In exile for more than twenty years, Ngugi wa Thiong'o has become one of the most widely read African writers of our time, the power and scope of his work garnering him international attention and praise. His aim in "Wizard of the Crow" is, in his own words, nothing less than 'to sum up Africa of the twentieth century in the context of 2,000 years of world history.' Commencing in 'our times' and set in the 'Free Republic of Aburiria', the novel dramatises with corrosive humour and keenness of observation a battle for control of the souls of the Aburirian people. Fashioning the stories of the powerful and the ordinary into a dazzling mosaic, Ngugi reveals humanity in all its ceaselessly surprising complexity. Informed by richly enigmatic traditional African storytelling, "Wizard of the Crow" is a masterpiece, the crowning achievement in Ngugi wa Thiong'o's career thus far

Seattle: a place as magical as the Emerald City. Subtle magic seeps through the cracks in the paving stones of the sprawling metropolis. But only the inhabitants who possess special gifts are open to the city's consciousness; finding portents in the graffiti, reading messages in the rubbish or listening to warnings in the skipping-rope chants of children. Wizard is bound to Seattle and her magic. His gift is the Knowing — a powerful enchantment allowing him to know the truth of things; to hear the life-stories of ancient mummies locked behind glass cabinets, to receive true fortunes from the carnival machines, to reveal to ordinary people the answers to their troubles and to safeguard the city's equilibrium. The magic has its price; Wizard must never have more than a dollar in his pocket, must remain celibate, and he must feed and protect the pigeons. But a threat to Seattle has begun to emerge in the portents. A malevolent force born of Wizard's forgotten past has returned to prey upon his power and taunt him with images of his obscure history; and he is the only wizard in Seattle who can face the evil and save the city, his friends and himself

Millions of readers the world over have been held spellbound by this valiant tale vividly told. Now, enter Terry Goodkind’s world, the world of The Sword of Truth. In the aftermath of the brutal murder of his father, a mysterious woman, Kahlan Amnell, appears in Richard Cypher’s forest sanctuary seeking help . . . and more. His world, his very beliefs, are shattered when ancient debts come due with thundering violence. In their darkest hour, hunted relentlessly, tormented by treachery and loss, Kahlan calls upon Richard to reach beyond his sword—to invoke within himself something more noble. Neither knows that the rules of battle have just changed . . . or that their time has run out. This is the beginning. One book. One Rule. Witness the birth of a legend

Dear Reader: When Ryder Sherbrooke finds a child nearly beaten to death in an alley in Eastbourne, he takes her home to Brandon House. She doesn't speak for six months. Her first words, oddly enough, are a haunting song: I dream of beauty and sightless night I dream of strength and fevered might I dream I'm not alone again But I know of his death and her grievous sin. Ah, and just what does this strange song mean that was seemingly imprinted on the child's brain? She names herself Rosalind de la Fontaine since she cannot remember who she is. In her first season in London in 1835, under the aegis of the Sherbrookes, she meets Nicholas Vail, the 7th Earl of Mountjoy, newly arrived from Macau. It is instant fascination on both their parts, but for different reasons. With Grayson Sherbrooke, they are led to an ancient copy of a mysterious book written by a sixteenth-century wizard. The book is written in a baffling code that neither Grayson nor Nicholas can read. But Rosalind can, easily. Strange things start happening. Both Nicholas and Rosalind know it has to do with the old book and, perhaps, even her past, particularly the song she first sang as a child. The urgency builds as they realize Rosalind is the key to a centuries-old mystery. Enjoy, Catherine Coulter

The War of Souls is over, and the gods of magic have returned to Krynn. The two most powerful wizards in the world, Dalamar of the Black Robes and Jenna of the Red, join forces to seek and enter the Tower of High Sorcery in Wayreth Forest. The Tower has been conquered by evil, and wizards everywhere are summoned for a high council—the first new conclave. The future of magic will depend on controlling wild sorcery—and on the whim of a mysterious newcomer to the hallowed arts

What "Wiz" Zumalt could do with computers was magic on Earth. Then, one day the master computer hacker is called to a different world to help fight an evil known as the "Black League". Suddenly, the "Wiz" finds himself in a place governed by magic — and in league with a red-headed witch who despises him

Wizard’s Eleven sets out, perhaps more clearly than in the previous books, the world of the True Game, the society of Gamesmen, and the nature of Talents. Like most of Tepper’s books, it also raises questions of law versus justice, the appropriate use of power, and the ethics of concealing one’s gifts or nature