Twenty-one, passionate and headstrong, Ann Veronica Stanley is determined to live her own life. When her father forbids her attending a fashionable ball, she decides she has no choice but to leave her family home and make a fresh start in London. There, she finds a world of intellectuals, socialists and suffragettes — a place where, as a student in biology at Imperial College, she can be truly free. But when she meets the brilliant Capes, a married academic, and quickly falls in love, she soon finds that freedom comes at a price. A fascinating description of the women's suffrage movement, Ann Veronica offers an optimistic depiction of one woman's sexual awakening and search for independence

In 1803, the fragile Peace of Amiens breaks down, and Anne Peters finds herself stranded in Paris, penniless and alone, in danger of arrest. One chance of escape is offered, to flee under the protection of the dashing Count Nikolai Kirov, and make a new life in Russia as governess to his children. In the flamboyant and demanding circle of the count, his family and friends, moving between the glittering city of St Petersburg, ancient Moscow and the wild, untamed beauty of the Caucasus Mountains, the young Englishwoman begins her transformation into Anna Petrovna. But as Napoleon gathers his army for the final attack on Imperial Russia, Anna must prepare for a battle of the heart – her forbidden love for a man and a country she may never call her own

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Cas Lowood has inherited an unusual vocation: He kills the dead. So did his father before him, until he was gruesomely murdered by a ghost he sought to kill. Now, armed with his father's mysterious and deadly athame, Cas travels the country with his kitchen-witch mother and their spirit-sniffing cat. Together they follow legends and local lore, trying to keep up with the murderous dead — keeping pesky things like the future and friends at bay. When they arrive in a new town in search of a ghost the locals call Anna Dressed in Blood, Cas doesn't expect anything outside of the ordinary: track, hunt, kill. What he finds instead is a girl entangled in curses and rage, a ghost like he's never faced before. She still wears the dress she wore on the day of her brutal murder in 1958: once white, now stained red and dripping with blood. Since her death, Anna has killed any and every person who has dared to step into the deserted Victorian she used to call home. But she, for whatever reason, spares Cas's life

Some people say Anna Karenina is the single greatest novel ever written, which makes about as much sense to me as trying to determine the world's greatest color. But there is no doubt that Anna Karenina, generally considered Tolstoy's best book, is definitely one ripping great read. Anna, miserable in her loveless marriage, does the barely thinkable and succumbs to her desires for the dashing Vronsky. I don't want to give away the ending, but I will say that 19th-century Russia doesn't take well to that sort of thing

Some people say Anna Karenina is the single greatest novel ever written, which makes about as much sense to me as trying to determine the world's greatest color. But there is no doubt that Anna Karenina, generally considered Tolstoy's best book, is definitely one ripping great read. Anna, miserable in her loveless marriage, does the barely thinkable and succumbs to her desires for the dashing Vronsky. I don't want to give away the ending, but I will say that 19th-century Russia doesn't take well to that sort of thing

Ļevs Tolstojs Anna Kareņina Anna Kareņina, šķietami laimīga augstākās sabiedrības dāma, atsakās no ierastās, ērtās, bet garlaicīgās ģimenes dzīves un izvēlas mīlestību – viņa pamet vīru un dēlu, lai sāktu jaunu dzīvi kopā ar grāfu Vronski. Tomēr līdz ar mīlestību Annas dzīvē ienāk sabiedrības nosodījums un vientulība. Anna dzīvo ilūzijās, ka mīlestība un tās vārdā nestais upuris nodrošinās mūžīgu laimi, bet ikdiena atšķiras no iztēlotā ideāla. Zūd robeža starp iedomām un realitāti, pavīd šaubas par mīļotā vīrieša uzticību… Romāns “Anna Kareņina” ir saviļņojošs mīlas stāsts un vienlaikus episks vēstījums par laikmetu, kas dzīves stila, sabiedrībā valdošo uzskatu un paradumu ziņā ir ļoti atšķirīgs no mūsdienām, savukārt cilvēku savstarpējās attiecības, mīlestība, cerības un vilšanās ir mūžsenas un vienmēr aktuālas. KOPOTI RAKSTI VIII Romāns Noskannējis grāmatu un failu izveidojis Imants Ločmelis Tulkojis Jūlijs Vanags MAN PIEDER ATRIEBŠANA, UN ES SODĪŠU

Ļevs Tolstojs Anna Kareņina Romāns astoņās daļās Daļas V—VIII Izdevniecība «Liesma» Rīga  1970 Tulkojis Jūlijs Vanags Māksliniece Māra Rikmane

Russie, 1880. Anna Karénine, est une jeune femme de la haute société de Saint-Pétersbourg. Elle est mariée à Alexis Karénine un haut fonctionnaire de l'administration impériale, un personnage austère et orgueilleux. Ils ont un garçon de huit ans, Serge. Anna se rend à Moscou chez son frère Stiva Oblonski. En descendant du train, elle croise le comte Vronski, venu à la rencontre de sa mère. Elle tombe amoureuse de Vronski, cet officier brillant, mais frivole. Ce n'est tout d'abord qu'un éclair, et la joie de retrouver son mari et son fils lui font croire que ce sera un vertige sans lendemain. Mais lors d'un voyage en train, quand Vronski la rejoint et lui déclare son amour, Anna réalise que la frayeur mêlée de bonheur qu'elle ressent à cet instant va changer son existence. Anna lutte contre cette passion. Elle finit pourtant par s'abandonner avec un bonheur coupable au courant qui la porte vers ce jeune officier. Puis Anna tombe enceinte. Se sentant coupable et profondément déprimée par sa faute, elle décide d'avouer son infidélité à son mari… Cette magnifique et tragique histoire d'amour s'inscrit dans un vaste tableau de la société russe contemporaine. En parallèle, Tolstoï brosse le portrait de deux autres couples: Kitty et Lévine, Daria et Oblonski. Il y évoque les différentes facettes de l'émancipation de la femme, et dresse un tableau critique de la Russie de la fin du XIXe siècle

Russie, 1880. Anna Karénine, est une jeune femme de la haute société de Saint-Pétersbourg. Elle est mariée à Alexis Karénine un haut fonctionnaire de l'administration impériale, un personnage austère et orgueilleux. Ils ont un garçon de huit ans, Serge. Anna se rend à Moscou chez son frère Stiva Oblonski. En descendant du train, elle croise le comte Vronski, venu à la rencontre de sa mère. Elle tombe amoureuse de Vronski, cet officier brillant, mais frivole. Ce n'est tout d'abord qu'un éclair, et la joie de retrouver son mari et son fils lui font croire que ce sera un vertige sans lendemain. Mais lors d'un voyage en train, quand Vronski la rejoint et lui déclare son amour, Anna réalise que la frayeur mêlée de bonheur qu'elle ressent à cet instant va changer son existence. Anna lutte contre cette passion. Elle finit pourtant par s'abandonner avec un bonheur coupable au courant qui la porte vers ce jeune officier. Puis Anna tombe enceinte. Se sentant coupable et profondément déprimée par sa faute, elle décide d'avouer son infidélité à son mari… Cette magnifique et tragique histoire d'amour s'inscrit dans un vaste tableau de la société russe contemporaine. En parallèle, Tolstoï brosse le portrait de deux autres couples: Kitty et Lévine, Daria et Oblonski. Il y évoque les différentes facettes de l'émancipation de la femme, et dresse un tableau critique de la Russie de la fin du XIXe siècle

Lūsija Moda Montgomerija Anna no zaļajiem jumtiem Annai nekas nav kā parastai meitenei — ne vecāku, ne māju, ne skaistu, melnu matu, ne vienkāršas valodas, pat ne kleitas ar kuplām piedurknēm. «Bet Annai ir tik daudz nokrāsu kā vara­vīksnei, un katra no tām savā reizē liekas visskaistākā.» Turklāt Annai ir neparasta iztēle, kas tik ļoti patīk viņas draugiem un droši vien patiks arī tev. Lūsija Moda Montgomerija (1874—1942), kas, tāpat kā Anna, agri palikusi bez vecākiem un uzaugusi pie jūras Prinča Edvarda salā Kanādā, miltenes dzīvesstāstā pa daļai ir aprakstījusi pašas bērnībā pieredzēto un pārdzīvoto. . No angļu valodas tulkojusi Zane Rozenberga Noskanējis grāmatu un failu izveidojis Imants Ločmelis Irēnas Žgutas vāka dizains Vākam izmantots Gintas Šmites foto Ērikas Mālderes ilustrācijas 2006 MANA TĒVA UN MĀTES PIEMIŅAI

In 1808, the Russian Ship St. Nikolai ran aground off the Olympic Peninsula; this novel is based on this astounding historical event and the lives of the people affected. In 1808, eighteen-year-old Anna Petrovna Bulygina is aboard the Russian ship St. Nikolai when it runs aground off on the west coast of Washington State on the Olympic Peninsula. The crew, tasked with trading for sea otter pelts and exploring the coast, are forced to shore into Indigenous territory, where they are captured, enslaved, and then traded among three different Indigenous communities. Terrified at first, Anna soon discovers that nothing—including slavery—is what she expected. She begins to question Russian imperialist aspirations, the conduct of the crew, and her own beliefs and values as she experiences a way of life she never could have imagined. Based on historical record, Anna, Like Thunder blends fact and fiction to explore the early days of contact between Indigenous people and Europeans off the west coast of North America and offers a fresh interpretation of history

Hired to trace Anna Ball, who has vanished, Miss Maud Silver encounters an eccentric art colony, bank robberies and counterfeiting. As with other Miss Silver mysteries, the story relies on character development. Nadia May reads clearly and distinguishes individuals well; her British voice is ideal for this genteel period thriller (1951). Agatha Christie fans will enjoy this one. The narration is speeded up to fit six cassettes, but it is not hard to follow

Kathleen Winter’s luminous debut novel is a deeply affecting portrait of life in an enchanting seaside town and the trials of growing up unique in a restrictive environment. In 1968, into the devastating, spare atmosphere of the remote coastal town of Labrador, Canada, a child is born: a baby who appears to be neither fully boy nor fully girl, but both at once. Only three people are privy to the secret: the baby’s parents, Jacinta and Treadway, and a trusted neighbor and midwife, Thomasina. Though Treadway makes the difficult decision to raise the child as a boy named Wayne, the women continue to quietly nurture the boy’s female side. And as Wayne grows into adulthood within the hyper-masculine hunting society of his father, his shadow-self, a girl he thinks of as “Annabel,” is never entirely extinguished. Kathleen Winter has crafted a literary gem about the urge to unveil mysterious truth in a culture that shuns contradiction, and the body’s insistence on coming home. A daringly unusual debut full of unforgettable beauty, Annabel introduces a remarkable new voice to American readers

Edgar Allan Poe’s dream poem is as close to music as words can ever come. First published on October 9, 1849 – two days after Poe’s death – this haunting, lyric poem is thought to have been written in memory of Poe’s young wife, Virginia. The narrator, who fell in love with Annabel Lee when they were young, has a love for her so strong that even angels are jealous. He retains his love for her even after her death

Annabella, córka kucharki, zakochuje się w poruczniku Marcusie Dalinie, który przybył do jej rodzinnego miasta, by chronić króla przed spiskowcami. Uboga dziewczyna może tylko marzyć o młodzieńcu z dobrej rodziny. Ale oto nieoczekiwanie los przychodzi Annabelli z pomocą. Jeden z zamachowców przypadkiem przekazuje jej tajną wiadomość, która ogromnie zainteresuje Marcusa…

Wie sollen die Cuthberts nur mit der springlebendigen Anne zurechtkommen, die für allerhand Trubel und Aufregung in ihrem bisher so beschaulichen Leben sorgt? Die liebenswerte Geschichte einer 13-jährigen Waise, die von einem älteren Paar adoptiert wird und Kindheit sowie Jugend auf der Farm Green Gables verbringt

Ihr hitziges Temperament und ihre karottenroten Haare sind für die 16-jährige Anne eine echte Plage. Und es dauert zwei sehr ereignisreiche Sommer, bis sie merkt, dass sie gerade deswegen so liebenswert ist. Die hinreissende Geschichte der ungestümen Anne, die das verschlafene Avonlea gehörig durcheinanderwirbelt

Everyone's favorite redhead, the spunky Anne Shirley, begins her adventures at Green Gables, a farm outside Avonlea, Prince Edward Island. When the freckled girl realizes that the elderly Cuthberts wanted to adopt a boy instead, she begins to try to win them and, consequently, the reader, over

New adventures lie ahead as Anne Shirley packs  her bags, waves good-bye to childhood, and heads for  Redmond College. With old friend Prissy Grant  waiting in the bustling city of Kingsport and  frivolous new pal Philippa Gordon at her side, Anne tucks  her memories of rural Avonlea away and discovers  life on her own terms, filled with  surprises...including a marriage proposal from the worst fellow  imaginable, the sale of her very first story, and a  tragedy that teaches her a painful lesson. But  tears turn to laughter when Anne and her friends move  into an old cottage and an ornery black cat steals  her heart. Little does Anne know that handsome  Gilbert Blythe wants to win her heart, too. Suddenly  Anne must decide if she's ready for love

Two holiday novels provide the perfect combination of mystery and murder mixed with a generous helping of Yuletide cheer. A CHRISTMAS GUEST When her daughter and son-in-law plan a Christmas vacation to Paris sans hers truly, Grandmama Mariah Ellison travels to the chilly, windswept Romney Marshes to spend the holiday with old friends. But when the body of a fellow guest is found lifeless in bed, Grandmama senses foul play and takes it upon herself to assume the role of amateur detective-uncovering startling truths about the victim… and herself as well. A CHRISTMAS SECRET Dominic Corde is thrilled to 'fill the robe' as substitute vicar in the village of Cottisham while the Reverend Wynter is away on a Christmas holiday. Upon arrival, Dominic and his wife, Clarice, wonder how they will be received by the congregation. But the Cordes soon discover that they have more dire matters to worry about. It turns out that the Reverend Wynter isn't on holiday at all-and that something very sinister has transpired

 Anna Brigadere Anneles stāsti Tēlojumi no autobiogrāfiskās triloģijas pirmās un otrās daļas RĪGA «LIESMA» 1987 «Sprīdīša bibliotēkas» redakcijas kolēģija: ARVĪDS GRIGULIS, JĀNIS KALNIŅŠ, JĀZEPS OSMANIS, IMANTS PLOTNIEKS, ILGA RĀSIMA, ANASTASIJA STIKANE, INGRIDA VAVERNIECE, MARA ZĀLĪTE Atbildīgais redaktors ANDRIS CAPINS Grafiskās apdares autors ANDRIS LAMSTERS © Pēcvārds, komentāri, grafiskā apdare, izdevniecība «Liesma», 1987 Noskannējis grāmatu un  failu izveidojis Imants Ločmelis

Doku Atis Mans dzīves rīts Atmiņas iz bērnu dienām Doku Ata atmiņas rakstītas agrāk, bet viņa vidzemnieki un Annas Brigaderes zemgalieši nāk no viena laikmeta, nāk ar sava laika domām un valodu. Kāda tad bija pagājušā gadsimta nogales latviešu valoda? Aktīvi darbīga — tajā straujās dzīves pārmaiņas nemitīgi iepludināja jaunas atzi­ņas un līdz ar tām jaunus vārdus, vienādojot feodālajā sadrumstalotībā iekon­servēto un paspilgtināto novadu valodas raibumu (bāzētu senajās cilšu valodu atšķirībās). Un bērnības atmiņu valodas plūdumā abi rakstnieki ļauj skaloties mums pāri sava novada vārdu un izteicienu viļņiem. Anna Brigadere Anneles stāsti Tēlojumi no autobiogrāfiskās triloģijas pirmās un otrās daļas  Pusgadsimts jau pagājis no dienām, kad Anna Brigadere rakstīja savas bērnības atmiņas, izdzīvodama tajās vēl par otru pusgadsimtu senāku dzīvi — savu bērnu dienu ļaužu un «aizmūža ļaužu» darbus un domas. Mākslinieki ALBERTS KRONENBERGS un INDRIĶIS ZEBERIIsJS RĪGA «LIESMA» 1987 «Sprīdīša bibliotēkas» redakcijas kolēģija: ARVĪDS GRIGULIS, JĀNIS KALNIŅŠ, JĀZEPS OSMANIS, IMANTS PLOTNIEKS, ILGA RĀSIMA, ANASTASIJA STIKANE, INGRIDA VAVERNIECE, MARA ZĀLĪTE Atbildīgais redaktors ANDRIS CAPINS Grafiskās apdares autors ANDRIS LAMSTERS © Pēcvārds, komentāri, grafiskā apdare, izdevniecība «Liesma», 1987

The year is 1945, and Anne Frank is sixteen years old. Having survived the concentration camps but lost her mother and sister along the way, she reunites with her father, Pim, in newly liberated Amsterdam. But it's not as easy to fit the pieces of their life back together. Anne is adrift, haunted by the ghosts of the horrors they experienced, while Pim is fixated on returning to normalcy. Her beloved diary has been lost, and her dreams of becoming a writer seem distant and pointless now. As Anne struggles to overcome the brutality of memory and build a new life for herself, she grapples with heartbreak, grief, and ultimately the freedom of forgiveness. A story of trauma and redemption, Annelies honors Anne Frank's legacy as not only a symbol of hope and perseverance but also a complex young woman of great ambition and heart

Vita Štelmahere AnneMarija Nežēlīgas gadsimtnieku spēles Satikušās pēc piecdesmit gadiem, darbīgā un dzīvespriecīgā Tifānija un kaprīzā Margareta slēdz derības - kas pasoulē ir varenāks - Labais vai Ļaunais. kundzes Astrīdas laboratorijā tiek dubultota meitenīte un rodos Anne un Marija. Pēc četrpadsmit gadiem māsas Tifānija un Margareta noskaidros, kas ņēmis virsroku... Katra grāmatas lappuse atklāj noslēpumainu un mistisku pasauli, kurā darbojos kurmju pasts, lapseņpeles. augošas lelles, zelta auskariņi, kas palīdz saprast zvēru un putnu valodu. Godsimtnieku spēles, noslēpumi un notikumi, autores bagātā fantāzija un raitais sižets spēs aizraut ikvienu - skeptiski noskaņotu un atsaucīgu, mazu un lielu - lasītāju. Marija-ā-ā! Es esmu izsalcis. Man tiek vien piens, baltmaize vai desas gabaliņš. Es gribu īstu kaķu barību! Tādu. kādu rāda pa televizoru. Marija izbrīnīta paskatījās uz Pūkāsi. "Tas nevar būt! Kaķi taču nerunā! Es laikam to būšu iztēlojusies." Meitene palīda zem segas un aizvēra acis. - Marija, tu nopirksi man barību? Nē. es nerunāšu ar kaķi. jo tie taču nerunā. - murmināja Marija. - Nē. runā gan! Marija pavēra acis. bet kaķēns mierīgi gulēja turpat gultā un turpināja murrāt. - Kā tu vari runāt un murrāt vienlaikus? - brīnījās Marija. - Es esmu kaķis. Un kaķi var visu. gandrīz visu." Lai izdodos atšķetināt grāmatas noslēpumu buķeti! Māksliniece Nataļja Kugajevska Atbildīgā redaktore Renāte Neimane Literārais redaktors Kaspars Poikāns Korektore Inga Pavloviča Maketētāja Baiba Lūsīte-Teikmane © Vita Štelmahere, teksts, 2014 © Nataļja Kugajevska, mākslinieciskais noformējums, 2014 © AS “Lauku Avīze”, izdevums latviešu valodā, 2014 Izdevējs - izdevniecība “Lauku Avīze”, Dzirnavu ielā 21, Rīgā, LV-1010 Iespiests SIA “Dardedzes hologrāfija", Ķengaraga ielā 10a, Rīgā, LV-1063 Noskanējis grāmatu un  failu izveidojis Imants Ločmelis imantslochmelis@inbox.lv Yandex – GRĀMATAS - https://disk.yandex.ru/d/2JO3dvhReBIF-A

A short story by Andy Weir

Area X has been cut off from the rest of the continent for decades. Nature has reclaimed the last vestiges of human civilization. The first expedition returned with reports of a pristine, Edenic landscape; all the members of the second expedition committed suicide; the third expedition died in a hail of gunfire as its members turned on one another; the members of the eleventh expedition returned as shadows of their former selves, and within months of their return, all had died of aggressive cancer. This is the twelfth expedition. Their group is made up of four women: an anthropologist; a surveyor; a psychologist, the de facto leader; and our narrator, a biologist. Their mission is to map the terrain and collect specimens; to record all their observations, scientific and otherwise, of their surroundings and of one another; and, above all, to avoid being contaminated by Area X itself. They arrive expecting the unexpected, and Area X delivers—they discover a massive topographic anomaly and life forms that surpass understanding—but it’s the surprises that came across the border with them, and the secrets the expedition members are keeping from one another, that change everything

A journey through the unforgiving expanse of the endless Abyss awaits. At the end of that journey a ragged band of dark elves hope to find Lolth herself. Through they've managed to survive the fall of Ched Nasad, the demon-haunted ruins of Myth Drannor, and the vicious cunning of aboleth slave-masters, the Underdark is child's play compared to the chaotic infinity of the Demonweb Pits. They'll go to find the truth but may well find only Annihilation

Высокий уровень, сплоченная команда, знания и опыт. Виктор многого достиг, и стремится достигнуть еще больше. Однако вокруг скалят зубы порождения Катастрофы, набирают мощь старые враги и выходят на арену новые. Хватит ли Санитару и его союзникам сил для победы? Или хотя бы просто - для выживания?

Действие романа «Anno domini» основано на реальных событиях в Украине, охваченной так называемой «оранжевой» революцией. Роман изобилует острыми поворотами сюжета, эпизодами приключенческого характера, способными заинтересовать читателя любого возраста и пола. В то же время главный герой находится в поисках философского смысла жизни, своего места в ней. Захватывающее повествование читается на одном дыхании, привлекает своей чистотой, искренностью, узнаваемостью нашей с вами действительности, и в то же время не содержит сцен насилия и жестокости. В целом роман пробуждает добрые чувства, светлую печаль и сочувствие к героям

Высокий уровень, сплоченная команда, знания и опыт. Виктор многого достиг, и стремится достигнуть еще больше. Однако вокруг скалят зубы порождения Катастрофы, набирают мощь старые враги и выходят на арену новые. Хватит ли Санитару и его союзникам сил для победы? Или хотя бы просто - для выживания?

In ANNOYING: The Science of What Bugs Us, NPR science correspondent Joe Palca and Flora Lichtman, multimedia editor for NPR’s Science Friday, take readers on a scientific quest through psychology, evolutionary biology, anthropology, and other disciplines to uncover the truth about being annoyed. What is the recipe for annoyance? For starters, it should be temporary, unpleasant, and unpredictable, like a boring meeting or mosquito bites. For example, why is that guy talking on his cell phone over there so annoying? For one, it’s unpleasant and distracting. Second, we don’t know, and can’t control, when it will end. Third, we can’t not listen! Our brains are hardwired to pay close attention to people talking and follow the conversations. The loud chatter pulls our brains away to listen to half of something we’re never going to understand. In ANNOYING Palca and Lichtman can talk about annoyingness in any context: business, politics, romance, science, sports, and more. How often can you say you’re happily reading a really ANNOYING book? The insights are fascinating, the exploration is fun, and the knowledge you gain, if you act like you know everything, can be really annoying. http://annoyingbook.com/