detective Inspector Erlendur is enjoying his summer vacation shut up in his apartment, reading one of his favorite missing-persons stories, when a skeleton tied to a Russian listening device is uncovered. Erlendur takes over the investigation with his usual dogged and obsessive style. No one else really cares about a murdered missing person who might have been a spy, but Erlendur refuses to give up his quest, even if it means digging into Iceland’s socialist past. Erlendur’s enigmatic and irascible former boss, Marion, becomes more than a voice on the phone, as Erlendur, after learning that Marion is seriously ill, begins to visit him. The development of the series characters helps move along the leisurely investigation and keeps the reader engaged. The missing-persons theme and the exploration of Icelandic history and society remain the trademarks of this outstanding series. Caution — British spelling

Reykjavik police detective Erlendur Sveinsson and his team investigate the murder of a dark-skinned Asian boy, found frozen in his own blood one midwinter day outside a rundown apartment block. The author imbues the self-doubting Erlendur with enormous depth, as an insecure father unable to show his love for his errant son and daughter as well as a troubled professional who’s made pain his constant companion. Indridason also lays bare the plight of Thai women brought to Iceland, married and soon divorced by Icelanders, left to raise their children alone in a culture, a climate and a language they don’t understand. On top of this national tragedy is the universal problem of bored, unsupervised youth, raised with no respect for authority and awash in fast food, rock music and violent computer games. Indridason has produced a stunning indictment of contemporary society

The latest installment in the Crime Writers' Association Gold Dagger Award-winning Reykjavik Murder Mystery series. One cold autumn night, a woman is found hanging from a beam in her summer cottage. At first sight it appears to be a straightforward case of suicide; the woman, María, had never recovered from the loss of her mother two years earlier and had a history of depression. But when Karen, the friend who found her body, approaches Erlendur and gives him the tape of a séance that María had attended, his curiosity is aroused. Driven by a need to find answers, Erlendur embarks on an unofficial investigation to find out why the woman's life ended in such an abrupt and tragic manner. At the same time, he is haunted by the unresolved cases of two young people who went missing thirty years before, and, inevitably, his discoveries raise ghosts from his own past

Erlendur is a young officer assigned to traffic duties. He is not yet a detective. He works nights. Reykjavík’s nights are full of car crashes, robberies, fights, drinking, and sometimes an unexplained death. One night a homeless man Erlendur knows is found drowned. Then a young woman on her way home from a club vanishes and both cases go cold. But Erlendur’s instincts tell him that the fates of these two victims are worth pursuing. He is inexorably drawn into a world where everyone is either in the dark or on the run

In Oblivion Erlendur is a recently promoted detective. His world is dominated by drug-dealers, a cold case involving a missing schoolgirl, a CIA operative and the murky history of America’s presence in Iceland. In the windswept volcanic landscape of south-west Iceland, a vast aircraft hangar rises behind the perimeter fence of the US naval air base. It is night. Inside the hangar, colossal scaffolding reaches to the roof where contractors have been working. There is a clang and a length of piping falls to the ground from a high platform, followed almost immediately by a dull thud as a man’s body falls after it. Several miles away, a woman is swimming in the milky-blue lagoon formed from waste water pumped out by a geothermal power station. It is an eerie, remote spot but the waters have healing properties. Steam rises from the blue-white lagoon and the moss-grown lava. In the background towers the floodlit bulk of the power station. The ghostly light reveals a shoe sticking out of the water, attached to a body