This mugger is special. He preys on women, waiting in the darkness… then comes from behind, attacks them, and snatches their purses. He tells them not to scream and as they're on the ground, reeling with pain and fear, he bows and nonchalantly says, “Clifford thanks you, madam.” But when he puts one victim in the hospital and the next in the morgue, the detectives of the 87th Precinct are not amused and will stop at nothing to bring him to justice. Dashing young patrolman Bert Kling is always there to help a friend. And when a friend's sister-in-law is the mugger's murder victim, Bert's personal reasons to find the maniacal killer soon become a burning obsession… and it could easily get him killed

The dynamic new President of the United States, James J. Halliday, seems determined to singlehandedly turn an embittered nation around from economic, political, and social ruin. No one could be prouder than his devoted press secretary Meric Albano. But is the President accomplishing this monumental task alone? After one of the President’s rare public appearances, a derelict is found dead nearby. A derelict who not only looks like the President, but whose blood, retinas, even fingerprints match those of the man in charge. Is the real President, the man Albano swore loyalty to, still in office? Is this part of a plot to topple American democracy? That’s what Albano has to find out—if he doesn’t, his life, as well as his country, will be destroyed…

Ramses the Great has awakened in Edwardian London. Having drunk the elixir of life, he is now Ramses the Damned, doomed forever to wander the earth, desperate to quell hungers that can never be satisfied. Although he pursues voluptuous aristocrat Julie Stratford, the woman for whom he desperately longs is Cleopatra. And his intense longing for her, undiminished over the centuries, will force him to commit an act that will place everyone around him in the gravest danger

As a television news correspondent, Alex Callahan has traveled to some of the most dangerous corners of the globe, covering famine, plague, and war. He’s seen more than his share of blood and death, and knows what it means to be afraid. But what he’s never known is the terror that grabs him when, on a tranquil summer afternoon, he ceases to be an observer of the dark side and, to his shock, becomes enmeshed in it. Separated from his wife, and struggling not to become a stranger to his six-year-old twin sons, Alex is logging some all-too-rare quality time with the boys when they vanish without a trace amid the hurly-burly of a countryside Renaissance Fair. Then the phone call comes. A chilling silence, slow, steady breathing, and the familiar, plaintive voice of a child – "Daddy?" – complete the nightmare and set in motion a juggernaut of frenzy and agony. The longer the police search, exhausting leads without success, the deeper Alex’s certainty grows that time is running out. And when, at last, telltale signs reveal a hidden pattern of bizarre and ghoulish abductions, Alex vows to use his own relentless investigative skills to rescue his children from the shadowy figure dubbed The Piper. Whoever this elusive stranger is, the profile that slowly emerges – from previous crimes involving twins, from the zealously secret world of professional magicians, and from the eerie culture of voodoo – suggests that The Piper is a predator unlike any other. A twisted soul hell-bent on fulfilling an unspeakably dark dream. A fiend with a terrifying true calling. What Alex Callahan is closing in on is a monster with a mission

Alex Delaware's relationship with his longterm partner is on the rocks. He is floored when Robin announces she's heading off on a three-month music tour. But he soon has other things to think about. He is sent an envelope with no return address. Inside, he finds an album with gold letters on it – THE MURDER BOOK. It's full of macabre pictures of murders, with brief descriptions of how, and why, the victims died. One picture is marked 'Not solved' – the horrifically mutilated body of a young woman. Unsettled, Alex calls his friend, LAPD detective Milo Sturgis, who seems strangely familiar with the case. What connects the photograph with Milo 's past? What's more, why has it been sent to Alex – and by whom? Ingenious, shocking, unpredictable, THE MURDER BOOK is a masterpiece of suspense fiction that is Jonathan Kellerman at his best

"Very clever. I really am a fan." – R L Stine Lord Remnant's eccentric parties on his privately owned Caribbean island of Grenadin are the stuff of legends… but then the 12th Earl suddenly dies in the course of an amateur production of The Murder of Gonzago, the play within a play in Hamlet. The Times obituary gives the cause of death as "heart attack." However, an anonymous video tape showing Lord Remnant's final moments makes it clear that the nobleman's demise was far from natural. As it happens so often, Antonia and Hugh Payne get involved in the sinister events surrounding Lord Remnant's death entirely by accident. They are intrigued by the boldness of the murder, which seems to have been committed within a full view of Lord Remnant's wife Clarissa and their four guests. Who killed Lord Remnant? Was it his drug-addicted stepson Stephan? Was it Clarissa's Aunt Hortense, whose past contains a dark and shocking secret? Was it, as Stephan claims, the demonic "Grimaud"? Or perhaps it is the elusive Mr. Quin, who is left a vast amount of money in Lord Remnant's will, for no apparent reason

On a wet, gray night in early November, Charlo Torp, a former gambler who’s only recently kicked the habit, makes his way through the slush to Harriet Krohn’s apartment, flowers in hand. Certain that paying off his debt is the only path to starting a new life and winning his daughter’s forgiveness, Charlo plans to rob the wealthy old woman’s antique silver collection. What he doesn’t expect is for her to put up a fight. The following morning Harriet is found dead, her antique silver missing, and the only clue Inspector Sejer and his team find in the apartment is an abandoned bouquet. Charlo should feel relieved, but he’s heard of Sejer’s amazing record — the detective has solved every case he’s ever been assigned to. Told through the eyes of a killer, The Murder of Harriet Krohn poses the question: how far would you go to turn your life around, and could you live with yourself afterward?

A riveting and jaw-dropping novel about David Abelman, who goes back in time and murders Jesus when he was a teenager. What David doesn’t expect is for Jesus to reappear today as a 19-year old girl in upstate New York. Would he believe? Would you?

Since 1922, when Howard Carter discovered Tut's 3,000-year-old tomb, most Egyptologists have presumed that the young king died of disease, or perhaps an accident, such as a chariot fall. But what if his fate was actually much more sinister? Now, in The Murder of King Tut, James Patterson and Martin Dugard chronicle their epic quest to find out what happened to the boy-king. The result is a true crime tale of intrigue, betrayal, and usurpation that presents a compelling case that King Tut's death was anything but natural

Miranda Shaw was a rich and recent widow in her early fifties. The head lifeguard at the Penguin Beach Club, Grady Keaton, was exactly half her age. When Grady and Miranda dropped out of sight at the same time, rumors began to circulate among the other members and employees of the club. And when Admiral Young’s two somewhat addled daughters, Cordelia and Juliet, spotted some of Miranda’s jewels at an estate auction, the rumors darkened and the hunt was on. Tom Aragon, the engaging lawyer who solved the bizarre mystery in Ask for Me Tomorrow, has to undertake an even stranger case in Margaret Millar’s new tragicomedy. Aragon has the dubious assistance of nine-year-old Frederic Quinn, who boasts of his Mafia connections at private school. Adding to the confusion is Mr. Van Eyck, who, under cover of age and convenient spells of deafness, eavesdrops on his fellow members and commits his findings to paper in the form of anonymous letters. Margaret Millar’s new novel is one of her best, and certainly her funniest. Its structure is as dazzling as its prose is witty. The author contrives to postpone the full solution until the last words of the final sentence, when the elements of the plot come together and the characters who sustain it, living and dead, are shown in tragic relation to each other

Despite journalist Capuzzo's obvious reverence for the crime fighters he profiles, his account of the formation of the legendary Vidocq Society is as scattered as many of the cold case files they wade through. Based in Philadelphia, the Vidocq Society was the brainchild of three wildly different men brought together by their desire to speak for the dead: freewheeling exboxer turned forensic sculptor Frank Bender; FBI and U.S. Customs agent William Fleisher; and pre-eminent forensic psychologist and profiler Richard Walter. What began as an informal meeting of colleagues in 1990 evolved into an expansive international think tank of sorts modeled and named after France 's famed criminal-turned-sleuth EugeÌÇne Vidocq, a model for Sherlock Holmes. The cases-ranging from Philadelphia's long-festering "Boy in the Box" murder to the "Butcher of Cleveland," a serial killer who taunted Elliot Ness in the 1930s-are fascinating, but Capuzzo (Close to Shore) loses much of his narrative momentum by abruptly shifting between the founding members' individual backstories and homicides the society investigates. Yet there is no denying that the 82 "VSMs"(Vidocq Society Member) do an immeasurable service in the name of justice. *** "Once again Michael Capuzzo shows he is one of our most brilliant storytellers. The Murder Room is a gripping page turner, masterfully drawn and full of truth, dedication and darkness." – Michael Connelly

Рассказ вошёл в сборники: The Golden Apples of the Sun (Золотые яблоки солнца) The Stories of Ray Bradbury (И грянул гром: 100 рассказов)

A brilliant, deeply dedicated psychologist, Grace Blades has a gift for treating troubled souls and tormented psyches — perhaps because she bears her own invisible scars: Only five years old when she witnessed her parents’ deaths in a bloody murder-suicide, Grace took refuge in her fierce intellect and found comfort in the loving couple who adopted her. But even as an adult with an accomplished professional life, Grace still has a dark, secret side. When her two worlds shockingly converge, Grace’s harrowing past returns with a vengeance. Both Grace and her newest patient are stunned when they recognize each other from a recent encounter. Haunted by his bleak past, mild-mannered Andrew Toner is desperate for Grace’s renowned therapeutic expertise and more than willing to ignore their connection. And while Grace is tempted to explore his case, which seems to eerily echo her grim early years, she refuses — a decision she regrets when a homicide detective appears on her doorstep. An evil she thought she’d outrun has reared its head again, but Grace fears that a police inquiry will expose her double life. Launching her own personal investigation leads her to a murderously manipulative foe, one whose warped craving for power forces Grace back into the chaos and madness she’d long ago fled

From the internationally bestselling author of The Miniaturist comes a captivating and brilliantly realized story of two young women — a Caribbean immigrant in 1960s London, and a bohemian woman in 1930s Spain — and the powerful mystery that ties them together. England, 1967. Odelle Bastien is a Caribbean émigré trying to make her way in London. When she starts working at the prestigious Skelton Art Gallery, she discovers a painting rumored to be the work of Isaac Robles, a young artist of immense talent and vision whose mysterious death has confounded the art world for decades. The excitement over the painting is matched by the intrigue around the conflicting stories of its discovery. Drawn into a complex web of secrets and deceptions, Odelle does not know what to believe or who she can trust, including her mesmerizing colleague, Marjorie Quick. Spain, 1937. Olive Schloss, the daughter of a Viennese Jewish art dealer and English heiress, follows her parents to Arazuelo, a poor, restless village on the southern coast. She grows close to Teresa, a young housekeeper, and her half-brother Isaac Robles, an idealistic and ambitious painter newly returned from the Barcelona salons. A dilettante buoyed by the revolutionary fervor that will soon erupt into civil war, Isaac dreams of being a painter as famous as his countryman, Picasso. Raised in poverty, these illegitimate children of the local landowner revel in exploiting this wealthy Anglo-Austrian family. Insinuating themselves into the Schloss’s lives, Teresa and Isaac help Olive conceal her artistic talents with devastating consequences that will echo into the decades to come. Rendered in exquisite detail, The Muse is a passionate and enthralling tale of desire, ambition, and the ways in which the tides of history inevitably shape and define our lives

Spanning sixty tumultuous years of Ukrainian history, this multigenerational saga weaves a dramatic and intricate web of love, sex, friendship, and death. At its center: three women linked by the abandoned secrets of the past—secrets that refuse to remain hidden. While researching a story, journalist Daryna unearths a worn photograph of Olena Dovgan, a member of the Ukrainian Insurgent Army killed in 1947 by Stalin’s secret police. Intrigued, Daryna sets out to make a documentary about the extraordinary woman—and unwittingly opens a door to the past that will change the course of the future. For even as she delves into the secrets of Olena’s life, Daryna grapples with the suspicious death of a painter who just may be the latest victim of a corrupt political power play. From the dim days of World War II to the eve of Orange Revolution, The Museum of Abandoned Secrets is an “epic of enlightening force” that explores the enduring power of the dead over the living

LAPD Lieutenant Milo Sturgis has solved a lot of murder cases. On many of them — the ones he calls “different” — he taps the brain of brilliant psychologist Dr. Alex Delaware. But neither Alex nor Milo are prepared for what they find on an early morning call to a deserted mansion in Bel Air. This one’s beyond different. This is predation, premeditation, and cruelty on a whole new level. Four people have been slaughtered and left displayed bizarrely and horrifically in a stretch limousine. Confounding the investigation, none of the victims seems to have any connection to any other, and a variety of methods have been used to dispatch them. As Alex and Milo make their way through blind alleys and mazes baited with misdirection, they encounter a crime so vicious that it stretches the definitions of evil

The Museum of Eterna’s Novel (The First Good Novel) is the very definition of a novel written ahead of its time. Macedonio (known to everyone by his unusual first name) worked on this novel in the 1930s and early ’40s, during the heyday of Argentine literary culture, and around the same time that At Swim-Two-Birds was published, a novel that has quite a bit in common with Macedonio’s masterpiece. In many ways, Museum is an “anti-novel.” It opens with more than fifty prologues — including ones addressed “To My Authorial Persona,” “To the Critics,” and “To Readers Who Will Perish If They Don’t Know What the Novel Is About”—that are by turns philosophical, outrageous, ponderous, and cryptic. These pieces cover a range of topics from how the upcoming novel will be received to how to thwart “skip-around readers” (by writing a book that’s defies linearity!). The second half of the book is the novel itself, a novel about a group of characters (some borrowed from other texts) who live on an estancia called “la novella”. . A hilarious and often quite moving book, The Museum of Eterna’s Novel redefined the limits of the genre, and has had a lasting impact on Latin American literature. Authors such as Jorge Luis Borges, Julio Cortázar, and Ricardo Piglia have all fallen under its charm and high-concepts, and, at long last, English-speaking readers can experience the book that helped build the reputation of Borges’s mentor

Mesmerizing and illuminating, Alice Hoffman’s The Museum of Extraordinary Things is the story of an electric and impassioned love between two vastly different souls in New York during the volatile first decades of the twentieth century. Coralie Sardie is the daughter of the sinister impresario behind The Museum of Extraordinary Things, a Coney Island boardwalk freak show that thrills the masses. An exceptional swimmer, Coralie appears as the Mermaid in her father’s “museum,” alongside performers like the Wolfman, the Butterfly Girl, and a one-hundred-year-old turtle. One night Coralie stumbles upon a striking young man taking pictures of moonlit trees in the woods off the Hudson River. The dashing photographer is Eddie Cohen, a Russian immigrant who has run away from his father’s Lower East Side Orthodox community and his job as a tailor’s apprentice. When Eddie photographs the devastation on the streets of New York following the infamous Triangle Shirtwaist Factory fire, he becomes embroiled in the suspicious mystery behind a young woman’s disappearance and ignites the heart of Coralie. With its colorful crowds of bootleggers, heiresses, thugs, and idealists, New York itself becomes a riveting character as Hoffman weaves her trademark magic, romance, and masterful storytelling to unite Coralie and Eddie in a sizzling, tender, and moving story of young love in tumultuous times. The Museum of Extraordinary Things is Alice Hoffman at her most spellbinding. http://www.youtube.com/watch?v=ed1ro2HWTyQ

The story of Kemal, the half-hearted industrialist who is the hero of The Museum of Innocence, Orhan Pamuk's first novel since he won the Nobel Prize for Literature, is a deeply private one, built around an often inexplicable obsession that he attempts to justify to the reader. In honor of Füsun, the poor, beautiful cousin he had a short affair with when he was 30 and engaged to another, he has hoarded a museum of relics, both of their time together and of the much longer time when, like Gatsby drawn by the green light on Daisy's dock, he hovered at the edge of her life, held in check (but yet held nearby) by the proprieties of Turkish society. From Kemal's passion Pamuk constructs a masterful meditation on time, desire, and possession, saturated with the details of the city of Pamuk 's youth: the brand names, the film stars, the streets, the intricate social relations between classes and between modernity and tradition. It's as if the museum of the title was built in honor not of Füsun but of Istanbul, circa 1975

His name is Derek Harrisford. Many years ago, he had a hit song that briefly pushed him into the limelight. Now he’s all but forgotten, a man who few remember. But then, one night, everything changes. In an instant, people all over the world forget how to play music. Nobody can pick out a tune on a guitar, or sing a song, or hum, or even remember how music sounded. Only a few people have any musical ability left, and even they are rapidly running out. And Derek is one of those people. As the lack of music drives the world crazy, Derek is forced to flee his home. He soon discovers the shocking truth about what has happened, and about the strange creatures that have come to steal every last note. Before he can even try to save the day, however, Derek discovers that he’s being pursued. As a man who can still play a few notes on the guitar, he’s in high demand. And one of the world’s richest men will stop at nothing to make him perform. The Music Man is a tale of horror and science-fiction, about a world that can’t survive without music, and about a man who might just be able to save human civilization from collapse

The Musical Brain & Other Stories consists of twenty stories about oddballs, freaks, and crazy people from the writer The New York Review of Books calls the novelist who can t be stopped. The author of at least eighty novels, most of them barely 96 pages each, with just nine of them so far published into English, Aira s work, and his fuga hacia adelante or flight forward into the unknown has already given us imponderables to ponder, bizarre and seemingly out of context plotlines to consider, thoughtful, and almost religious, certainly passionate takes on everyday reality. The Musical Brain is the best sampling of Aira s creativity so far, and a most exhilarating collection of characters, places, and ideas."

Next in the swashbuckling series featuring mystery-solving Musketeers. In a search for his apprentice's killer, Musketeer Porthos rallies his friends to discover who was responsible, pursuing the truth even as he puts his own life in danger

The modern German classic that has shaped an entire generation. A mother and her two teenage children sit at the dinner table. In the middle stands a large pot of cooked mussels. Why has the father not returned home? As the evening wears on, we glimpse the issues that are tearing this family apart. "I wrote this book in August 1989, just before the fall of the Berlin Wall. I wanted to understand how revolutions start. It seemed logical to use the figure of a tyrannical father and turn the story into a German family saga."